#these aren’t amazing

[bearlytolerant]

fen harel

[pasukiyo]

the change from tess being killed by soldiers in the game to the mob of infected coming to the capitol building and her blowing the place up while simultaneously sacrificing herself… like yes she sacrificed herself in the game but her sacrifice in the show just seems so much more meaningful now. it may just be the second episode but the show has yet again proven just how much care and heart has been put into this series. this really is a love letter to the ones who played the game and have connected with the story for all these years like myself. i’m so in love and am just so in awe of this show, it’s like i’m playing the game again for the very first time.

[bananafire11]

DTIYS entree for @rorydrawsandwrites !! CONGRATS!!! You deserve all your followers and more

[scalefeathers]

So I was rewatching the first episode of Blue Eye Samurai and I noticed this time that near the end we get these three moments back to back to back:

First, Mizu letting down their hair

Then Akemi putting up her hair

And then there's Taigen.

[huiyi07]

Kaeya who is the most two faced character in the game. Kaeya who has the aura of a great king but shuns it out of his unending love for the nation he’s supposed to betray. Kaeya who loves the people around him so deeply despite barely having any kind of close relationship with his own family. Kaeya whose seemingly over-the-top grandeur is actually a product of his royal heritage and a part of himself he can’t help but claim. Kaeya who wears Khaenri’ahn symbolism boldly whenever he finds he has the freedom to, right alongside his celestia- given vision. Kaeya who fights for the valor and freedom of Mondstadt with a forsaken nation’s long-lost ceremonial bladework. Kaeya who laughs in the traveler’s face at the idea of being associated with Khaenri’ah but keeps a record of the Alberich family’s motto right alongside his childhood objects with Diluc. Kaeya who yearns for his home Khaenri’ah, his forgotten nation, and at the same time yearns for a home in Mondstadt as well despite living there. Kaeya who has not once slept peacefully at night and wake up without guilt. Kaeya who will never truly be able to pick an outcome where he can save everyone he loves. Kaeya who was doomed from the start.

[rotomartsblog]

I like this jester

No effects and regular colours under cut

[timethehobo]

Had to doodle it. Inquisitor really out here swapping out those skintight beige inquisition pjs for skintight tevinter pjs… 😂

[harryzroze]

HES HERE HES HERE AAAA

[chronicsyd]

ok I KNOW I'm spam posting at this point and I don't mean to but can we talk about the Ingeniousness of the "Appointing a General" scene and how Ambessa essentially cornered Caitlyn into this role?

Because despite what people are saying, Caitlyn did not skip up there like "Ohh power! Awesome! Gimme!", this is a decision that she was Forced to make (unlike if the role was given to say, Salo, because he was already starting to lift himself up, ready for Ambessa to give him his glory. He Wants power, he Craves it).

And you can see it from the Moment Ambessa calls out her name. The first emotion to appear is shock, clearly she wasn't expecting her name to be brought up. Wide eyed, she can see these families that Have Influence (because that's who Ambessa Specifically told Salo to bring) start to nod in approval, because like Salo said, the Kiramman name bewitches people, that's All it takes to get them to agree. She's taking rapid breaths as Ambessa and the Noxian soldiers start to pound their chests, her eyes are shaking, almost like she's about to have an anxiety attack with having the spotlight thrust upon her in such a way. She looks down, almost as if trying to ground herself.

But then she notices Maddie on her right, pounding her chest as well, smiling up at her. Which in turn, causes her fellow Enforcers to nod and start pounding their chests as well. Everyone Else in the room (with the exception of Salo) Wants this from her, they Expect her to "make the right choice", and it's at that point where saying "no" is no longer an option for her, not with the crisis they're dealing with, But more importantly, not with the Status of her Name. And she looks back up at Ambessa, making eye contact again. That's when she tells Caitlyn to "come, child."

In the way you watch Caitlyn walk up to her, her face is completely numb. she's not walking up there with a smile, her face shows almost no emotion at all. and when Ambessa leans in to swear her mother justice, she simply wears a blank stare, there's no look of anger or determination or anything, I'd say it looks like she's disassociating. what's also interesting is after Ambessa's done speaking and Caitlyn turns back around, there's no sound. the Enforcers and Noxian soldier's are still pounding their chests, you can see it, but you can't hear it, which as someone who disassociates a lot from anxiety is exactly what happens when you’re that overwhelmed. It remains silent as Caitlyn raises out her hand, Ambessa watching in anticipation, before the final sound is Caitlyn hitting her own chest, the wind whistling quietly behind her. but one thing to also bring up is specifically When she turns around, because her face does change, and that's apart of her looking like she's holding herself together that we've seen from her throughout the Entirety of this act. looking like she isn't bothered by this, that she's willing to accept this new responsibility placed on her shoulders. compare that to the look she was Just wearing, that face says more "resigned to my fate", she isn't being given a choice here, not really.

This entire thing is an internal struggle for her. Because yes, she still craves revenge against Jinx, but is THIS really the way she wants to go about it? Because despite what Caitlyn's done herself, she hasn't been thrown an Army and been Expected to lead a War against Zaun, this is entirely new territory that she's walking into. And now, she's no longer allowed to back down.

Ambessa using peer presser to get Caitlyn to do what she wants, what a Genius. and what an ASSHOLE (yes I’m pissed at Ambessa and can’t Wait for Caitlyn to rain hellfire down on her once she realizes what she’s pulled).

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

[xcitrix]

Guess who did an art collabbbbb

Me, it was me.

WITH MY BESTIE @jam-lover

Here’s our little soukoku drawing!! :)) I drew Dazai and she drew Chuuya! I love seeing how different our styles are, and how they look together, it’s so funnn

And here’s just Dazai under the cut :)

[antiquepearlss]

I’m too tired to post an essay but my girl was just a victim of bad writing and a lack of critical thinking from the audience okay I love her.

[kitabearuwu]

Hey, here from the sketch request post :D

This may not be within reason and I understand if not but: Dankash (Daniel Kon x Kash) being toxic. Maybe working on the mind control devices together in a gay way 🏳️‍🌈

But my liege, our love is forbidden!

[yesssssss-anime]

I seriously hope that Hollywood media just fails for a while so companies will finally realise how important their actors and writers are. I hope they come to see that ai can’t be used for everything. Also I find it funny how these companies think that we’re not going to support the strikers just because we won’t get some new Hollywood media for a while. I think they forgot that Hollywood isn’t the only place in the world creating amazing tv shows and movies. We have k-dramas, Thai-drama, anime, Tollywood and Bollywood movies. This isn’t the end of entertainment for us. If we don’t want to watch foreign media we still have old shows and movies that are great. I mean I can finally start watching those old Hollywood movies I’ve been planning to watch. So sure threaten us with the lack of media…we still having everything we need. The only person who’s in trouble because of the strikes is the goddamn companies. So screw you and have fun not making any money.

[tempesttamers]

Ok but Anthony Ramos in Godzilla: King of Monsters (2019) makes for decent imagery of Javi in the military…

[amethyst-crowns]

“And Steve’s already followed him to Hell and back. What’s one more stop?”

fanart from @strangersatellites ‘s fic “trouble’s always gonna find you baby (but so am i)”

(individual versions under the cut)