#these all coexist. there are no 'but's here

[chronicdelusionistsart]

So I have been watching Danny Phantom for the first time ever with my friends and I'd kind of previously known about its reputation as a show whose fanbase dives a lot more into the lore than the show is willing to. And I guess I hadn't really understood why until now (I just finished Season 2!). Here's my sort of rambling thoughts on it.

Danny Phantom isn't a show about the horror of ghosts and the dead coexisting in the human realm. It's a show about dropping the most out of pocket lore implications you can imagine on people who in turn say things that would kill a therapist dead equally out of pocket, and then neither are addressed but the watcher has to live with the ghost of the plot that is right behind them but they can't turn around.

DP is a little hit and miss in places, but the very thing that drives people nuts about it is actually I think maybe its greatest strength: it really pulls off show, don't tell effectively. How much of that is intentional is up for debate, but the best episodes kinda leave you wondering, or sputtering like "UH, HEY, BACK UP - HEY BACK UP AND UNPACK THAT -" Is Danny's human body technically alive somehow, or is he a walking corpse? Does Danny have a door in the Ghost Zone? Were Vlad's clones feeling and sentient as they melted into ectoplasm, despite Danny's guess that they weren't? What does it say about Danny that he still erased his parents' memories after finding out they'd accept him as he is?

I think the genius of not answering these questions directly is that it's both funnier AND scarier not to. We can laugh about how fucked up it is and kinda hold our heads like "bro.... did they really just imply that, holy shiiiiiit", and that's really consistent with the emotional core of the show as this knife's-edge dance between teen comedy and horror superhero. Fully explaining the lore or being more direct about how the information is conveyed by and to the characters tips that balance and changes the show into something else, for better or for worse. And I really earnestly like it as it is, even if it's very of its time (sexism.......)! It's a really fun show with some depth to it.

Anyway, I can't wait to watch season 3! I sure hope all these wonderful qualities I like about it hold up!

[tskumoyuuma]

it is very telling seeing whether people come out after watching "quiet on set" w the mindset of "yes drake bell was sexually abused as a minor BUT he also plead guilty to inappropriate interactions w a minor a few years ago" or "yes drake bell plead guilty to inappropriate interactions with a minor a few years ago BUT he was also sexually abused as a minor".

[daisy-mooon]

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

[charrfie]

Spamton cares so much about other people and I'm tired of pretending he doesn't

[punisheye]

"Sorry. That crossed the line..." He mumbles upon seeing the way the younger Stampede tenses up. Jeez, he's really good at saying the wrong thing, isn't he? He feels extremely out of his element. Flying by the seat of his pants here, honestly.

He sits and listens quietly, and even if he might want to argue he's lost most of his fight. The candy wrapper is crumpled up in his palm. Too risky to try to make the shot into the nearby trashcan, the breeze could pick up and steal it away.

"I'll be honest," he grunts, which sounds funny coming from him. But he means it, at least. Because he wants things to be okay, and he wants to be able to properly coexist with his husband again without feeling like he's walking on eggshells. Without feeling like maybe it wasn't all a mistake. Shit hitting the fan all at once right after getting back from their honeymoon should have been a bad omen, right?

Wolfwood rubs his finger over his wedding band. It's a comforting gesture, despite everything.

"I already told Nicholas I ain't gonna come callin' again after he let me have it. He wants nothin' to do 'bout any of it. What the hell am I supposed to do 'bout him?"

Sit on my hands so I don't fuckin' hurt his feelings? He almost bites out, but thinks better of it.

And, unfortunately for Stamps, Wolfwood quickly squashes his hopes: "No. If he wants to, he ain't told me. Kinda surprised he didn't say nothin' to ya when he walked out on me for a week."

What comes out of Wolfwood's mouth first instantly has the Stampede stiffen in place, holding his breath. There's a moment or two where the man nearly looks like he'll actually snap at this crossed boundary, affirm that the priest shouldn't push his luck.

But, eager to keep the peace, the pacifist instead tilts his head further away and places the lollipop back into his mouth.

He doesn't perk up at what Wolfwood has to put forward next, either. Vash audibly crunches up the rest of the candy and removes the stick from his mouth, the sweet caramel dissolved from the sour taste of green apple.

"M'kay. Let's slow down a sec'." The wellbeing of his predecessor has been at the forefront of Stamps' mind—while it isn't surprising to hear that Vash has continued to act distantly even now, it's still concerning to hear. The plan sounds nice in some merits (certainly, he'd want these two to reaffirm their bond, especially since they're married now), but in some ways it sounded…

A lot like running away.

"Okay, so. Stay with me, 'cause it's gonna sound funny comin' from me, but maybe just be honest with him about what you're tryin' t'do, here? T-To start, at least. "Try bein' honest about how you feel, n'what you want, for both of you. Listen to how he's been feeling, too. "If he wants t'hear ideas from you, that'd be a good spot to bring it up, I think. It's just—um, kinda hard t'think about you goin' through with this without pissing off Nicholas even more, ahaha. So what's your plan for him...?

Stamps attempts not to sound so hopeful when he asks, head turning over his shoulder cautiously: "And—did Vash seem like he's wanted t'talk t'me about what happened…?"

[val-of-the-north]

-

You think they coexisted at some point? It would have probably been hilarious if they did lol

[thawthebeez]

i love reading haikyuu tiktok shipping discourse comment sections. it's so entertaining seeing so many people with such bad taste.

[jamiesfootball]

After careful consideration and a lot of angry tags, I think I have pinpointed for me where Ted Lasso, especially season three, fails to succeed all the way at the themes it explores.

The narrative uses the deconstruction of toxic masculinity to paint their characters as being stronger for having let go of their preconceived notions of acceptable behavior - but the narrative also never lets their characters be weak or fragile without having toxic masculinity to blame. And there are a lot of situations in this show where you would expect someone to go ‘hey man, are you okay? Are you doing alright? because that was a shit thing that happened. it’s okay if you’re not okay.’

And it never does.

There’s an undercurrent in how scenes play out that suggests that the male characters should be strong enough to deal with hand they’ve been dealt. The narrative suggests that they’re the ones who need corrected. They can act better, but they can not be treated better themselves as a result. The male characters are allowed to express themselves, but they are not allowed to ask for anything back from the situation.

Which is why you can have a fight with your assistant coach, but when he comes back to apologize you don’t articulate how it made you feel. You don’t tell your friend how he hurt your feelings. You just accept it and move on.

The Diamond Dogs give advice on how to handle external problems with  emotional roots. They never discuss how they feel internally on its own merit.

The closest we got to a male character just having a bad one and expressing it without a clear source of external conflict? Jamie in the boot room. And that was played for laughs.

Which is why you could be in a deep depression over losing your career of twenty years and part of your mobility, I guess. But also maybe that’s a problem of you not being able to let go, and maybe you should apologize for not moving on sooner? We should pity Roy for getting so stuck in his own shit all the time. Not because the man has lived an incredibly stressful and emotionally isolated life in a high pressure environment for so long he doesn’t have the tools to deal with it, but because the narrative would like us to know if he just stopped getting in his own way all the time, this wouldn’t be a problem.

Is your ex-wife seeing someone else, who happens to also be the person who was your marriage counselor? I don’t know man, relationships are hard. Don’t worry about how hard that must have shaken your trust in a profession that already made you feel skittish. Maybe you should stop obsessing over her and move on.

Your girlfriend can tell all your friends and coworkers how you’re too smothering. Yes, this is the ‘learn how to communicate better’ show, but that was on you, really. Good on you for apologizing for smothering her.

The women may have worrying relationships with people who love bomb them or turn out to be controlling, but Jane and Beard are just a bit weird. Don’t worry about it, Higgins.

You can take accountability for your actions, but if it was your email who was hacked - who cares? You apologized, and everyone is very proud of you. We won’t ever bring up how incredibly mortifying that must have been for you to realize, because something more mortifying happened to someone else.

You can show your emotions, but not the angry ones, not the bad ones - those you should get a hold on, no matter how warranted they are. The stronger you are, the more divorced from toxic masculinity you are, the less those things should matter.

Struggling with your abusive dad and how his relationship with you has literally scared you so badly that you keep looking over your shoulder, afraid he’ll be there? That is clearly the anger talking. This is definitely not a situation that calls for your pseudo-father figure to put his hand on your shoulder, look you in the eye, and say, “i’m really sorry to hear that, son, but you know we got your back. Ain’t nothing bad gonna happen to you while we’re here.” 

No no, this is a you problem and you can correct it by forgiving that man who hurt you. In fact, you thank him for motivating you. It was the anger that got you this far. It wasn’t getting up at 4am every morning for extra training. It wasn’t your mentor, the one invested all his time in helping you. It wasn’t the coach who gave you a second chance when you blew your whole life up to get away from that man. It wasn’t your own drive and passion and love for the sport that pushed you towards succeeding in a career you only had a one-in-a-million chance of ever getting. No, it was the anger that carried you. You should let that go. And hey - what if hypothetically speaking, he might try to be better too one day? You can’t hold it against him. You should let that go too.

Breakdowns and displays of crying are fine, but expecting people to care or show concern afterwards? The narrative doesn’t know her. The narrative will not validate that. We don’t see what happened after Wembley. We don’t see what happened when Isaac came back to the locker room after blowing up. What the show will validate, however, is moving on. Just be a goldfish, or forgive and forget. 

And finally-

Embrace your feelings, but not too hard - you can’t be trusted with them, actually.

Can you imagine that we actually got a scene of Roy telling Jamie that he was worried if either of them pursued Keeley it might ruin their friendship? Can you imagine? From the beginning they have butted heads. From the beginning, Roy has struggled to actually articulate his feelings, especially to the people they involve. And here is Roy doing exactly what the narrative has been teaching him to do - he voiced a feeling that was bothering him to the person who was involved in the problem. Unprompted. He did that on his own. After three seasons of being told that is what he should do when he has a problem, that should have been the moment of narrative reward. That would have been the audience’s release of tension: they’re still at odds, they’re still the same bull-headed people they’ve always been, but they’ve learned to talk about it. No matter what happens next, at least, they’ve gotten this far.

Instead the narrative rewarded him, and us, by having them fight it out in a back alley. Because they’re idiots, and they can’t be trusted to handle their feelings without someone else in the narrative (Keeley) setting them straight.

Yes, people backslide in real life all the time. But when the narrative backslides at the very end of the story - that’s just nihilism. That’s what this felt like - all that progress and promise that you can be better, and two of the people who struggled the most tripped at the finish line. The audience don’t even get to see them pick back up. I mean they’re fine now, I guess. They went for kebabs. I have to assume it worked out. I guess after that they found a way to be happy, but I would have preferred to see them find a way to be happy by way of their own actions. Not in a fanfic. Not by way of imagining how it went afterwards. Not by what’s implied in a montage. By the story actually showing me they could get there on their own.

And the worst part about all of this is that when the show gets it right? It fucking sings. The team coming together to repair Ola’s? That sings. Ted’s ‘ain’t nobody in this room alone’ speech? Wonderful. Trent telling Colin that ���some people need time to adjust; it’s not fair, but they do’? So delicately wielded, so painful. Beard’s speech to Nate about stealing a loaf of meth? Chef’s kiss. Ted forgiving Rebecca when he learns why she brought him to coach Richmond? The tears in his eyes when he tells her ‘divorce is hard’?

The hug at Wembley.

That’s what I wanted, from start to finale. When the show knew how to wield its empathy, it wielded it like a knife, cutting into the deepest parts of your heart.

Which is why when it does mess up, it hurts so much worse. Because by season three, the show has sunk so far into the deconstruction of things that it’s forgotten that what it fixed were not the only problems those characters ever faced. The show zoomed in too close on the themes. It forgot that at its roots, the its biggest strength has been its empathy. And that to me is where the show failed.

[tetzoro]

i don’t think i’ve talked about it much on this blog because tbh it’s a really difficult thing for me to talk about in general but a year ago today, i lost my baby kitty zelda and i miss her so very much ᰔ

[fullc0llapse]

[marukrawler]

forgot to say this dgskajsks but if you follow me and ares then please don't feel pressured to pick a side!! i just needed to share my side of the story. like i said in the document, ares and i have mutual friends so you can definitely still continue to follow him/be friends with him if you want 👍👍

[incesthemes]

hey girlie it’s me, sam winchesters gay lover, your mootie 🥰🥰🥰 i just wanted to let you know, that your tags on the post about that wincest video are based and i agree with every word, hashtag slay couldn’t agree more i loved reading your essay in those tags heart ❤️

omg thank you!!! i'm basically only capable of talking in essays whether people want me to or not, unfortunately

i just have a lot of feelings on this topic and the whole "canon or not canon" argument is weird to me; the themes are pretty darn clear in supernatural (it is NOT known for its subtlety) so idk man. they don't have to kiss to be canon. and they don't have to have a romantic relationship to be canon either. how many times do they get into relationships with other people only for it to be treated as cheating/betrayal/abandonment, only for them have to give up that relationship in order to reaffirm their devotion to their brother

that's just what the text says. i'm not under any kind of delusion that they have some secret sexual or romantic relationship, but that doesn't change that sam and dean are each other's most important person regardless of that. which is really awesome imo, that romance isn't treated as more important than whatever horrible thing they have with each other, and that they don't have to consummate their relationship with romance/sex in order for it to be the most important one they have

(and of course there's romantic/sexual subtext, like parallels and metaphors and misunderstandings and jokes, but to me that just provides a solid foundation for presenting this relationship between them as the most important even though it's not romantic or sexual—because this language of romance is the only one we know, really, when it comes to writing important relationships between characters. it's the only one we know in our own personal lives, to a large extent. so you use the romance/sexuality to symbolize the actual bond they have. which is so much worse lmao)

anyway i think spn is fairly unique in this way because of how no other relationships can really ever stand parallel to the one they share; even in other shows that center male friendship, romance is allowed to coexist with brotherhood. for sam and dean, it's not, and that becomes a point of tension and conflict and resolution many, many times over the course of the show. so like yeah!!! just because it's not romantic or sexual doesn't mean it's not canon, in the sense that their relationship is the point of the show, and it is the most important relationship they have. they chose each other above all else, every single time. yknow, it's "the epic love story of sam and dean" and all that

[checkadii]

ouhhhghg I miss the kitties ….

[fisheito]

I am torn between 2 kuyas

[that-one-loth-cat]

Genuinely one of my favorite things about Sabine Wren and Ezra Bridger’s relationship in canon is that it’s ambiguous. As far as I know, the only thing thats been confirmed is that they mean a lot to each other. Anything else is technically an individual interpretation or an AU.

And I love that! It means that everyone can have their own idea of what’s going on. (Those ideas are all so interesting btw 👀) I just wish we as a fandom could be kinder about it.

See them as siblings? Go ahead. They’re both their own brand of chaos and it’s marvelous. Ezra has extreme younger sibling energy (in my opinion), and I love that he and his sister grow closer as they get older instead of drifting apart.

Think they shine best when they’re just friends? That’s so valid tbh. Strong friendship bonds that don’t include romance (but have the same level of commitment and/or intensity) aren’t super common on screen, which is a shame because there’s so many interesting angles to explore. These two are ride or die for each other by the end of the show. We know that. I’ve seen people saying that this was only possible because Ezra was able to grow out of his crush and I love that way of looking at it.

Hardcore Sabezra shipper? I don’t blame you. It’s a fun ship! Watching rebels with that pair of shipping goggles on is incredibly entertaining. (And gut wrenching. Oh my goodness. The idea that she realized she loved him right before the final attack on Lothal has me on the floor every time I see it)

Right now, the “what’s their deal?” puzzle has no official right answer (other than good friends, which I think most people agree on anyway). I feel like we as a fandom are so mean to each other online over something trivial and that makes me really sad.

TLDR; I feel like Sabine and Ezra’s relationship has a lot of valid fanon interpretations because of how ambiguous their canon relationship is, and I wish we could be nicer to each other about it.

[jonsnowunemploymentera]

There’s something so…gorgeous about how the story of Vermax laying dragon eggs in the crypts of Winterfell works as piece of symbolism. It doesn’t really matter if physical dragon eggs exist down there imo because this story adds so much meaning to Jon’s status as a hidden dragon and also his status as one of the last remaining scions of House Targaryen. Plus it does a lot to contextualize how Ned’s action of saving his nephew’s life is in line with centuries old magic, even though he never intended it to be such.

Because Jace and Cregan quite famously made a pact which was called the “Pact of Ice and Fire”, in which they promised to join their houses through the union of marriage. We also have the canonical representation of Starks as 🧊 and Targaryens as 🔥. Two opposing sides that could do harm to each other have decided to come together through marriage and procreation. Through this pact comes a new life that will be a balanced union of ice and fire.

Then we get the story of Vermax laying eggs in the Winterfell crypts. An act that symbolizes the continuation of life. It’s so interesting because we know how this story ends. We know that after this, the dragons will die and will be no more in Westeros….BUT there’s the exception of the eggs in Winterfell. They may be unhatched but they are like a promise of life. And it’s Winterfell’s crypts that keep them hidden from danger and Winterfell’s heated walls that cover them.

What’s even more gorgeous is that this pact is made in a period of civil war that threatened the survival of the Targaryen dynasty. And like… isn’t that Jon Snow’s life story?! He was born at the tail of of Robert’s rebellion which saw the death of the Targaryens. Aerys and Rhaegar (and Rhaegar’s children were dead). A child Viserys, Rhaella, and an unborn Dany were all that was left of the Targaryen legacy.

And then comes the unexpected Jon Snow. Born of the union of Stark and Targaryen, ice and fire. Ice and fire were on opposing sides in the war and killed each other. But then comes Jon Snow to mend that rift and heal that divide. He is born after a period of death to represent new life and new beginnings. He’s just a little baby but he symbolizes so much!

It’s why I think Jon serves better as a symbol of spring and not winter. Because everything about him represents the promise of life after death: born at the end of a civil war, him being represented by a winter rose, him being symbolized as the corn king (a mythical figure who represented the cycle of life and death), his presumed death at the end of ADWD but the promise that he will be resurrected, etc.

And then we have Ned Stark being the unwitting proxy to his ancestor Cregan. Ned took this dragon egg and hid him away within Winterfell’s walls. Then he took Jon’s mother and also placed her in the crypts. It’s no wonder that Jon has so many strange dreams regarding the crypts. Symbolically, the secret of his birth being hidden away in the crypts ties in quite nicely with Vermax’s hidden dragon eggs. In both cases, a symbol of Targaryen life is hidden within the walls of the Winterfell crypts. Then there’s Summer’s strange vision of a winged serpent as Winterfell burned. Many fans has often wondered what this vision meant. I’m not sure either, but it would be a nice touch if this is a symbolic representation of Jon Snow. As it was with Summer’s vision, Jon is the dragon that has hatched and left the confines of Winterfell’s walls, and he is ready to do some damage.