#theres been more reason NOT to do that

[rearranging-deck-chairs]

has he even NAMED himself? i dont think he has? he keeps ditching his coat

[lucabyte]

monologue

[parchmentknight]

speedrunning this drawing but im still a day late to hanzo's birthday 😩 but i got so inspired and the original image was just so good:

[doctor-cunt-phd]

Currently considering how the first time Daniel is presumed dead Jack broke a window because of how helpless he felt. The way he remembered Daniel screaming for his help, not being able to do anything before it was too late. That really got to him. I think being helpless to the death in his life is a constant theme for Jack that he's always had to accept and sit with and try not to break windows over every day.

So I think it's really fitting and touching that when Daniel really died (ascended, but for all intents and purposes, was dying), when he was dying painfully, hopelessly, in front of all his loved ones- He asked Jack for help, he gave Jack the honor of helping him pass on, trusted him, gave him the opportunity to say goodbye that Jack never, Never seems to be allowed.

[ttvck]

is noah aware of hes expressionless face?? how does he feel boutit

he knows but he cant tell in the moment since he cant see himself.....in his mind hes smiling big while in reality hes ●_● 

[buwheal]

I try so hard to be nice. Seeing spamton so distressed makes me feel awful. I wanna reach through his screen, give him a hug and tell him it’ll be okay. But I’m nothing but a letter to him. Words on a screen he can easily ignore.

I want him to be happy, I want to whisk away every single bad ask and wrap spamton up in a blanket and give him the warmth and love he deserves. I really, really wish I could.

I suppose for now sending this will do. Thank you for the amazing stories, bu ❤️‍🩹 you’ve genuinely broken my heart for this poor man, I cannot wait to see more

But he hasn't. He doesn't ignore what you guys say. He really really cares about what you say, in fact. Easily ignorable, but he is paying attention. Anyways, thanks :-)

[freakinator]

new leo yippee

[deoidesign]

I've been... Busy 👀

Trying to get all 4 arcs from season 1 into books!

(not available for sale, these are print proofs. I'm planning a Kickstarter early next year!)

[rainc0at]

brassic questions im haunted by: what the fuck was the wanking contest? why the FUCK do these "professional thieves" never silence their phones when they're robbing? why does dylan continue to take class a's?

[bluebird-ascended]

ok we're back to posting art 👍 coming in with Lisa and Starshine. lowkey dont like this one but thats ok because we stay improving

[lacnunga]

In the wake of the IA situation, I've seen a lot more posts circulating about using your local library and I just. Sigh

[the-holy-ghosted]

*putting on a moustache and sunglasses*

So like what’s the deal with ghosted what’s that about

now see the deal with Ghosted is that it's not what happens within the events of the film that captivates me so much, though don't get me wrong i love this film to bits, but rather, it's the idea of what happens after the whole thing that makes me FUCKING NUTS

because the whole thing is relatively cut and dry in the sense that we don't have to guess about what happened before and we don't have to guess about how everybody is feeling in the present. we know (MOST) important characters backgrounds and what they're doing at Falkhill and slowly revealing Paul's context was pretty interesting if not a little abrupt at the end there but its the very last scene of this film down to the very frame that flips the whole hour and a half you just watched over on its head and prevents me from getting a good night's sleep because i can't stop thinking about it

ELABORATING WITH A LOT OF SPOILERS UNDER THIS

explaining the plot of this movie is hard without sounding like im writing a pretentious review and not just talking out of my ass on tumblr but for my followers who haven't watched this movie and dont care enough to: Ghosted (2011) is set in a british prison in which Jack (John Lynch) is a long time prisoner who's wife just dumped him apparently on the anniversary of their sons death (tough break) and is being advised by his friend and cellmate Ahmed (Art Malik) (who does NOT get HALF as much screen-time or plot relevance as he DESERVES,) to find something to put his mind to and be proud of outside of his failures Paul (Martin Compston) is a prisoner who was just transferred out of a Young Offenders prison AS FAR AS WE'RE TOLD... though its noticeable from the beginning that hes not a very good liar and his story is suspicious at best Clay (Craig Parkinson) is kindof The Guy of their prison wing whos dealing drugs to other prisoners and assumes the position of authority over everybody else, though compared to other inmates with bigger cliques, his foundations are shaky. the description of this film on letterboxd calls him "the wing beast" and i have never cried laughing so hard reading something in my life

Clay and Jack both hone in on Paul immediately for different reasons. Jack, after his pep talk with Ahmed, sees Paul as a source of "a little self belief, something to be proud of", but Clay scoops him under his wing for being relatively young and impressionable. This puts Jack and Clay at odds with each other. after some plot, Paul gets into very big trouble with Clay and after An Incident is promptly plopped into Jacks hands, who had requested Paul move into his cell earlier but didn't have a good enough excuse for it. Well You've Got A Bloody Good Reason Now ect ect

Jack and Paul buddy up immediately and its noticable that Paul is sort of filling in the empty space where a son would be for Jack, however we discover that Paul has been lying about his past to everybody, including Jack. he lied about his family and he lied about having only just been transferred from Y.O. and hadn't been telling the whole truth about his sentence. what the truth ends up being, in a nutshell, is that Paul is accidentally responsible for the death of Jack's son, having been the one who started the house fire he died in (we were never even told that Jack's son died in a house fire before this, we are only told this in Paul's flashback at the end of the movie and are supposed to act, like, surprised?? whatever). consequentially, Jack flips his lid and prompts my personal favorite scene in this film in which he beats the living shit out of Paul with his bare hands and immediately regrets it the second the adrenaline wears off, hitting an alarm button within the cell that alerts the guards.

the guards whisk him away and he is put in solitary confinement, which we find out was actually the first sequence of the film where hes shown with an absurdly long beard, and considering every other fucking scene he's in is of him shaving his face, i assume this is to show just how long he's been kept in solitary confinement, which quite honestly was kindof exciting to realize at the end of the film.

and then. the end scene.

after solitary, Jack is put in cuffs and brought to see Paul who looked Extremely Dead after Jack had him, but hes not dead! just almost dead. Jack is sat next to him and tries to apologize but starts to cry, reaching out a hand to hold Paul's but retracting it regretfully. Paul, having looked unconscious not five seconds before, moves his hand to place it over Jack's...

and then the movie ends. and i am left writhing on my floor in anguish BUT NOT BEFORE I EXPLAIN TO YOU THAT THIS

THIS is what the deal is with Ghosted

the pathetic gestures of "im sorry" and "its okay" are what kill me. sorry is nowhere near enough to justify anything that EITHER of them did, NOR should they be forgiven. AND YET.

and what gets my gears going is the thought of what everything looks like AFTER this scene. after they've bonded so close and after Jack already thought that Paul stopped lying to him, thinking that he could protect Paul from Clay now... after they started to fill the spaces for people they were missing in their lives... and after they've RUINED each others lives. They Have Ruined Each Others Lives and yet Paul probably would have had to DELIBERATELY ASK for them to bring Jack to see him because he just BEAT Paul within an INCH of his life and would NOT !! have brought Jack to see him upon Jack's own request!! Paul would have wanted to see him too!! after all this what does their relationship look like now... the image of father and son has been all but shattered in each other's eyes, one can assume, but are they still close... does the guilt and responsibility drift them apart or does it pull them inseparably together? Ahmed tells Jack that "there is no such thing as coincidence, only fate" but what does their fate look like... does it end here or does it mean that they're together indefinitely? the end of this film swings the door wide open and i think about it. way too often. unacceptably often, even.

all in all theres no reason that this should be my favorite film but it is. if nothing else it's made me look into the other actors involved and branch out with a to-watch list as long as my arm that will only get longer once i branch out from there. is it the perfect movie? no this film is mediocre at best. have i made a number of my friends sit down and watch it and listen to me yell incoherently about it? of course i have.

[s0fter-sin]

i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga

they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed

but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring

i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?

look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat

bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative

[lovelyrotter]

can ppl in this fandom like... stop... implying that transmasculinity in hcs or (especially) canon is shallow or misogynistic or even transmisogynistic on princible, like literally just by being prescent in someones mind or in the text. like that doesnt fuckin feel good. thats kind of really nasty to imply. if its not okay to say about other trans experiences, maybe dont say it about this one either. why is there a weird little exception here. yall KNOW how much that sucks to hear all day every day. what the fuck

[moonpaw]

The uranium protagonist did not win the healthy good relationship with parents lottery

THEY DID NOT😭

[camzverse]

Nooo cam u dont want to analyze the psychology behind mikes actions in the bite of 83 even though scott didnt put anywhere near your amount of thought into it noo dont do that. freak