#there's one word in particular

[zsanett-suta]

Let me share something with yous.

In Hungarian, there's a very unpleasant letter. "ly" It's literally the same as "j" but sometimes you put "ly", sometimes you don't. You can never start a word with "ly" (except one word and its conjugations) but other than that there's no rules.

Where do you use one or the other? Completely random. Not even speakers know. Greatest arch enemy of Hungarian speakers is "is this [ly] or [j]". No difference at all. Completely random, no rules, no nothing. Nothing to tell them apart in spoken language. Like, at all.

Fuck you that's why.

[tragedykery]

I ❤️ self-loathing characters, characters who struggle with monstrosity (either fearing or embracing it), characters who are so lonely, who have a gaping hole in their chest, who bottle up & repress their feelings, who claw their way up & have ambitions, who fall down & lose everything, who search for identity & purpose yet can’t see themselves outside of what others want from or expect of them, who are hurt & hurt others, who long & grieve, who lie & pretend. characters who are messy & flawed & human

[worfsbarmitzvah]

there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”

[myrkulitescourge]

can i just say, it still makes me feel a little crazy how astarion, come act 3, still can’t quite put a name to his relationship with his partner, but he WILL tell them he wants to keep them both safe.

he won’t say i love you just yet but he will say forever, for good.

[sollucets]

WORD OF HONOR || EPISODE EIGHTEEN

[stressfulsloth]

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

[dasnercaret]

siffrin is icelandic btw . to me . in my heart

[itslilacokay]

told community id post this here later (its been about 10 hours)

[ruporas]

pet names

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. Vash overhears a conversation from a nearby table at the restaurant they're seated at, the unnamed character saying, "Honey, can you pass me that?" Their partner says, "Sure thing, angel." The unnamed character begins again, "Say, did you hear the news from earlier?" In response, "Haven't got the chance. Tell me about it?" Vash smiles fondly, listening in as the conversation continues, "You'd never guess, babe! The runner--" Abruptly, the conversation is cut in by a "Needle nogging", Vash's expression changing instantly and no longer smiling. The panel cuts to Wolfwood who smiles lop-sidedly, pointing at Vash's plate and says, "If you're not going to eat that. I'll take it." Vash grabs the plate and holds it away and says, "Mine" while Wolfwood clicks his tongue. He pauses for a moment before asking slowly, "Hey, is there any reason you don't use cute names with me?" Wolfwood lifts a cup of water up to his lips, looking confused. He says, "I do though." Vash cuts in, "Spikey and needle nogging aren't cute!"

Vash continues with a shy expression, "Since we're together now..." he trails off and Wolfwood picks up, taking a sip of water as he says thoughtfully, "Together, huh..." Vash pauses in his sentence with a look of confusion before reaffirming, "We are together, right?" Wolfwood nods, "Right." Vash says, "Right", before continuing, his shy expression returning, "Then you can use stuff like... honey or-" Wolfwood cuts in this time and says casually, "You're not a honey though." A panel cuts of Vash's expression changing again, shocked. He asks, "Huh? Then who is?" Wolfwood says immediately, "Milly." Vash exclaims, "Milly?!" Wolfwood continues, "She's sweet, just like honey." A bubble pops up of Milly smiling as Wolfwood speaks. Vash continues, "Okay, true... What about sweetpea?" Wolfwood responds, "Kids. Kids are sweetpea. And pumpkin too." Vash continues, "Okay... What about baby?" Wolfwood says without hesitation, "Meryl." Vash exclaims again, "Meryl?!" Wolfwood explains," Noisy, like a baby." Vash mutters, "Hey, that's a bit mean..."

Vash continues persistently, "Then what about babe?" Wolfwood shrugs with a grin, "You are not a babe." Vash looks at him, slightly frustrated before exclaiming with flushed cheeks, "Then what am I?!" Wolfwood points at his hair and smiles softly, "I told you. You're the one and only needle nogging." A panel closes in on Vash's widen eyes, cheeks still red, pausing before he ultimately resigns, planting his face into the palms of his hands and muttering, "I give up..." At the same time, Wolfwood sneaks and grabs the plate of food that Vash left unattended, saying in response, "You get up cuaght up about the dumbest things, y'know that?"

The comic then picks up again to a jump in time, after they've left the restaurant. Wolfwood muses to Vash, "You said all that about the names earlier, but I don't hear ya using them for me." Vash looks to him excitably and asks, "Did you want me to?" Wolfwood looks at him with an uncertain expression, "Not really, but I guess I am curious..." Vash beams, "Then let's try some, okay... dear?" He fingerguns Wolfwood with a grin, little hearts surrounding him. Wolfwood just looks at him neutrally and says, "Okay," while thinking to himself, "Cute..." Vash exclaims, "So unenthusiastic!"

The next comic picks up at a different time, but on the same theme of pet names. Vash hugs Wolfwood and says to him, "Thank you, my love." A panel close up of Vash steadily opening his eyes before he sees Wolfwood's reaction up close, his eyes glancing away, cheeks flushed, and the smoke out of his cig forming soft hearts as he mutters, "Sure..." In a smaller, cartoonish style, Vash has a comedically exaggerated expression of shock and widened eyes as he grips Wolfwood by the shoulders while Wolfwood still wears a shy expression. He then nudges his head to the side of Wolfwood's with a close eyed happy smile, hugging him close and says, "So, there WAS one you liked!" Wolfwood, still looking away, but now with an irritated and embarrassed expression, grumbles, "Shut up..."

The final image is a short sequence. Wolfwood is working on something, spacing out as he does, while Vash from off screen calls for him, starting with "Babeeee? Babe? Beautiful? Honey? My love?" All of which gets no reaction from Wolfwood. Vash pauses for a moment before piping up again, "wolfwood?" Wolfwood turns around, finally noticing that Vash was calling for him and asks, "What?" A box at the bottom of the page says, "Unresponsive to anything other than his names." END ID]

[royalarchivist]

Pac: I saw that there will be a QSMP event on the 24th, right? Some people messaged me asking if… if I would participate, and what I have to say is: we will see on the 24th. I'm not going to say anything else. Because you know how I am, if I start to talk here, no matter how much I try not to talk, in 10 seconds I'm going to say more than I should, you know?

[Reading a Chat message] “Since when can the dead participate in an event?” WHAT?! WHAT?! [Reading chat] "Ghost Pac." [He makes a doubtful expression] What are you trying to say here? What are you trying to say here???

It’s ok, ok, alright, alright, alright, it’s ok! I'll talk since you won't drop it, ok, fine, here's the thing: Felps– Felps appeared and... resurrected me. I'm kidding, I'm kidding, it has nothing to do with that, it has nothing to do with that, I'm… [Laughs]

(BIG thank you to sebbs12 for the translation help!)

[ Full Subtitle Transcript ↓ ]

—

Pac: I saw that there will be a QSMP event on the 24th, right? Some people messaged me asking if… if I would participate, and what I have to say is: we will see on the 24th. That's all I'm going to say, that's what I'll say. We'll see on the 24th, we'll see on the 24th.

And that's it, that's all I'm going to say, that's all I'm going to say, that's it! What I'm going to say– I'm not going to say anything else. Because you know how I am, if I start to talk here, no matter how much I try not to talk, in 10 seconds I'm going to say more than I should, you know? We'll have to see on the 24th. That's what I'm going to say, that's all I'm going to say, I can't say more than that. I'll leave it at that, yeah… We'll see, we'll see, on the 24th, on the 24th, on the 24th. You will have to wait.

[Reading a Chat message] “Since when can the dead participate in an event?” WHAT?! WHAT?! [Reading chat] "Ghost Pac." [He makes a doubtful expression] What are you trying to say here? What are you trying to say here?

Anyways, write it down on your calendar, mark your calendars guys, the 24th is the QSMP event. It’s ok, ok, alright, alright, alright, it’s ok! I'll talk since you won't drop it, ok, fine, here's the thing: Felps– Felps appeared and... resurrected me.

I'm kidding, I'm kidding, it has nothing to do with that, it has nothing to do with that, I'm… [Laughs] Oh, don't watch, because later you're going to clip this and put it on Twitter, it will be taken out of context, the whole world will think it's true– I'm kidding! I’m joking about the Felps business.

On the 24th, the QSMP event, we'll see how it goes, we’ll see what happen, ok?

[He reads chat and laughs] "You're crazy, bro" you guys are crazy too. Ay, ay...

[turtleblogatlast]

Debating making a short comic based on this post I made but here’s a wip panel in case it never sees the light of day haha

Honestly this was mainly just an excuse to draw little Leo in his honk shoo mimimi pajamas

[paranormaljones]

hey remember when it was considered really fucking weird to use extremely sexual and disturbing language to simp for real people in their own comment sections/online spaces? can we go back to that stigma? like if you wouldn't say that shit out loud to that person's face, literally just don't say it anywhere. y'all are so self-centered it's insane. you do not EVER. have the right to tell someone who does not know you at all exactly what you think of them sexually. bunch of disgusting catcallers.

[ganondoodle]

so im not sure if anyones interested, but, i went through quite a bunch of totk critiques by people who were also very disappointed with it and thought id share my favorite videos i found (granted, i only really wachted those that youtube recommened and its mostly .. white men... things like the orientalism problem are not mentioned at all for example, maybe ill update this post if i find any more diverse voices)

i dont agree with every single point and also dont know most of the channels (aside from the big zelda theory guys) so i judged solely by what they mentioned in those videos and the quality of it (like the audio .. bc i cant listen to bad audio)

in no particular order, also they talk about or use footage of the literal ending stuff so if you arent done with the game yet, better leave these for now

(the following one is a podcast thing by multiple zelda theory guys, there some stuff you can skip at the start thats just kidna random things, but the video is marked with chapters)

(theres some mention of some things not making sense, like the sonau only being two, and ithink thats kinda bc the english translation was weirdly vague about that, in the german version its much more directly said that they all died out and only rauru and mineru were left of them;

also mentions of how unfitting it is to call the enigma stones "secret"stones in english might come from a similar thing; in german they where called "Mysterienstein" which would be translated as mystic/mysterious/enigma- stone

just wanted to mention that since the vast majority are gonna play it in english only and the stuff online is also dominated by english)

[chirpsythismorning]

Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...

[uhbasicallyjustmilex]

thinking endlessly about this guitar solo

[mirroredmasquerader]

This is one of the first few things I drew in color for this nonsense I think