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shihalyfie · 3 years ago

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Some fun talking about and analyzing the tri. stage play, and its relationship to Kizuna

The tri. stage play (full title: "Super Evolution Stage! Digimon Adventure tri. August 1st Adventure") is honestly quite an unusual entry in this franchise, even within Adventure standards. Nearly everything about its production is unusual -- the entire genre it's in is unexpected, the choice of time period to release something like this is unusual, and moreover, now that Kizuna’s out, a lot of people have noticed a lot of suspiciously similar themes and even language, most notably the key “we’ll always be together” line (phrased even exactly the same way in Japanese). In fact, despite ostensibly being a tri.-branded product, other than a few vague token nods to the anime series in the play itself, said stage play has very little to do with the actual anime sharing its name, so the similarity to Kizuna is even more striking in retrospect.

Perhaps another interesting thing about this play is that it’s a very good example of a standout work in the Adventure universe that didn’t have any original creator involvement (other than some minor tips from Seki). I think there’s often a tendency for people to think that in order for a sequel or spinoff to be true to the original, it has to have some member of original staff on there, especially since the Adventure (and 02) characters tend to be a bit overly complex and it helps to have the reassurance that someone who knows them is behind the wheel -- Kizuna used the presence of Seki and Yamatoya as an outright advertising point -- but this stage play’s director and writer had no experience with the franchise beforehand, not even as a fan, yet still made a very respectful product that has generally been received well by Adventure (and 02) fans and even got the original director’s approval, too. If anything, that makes it all the more impressive!

(Note that the below text spoils the story content of the play, but not Kizuna’s to any substantial degree.)

Some production background

Anime and video game stage tie-ins are fairly common -- much like this one, they tend to have very short runs and are targeted at a limited audience -- but they’re usually stereotyped as being for the otome crowd (i.e. predominantly female otaku audience), so works like this are generally associated with it. As a result, when this play was announced and released between tri. Parts 4 and 5, quite a few people were surprised, because this franchise originally came from products associated with shounen anime. In practice, this was a period where it was becoming increasingly clear that there was, in fact, a huge female audience for Digimon (especially Adventure universe), on top of the fact that (as noted by the performers in the final show) the audience for this show ended up being unusually mixed-gender, because Digimon really is universal -- but it did lead to the announcement of the play being initially received with heavy skepticism, partially because of the usual misogyny (stigma around things associated with female audiences, etc.), and partially because this was during a time where...well, saying that a very huge percentage of the fanbase, especially the Japanese side, was really pissed off at anything tri.-branded at the time is kind of an understatement. Ultimately, the play ended up very well-received with a small but dedicated following, and it’s currently referred to as “dejisute” (short for “Digimon Stage”) in Japanese fan shorthand. Bringing it up generally elicits positive critical feedback, even among those who were initially skeptical.

Some interesting things also surround the circumstances of its production as well. As some might know already, the tri. anime series and Kizuna share only one key member of staff: Kinoshita Yousuke, who was involved in tri. Parts 5 and 6, and eventually went on to become the producer for Kizuna and the upcoming 02-based movie. tri. was a work that (for some reason) had a huge number of producers on it, of which Kinoshita was only one; he seemed to have been replacing Arai Shuuhei, who left the project after Part 4. However, while Arai was formerly one of the most visible of tri.’s producers (he was the only one regularly brought up in interviews), how much degree of influence Kinoshita had with tri. is unknown, other than the fact he had no involvement in its story. Given that the decision to make Kizuna also seemed to have been made around Part 5, it seems that Kinoshita may have been brought on specifically for the purpose of observing and prepping for Kizuna, because his role on tri. seems to have been so minimal that the moment he was put in charge of Kizuna, the production philosophy ended up becoming completely different under his management. (When you think about it, tri. and Kizuna have very little in common, other than the rough premises of involving the older Adventure cast.)

The thing is, though, Part 5 isn’t actually the first tri. work Kinoshita is credited for, but this stage play is -- which is interesting to consider when taking into account the heavy amount of thematic parallels between this and Kizuna three years later, and in general the very unusual creative decision to make a stage play that suddenly popped up at exactly this time, making heavier tributes to Adventure (and even 02) than the actual anime it was branded with. Making things even more interesting was that the stage play’s director and writer, Tani Kenichi, was allegedly recruited by an unnamed producer impressed with his work (by the way, did I mention Kinoshita used to work in live-action before joining Toei?). Given all that, perhaps this stage play coming off unnervingly like a sort of Kizuna prototype isn’t all that surprising...

Unfortunately, right now we’re still kind of in a time period where official will get barraged with violently angry comments for even so much as putting the series on streaming services, so it’ll probably be a few more years (if ever) before official will be willing to be more open about what went on behind tri. production, and it’s probably a bit much to get too speculative about things like this when real people are involved. Nevertheless, one thing is apparent: the director and writer, Tani, was a newcomer to Digimon -- not even someone who’d been a fan beforehand -- but watched all of Adventure and 02 in preparation for it and stated openly that he was very, very emotionally touched by it. The work itself is obviously made with a lot of love and respect for the series, and one really cool thing about it is that you can also tell that it came from the perspective of an adult with no preconceived notions about it, therefore meaning it comes from someone analyzing the series without necessarily caving to fanbase mantras, and making some very cogent observations about the characters. It’s also just a fabulous work production-wise in general -- the puppet work and making the Digimon look convincing on stage is very well-done, especially when you consider that this play had only ten showings -- and you really gotta appreciate the fact that, even before Seki gave him a few pointers, he was so passionate about the importance of Digimon partners that he pushed for all eight to be represented despite the expenses.

Taking a look at the play itself

Despite ostensibly tying into the tri. anime series it's branded with, the play only really seems to loosely refer to some of its key elements as taking place at approximately the same time, such as Koushirou’s server, infected Digimon, setpieces like KNIFE OF DAY, and an eventual “reveal” that this seems to take place ostensibly around the rough time period of tri.’s Part 4. Look closely, however, and you’ll notice that a lot of things in the characterization and plot arena actually don’t track much with tri. at all -- for instance, in a very non-comprehensive list of things:

It’s implied that Yamato himself is embarrassed about the KNIFE OF DAY band name and is desperately trying to get through it with passion, which doesn’t quite line up with his attitude about it in the anime.

The timeline just really doesn’t line up; Mochizuki Meiko, Meicoomon, and the infections obviously exist, but you can’t have a time period in Part 4 where the kids recognize Meicoomon as being related to the distortions or infections while also being separated from Meiko. Moreover, the “reboot” just doesn’t seem to have happened at all (and to be fair, if you’re planning on making a two-hour tribute to Adventure, not having the Digimon with memories of said adventure would seriously limit the scope of your plot, so this kind of “leeway” was probably downright necessary).

The tri. anime series portrayed Takeru as having a very sharp shift in language, presumably under the implication he’s putting up a front as a flirtatious, aggressive playboy, and so his first-person pronoun was turned into the aggressive ore and his way of referring to Yamato aniki. In Adventure and 02, Takeru had used the polite boku and childish/cutesy onii-chan, and the boku was prominently used as a plot point to hint at Takeru’s identity as the series narrator. (Yes, these kinds of things are actually kind of a big deal in fiction.) Since even longtime fans generally agree that at some point Takeru would be likely to stop using onii-chan once he became old enough, the stage play likewise also prefers aniki over onii-chan, but, notably, it doesn’t even bother with ore in the slightest nor any of the implications that surround it, and Takeru comfortably uses boku for the entirety of the play. Considering that the use of aniki is still a bit unusual (both Diablomon Strikes Back and Kizuna prominently favor the slightly more polite nii-san instead), it seems that the play was made with an awareness that both aspects of Takeru’s language had changed, but a conscious decision to hold over only one from the anime.

And so on and so forth.

In general, the way you could describe this play’s handling of Adventure universe lore and characterization elements is that it’s a bit selective about which tri.-related elements it makes use of, particularly in regards to ones that might be too difficult to reconcile with the original Adventure (and 02). (This is basically the same attitude Kizuna roughly takes in regards to handling of tri. elements, although it’s less noticeable there partially because of the five-year gap between tri. and Kizuna.) Obviously, being completely incongruous with the tri. anime would be a pretty crude thing to do for a play that’s actually branded with it (and especially when said anime was still ongoing at the time, regardless of public opinion), but, regardless, the end result is that its actual relationship with the tri. anime’s version of canon is a bit tenuous.

The main reason for this is probably that, on the flip side, the stage play's references to Adventure -- as in, the specific series that aired in 1999-2000 and took place in the in-universe August 1 and 3, 1999 -- are incredibly aggressive. In fact, it’s actually far more aggressive in this respect than Kizuna is. For all Kizuna is branded as an Adventure movie and puts the original Adventure cast first and foremost in all of the advertising, if you watch the actual movie, in practice, it’s more of something that lies in the gap between Adventure and 02 and the two series together as a whole. Adventure was a series that practically revolved around a "trapped in another world" story and the specific impact its events had on the kids involved, but Kizuna focuses more on the “larger world”, including real world society (very much 02 things), with a lot of themes with suspicious pertinence to 02 and references to its epilogue looming over the plot; the specific Adventure references and even the Digital World don’t come into play until the climax. (And that’s before we get into the fact that the 02 quartet gets more screentime than a good chunk of their seniors.) Really, you can see it just by the fact that a majority of the primary key visuals line the 02 quartet up with everyone else; it’s a movie about both, not just Adventure.

So in other words, Kizuna is really about mixing Adventure and 02 elements, serving as a sort of stopgap work, and recasting the Adventure group in a lot of 02′s context. (And that’s by no means a bad thing; since Adventure wasn’t about that, the differing juxtaposition is a fresh perspective in its own way.) But in terms of revisiting what the actual series called Digimon Adventure was and how those events might have an influence on its relevant cast years later, this play (which actually has longer runtime than Kizuna, being around two hours) is a good place to go to if that’s what you’re looking for. The entire premise of the play revolves around copiously referencing that specific adventure back in 1999, and, more importantly, what impact it’s still continuing to have in this particular group’s memories, to the point where they’re starting to romanticize it and wish they could return to it forever...

Ah, right, that’s what this play has in common with Kizuna: the overall theme of unhealthy fixation on rose-colored nostalgia, and the need to move forward from it. (And, driving it home, “unhealthy fixation on the events of Adventure” as a symbol of that rose-colored nostalgia, to boot.)

The premise of the play itself is that the kids decide to hold a camping trip as tribute to the adventure in 1999, as part of a desire to "go back to those times" (and, as is eventually revealed, it’s actually part of a pocket universe their subconscious wishes had dreamed up as a desire to recreate the past, thanks to the power of the Digital World). So all of the references to Adventure are concrete and fleshed out in specific detail, ranging from everyone referencing specific events and how they impacted them (Jou very explicitly refers to his experiences in Adventure episodes 46-47 in terms of why it fuels his current desire to become a doctor) to even the most minor of references (direct reference to bananas on File Island, from Adventure episode 3).

As a brief aside, a positive side effect of centering the plot on this specific adventure is that it justifies the reason for why these eight are working together (at least prior to the endgame reveal that they’re still involved in tri.’s events); the eight of them weren’t portrayed as liable to do so without good reason, and while certain aspects and events from 02 are alluded to when they’re relevant, the absence of the actual quartet passing without note is completely justifiable because they simply were not on that adventure anyway. (They weren’t initially planned to be at the event in 02 episode 17, and knowing them, it’s likely they wouldn’t want to be at this kind of outright commemorative camping event, because they’d feel like they’d be intrusive in something they had nothing to do with.) So within the scope of the play in two hours, the narrative can be very neatly condensed to be mostly about Adventure itself.

Although this play and Kizuna both share the common theme of the existential crisis that comes with getting older and the tendency to romanticize one’s childhood, the underlying reasons are a bit different; Kizuna’s is very close to 02 in that it’s largely to do with societal pressures and expectations, especially since the question of "what you want to do with your career" is a driving motivation in it. In other words, the existential crisis comes from living up to other people’s expectations, or trying to fit into an arbitrary societal mold of an “adult” without necessarily knowing if that’s what you really want. In the case of this stage play, being set in everyone’s high school years where everyone’s relationship to “the world at large” is a bit more tenuous, the reason for the existential crisis is somewhat closer to Adventure’s: everyone’s started to think they might have been better people back then. More confident, less hesitant, more honest with their feelings. Adventure was a series about self-improvement and one’s relationship with oneself, so it’s understandable that a work meant to look back on that specific adventure will ask the question “well, did they become better people after all?” as a result.

But there’s two problems with this line of thinking: one, this is a very rose-colored evaluation of their former selves, because just because they might have been “more confident” back then doesn’t mean they didn’t have other problems going on (Hikari calls her past self out for being arguably “more honest”, but also somewhat of a dependent child), and two, being more hesitant doesn’t make one a weaker person, just one who’s dealing with a lot more problems and awareness and things to worry about because of how much the scope of their lives has increased. As Agumon says at the end, the old Taichi and the current Taichi are still the same person; it’s just that he’s dealing with more, so he’ll naturally worry about more, and taking on those extra burdens is actually his own way of “evolving”.

Particularly interesting is the position of Jou, the not-so-unsung hero of this story, who is explicitly identified as the person most clearly aware of his future dreams and proceeding without hesitation towards them, to the point of being somewhat immune to the effects of the dream world. (Somewhat, mainly because the ending establishes that he wasn’t entirely.) It's consistent in line with the fact that we actually saw, directly, the train of thought that led to his decision to become a doctor back in Adventure, and he even states it directly in this play himself: he doesn’t consider himself someone who wants to solve things through fighting, but rather someone who can prevent casualties and heal the injured if he pursues this line of study, and thus is determined to make it happen. Even from the very early points of the play, there are several hints at him being able to see a metaphorical “future” that the others cannot, and while he remains unfailingly loyal to his friends (there’s a long sequence of him constantly claiming he’ll leave them as per Koushirou’s request but constantly coming back because he just can’t bring himself to abandon them), he also is the first one to depart the camping trip to attend to a test -- that is to say, he treasures his past, but he has a strong enough dream for his future that he’s willing to move on better than the others can.

Jou’s also the one to personally advise Yamato about the difference in nuance between doing things because you feel you must, versus doing it because you yourself truly want to, a difference in nuance that also becomes very pertinent in Kizuna. Also pertinent to both works in common is the discussion of nuances between “staying trapped in one’s memories” and “violently cutting them all away” (the consequences of the latter being more extensively discussed in Kizuna), versus the ideal situation of reflecting on those memories and experiences from the past in order to productively move forward.

And in the end, rose-colored nostalgia is, indeed, rose-colored nostalgia. Because, sure, that adventure back in the day was great, and they grew a lot, but they also grew a lot because they were overcoming some very harsh, difficult troubles; omitting those parts is losing the substance. The re-invocation of the fun “camping trip” also means re-invoking all of the other things that came along with it, including all of the dangerous threats they’d faced back then. It’s a package deal, and you can’t just filter those out, because it misses the point of what you gained out of it in the first place.

In general, the character writing for this play is also very good; there are some differences between the characters here and them back in 02, but they’re all within the believable scope of positive progression within three years and general adherence to core tenets of their character (Koushirou is certainly more assertive, but emphasis continues to be placed on his deference to others, penchant for spotting details, and capability for being an organizational leader in his own sense). Also notably, this play manages to verbalize a lot of the subtleties in Adventure and 02 that the mainstream tends to gloss over (and don’t tend to get put in official profiles) but are well-known to those deeply familiar with the series. This is the kind of attention to detail usually associated with those who have been studying the series for years, so it’s refreshing to see these come out in words -- for instance, Koushirou stating outright that he was one of the closest people to Taichi for a long time (very true!), Hikari and Takeru actually commenting on each other from back in Adventure (something we never really got in 02, despite “them having known each other for a while” being part of their character arcs), and Sora explicitly admitting that she goes out of her way for others because it’s easier to work for others than it is to even think about herself.

Actually, the attention to detail in general is fantastic; other than a minor slip-up (Sora refers to having met Koushirou during the summer camp at the beginning of the play when she’d actually known him prior from the soccer club, a detail that’s very easy to miss because it’s only mentioned once in Adventure episode 16 and clarified further in the novels), a lot of things from Adventure and 02 are made use of and framed in very clever context; the choice of Etemon as the enemy for this play is well-placed for both his entertainment value and the fact that, as an enemy personally defeated by MetalGreymon in Adventure episode 20, it makes perfect sense that he would have a grudge against Taichi in particular. (It’s also explicitly mentioned that Hikari and Tailmon never met Etemon in person even once, and that Taichi never actually got to see MetalEtemon, so there’s a lot of attention paid to logistics like that.)

Also, while 02 is not really brought up within the scope of the story (and really shouldn’t be, not when this story so heavily centers around Adventure and its themes), its place in canon and its contributions to the worldbuilding are fully respected; a lot of the offhand references to family situations and background are elements that were originally introduced in 02, and many aspects of its Digital World lore are used to assist the plot premise (in particular, the idea of the Digital World being connected to something that can conjure up unconscious dreams wasn’t explicitly invoked until 02). Rather amusingly, at one point, Hikari uses the events of 02 episode 13 to tell a “scary story” to troll Mimi, and it’s interesting and rather refreshing to see the implication that Hikari’s been able to move past the incident enough to use it to troll someone else. There are also some latent epilogue references as well, with Hikari directly bringing up her goal of becoming a kindergarten teacher, Takeru making some really subtle references to wanting to be a novelist and chronicle their adventures (in true Takeru fashion, he never states it outright, but anyone familiar with the epilogue can figure it out), and Taichi alluding to an ultimate goal of humans coexisting alongside Digimon.

Finally, attention should be called to the play’s relationship writing in general. As stated before, the play does call attention to relationships between characters that often don’t get brought up by the mainstream but are somewhat more well-known to fans -- Koushirou and Taichi, Sora and Mimi, Jou and Yamato -- but even the well-known ones are treated with nuance endemic to that from Adventure and especially 02, given that Taichi and Yamato don’t actually have the stereotypical “cold rivals” atmosphere that shounen anime would usually suggest, and the two of them have an extended heart-to-heart in which Yamato actively tries to figure out what’s wrong with Taichi and treat him kindly. (Like in Adventure, the only time they break out in a fight is when Yamato gets emotionally compromised and starts worrying that Taichi isn’t doing enough for others’ welfare.) It’s also very consistent with how the two treat each other in Kizuna as well (the izakaya scene comes to mind, and has a lot of similarities to the awkward-but-ultimately-close conversation they have at night in this play).

And, of course, the centerpiece of the narrative overall: the human-partner relationship. Of course, a lot of this was probably helped by Seki lecturing Tani to not mess this part up, but it really is impressive to consider in light of the fact we’re working with a lot of puppets that have handlers clearly in plain view, so you have to have some massive suspension of disbelief to make this work. But not only are the movements well-done to make it convincing that you really are seeing these actors physically interacting with their partners on stage, the narrative also puts huge spotlights on them, making the Digimon outright be the ones to snap their partners out of their worst patterns of thinking (especially with Agumon and Taichi), and dedicating a long period of silence where literal stage spotlights are dedicated to each kid having some alone time with their partner. The intimacy is very convincing, and, truly, Tani’s insistence on making sure every single one of the main Digimon was represented in spite of the prohibitive budget paid off very well. The point is made: a Digimon partner has to be someone who knows you well and intimately and can call you out at your worst moments, and Taichi even spells it out: Agumon’s capable of seeing right through him.

Putting it next to Kizuna -- a movie dedicated entirely to examining the meaning of a partner relationship, what happens when it deteriorates, what that means for oneself, and what it takes to recover it again -- it’s perhaps unsurprising that this play ends on the same line that was used in all of Kizuna’s advertising and was central to its own plot: “We’ll always be together.”

#digimon #tri stage play #digimon adventure last evolution kizuna #shihameta

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maxwell-grant · 3 years ago

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OK, I know this will probably be painful, and I may be a bad mutual for asking but...would you be willing to identify what, in your opinion are the bottom five worst Shadow adaptations, and give a detailed breakdown of why they were so lousy?

Oh christ, okay. I don't think you're gonna get as much of a detailed breakdown for these compared to some of the others, because I take more issue with adaptations that do have good qualities but also big or deep problems to talk about.

For example, I can't include Garth Ennis's Shadow in this list because the comic has a lot of strong points to it, despite a deeply, deeply detestable take on The Shadow's character, where as the rest of the Dynamite run doesn't reach neither the lows or highs of his run. Likewise, Andy Helfer's run has a couple or a couple dozen moments every issue that make me want to tear something to shreds in frustration, but it's also at many points a really good comic with great art and some occasionally very inspired writing. Really, I'd just be repeating myself talking about what I hate in those.

But, fine, let's list some of the others.

I think I'm just gonna have to get the elephant in the room out of the way here, and address that I won't be including Si Spurrier's 2017 Dynamite mini in this list, and I think at least some of you might be angry it's not Number 1 by default. I'm doing this because I intend to one day really revisit it, think about it and it's reception and what it was trying to do, and talk about it on it's own, now that it's been 5 years and everyone has moved on and we can maybe talk about it without kneejerk hatred driving everyone nuts (your mileage may vary on how warranted it was).

I'm also not going to be talking about James Patterson's new novel, because I haven't read it. It seems to be considered a forgettable potboiler by mainstream critics and a resounding failure by everyone who likes the character whether they've read the book or not, and frankly I don't have it in me to learn what the fuzz was about anytime soon, I got my hands way too full as is.

And I won't be including the Batman x Shadow crossovers here, because again, they do have a lot of virtues that put them far ahead of some of the really worst Shadow media, and I've talked enough about how badly I think they mangled The Shadow, which is really the big problem I have with them (well, that and Tim Sale blatantly copying a Michael Kaluta cover, that was really shitty). I don't really hate them anymore, I just get tired and frustrated thinking about parts of them, I said my piece as is. Really, my frustration over this comic is what inspired me to start writing about The Shadow here, so I guess in a way I do owe it at least that much.

5: Archie Comics's Shadow

I think some of you might be wondering why this isn't ranked higher, but to be honest, I don't actually harbor any hatred towards this. I mean, I have to include it, but I find it kinda silly that some people even today actually care about the existence of this comic enough to hate it.

For fans back then? Oh yeah, obviously, but this dropped to such instantaneous backlash that it never really got to live past 6 issues. Really, everything wrong about it can be understood immediately from the covers, and I've actually read the comic in it's entirety to see if there was anything worth taking. I found only a couple of things of note but, no, this really is just a painfully mediocre superhero comic that happens to have a couple of Shadow names in it. If anything, it gets too much credit.

The actual contents of what it is are never going to justify it's reputation, but the existence of it and the disproportionate response to it is the funniest and most enduring legacy it could ever ask for. This whole comic is The Shadow's version of Spongebob's embarassing Christmas photo.

4: David Liss's The Shadow Now

This is another "The Shadow as an immortal in modern times" comic and I think you may have noticed the pattern with those by now. I may revisit this eventually and I do have some moments from it saved for reference, but overall: It sucks, and it doesn't even suck in a way that lets me talk much about it, it's a diet version of Chaykin's Shadow. If Archie's Shadow is a generic mediocre superhero comic wearing The Shadow's name, this is a generic crime story playing beats from movie. The Shadow is an asshole and not even a grandiose or sinister one, he just feels like a sleazy douche in a costume. The art is a 50/50 coin toss between appropriately moody and "Google images with a filter on them", I don't remember anything about the plot other than Khan had a bomb again and he had a daughter, and there were new versions of the agents and the Harry stand-in turned evil and Lamont shacked up with Margo's descendant which, uh, no. I don't really hate this but I really have nothing nice to say about this comic other than Colton Worley's art is nice sometimes. I can't really muster anything else to say here.

3: Invisible Avenger

ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ

ZZZZZZZZZZZZ

ZZZZZZZZZZ...

...uuh, wha-

Yeah, I remember nothing about this one other than it's painfully boring and nothing about it, nothing at all, works in the slightest and I drift off to sleep even now trying to give this a rewatch. To be honest pretty much every other Shadow serial not starred by Victor Jory sucks and I don't really have anything to say about them, this one is just the worst of the lot. I dearly wish there was a good Shadow tv series but, if it was going to be like this pilot? Good riddance.

2: Harlan Ellison's The New York Review of Bird

This isn't really a Shadow story as much as it's a Harlan Ellison story that happens to feature The Shadow, but man am I glad that Ellison's "Dragon Shadows" was canned, because holy shit what a goddamn nightmare Harlan Ellison writing The Shadow for real could have been, going purely by the one time he ever touched the character. New York Review of Bird is a purely farcical parody story that wears real, real thin even before "Uncle Kent" shows up, and we get to see in it what is by far the most detestable and irredeemable take on The Shadow ever put on print, and not even in a critique or deconstructive way or anything that could be remotely worth discussing.

I don't hold any particular affection for Harlan Ellison and his writing (despite liking some of it) and I've come to notice the major red flag that is finding someone who looks up to Harlan Ellison in any capacity as a person, and this story in particular really feels like Ellison aggressively trying to channel his jackass tendencies through every line, just him being nasty because he built a personal brand on being nasty. The only reason this isn't Number One is because it's a very short story that saw zero influence or reputation, and thus it only exists as a brief mention in The Shadow wiki, and a brief mention is all it really calls for.

1: Howard Chaykin's Blood & Judgment

I'm guessing most of you already knew this one was in the top spot before I started writing.

I would actually rather not write a big piece on Blood & Judgment, because I think (or at least I hope) it's influence on The Shadow has waned a lot over the years and I would prefer to draw it the least amount of attention possible, but if I HAVE to talk about this, I guess I'd rather just vomit this out of my circuits now instead of giving it it's own post.

I would prefer to use a less unpleasant image on my blog, but if I'm going to talk about this comic, there's no image to better convey it than this drawing of macho asshole Cranston holding a sexualized mannequin at gunpoint. By leaps and bounds, Blood & Judgment is the most misogynistic Shadow story I've ever read. It's ironic that Chaykin justified the rampant misogyny he gave The Shadow with the idea that this is just a man from the 30s would act like, when he admits in the same breath that he never even touched the stories, and he wrote a story more sexist and demeaning to it's female characters than anything, literally anything, written in the Shadow pulps. It's almost impressive even.

I'll paste some segments from Randy Raynaldo's review

In Flagg, he intended to present his own point of view on American society while keeping his work tongue in cheek and acessible. But this vision dimmed, and Flagg had become a vehicle by which Chaykin could play out fetishes and portray gratuitous and stylish violence.

In The Shadow, stripped of the political and social veneer which was supposed to make Flagg unique, Chaykin's sensibilities and excesses become disturbingly apparent. For all of his liberal posturing, Chaykin's work demonstrates zero difference from the same kind of mentality exploited and made popular by similarly violent popular culture icons like Dirty Harry and Death Wish.

More than half a dozen individuals are indiscriminately and violently murdered in the first issue. Although the victims are characters who played major roles in the myth of The Shadow, we feel little sympathy for them, even for those of us who knew these characters at the outset. Who dies is unimportant, it's how they die that is the fascination.

Chaykin uses sexual decadence as a means by which to establish villains, and undercuts this device by making the protagonists as promiscuous as the villains. For all of Chaykin's seemingly liberal leanings, he demonstrates very little sensitivity in his portrayal of women.

Because everything works on rules of three, this comic also follows the pattern with other works mentioned here, as this isn't Howard Chaykin writing The Shadow: it's The Shadow reimagined as a Howard Chaykin character. He looks and acts exactly like Reuben Flagg and the typical macho protagonist of Chaykin's other works, he's a cynical sleaze with an entirely new origin who half-assedly dons a garb to machine gun people, and I already wrote a separate piece on why the machineguns are kind of emblematic of everything wrong with this take.

I understand that Chaykin has, or used to have, a big following of sorts, and I've tried to wrap my head around this for years, but I genuinely still don't get why Shadow fans stomach this comic unless they happen to be Chaykin fans first and foremost, I really don't. Everything, fucking everything Shadow fans hate about modern depictions of the character can be traced right back to this. The parts that stuck and changed the character for the worse, like him being defined as an immortal, bloodthirsty warmonger who got all his skills and powers from a magic city in Tibet, or Lamont Cranston being a coward who fears and hates the Shadow, or his agents being expendable slaves, stuff that has been ingrained into the mythos through this and the Alec Baldwin movie and other comics, to the point that people now think of it as the norm, that it's the baseline of what The Shadow is, and I hate it, I genuinely fucking hate it,

I hate it so much that it's a big part of the reason why I created this blog and why I want so badly to get to write The Shadow, because I plainly couldn't stand not having ways to tell people that this is all wrong, that this is actively shooting down the character's odds for success, and that they are missing out on something really great, because the well has been tainted with garbage that won't go away and everytime I read the words Shambala in a Shadow comic, even an otherwise good or great one, I get just a wee bit cross.

The only semi-redeeming aspects I can think of for this comic is one or two cool moments, like when The Shadow hijacks a concert using his Devil's Whisper or when he tames dogs with a stare. Just breadcrumbs of "not garbage" amidst an ocean of anything but. I hate that talking about why I hate this comic in-length can almost feel like I'm still enticing people to check it out of curiosity, but if you wanna do that, fine, just know this: The worst part of Blood & Judgment, even if you don't care at all about what it did to The Shadow, is that it's boring.

It is a deeply boring comic. If you like Howard Chaykin to begin with, you'll probably like this okay (although even Chaykin fans told me that this is his weakest work and that even he seems to agree). If you don't, I plain don't see what you could get out of this.

The comic itself is just nothing. It's the comic book equivalent of a pre-schooler trying to get a reaction by swearing. It has nothing whatsoever other than half-assed attempts at shock value. The plot isn't there, the ideas are stale, the dialogue is needlessly oblique and comprised entirely of unfinished sentences, interrupted conversations and one-liners without build-up. The characters are all unlikable and uninteresting stooges with no personality, or joyless cartoons. There's no heart or emotion or logic, and it isn't even funny enough to succeed as just an outrageous exercise in 80s excess. There's nothing in here.

I get "why" it was popular enough at the time, a rising star creator penning a modern revival of an old character based on controversy that pissed off the old fans, it's an old story that still gets repeated today. But manufactured controversy is not a replacement for storytelling and it rarely ever exists to benefit the people who actually want to enjoy the stories, it only benefits those for the crude benefit of those who want to sell you something out of the controversy.

I guess they got their money's worth back then.

------------------------------------------------

Phew, okay, I did it, I finally vomited out a piece on Blood & Judgment and some others, allright, let's put this piece of negativity behind us now.

#replies tag #the shadow #pulp heroes #shadow comics #shadow films #dc comics

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miraculouscontent · 4 years ago

Text

Askplosion #12 2/4:

.:New Miraculous Asks:.

Anonymous said:

Can people just STOP calling Marinette a "stalker"? Like, seriously? Especially TV Tropes. They have her listed under the trope for "Stalker With A Crush" and even have a video source of her(from Copycat) which was taken WAY out of context. They also listed her under "Stalking Is Funny If It Is Female After Male", which IS an existing double standard, but Marinette is still not an example and wouldn't be even if she WERE a stalker, because Wayhem's stalking actually WAS played for laughs!

Granted he was stalking another male and we don't know if he has a crush on him(but if he did it would be...unfortunate), but it's still an example. Plus, they claim that Volpina is about her learning her lesson regarding her stalker tendencies, but that no matter how many times she learns it, it never seems to stick. Yes, because everything is Marinette's fault and she's the stubborn shallow bitch who needs a kick in the ovaries, it's not, you know, the writers making her look bad/OOC!!!

THIS. ALL OF THIS.

Oh my god, I cannot tell you how infuriating it is to see “stalker” get thrown around like that. I would need two hands to count the amount of words that have lost meaning to me because people throw them out wildly and without any self-control. Stalkers engage in far more aggressive and obsessive behavior than Marinette, and usually also feature them harrassing whoever they’re stalking (such as calling them a lot), and they also never stop when they’re asked to. Marinette doesn’t fit the description of harrassment at all; Chat Noir does more than her and I don’t even call his behavior “harrassment” because that’s another word that’s lost all meaning by now and I wouldn’t use it in the first place.

Anyway, I think the Wayhem example is valid because Marinette’s crush on Adrien is written very much like a celebrity crush, so it’s similar territory.

On the note of “Volpina,” I do not understand it considering that Tikki was all on board with Marinette following Lila for the sake of getting the book back; that was one of the cases where there was an alternative motive out of just “follow Adrien” (which is not really something we see Marinette frequently doing; usually when we see her watching Adrien, it’s because she wants to approach but can’t bring herself to).

And yeah, most of the time, it’s just the narrative. The show basically puts it all on Marinette to solve all her personal problems (while constantly piling more stuff onto her) instead of getting active encouragement (no, eye rolls, verbal jabs, and groans do not count) from her friends and Tikki.

Like, what am I supposed to expect from Marinette when her friends still actively support Adrienette? By supporting Adrienette, regardless of the comments they make, they’re supporting Marinette’s behavior. Same with Tikki.

Anonymous said:

Have you noticed that with love interests of Marinette and Adrien, it's always the girls who like Adrien who are shallow, mean bitches and competition to Marinette(like Lila, Chloe, Kagami at first), while the boys who like Marinette are nice, friendly, and have no competition between each other whatsoever, sometimes not even knowing there IS competition(Adrien, Luka, Nathaniel). It's just really unfair and sexist because it's like girls can't be civil/friends and must fight over a guy.

That’s been a common topic of salt for a long while, yeah, I just don’t talk about it much.

It’s a difficult subject because I’m the type who can’t hold it against the guy characters (so I won’t dislike Kagami for “being similar to Chloe/Lila in terms of aggressiveness,” for example) because it feels wrong to, but I can hate the trend itself.

It’s also doubly unfair because Marinette’s crushes blip away quickly (like Nathaniel and Nino) while Adrien’s crushes stick around specifically to upset Marinette, so it’s like the show is saying, “if there’s a character who loves/supports Marinette, they gotta either stop or leave” (I’m pretty sure I got a “Didn’t Need Burrow” about the narrative sending Luka away and I don’t doubt it).

Anonymous said:

Personal Heacanon: Marinette and Chloé used to be friends until Marinette found out what Chloé (and Sabrina) has been using her commisions (mostly elaborate traps "to guard off thieves") for. This is why Chloé has it out for Marinette specifically. This is why everyone stood by as it happened. This is why she hates liars. This is why her "friends" are so casual at making jabs at her self-stem (they never believed she never knew what Chloé was truly up to). And also why Lila had it so easy at gaslighting everyone againts her (she's "relapsing" and it's easy to think she "deserves it").

Dang. That’s intense.

Yeah, Punch has given quite a few ideas about Marinette and Chloe previously being friends if I recall correctly. I like the idea even if I never use that kind of idea myself.

Anonymous said:

I feel like Adrien could be a really cool character if they focused less on romance? If that wasn’t his only motivation, and they developed his friendships more, and they didn’t have this entitlement. I also would like more actual friendship in regards to adrien & marinette? And him actually having interest in her but denying it bc he thinks he can only like ladybug. I feel like the sexism of the creators/writers are seeping into the character a lot and ruining it, too... It makes me really sad.

I’m hoping Adrigami will help adrien sort out a lot of his stuff bc Kagami doesn’t take any crap, and I actually really like their relationships, but I don’t have much hope. I would love for the show to use her and this relationship as a way to call out and develop adrien, but I doubt that will happen bc that would mean acknowledging his flaws. It’s just disappointing, really....

Yeah, Adrien could’ve been interesting, especially if they used Adrimi to its full potential, but they don’t. The show also has a history of letting Chat Noir get away with things and not punishing him so I wouldn’t be surprised.

Anonymous said:

Honestly, I don't even ship the love square anymore, but Fanon Adrienette is a thousand times better than canon Adrienette(the same goes for every other side of the love square, obvs). It's what the canon should be but we fans can only wish. Take, for example, the whole "she's just a friend" statement. In canon Adrien makes it because he genuinely sees Marinette as that and nothing more(which of course isn't bad, it's just sad when Marinette's always humiliated for the sake of getting his love).

In fanon, he makes it because he's actually in denial about his feelings for Marinette(which reminds me of a definition for "just a friend" on Urban Dictionary, which had Adrien drawing her name with hearts and flowers around it, and yet, when Nino asked if he had a crush, he STILL insists she's just a friend!), but realizes his mistake later.

In canon, Adrien thinks Marinette is Ladybug only because it's convenient for him since she's in love with him. In fanon, he actually does notice things about her that make her similar to Ladybug, and falls for her BEFORE knowing their identities because he sees the same qualities of bravery, strength, and femininity that he sees in Ladybug(I remember one fanfic where Marinette stood up to GABRIEL'S overprotectiveness, and Adrien could only admire how much she resembled Ladybug in that moment).

In canon, Chat is ignorant of Ladybug's feelings and agency and doesn't comfort Marinette when she's sad; instead, she has to comfort him. In fanon, Chat Noir cares about how Ladybug feels and values her agency, his jokes are genuinely funny(although canon Chat can be funny too, it's just the where and when), and he backs off when Ladybug is uncomfortable. In fanon, Chat Noir genuinely helps Marinette when she's sad and sometimes comes to see her just because, not out of plot convenience(and calls her "Purrincess" a lot more, why did the English dub just change it to "little lady"?).

It makes me think, maybe, just maybe, if these things were canon and the world was fair to Marinette, I might actually ship it; it might actually have a fighting chance against Lukanette and Adrimi. But while all these things are cute, it only makes canon more disappointing. Fanon is doing what canon should be doing. Fanon is supposed to build off of what canon gave us and expand on it. Fanon shouldn't create its own alternative because canon isn't giving us enough to chew on, it shouldn't have to.

Sadly, I think most of the fans, including the Adriennette-shipping ones, should be on some level in charge of the show; things would be SO MUCH better for the main ship(which isn't even progressing that far) and SO MUCH fairer to Marinette if that were so.

I feel this very much so. The show has been around for a long time and fandom can shape a lot of things. I think the love square wouldn’t be as beloved as it is if not for the fandom expanding on it and making it better (obviously, in some cases, they don’t make it better, but the love square is plentiful so there has to be some good takes out there).

Some shows do in fact let the fandom build off the foundation it makes and then you have things like Astruc outright lying and saying that Chat apologized in “Frozer” when he, in fact, did not, which makes everything more muddled.

maxwaspace said:

What is your opinion of the Scarlet Lady webcomic by Z.O.E?

I’m not into the love square no matter how better one might do it (it’s been soured too much for me in the show), but I do get happy seeing Zoe’s art and wondering how she’ll change/expand on the plotpoints in certain episodes.

Anonymous said:

Not sure it anyone's already said this but-

Canon Audrey: you're fired!

MC Audrey: you're hired!

Okay but hear me out.

Canon Audrey being put in charge of dealing with Miraculous’ writers, MC Audrey put in charge of hiring new ones.

Anonymous said:

Something the genuinely scares me is how close some people’s predictions where for miraculous I just saw predictions people made for season 3 and it’s worrying that the worst possible scenario for them ended up happening beat for beat.

The show can be very, very predictable that way. The way I’d describe it is that I do expect these bad things to happen in really convoluted and dumb ways, but it still surprises me by exactly how predictable it ends up being. I mean, I catch certain things really easily and the phrase, “the whole episode just flashed before my eyes,” is something I commonly say.

Predictability isn’t entirely bad, but when the prediction is unwanted? Yeah, there’s a problem.

Anonymous said:

You could basically summarize the difference between what Miraculous fans want and what the Miraculous writers want by using the John Mulaney "Delta Airlines" bit as a template.

I had to get said bit explained to me since I haven’t seen that one, but yes, now I can confirm.

Anonymous said:

How do you think Chat Blanc would play out if Marinette and/or Adrien were already dating other people? Like if Marinette had already moved on, do you think the narrative would punish her for it?

I imagine it would have Adrien still be crushing on Ladybug and he’d break it off with this other person when he realized that Ladybug is Marinette, which the narrative would then promote as “the correct decision” because they’re soulmates and such. If Marinette has moved on, she probably won’t care about his advances, which would lead to Adrien getting upset and maybe being convinced that an identity reveal would solve the problem and/or speeding up getting Hawk Moth defeated/arrested.

Marinette would probably be blaming herself for not being “sensitive enough” to Adrien/Chat’s feelings, which is what led to him being akumatized.

I could also see the girl squad forcing Marinette to give Adrien the present similar to canon, but maybe the beret doesn’t have a heart and Marinette isn’t actually interested, but rolls with it because the girl squad insists on it (probably convinced that she’s denying her own feelings).

Anonymous said:

What do you think constitutes as a "strong female character"? Do you think the girls and women in Miraculous Ladybug are "strong female characters"? Why or why not(I'm sorry if this sounded like a school assignment, by the way!)? Because to me I feel like a lot of them are given depth and focus, but they're often forced into stereotypes, and let's not forget how the show derail's Marinette's character for a joke. But lots of people think a strong girl has to be boyish or else she's weak somehow.

“I'm sorry if this sounded like a school assignment“ dfhgkfdgfg

I guess it depends on what you consider a strong female character. Like, can a shy female character be “strong” if maybe she holds firm to her morals or can fight people off?

I think Marinette has the potential to be a “strong female character” but the show nerfs her using her crush on Adrien (which raises so many red flags that I can’t cover here) and all it’s really done for her is get her laughed at and humiliated. If her life didn’t revolve and get ruined so badly due to her crush on Adrien, I think she’d be a strong female character (I know what the Season 3 finale did but I’m not buying any of it until we see proper results in Season 4).

That’s not to say that characters with crushes can’t be “strong” but it has to not control their life. I mean... okay...

Would Sabrina be considered a “strong female character” if she recognized Chloe’s treatment of her and worked hard to get out of it? Is the want and attempt to move on from something what constitutes “strength,” or do they have to succeed?

My conflict is always... I want to give Marinette credit for trying to move on from Adrien, but I know that it’s just the writing trying to make things seem tense/strained just to make it feel “better” when they actually get together. You see it all the time in anime/manga where a misunderstanding/self-doubt ends up hurting the relationship of the main ship; it’s to force conflict and separation, giving the ship something to overcome so they can get together.

I will say though that shy characters can be strong, physically strong characters can be weak, and so on. What defines a “strong” character may be vague to me, but I take it as I go. I would like to say that Marinette is a strong character on her own because she wants to improve even if she fails, but I also don’t want to give the writing credit for something that ultimately means nothing. I want to say that she’s strong but the narrative seems to do everything in its power to tell me that she’s weak.

Let me give a non-Miraculous example: say that you have a pacifist character, but there’s a villain who has done terrible things, cannot be redeemed (plz do not swarm my inbox with “anyone can be redeemed” comments, this is a hypothetical), and any method besides killing them right there and now would lead to more destruction/lives lost.

You might say that that the pacifist character would be “strong” in sticking by their morals and trying to find another way even if they ultimately would fail and the villain would get away, but an argument can also be made that the pacifist is being stubborn and letting people die because they are unwilling to rethink the morality they’ve chosen. Is a pacifist a pacifist if they’re letting the blood of other people spill because they themselves aren’t willing to have the blood be on their own hands? Are they “strong” because they stuck by what they believe in or are they “weak” because they refused to expand what they believed was “right”?

You could apply that to Aang from Avatar: The Last Airbender (I know he’s not female but stick with me here). He was faced with having to murder the Fire Lord to the point where a past reincarnation who was raised on the same values as him didn’t agree with him. I think it was acceptable for him to try and stick to his morals and find another way, but he came up empty and the show had to give him a way of taking away the Fire Lord’s power so Aang didn’t have to make that choice in the end (there’s also that thing with the rock to his back and having to give up Katara but we’re not getting into that).

People could argue that, “oh, he admitted to himself that he’d have to kill the Fire Lord and then he got the Deus Ex Machina so it’s okay!” but the problem there is that the narrative basically gave two options: Murder or Take Away the Guy’s Bending, but there was incredible risk involved in the latter option. Aang almost lost himself against the Fire Lord and risked everything so that he would not have to kill him.

I would argue it makes him weak. I would argue that needing the narrative to favor him makes him weak (which is one plus for Marinette I guess the narrative is usually against her???). The lack of ability to understand his past lives and see things from their perspective made him weak for me, as him holding so stiffly to his values made it appear that he felt his ways were “better” than everyone else’s (which had been a long-standing problem for me and I never forgave him for “The Southern Raiders”).

Anonymous said:

What do you think of adriens mom Emilie. Like what do you how do you feel she wound up using the peacock miraculous personally I’m leaning into her being a villain due to the fact that there aren’t any stories of a peacock hero (unless they retcon that) and that her husband is well freaking Gabriel who has no real form of morals. Also I can’t help but think of how they got the miraculous in the first place. Anyways overall what do you think they will do with her or think of her right now.

I see her like I see any dead mom in media (I know she’s comatose, not the point); a tool for angst. Her reasons for using the peacock could be anything (might even be that she was given it and simply wearing it was damaging to her, or she transformed once to try it out and that was that), but I just don’t feel strongly about her because I’m not invested in the Agreste plot.

Me personally, I headcanon that she’s kind of like Bustier where she appears good but is actually very damaging. Instead of the generic “good mom who tried to do good things for her son but folded to angry dad’s demands,” I would like to imagine that she’s selfish in her own right and was part of the reason for Adrien never going to public school; she’s possessive herself (a contributor to why the Agrestes are so wealthy) and wants her son to remain close to her even if she genuinely cares about him and should want him to be able to go and learn from the world.

But I imagine they’ll probably make her either “pure good mom” or “villain like Gabriel where she’s ‘sympathetic’ but also evil.” The show has never been good at doing gray morality (see my MC Audrey for example) and usually messes things up if they try.

Anonymous said:

Honestly, I don't like Mme. Bustier, but if they DARE pull the pregnancy jokes with her--and I don't mean "pregnancy puns", like those would be ACTUALLY funny without offending anybody, but "ooh, she's pregnant so now she's moody and has wacky cravings and screams at everybody and is a nightmare to be around" and other things that just scream "male writer who mocks female biology and doesn't understand women", I'm going to cry. We already don't like Bridezilla, and this isn't any better.

Ugh. I don’t even like pregnancy plots in general or anything related to pregnancy (my followers who have been around forever and know of my hatred towards babies: wow what a shock!!), so adding on “jokes” like that?

Hard pass. I already don’t like Bustier so the mere idea of her potentially getting any focus there--

Anonymous said:

What do you think of the Alyanette ship? Personally, I'm ambivalent to it, but I can sorta see Alya being bi and having a crush on Marinette but Marinette doesn't like her back. Or she could have a crush on Ladybug. But I don't like the idea of it being mutual, considering how pushy and invasive Alya is. It also doesn't make sense for her to so insistently push the love square if she likes Marinette. But perhaps that's where some of her sarcastic quips come from: jealousy(cliche I know).

I’m always here for bi representation (no one can take my bi disaster headcanon’d Nino and Kagami away from me), but I actively dislike the Alyanette ship. I was okay with it back in Season 1 but it started to fall off in Season 2 and officially die in Season 3.

I don’t judge people by what they ship (...much; there’s obviously that little part of me that can’t help giving the side eye) but yeah, not for me.

Anonymous said:

As a different flavor of angst: Can you imagine Marinette’s class going to Riverside park in NYC and Tikki spotting the Jeanne D’Arc statue? I always wondered what it would have been like for Tikki to see Jeanne burned alive by the people she swore to protect. I think Nobody briefly touched on this for Witch Hunter, but not many people I have seen (probably missed something) talk about it. What do you think?

I’m indifferent to past holders getting mentioned and acknowledged; not sure how I feel about them given specific names and such (I kinda like seeing their designs and such but making them actual people from the real world? mmmm not here for that as much).

I like the idea though of addressing those real world things and having the kwami reacting to them. Like, it did make me genuinely sad in the New York special to see Liiri come out and call out Gilbert’s name, only to see this other guy standing there and we know that this Gilbert guy is very much dead by now.

On a related note, I’d be all for a special getting into a kwami’s problem and not making everything Marinette’s fault, so having Marinette maybe helping a kwami through theri issues and it leads into getting more lore on the kwami.

Anonymous said:

I just had an epiphany today: People who hate on Marinette for being "mean" to Lila/teachers telling Marinette to ignore Chloe and Lila and treat them nicely are the equivalent of real adults telling girls who are being bullied by boys that "he does it because he likes you." Ladies, raise your hands if something like this has ever happened: "Jamal tried to cut my cheek open with a razor!" "Oh, Aaliyah, he's only doing it because he likes you." Now that I've seen it I can't unsee it. Disgusting.

“Marinette, they’re just jealous of you, that’s all! Can you really get angry at them for that??”

us: yes

Anonymous said:

Thinking about Puppeteer 2 and how Marinette's identity could have been blown if she had talked to Tikki because of Plagg's incompetence angers me beyond belief because I know, just KNOW, if that had actually happened, Marinette would take ALL THE BLAME for it like there's no tomorrow. It would never occur to anyone that she normally talks to Tikki while she's alone and had no idea that the "statue" in front of her was a real boy AND her partner, or that Plagg should have said something. Ugh.

I KNOW, RIGHT????

That was such a big annoyance to me in that episode. They literally neglected the actual reality of what would happen (”Oh, Tikki! No one’s here, I could practice on this Adrien statue!”) for the sake of humiliating Marinette... again.

Anonymous said:

Your comment about how Ladybug always says she's "in love with someone else", as if that should matter diddly squat when the problem is with Chat not respecting her feelings on their own without another guy in the picture reminds me of a #YesAllWomen post I saw on Twitter. It read: "'I have a boyfriend' is the easiest way to get a man to leave you alone. Because he respects another man more than you." It's just like this except without the dating and the fact that Chat DOESN'T leave her alone.

And then you remember that the “someone else” she’s in love with is the exact person who’s disrespecting her feelings and you proceed to hate everything.

Anonymous said:

The statue scene in Puppeteer 2 could've easily kept its humor by having Adrien fall over when Marinette puts her weight on him and almost kisses him, then Marinette goes "Gasp! You're not a statue!" Marinette is always being forced to humiliate herself in the name of "love", even when she doesn't deserve it, so for once, let Adrien be the one utterly humiliated of his own doing. Then they could have a sad scene where Adrien ACTUALLY comforts her and...wait for it...LEARNS A LESSON.

Alternatively, someone who works on the statues comes in and, also mistaking Adrien for a statue, tries to do some sort of work on him.

Anonymous said:

Since we can all agree that this show is sadly not very good at girl power/inclusivity, how would you tweak the show to make it more genuinely female-empowering/inclusive(can include racial/sexual inclusivity)? Besides the obvious(including more female and/or POC writers on board).

Orientation-related inclusivity isn’t even that hard. Have a character get a call from someone and just be like, “oh, it’s my boyfriend/girlfriend,” and then other companies can just dub it if they’re so afraid of characters who like the same gender.

Firstly, I’d have Marinette learn and become more of a mentor character to other characters (male and female), lean more into more “females in power” (like Mylene showing genuine interest in being the next mayor), either less focus on the “girl antagonists are evil/unredeemable” plots or at least make them legitimate threats that don’t need the narrative to cater to them to make them threatening.

Secondly, Adrien needs to STOP being the one to keep telling Marinette/Ladybug what’s right or the way to do things. I can’t stress this one enough.

Thirdly, maybe not having a season dedicated to three guys getting miraculouses while all the girls are either questioned, self-reveal, or get their miraculous revoked. That might help. :P

Anonymous said:

The saddest thing is that I can see ML going through a "Fate: The Winx Saga" in the future and having an awful, edgy reboot to appeal more to adults.

Different writers probably but at what cost.

+ more sexualization obviously since that’s usually what “more adult” means; Audrey gets the cleavage that her design clearly calls for at least, but again, at what cost

Anonymous said:

I hate what TheOnesWhoMustNotBeNamed have done to the Love Square but I also don't like Lukanette and Adrigami (nothing against the characters themselves). This is going to be one of those shows that regardless what ship wins is going to disappoint around 90% of the fans.

No hate for not liking Lukanette/Adrimi, I understand that.

And yeah, there’s a <1% chance that they can pull out anything satisfying.

Anonymous said:

Off topic, but I realized why I don’t like Clara Nightingale’s design, there’s no light to her eyes, makes her look kinda dead, kinda evil.

DQ tend to do that when they’re the ones animating. I remember “Christmaster” doing particularly well with the eye highlights.

Anonymous said:

What do you think about the future Miraculous specials (Africa, Japan, Rio, Shanghai, London)?

Will be happy to see a new setting because it shows different cultures (though there’s always the chance that the culture is poorly-represented) but that’s basically it. Specials are usually just a cash grab that are just there and any expansion on lore and such is shunted to the side for the sake of love square drama, judging by the New York special.

Anonymous said:

I haven't watched the New York Special yet, don't think I can bring myself to tbh, but this whole time I thought Aeon was the name of the superhero persona, and that the fandom was collectively calling her civilian identity Uncanny Valley bc her model was that bad.

I was genuinely shocked to find out that her civilian identity is named Aeon and that her hero name is Uncanny Valley bc that is not only a stupid name, but kind of insulting since she's an android character of color. (Well, she's a character of color except for when shes running around as a pale naked superhero. Majestia, give your kid some pants!)

oof

Yeah, the Uncanny Valley thing threw me off too. “Aeon” really does sound like a superhero name.

I can’t believe they made her a robot and were like, “mannequin robot design.” I question so many things about the decisions made around Aeon fdkjgjfdg.

Anonymous said:

Do you think they’ll ever leave DuPont college, since it’s a middle school (essentially) and go to a lycee (high school)? I think they’re in their second year of four at DuPont, judging by the previous class picture.

I doubt it, unless we get more seasons? It would mean having to model a whole new school.

Anonymous said:

So I was reading again tikki brand boyfriend and this come to my mind and I have to share it with you.... Tikki is the mother in law of marinette in the future lol (sorry if this isn't the right blog to ask this) (I love yours au, you are amazing!)

(this is the wrong blog, yes, you’re looking for mc-lukanette, not miraculouscontent)

Thank you though! i agree, that’s cute, ahaha~

Anonymous said:

Did you know that there's a TV Tropes page for LadyBugOut?! And someone even left a review there saying they liked it and that they were sick of the Marinette embarrassing and wanted some Lukanette. They say your au is their favorite au in the fandom! Isn't that just swell?

Yes! And the TV Tropes page is fantastic! Thank you!

Anonymous said:

OMG IVE FIGURED OUT WHY MARINETTE IS UNABLE TO GET OVER ADRIEN!!! She’s under the influence of a love potion called Amortentia, which causes a powerful obsession from the drinker (it’s from Harry Potter). That’s why she’s so obsessed, and that’s why she can’t get over Adrien! She literally can’t while under the influence of the potion! She just needs to drink the antidote, and then she can finally be free!

Oh no!! Someone get this poor girl an antidote, STAT!

Anonymous said:

I was just reading your review of Silencer(which I totally agree with by the way), and when I got to the part about how Ladybug lost her voice and her powers are voice-activated, it got me thinking about how annoying Chat was being(as another anon noted, which I also agree with), and then it hit me. While it may just come off as his usual flirtatious banter that's innocent, the fact that he doesn't even seem to mind Ladybug not being able to detransform because then he gets to "be with her" forever and ever and ever amen just proves your point about Chat Blanc. He cares more about being with Ladybug than Ladybug herself, so long as she gets to keep being Ladybug "for him", that's what matters. Remember that the girl he fell in love with was the superhero persona and not the girl under the mask. He couldn't care less about who that actual girl is so long as she's his "lady" and loves him back. He just wants her to uphold the image of his strong and powerful "lady" that he admires.

(Glad you enjoyed the “Silencer” review! Thanks!)

Full agreement here! Chat isn’t really in love with Ladybug; he’s in love with the image he’s made of her and wants to keep it that way, no matter how much he may suggest otherwise.

Anonymous said:

Luka is soooo much more interesting with Marinette like, why isn't he the love interest? Same with Kagami for Adrien. To be honest it would be cool if the show set up the love square at first but then slowly started to change to Lukanette and Adrimi once Marinette and Adrien realized their crushes were just not working out. They can still have an identity reveal, but they'll refreshingly stay friends. But the writers don't have the ovaries to do that, I get it. -_- Such wasted potential.

They could’ve done a really interesting bait-and-switch but they decided not to. The love square is full of holes and flaws that they’re very likely never going to address (outside of anything used for that “gAsP maybe they won’t get together???” drama), so having it actually be addressed and be like, “okay, we’re better as friends,” would’ve gone over so much better.

Anonymous said:

I hear people complain all the time that Lukanette is toxic because Luka is merely the "second choice" for Marinette, and that she just uses him as a rebound when she fails to get Adrien's attention. But the truth is, that's not how it is at all. Luka's not anywhere near her "second choice". He gives her tranquility and stability, and she helps him loosen up and have someone to express his creativity towards. Plus, it's totally normal for teens to have two crushes whom they can't choose between.

THIS

ALL OF THIS

I am so tired of people saying that Marinette is “using” Luka in someway as if it’s a conscious decision on her part to take advantage him.

Luka makes her happy. That’s it. Luka is aware of how she feels and respects her space, but I guess that makes him a “pushover” and “he lets Marinette walk all over him” because he didn’t get upset with her and embarrass her in “Desperada” by calling her out over her Adrien blindness.

Anonymous said:

People who say "I like Marinette but she's getting to be pretty embarrassing sometimes" really don't get that the show constantly forces her into situations where she's embarrassed and made out to be incompetent. Like, it's not her that's embarrassing, it's the show that's always embarrassing her. Kind of like Serena/Usagi in the (shitty)DiC English dub of Sailor Moon. It's getting irritating to hear people continually rag on Marinette as if SHE'S the clueless idiot, rather than the writers.

There are some things that happen to her that she literally could not have predicted. Like, just saying, if I had someone claiming to be my friend, I would expect them to know I’m anxiety-prone and not pretend to be a statue just

Anonymous said:

Remarried Empress Anon: I can see Felix as the Duke and maybe Jagged Stone as Kosair (but an uncle and not her brother).

I agree with both of those! Jagged Stone as Kosair/Koshar, omg.

Plus, the idea of Luka and Felix being “friends” amuses me.

Anonymous said:

You know, I find Felix/Marinette content to be really funny. Because, Felix in fanfiction is a completely different character than his canon self- with a different personality, background, and maybe even last name. So, the entire Marinette/Felix fandom is literally just Marinette/oc except it's always the same oc

I struggle to get fully behind Felinette because so much of it does rely on fandom interpretation and playing with fanon in general (plus, having to clarify “I ship fanon Felinette” is weird).

I do however agree that it’s interesting that it ultimately comes to a character built on fanon grounds, and how much more acceptance characters get when they’re based on “canon”/originally canon characters.

Anonymous said:

How would you write the Miraculous PV version? Just wondering.

I don’t think I could without drastically changing characters and at that point it’s not really the PV anymore. “Bridgette“ and Felix’s relationship is the exact opposite of what I like to watch/read about so yeah, changing both of them to what I like would either be too severe of a rewrite or me working too far within the restrictions set out for me.

Anonymous said:

There's a YouTube video claiming that someone will figure out that Marinette is Ladybug and that she will suffer...I mean, yeah? Isn't that what we've already been getting? I mean, not the first part, obviously(and when we have, it's been undone), but the second? Have we been watching the same show? No, have we? Because Marinette suffering, sadly, is not anything new.

lol “Marinette will suffer!” and us like “did you seriously use future tense as if Marinette isn’t already suffering??”

Anonymous said:

Am I the only one who feels like Miraculous Ladybug is feeling less like a magical girl show and more like just another superhero show? This isn't even because of "girl power" or anything like that, or the fact that there are male Miraculous wielders like Chat and Carapace and(long dreamy sigh) Viperion. This is because the outfits don't really resemble magical girl outfits at all and, after watching various magical girl shows both in and out of Japan, Miraculous is starting to feel like its genre is shifting from magical girl to that of "superhero" in its broadest term. And I know I said I wouldn't bring up "girl power", but the fact that so many of the girls aren't treated respectfully by the narrative and are pitted against each other, to the point where they're more likely to lose their Miraculouses or reveal their identities(which often culminates in losing their Miraculouses), only adds to this because the Magical Girl genre is about female empowerment and solidarity.

It's sad because I really don't want this show to become one of those shows where "there might be one or two girls, and she might even be the lead, but it's still mostly guys who are front and center doing the heavy lifting" that we get all the time. Things are starting to change for the better and I want Miraculous to capitalize on that emergence of female empowerment as much as possible. Plus, with the New York Special, the magical girl aspects of the show have been toned down if not obliterated entirely: the transformations for the superheroes only last one minute, and they feel more like the Avengers than Sailor Senshi(which I don't mean in the most literal sense, of course, I am in no way saying that none of them can be male.). Plus they pulled the whole "Samus is a Girl" thing TWICE! TWICE! Come on, if you're show is really about girl power, it shouldn't come as a surprise when girls are, well...powerful! And especially not in Magical Girl for obvious reasons.

So while I'm not saying it's bad for a show to shift from the original genre it was meant to be in(although it must be done carefully, otherwise it looks like you don't know what you're doing), and there is of course no wrong way to do Magical Girl(except for Madoka Magica and Yuki Yuna, do NOT go there!), it does make me wonder. And it's kind of disappointing, because I really love Magical Girl and I feel like shows like these could introduce the genre to a wider audience and could renovate it as well. But unfortunately they're going a different direction, and that makes me sad. If not for the transformation phrases/sequences and the fact that they have animal companions, I imagine most people would be totally clueless as to how on Earth this show counts as Magical Girl. It still counts as such for me, but it's deviating farther and farther away from the genre to the point where it becomes nigh unrecognizable, or like even the show writers forgot what genre it's supposed to be. Sadly.

Yikes.

Yeah, I can’t imagine how seeing this show must be like for people that are more savvy with magical girl shows. Me personally, I had to be told that it was a magical girl show because it honestly just gave off the “superhero show” vibes even with the magical girl-esque transformations.

Plus, with magical girls, you usually expect a group of girls? Here, we have Ladybug and Chat Noir, who the writers keep being like “they’re equals” which... yeah, that’s fine but it doesn’t really work with the idea that this is a magical girl show? I mean, “Party Crasher” was basically Ladybug and her reverse harem of superhero guys who just got out of a “males-only” party.

I dunno, coming from someone who doesn’t have a lot of experience with magical girl shows, it just doesn’t have what I would expect when I think “magical girl show featuring a healthy dose of girl power.”

Anonymous said:

I was once reading this review of Miraculous Ladybug called "Miraculous Ladybug is a Hot Mess: A Rant", and while it's a good video and you should watch it and I totally agree with everything she said(plus, it made me laugh a few times!), I had a huge issue with the way she made Marinette's stammering around Adrien to be ALL HER FAULT since he's never mean to her and is always patient with her(yeah, more like oblivious), but that "she's incompetent" and "cockblocks herself", which annoys me because Marinette on her own is not the incompetent one here(I also don't like the term "cockblock", like, can we not? But anyway...), rather, it's the writers who make her incompetent for cheap laughs and don't allow her to improve or let anyone(but Luka, bless his kind soul!) truly be on her side. She then had the nerve to say "Marinette needs to learn to define herself outside of who she's crushing on", when, NO, once again, the WRITERS are the ones who define her by her crush on Adrien.

It's one thing to blame a character for something even when she's clearly written by a writer, because characters are supposed to be consistent yet flexible and have free will in-universe. But when she's written this inconsistently/it's obvious the writers have it out for her(to the point where they even say it) it is nigh impossible to pretend it's an aspect of the character herself and not the writers at fault. THAT'S where you draw the line between blaming the character vs the writer.

In fact, speaking of Luka, she also said that she wants the show to get rid of Luka because he's just a "plot device" and has no reason to like her beyond the fact that she's a "funny girl". She also said that Luka is a stereotype of the "cute bad boys who are emo", when that's blatantly untrue. She's allowed to not like Lukanette but all the things she's saying really ignore the point of his character and that his life DOESN'T revolve around Marinette; the writers simply don't respect him.

Even worse, she contradicted herself by saying that Lukanette is pointless because "we all know that Marinette is going to get with Adrien; it's endgame so why does the show even bother with Luka?" Then right after that says that Kagami's okay and that it's okay for Adrien to move onto Kagami because Ladybug has rejected him as Chat so many times(which is apparently not the case for Adriennette because "MaRiNeTtE's JuSt InCoMpEtEnT" right?). So teenage girls aren't allowed to like other boys or date more than one boy, yet teenage boys can date as many chicks as they like. Nice.

And apparently, any problem in a relationship or potential relationship is the girl's fault no matter what. She can't approach him because Goddess forbid girls not always be perfect and capable? She's incompetent and it's all her fault she can't properly talk to a perfectly nice, cute, FAMOUS boy. She rejects him every time he confesses despite him knowing it will fail. Her fault for being mean and not giving him a chance. She gets tired of chasing him and decides to look at someone else since it's not like she's legally married to Boy #1? She should stick with the original boy since they're gonna get together anyway. He gets tired of chasing her and decides to look at someone else since it's not like he's legally married to Girl #1? She should've realized his feelings for her and returned them since they're gonna be endgame anyway. Has this lady ever even been a teenage girl?

Plenty of teenage girls get tongue-tied around the one they love even if he or she is a perfectly nice, sweet person, it doesn't mean they're incompetent(especially when the girls are fictional characters in a world set out to punish them for not making progress and for trying to make progress at the same time, and the fact that the boy is a celebrity who is always made oblivious and kept distant enough from the girl so she can keep putting him on a pedestal and never truly get to know him). Plenty of teenage girls lose interest in one boy and so fall for another. Yet it's somehow only okay for boys to do it? Seriously?

And then for the episode "Ladybug", the reviewer continues to rag on Marinette, blaming her for the fact that her reaction to getting expelled was "I can't let that nasty Hawkmoth win", claiming she wasn't reacting like a normal teen or human in general would react in that scenario, completely ignoring the fact that it's TIKKI who doesn't comfort Marinette and forces her to focus on her duties as Ladybug and almost getting akumatized. She's right about the plot moving too fast, but she doesn't take into account WHY it's moving too fast, because the show doesn't focus on Marinette's inner struggle and what she has to go through. Instead of giving her time to process her thoughts after all that goes on and providing Tikki as a source of comfort and support(which she's, you know, SUPPOSED to be), they make Tikki berate her and force Marinette to push it to the side.

She's never allowed to feel. And that's why it hurts all the more when this woman insults Marinette for her perceived ineptitude, and she's fully allowed to dislike Marinette, critique her behaviors, dislike Luka, critique his role in the story etc., just don't reinforce a double standard as you do so and look closer: ultimately most of Marinette's problems are due to her not being permitted to FEEL. She's not allowed to be nervously in love, or be calm, or be offended, or be just not ready.

The writers keep pushing her in one direction, to be emotionless, to be selfless, to be nice, to be honest, to be "the mature/responsible one" to be a perfect little "Purrincess", to not push for or want anything for herself, even though the show is supposed to be about girl power! She does somewhat touch on that by saying that Ladybug never gets to "take a hit" and that the Marichat scene in Glaciator was too short, but she never goes into why everything is too-fast paced. And if she did, she wouldn't be saying everything she does about Marinette and Luka. Because Luka is more than just the "plot device" she dismisses him as.

He's like a calm oasis, the apple of the hurricane who keeps Marinette calm and just lets. her. breathe. He's possibly the only person who doesn't berate her, who doesn't mimic her, who doesn't insult her, who doesn't ignore her. And the one time he does, he apologizes RIGHT AWAY when he sees how sad she looks. And the funny thing is, I used to hate that scene, because when I first saw it, I thought "Oh man! Luka did the same thing as everyone else did once!" But now I see that it serves as a contrast, whether intentionally or unintentionally, to the other characters in the show. Whereas they never apologize for how they treat Marinette(and often she somehow ends up apologizing instead, sadly) and in fact seem oblivious to it at times or just don't care, Luka notices, Luka cares, and Luka apologizes. That shows that he cares about her and her feelings, unlike the rest of the characters in the show.

And while they do care about her, they're never held accountable for how they treat her. Anarka and Plagg are probably the only exceptions that I can think of(who contribute to the plot of course), but they're obviously not love interests, and the video doesn't talk about them, so I won't talk about them either. But my point is that this review, while good in other ways, is still problematic in this regard, for how it completely ignores Marinette's struggles and how they affect her, as well as the value of Luka's character(even if the show doesn't recognize it at times) and the POSITIVE effect they have on each other(especially since he actually, genuinely, wholeheartedly loves her and is patient with her, since Adrien is barely even her friend and Chat is pushy and entitled. And he has a life outside of her too, which this video chooses to ignore.)! So yeah, I'm sorry this took so long, but I just had to protect my favorite characters because that video did them so dirty. Thank you for coming to my Lukanette Ted Talk! Have a miraculous day! ;3

...Wow????

Can I just say wow??

Firstly, kudos to you for having the patience to not only write all of that, but simultaneous deal within Tumblr’s limitations while doing so? I almost wish I had a video detailing all of these topics (not exactly a video response to that person, but just detailing all of this without explicitly calling people out).

Secondly, I absolutely, 100% feel you on the double standards. I have seen so much hypocrisy in my experiences and it’s insane how people will bash Marinette relentlessly and then let Adrien off with a bunch of excuses, or hate Luka for essentially existing and then accept Kagami.

I also hate the idea of disliking Luka because he’s there to make Marinette feel better, and then liking Kagami because she causes conflict, like the implication is that conflict equals good and things that make Marinette feel loved and cared for are bad because love square endgame, I guess.

It’s exhausting, especially when Marinette is fourteen, clearly tries, but is getting no support. Like, have you ever thought how weird it was that Tom and Sabine seemingly knew back in “Gamer” that Marinette was crushing on Adrien, but in “Weredad,” they don’t worry about the fact that Marinette is into someone else or wonder what might’ve happened with Adrien, like if he might’ve hurt her in some way? If the assumption is, “oh, they just think that’s a teenage thing, flip-flopping between love interests,” well... Tom clearly takes what he thinks to be her current crush very seriously, and even if it was true that they presume she’s just flip-flopping, that really doesn’t show them to see Marinette as more than just a clumsy teenager-in-love stereotype.

So yeah, the characters who are meant to be there to support her ask no questions, but here’s Luka with his sweet “you can tell me everything or nothing, you can be yourself around me,” line, and yet... Luka is the problem???

Sure, how dare this sweet boy NOT cause Marinette more stress. He makes Marinette feel better about herself and therefore he’s “pointless” (which, really, is the true mark of someone who doesn’t care about Marinette).

Ugh.

But yeah, in conclusion, people can have insane double standards when it comes to Luka and Marinette, and thank you for the Lukanette Ted Talk, this was a really good piece! You have a nice day too! ;3

(note: the below ask seems to cut short at the end and I didn’t get a message back about it but I at least wanted to have it here so the anon has (most of?) their story heard even if I can’t properly comment on it:)

Anonymous said:

Relating to the ask about Marinette imagining the events of the series. For me it would be realistic as I sort of see myself in her position for some parts, especially how her friends are represent (mainly Alya) and I can see myself picturing the events of the story (surrounding them) to some extent.

I'm continuing on to explain and rant about how I relate to Marinette. So about Alya's pushiness with Marinette's crush and how she won't let her move on. I used to be sort of friends with this person and one day we hanging out at school and she started badgering me to tell her who my crush was, even though I told her I didn't have one (I didn't have one but even if I did it wasn't her business, especially because we hadn't really interacted for a couple years).

She pressured me enough that I felt the need to make up a person, then she called me out just after I did it because she knew I was lying but didn't realise how uncomfortable I was lucky we were by ourselves so no one could hear how embarrassing it was. It still is but I sort have gotten over it (that's why I'm hear complaining). For her being made to sit by herself because everyone else paired of, I can relate.

I have never been the person who is really close with the friend group (probably because I'm quiet and struggle to interact with others), but I still I hang out during class time, but there have been times when two of the friends sat together and the other friend chose not to sit with me but just in front of me (the tables can fit two people at them) until one friend I went to primary school asked "what about [me]", so them she sat next to me.

The person I went to primary school with also has chosen to sit with the person who was not to sit with me so she could sit closer to the other two friends diagonally across from me on the table next to mine. I can understand Marinette in The Chameleon for how she would of felt when her friends turned in because I am left wondering if my friends even like me, although primary school friend sometimes tried to get to wait with them when we were waiting for the teacher to show up.

As I mentioned earlier I anxious when trying to interact with people who are even considered my friends so I wait for them to invite me to hangout with them. And for the ending of The Chameleon when everything went back to normal, in primary school we had this task we were told research a person and write a biography on them so as the teacher told us we were writing a good copy and the work in our books was a rough draft.

I wrote the information down as I would the good copy to make sure I was happy with it. When we were writing the good copy, I started to worry I had done something wrong as I had seen my friends work and they bith had just written down the facts. So as my friends and I kept having arguments and fights so I told them that I hoped I remembered to spell all the names correctly because they were not names I was knew how to spell which was true so they didn't question it as I could tell they did

#category: salt #character: Marinette Dupain Cheng #relationship: love square #character: Adrien Agreste #category: fandom #MC: Audrey Bourgeois #episode: Chat Blanc #character: Emilie Agreste #character: Caline Bustier #relationship: Alya Cesaire & Marinette Dupain Cheng #episode: The Puppeteer 2 #MC's Adjustments #adjustment: romance #category: staff #character: Clara Nightingale #episode: Silencer #relationship: Luka Couffaine & Marinette Dupain Cheng #relationship: Felix Graham de Vanily & Marinette Dupain Cheng #other: askplosion

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thatgirlwritingficsatnight · 4 years ago

Text

Odi et Amo II

Odi et amo. Quare id faciam fortasse requiris? nescio, sed fieri sentio et excrucior

Catullus, 85

After a few years of working in the USA for Disney and playing the role of The White Fox in Marvel Cinematic Universe you came back to your motherland - Korea only to be greeted with hatred and contempt. To make things harder for you the universe sends you the most irritating neighbour ™. Will you be able to find your happiness and accomplish your dream of becoming loved actress in Korea without complying with standards of patriarchal society?

pairing: Park Jinyoung x reader

genre: actor au

warnings: angst, foul language (please don’t read it if you’re not old enough)

words: 5764

A/N: It was supposed to be published last week, but I was unhappy with it and ended up rewriting it/adding some things. Sorry! (*_ _)人 P.S Sorry for my grammatical errors! Enjoy!

Chapter I

***

Currently sitting in front of your manager you eyed him. He seemed tired and you felt a pang of conscience it was probably because of your tweets last night and you wouldn’t even think of meeting him if you weren’t in dire need of getaway from the uncomfortable conversation with your neighbor. You didn’t meet in your agency’s building since both of you despised the place even though it was a new and flashy building made out of something that looked like a white marble. Both of you agreed on meeting outside it, so you were sitting in the café nearby while wondering how did your shitty boss manage to rent it. Last time you’ve been here, it was a few rooms in shabby, old building. You shivered while imagining going in, that place had an evil aura even from across the street.

"Where did you get all that money to rent it?" you asked.

"We actually bought it."

"Well, business goes well then."

"Actually we are only able thanks to your movies. Don’t tell Kim Pd-nim I told you, he thinks you'll become arrogant."

"I already am." You smiled coldly.

"That's what I told him."

Your manager had a sarcastic smirk on. Both of you and hated your CEO and even mentioning him would bring up unpleasant memories. Kim Sanghoon was one of those bosses who wouldn't even think about trying to help idols and stars that were bringing him money. No matter what it was — crazy fans destroying your life, death threats, your collapsing mental health he didn’t care. Once you were attacked by media and netizens you were on your own and if it was too much for the company your contract was terminated. You often wondered when would you become too much for them to handle.

"How do you feel?" Your manager caught you off guard, even though you had known each other for a long time there was an unspoken rule between you not to talk about other things than work.

"Honesty..I'm fine I don't understand why everyone asks me that." You huffed a bit irritated and run fingers through your hair.

"Well it's just.. I know it was important to you and you worked hard to earn the hearts of your Korean fa..."

"I'm fine." you didn't manage to hide irritation in your voice. You were not used to talking about it and you didn't like it one bit. Besides what were you supposed to say anyway? No one else was as hated as you. Of course there were idols and stars that were occasionally criticized but not one of them was constantly a target of such hatred. Even when you left there were still death threats send from your motherland to you, nothing changed. Not to mention no one else got such welcoming on the day of return to their home. It was unfair, stupid, infuriating and saddening. And yet you couldn’t understand what people were expecting of you? Both Mark and your manager knew you, or so you thought. What were you supposed to do? Cry? You wouldn't cry, that was what weak people do, that would show you actually care about what those assholes think about you. You were just fine. Ok. Neither sad nor happy. You'd endure whatever you had to but you won't conform to their image of idol and woman nor will you show any sign of weakness. You'd rather stay hated than do that. Your manager sighed and it pulled you out of your thoughts.

"Well then. If you're okay then I'm glad. So just as I told you I have this drama for you if you're interested." You weren't the slightest bit. Frankly you'd rather stay in bed for the next three months jobless than play some crazy villain or villainous second female lead. Then again you felt bad about the amount of work he probably had because of you. You looked him in the eyes and answered with a sigh.

"I can't promise anything but I can at least listen what it’s about.." Your manager seemed surprised, but he didn't wait long, perhaps in case you'd change your mind. He took out some papers and handed them to you. You cringed on the sole title "Love is your destiny" — it sounded sappy.

"So it's a love story between fallen angel and this human..." he started.

"Angels...so who do they want me to play? Satan? Devil? Succubus?" You browsed through pages to find the villain.

"You'd know if you'd let me finish." You sent him a small apologetic smile. "They want you to play the main role." You stared at him confused before you burst with laughter.

"They want me to play cute girl in love with the angel?" The idea of you playing the sweet female lead was absurd, not that you weren’t able to do it, you were a good actress it wouldn’t be a problem for you, if anything it would most likely be a challenge for the audience.

"No, no! You'd play the angel. See this is drama with strong female lead. The origin of your character is fascinating. You had to watch the mistreatment of a woman extremely devoted to god. The lady prayed, but she still got beaten, almost killed even. Moreover, you had to be the guardian angel of her torturer — the aggressive husband. You pleaded to god, you asked him to let you guard her instead, but he didn’t agree and forbade you from intervening. One night when the husband got drunk, he beat her unconscious and you were sure he’d kill her. You decided to save her, you kill her husband and this is the moment when you fell. That's when you became deviant and promised yourself you'd help those who were denied it. You’d protect them and avenge them. Fast-forward a thousand years, and we are in Seoul and you meet a man, a painter..." He was so excited you almost didn't understand some words because of the speed. He was waiting for your response but you were too occupied with reading what he handed you. Once you finished it you looked at him with a mix of surprise and excitement.

"It's like it was made for me.." you said with bewildered tone.

"That's because it was made for you. The screenwriter wrote it with you in mind." You looked like a cartoon character, eyes wide, mouth in a shape of letter "o", once you heard him.

"Me?"

"Yes. She is apparently a big fan."

"And tvN is ok with that?" You furrowed your brows confused.

"Perhaps they aren't. But it is co-production with Netflix, and they pushed for you since you’re popular worldwide."

Your heart fluttered and the tips of your fingers tingled from excitement as you rummaged through the pages once again, not only it would be showed in TV during the prime-time but also streamed on Netflix weekly.

"The screenwriter and producer kept calling me since yesterday as soon as it was known you came back. They almost cast someone else. They were sure you're staying in the USA. Isn't it amazing?" He was as excited as you were and you felt some remorse for being so rude to him before. You gave him your warmest smile, one you usually used only around Mark and your family.

"It really is. Thank you and I'm sorry for being rude earlier." He was clearly uncomfortable with your apology, red spreading on his cheeks as he waved his hand dismissively.

"Ah don't mention it. Does that mean I can call them and say you are interested." You looked at the pages in front of you once again and smiled broadly before simply saying.

"Yes!"

Jinyoung was still amused you threatened him in his own café. He couldn't focus on the book he had in his hands anymore as he chuckled replying your angered and irritated expressions in his head. It was fun to tease you because you reacted so well. He could tell you could be great friends if you'd let him. He smiled to himself mouthing your own words "bloody Y/N". He was truly shocked that he met you here of all places and found it rather amusing when you yelled in English and caught his attention. He felt some disappointment upon seeing a half naked man talking to you from the screen of your phone but the feeling disappeared as quickly as it came up once your friend ended the call. Jinyoung wouldn't call himself a noisy person, but he found you interesting, and he wanted to know who it was and what kind of relationship you had although he rarely cared for stuff like this... His thoughts were interrupted by his ring-tone, BamBam's face illuminated the screen. He sighed but answered it anyway.

"Skrrrt, skrrt!"

"Ah yes, good morning to you to Bam." Jinyoung said in amused tone.

"Oh, hyung you seem in good mood. What you're up to?"

"Reading, thinking."

"Sounds boring wanna hang out?"

"Actually I wanted to ask you about something." Jinyoung ignored his question once he remembered how obsessed with celebrities and their styles Bam was.

"Shoot."

"Do you know any celebrities under the name Y/N." BamBam laughed wholeheartedly.

"That's very funny hyung."

"What do you mean?"

"OMG you're not joking! Are you living under a rock, hyung? Y/N is like the hottest actress ever. Her style is chic and comfy and artsy it's really cool, and she actually doesn't have a stylist, she does it on her ow..."

"She is an actress?"

"She is the actress! She played the White Fox in the Marvel Cinematic Universe. Lol, you call yourself an actor and you don't know the most popular Korean actress abroad."

"You know I don't like those superheroes movies. Besides why didn't I hear about her Korean career if she's so good?"

"You are so old it scares me sometimes. Well you should know her from internet. I think it's national sport to hate her or something. She just came back, and they're already frying her online not to mention the media and dating rumors."

"Dating rumors?"

"Yeah she dated few actors. I think Seojoon hyung dated her and Changwook hyung even almost proposed. The media made her to look like heartless vixen though. I mean they never liked her but her last ex gave a very unfavorable interview to dispatch and after that she became villain number one. She left shortly after."

"Mmmm... I see." Jinyoung only started his career four years ago so it shouldn't be weird you've never met before. He was also the type of person who couldn't care less about internet gossip and gutter press or dispatch. He sighed. Suddenly your angry reaction made much more sense and Jinyoung didn't feel as good about it as he did before. He scolded himself for being too frivolous and selfish. He just wanted to see your reactions - it was cute and funny...

"Why did you ask? OMG you've met her didn't you. I'm so jealous. What was she wearing? Was it Gucci? I heard she likes it."

"Ok Bam. I have to go. Thanks for the talk."

"Wait, so you wanna hang out?"

"Last time when you asked me to hang out I had to shop for 4 hours with you."

"Well... I am your stylist. Besides, it was fun, come on."

"I think we have different definitions of "fun""

You woke up to no noise pleasantly surprised. It seems that Sunday's were free from renovation and thanks to that you could sleep in. You stretched out and grabbed the phone to check the time. It was already past eleven. You smiled to yourself and fell to bed lazily. Soon you wouldn't have time for lazy days like this as the production team was supposed to finish up casting for the drama by the end of the next week. You thought about picking some groceries, maybe cooking yourself some food and enjoying the day with a book or perhaps some video games. You took shower and put on some comfortable clothes — beige cardigan you stole from Mark clearly too big for you and some black trousers pairing it up with brown coat. You left the apartment and as soon as you did the irritating voice in your head reminded you about your debt. Hesitant at first you shook off the feeling quickly and knocked on the door. This time you were prepared for teasing, you were expecting it even so you wouldn't be caught off guard. At least that's what you were telling yourself. Your neighbor, however, didn't act the way you expected him to. Instead of smirking at you and teasing you or straight up mocking you, he seemed nervous. He had deep purple bags under his usually sparkling eyes. Perhaps he didn’t feel well... you wondered whether you should ask him if he needed some help. You decided it would be extremely awkward and so you cleared your throat and spoke up — softness now somewhere in your voice.

"Is that bad time? I can come later I just wanted to give you back your money.."

"N-No." He started nervously "I mean no. It's fine. I'm actually glad you're here. Would you come in?"

You didn't want to come in and it must have shown on your face since he continued.

"Come on. I don't bite." He smiled warmly and it seemed much more normal than the timid self he showed you seconds ago. And so you came in curiously looking around his own apartment. It was a mirror image of your own in terms of room placements — a hallway leading to living room with opened kitchen. You came into the living room and Jinyoung rushed after you quickly turning the TV off. You didn't pay it any mind since you were looking around and taking in how different was his home compared to yours. It was very modern and yet it kept the homey feeling. Yours on the other hand, well it was raw yet full of stuff? Mark would probably call it unfinished and cluttered. Your neighbor sat on the other side of the couch leaving quite a lot of space between the two of you and run a hand through his hair. He wore a cardigan very similar to yours both in color and style in fact it could be the very same brand and style it’s just neither of you noticed it.

"So what did you want to talk about?"

"I wanted to apologize." He responded quickly and gained a surprised look from you.

"Apologize?"

"Yes about yesterday…I shouldn't have said those things in public I could say I just didn't know about your situation but it’s no excuse. I’m truly sorry." he paused. "You don't have to be stressed about press or rumors though. It is my café and my staff, so they won't talk about it with anyone I took care of it." You took back everything you said, you weren’t prepared for meeting him, especially not getting apologies from him. On top of that he was the owner of your favorite café...

"I… it's fine." You said confused and tried to act as normal as possible while being very aware of your palms spread on your thighs. They were unnaturally clammy. It was a surprise to you, you rarely got any apologies and you were expecting some more teasing not something like that. Your eyes were everywhere except on him and you were screaming at yourself internally to say something, anything, but nothing was coming to your mind. Once again you lost your ability for forming witty sentences around him or in that case any sentences. There was awkward silence between you and you immensely regretted coming to see him today. You weren’t used to this. Somewhere in your belly you could feel as if butterflies - or rather moths — yes, moths of anxiety were fluttering their wings desperately trying to get into your chest. You never felt like this before. You tried to avoid looking at him but your own eyes betrayed you and fell on Jinyoung only to find out he was enjoying your anguish. His brown eyes were glimmering and his lips formed half smirk that he tried to cover with his left hand in a gesture of propping his head up. Immediately irritation came to you burning all the fluttering wings in the pits of your stomach. A frown formed on your face and you send him a glare. Wondering how could you be so stupid and fall for his act.

"You're really cute when you're shy or embarrassed." He chuckled now mocking you openly.

"I can't believe I took your apologies as sincere." He chuckled again clearly pleased with how you responded.

"They were sincere. I just enjoy teasing you."

"Could you stop? That's inappropriate you don't even know me."

"What do you mean we are neighbors and soon to be friends." He smiled broadly and for a second your mind travelled somewhere else simply admiring his beauty. You cursed his handsome face it could blind and charm everyone really. You wanted to leave, no you needed to leave. It was stuffy in here.

"I'm here for a reason." You reminded him, he was watching you with amusement. It felt almost as if a cat was observing you.

"Ah right... money." his tone seemed inattentive somehow. "I don't need it. Let's say it was a part of my apology."

"Just give me your account number and take the money."

"I don't remember it." You were getting more irritated every minute you talked to him.

"You don't remember your account number?" This man was unbelievable. He shrugged.

"You can send it to me through KakaoTalk if you really want." He smiled and took out the phone from the pocket of his pants.

"Fine. Just give it." Not wanting to spend any second longer here with him, you scanned his qr to add him quickly and transferred the money.

"Done. Now if you excuse me."

"Of course." He smiled again and you felt mocked by the sole action of his lips shooting upwards. He walked you to the door and watched as you slipped on your shoes. You tried to look as cold and dignified as possible but still tripped over the doorstep. He caught your arm firmly and straightened you. Your heart was beating so fast and hard all you could hear was blood pumping in your ears in fact you were sure he could hear it as well. On the other hand whose heart wouldn't when you almost fell face first, right…? Right? It surely wasn't because of his warm breath now tickling the crown of your head, nor the dangerously beautiful eyes... you absolutely regretted coming here today. It was foolish of you to think your cursed neighbor wouldn't shake you up today. And he was still holding you — how awkward is that; and you felt fine with being hold like that — what on earth was wrong with you? You started to think that maybe it would be better if you'd actually fell and hit that stupid head of yours.

Jinyoung was having very dangerous thoughts. The kind he didn't have in a very long time. He wasn't prepared for this kind of proximity. He was already shaken up yesterday by your touch and closeness he only held your hand for a second or two. Maybe he didn't show it but he was. Honestly he wasn't even into PDA or flirting with someone or even thinking of flirting with someone. Yes, he liked teasing, and he teased you but it was in a FRIENDLY manner. Well it was safe to say he didn't have friendshippy type of thoughts right now. Jinyoung reacted automatically upon seeing you fall he just grabbed your arm and pulled you his way. He was still holding your now tensed muscles, but he couldn't let go of you. He was in trance. Your warmth radiating onto him, the way the smell of your shampoo was tingling his nose, your huge doe-like shocked eyes, parted lips, soft pink on the apples of your cheeks. He was wondering how badly would you kill him if he asked to kiss you right now. He was seriously considering it worthy asking even if you were to pull out his tongue like you threatened yesterday. He didn't ask though, the rational part of his brain finally letting go of you. His own feeling were mess, but he did what he knew best — he masked his emotional disarray with some more teasing hoping you wouldn’t notice.

"Falling for me already?" He smirked even though internally he was screaming and already thinking of confiding in Jackson to get himself calmed. He was clearly the one falling and he was panicked. You rolled your eyes on him seemingly gaining the composure while he was getting stunned even by such simple gesture like this.

"You're way below my standards." You seemed annoyed. He smiled again although he wanted you to leave quickly and leave him alone with his feelings, so he can sort this out. Your eyes narrowed at him even more.

"I need to go now."

"Well, have a great day."

"Right, you too." You were so cold Jinyoung almost chuckled at it because it almost wounded him, and yet he liked it. He enjoyed teasing you too much. You were already walking to the elevator, but he couldn't help himself.

"Oh, and try not to fall when I'm not around to catch you, Y/N." He laughed and you were already frowning at him absolutely mad which made his heart skip a beat, you were really too cute when you frowned. Jinyoung closed the door before you could say anything or worse before he did. He realized he was in deep shit. He tried to think reasonably. He probably just had a crush because he spent a whole night watching movies and dramas you were starring in, he might have also accidentally watched all of your interviews and went to sleep at 6 still smiling to himself from that interview where you had to answer questions about your body in preparation for your role in that Marvel movie. The reporter wouldn't stop asking about your body and making comments on it even though you were clearly uninterested in the topic which you finally cut with your own questions. "Are you looking for some weight loss tips? You look great. Seriously what is it about? Are you trying to fit in my suit?" The last question was asked with whole whisper theatrics and Jinyoung laughed at loud at five am hoping he didn't wake you up through the wall. The suit in question was extremely fitting white leather catsuit. It wasn't the only interview in which you showed off your wits, eloquence and badassness, or how Bam would call it "swag". You were also the most attractive actress he had seen. Of course, you were also attractive when you weren't acting but on the screen... you were amazing. So Jinyoung tried to calm himself down rationalizing his earlier thoughts as simply being starstrucked. That’s what fans felt towards their idols, he was simply charmed by his own new idol. Yes that was it — that’s exactly the type of thoughts some fanboys or fangirls would have. He called Jackson anyway, he knew the designer was the right person to talk to in situations like this.

Twenty minutes later Jinyoung regretted ever calling his best friend.

"OH MY GOD YOU ARE SO IN LOVE WITH HER!" Jackson basically yelled to the phone. Jinyoung groaned and massaged the space between his brows.

"Were you even listening? I'm just a big fan."

"Yeah, sure. Whatever helps you sleep at night man. I’m a big fan of Christian Dior and all I can think of is making out with him."

"Don’t compare it, he is dead!" Jinyoung yelled and his friend filled his ear in response.

You were regretting not taking the car for shopping. The walk did help with your racing heart, and helped ease off your mind but it turned out the supermarket isn't that close any more when you have to drag home ten bags of food and products. Thankfully a convenience store was on your way so you could make a stop there maybe you'd be lucky enough to see Seoyun, buy her coffee and have a chat. You knew it was stupid, because she could've just feel obliged to say she is your fan but you still wanted to tell her about your new upcoming role. Sadly she wasn't there and so you just made a stop and sat on one of nearby benches. Massaging your palms that had those harsh red lines imprinted in them now thanks to the bags. You could swear you heard the sound of released shutter and so now alarmed you looked around but it seemed you were the only person here. You sighed, how paranoid have you become that you started hearing the cameras when there was none. Then again you were extremely lucky dispatch and paparazzi haven't found you yet. Just before you left to the USA, your ex gave this interview and your life became hell. You didn't have a day without paparazzi running after you or spying on you. The memories came to you not without acrimony and hurt. Your ex, an actor just like you, used you to create scandal and gain some popularity. You could remember how enraged and morose it made you. You didn't date anyone since then even when Mark tried to introduce you to some people. You intended on staying that way. You didn't need anyone, you had Mark, and he was enough for you. Just you and your best friend. You weren't sure how long you stayed like this, deep in your thoughts. You moved only after you fingers became stiff from cold. Somehow you managed to carry the groceries back home. You were so tired that you just counted it as your training today. You checked the time and it was one PM, perfect time to call your bestie.

"Markiee!!" You whined as soon as his face appeared on your screen.

"Y/N-ah. I miss you." He was wearing some blue hoodie this time.

"That's my line. Do you have time to talk?"

"Bruh, for you? Always. What's up?"

"I am going to star in a drama!"

"What? I thought you hate those." He was genuinely shocked.

"I know, I do. But this one is different. I'm not playing the villain I got female lead, and she isn't some damsel in distress she is a badass character!" You almost screamed and he chuckled.

"Woah. Someone's excited. I'm so proud of you. So who is getting the privilege to be cast with you?"

"I don't know yet. I'm supposed to meet the cast next week." He nodded his head and smiled. "Anyway what are you up to?"

"I was actually thinking of playing Among Us and streaming wanna join?" He grinned.

"Absolutely, prepare to get wrecked Tuan." You used to play together at least once a week when you were in the USA, his fans loved you and shipped you even though you both told them you were just friends — it is some rule in the internet though, to ship close friends.

Few hours later you were once again killed as the first person, this time by Mark.

"YOU GONNA REGRET IT WHEN WE’LL MEET TUAN. I SWEAR I’M GONNA WHOOP YO ASS..." You screamed on top of your lungs and Mark laughed wholeheartedly, while his chat filled up with hundreds of LOL’s and LUL’s.

"You guys she threatens me. Someone make a clip and send it to the police once they find my dead body." He kept laughing and you couldn’t help but laugh as well. His smile and laugh were just too contagious.

"You really put our friendship to test lately Tuan, here I was foolishly trusting you when you killed me in cold blood. " You stretched and your stomach rumbled reminding you that you haven’t eaten yet and it was already around four pm.

" Hey don’t hate the player, hate the game. " He shrugged and winked, while you rolled your eyes.

"Okay Mark, I gotta go and eat. It’s already afternoon here."

"Sure, chat say bye to Y/N." They did as he asked and it was soon filled with many hearts and goodbyes. "Love you Y/N! Call me soon." He grinned and you smiled warmly.

"Love you too Mark. Bye guys!" With that you logged off the discord, and switched off his stream. You make your way to the kitchen and took out the ingredients for kimchi jjigae you bought before. You carefully read the recipe opened on your phone and began cooking. You had to make anchovy stock first so you grabbed some dried anchovies, kelp and slashed the daikon in cubicles — it looked quite awkward as each cubicle was different size but hey it was you eating it not some kind of culinary critic. You added water and left it to boil deciding to take care of the rest of ingredients. You cut some kimchi and ate some as a snack and reward for not ordering food today, sliced some green onions, cut the pork and the tofu as well. By the time you were done it was time to strain the broth and add the rest of ingredients. It had to cook so you decided to watch some TV in the meantime. You turned it on, it was some kind of reality show where idols were supposed to camp in the wild for a few days. The idols clearly didn’t feel like being there and the fact you knew neither of them didn’t help. You dozed off before you noticed, your eyelids getting as heavy as iron. The smell of burning woke you up. You shot upwards from your couch and rushed to the kitchen, bumping into a coffee table on your way there.

"FFFFFF-UUCK." you hissed, when your shin pulsed with pain. You quickly grabbed the pot with stew to get it off the fire, forgetting it would be hot as well. You hissed in pain and let id drop on your marble floor which was now covered in burned kimchi and some other things. "Fuck, fuck, fuckity, fucking shit." You cursed as you tried to navigate to the sink to ease off the burn with some cold water. The cold water did help and you sighed with relief only to later follow it with a sigh of resignation. You had to clean up this mess. It was when your phone barked — a new message. You checked it.

From Unknown number: Are you trying to burn down the whole building?

You furrowed your brows confused, wondering if it was one of those jokes or spam messages you heard about.

To Unknown number: Who’s this?

From Unknown number: Guess.

You huffed in disbelief.

To Unknown number: Ok, enjoy being blocked.

From Unknown number: Wait!

From Unknown number: It’s Jinyoung.

To Unknown number: How did you get my number? Never mind I’m blocking you I’m too busy to deal with you.

With that you put the phone back in your pocket and began cleaning up. You finished in no time now tired out by scrubbing. You sat on the floor and took out your phone to check it out. From Unknown number: Don’t block me what if you need my help one day.

To Unknown number: With what exactly?

From Unknown number: What if you get stuck in your bathroom and need someone to let you out?

You rolled your eyes and saved his contact

To Devil: There is at least 7 billion more people I’d rather ask to help me

From Devil: Ok then what if I get stuck in the bathroom and need your help.

To Devil: I’d leave you there

From Devil: Heartless

To Devil: Better tell me how did you get my phone number

From Devil: You gave it to me when you scanned my kakao code

You were bewildered, was that his plan from the very beginning or were you just paranoid? You were either prejudiced or he was in fact the devil with angel's face.

To Devil: Did you lie about not remembering your account number?

From Devil: Maybe

You couldn’t believe it, the audacity, the smugness. You could feel irritation building inside you but you decide to let it go when your stomach rumbled at you aggressively. After eating you took shower, read a few chapters of The Vegetarian and fell asleep.

Next week passed quickly but in the feeling of anticipation as you were supposed to meet the rest of the cast as well as the scriptwriter and director at the meeting on Friday. You kept calling your manager throughout the week trying to find out who could they be, but he didn’t know anything or didn’t want to tell you. And so you spent the week on training, running, reading and occasionally calling Mark to express your impatience and excitement. You didn’t meet your irritating neighbor even once this week — something you counted as blessing or perhaps a sign that the universe finally turned your karma around. It was finally Friday and you were already sitting in the meeting room waiting for everyone to come in. You smiled at the young man sitting next to you, he was really cute and had this mole under his right eye it added to his charm. He was about to introduce himself, when someone came through the door and greeted everyone cheerfully. You couldn’t believe it. You were cursed, actually cursed.

"YOU?!" was all that left your mouth upon seeing him entering the room.

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marnie1964 · 4 years ago

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Karate Kid/Cobra Kai survey

i'm gonna consider myself tagged

It’s the year 2021 and you’re obsessed with The Karate Kid. How are you feeling?: an unexpected turn of events but it's passing the quarantine, i guess!

Did you grow up with TKK or are you new to the series?: to be completely honest, i don't really like the movies? i didn't vibe with them as a kid and when i went back and tried to watch them this year i couldn't make it all the way through.* i think they're well crafted movies, but i've never liked relatable young boy wish fulfillment (i couldn't even get thru harry potter as a kid), and i think the first one is guilty of burying the lede twice over with regards to mr. miyagi and later the relationship between kreese and johnny. and lucky me--these are exactly the areas that cobra kai delivers on.

*except for the third one, which imo is a camp masterpiece and also genuinely heartbreaking. it's the only one that allows daniel to be an genuine pain in the ass. i think i've finally figured out what the target audience for cobra kai is: people who's favorite karate kid movie was tkk3 (me).

We gotta do the basics. Favorite character: johnny! what is a man but a miserable pile of bruce springsteen lyrics? or aimee mann lyrics? or mountain goats lyrics? or otis redding lyrics? or--fuck, have americans ever written songs about anyone else? i have an unreal amount of good will towards this man and his late-life struggle for recuperation. he's the heart of the show both in terms of his relationships with other characters and in terms of zabka's chemistry with the other actors.

my deep dark double secret fave is kreese. he makes me feel real anger in a way that's usually reserved for characters in vince gilligan shows. i'm a bit obsessed with him and his preoccupation with johnny and later johnny's teenaged son (I Have Thoughts). the show does a great job of making what he did to johnny--and all the years and years and years of fallout from that--feel really real, which makes him one of the most viscerally despicable villains i've ever come across . it's unironically among the best portrayals of domestic abuse i've seen, may god have mercy on our souls. the decision to pop out from behind a fucking cardboard cutout of himself to scare daniel in tkk3 was also a hilarious galaxy brain move. aspirational stuff.

also--shout out to daniel-san. the writers really had to work their asses off to make him into a character that appeals to me, and i think they did a great job of it. he's a cringey tool who's capable of displaying a surprising amount of integrity under the right circumstances! he's tom wambsgans! he's pete campbell! he's wonderful i love him!

Favorite ship: johnny & daniel (what if mysterious skin was a sports comedy??)

Underrated character: the True and Correct answer to this question can only be aisha, although i don't think she was actually underrated by anyone besides the writers. chozen is also lowkey my favorite katate child because c'mon, he had everything (spear fights! ziplines! teen death matches! formfitting disco-era polyester button down shirts worn with gold chains!)

Underrated ship (don’t say therapy, lol): uhhhh... the only teen couple that could have been interesting is tory/aisha. they were cute together and their friendship rang true to me. it's that thing where you're the new girl and you're conventionally attractive, but on the inside you know you're a freak so you immediately gravitate towards the most obvious female outsider. i lived it, bay-bey!

i also think there are interesting things to explore with carmen and johnny's relationship. i don't know if the writers are even aware of it (i lean towards no b/c men amirite) but the entire premise of carmen's character is that she chose to live in poverty to protect herself and her son from a bad man with power. she's thereby the exact opposite of johnny's mother, who (at least by his understanding) married hollywood film producer shmarvey shmeinstein to provide her son with a better life. so, there's a lot to unpack in his attraction to her. also they're super hot hur hur i like sexy nurse thing hur hur.

Wax On, Wax Off or Sweep the Leg?: i can't look directly at it, but sweep the leg. zabka what the fuck man.

Which of Daniel’s dumb little outfits is your favorite?: i don't think i've seen anyone mention this one yet, but the football jersey with the sweatpants. it makes him look so small and huggable, i wanna pick him up and set him on my shelf or something.

Character from the films you most want to return, who’s not Terry Silver: bring back ali's lesbian girl gang!!! or else--dutch. he was funny and iconic, i loved his exaggerated offended reaction to everything daniel said or did in tkk. also, i'm tacky so i'm a sucker for aggressively bleach blonde hair. the SCANDALIZED wasp couple standing behind ali and johnny in the spaghetti scene will also do. or terry's secretary (an mvp--i believe the original actress has passed away so in my heart of hearts she's portrayed by j. smith-cameron).

Scene that lives in your head rent-free: the whole character development speed run that johnny does from sweep the leg to crying while handing daniel the trophy to getting strangled in the parking lot by his beloved teacher. i'm especially transfixed by that last bit--what's the thought process of a man who decides to publicly execute his teenage student via strangulation? why did none of the many bystanders call the police? johnny is the real kitty genovese, prison for everyone.

from the cobra kai series proper: daniel's decision to greet johnny with a big hug after not seeing him for 35 years and never actually being friends with him (I Have Thoughts), the heinously creepy scene where johnny is repeating the cobra kai mantra for miguel and his entire disposition completely changes (demonic possession shit), and johnny's tiny go-ahead-and-kill-my-abuser nod (his face is so stoney after being so animated at dinner) coupled with daniel's shaky little sign of relief (macchio is really the cutest when he looks scared).

it goes without saying that every johnny & miguel scene lives rent free in my HEART.

Will Anthony LaRusso ever be relevant?: anthony becomes relevant for one (1) episode next season when amanda and daniel finally get around to putting him up for adoption.

You live in The Valley and are forced into the karate gang war. Which dojo do you join?: i enter the cobra kai dojo decked out in all of my snake-themed clothing and jewelry (it's a lot). i approach kreese and explain to him that the open mouth of a snake, viewed head-on, is a yonic symbol. i am permanently banned from the cobra kai dojo.

(seriously though, assuming i'm a teen in this scenario i think i would have vibed with tory/miguel/aisha. dimitri and sam would have driven high school me up the fucking wall though. the cobra kai style looks like more fun/better exercise. do i also genuinely believe most young girls could actually benefit from someone yelling no mercy down their neck? maybe so 💖)

What’s your training montage song?: 50ft queenie - pj harvey (it takes place in the alison bechdel feminist karate dojo ofc)

It’s the crossover event of the century! Which TV show are you combining with Cobra Kai for an hour-long Saturday night special?: it's a full episode flashback to the time johnny got arrested in albuquerque, new mexico. johnny's court-appointed attorney is a weirdly hot babe who seems like a super straight laced killjoy at first, but soon reveals herself to be an unhinged woman. one thing leads to another, and johnny winds up in bed with her and her loser husband. there are lots of great themes about punitive justice, people's ability to change for the better (and worse), and what makes someone "good" or "bad" to begin with, but mostly it's just really hot sex. the husband tries to sell johnny a prepaid cellphone and johnny tell's him that cellphones are never gonna catch on, cause who want's to be bothered by people all the time like that?

better call saul. it's a better call saul crossover ep.

(fwiw think that greg 'hbo succession' hirsch should also be terry's cousin greg on the non-roy side. think about it--the roys are small people, but cousin greg is really tall?? and who else is really tall, and a blue eyed brunette to boot? terry silver. it all adds up! this never becomes relevant to the plot, in any case, i'm just considering it canon until the writers come to my house and explicitly tell me i'm wrong.)

Tagging: anyone who's interested 😘

#cobra kai #tag game #johnny lawrence #carmen diaz #john kreese #daniel larusso #those tags are just so i can find my word vomit again god bless #about specific characters

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thecaffeinebookwarrior · 5 years ago

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The Many Faces of the Strong Female Character

The much-requested, positive counterpart to my classic “Female Characters to Avoid in Your Writing” and it’s much-later sequel.

Here, I will discuss some of my favorite fictional ladies and what makes them work so well; given my rapturous love of women, there will probably be a sequel! In the meantime, I talk more about portraying female characters here.

Happy writing, everybody! <3

1.) The Warrior

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When most people hear “strong female character,” they picture the most popular definition of the term: a stony-faced, emotionally shallow, conventionally attractive broad who punches and kicks stuff. She may occasionally shout things like, “I DON’T NEED NO MAN,” while perhaps punching a small baby.

I decided to start with my wife Diana, because she is the perfect antithesis of this trope. She isn’t stony, she’s courageous. She’s unabashed about showing her doubts, hopes, affections, and optimism. Her love interest never steals her spotlight, but she feels no need to shun romance to appear “strong.” She’s beautiful, but not sexualized or objectified.

And while most Strong Female Characters™ are ironically reduced to damsels in distress at some point in their own narratives, Diana consistently takes the lead, totally autonomous over her own story.

You can kick ass AND love babies, people. Joss Whedon, please take notes.

(Gif credit)

Other examples: Okoye from Black Panther, Furiosa from Mad Max: Fury Road, Rey from Star Wars, and Ser Brienne of Tarth from Game of Thrones.

2.) The Comedian

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If you haven’t watched Chewing Gum on Netflix, stop whatever you’re doing and watch it right now. Its relatively simple premise – a twenty-four-year-old from a fundamentalist Christian household struggles to lose her virginity – is a segway into a hilarious, genuine exploration of human sexuality, relationships, and how we forge our identities.

Brilliantly portrayed by the series’ creator, Michaela Coel, Tracy is essentially that one friend who knows exactly what you’ve been thinking and isn’t afraid to say so. She is never relegated to a single trope or stereotype. She’s stumbling, clumsily but enthusiastically, through the life experiences that shape us. Most importantly, she is allowed to be sexually curious, awkward, aggressive, insecure, and – I can’t stress this enough – hilarious. The dialogue is infinitely quotable, and endlessly relatable.

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Watching shows like Chewing Gum makes me realize how few female characters – and even fe wer Black female characters – are portrayed as truly human. Typically, they’re allowed to be sexy, but not sexual. They’re allowed to be awkward, but only if it’s cute. They can be insecure, but only if that insecurity can easily be solved by the affirmations of a male love interest. And they’re rarely allowed to be the main source of a series’ comedy.

So remember: let your female characters be human. Let them be awkward, funny, sexual philosophers. It’s easier than you think.

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Other examples: Abbi and Ilan from Broad City, Leslie from Parks and Rec, Tina from Bob’s Burgers.

3.) The Drama Queen

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Watching Riverdale is like hurtling along on a structurally unstable rollercoaster. It’s utterly insane, a lot of fun, and once you’re on, you can’t stop.

But amidst the explosions of batshit crazy plot points, killer cults, and the existential perplexity of finding yourself attracted to emo Jughead, there are some real gems. One of these is Cheryl Blossom, and pretty much every plot line surrounding her.

Cheryl is introduced as a fairly one-dimensional, catty mean girl, though the Regina George-esque charisma with which she’s portrayed makes her instantly likable. Initially, we expect her to be a character we’ll love to hate.

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And yet, within the first few episodes, I was impressed by how layered and complex her motivations were. Much of contempt towards others was misdirected rage from an upbringing of extreme emotional abuse, and grief over her dead brother -- all portrayed without a Snape-style condonation of said behavior. By the end of season one, my thoughts were generally, “Oh, crap, I don’t think I can claim to be watching this ‘ironically’ anymore,” and “MORE CHERYL.”

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Season two answered my wish, and then some. Cheryl was saved from an (impressively conscientiously portrayed) attempt at sexual assault by a pack of her female friends, and her attacker got the shit beat out of him in one of the most cathartic moments of modern television.

To the exaltation of my queer heart, she also came out as a lesbian, in a deeply moving story arc that I never would have expected from this show. Without spoiling too much, she and her new love interest kissing in front of anti-gay propaganda footage was legitimately one of the most powerful moments I have ever witnessed.

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Before the season was over, she viciously threatened her abusive, homophobic mother while covered in blood, shot a serial killer with a bow and arrow, and joined a gang. If that’s not gay culture, I don’t know what is.

Oh, how I wish this show was just about her.

Other examples: Alexis from Schitt’s Creek.

4.) The Lovable Bastard

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Ah, The Good Place. I have never experienced such a breath of comedic fresh air. A new philosophical principle each episode, examined and applied in hilarious and thought-provoking ways. A complete absence of harmful stereotypes. Incredibly lovable, three-dimensional, and ever-evolving characters.

I was considering using my queen Tahani for this list, who externally larger-than-life and internally vulnerable after emotional abuse by her parents. Also, she’s hilarious. Everyone and everything in The Good Place is hilarious. And I also thought about talking about Janet, who is the best character in anything ever, but of course:

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Instead, I’ll be talking about bisexual icon Eleanor, who is something very few female characters get to be: the lovable bastard.

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Eleanor, when we first meet her, is not traditionally good in any sense of the word. She turned down a high-paying job because she was expected to be nice to people. She sold placebos to the elderly, and was great at it. She was drunken, slovenly, hedonistic, and selfish. And she’s instantly incredibly likable.

Why and how Eleanor is so enjoyable, even at her very worst, merits an essay all its own. But in a nutshell:

We empathize with her. We are introduced to “The Good Place” completely through her eyes. We are in her shoes.

The stakes are high. When we discover that her entry into the good place was a mistake, we want her to be okay.

We come to understand her, and how her terrible childhood shaped her destructive behavior.

She wants to be a better person, and with time, effort, and character development, we watch her become one.

Not only is this an amazing lesson in how to endear audiences to your character, it is also infinitely refreshing. The most famous lovable bastards are all men -- Han Solo, Dr. House, Captain Jack Sparrow, the Man With No Name, et cetera -- but women are rarely afforded the same moral complexity. If a woman in fiction has done bad things, she’s not usually a lovable bastard. She’s usually a bitch.

Eleanor isn’t just a great character. She conveys an important lesson: women are people. People with the same capacity for mistakes, growth, redemption, and love as anyone else.

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Other examples: Chloe from Don’t Trust the B*tch in Apartment 23

5.) The Cinderella

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Yep. I said it. Cinderella is a strong female character.

My girl not only survived in an abusive household, she persistently stayed positive. She worked each day to make the best of an impossible situation, from which she had no means of escape. That takes an insane amount of courage and tenacity.

But Caff, I hear you scream, she needed help to escape!! Well, my imaginary counterargument, so the fuck what? MOST people need help to escape their abusive situations, and there’s no shame in that. Accepting help from someone you trust is the best thing you can do in a situation such as that, and implying otherwise is horribly damaging to victims of abuse.

But she married the prince, you more feebly protest. Yes! She did! She found love and happiness and a great life in a socially influential position! And that’s an amazing message!

So in the flurry of female warriors, let’s not forget Cinderella, who tells people that their terrible circumstances won’t last forever, to stay hopeful and kind, and that accepting help from a trusted friend can lead to a happy life.

Cinderella is a bad bitch, and she deserves her happily ever after.

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Other examples: For some reason, I’m thinking of Sansa from Game of Thrones. When people try to discredit her as a strong character, they often make similar complaints. But both, quite fittingly, end up as queens.

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spiffyspuffy · 4 years ago

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My Mystic Messenger Opinions

(That no one asked for)

Zen

Character: 8/10 I know a lot of people think Zens annoying but I find him endearing. One of the best things about this game is the complexity of the characters and I love that Zen’s cockiness is actually how he hides his insecurities. Even though he’s egotistical about himself, he’s never shallow with MC. He says multiple times that he doesn’t care about MC’s looks. He loves her for who she is and shows this in how he makes an effort to get to know her and be her cheerleader everyday. An underrated thing about Zen is how emotionally intelligent he is. He’s great at helping the RFA members when they need emotional support (Yoosung’s grief over loosing Rika, Jaehee crying from the stress of her job and MC’s shock at almost being kidnapped).

Route: 2/10 Zen is a great character and he deserves a better route. The false rape accusation plot is horrible and offensive. Also, his route functions as an introduction to the game’s plot, so it’s exposition heavy and lacks action. The creators said that the lesson of his route is that when our insecurities are handled in a healthy way, they can push us to be better people. I love this message and I wish it had been highlighted more in his route.

Romantic Potential: 9/10 Zen is arguably the most dateable of all the characters. He’s a bad boy without being sketchy. He’s protective without being possessive. He’s kind without being a pushover and he’s smart without being pretentious. His biggest drawbacks are his overconfidence and and how busy he is with working. There aren’t any glaring red flags.

~ More under the cut ~

Jeahee

Character: 7/10 I love this adorable theater nerd! She comes across as formal and stuffy at first, but reveals herself to be passionate and funny the more you get to know her. I gave her a lower score because she does have a strong personality that rubs me the wrong way sometimes (her jealousy of MC in Zen’s route, her lack of sympathy towards Jumin in her own route and her general rudeness towards Yoosung). She is the most mature of the RFA though, so her exasperation is warranted. Being mature and grounded also makes Jaehee the least complex Mysme character. I’ve got a lot of respect for her though!

Route: 5/10 Getting to engage in discourse about capitalism and the patriarchy? Amazing and hands down the best part of her route. It’s really inspiring to see Jaehee stand up for herself and choose to follow her dreams. I think it’s important for every young person to hear that they should have a positive work/life balance and demand that their employer supports that. Other highlights are Seven helping Jaehee by making the Power Point presentation for Jumin’s cat project, getting to fangirl with Jaehee over Zen and the creepy stalker plot. I thoroughly enjoy her route and the only reason the score is so low is because some of the other routes are seriously incredible.

Romantic Potential: 8/10 Jeahee doesn’t have any red flags either. I think she’s perfectly capable of having a healthy, romantic relationship with MC. The biggest issue standing in their way is Korea’s bias against lesbian relationships. As a fellow coffee lover and theater enthusiast though, I could definitely see myself or someone similar having a happy life with her, even if it might have to be in secret.

Yoosung

Character: 6/10 I can’t stand people who aren’t competent. Yoosung is a terrible cook, he barely cleans and he doesn’t pay attention to his studies. On top of that, 80% of his personality is that he’s a gamer AND he’s in love with his “dead” adopted cousin. Yuck. ~ But ~ I understand that he’s depressed and depression can seriously effect someone’s executive functioning. Taking all of those negatives away, we’re left with a young man who’s trying to his best to be taken seriously, which is something I can relate to. It’s nice to see imposter syndrome represented and I admire his loyalty to his friends.

Route: 8/10 This route is sooo good! Who can forget the night when the RFA starts being aggressively stalked by Minty Eye? And the pic Zen takes of a believer looking at him through his apartment window...chills. His route only gets better from there when he infiltrates Mint Eye with Seven. This is the first time we get to see the twins interact and damn, is it confusing. But in a good way!! The biggest drawback is that MC is stuck in Rika’s apartment and doesn’t play much of an active role in the story.

Romantic Potential: 7/10 Despite all the negatives I listed about Yoosung, I do think he’s capable of have a healthy, romantic relationship with MC. Yoosung is also the only true sub of the RFA men, which is a definite plus for some players. Yoosung’s yandere side is a huge red flag though. MC better watch out if she doesn’t dote on him as much as he wants. Once he falls for her, he’s all in.

Jumin

Character: 5/10 Unpopular opinion, but I hate Jumin. I understand that he’s some people’s guilty pleasure though. Jumin’s good aspects are that he’s intensely loyal, an animal lover and has a dry sense of humor. I appreciate how devoted he is to the RFA and it’s members. He offers to help Zen multiple times (albeit rejected), sends everyone body guards in his route and pays the hospital in the SE to keep Saeran’s identity top secret. What I’m not a fan of is the way he obsesses over MC and traps her in his house. This isn’t the first time he’s shown obsessive tendencies either. Seven explicitly states that Jumin acted this way with Rika in the past. Huuuge red flag.

Route: 3/10 His entire route is fraught with rich people problems. I’m supposed to sympathize with him for an arranged marriage? All he had to do was say no. His father couldn’t force him. He’s possessive of MC because women have only ever wanted to be with him for his money? Not an excuse. Elizabeth going missing was a vaguely interesting story line, but Jumin’s relationship with his cat was cringey enough to overshadow the drama of it for me.

Romantic Potential: 3/10 Jumin has some serious issues. He’s never had a good female role model which has given him a deep seeded hatred of women. Remember when he tells MC that respecting women goes against his core beliefs? Yikes. Then, after meeting a woman who respects him and he actually likes, he locks her up and tries to change everything about her (cutting her hair, buying her a new wardrobe, teaching her the ‘proper’ way to walk, etc). We’re supposed to believe Jumin learns to be better by the end of his route, but he still proposes to MC after only a week of knowing her! I’m having a hard time picturing Jumin in a healthy relationship.

Saeyoung

Character: 10/10 I’m not saying Saeyoung is a good person. Far from it actually. But he IS very well written and extremely interesting. In the other routes, Saeyoung is energetic and funny, bringing much needed humor to heavy moments. It’s always a joy being in a chatroom with him. Then you have the reveal that he actually hates his job and that he was faking his personality, all to a sad and slowed down version of his theme song. This plot twist shook me to my core. What makes him so well written is that the devs did a good job dropping hints to his real personality in the other routes that players might not notice during their first play through.

Route: 9/10 This route is a wild ride from start to finish. This is when the plot threads from the other routes come together and start make sense. This route has secret agents, assassins, a deadly bomb, kidnapping, an evil twin, a powerful cult... It’s action heavy while still carrying enough emotional weight to make me cry every time. Saeyoung’s route is heavy and emotional and sooo worth playing.

Romantic Potential: 6/10 Saeyoung has a shady job and a complicated past. Choosing to be with him means putting your life in danger every day. If you’re okay with that, he’d be a decent romantic partner. He’s a little rough around the edges, but I do think he has potential to become more like his ideal self (God Seven) after reading his AE. He’ll always have that mean and serious side to him, but I don’t think he’s hopeless.

Character: 4/10 He’s low-key the worst. I sympathize with his trauma from being abused by Rika, but I don’t understand why he feels the need to fix everything by himself. Rika might be the source of most problems in this game, but V is partially responsible for standing by and letting her get away with everything.

My first issue with him comes from encouraging Saeyoung to join the agency. I know Saeyoung didn’t have many options, but how was encouraging him to train to become a hacker and assassin the best option?! On top of that, he stalked Zen per Rika’s request and took creeper photos of him, failed miserably at protecting Saeran and don’t get me started on how he loves Rika unconditionally. V has some good characteristics but I really don’t care about those when he’s so terrible otherwise.

Route: 10/10 This route is *chef’s kiss* the BEST. I wouldn’t call it a romance since Vs barely in it but damn is it riveting. Saeran is the perfect amount of loving and unhinged, MC get’s to know Rika on a personal level and V finally gets to be active instead of just reactive like he is in all the other routes. It’s also satisfying to find out how much V has been keeping secret and to get a glimpse into Rika’s psyche. But what really makes V’s route stand out among the rest is that there are spy action scenes like in Saeyoung’s route, but the player also gets to spend time in Mint Eye.

Romantic Potential: 7/10 I’ll be honest. I don’t think V will ever be able to move on from Rika. He’ll always love her, as evidence in his AE. Besides that drawback, I do think he’d be a good romantic partner for MC. V was never the issue in his past relationship with Rika. She was the abusive one and he was 100% the victim. I think he would treat MC just as well in their relationship as he treated Rika.

Saeran

Character: 7/10 I know I’m not the only one who loved the suave and cunning Saeran of the main routes who, after getting the therapy he needed, became an adorably shy and awkward man. Sadly, that’s not the character we got in AS. Instead, we met Ray, the split personality of Saeran’s psyche. Ray is charming and sweet as well as possessive and manipulative...which is something I’m into. But it’s not for everyone. Saeran’s real personality in AS is revealed to be angry and abusive and not at all similar to who he was in the main routes. I’ll give Cheritz props for writing a fairly accurate portrayal of disassociative identity disorder, but I think Saeran’s characterization is inconsistent. I get the impression Ray was an afterthought when creating AS.

Route: 7/10 A mixed bag for me. I really enjoy any chatroom/scene with Ray. He’s undeniably creepy, but those scenes were entertaining in a dark romance kind of way. On the other hand, the Saeran scenes had a lot of unrealized potential. Abuse is never cool. All his route needed to fix this was a scene where Saeran explained to MC that he was pretending to hate her to appease Rika and the other believers. While this fake hatred is implied, I think it needed to be outright stated. It’s also hard to believe that Saeran overcame his DID in the course of one night. I know all routes are limited to 11 days, but this one needed more. Highlights of this route are Saeyoung being kidnapped by his father and of course, dark Yoosung with Elizabun.

Romantic Potential: 7/10 I truly do believe that Saeran could go on and live a happy life in any of the endings where he escapes Mint Eye and receives therapy. While we only get a glimpse of what an emotionally stable Searan looks like, we know that he was kind and attentive with MC. Saeran is a giver and would do anything to make MC happy. Red flags are that Searan is still clingy at the end of his route. Yoosung makes a comment that he’s always holding MC’s hand when he sees them together. Also, his DID is something that will occasionally return and that’s something MC has to go into their relationship knowing.

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satanwritesfanfiction · 4 years ago

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Jacob seed x f!deputy | Ukiyo || smut

Title: Ukiyo

Ship: Jacob Seed x F!deputy

Pronouns: Female for dep

Triggers: Smut, some references to choking if you squint. Like literally, your eyes are basically closed by how hard you squint. Some violence but not worse than canon, literally the least amount of violence. A fleeting reference to his scars, One-second screen time only. I think that's it fam.

Characters: f!deputy , Jacob Seed

Wordcount: 3200

a/n: This is the first one I'm doing for FC5 and getting back into writing, not very happy with it but thought I'd post it anyway.

***

The air was getting cold as night was approaching, it hadn't been as warm as of late, as winter was crawling ever closer.

Jacob watched as his soldiers' pressure washed the cages, most with the hostages still in them. It was another tactic to break them. No food would take their muscle, they would be barely able to resist as the water hit them and when it was done, the cold would settle, and at that stage, they would either beg to be his or beg for death.

Jacob had watched, arms crossed over his chest like always. He liked seeing the transformation by his hands but Rook, she was different. He knew from the way she still defiantly glared at anyone who had come to her cage, sometimes he swore she physically growled. She was a wild animal waiting to sink her teeth into anyone she could get to.

He also noticed that she had been less aggressive with him, listening when he spoke and immediately taking the food he offered but perhaps that was because he had last spoken to her when she still had hope in her eyes and not rage. Those were early days, he wondered if she'd still be the same.

Most of the batch that had arrived with her had already died. She was shivering and she knew she would be next if things didn't change. The end was growing closer for her but she'd die before she'd submit.

Jacob had watched her through the CCTV footage that night, watching her shake almost in time with the trees around the compound. She had been in that cage the longest. She was strong, she had such potential but she was so defiant and didn't want to see the truth even if it was plainly laid out before her. He was going to have to change tactics. She didn't scare as easily and most likely wasn't going to survive the night which was unfortunate, Joseph wasn't going to be happy about it.

Jacob sighed as he walked down to the cages. Only a few men were patrolling since the next batch was only coming in tomorrow, the deputy was in no shape to take on an army as she was shaking in the cold. She was no threat.

She looked almost vulnerable in this state. Arms clutched around her arms, turning white from the intensity. Perhaps she had gone numb at this point and the pain didn't matter or she used to pain to be able to feel something other than the cold she must be feeling. Her eyes were shut tightly and she was sitting on her knees, her breath making grey puffs of clouds in the night air. He could see her clothing had not yet been dried completely by nightfall and her skin was turning an odd grey color.

Jacob opened the cage and entered, the deputy hyper-alert from shutting down her other senses, turned quickly, fear covered her body. What more could he do with her, she wasn't even sure she could survive another trial, especially in this state, he surely had to know that or perhaps that was the endgame.

He towered over her with an intensity she had only ever experienced with him. She knew what he was capable of and wasn't the type of person who needed to prove his strength to know he possessed it.

He had grabbed her arm harshly and dragged her to her feet. "Come on." Was the only words he spoke as he started dragging her out of the cage.

She naturally protested as he dragged her along. She didn't want to wake up next to a trail of dead bodies again and then suddenly he was holding her by the nape of her neck, a knife pressed threateningly against her skin as his eyes bore into her own.

"Joseph may want you alive but I won't hesitate."

An odd sensation ran up her spine, so close to danger and she knew it would come to drag her away depending on her action. The fight left her body as she looking into those piercing blue eyes, even under the veil of the night they shone down at her. She could hear her heartbeat. One. Two. Three. Before he removed the knife from her skin, leaving a small indentation behind.

"Good girl." He spoke as he took hold of her arm again and led her inside the building.

Once in his office, he had pushed her into a chair unceremoniously and she stayed, rubbing at her arms as the feeling returned. She looked around in curiosity as well as an escape route but she'd have to bide her time it seems as nothing of value had been near her not that she'd expect anything less from Jacob.

"You have potential, deputy." He stated as he sat on the edge of the desk. "Why do you waste it on those people. They don't deserve it and neither can they appreciate it."

Rook stayed quiet as she looked at him. That's one thing he always had an ability to do, make her feel like he's the only one that really appreciates her talents. The way he'd say she was weak but compliment her so effortlessly when she showed promise, she craved those words and she hated herself for it.

Jacob sighed as he placed his knife on the table beside him. What would it take to get a rise out of her, some sort of reaction. He could only reason with her if he knew what she was thinking.

"What is it you think you'll accomplish by standing in our way. The collapse is coming whether you stop us or not. You stand for the weak which in turn makes you weak. They never make good pillars."

"You think them weak because they never learned that the world is a harsh, cruel place. That's not how it works, Jacob." She spoke for the first time in days. Her voice cracked and felt unfamiliar to her ears. "You thought me weak if I recall correctly and now you'd argue I have potential."

"You've proven yourself to be worthy," Jacob stated, not wanting to linger on the fact that he had been sized her up wrong the first time he saw her. Her figure was timid and small but she was a wildfire just waiting to be let loose on the world. She could do so much if she was willing.

"Worthy of what?" She continued, rage starting to boil at her center. "To be one of Joseph's children? Worthy enough to kill innocent people who never wanted any part of this?" She ground her teeth into a snarl. "I would rather die. "

Jacob chuckled and it took Rook aback a bit. He stood from the desk and bent over her, taking her chin between his fingers while the other supported himself on the armrest. "It's sweet how you think you have a choice, sweetheart."

Rook's heartbeat quickened at his close proximity. His intensity seemed to drown out all else at times and she looked up at him, suddenly hyper-aware of her breath going in and out of her chest. He was so close and a shiver went up to her spine at the pet name. She should hate it admittedly but some part of her was drawn to this, to him.

She didn't know why she could hate him from afar but the moment his attention was on her she became so pliable, so in awe of the air that surrounded him. His touch on her chin almost intoxicating. His fingers were rough and she knew he was too. He didn't quite get the concept of subtility she reckoned.

She pressed forth, in a quick motion, her lips latching onto his and at the exact moment of contact, she knew she had made a mistake. She couldn't believe what she had done, she was afraid of his reaction. Hoped in the rejection he would at least assume it's an evasion tactic. She was always quick to action but not very intelligent about it, jumping headfirst without considering the consequences.

Jacob pulled back after the initial shock, his eyes trying to read her face. She seemed scared. His brows furrowed as he took the information in. She was treading the opposite line, the enemy and even with Joseph's faith in her he could not trust her. This had to be some sort of trick, he should not press this further. He knew these things, but just as he had pulled back, he had pushed forward now. Her lips had felt so soft against his own, so unlike any of their previous interactions and at that moment it didn't seem like she hated him, almost seemed like she didn't feel disgust towards him.

His hand came to rest at the nape of her neck as he pressed their lips together again. He was slow, cautious. Perhaps it was a lapse in judgment, maybe a way to shut him up, maybe there was regret but he couldn't sense as much when she moved her lips against his own.

She was walking on ice that was waiting to crack, she knew that, but was it wrong of her to want for it to consume her when he was right there with her? Was it wrong of her to want to be dragged under?

Her hands fisted around the material of his jacket, a part of her said she could use this to her advantage for an escape but the part of her that was intoxicated by his being drowned out every level headed comment she could make.

His tongue entered beyond her lips and she was lost. Her skin was on fire and she was seeking it out. His hand moved to the side of her neck and his thumb pressed slightly on her trachea. She felt vulnerable knowing it would be so easy for him to remove her from the equation. She knew that he knew that's what he should do. She had been nothing but a problem to him from the very start and now her life was being held in his hands, still breathing only because he willed it so.

Moments later he removed his hand and she noticed how she liked lingering on the edge of danger. Perhaps that's why she was intoxicated, always lingering on the edge with him.

His hands hooked under her thighs and he made the seemingly effortless move of lifting her and carrying her towards his desk, one hand roughly clearing the table before placing her on it.

She bit into her lip as she looked up at him, anticipation beginning to build within her. This was wrong, he was the enemy, this was very wrong to want. The voice repeated but she elected to ignore it since her desire drowned out the noise and was screaming for him to take her.

His lips latched onto her neck, his teeth grazing over the skin. Rook angled her head so he would have more space to play as her hand combed through his short hair. She closed her eyes and focused on where his lips were on her. His hands roamed over her thighs, over her hips, and then she felt her shirt being unbuttoned. It all felt so agonizingly slow and she wished he would just rip it from her hot skin all the while thinking how she'd regret every moment as it played through her head at a later time.

When he removed the article of clothing he pulled away to regard her. She blushed a soft shade of pink and pathetically pawed at his jacket and to her, it seemed like he had taken pity on her when he removed it, like he'd given her something in return for what he had taken just moments ago.

She then grabbed the hem of his shirt but he grabbed her hand and there was a moment of hesitation as eyes stared into each other, weighing the options. Whether she was even worth the momentary lapse in judgment.

He closed his eyes momentarily and let go, an act so quickly over she almost didn't notice the brief moment of vulnerability. She pulled the shirt from his body and her eyes laid upon his chest. Scars and burn marks laid scattered. Her hand softly touched his chest, it looked so painful even now and as she looked at him, he looked ready to shut her in that cage again. She wasn't worth seeing this part of him. All the sacrifices he made. She wouldn't be able to appreciate them as h had appreciated hers.

She stood and pressed herself to him, lips attaching hungrily to his. Her arms snaking around his neck. It was the only thing she could do, her words wouldn't mean anything to him, there weren't even enough words to explain how she felt and none of it would make any difference.

Jacob was relieved she hadn't made a big deal of it. He didn't want her pity and his previous run-ins in a similar situation he had left them appalled and it angered him, but she.. she still wanted him. She still kissed him as fervently as before she took notice of the markings.

He unbuttoned the front of her jeans and his hands snaked into the confines, roughly and sloppily he moved. Impatient. His rough fingers ran across her slit and he could feel how aroused she already was. If there was any doubt in his mind that she didn't want this, it was all out the window now.

She gasped and let a small moan fall when he touched her. It was small and fleeting when he removed his hand from her pants and placed his finger into his mouth as he looked down on her and groaned. She bit her lip and noticed the indentation growing in his own pants.

There was a quick movement, one she hadn't been expecting in the tranquil moment. He had taken her hips and turned her around, pressing her chest on the desk. He pulled her pants down and she tried as best she could to look behind her with her body on the desk. She didn't dare move from where he had placed her.

She heard the unmistakable sound of a belt buckle and the material of his jeans before a harsh slap reverberated from her left butt cheek. She gasped at the contact and she spread her legs a little wider, as much as she could with her jeans hanging around her knees.

She felt him teasing at her entrance, sticking himself in her juices as he ran his cock up and down her slit.

"Jacob.." she bit into her lip. This was all but a gentle interaction, not quite how she fantasized about things. Nonetheless, she didn't quite expect much more from someone like him, and yet with all these thoughts roaming her mind, she just wanted him within her, for him to use her as he will.

"Ask me nicely."

She bit into her lip and closed her eyes. She didn't want to admit it, admit she thought about him, admit she wanted him buried inside her, wanted him to take control of her and use her. She didn't want him to know how much she wanted this but she knew it was the way to what she needed right now.

"Jacob, please.."

The answer seemed to suffice as she felt him push into her. She half expected him to roughly thrust into her all the way but to hr surprise h pushed into her slowly as she'd allow, waiting for her body to adjust when he was buried in her to the hilt.

"Fuck." He groaned as he held her hips to him, bruisingly she felt his fingers curl around her hips.

Rook pulled a bit and pushed back when the pain subsided, eliciting a deep groan from him mingled with her own moan.

"Shit.." she heard him breathe before he slammed into her. Over and over she felt him hit deep within her with a pace that made her dizzy. The front of her legs hit the desk and she could hear it move every so often. Moans fell from her lips unchecked as she lay there, exposed and so very full. She never wanted to end, the way he knew just how to angle his hips to make her cry out for him. The thoughts of whether or not someone heard her, had disappeared from her mind before she had a chance to even fully develop them. All she knew was the ecstasy being pushed into her time and time again.

Jacob looked at her, the way his cock disappeared within her, the way she took him without any protest, the way she called out to him. She was especially beautiful at this moment. His right hand moved from the spot where he was clutching her hips and tangled it within her soft hair, pulling her body back and eliciting another scream as he used it to slam deeper into her.

He could feel she was getting close with her walls fluttering around him. He leaned down, pressing a kiss between her shoulder blades before he spoke to her, his voice low and demanding.

"Come for me, baby. Let me feel you."

Rook felt her world fell apart with a nickname so unfamiliar yet he said it so easily. Her body fell into oblivion as she came. Her walls clenched around him tightly but he didn't stop pushing into her. She screamed something that vaguely sounded like his name but she couldn't be sure as she saw white and the utter bliss coursed through her veins unchecked.

Moments later Jacob gave an animalistic groan and came inside her, ribbon after ribbon of his hot seed coated her walls and he stayed like that for a few seconds, catching his breath before pulling out and watching as both of their pleasure ran down her leg.

They were both breathing heavy and she had stayed where he placed her for a while as she tried to find her way back to herself.

He had pulled her up by snaking a hand around her middle and turned her to face him. It seemed almost sweet as he placed a strand of hair behind her ear but she knew better than to put any stake in that. Her cheeks were flushed and she was still breathing heavy, swaying a bit on her feet.

She looked at him, wondering what he was thinking. Would he put her back in the cage now or try to convince her to accept her fate or perhaps he would just end her here and now, not that she'd mind, his next words to her would surely break any illusion that she might've had about what just occurred.

"If you could only accept the truth, this wouldn't be so hard " Jacob sighed. "You defy me at every turn except when you're under me." A small smirk ghosted over his features.

He took a breath and placed her on the desk, pulling his pants up and burying himself from her sight.

"Let's get you cleaned up and we'll continue the conversation I was trying to have with you before and this time you won't escape it so easily."

#jacob seed #far cry 5 #deputy #jacob #mountain man #can't tag for shit #whitetail mountains #veterans centre #pwp

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canonmisogynyvictimstournament · 1 year ago

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PROPAGANDA

NAOMI MISORA (DEATH NOTE)

1.) I know everyone is gonna submit Misa but honestly she had it worse.

She gets introduced as this competent lady who’s gonna help find Kira but then she just, decides to show some teenager her real ID as a show of trust and whoops that’s Kira.

Also part of her introduction was her fiance going “You don’t need to worry about this tracking down the killer nonsense, you’re gonna be my wife, you should just be worried about raising kids in the future :)” or some shit. And it’s barely addressed, because she just fucking dies.

2.) She was the only woman in the series to show any level of competence. She figured out more about how the death note works from some small context clues than L did in considerably less time. She was apparently so competent that the author decided to kill her off despite initially planning to make her a main character, fearing she would distract from the L and Light rivalry.

3.) the victim of “writer doesn’t understand women and also hates them” disease. Like, seriously, the author of Death Note could only imagine a female FBI agent as the fiancée of another, more senior FBI agent. The main character Light kills her fiancé Raye Penber (in honestly a really tightly written and cool episode) and so she tries to figure out who killed her husband. Unlike Raye who only figured out that Light was Kira as he was dying because Light basically told him, Naomi figures it out a lot sooner so oops guess she’s gotta die because she’s too good at her job.

ORIHIME INOUE (BLEACH) (CW: Child Abuse, Ableism)

1.) Her powers were incredibly versatile but only ever used for healing or defense. She had offensive capabilities too, but as she isn’t an aggressive person, they were barely ever used. Her healing power isn’t so much healing as it is “rejecting” the existence of something. This power could have been so insanely strong, to the point that even one of the show’s major antagonists remarked on how frightening it was, but as I said, it was only ever used for healing, and her personality held her back from using it as an attack. She was kidnapped by said antagonist for an entire arc. I’m not even going to get into the amount of times she was used for fanservice. Fandom opinion on her varies WILDLY.

2.) I realized I hadn’t added enough the first time, but I also don’t know how much I added the first so:

She’s introduced as a character to be saved. Most are, though, even the boys and men in this arc It’s also mentioned in the manga that she had horribly abusive parents, to the point the second her brother turned 18 her grabbed her and ran. This fact is removed in the anime. The evil ghost attacking her turns out to be the degraded ghost of her brother.

She in general, in light hearted moments, spends a lot of time being sexualized. Of the minor characters (as in under 18), she is the one that is sexualized the most. Usually against her will, with people making creepy remarks (despite not wearing very revealing clothes… Which Is true to life. It’s because she has big breasts).

She then gets cool abilities, but she’s the only one of the group not to get a big fight in the Soul Society arc.

She is then the SECOND female character in need of a big rescue arc (while I agree with how it was written for both female characters, intertwined with the other ones’ ingrained following of a horrible system and neglect by her adopted family and for Orihime a desire to prevent any friends from dying, the fact is the third major arc like this has a male character “defect”. So rescued are only for the girlies). During that arc she goes through a lot of psychological horror and pain that I will defend her choices in to the end. She is built up, in that arc, however, as someone whose healing abilities aren’t really healing and instead rejection of reality/rewriting reality. She is also built up as the person who may be able to destroy the Nebulously Powerful artificat that was at the center of this arc and the twist motive of the antagonists in the previous arc. And… Nothing happens. She doesn’t get to do it.

She gets some cool things in the next smaller arc, but also gets psychically fucked with (while all of them do, she doesn’t get to have the power ups or later fights. And her previous arc was her just… Being psychologically tortured).

The end arc is complex because, yes, it was rushed because the creator was injured. But her “cool” moment -while a triumph and circling back to character development - is that she gets to be in a duo-fight briefly with the main character. Not the last fight against this boss. And she never gets to do anything cool with objects or breaking things, both which would fall under her being a pacifist still.

I disagree with a lot of discourse about her being infantalized, because she seems very ADHD-I coded, as someone who has that. That doesn’t mean the author meant her more than just a “weird” girl, especially with how the state of ADHD treatment is in Japan . So we can throw in some ableism. Which gets me to the anime adaptation.

The anime was made by Studio Pierrot, which has a reputation with adapting female characters from manga to anime. Esp cially in shonen anime.They DID infantalize her (ex, changing a daydream comment from about the main guy to pee and poop??), including removing many of her daydreams and context, changing her intro scene, removing more introspective moments (she is very emotionally intelligent in the manga), and removing moments with the main protagonist. The latter is an issue because they added moments with another female character, which implies their attachment to either is solely in favor of romantic scenes with the male lead

[Description ID: Manga page. Panel 1: Ichigo looking to the side. Someone off screen says "I… Ichigo!" Panel 2: Someone standing in front of Orihime between her and some shadows indicating people. There is a sound effect "SHOOM". Panel 3: Orihime smiles. There is a sound effect "SHOOM". Panel 4: A close up shot of Orihime's breasts. There is a sound effect "ZOOM". Panel 5: A character (Ichigo?) with stars for eyes blushes, clasps his hands, and shouts "Heaven!! I'm in heaven!!" followed by a heart. Panel 6: A distant shot of Orihime and the person standing in front of her. There's a mark of action off to their left and the sound effect "FWUP". Panel 7: Two other characters say "He… flew?!" Panel 8: A close up of a shoe as someone lands on something with the sound effect "TUMP"]

[Description ID: Manga page. Panel 1: A shot looking down at Orihime from an angle. She's dressed in a baseball uniform and shouts "Yeah! C'mon, Tatsuki, give it to me!" followed by a heart. Panel 2: A shot of stairs with an arrow pointing to someone labeled "Kon". Kon is Bleach's mascot character. Someone off screen says "Th… …That's!" and Orihime says "Hey!" Panel 3: On the left is a close up of Orihime's breasts with an arrow pointing to them. In the bottom center right is Kon with his paw over his mouth. He thinks "Orihime!!!" There is a sound effect "BOOM" behind Kon. Panel 4: White text on a black background. The text reads "target 1: Orihime Inoue". Panel 5: A distant shot of Kon going down the stairs. He thinks "Yes! I'll play the innocent stuffed animal that just happens to be lying on the ground in front of her. Panel 6: A close up of Kon with his paw in front of his mouth. He thinks "She's got the heart of the Virgin Mary, so… …She's bound to pick me up and hug me and nestle me in the valley of paradise!!"]

(Cleanser that isn't relevant to propaganda that follows up on the previous:

[Description ID: Manga page. Panel 1: The mascot character Kon is blushing and is in front of a large soccer ball. He thinks "And then I'll be umm-ummm-umm…" Panel 2: Kon gets hit by the soccer ball with the sound effect "WAP" Panel 3: On the right is a character after they kicked the ball. They're shouting "Dragon Bazooka!!!" There's a note by the speech bubble that that's the name of the shot. On the left is Kon getting hit by the soccer ball with an arrow pointing to him. There's a sound effect "THWAK". Panel 4: In the foreground is the soccer ball driving Kon forward. In the background is Orihime standing at home base of a baseball field; she's standing with a baseball bat ready to swing. Action lines indicate that Kon and the ball are moving toward her. Panel 5: A close up of a distressed Kon. Panel 6: A close up of a smiling Orihime. Across panels 4 to 6 is a speech bubble of Kon's saying "AAAAAAAAAAAAAAAAH"]

yes she hits him with the bat in the following page)

[Description ID: A character hugs Orihime from behind and grabs breasts while shouting "Morning, Orihime!!!" and while Orihime gasps. Orihime kicks said character in the face.]

[Description ID: A panel of Orihime; someone off-screen says "Her powers violate divine law."]

[Description ID: Manga page. Panel 1: Orihime stands in front of a dark doorway with hands reaching out of them. Panel 2: Close up of an eye. Panel 3: A woman with black pigtails grabs Orihime from behind and covers Orihime's mouth with her hand. There is a sound effect "WHAP".]

[Description ID: Manga page. Panel 1: Woman with black pigtails tells Orihime "You're finished."" Panel 2: Close up of woman's face. She says "I'm going to take back everything you took from me!!" Panel 3: The woman tears off Orihime's sleeve with the sound effect "SRIP".]

(Had some supposed Orihime fans - saying that as a huge Orihime fan myself - claim this wasn't misogynistic as hell because "girls do that in real life")

[Description ID: Manga page. Panel 1: A man with a bucket tells a distressed and blushing Orihime "Oh. Be careful with that dress. It's designed so that when you close the middle, they pop out from either side." Orihime shouts "WAAAAAA!!!" Panel 2: A character shoves their hand upwards through Orihime's cleavage so that it's sticking out from between them. The character says "Okay, it's okay. Don't cry, don't cry." There is a sound effect "SHPA." Orihime has tears in her eyes and is blushing in a distressed way. Panel 3: Orihime shouts "WAAA!!!" off screen. Ichigo has a distressed or shocked face with a blush and says "Y…".]

(How an antagonist in the Hueco Mundo arc restrains her)

And one of those scenes weirdly changed and infantilized from manga to anime (these are both the official releases, not fan translations). They're not the only one but they're the easiest to show:

Manga:

[Description ID: Manga page. Panel 1: POV shot of Ichigo looking down at presumably Orihime. Panel 2: Orihime blushes with closed eyes and says "Oh no, Ichigo!! Close-quarters combat!!" There are two sound effects: "WHOMP" and "ZING" Panel 3: A shot of from behind Orihime stands on her knees and shouting "Ow!!" A man in the foreground asks her "Orihime! Are you all right, Orihime?!!"]

Anime:

[Description ID: Anime screenshot. Orihime is lying on the ground asleep while a man looks down on her. She says "No… Not Poo-san, it's Pee-tan…!"]

3.) In the arc that literally centers around her, she is described as having a power that infringes on the territory of God because she can Reject events from happening (this usually manifests in her "rejecting" people's wounds giving her pretty much The Perfect healing ability). There is a lot of emphasis placed on this and on her personal arc about how she feels pretty weak and useless compared to her friends, so she figures out that there is something that Only She Can Do! Which is, Reject the Macguffin from ever existing. And guess what she never gets the opportunity to do? And instead watches her LI (the main character) fight multiple people on her behalf and literally die in front of her and resurrect himself through sheer force of HIS will, not hers? (Like, OK, granted that sheer force of will was born out of his strong desire to save her, but it still isn't anything SHE did.)

In later arcs, she does get more of an upgrade power-wise but it's nowhere near the scale that was implied earlier on. (this might be more because it's a difficult thing to write around if it's really that OP, but I still side-eye it a bit) And in the final arc, she's given a pretty sexualized outfit that's both given explicit attention and also played for laughs, but in a way that feels very much at HER expense.

#polls #round 2 #week 4 #new #cw child abuse #cw ableism

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staygoldaj · 4 years ago

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Analysis on the MHA Girls

(Part I: Uraraka & Momo)

I know that the fandom tends to dislike these queens and push them aside, and I know Hori doesn't really know how to write women, but what he has given us is great and I wish the fans would appreciate these awesome ladies more. So here's an analysis for my girls, I wanna do an analysis on the three musketeers (broccoli, popcorn, & candy cane) so that'll be posted soon too :)

Uraraka

BEST. GIRL. I love Uraraka so much, she is the reason why I started watching MHA and she's such a sweetheart, I wish she wasn't so hated amongst the fandom.

We first meet her as this wholesome, bubbly girl who saves Midoriya from falling, and it's pretty clear that she's gonna be the main love interest. Honestly, I was a little disappointed during her first few scenes. Like I said, she was the reason why I started MHA, and she turns out to be the typical sweet girl the main dude has a crush on. I didn't have high hopes tbh. What first intrigued me was when she admits her reasons for becoming a hero. You would never expect the innocent girl-next-door love interest to be doing something for money. Even she herself says it's "such an unwholesome motivation" in comparison to Midoriya's and Iida's reasons, and she gets praised for "looking out for herself." This is the first misconception I see often on her character; she wants money for herself because she's poor. If you look into her reasons, she just wants to make money for her parents, not for her, so that her parents can take it easy. She is just as selfless as Midoriya and Kirishima, but I don't see her get praised for her selflessness nearly as much as for those two or other characters. I also really like the small flashback they included; her father tells her to not worry about them and to follow her dreams. Whether at the start Uraraka truly wanted to be a hero or solely did it for the money is up for interpretation. I personally think she started solely for the money, which I'll get into after I talk about the Sports Festival.

Uraraka vs. Bakugo is one of the most emotional fights in my opinion, and it's one of my favorites. EVERYONE in that stadium underestimated her. I'm not going to say that the reason was because she was a woman, but rather, Bakugo is pretty ruthless and powerful, where as she is not, and people knew that. The fact that she was a "small young girl" just added more fuel to that, if that makes sense. And this best girl did what she could to prove EVERYONE wrong. This is where Uraraka proves that she isn't a typical sweet shonen love interest and I wish people took notice in that. People think of ambitious, determined, driven, cunning, and powerful women as dark and mysterious, femme fatale so to speak. But this fight shows that Uraraka, a pretty extroverted, kind, and bubbly person, is all of those qualities, just as ambitious and determined as the strongest male characters in the show, such as Bakugo and Todoroki.

And when she loses the fight (after basically passing out btw, queen didn't stop until the very end), she doesn't just mope and quit and wait for encouraging words from her love interest, she 1. GIVES the encouraging words TO her love interest and 2. she understands that her quirk alone isn't going to be enough to get her to the top, so she carefully chooses a hero agency where she knows she will be taught combat, AND SHE LEARNS. The next time her class is attacked by villains, she single-handedly takes down one of the more dangerous members without a quirk, just with the fighting skills she took the time to learn.

Back to what I said earlier, Uraraka started her hero journey solely for money. This plays directly into her development in seasons 3 and 4, which is criminally underrated. She sees her entire class working harder than ever, and even though she's dealing with unfamiliar emotions, she decides to push those emotions aside to not fall behind, determined to be a good student and hero like her classmates. During the events at Shie Hassaikai, Uraraka finally learns the true environment a hero works in. Failing to save Nighteye, she realizes that what she truly wants for herself isn't money or Midoriya, it's being a hero who saves people. I believe Nighteye's death directly ties into the "who protects heroes when they need protection?" line. This recent chapter in the manga makes me think that she's gonna do something big and go through a character arc. I said this on Twitter and I'll say it here, I want Uraraka to become a hero who protects heroes (whatever that could mean, it has a nice ring to it lol). Honestly, her character has sm potential, I'm excited for what Horikoshi has in store for her.

Momo

God is a woman and that woman is Momo Yaoyorozu. I'm tired of people calling her annoying because of one episode, as if you've never had self-esteem problems before 🙄 so now I'm going to talk about why she's amazing 😋

My initial impression of Momo was the typical smart girl, stern, formal, and aloof, but still caring. And as I rewatch the series, I believe this is what Horikoshi was going for at first. I think her voice was deeper in the first season too. As much as I love the Erza type of characters, I love where Horikoshi ended up going with Momo. As a teenage girl, I find the arc she went through during season 2 very relatable. It's obvious that Momo was raised to have full confidence in herself. While she may not show it like Bakugo does, I think it's obvious that she's not used to losing, she was probably praised for having an amazing quirk growing up, like Bakugo, but is a way more humble about it because she was raised differently. So at the Sports Festival, she experiences losing, seemingly for the first time, in a place where she just can't afford to lose. But she does. And this takes a huge toll on her.

She's rich, pretty, the top student in class, and admired by her peers, but obviously that's not what mattered to Momo. What mattered to her most in that moment was looking good in front of agencies, what mattered most was to be a worthy hero, and she feels like she's failed. She seeks guidance from a female hero, hoping to have a female role model guide her through issues she has as a 15 year old girl, but instead finds herself being used for her looks. Again, Momo doesn't care about any of that, she just wants to be considered a worthy hero, and her defeat at the Sports Festival made her completely lose the confidence she needed to accomplish that goal.

Now we have the Yaoyorozu Rising episode. Fans who hate her often refer to this episode as "evidence for Todomomo", "her being annoying by not knowing what to do," etc. etc. etc. 🙄

I like Todomomo. It's a cute and healthy ship. There are WAY more Todomomo scenes, not in this episode. Todoroki is a side character in Momo's story in this episode. This episode is MOMO'S. Sorry but she’s not sharing the spotlight. I know that seems a little aggressive, sorry, but this episode shows a lot of development in Momo, and it just gets brushed off as Todomomo content when it's not. She did know what to do, btw, she has a plan. She didn't know how to communicate that. She didn't want to communicate that. She was scared that her plan wouldn't work. She was scared that she'd fail. All of that stems back to her defeat at the Sports Festival, she has lost a major amount of confidence, and Aizawa and Todoroki notice this. Aizawa even says that her actions are of a normal 15 year old girl's, and even though he wished to help her, he couldn't, so Todoroki does it in his place. This is something I notice about Momo that is one of the most relatable things I've ever seen in a teenage girl in not just shonen, anime but just in fiction in general: she knows she has a good plan, but she doesn't have confidence in it until someone else gives her the validation. Upon seeing that others trust her, she regains her confidence and fulfills her plans with excellency. She is a REALISTIC 15 YEAR OLD GIRL which is honestly SO refreshing to see in a work of fiction. It's what I love about her character: she represents many teenagers, girls, boys, and theys alike.

And yeah, it might've been annoying if she had stayed the "has good plans but only executes them if she gets the validation from others" type of character. But she doesn't. By season 3, she has shown a significant amount of growth. She is shown to be more of a leader now that she's more confident in herself, and she's still dealing with it (that one scene with Sero & Jiro 💀), but she's gotten a lot better after realizing her worth, after realizing the trust others have in her, after realizing that others see her as an intelligent leader. So in the forest, she quickly comes up with a plan and executes it quickly. Had she not done this, had she not thought and acted quickly, who knows how long it would've taken before the heroes found Bakugo.

Another thing I want to mention before I finish Momo's section- at the hospital, All Might calls her a worthy hero because of her actions. It was her inability to act quickly at the Sports Festival that made her doubt her worth, and it's her ability to act quickly that makes All Might see it. I think this plays a major role for her character, maybe why she ultimately decided to go on the mission to save Bakugo. She's gonna have some of the spotlight to herself during the Joint Training Battle.

I also want to mention something from the manga, if you don't want spoilers then don't read this part.

Some of Midnight's last words in the manga are "Yaoyorozu's going to make a fine leader someday," which shows how her peers and mentors alike notice her potential. Additionally, she proves this statement right by quickly coming up with a plan to stop Gigantomachia. I'm very excited to see how Momo develops into an even more inspiring leader as the manga continues.

#mha #bnha #boku no hero academia #my hero academia #momo yaoyorozu #ochaco uraraka #character analysis #anime

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stellar-imagines · 5 years ago

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SCENARIO REQUEST: ❝aggressive encouragement.❞

[ Fandom: Kimetsu no Yaiba ] [ Characters: Hashibira Inosuke ]

「Scenario of Inosuke who comforts an insecure reader in the most aggressive ways.」

HASHIBIRA INOSUKE

Inosuke was raised by boars, everyone knows that. It was surprising to you but when you studied his mannerisms, it became obvious that his behavior was a bit weird. He possessed little understanding of normal human interaction. When you first approached him, he was aggressive and tried attacking you but was held back by Tanjirou. It was obvious that he wasn't used to kindness seeing as how odd he reacted when you and Tanjirou showed generosity. It wasn't long until he develop feelings of friendship towards you like how he warmed up to Tanjirou and Zenitsu. There weren't much female demon slayers at their level so having someone like you was like a breath of fresh air. The four of you were often sent on missions together so you all knew each other better than anyone else.

You were there to keep him in check because of how he acts during battle. He tends to charge straight ahead without putting too much thought into his strategy, often overestimating his own abilities. This often led to you or Tanijrou scolding him for rushing in without any plan. Inosuke admits out loud that he has mixed feelings towards you, not the normal kind. When he says mixed, he means a lot of feelings that he doesn't really understand. Tanjirou and Zenitsu had to step in to help the boar boy understand the feelings he has towards you.

"Hey! Aren't you going to eat!?" Inosuke spotted you picking at your food. The plate was almost empty, only a quarter of the rice left untouched and some of the vegetable kakiage sitting on the side plates. You shook your head and pushed your tray to his side, offering him your leftovers. He seemed pretty happy with having more food to eat while you sat by, watching him finish off whatever you left.

"[First Name], you've been eating less. Are you not hungry?" Tanjirou noticed it earlier that you haven't been eating a bit less than usual. You waved it off, telling him that you're not that hungry. However, after all that training session to strengthen your body, you needed to refuel your body with food.

After a long day of training, running around and working on your body endurance, everyone was eager for some rest. On the other hand, you were still at the yard of the Butterfly Estate, swinging at your blade. You didn't do any simple training either, you were going all out, praciting your Total Concentration. Inhaling the maximum amount of oxygen within a specific breath pattern to raise their physical and mental strength to your utmost limits. After all that harsh training, he was pretty amazed that you were still practicing all on your own. Seeing you swinging at your Nichirin blade got him going to.

Before you even realized it, he was yelling about how he can do whatever you're doing. Inosuke was already swinging at his sword wildly while laughing maniacally. It wasn't long until the two of you stopped swinging. Sweat glistened along the side of your face, a tired gleam in your eyes. He didn't understand why you were pushing yourself, you weren't that bad during training and it was obvious that you were pushing yourself.

"Why are you training so much?" Inosuke asked, rising from his position abruptly and glancing at you. It was hard to tell what he was thinking because it was hidden by his boar mask. He seemed a bit agitated like usual which was nothing unusual to anyone.

"Don't tell me you're trying to get better!? Of course you can't be get better than me! I'm clearly the better one!" the boy boasted loudly, laughing with his hands on his hips as he gazed at you. There was something about the way he expressed himself that made you feel a bit at ease. You sat down by the engawa while Inosuke stood at the yard, looking extremely proud of himself.

You had been training your techniques a lot and you were able to use Total Concentration for 24 hours straight so you had improved vastly from when you passed the entrance exam. But it wasn't only you, everyone around you was improving at a very fast pace and you were starting to get left behind. You didn't want to admit it out loud but you were quite insecure, over a few things. However, that wasn't the only reason. After missions, you'd get injuries, some deep enough to leave scars. So it's not only that you were insecure of your abilities but also your body image.

"Well, that's not the only thing....." you said.

“So why? Is it because that your body isn't as flexible as mine!? Right?!" Inosuke pointed at himself proudly, seemingly a bit excited to show off how flexible his body truly was. You knew he was spouting whatever same to his mind but you were shocked to hear him assume something that was close. He seemed to notice a change in your expression and instantly knew that he's right.

Zenitsu always boasted about how girls are and practically drilled into the mountain boy everything about girls. Tanjirou taught him about delicacy so he knew that girls have a few topics that they're quite sensitive with. Even so, with that information, Inosuke wasn't able to act because he has no idea what to do. He was a straightforward and honest guy, so he decided to be honest and tell you how he truly feels about you.

"But what's wrong with it?

"You're hard-working! Having scars are pretty cool, you know! That a sign of strength, you're strong! It's pretty cool!" there was a visible lack in his vocabulary but despite that, you were able to hear how honest he is. Deep inside, you have a feeling that tells you Inosuke might not understand how you feel and just say whatever he thinks. In a way, it made you feel better.

"Really? I don't think I am though." you replied.

"Hah!? You think I'm lying, don't you!? You think you're better at this game!?" Inosuke seemed a bit frustrated, much to your surprise.

"It's not like that Inosuke―"

"What's wrong with having scars!? They're cool! What's wrong with having an imperfect body!? I just don't understand! You look nice! You have a nice face! Your eyes are pretty, your skin is soft and you smell good every time you stand next to me!" he aggressively pointed at you, getting close to your face. You didn't know what to say, Inosuke was not the type to lie about his feelings and thoughts. He was being genuine. You found yourself smiling at the mountain boy who clearly had no idea how much his words affected you.

"Thank you, Inosuke." you stepped closer and pecked the side of his boar mask. He was a blushing mess and his body felt oddly light at the sight of your smiling face. Inosuke was unable to respond properly but he had the sudden urge to hold you right now.

And so he did. Tackling you to the ground and engulfing you in one of the most awkward hugs in your entire life.

Total: 1196 words Published: 23.03.2020

Thank you for requesting! *｡٩(ˊᗜˋ*)و*｡ Inosuke is just too cute for me uwu We hope that he’s not too out of character. Sorry to make you wait, anon. ― author Lou

Thank you for requesting! Inosuke is one of the most interesting characters to write for to be honest. Sorry to make you wait. ― author Natsuki

Requests are open! Matchups are closed!

Please do not mind the grammar mistakes and typos.

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annecoulmanross · 5 years ago

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Thoughts on “Terror of the Arctic” (2005), aka, “I listened to the Doctor Who audio drama episodes about the lost Franklin Expedition so that you don’t have to!”

Alright terror-friends, this was not how I expected to spend my day, but I have now listened to all eight episodes of the 2005 Doctor Who Audio Drama series “Terror of the Arctic,” featuring all of the ~ familiar ~ icy ~ boys ~ meeting the infamous Doctor.

With arguably more horrifying sexist/racist content than the 2007 Simmons novel, this audio drama actually predicted a lot of the tropes that Simmons popularized, including ship-board conflicts that escalate to stabbings, the appearance of supernatural creatures from Inuit oral traditions, and even a squick-y romance between Crozier and a much younger Inuit woman.

To clarify, I do not recommend you listen to these episodes. They’re a hot mess, and a really jarring departure from the beauty of The Terror (2018).

HOWEVER I highly recommend you look below the cut for episode-by-episode notes about the first Franklin Expedition adaptation that has well and truly driven me up the wall. So, welcome to the world of “Terror of the Arctic” (2005), featuring:

Crozier, (pronounced "Crow-zee-eyy,”) a polite door-mat of a captain with an agonizing lack of snark and minimal personality beyond “the only white man who can magically fix racism.”

Fitzjames the “proper English officer” who has every prejudice you can imagine – and a couple more you can’t.

Le Vesconte, the irrepressible lad with an inexplicable American accent and extreme boy-scout-gone-crazy energy.

Sgt. Tozer, who has a bad habit of punching people in the face even though his superior officers haven’t yet told him he’s allowed to do so.

Also featuring: Cybernetic Tuunbaq aliens! Complete breakdown of shipboard protocol! Expected amounts of cannibalism! And more! (spoilers, obviously)

Episode 1

– We start with a mandatory brief appearance from the Doctor and his companion Christine. I don’t (initially) hate this iteration of the Doctor – he’s very paternalistic and old-fashioned, but at least the voice actor’s competent. Christine’s voice, tragically, is high-pitched beyond all reason and laced with a variety of odd dialectical features. Some quick research reveals she’s supposed to be a 15 year old from medieval England. She sounds neither like a teenager nor a medieval person. From the very beginning, her character seems very infantilized, and plays into a lot of the Born Sexy Yesterday tropes, even if she and the Doctor aren’t a thing.

– Next, we have Sir John Franklin giving the “we’ve been stuck in the ice for nine months, here’s what you missed” sum-up.

– Sir John’s voice is gravelly 👏 as 👏 fuck; also, I don’t think that the phrase “to sugar-coat it” was a common 1840s expression? Correct me if I’m wrong history folks.

– Crozier shows up to give his “we should start walking out now” speech, minus any passion or conviction whatsoever; he bends immediately to Franklin’s whims. Crozier’s voice is quite high-pitched, and Sir John pronounces his name “Crow-zee-eyy.” (Update: everyone pronounces it this way!!! Uhmmm!) Though I struggle to judge accents, Crozier’s Irish accent sounds... leprechaun-ish. It’s not Jared Harris by a long mile.

– Not gonna lie, I kind of love how much Fitzjames sounds like a posh bastard. He immediately gets into a one-sided shouting match with Crozier and has to be reprimanded by Franklin.

– Lieutenant Irving appears on the scene; I don’t know what Irving’s accent is, but it sure is something.

– All of the officers seem to currently be on the same ship for some reason but I don’t know why. We’ve met Sir John, Crozier, Fitzy, and Irving, and Gore’s been mentioned, as have doctors Peddie and Stanley. And they’re all in the same boat. Guess we’re just ignoring Terror for now?

– Franklin begins narrating as he writes in the log-book: “11th June, 1847.” Oh BOY guess what day it is!!

– RIP Franklin (surprise, surprise). We have no real idea yet how this has happened.

– Fitzjames, talking to Sir John’s mysterious corpse: “Captain, what could have done this to you?”

– Fitzjames: “We have a killer loose on this ship” (Fitz gets ALL the best lines, apparently. Do they make sense? No. Are they hilarious? Yes.)

– Irving is shockingly nonchalant when the Doctor and Christine appear from nowhere out on the ice. Why is Irving so chill when he thinks that these two people are the lone survivors of a DIFFERENT failed expedition?

– Fitz apparently has refused to let Crozier start the walk-out after Franklin died. (Um, that’s not how the chain of command works?)

– We learn that Beechey-boy Braine apparently died of sudden-onset-scurvy. What is sudden-onset-scurvy, you ask? We do not yet know.

– Irving, happily describing their recent course of action: “...Ignoring the advice of our ships’ ice masters...” Oh god Irving don’t sound so happy about that. Blanky’s going to take an ice-axe to your head. (Tragically, Blanky does not appear in this show.)

– Lieutenant Gore has ALSO died of sudden-onset-scurvy. RIP Graham Gore.

– Is the Doctor going to focus on the existence of sudden-onset-scurvy? No, we’re gonna hyperfixate on the high officers-to-crew death rate! And he’s going to infodump about officers’ privileges TO Irving, an officer, and muse about how odd it is that more officers than crew are dying when the officers get all the best food!

– Fitz, the “proper English officer” apparently has managed to get about half the men to refuse to follow the orders of their expedition commander, because he happens to be Irish. Babe, this is a really bad look!

– Irving, our good Christian Irving, just swore “By Jove” in a weirdly sexy voice.

– Tozer has Extreme Deep Voice.

– Irving: “There’s something odd about them I just don’t trust.” Why on earth wouldn’t you trust two strangers who wandered up to you on the ice and asked if you were “human,” John Irving? What’s “odd” about that?

– The Doctor only remembers that he does actually know the events of the Franklin expedition after he reads the entire Victory Point Note.

– Irving has suddenly decided to threaten to shoot the Doctor and his companion. Irving promptly gets attacked.

* jarring transition to triumphant Doctor Who music *

Episode 2

– The ~mysterious~ attack on Irving has left weird wounds on Irving’s neck. I’m calling it, Ice Vampires!

– We have an Edward Little appearance! His voice is so sweet and gentle! And then... “I’ll have Sergeant Tozer shoot you both where you stand!” Okay, maybe not... (Update: Little is, in fact, very awful to several people. As we will see, all of the lieutenants and marines swing between weirdly nonchalant dudes and trigger-happy maniacs.)

– Tozer just punched the Doctor’s lights out, unprompted.

– Crozier: “Good old John Peddie... he’s like a brother to me.” Well THAT’S not a friendship I expected.

– So Dr. Peddie has brought a young Inuit woman in to Crozier’s cabin to have a “lovely chat.” Awkward book!Crozier/Silna energies. The woman’s name is Liak. She speaks with a vaguely Spanish and/or Italian accent.

– Liak: “I have been with my tribe. They would not allow me to come back to see you.” / Crozier: “Why? It’s not because of Fitzjames is it?”

– (It’s not because of Fitzjames. It’s because of evil spirits, obviously.)

– The Doctor, once they get back to the ships, explaining to the higher officers what’s happened: “Mr. Tozer got all excited and could no longer restrain his Neanderthal-like impulse to start clubbing things.” Boy this by show is NOT for Tozer fans. (Note: Tozer is standing right there? In the room? When the Doctor says this?)

– The Doctor just dropped an f-bomb?????????? And not as an expression of shock, but a hard-core sexual use of the f-bomb. Literally, he said “you can let Tozer fuck me again” – did I mishear this????????????

– Irving’s dying words: “I was attacked by a large silver creature with claws!” Wait did Dan Simmons rip off a fan-made 2005 Doctor Who Audio Drama?

– RIP Irving, first confirmed victim of “Tuunbaq the First.”

– Fitzjames is SO racist, throwing around a lot of “savage” and “barbarian” words. Why are you letting this man walk all over you, Crozier?

– Crozier: the first person who has the correct reaction to two weirdos appearing on his boat (aka shock and surprise, rather than worrying nonchalance followed by unprompted extreme aggression.)

– Fitzjames literally laughed after being informed that Irving is dead. (Like Crozier’s bad Raft of the Medusa joke, but SO MUCH WORSE.)

– RIP Ice Master Reid, actual first confirmed kill of “Tuunbaq pre-Tuunbaq,” several weeks ago, apparently??

– Okay so Fitz here is obviously meant to be a horrible person, but I have to acknowledge that he’s making a few good points: (1) the Doctor has admitted that he has a “sailable” ship, and it’s pretty rude of him to not even explain why he’s unwilling to help these dying men, and (2) it’s been bothering me the whole episode that the Doctor hasn’t been calling officers by their titles, and frankly, I do think Fitz is within his rights to demand the Doctor call him “Captain Fitzjames” rather than “Mr. Fitzjames” on Fitz’s own ship. Like, it’s not that hard.

– The Doctor’s first example of “ways the Franklin crew could mess up the time stream” is the insane scenario: “what if one of them married the mother of Winston Churchill.”

– The “Tuunbaq: The Prequel” can talk!!!!!! “Hello meat!!!” it says, gleefully.

– Tozer is just the fucking most. He punched the Doctor AGAIN.

– Crozier just “Mr. Fitzjames”ed Fitz!! And Fitz backed down! Crozier finally grew a spine! Just in time to decide to commandeer the Doctor’s ship.

– The Doctor’s ship inevitably disappears before it can be commandeered. Because of course. (Things and people disappear and get transported to different places and later times all through these episodes for timey~wimey~reasons.)

Episode 3

– A conversation between the two named female characters (Liak and the Doctor’s companion Christine)! What will they talk about? ...Their dead fathers. Ah. Hmm.

– This show is not sophisticated enough to handle a “white man’s disease killed my father” subplot. And yet, Liak’s father died of TB he contracted from the white men. I’m *worried*

– To help Liak overcome the superstitious antagonism of her “tribe” after her father’s death, Crozier apparently gave a bunch of food to the Inuit, which is an... interesting take. (One Irishman’s grand gesture fixes racism!)

– Magical Inuit shaman powers are only inherited through the male line (The racism and sexism in this is palpable.)

– So “Tuunbag Episode I: Revenge of the the Tuunbaq” is actually a larger coalition of aliens, run by a being called “Matriarx.” Can we decide whether woman are powerless victims or power-hungry monsters, please? Both is just greedy.

– RIP Strong (another tragic case of the triple threat: sudden onset scurvy, lead poisoning, AND Tuunbaq attack)

– Wait WAIT the Tuunbaq gave Strong the lead poisoning AND the scurvy by biting his neck and sucking his blood, stealing nutrients and leaving lead in their place: Ice Vampires!! I called it!!!

– Groups of people Fitz has verbally degraded: the Irish, the Inuit, all women, and now “common folk.”

Episode 4

– Le Vesconte’s first lines! He sounds like a Boy Scout, by which I mean he sounds about 16, and has an American accent? Also, Fitz pronounces his name “Leh-vay-cont”

– An AB named “Seeley” is writing an account of the events that are happening, perhaps as this show’s version of Bridgens and/or Peglar? Also Fitz is REALLY opposed to Seeley writing this, because Fitz hates “common folk” that much, apparently?

– RIP Seeley, we hardly knew ye.

– Major episode events: the walk-out begins, leaving Terror and Erebus just as the boats slip into another dimension because of alien reasons (this didn’t age well, now that we have the shipwrecks). Also, there’s an Inuit woman who is in league with the cybernetic-alien-Tuunbaq-vampires.

Episode 5

– As soon as the walk-out begins, the cybernetic-alien-Tuunbaq-vampires begin attacking.

– Boy Scout Le Vesconte: “I have an idea! If bullets won’t stop them maybe an axe will!” I mean, this is stupid enough for our Dundy, but he follows it up with “Murderers! I’ll hack you to pieces!” and rushes them like a child and has to be rescued. (Also Crozier is way WAY more concerned for Le Vesconte than Fitz is, though Fitz leaps into the rescue effort and Crozier... does not do that. He’s doing a lot of standing on the sidelines and bemoaning his dying men.)

– Peddie is basically just Crozier’s all-purpose lieutenant at this point. Little and Hodgson whomst?

– Le Vesconte, Fitz, and Tozer get struck by lightning WHILE fighting the Tuunbaq, and some Frankenstein stuff seems to happen, because Fitz now has the munchies. But like, the ominous munchies.

– Le Vesconte’s in something like a coma. The dumb boy-scout.

– While explaining why the Netsilik have legends about these aliens as “evil spirits,” the Doctor implies that errors in the historical record happen “especially” in oral traditions. Can we stop insulting the Inuit oral historians please?

– The cybernetic-vampire-aliens can mind-control their victims sometimes. Calling it now: Fitzjames is under the mind-control already.

– Liak is revealed to possibly be in cahoots with the aliens, because she has a necklace that her sister gave her that’s actually an alien tracker.

– Fitzjames, upon learning that Liak may be in league with aliens, attempts to physically kill her with his bare hands, and has to be restrained.

– Crozier hears murmurs about mutiny, and assigns this poor Marine named Hopcraft to find out more about the mutiny and report back to him. Next morning: RIP Hopcraft, first victim of the “we’re knifing each other” stage of events (aka this show’s Irving.)

Episode 6

– Lieutenant Little, who got separated from Fitzjames and Crozier, tries to comfort ship’s boy Chambers, whose use of the term “panic attacks” is a little anachronistic; a small gripe in the grand scheme of things.

– The Tuunbaq-aliens attack Little’s camp and wipe them all out, leaving Little to the last. Edward Little, a British Christian naval officer in the 1840s, gasps out “I’ll see you in Hades” as his dying words. (Someone write me Little/Irving neo-pagan fanfic for this mess?)

– The Doctor is playing detective, trying to solve Hopcraft’s death. He finds footprints, and both Liak and Tozer are missing.

– The Doctor calls attention to Tozer’s “enormous feet.” Weird.

– We have our first cannibalism! Perpetrated by Tozer, and uhhhh oh great we’re eating Dr. MacDonald for dinner tonight.

– Le Vesconte woke up from his coma just in time to brain Tozer to death.

– The Doctor: “There were no women’s bones at any of the sites [of the lost expedition remains]” that’s a hilarious comment given that one study suggesting as many as four female skeletons.

– RIP Le Vesconte, from his wounds, offscreen!! Nooo!!

– Tozer (and Fitzjames, and a few others), because they all got struck by the lightning, now have Frankenstein’s cannibalism curse. They all hunger for human flesh.

– Fitzjames is now a sneaky murderer-cannibal who manages to gain Crozier’s trust before turning around and trying to butcher him. As least my evil boy is smart?

Episode 7

– The big bad reveal: it’s Liak’s secret evil sister! (Just like Season 4 of Sherlock!) She’s been helping the Tuunbaq-aliens the whole time because she hates white men! Because they gave her dad TB and one of them broke her heart! Thanks, it’s bad!

– The Tuunbaq-aliens eat Liak’s sister anyway because they do not care.

– Liak, Crozier, the Doctor, and Christine are left to defeat the Tuunbaq-aliens.

– Fitz feels a little bad about eating people I guess? Also Fitz is “weak” and can’t resist his hunger and all those fun tropes.

Episode 8

– Fitzjames gets a redemption arc via heroic self-sacrifice narrative, complete with death via horrid gurgling. “He sacrificed himself in a last act of humanity.”

– The Doctor agrees to give Crozier a lift to somewhere a bit further south, on the assumption that Crozier will settle down with Liak and live with some “tribe” of other Inuit people that neither of them have ever met.

– There’s a parting joke about Crozier enjoying drinking wine that did NOT age well.

And that’s all, folks! Hope you... enjoyed?

#the terror #the terror amc #terrorposting #not putting a dw tag here #because im being really mean about this #and if you're a fan of the dwad i'm sorry #not my jam but whatever makes you happy #franklin expedition fictions #just to be safe #cannibalism cw #murder cw #sexism cw #racism cw #fitzjames abuse cw #they butchered my boy

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