#there's a whole other discussion to be had about how

[netherfeildren]

Busy, Dying. Part 2;

Pairing: Joel Miller x F!Reader

Summary: In an in-between place called his life, Joel Miller is alone. In search of a cure. In need of a miracle. In want of God.

Can I interest you in a cure for loneliness? She'd asked him in a language without words. Taking it is the easy part. Letting her go is impossible.

-OR-

an a/b/o soulmates AU

Rating: Explicit 18+

Content Warnings: No Outbreak AU, Alpha/Beta/Omega Dynamics, Soulmates AU, Infidelity, Cheating, They're behaving badly and doing things they shouldn't be doing idk, HEA!!!!!, Angst, Fluff & Smut, Scenting, Angst with a Happy Ending, Group Therapy, Social Experiments, Explicit Sexual Content, Dom/sub Undertones, Complicated family dynamics, Discussions of self harm, Depression, Existential Angst, He’s a loser your honor!!!

Word Count: 6.3K

Read on AO3

Part 2;

It is your own conspiracy that if you say the words three times in the mirror—I am so alone I am so alone I am so alone—the feeling will go away. Banished ghost. 

You commit yourself to this practice religiously for three weeks before you feel you must absolutely return to the meetings held in the basement of the Emmanuel Episcopal Church or you might just die. 

The first Friday back, you watch him. He blunders around the crowd, struggling to find a seat when he rushes in late that evening, trying to sit as far away from you as possible and, to his great misfortune, ending up right behind you. Squashed between two old ladies, his big body comically trying to fold itself into the tight rows. You laugh at him the whole way through the meeting. 

He’s like a raging bull after that. Scowly and unapproachable as the omegas in the group inevitably make their meager attempts to talk to him. It makes it all the more irreconcilable, a man like that here in a place like this—all the while with a wife at home. 

You wonder about her. 

“That one has a bad temper,” Maria warns as the two of you watch him. They seem to know each other in some way outside of this church, and it takes everything in you not to beg for details. “Big and hairy like a bad, lonely dog.”

You say, “I think he’s shy.” 

She watches you very peculiarly after that, and tells you, “You’re lost, girl. Joel Miller isn’t what you need finding you.”

But you know this, you assure her, and you continue to avoid him. 

The following Friday, he’s the one playing the disappearing act. The next week, as well—no show. You start to dread even your own shadow, wondering where he is, wondering if he’s ever coming back, if he has children and how old he is. Wondering if he wonders about you. Wondering why you’re so obsessed.

Too full of curiosity for your own good, you hover when he finally appears once again. Circling him and Maria, desperate for any sort of information. 

His wife had been sick, he says. He’d had to take her to the doctor. 

You wonder if her sickness might be his baby—sick to your stomach at the thought of it yourself. 

Finally, the week after, the two of you break your fast from one another. 

“You’ve been ignoring me,” he says, coming up from behind, ambushing you once again at the dessert and coffee trough. This is supposed to be a safe space, yet it feels anything but with him near. 

“No I haven’t.”

“You’re not supposed to tell lies in church. It’s a sin.”

“I don’t believe in sin.” You turn to face him, and your stomach hurts. 

He’s got on a dark green fisherman’s sweater—well worn but knit sturdy. A thing that looks as if it’s been his for years. 

You’re feeling thin-skinned and unable to face him today, and for no good reason. You don't know this man. You have no right to punish him with your silence, no right to be angry, to wonder about him. But that sternness from before, the one that looked too heavy for him to carry, has been wiped away from his face now, and in its place he only looks very earnest, like he really wants to talk to you. And it’s only that, well you don’t know him, yes, but you’d felt that you needed to, or that you would. That you were meant to find him in this place, and you’re angry at yourself and at him at how wrong you’d been, still even after all these weeks of radio silence while he’d been busy caring for his sick wife. 

“Me either,” he gives a small huff of laughter, shoving his fists into the pockets of his dark jeans. 

Setting the donut in your hand back on the table—rude and gross, but it’s an afterthought—you wipe your sweet sweaty palm against your hip, appetite all gone now. The basement is suddenly unbearably hot, your heart beating in your throat. 

“Anywho, I gotta run. Somewhere to be—” you mumble, brushing past him. There’s a sudden rush of itching heat burning its way up your chest, your throat, ants crawling over your scalp. The room is stifling, your limbs leaden and too many bodies; so many disgusting, clashing scents: pheromones, and desperation and such terrible loneliness, and him at the center of it, ambrosial.

You’ll have to recite your mantra more faithfully in the mirror every night, not a single miss. Remind yourself, I am so alone, so that the feeling might go away, and you’ll forget him and the way he smells and his eyes like amber green river stones, more quickly. 

“Whoah, hold on,” he calls after you, following to the exit and up the steps to the world outside of this church. You’d brought a coat today, unable to enjoy the cold the way you usually do, uncharacteristically chill, aching limbs, miserable in the biting morning air. He calls your name, and you clutch the wool against your chest, trying to hurry away from his much longer legs and pace as he catches up. 

Suddenly, though, you change your mind. Whirling around to look up, you stop your running, and he’s right there, so close. “I haven’t been ignoring you. You were gone.” Mind changing again, your gaze falls, unable to hold his eyes. You watch his left hand flex like he wants to do something with it. 

“I know. I’m sorry.”

A scoff. “What are you apologizing to me for?” 

“You’re the most interesting person I’ve ever met in my entire life.” He says it quietly by way of explanation, like another apology. 

“You must not have met very many interesting people.”

It feels hot and cold at the same time out here. Your stomach still hurts. Your eyes ache as if you could cry, which is ridiculous because you have absolutely no reason to cry. 

“Maybe not,” he says very low. It seems he’s drifting closer, like you’ll float away. A car honks its horn loudly somewhere in the background, and you still can’t look at his face. His own coat is clutched in his fist and now the honker is shouting too, expletives and God’s name being taken in vain. 

“You should go back in there,” you tip your chin at the depths you’d just fled from, stealing a quick glance at his face, “Find someone else who’s interesting.”

He grunts once, a wordless no and lifts his coat to drape it over your shoulders—you decide you’re even colder now, you don’t think you’ll ever be warm again—and takes yours from your listless grip, draping it over his elbow. 

This man. “Aren’t you here to get to know people?” You demand, finally looking up at him angrily. 

“No,” he shakes his head. “Let’s go for a walk.” His palm at your bicep urging you towards Arlington and the garden sends all sound skittering out of your ears. He reminds you of your earlier words, that he might like to walk, and you can hear yourself agreeing while you look up at the muted light of the late November afternoon leaching through the cloud cover. Through the wool and cotton you feel your skin sucking heat from that singular point of contact, warming you entirely.

It had been blisteringly cold last night, the alluring taste of incumbent winter in the air, and a vicious frost had ermined all the tree trunks within the Boston Public Garden, roughened the surface of the grass. 

Joel chooses a quiet spot by the pond, the willow weeps above your head and all around the two of you the sharp autumn air is lightly laced with the fragrance of leaf rot. An elderly couple floats serenely in a lone swan boat at the center of the pond, not a ripple in the surface, as if they weren’t really there. 

Helping you to sit, he gently pulls his coat from your shoulders, laying the garment for you to rest on protected from the frigid ground and carefully looping your arms through your own coat now, he pulls the excess fabric of his up, draped over your shoulders once again, leaving you securely enveloped from the cold. 

“Here, let me help you,” he says, and the sudden gentleness in his voice makes you want to burst into tears. His character, that of some matryoshkin sort, one embedded in another in another, never knowing which is the realest one, the truest one, which will come next. Angry snarling dog one day, a gentleness that burns the next. You have the sense that a person could know him for decades and still never reach the center, never cease to discover more. 

Sitting before you—you perch alone on the island of his given coat—he tilts his head, leaning back braced on thick arms to look up at the swaying vines with just an impression of brilliant yellow-green, as if that were the color of the air. A sudden breeze stirs the softness of his hair, lifting a stubborn cowlick, and at that exact moment, the cloud cover parts on the face of the sun. In the brilliant shaft of buttered sunlight, his dark curls glint with specks of purest silver, leaving you wishing you could touch the fan of fine lines at the corner of his eyes, feel his age with your fingertips. 

“You’re angry with me,” he finally says, head still tilted towards the sky. You watch him very closely, learning. His voice is deep, quiet. He looks tired, the violet shadows beneath the brilliant hazel eyes. Still beautiful, the full, slightly sulky curve of his mouth surrounded by dark beard. He is everything, all of him, masculine. 

“It doesn’t matter.”

Finally, he looks at you, too. He’s got a big head, proportionate to his big body, that falls back heavily. You can’t help smiling at him, it feels too natural. 

“Now you’re honest.”

“I wouldn’t tell a lie here,” you say, and he sighs like you’re a supremely difficult little omega, too impossible to be reasoned with. But turning back to the sky, eyes closed now, there’s a smile across his mouth also, and you wish the two of you could sit here and laugh forever in this moment.

The silence between the two of you is marvelous enough to be unnerving. Settled beneath his great coat, you’d never believed you could feel the cold so little—learning every fine detail that makes up the man. Even inches away from him, he seems utterly unattainable, each of the two of you existing on your separate islands—you trace the woolen edge of his coat against the ground—some twenty years your senior and married. But the cold has given you such a feeling of grounding buoyancy. You’d awoken angry, miserable, so full of despair you would’ve been sick with it if it were possible. And now—you hadn’t felt this alive or awake in years, perhaps your entire life. He is a marvel, and there are bubbles in your head threatening to take you floating away, and yet, your feet are firmly melded to the ground in reality. 

How attractive, how delicious the prospect of intimacy is with someone who you know will never grant it. It fills you with something ferocious or hungry or snapping, something pathetic that makes you want it all the worse. And he, with a gravitational pull too strong to even think of escaping.

Yes. You hadn't felt so happy in years. 

“How old are you?” Breaking the silence, you ask him.

“Forty three.”

“You have a brother.” He nods. “I have one too.”

“Do you speak to yours? I don’t.”

“He calls me once a month. It’s all he can bear of me.”

“Mine won’t speak to me.” He sounds sad saying so. 

“Why not?”

“I hurt him. Scared him.”

“My brother, he says my whole life is papier-mâché. My values are all wrong, I’m a crowd-pleaser. It’s probably true.” You’d felt it impossible to better yourself, and yet still, you tried for him. “How did you hurt him?”

“You can’t change a man, only make him more secure. Depending on his character that may then bring happiness or strength or success. Tommy’s failure of this in me was more than he could bear, also.”

The willow becomes your confessional. “I spiked my own drink once just to see what it would be like. A doctor told me afterwards that I have self destructive tendencies. I want to hurt myself, but I don’t want to actually feel the hurt, which makes me all the more addicted to it. A supernumerary on the stage of my own life, too afraid of hurting and hungry for it at the same time.”

The heel of his left hand, you notice, is bearing down on an old acorn burr, and yet he seems not to feel the pain. 

He’s looking at you very intently now. Some glimmering streak in his eye. It almost looks aggressive, and a muscle flutters madly at the edge of his jaw. He straightens, sitting up to face you. The acorn burr is left flattened and disfigured in his wake.

“The last doctor I saw told me I was depressed. I never went back after.”

“Are you?”

He laughs surprisingly full of humor and then instantly serious again. “Probably. I’ve been watching my life, scratching at it trying to get in. I can’t. It’s right there.” The matryoshka shuffles, locked in his melancholy one moment, spilling brightness the next. 

You want to understand him so badly your hands shake with it. 

“What’s your favorite thing about your work?” You ask him. 

Where does his wife think he is right now?

“That’s a nice question. Maybe…” he thinks a moment, “Getting to make things that’ll go in people’s homes. The idea that something that came from me will be surrounded by a family.”

You can’t help yourself. “Why aren’t you at home?” You ask him imploringly, unbearably sad for him, sick with need, desperate to understand what it is he’s doing here, and all at once, utterly certain of what it is you are. “Don’t you love your wife?” The question is posed with no bravery, and yet it still comes out into the world demanding. 

He clicks his tongue, taken aback, a shocked breath, maybe even a small, reproving smile. A hundred different emotions coming to life across his face in that single moment. 

“I don’t know,” he finally answers. “I remember loving her. Maybe. At best? She’s a stranger. At worst? An excuse?” But he says it like a question. He’s asking you, not telling, for he isn’t even sure of it himself. You’ve caught him off guard. 

“No…” the click of his tongue snapping you to attention, “That's too generous. We’re trapped in a box together, but completely strange to one another.” It suddenly feels like he shouldn’t be telling you this—about her. You’re sure he shouldn’t be. 

“Do you hate each other?” You ask anyway. There’s something…your only example of love and marriage being two people who had always hated one another and filled the home where their children lived with more hate. It’s difficult to fathom something different than what that had looked like. 

If you were truly brave, you’d ask if he has children, too. 

“No,” he says immediately, a non option, his brow furrowed. “That would take too much effort.” 

Now you understand. He’s alone anyways. The feeling of urgency within you mounts. You’re frightened by this moment of discovery. 

“You’re Southern. Your accent…” You can’t discuss this anymore, needing to change the subject. 

“Texas.”

“When did you leave?”

“Long time ago.”

“Do you miss it?”

At his, he laughs like the question is ironic. “No. Where are you from?”

“Sometimes it feels like I can’t even remember.”

And as if he’d pulled the feeling straight from your mouth, he tells you that he understands what that’s like, and you can’t help it when you reach for his hand, being as careful with him as you would any shy creature, needing to hold him. 

-

“I’ve never been in love,” you tell him, childish look of recklessness and valor coming across your face as you pick up on the earlier thread of conversation you’d frightened yourself with. “It seems too daring, even grotesque.” 

He thinks he wants to capture that look in a bottle and take it everywhere with him. His entire body throbs with a heartbeat and the shape of your hand fits his as if every joint and muscle and soft ligament had been specifically designed for him to hold, filled suddenly with a terrible sense of foreboding. Looking at you, one just knows there’ll be a broken heart. 

Your small thumb smooths gently over his large one, and he marvels that such an exquisite creature would touch him. God, but you’re beautiful. Your touch, soft and enticing and painful all at once. No one had ever been so gentle with him.

“Won’t you tell me a secret?” You beg.

He will. He might give you anything in this moment. In the weeks he’d been kept away, he’d desperately counted the days and minutes until he could return to that place of worship and honesty. 

“I think about you,” voice hushed, the shaking of the leaves not loud enough to mask the soft breath you suck in as he gives you his confession. He maps the architecture of the small hands in his grasp, fingers tracing fingers, uncured clay fragile before the heat. He feels tired and strangely spent, almost drunk on your touch. His thumb slides upwards, marveling at the softness of your wrist, and then there, beneath the shivering distraction of your pulse and his disturbing search, the unlocked fragrance of your scent gland. It drifts towards him slowly like smoke rising from sleep.  

The air seems to pulse between the two of you with heat and premonition. That singular moment before everything goes terribly wrong, he can see it in your eyes. Such vibrancy, excitement, recklessness turned danger. 

“We should…” you feel him begin to pull away, grappling to hold on to the moment and his hand, “We should fuck.” He takes himself back, letting you go. Where else was this being led?

He cringes away from you. “Excuse me?” 

“Sex. You’ve had it before.” His mind reels. His body’s reaction at hearing your mouth say these things, the way it shapes them, the soft, full lips wrapped around the words.  

Looking away, he watches the pond’s couple help each other out of the swan. In his periphery, he can see you begin to bristle at his silence. 

“Don’t be peevish. It’s unbecoming.” 

He can’t help feeling angry. “I’m not. I’m old enough to be your father.” And you laugh at him. You’re deviating paths now, going opposite ways and angry at one another for it. 

“We could pretend that—if that’s what you want,” you say, voice husky and seductive. A small palm smooths up his thigh and his gaze snaps fire at you, hand clamping painfully at your wrist, fingernails digging at your gland, disturbing more of that gorgeous scent into the air. 

You make a pained sound. He needs to leave. He needs to never see you again.

“Don’t be disgusting,” he shoots back, hot everywhere. 

“Don’t be a prude.” He flings your wrist away, and you cradle it against your chest as if he’d hurt you. The heat turns to guilt pulsing through his limbs. 

Warring to wounded then, your eyes. You wrap your fingers around your discarded wrist. “What if we lose everything? What if tomorrow’s the end of the world? What if we’re so thoroughly cured of our loneliness after all this is done, we never feel like we need another person this way again?” 

His muscles tense with the need to flee or attack, the thought of you needing him, of being needed in such a way—he’s like some creature coming upon its mate. 

Despite his age, he had never tried to truly seduce anyone. He had never truly wanted anyone. Not in any real and base sort of way. Desire for him had been a mute and ordinary thing. But he could have you now, turned into a thing he’d never been before, he could mount you and rut you into the dirt like an animal. Never so much a product of his designation as he feels in this instant. 

He can’t even form word, and your body seems to pulse against his with embarrassed heat and indignation. 

“Have you ever even fucked an omega?” You spit at him meanly. 

“We shouldn’t be talking about this.” Voice carefully restrained, each syllable off his tongue is measured with his tenuous control. 

“Tell me anyways,” you demand, shoving his coat off your shoulders being the thing that almost makes him lose it. 

“It’s cold. Put that back on.”

“Tell me.” And he shouldn’t. You should have no sway over him. No demand of his honesty or anything else that belongs to him.

“Once. Only because I wanted to know what it was like.” He’s man enough to admit to himself the embarrassment he feels telling you this.

But it seems to quell some tremor in your eyes, and you sit back, palm petting at your throat as if you’re trying to soothe yourself. 

“I’m sorry,” you say, gaze averted, glassy, delirious look there. “I’ve always gotten my feelings hurt easily. I’m—” you shake your head quickly, sucking on your lip. “...too sensitive. Sometimes I feel like I’ll float away if I don’t find anyone to hold me down.” 

He should tell you that you’re not, wants to, but the image of you weak and pinned beneath him churns in his mind. Whole body aching suddenly, needing his hands on you before he does something truly heinous—he straightens abruptly, abandoning your reassuring warmth. Feeling suddenly cold despite the sweat dotting his spine. 

Without another word he turns to leave you there, alone, while the swan pair watches from across the pond as the two of you part ways. 

The next morning he awakens stiff and burning, his cock a brand of heat against his stomach. And works his entire day in a static haze, lavender spots at the edge of his vision where all he can think about is how you smell and the way your hand feels in his. By five o’clock, his fingers ache, spasming painfully from gripping his tools too hard. Breaking his weeks-long habit, he decides to attend the Saturday night meeting, full of constrained energy and sullen moodiness. Reasoning that a pretty, young girl like you wouldn’t waste her weekend in the basement of a church abandoned by God. 

And is sick to his stomach with equal measures elation and dread when he spots you sitting amongst the crowd of metal folding chairs—wearing his coat. He doesn’t hesitate even a little when he claims the seat next to yours. 

The two of you sit in strained silence the entire meeting, the other alphas and omegas surrounding throwing alarmed and intrigued glances your way as the tension brews hotter and more frenzied. 

His body hurts. This is a painful kind of lust. 

He listens to the speakers tonight with only half an ear, instead, occupied with the memory of what you’d looked like the other week eating a jelly and cream filled donut, imagining what your mouth would look like smeared with his blood and come. He can smell your body, how hot and trembling nervous you are. So unlike all that blistering, innocent valor from yesterday. 

The omega with the cruel husband turned sick one is taking her turn again tonight. Now that he looks at her, she has hair that at one time was vibrant red, now turned a softened copper threaded through with white. Time is such a painful, slow thing, Joel thinks. 

“Have you ever been with someone you knew you were too good for?” The omega asks the room, while the one beside him begins to shake, knee jolting nervously.

You’re anxious, and it makes him angry that you should be made so by his actions. 

Too rough for forbearance, his palm clamps down tightly on your knee, holding it still, and you make some supplicant whimper at the back of your throat. Almost imperceptibly, you draw away from him, the line of your shoulders growing rigid, and a wild, irrational sense of loss steals his breath. 

He’s been so busy lately, distracted. He’s hungry, overstrained, anxious himself. He doesn’t mean to be brusque with you. He just can’t help himself. 

Would we be here if we had? Someone lost in the crowd pipes back. 

The woman laughs, she has a kind face. “Me either.” You shove his palm off your leg as if it burns. “But there was someone… once. A chance, maybe. Someone I didn’t choose but should have. We were friends. We came very close to being happy.” 

And he suddenly feels a wave of desolation so overwhelming wash over him. He turns to look at you, your vibrating profile, so pretty, and he’s gentle this time when he touches your knee. Just to feel you. How terrible, he thinks, to only come very close to being happy. 

The speaker changes, and then it’s Maria’s voice talking to them all. Joel still can’t look away from you as you, in turn, refuse to look at him. “Stop, Joel,” you whisper. But he can’t. 

“At the start of this, we usually discuss a second option for those of you who aren’t able to find what you’re looking for in this. Sometimes it’s not so simple,” Maria tells them. 

A miracle move on drug, she calls it. 

The group’s coalition is sponsored by a pharmaceutical company, one testing a cure for loneliness. Something they think of as pilled perfection, something to numb the pain of loss. Any emotional wound, now with the potential to be a thing of the past. The young omega handing out the pamphlets had promised an easy cure, it seems this is what he’d been referring to. And if the potential side effects included an inability to hold on to any sort of emotional attachment afterward, well, the encounter groups they’d targeted thus far were grateful for it in the end anyway. They were all alone after all. 

“It’ll help you let go of everything you can’t let go of,” Maria tells them. “Help make you forget. Help make you un-lonely. We’ll be holding a session Wednesday morning for anyone who’s interested in being part of the trial. Our sponsor company, Firefly, is very happy to welcome as many of you as possible.” 

Beside him, you whisper, “Only a coward would take that option. What a cheat.” He hesitates, perplexed and wounded by your words. 

“You’ll never have to grieve or miss something you can’t get back, ever again. I know that for many of you, this is the ultimate fantasy,” Maria says.

“I think it sounds like something to help let go. Like what I came here for.”

You exchange cards. Now it’s your turn, the wounded look. 

When Maria’s through, bidding the group goodnight and setting them all free to mingle, you’re up and out of your seat before he can get a word in. He watches you go as if he were some sort of abandoned lapdog, only for a second, before he’s once again, striding after you. 

You weave almost drunkenly through the crowd, first heading towards the exit, then to the beverage station, then correcting and veering towards the back hall where the restrooms and catechism classrooms are. 

Gaining on you, he takes you by the elbow, pushing you deep into the darkness of the long hallway. Going far enough the din of desperate socialization turns a quiet murmur. You’re really in the belly of the beast now. So quiet and dust infused it feels as if it’s been years since a soul stepped through here. 

“What’s wrong with you?” Your face glows with fevered sweat. 

“I’m sick,” you mumble on the tail end of a whine when he shakes your arm into responsive compliance. “Let me go. Stop,” you fight, trying to claw away from him.

“No you’re not.”

“Yes, I am. I threw up all night. And you have the personality of a snarling dog more than a man. Has anyone ever told you that?” Shoving at his chest now feebly.

Ignoring your caterwauling, he takes you in entirely. “You’re not sick,” he says again, sure now. 

There’s a timeless hunger gnawing at his gut. Joel suddenly feels more himself than he think he’s ever felt in his entire life. 

Dragging you high against his chest by the collar of his own coat, he brings the tip of his nose slowly to the valley of sweet fragrance at the side of your throat. Inhaling deeply at the flushed, swollen scent gland there. The sound of your toes scuffing against the floor excites him even more. 

“You’re not sick. You’re going into heat,” he says slowly; gathering the overwhelmed, shivering creature as gently as he can in his arms. 

Your fingers claw at his own throat in return, as if digging for his own answering scent. “No. But it’s not time. I had one not so long ago.” You sound on the verge of tears, and he makes a deep, soothing sound in his chest. “My blockers...I— I can’t be. It’s not time yet.”

“It’s a breakthrough heat.” His other hand comes around to the small of your back and ever so slowly, he presses your hips closer to his. “It’s mine. Because of me.”

“No.” You shove back with renewed strength suddenly, spinning around to scurry deeper down the dark hall and then careening on weak legs into an abandoned classroom. 

Heart beating madly at the prospect of the hunt, he takes a singular calming breath before he’s prowling after the sound of your crying. 

-

“You need to not run from me right now. It’ll make my rut come faster,” his deep voice comes from somewhere in the dark unknown. 

You scramble around the children’s desks, weaving your way clumsy with disorientation to the far end of the classroom. You don’t want to go into heat right now. You can’t. Not with him. You need to be safe and alone in the confines of your warm, comfortable bedroom, far away from the temptation of him.

His heavy, panting breath sounds closer and there’s a shriek in your throat like a struggling kitten. 

“You want me to lose my self control. That’s what this is, isn’t it?” There’s a loud crash as he shoves one of the little desks out of his way, followed by your answering shriek. And then he’s here, coming up behind you but finding mercy enough to hold himself back at the last moment, panting as if he’d just run miles fighting against himself. 

“I’m sorry,” he says. “I’m sorry. Come here, baby. I’m sorry, I didn’t mean to scare you. It’s okay.” He takes a step closer, and the slowing of his breath and soothe of his voice calms you in turn. “You’re only going into heat, that’s all, sweet girl. I’ve triggered it for you and I’m sorry. Let me come to you.”

You let out a high and harried sound, palm smoothing over your throat over and over again. “Joel,” you say once.

“I’m here. It’s okay.”

“It’s only that—”

“What is it?”

“I have to tell you something.”

“Tell me.”

“I’m embarrassed.” A helpless tear spills out over the edge of your eyelid. 

“You’ve nothing to be embarrassed about with me. Ever. We understand each other, you and I. Don’t we?”

And he’s right of course. You’d picked his face out of the crowd in instant recognition, after all. “I’ve had heats…but I’ve never—never had a, a heat with someone. With an alpha.” 

He’s utterly silent and you feel deranged enough you’re almost certain you can hear the pound of his heart inside his chest.

“You’ve never had a knot take your cunt?”

“No.” You swallow. “Never.”

You hear a muttered fuck, and his breathing goes quick and shallow and then even again. He has better control over himself than you do at this moment. 

“Then how?”

You flush full of heat, embarrassed. “T—toys,” you stutter. “Medication to help ease it.”

When he steps closer, only calm accompanies him. All is suddenly quiet. You want him. Your disjointed mind, overwhelmed by too many confusing emotions had gone into overdrive for a moment, but now, with the scent of hot, aggravated alpha surrounding you, it’s obvious this was all you’d needed to calm down. 

You can feel his hot breath against your forehead, the wash of heat on each exhale and the lingering scent of sweet musk at his inhale. You touch his cheek with shaking fingers and feel him turn ever so slightly into your palm, and then he’s bending slowly. 

First, it’s a soft, wet nudge of his mouth, your bodies held apart. Then his strong nose bumping into the side of yours, the splendor of inexperience turning to knowing, a nuzzle. Coming in again hungry, with the slick of tongue now, and the deep inhale of shock at first taste. Your breaths rush through one another, and you feel yourself backing away in maybe fear, more likely overwhelm, but his mouth follows your retreat and then his palms are at your waist, tugging you into himself, pressing you tightly to his body with a ragged groan. 

“Your mouth…Your mouth is so beautiful,” he says.

Everything in your lower belly cramps in painful agony, and you scratch at his arms and neck without much strength, trying to climb higher and take more of him into your mouth. Oh, you want this so badly. You want it to be everything you’ve dreamed of so obsessively the past weeks. Nothing else in the world exists except for your two mouths pressed together.

His lips burn a wet path across your cheekbone, sliding to the side of your neck to suckle at your scent gland. “Fuck.” His scraped teeth along the patch of sensitive skin. “Have you had sex before?” The question is gentle, understanding, his tongue tasting your sensitive earlobe, head ducking suddenly to give a sharp bite at your breast. 

“Yes.” His erection is pressed firm at your belly, hot even through his jeans and your sweater. His large body radiates heat. At your back, his palm finds the edge of your top, sliding underneath to make first contact, blistering skin against blistering skin. 

“But not an alpha.” He says it smugly, the bastard. Palm sliding down to your rump, tucking you more tightly against his hard cock. You shake your head at the crook of his neck, fingertips twisting in the back of his hair. Your breath comes in wet little pants that sound too pathetic to bear. 

“It’s going to feel so good,” he promises, rubbing slow circles low on your back with that wide, strong palm. “It’s different. It’s…” That palm slides lower, squeezees the curve of your ass. “It’s ordinary if it isn’t with someone…special. If there’s not the possibility of—” 

You tell him you understand what he’s trying to say. 

“I think it’ll be so good between us,” he finishes. 

At the waist of your skirt, his fingers press between your skin and the stretch of your tights, forcing his large hand into their confines. Your breath skips into his open mouth, panting into one another he cups you between your legs and suddenly all you can focus on is the tight ache there, the nylon soaked obscenely between your thighs. His arm around your back squeezes you tighter to his chest and his fingertips are pushing past lace edge to feel the slick swell of wet cunt. 

“Oh, Joel. Not here,” you moan. “Someone will come in.” He’s circling your clit, so sensitive and so swollen it hurts. You tug him impossibly closer, and he presses you back into the cold stone wall. “We can’t in a church.” Your protestations sound weak even to your own ears as you spread your legs wider for him. 

“I don’t give a fuck.”

He takes your mouth again, sucking deeply, groaning even deeper when he presses inside of you to the first knuckle. “Tight, baby,” he breathes into your neck, his hips slowly grinding into your pelvis. 

He feeds you more, then presses a second finger, holding still for a second, then another. Panting like a rabbit caught in a trap with three of his too thick fingers stuffed in your overstretched cunt. The sound of popping seams moves up your spine. 

“Can feel your little cunt shaking around me. Jesus—” he groans. It’s all mine, whispered into your hair. 

Suddenly, there’s the open and close of a door nearby. And then the sound of someone’s voice calling your names. Joel huddles you further into the dark corner, confined by the protection of his body, his fingers still moving in and out of you, stretching you well enough to burn as he presses as deeply as he can and with the utmost gentleness, pets lightly at the painfully sensitive mouth of your cervix. Humming in satisfaction at the feel of you. 

“Right there?” He hums. 

You’re crying, clutching at him even more tightly. Your name sounds again, being searched for, like a warning. 

“If I fuck you, nobody else ever will.” His voice is so dark it’s menacing. It’s recklessness, verging on a lie. Maybe it’s hope. 

Pressing lightly again, petting, petting, he pulls his fingers back a little, the loud sucking sound of your cunt trying to hold onto him, and you’re coming for him, crying into his neck, sucking on his scent gland so that the taste of him floods your mouth. The sound of a door opening, and you hear him growl at someone to fuck off in a very scary voice, his fingers never ceasing their steady thrust inside of your clenching pussy, and the frightened slam of a door. 

“It’s alright. You’re alright. That’s my good girl,” he pets and soothes at you, pressing a kiss to your temple, your eyelids, your mouth again and again.

Part 3;

Netherfeildren's Masterlist

Updates Blog

[softness-and-shattering]

I think in general it can be easy to forget that other people dont come out and then immediately transition and be fully their true gender in every single aspect, indistinguishable from the outside as a person who's trans at all. I had an...interaction with a few trans femmes like a month or so ago, about a trans guy who had miss-stepped pretty badly in trying to avoid dysphoria, because he had been misgendered by family all day. From that context he's probably a teenager and therefore probably not transitioning much. (I know this is a lot of assumption but I think its fair?). He's been called a girl and treated like a girl all day. And these...femmes? Can I say that? were acting as though he was being a classic entitled guy oozing fragile masculinity. This young person being called a girl all day may know himself to be a man but its clear nobody else in his life does. Nobody looks at him and sees a man. Yeah of course barely hatched trans people are fragile and sensitive about their gender. Doesn't make him entitled to demand whatever from others, but also doesn't make him an entitled macho bro-dude, it makes him someone fucking up because he's in pain.

It sometimes happens to me a little bit the other way in discussion of how like, queer spaces not really being inclusive because you have to pass a femininity vibe to check to get in can be transmisogynistic. Every now and then Im like "huh, this is a trans guy/butch problem" and then I remember, trans women who dont 'pass' also fall into the 'too masculine-looking to be "safe" for femmes and thems' category. Which is also why Im not totally sure on the exact definition/scope of transmisogyny, because from my perspective this particular thing is about anti-masculinity regardless of if its deliberate or wanted or intended, and regardless of one's identity because its an external judgement being made. I think its also getting harder for trans guys to 'pass', like top surgery and what top surgery scars look like are becoming more known. And theres the whole clusterfuck discussion about how people are perceived and how people want to be perceived and in some places if you wear a dress youre seen as obviously a woman but in other places with the exact same presentation youre seen as a man in a dress. I dont have anything to add there, just thinking about it.

wait where are all the trans guys

Historical-anthropological research, especially the work taking place before the 21st century or outside the West, tends to focus entirely on transfeminized groups. So when reading these works it’s pretty natural to ask — wait, where are all the trans guys? This is a reasonable question with a few clear answers; this post is something quick I can point people to.

The central condition of transfeminized groups' absorption into feminist activism has been to accept a kind of symmetry with select TME groups through the understanding of trans femininity as "gender variance." Under this framework, transfeminized groups' social position can be understood as a consequence of gender variance and some abstract violation of cis norms; this was proposed by people like Susan Stryker and Emi Koyama [1], among others, and continues to structure trans inclusion today. It also fails when considering several basic aspects of these groups:

Transfeminized groups are associated with hyperspecific labor practices, most frequently sex work, but also hair styling, drag, makeup artistry, acting, and other forms of 'gender work.'

Metropolitan transfeminized groups appear in the archive as highly clustered and active groups connected with, but usually intensely split from, the masculine men they fucked.

Transfeminized groups become a kind of 'third gender' on an epistemic level; they are Known to wider society before and after “coming out” in a way that USAmerican transmasculinity has only recently vaguely approached.

Transfeminized groups are heavily clustered in labor practice, social organization, and epistemic position, although this is not universal -- certain strains of USAmerican transfemininity have become a bit more labor-agnostic in the last two decades, not-so-coincidentally alongside more general currents of gender-labor liberation. The messy strains of trans male identity recovered from the archive and from current practice tend to lack labor, social, and epistemic coherence. As Aaron Devor notes in FTM, his 1997 history of FTM men, trans men in the 20th century tended to transition out of cities and into the countryside, finding low-profile places they could exist in. These practices, and the earlier "female husband" practices described by Jen Manion, relied on the labor-agnostic nature of transitioned manhood in order to disappear from public life. Transfeminized groups, on the other hand, are categorically restricted from the main form of economic life historically available to women -- marriage. Their labor practices are heavily constrained and have almost always revolved around some form of 'gender work:' as Susan Stryker put it, you need to get people to pay you for being a trans woman. Transmasculinity pushes away feminized restrictions on labor; trans femininity is labor.

Because transfeminized identities are so often labor-identities, and because their specific brand of 'gender work' and hormonal/silicone/surgical embodiment usually requires both specialized training and community support, nearly every metropolitan center in the world developed highly centralized transfeminized groups over the course of the 20th century [2]. As Ochoa notes, this visibility is partially due to epistemic visibility (everyone knows what a trans is), partially due to group structure (people work and train each other), and partially due to the selectively visible demands of finding clients. Fledglings come in with a way of being that is always already visible to society, but changing the body to match and learning how to fully enact and slowly contest the third-gender labor-identity they've been given takes a lot of community support.

So as labor-identities, transfeminized groups tend to a level of labor/community/epistemic coherence that has no clear counterpart. The news archives we have of trans men (as seen in Manion) position them as singular and easily absorbed back into the female gestalt; the cisgender feminist/gayguy/AIDS researchers that form the bulk of historical-anthropological work saw them as unnecessary to their grand theories of gender; the communities themselves have been materially fractured and, for the groups that rise out of lesbian-feminist activism, only partially committed to their own existence. The result of all this is that there is no clear equivalent to the "transfeminized groups" of Jules-Gill Peterson; there is no symmetry to trannydom, and while additional work to unearth trans manhood in the archive remains extremely valuable, sometimes the necessary level of label-coherence and social existence just isn't there.

[1] Stryker, "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage," Emi Koyama, "The Transfeminist Manifesto" [2] As seen in Namaste, Invisible Lives, Prieur, "Mema's House, Mexico City," Kulick, "Travesti," Newton, "Mother Camp," Ochoa, "Queen for a Day," Hegarty, "The Made-Up State," and plenty more. Most of these works came out in the late 80s and 90s due to a combination of the feminist "third gender" craze, the burgeoning field of masculinity studies, and AIDS.

[kanmom51]

Jikook came home

God, how I missed this.

How I miss them!!

Before getting into the whole JM post followed by the cute-flirty interaction that followed, I will take this opportunity in congratulating both JM and JK for their MAMA awards achievements.

JM winning Daesang fans choice of the year.🎉🎉

JK winning top 10 fans choice, best male artist and best dance performance (SNTY).🎉🎉

JM being the sweetheart that he is came to us with a lengthy post to thank Army for voting and receiving a Daesang.

There are a couple of nuanced differences in some of the translations, but all in all, they are pretty much on the same page.

The main difference I've seen is the translation of this part:

벙벙 벙벙 벙벙벙벙벙

Being it "dumbfounded" or "stunned" or "bemused".

I think this probably captures it best:

And then we had JK....

Who was most likely sitting there right by JM's side, the speed of their back and forth being one of the indications to that (we are talking within seconds here), not to mention patterns of past behaviour with those two.

Do we discuss for a second the Weverse translation of the discussion?

Like wtf? 🤣🤣

Ok, so the actual translation would be:

Insert the word of bemusement of your choice I guess, lol. But basically we have JM telling us he's stunned/dumbfounded and mainly happy and then that back and forth between those two right in front of our salads.

Oh, and can someone explain the @JK to me please? I mean, I get JM @JK -ing when posting his replies, but why the hell is JK @JK -ing when posting his replies to JM?🤣🤣

The way those two keep doing this shit (in such a good way, may I add) is just absolutely and utterly hilarious.

This whole exchange gives me these vibes:

And Idk why, but this interaction came straight to mind as well when I saw this back and forth between them...

Take those two and combine them and then picture that in mind with this back and forth going on:

Oh, and do I mention that obviously they had access to Internet, enough to have this back and forth between them, while both in the same place, and JK preferring to flirt in our faces with JM rather than post himself about his wins, which I can assure you he knew of. You know how it is when you don't want to take away from your boyfriend's thunder...

Maybe we'll hear from him later on maybe not, but this was about JM, his win, his moment, his post, his excitement.

And JK CANNOT miss out on a little teasing-flirtatious banter with his man, now can he?

Let's back track for one moment, because I do want to talk about JM inserting JK into his post. I do believe this is going to be a new standard/constant/reality. You know, the "me and JK"/ "JK and I" or "me and JM"/"JM and I". That very natural way of inserting one another in their interactions/conversations with us. Now, don't get me wrong, this is not a new thing what so ever. They have been doing this since forever. But I do think that it's going to become more of a constant and less of a "OMG, he mentioned JK/JM" moment for us. They have shown us for years, but more so over the past year, just how important they are to each other, but even more so, just how intertwined their lives are with one another. They literally could not even part ways to do their military service!! Choosing to spend those 18 months together, even if it meant having to endure much harsher conditions and a much more difficult service as a whole. All to be able to be together. With each other. What I'm saying is that I do think we will be getting so much more of "US" from those two.

Openly and proudly.

US.

One last thing, and again this is either Jikook coincidence or kismet or maybe not too much of a coincidence and more of a conscious decision, but JM's post yesterday, 23 Nov 2024, was posted on the year mark of Jikook leaving for their oh so very special and emotionally charged Japan trip, 23 Nov 2023.

💜💜💜

Coincidence or not, we got Jikook back then, and after radio silence from those two for such a long time, we got Jikook yesterday again!!!

[letteredlettered]

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone’s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.

[greengoblinswifey]

𝑭𝒂𝒎𝒆’𝒔 𝑬𝒅𝒈𝒆 ・₊✧🩶 Part III

Pairing— Nicholas Chavez x Model!Reader

Warnings— Mentions of arousal, fluff.

Series Masterlist

︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿︵‿

The morning sunlight filtered through the sheer curtains, casting soft patterns on the bed. You woke up to the quiet sounds of the ocean outside, your body still tangled in the warmth of the sheets. Nicholas was already awake, propped up against the headboard, scrolling through his phone beside you. He looked effortlessly fine—his hair messily perfect, his jawline catching the light, those pretty eyes.

“Morning,” he said, glancing at you with a small smile. His voice was rough, low, and intimate in the quiet room.

“Morning,” you replied, rubbing the sleep from your eyes.

There was a beat of silence, the air thick with the unspoken acknowledgment of what had transpired the night before. You sat up, the covers slipping off your shoulders as you reached for your phone, you were one of those people. But the memory of his touch, how close he was to you last night, was still vivid in your mind.

“So, last night..,” you said eventually, your voice softer than usual. “I haven’t had something like that in a long time.”

Nicholas looked at you for a moment before answering. “Wow, but it was nice.”

You caught yourself studying him—his relaxed posture, the way his fingers scrolled through his phone, and the faint hint of a smile on his lips. There was a question you wanted to ask, something burning at the back of your mind. Was he hard this morning? The thought made your cheeks heat up. You didn’t bother asking. You already knew the answer. But the real question was—why? Was it because of you, or was it just typical morning wood?

Instead of voicing your thoughts, you both dove into headlines, trying to avoid the lingering air between you. As you scrolled through the news, a headline caught your eye, and you couldn’t stop the laugh that bubbled out of you.

“‘Mystery man spotted! Could this be the one to tame the wild child?’” you read aloud, barely containing your laughter.

Nicholas leaned over to glance at your phone, his eyebrow quirking. “Tame? Are they serious?”

“I know, right?” you said, still laughing. “I’m in my early 20s, at the top of my career. I don’t need some man tying me down.” You paused, glancing at him. “No offense.”

“None taken,” he replied with a smirk, the corner of his mouth twitching in amusement.

The laughter eased the tension, and the two of you fell into the kind of comfortable rhythm that had been building since your first meeting. You spent the rest of the morning lounging around, the conversation flowing easily. At one point, Nicholas opened up about his past, a year long relationship that had ended just before his career had taken off.

“Were you in love?” you asked, curiosity lacing your tone.

He shook his head thoughtfully. “I don’t think so. It just didn’t work. We were in different spaces in life, completely different people.”

You nodded, processing his words before admitting, “I’ve never been in love, I think.”

The confession hung in the air, intimate and raw. His gaze lingered on you, and for a moment, you wondered what he was thinking. Was he imagining what it would be like if your first taste of love was with him?

You shifted the conversation, steering it toward lighter topics. hobbies, interests, little quirks that made you both laugh. The more you learned about him, the more you realized how different you were, yet there was an odd sense of compatibility that kept pulling you back in.

Later in the afternoon, you both sat down to discuss your next PR move.

“I’ve got a GQ red carpet event in a few days,” Nicholas mentioned. “It’s the perfect opportunity to make this whole thing slightly more public.”

You tilted your head, intrigued. “What’s the plan? Play it cool?”

“Exactly,” he said, a mischievous glint in his eyes. “You’ll be my date, but we won’t even follow each other on social media. Let the speculation do the work.”

You couldn’t help but laugh. “Look at us, plotting and scheming.”

Nicholas chuckled, leaning back against the couch. “I can’t believe this is the same person the media paints as a messy party girl.”

“And I can’t believe you’re supposed to be the detached, aloof guy,” you countered, grinning.

He smiled, his gaze softening. “You’re not so bad. Not bad at all.”

You felt a warmth spread through your chest at his words. “You’re not so bad yourself.”

The afternoon had barely begun when Angela, you and Nicholas’ manager, threw a last-minute photoshoot into your schedule. This wasn’t new, she was known for her knack for delivering surprises, but you didn’t mind. Despite the controversies that had plagued your career recently, brands were still eager to work with you. It was a testament to your influence, even when the media tried to frame you as a wild child.

As you prepared to leave the beach house, your driver pulled up. Nicholas was still lounging on the couch, scrolling through his phone. When you casually mentioned the shoot, he perked up.

“Mind if I come?” he asked, looking genuinely curious.

You laughed, raising an eyebrow. “To a photoshoot? Why?”

“I want to see you in your element,” he said, his tone surprisingly eager.

It was an odd request, but something about it felt endearing. You shrugged. “Sure, why not?”

Arriving on set, the atmosphere was as chaotic as ever—stylists rushing around, makeup artists perfecting details, and the director shouting last-minute adjustments. As you were whisked away to wardrobe, Nicholas trailed behind, taking everything in with wide-eyed fascination.

When you emerged from the dressing room, clad in a couture gown that hugged your figure perfectly, Nicholas looked stunned. He didn’t say much, but his expression spoke volumes.

“You clean up nice,” he teased, smirking as you walked past him toward the set.

“Don’t I always?” you shot back playfully, throwing a wink over your shoulder.

As you posed, the producers buzzed around, setting up lights and angles. One of them, a sharp-eyed man with a clipboard, noticed Nicholas standing off to the side.

“Who’s he?” he asked, curiosity evident in his tone.

You seized the opportunity, a sly smile spreading across your face. “Well, that’s Nicholas Chavez. He’s my industry muse. Gaining traction fast. He starred in Ryan Murphy’s Netflix show about the Menendez brothers, I’m sure you’ve heard of it. Great actor, and honestly, he has the kind of face that would be perfect for campaigns. You should keep him in mind for any projects or shoots.”

Nicholas blinked, caught off guard by your sudden endorsement, but he quickly recovered, nodding along and smiling gratefully. “Thanks,” he murmured under his breath as he stood beside you.

You glanced at him, brushing it off casually. “It’s my job now isn’t it? That’s why we’re doing this PR thing in the first place.”

The shoot went on, and you moved through each pose effortlessly, embodying the grace and confidence that had made you a household name. Draped in high fashion and surrounded by a perfectly styled set of flowers and soft lighting, you were in your element. Nicholas watched from the sidelines, snapping candid videos and pictures on his phone.

“I can’t believe you just do this,” he said during a break, shaking his head. “It’s like watching a masterclass.”

You smirked, tilting your head. “Flattery will get you everywhere.”

By the end of the day, you both had enough content to stir the media into another frenzy. Nicholas snapped a picture of the set, with you posing in the background, while you did the same. The plan was to release the images strategically once the photos were ready, perfect publicity for both of you.

Later that evening, Nicholas invited you into his mansion. The two of you lounged in his master bedroom, scrolling through social media and discussing the buzz that was already building.

“Think it’s time to post these?” Nicholas asked, holding up his phone with a mischievous grin. He was referring to the photos of the romantic set up from your beach house.

“Go for it,” you said. “I’ll follow your lead.”

He uploaded the photos first, his caption vague enough to keep people guessing. You followed a few minutes later, knowing the coordinated posts would send your followers into a frenzy.

“This is a fun game,” you admitted, laughing softly as you watched the likes and comments pour in.

Nicholas leaned back against the pillows, his gaze on you. “Look at us, playing the media like it’s chess.”

You grinned but said nothing, focusing instead on the undeniable ease that had settled between you two. As the night wore on, the conversation shifted to lighter topics, jokes, stories, playful banter.

But eventually, you excused yourself. As much as you enjoyed his company, a part of you held back. You couldn’t afford to enjoy it too much, not when the lines between professional and personal were already so blurred.

As you walked next door to your house, you couldn’t shake the feeling that this was just the beginning of something unpredictable. Would your alliance lead to something more, or was it foreshadowing the chaos to come? Only time would tell.

It should’ve been easy to slip back into your usual mindset, focus on your modeling career, keep your emotions in check, and stay professional. But as much as you tried, your thoughts kept wandering back to Nicholas, how he looked at you today, the way he made you laugh, and how he didn’t seem fazed by your world of chaos. He wasn’t intimidated by it the way other men that had been in your life were.

By the time you stepped into your home, the familiar silence greeted you, grounding you in reality. The space felt bigger than usual, emptier somehow, and you rolled your eyes at yourself. Get a grip, you thought. You weren’t the type to get hung up on anyone, let alone someone you barely knew.

You changed into more comfortable clothes, tying your curls back as you sank into the couch with your phone in hand. Notifications were exploding from the posts you and Nicholas had made earlier. Fans and media outlets alike were speculating, spinning wild theories about the "mystery man." Headlines like “Wild Child Model Tamed?” and “The Love Story We Didn’t See Coming” made you laugh out loud.

“Settle down?” you muttered to yourself. “They’re insane.”

But beneath the humor, a strange pang hit you. It was more like curiosity. What if they aren’t completely wrong? You shook the thought off. You were in your early twenties, at the peak of your career. You didn’t need a man to define or anchor you, even one as intriguing as Nicholas.

Your phone buzzed, pulling you from your thoughts. A text from him.

Hope you got inside safe though I watched you from my window. Thanks for bringing me to the shoot today, it was kind of amazing seeing you do your thing.

For a moment, you just stared at the screen, his words making you smile despite yourself. He didn’t have to text you. This wasn’t part of the PR script. You typed back quickly.

Don’t get used to it. My world’s a little too chaotic for you.

The response was immediate.

I don’t know. I think I can handle it ;)

You found yourself laughing, the warmth from earlier creeping back. But you couldn’t let this go beyond what it was, a strategic partnership, a temporary arrangement. Right?

You tossed your phone onto the couch and let your head fall back, staring at the ceiling. It should’ve been simple to keep things professional. Nicholas was just another coworker in a way, a means to an end for both of you. But there was something about him, his quiet confidence, the way he challenged you without overstepping, and how he didn’t take himself too seriously, that was starting to get under your skin.

It’s just because he’s new, you told yourself. Once the buzz dies down, so will this—whatever it is.

Still, a small part of you wondered if he felt the same pull. He wasn’t like most people you worked with, who saw you as a means to elevate their own image. Nicholas had seemed genuinely curious about you today, more interested in watching you work than using your name for clout.

Later that night, you scrolled through Instagram, where fans were dissecting every detail of your joint posts. Nicholas had posted first—just a picture of the set with a cryptic caption: “Quiet on set. She’s working.” You’d followed up an hour later with a similar post, careful not to include him in the shot.

The game was still on.

As you lay in bed, your thoughts drifted again. You didn’t want to admit it, but you enjoyed his company far more than you expected. Maybe too much. And that was dangerous. The last thing you needed was to blur the lines between professional and personal.

But then you remembered the way he looked at you today, like you were more than just a headline or a pretty face. Could you really keep this strictly professional? Or was it already too late?

With a frustrated sigh, you rolled over and closed your eyes, determined not to let this turn into something bigger. Tomorrow, it would be back to business. At least, that’s what you told yourself.

︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿︵‿୨♡୧‿︵‿︵‿

Taglist: @blackynsupremacy @rafeysslut @lanadelreysvs

[fishmech]

In the Ender's Game short story, the original work, there is no mention at all of whether he was drafted or volunteered by his family. However we are told that he is unfamiliar with the outside world in general, that his earliest memories are of being in the military schools training at basic war games as apparently a toddler.

And against this the short story takes care to mention that most children aren't going to these schools, via the adults in the story discussing how the other kids get to hang out in the park.

for example this passage towards the middle:

Ender Wiggins was rushed from place to place so quickly he had no time to examine anything. But he did see trees for the first time. He saw men who were not in uniform. He saw women. He saw strange animals that didn't speak, but that followed docilely behind women and small children. He saw suitcases and conveyor belts and signs that said words he had never heard of. He would have asked someone what the words meant, except that purpose and authority surrounded him in the persons of four very high officers who never spoke to each other and never spoke to him. Ender Wiggins was a stranger to the world he was being trained to save. He did not remember ever leaving Battle School before. His earliest memories were of childish war games under the direction of a teacher, of meals with other boys in the gray and green uniforms of the armed forces of his world. He did not know that the gray represented the sky and the green represented the great forests of his planet. All he knew of the world was from vague references to "outside."

and really who gives a shit about what the old homophobe changed when he decided to spackle a bunch of other shit onto the short story to start a practically unrelated novel series with it as the hook? the short story is the essence of the point and in it the intentions are clear - recruiting for the military in this case starts so early that of course none of the participants made the choice knowingly. there doesn't even appear to be a way for the children who do poorly once in the military schooling to leave it, we can presume those who do poorly are simply going to be funneled into less important military roles but presuming is all we can do.

ender's unknowing victory immediately ends the purpose of the whole military program, and clearly there's going to need to be some kind of other thing to handle these children only raised for military shit being reintegrated to a civilian society, but we are very deliberately not shown this, it is outside the purpose of the story.

but also starship troopers the book takes a lot of care to say that there's a bunch of civilian citizenship service positions. this is for a very clear reason: heinlein himself had to be disabilitied out of the Navy before WWII, couldn't get back into military service for it, and so was very very proud of his civilian service to the government during WWII. and he also was way more interested in talking about the military side because he was desperate to get to go to war again in WWII but couldn't.

and that's part of why the movie version makes sure to mention the civilian path exists here, but that certain characters refused to do either method, and then jumps into the enthusiasm of following the military path, that's what the story in both forms is much more interested in!

anyone contrasted Starship Troopers (movie) with Ender's Game (movie) in the way that they both involve teenagers being drafted by a fascist state into genocidal war against aliens?

[puck-luck]

this was born out of a text exchange between me and cappy where i rewatched the "coming home" youtube video and quinn had the audacity to bend over the edge of the table like a SLUT. my message about that moment was "I HATE him for putting his leg up on the edge like this (and you know what? Bea would fuck him on the pool table fs)". Cappy replied: "also - circling back to the fucking on the pool table. yes i do think that should be included in bea’s book. love that both girls fuck their men on the pool table". then I discussed how Bea is going to ask how it was for Honey because position-wise, she wasn't super comfy "And then honey’s going to be like “bruh” and then bea will be like “aw that’s so cute of us, we fucked our guys in the same place 😊 we’re basically semen sisters” and honey is going to be so affronted". So that's what inspired this. I started having visions when I was supposed to work on my grad school essay, so I needed to write it down to get it out of my mind.

HERE! is the beaquinn pool table sex. if you want to know what's happening with honeytrev at the same time as this, you can reread days 30-33 in Chapter 5 of stg. LOVE YOU! say it back. ENJOY!

[5.1K WORDS]

Bea almost doesn’t want to leave Quinn’s bed when she hears the front door creak open, signaling the brothers’s return from Las Vegas. It’s warm in here and the pillow smells like Quinn. Her t-shirt will have to do. It’s Quinn’s old yellow Michigan t-shirt, which falls big on her but not big enough to cover her behind. The hardwood floor is cold as she makes her way out of bed and throws the sheets back into place, tiptoeing down the hall and the stairs without making the floor creak too much. Bea undoes the messy braid on the back of her head, knowing how Quinn likes it when her hair is loose for him to play with. She shakes out her hair as she creeps down the stairs, the whispers of the brothers getting louder with each step.

“Jack, the door–” Luke hisses just before the front door bangs shut.

Bea stifles a giggle by pressing her fingers over her lips, still hiding in the shadows of the staircase. 

The boys stand in almost identical poses, shoulders tense and heads ducked. They’re waiting for one of their housemates to wake up and get mad at them for making so much noise. They’re lucky– Cole’s been dead to the world since about 10:30 and Trevor went to bed around 11 after he talked with Honey. Bea doesn’t know exactly what happened, since Honey is still so unsure about this Trevor thing, with good reason, but she knows that Honey had to remind him to think before he speaks. Bea is so glad she doesn’t have that problem– Quinn loves to think before he speaks. The other boys are less thoughtful, but she’s never had to chew them out for saying something stupid.

“Close one, eh?” Jack whispers, although he’s bad at whispering, so his voice just seems softer than normal.

Bea steps out of the shadows, staying close to the wall like it’ll camouflage her bright yellow shirt. 

“Bea,” Quinn breathes out, noticing her immediately. He sets his suitcase down next to him, a smile growing on his face when he recognizes her outfit.

“You’re late,” Bea whispers, matching his grin. “You said 1:30.”

“Sorry,” Quinn says, but he doesn’t seem all that sorry.

“There was a crash on 77,” Luke adds. “Pretty bad. Probably better that it happened in the middle of the night, since there weren’t as many cars on the road.”

Bea hums. “That’s sad.”

“Have you been up this whole time?” Jack asks. “It’s late.”

Bea shakes her head. “Slept a little bit.”

“Oh, yeah?” Jack grins. “Whose bed?”

Stupid. Bea snorts, taking a few more steps until she’s in front of him. She lifts her hand and squishes his cheeks between her fingers. “Not yours,” she says. “G’night, Jacky.”

He makes a kissing noise at her, then steps back and bumps into the table in the hall. “Oops,” he mumbles. “Night, Bea.”

Luke echoes a goodnight and pats Bea on the back, holding both his and Quinn’s suitcases in his hands. The brothers squeeze past her, leaving Quinn and Bea in the dark alone.

She grins at him, bouncing a little bit on her tiptoes out of excitement. She’s missed him. Quinn smiles back, his eyes glinting in the darkness. He’s the first to step forward, sweeping her up into his arms in a tight hug. He buries his face in her neck, letting his arms push her shirt up so that he can touch the smooth expanse of her back. Bea wraps her arms over his shoulders and plays with his hair, breathing him in. He smells a little bit like airport, but the scent of his sandalwood shampoo is stronger than ever. 

“You shower this morning?” Bea asks, pinching the close-cut strands on the back of his head between her fingers. 

“God, I knew you were going to comment on that,” Quinn groans, pulling away from her. His hands rest on Bea’s waist, pinkies brushing the band of her cheeky underwear. “I was on a plane for like five hours, babe.”

Bea’s stomach twists at the pet name, her cheeks turning a little red and her mouth widening somehow further. She admires Quinn for a moment, eyes cataloging how his face looks sharper with his stubble only just growing back. Her eyes pass over the scar on his cheek. Honey only just noticed it the other night. It’s one of Bea’s favorite things about his face– tied for first with, well, everything else. 

She realizes that she’s gone too long without replying, mostly because the edges of Quinn’s lips are tilting upward in an amused way.

“Hey, winner,” Bea greets, tilting her head to kiss him hello. “Missed you.”

Quinn breathes out a tiny laugh, kissing her again like a reply. “I missed you, too. Was thinking about you the whole time.”

Bea faux-gasps. “You were thinking about me, but you didn’t even thank me in your speech?”

Quinn chuckles, a little louder this time. His thumb runs along her hip, petting the skin there. It makes Bea’s sides feel warm, like the friction is sending shocks through her body. “Oh, come on. How would that have sounded?”

“‘And thank you to Bea McLean, the best person I’ve ever met’...?” Bea teases, blinking at Quinn. “Obviously. Sounds pretty good to me.”

Quinn shakes his head, still smiling fondly. He rolls his eyes a little bit, but he concedes. “I’ll work it in next time.”

“I’m expecting it. First back-to-back Norris winner since Nicklas Lindstrom, yeah?”

“Lidstrom, baby,” Quinn corrects. He pulls Bea close again, hugging her for the second time. His hands rub up and down her back again and Bea swears that she can feel his fingerprints as he moves. “You tired?”

“I slept a little. Are you tired?”

“Had a coffee at the airport ‘cause I’m stupid,” Quinn replies. His voice turns sarcastic, overly dramatic and trying to get her sympathy. “And the boys were draining me, they’re so annoying.”

Bea pats his chest. “You love them,” she reminds him.

Quinn’s easy to break. “Yeah,” he agrees. “They’re pretty great.” He pauses, eyes flickering over her face akin to how she surveyed him earlier. “Wanna go watch a movie?”

“Movie will put me to sleep. We can play a round of pool, if you want. Keep your winning streak going,” Bea teases. 

“You just want to bend over in front of me,” Quinn bites back, laughing. His hands go to her behind, covering Bea’s cheeks with his palms. “Distract me with your panties.”

“It would be more distracting if I wasn’t wearing them,” Bea points out, wiggling back into Quinn’s touch. 

“I think you’re already distracting enough in my Michigan shirt,” Quinn says. “C’mon. Let’s go downstairs. You can fill me in on the past couple days while you lose.”

He’s got that playful tone in his voice again, the one that Bea loves. It’s so domestic, the way that she and Quinn talk to each other. They’ve got a vibe about them, something that fits like a puzzle piece, but Bea is getting too far ahead of herself. It’s not even July. They’re just having fun, by her own design. So what if he calls her ‘baby’ and it makes her stomach flip-flop every time?

They’re still trying to be quiet as they head down to the basement, making sure to close the door behind them. Quinn racks the balls and Bea chooses her usual stick– she only knows which one it is because it’s got a chip about ⅓ of the way down the shaft– and starts to tell him what he missed. 

“Honey tried to ban Trevor from the store because he’s bad at being a person,” Bea starts. “I don’t know the drama, but apparently he doesn’t think.”

“Have they fucked yet?” Quinn asks, rounding the table and stationing himself to break the rack. Bea never breaks when they play. She’s not very good at hitting one ball, much less strategically breaking up a group of fifteen. “Or are they still stuck on him fingering her in the back room?”

“They’re still stuck. She likes him so much, though, she just won’t admit it,” Bea continues. She looks at the table. Quinn made one of the stripes in off of his break– 14 maybe– so he’s trying to pick his second ball now.

“She’ll get there. It’s kind of like a tree falling, isn’t it,” Quinn says. He lines up the 11-ball with the pocket and knocks it in, then purposefully bumps off the wall in a meaningless shot so that Bea has a chance. “Takes a while, but once she’s down, she’s down.”

Hmm. “I’ve never thought of it like that,” Bea tells him. “That’s smart, Q. You’re right.” She eyes the 5-ball, since it’s kind of in the way of all of the ones she wants to get to. Might as well move it. Bea crosses the table and shoots it off to the other side of the table. A problem for later.

“You can’t try to lose on purpose,” Quinn chides.

“I’m not trying to lose on purpose, I just wanted to get that one out of the way,” Bea argues back. 

Quinn rolls his eyes and sighs. “You should’ve shot at the 7.”

Bea side eyes him. “Don’t tell me what I should’ve done. Mansplainer.”

Quinn shrugs. “Just trying to help.” He focuses on his next shot. “What’d you do after we left?”

“Worked. I dragged Honey here to watch the Awards, we played Uno– I won, by the way, and I’ll school you next time we play–” Quinn interrupts her with a laugh, narrowly missing a pocket when the ball bounces off the corner edge. “I called you after you won, and then we broke out the hot tub earlier today.”

That catches Quinn’s interest. “Oh, yeah?” He asks. “You took a dip? Did Cole try anything stupid?”

Bea hears the insinuation immediately. “No, Cole and I didn’t hook up while you were gone,” she says with a tinge of fake exasperation in her voice. “I told you over the phone on Thursday, I only have sex with men who have won the James Norris trophy.”

Quinn laughs aloud, throwing his head back. “How long is that going to last?” He teases. “Just so I can know when I’m back to graciously sharing you with the other boys.”

Bea groans. When they’re alone, Quinn always flaunts how he was the first and how he’s her favorite. He gets a kick out of acting like he’s special and Bea pretends to hate it. He is special, but he doesn’t need to know that. “I can still go up to Jack’s bed now, you know.”

“You wouldn’t dare.”

Bea leans over to shoot at one of her solids. It bounces off a wall and changes directions. “That’s all that happened this weekend, really. Tell me about Vegas. Lose any money?”

“Tons,” Quinn confirms, but the cheeky grin on his face tells her that he’s stretching the truth. He starts to talk about how he and his brothers snuck Luke into the casino with a well-placed bribe to the doorman and autographs for his kids. The stories from the weekend pile up as Quinn and Bea mill around the table, taking shots and sinking them in Quinn’s case, missing them in Bea’s. He tells her about the people he saw, the things he did, the interviews he had, that he got an offer to be on the cover of NHL 25 but he’s going to hold out until they let him bring Jack and Luke with him, and that he’s happy he got to see his mom and dad. He officially tells Bea that they’re coming for Fourth of July, although that surprise had already been spoiled by Trevor on Thursday. 

Quinn wins– of course. Bea wasn’t going to win this game unless he intentionally threw it, like her first time playing him. They’re past the intentional throws now. Bea goes to update the board– honor code is highly valued in this house– and Quinn pockets the rest of the balls so that everything is nice and clean for tomorrow. There’s no sense in leaving them out. She can hear Quinn sneaking up behind her.

“You look good in my shirt, sweetheart,” Quinn murmurs, wrapping his arms around her waist from behind and kissing Bea’s shoulder. “I gotta get you in Michigan gear more often.”

“You know, if they ever play Carolina again, you’ll have to pry my UNC gear from my cold, dead body,” Bea says, reaching a hand around and threading her fingers through Quinn’s hair again.

“Wouldn’t be the first time I pried the clothes off this body,” Quinn says, self-satisfied smirk evident in his voice. He turns Bea in his grip so that she’s facing him. He kisses her, more than a greeting peck this time. “You tired yet?”

Once again, Bea can see right through his question. “Not a chance. I’ve been waiting for my winner to get home.”

“That’s what I like to hear,” Quinn praises, voice low. He captures Bea’s lips again, moving against her in the comfortable way that they’ve adopted in the weeks since they’ve been seeing each other. 

Bea lets Quinn lead this time, his hands guiding her closer. He’s got a palm under her shirt, resting on the small of her back, and the other cradles her face gently, like something precious. Bea knows that it’s a casual thing, but she likes to lose herself in moments like this. Quinn is just so… all-consuming. He’s like a really loud and unexpected clap of thunder, one that rumbles on for longer than you expect. His touch makes Bea jump, sometimes.

Her hands explore him a bit, like she doesn’t get to touch him all the time. The difference is that Bea finds something new every time and she never tires of getting her hands on Quinn. She knows that he tends to be insecure when it comes to his build, which comes from years of being an awkward teen with a nose that seemed too big for his face and acne that riddled his forehead, but Bea can’t imagine Quinn as anything other than perfect.

He’d be slightly more perfect if he had a bedroom to himself. 

“I feel bad kicking Luke out,” Bea whispers to Quinn when they break for air. “You guys got in so late. He’s probably asleep.”

“Don’t worry about it,” Quinn replies. He brings his hands to the backs of Bea’s thighs and lifts her up, guiding her legs around his waist. “We don’t need a bed.”

Bea makes a face. “We stay fuckin’ in the bed, Q.” Lord knows she’s not against having sex in an odd place– the back of Griffin’s patrol car, for one– but she and Quinn haven’t really branched out yet. “I didn’t know you were so adventurous.”

“What can I say,” Quinn teases. “You bring something out in me. Let’s try something new.” He nips at her bottom lip, then drags his tongue against the area he bit. “It’ll be fun.”

Bea giggles. He gets so flirty and touchy, sometimes. “What are you thinking, Crazy?” She teases him right back with the nickname, bringing her index finger to the curve of his nose. It really is the perfect size and shape– so appealing. 

She’s distracted by a memory, from the second time they hooked up. Quinn had told her that he didn’t get to do everything he wanted the first time, and when she asked what he meant, he’d licked his first two fingers and slid the wet digits against the fabric of her underwear. She’d gotten much more wet when he made his way between her legs with his mouth, kissing and licking over her folds and entrance as the fabric molded to her anatomy. It was only then that he’d removed the panties and gotten his mouth on her properly– the vision often comes to her when she’s trying to sleep at home, alone. His nose had been so nice then, bumping against her clit as he’d ravished her.

Bea’s stomach grows a little warmer at the reminder. 

“I want you right here,” Quinn says, breaking her from the spell. He sits Bea down on the edge of the pool table, the cool wood of the edges pressing against her thighs while the felt of the table scrapes against the hem of her shirt. He stands between her legs and places a hand behind her head, kissing her and leaning forward so that she’ll lay back. Once Bea is laying down, flat underneath Quinn, he pushes her shirt up and takes it off. 

The felt of the table feels weird under her bare skin, but it’s not bad. The bite of the ridge of the table is worse against her thighs, but Bea doesn’t speak up about it because Quinn’s removing his shirt.

The moonlight from outside makes him seem paler than he is, but it creates a beautiful series of shadows across his body that emphasize his muscles. His arms seem like they’re bulging more, his chest has more definition, and his jawline– oh, his jawline. Bea didn’t realize just how much his long hair hid that from her.

“I like your haircut,” Bea says, not realizing how silly and belated it sounds when she’s almost entirely naked on the pool table below him. 

Quinn chuckles, smiling at her. One side of his lips lifts higher than the other, which is how she knows that he’s blushing, even when the moonlight hides it. “Thanks, baby,” he says softly, leaning down again to find her lips. His cock, still trapped by his pants, fits perfectly against the place where she wants him most. 

She grinds up against him, drawing a low moan from the back of Quinn’s throat. He placates her with kiss after kiss down her neck and between her tits, as far down as he can go while he keeps his pelvis in line with her own. He’s fiddling with his zipper with one hand, kneading Bea’s right breast with his left hand. The skin of his fingertips is a little dry, but his thumb catches her nipple just right and Bea keens, her vision getting a little darker.

“Missed me that much, hm?” Quinn teases in his low voice. “Two days I’m gone, baby, and you’re this needy? What am I going to do with you when I’m gone for a week, or two?”

Bea reaches to his hair and brings his lips to hers, to silence him. She’s beyond talking and beyond teasing. She wants him inside, like, yesterday. 

“Relax, I’m coming,” Quinn assures Bea, mumbling his words against her lips. He finally takes his hand from her breast to shove his pants and underwear down, stepping out of them so he can move better. He drags his tip through her folds, her wetness gathering along his skin. “Did you mean it?” He asks. “What you said on the phone?”

Bea pauses, wracking her brain. She said a lot of things on the phone to Quinn. She meant them all. She’s about to say yes, just so he can get on with it, but then she spots the way he’s biting his lower lip and his eyes have turned hungry. They’re trained on the place where he’s nudging his tip against her clit, slit bubbling out precum and dripping on the sensitive bundle of nerves. 

“What part?” Bea asks, captivated by the look on Quinn’s face. 

His eyes rise to hers and he looks positively intoxicated by whatever he’s thinking. Bea’s skin crawls a little, but not in a bad way. In an excited way– whatever Quinn’s referring to, he wants badly. Bea wants to see him give into that.

“That you’d reward me for winning,” he prompts, eyes darting from her gaze to her lips, which have parted in recognition. “By letting me fuck you bare.” His jaw clenches a bit once he says it, but Bea reads him. He’s not sure what she’ll say and he seems cautious to show his deeper thoughts on that, but his caution is betraying him anyway. Bea knows Quinn. She speaks his language, reads his tics, and understands him. He wants this.

“Norris winners get to come inside me,” Bea says, repeating the exact words that she whispered into the speaker while he stroked himself in the Las Vegas hotel bathroom. It was his tipping point, and now she understands why. “Since you won, you get to feel all of me.” Her throat seems drier than before when she swallows. Bea’s never had that before– she’s thought about it, hence why she brought it up to Quinn in the first place. It’s why she gets the shot every three months instead of relying on condoms– in case, one day, there was a man that she wanted in the most intimate way. That day is today. “Fuck me, Quinn.”

His mouth is insistent when it joins hers, tongue dragging over her own and filling the space between her lips. “Baby,” Quinn groans. “You’re going to be the death of me.”

“Preferably not right now,” Bea jokes, lifting her hips to remind him of the task at hand. 

Quinn laughs at the joke, smiling into his next kiss. “You’re so perfect,” he says. “Can’t believe I met you.”

Bea feels his words on her heart like a prick of a rose’s thorn. A little bit of herself seeps out, flooding her chest and making her eyebrows furrow with the sudden rush of emotion. “Quinn,” Bea says, feeling like she’s whining a little bit.

“Okay, okay, I won’t say it anymore,” he says, returning his focus to the space between her legs. He wastes another few seconds, entranced by his tip going through her folds, before he lines himself up and starts to shift forward. He moans quietly at the feeling, just expelling the breath from his lungs.

Bea’s surprised by the feeling too– at least, she thinks Quinn’s feeling some sort of surprise. He’s certainly relishing in the experience, trying to catalog how she feels around him with the way his eyes have drifted shut and his mouth has fallen open. She closes her eyes to do the same– and finds that it’s not that different, all in all. She just feels closer to him.

“Please, move,” Bea whispers, resting her hand on Quinn’s bicep, giving it a squeeze to prompt him. Well, that, and she wanted to feel the muscle beneath it. The moonlight had her wondering if it was really that much more defined. 

“Gimme a sec,” Quinn grits out, taking a breath. “You just feel so–” He exhales a sharp breath. “Fuck, you feel good.”

Another thorn to the chest– Bea has to breathe in deep to steel herself. This doesn’t feel like just fucking anymore.

She’s able to put that aside when Quinn starts to drag himself out of her heat, then push back in. His hair is tickling her nose with the way that his head has fallen forward in pleasure, so Bea pushes it out of the way with her palm. Quinn’s forehead has started to bead with sweat, but only barely. His eyes catch hers.

His eye contact has always made the hair on her arms stand up, increasing her pleasure tenfold. He’s so attentive to her needs, crowding into her space and touching her tits and sides in the way that makes her feel like a lighting rod gearing up for a strike. 

Quinn breaks first. “Bea,” he murmurs, dipping his head to mouth against her neck. He leaves a wet spot there, which dries in the cool, early morning air. His hand moves from her side to her thigh, spreading her legs further so that he can inch closer. He seems determined to be as close to her as he can, touching her in every way. 

“I know,” Bea replies. “Harder, Quinn. Take it. Make me come. Need you to feel my pussy when it comes on your bare cock.”

His moan is choked but loud when she says that. Quinn’s hips start to move the way she’s used to– harder, faster, determined. He’s louder like this, or maybe it’s the silence of the basement and the night that surrounds them playing tricks on Bea’s mind. It’s just– his breath is warmer and she feels like she can feel him moving in her bones. This is more.

Quinn brings his thumb to her mouth, which Bea takes greedily. She knows his moves– he wants her to get him all wet so that he can touch her somewhere she needs. She swirls her tongue around the digit, leaving as much saliva as she can on his thumb before he pulls it from her mouth with a pop. 

His hand drifts to her boobs again, finding one of her nipples and pinching it with his slick finger. He tugs a little, which prompts Bea’s spine to arch like her body is begging him to do it again. Quinn does, but he switches nipples, wiggling his hand between their bodies and taking hold of her. He kisses her again, distracting her from the mixture of pain and pleasure. All the while, he’s bucking into her desperately, displacing her on the pool table. 

Her thigh starts to spasm under his hand, twitching because she’s close. Bea wraps her arms around Quinn’s shoulders, a mirror image of the hug she gave him at the beginning of their night. He’s not the only one who wants to be close.

“Fuck, Quinn, keep going,” Bea pleads, shifting as best she can to remove the pressure of the edge of the pool table from her body. It’s a dull ache, distracting her from Quinn’s cock and the way it moves in her cunt. His tip meets the cartilage of her cervix relentlessly, turning her vision spotty with the sensation. It feels so wet with him unprotected inside of her, leaking and mixing with her own slick. 

He shifts so that he’s hovering just a few inches above her body, hands going from her thigh and her breast to both of her hips. He grips her skin, biting his lower lip to stifle his grunts. His eyes have grown focused, narrowing the way they do when he evaluates a shot on this very table or when he tries to dance between the boys on the hockey rink outside to score. He pulls her back into him, all while thrusting his hips forward, and Bea’s falling into an unfamiliar space where only Quinn has ever placed her. 

“Fuck,” Bea whines, reaching for Quinn and coming up with nothing, so she clutches at the pocket of the pool table instead. She holds the wood between her fingers, sure that she’ll either warp the table or break her fingers from the force of her grip. “‘M coming, Q.”

“Good girl,” Quinn says through his teeth, his voice gravelly. “Let me feel it.”

Bea lets out a short cry, legs still shaking beneath Quinn. The bruising pain of the edge of the table is nothing now, not when there’s a chill making its way from the depths of her stomach to the tight coil in her stomach. 

“So perfect,” Quinn says again, praising Bea as she starts to come undone on his cock.

“You,” Bea corrects, breathless and reaching for Quinn again. She finds his forearm this time, circling her fingers around his wrist. She squeezes, trying to get her point across. He can say it all he wants, but she’s going to make sure she says it back, because he is. 

Her touch sends Quinn over the edge, which only intensifies the aftershocks of her own orgasm. Bea keens lowly in the back of her throat as Quinn’s jaw drops once again, eyes falling shut as his seed flows from his cock and paints her walls. The sensation surprises Bea, much like her original reaction to his raw form, and she constricts against him by accident. That spurs Quinn on, making him choke and plaster himself against her body as his cock releases the last of his cum.

His hips twitch inside of her after he’s done and Quinn has to clear his throat and shake his head to come back to himself. Bea pets his hair through it, focused on the feeling of his freshly cut ends between her fingers. 

“You should know that I really liked that,” Quinn says first.

Bea giggles, tugging his hair. “Really? I couldn’t tell.”

Quinn bites the side of Bea’s neck to chastise her for teasing him. “You think you’re so funny.”

“I think I’m about to leak all over the pool table in your rented house if you don’t get me to a bathroom soon,” Bea replies. “Chop chop, babydoll.”

Quinn groans with the effort, but he lifts Bea from the pool table and awkwardly walks toward the basement’s bathroom, settling her on the already-lifted toilet seat– perks of living with a bunch of fucking boys, Bea thinks– and then he starts to wash his hands.

“Tired yet?” Quinn asks for a third time, looking over at Bea and grinning as he continues to rub the suds all over his hands and wrists. “Wanna watch a movie?”

Bea makes a face. “Are you trying to wash me off or something? Damn, Q, it’s been twenty seconds,” she replies instead, pretending to be offended and hurt. She doesn’t actually want to start watching a movie at 3 a.m. and Quinn should feel similarly. She wants to go to bed with him.

Quinn looks down at her vagina, very obviously, and quirks an eyebrow. “I mean, I just came in you, so I feel like that’s hard to wash away.” He rinses his hands and towels them off. “So no movie?”

“Oh my God, get out of the bathroom so I can pee,” Bea exclaims, starting to laugh a bit. “You’re so weird. No movie.”

“Episode of Love Island?” Quinn asks. “Any drama I missed between Leah and Rob?”

Bea points an accusing finger at him. “I knew you enjoyed my trashy shows,” she says. “And all this time you’ve been grumbling about them.”

Quinn shrugs. “No one will believe you,” he whispers conspiratorially. 

Bea purses her lips at him. “Well, good, because that’s my thing with Cole.” Quinn acts like he’s wounded, so Bea sticks her tongue out at him. “Not everything can be about you, Q.”

“I’ll get over it,” Quinn says. “You still like me best.”

Bea matches his previous whisper. “And no one will ever believe you.”

Quinn leaves the bathroom laughing. Bea hopes he goes upstairs to get one of the good blankets for them to share when they inevitably fall asleep on the couch after Quinn turns on a movie that Bea does not see the point in watching.

The background noise does help her sleep, though, and she thinks Quinn knows that.

sigh i love beaquinn they're so dreamy best couple ever can't believe they break up at the end of the summer OOPS SORRY SPOILERS (y'all already know that, i haven't been keeping that under wraps)

[cursed-cube]

So a common headcanon/theory I’ve seen floating around is that when Okarun shifts into his yokai form, the personality shift he undergoes is representative of a “truer” inner self. I can see the line of logic that led to this, but the more thought I’ve put into it, the less I’ve agreed with the premise. And I’ve put so much thought into it at this point that it’s had to become its own whole post separated from the analysis it was originally a part of, so strap in.

Disclaimer: if this is your personal headcanon, I’m not here to try to prove you wrong or make you change your mind, I’m more so discussing this from the theory side of things and what I think will happen as the manga continues. Also slight manga spoilers for up to chapter 172 !!

So as the theory goes, the personality that comes out when Okarun’s transformed is a more genuine version of himself, where his yokai form removes his anxieties and allows him to act more confidently and openly show the depression and pessimism that’s lived in him the whole time. On a surface level this tracks, as being in this form does make him more confident, blunt, and he completely drops the formal way he speaks to people, going so far as to adopt a cute nickname for Momo.

I don’t think this fully makes sense for a number of reasons, though. Firstly is that throughout all 175 chapters that are currently out, I can’t recall any moments where Okarun ever acts in a way that would hint at his real inner workings reflecting the personality and behavior that come out when he is transformed. I could have missed something, of course, but when so much of Momo and Okarun’s relationship is built on them being their genuine selves around the other (more on that in this great video I saw), I’m inclined to believe that there isn’t going to be another shoe to drop nearly 200 chapters in.

To explain my other reasoning, I’m going to have to go into a little bit of a side tangent about Aira, and first I want to establish why I think comparing Okarun to her in this instance makes sense. So up until the cursed diorama arc, the only character that really has comparable yokai related powers to Okarun is Aira. They acquire these powers in different ways, and Seiko says Okarun has Turbo Granny’s “spiritual power”, whereas Acro-Silky says she gave Aira her “aura.” Given the contexts of the scenes these are said in I would assume they are meant to be two different concepts, however it’s not ever explicitly stated or shown how the difference there affects them or their yokai abilities, so I am treating them as functionally the same thing for this analysis. Regardless, the similarity between them seems to be that in one way or another, they have been left with the spiritual energy of their respective yokai, which allows them to transform in very similar ways. Their transformations affect them both physically in making them taller and stronger, as well as their personalities, with Okraun becoming less formal overall, and Aira becoming more formal in the way she addresses people.

Even though they are affected by their transformations in very similar ways, I haven’t seen any kind of headcanon or theory that the way Aira behaves while transformed is how she truly is or feels, which makes perfect sense considering her first character arc. From when she’s introduced, she’s shown to have a dynamic with Momo, Okarun, and her other peers at school, where even before she’s able to use Acro-Silky’s abilities, she’s pretty two faced. In chapter 51, Momo even says, “There’s our Aira!” when she and Okarun pull Aira away from her class and she immediately shifts to her more snarky attitude towards Momo. The manga makes it quite clear that the way she acts at school, and on occasion towards Okarun, is an act, and that her genuine personality is a little nasty and rude (which she is loved for! By other characters and audience members of taste). And with that established, of course no one put that much emphasis on how her behavior changes when she’s using Acro-Silky’s powers. She’s still the same person, her mannerisms and the way she speaks are just altered slightly, which is also pretty much how I feel about Okarun’s yokai form.

That being said, I don’t want to fully dismiss that the shifted personality could mean something, and in fact I wouldn’t be surprised if Okarun did still have some repressed feelings and pessimism from his time growing up without any friends, but at the current point in the story I’m not sure if I could see that being shown explicitly tied to his yokai form. As of chapter 165, Okarun gets his final ball back, and as per his end of the deal, he returned Turbo Granny’s spiritual power to her, and she left with them and hasn’t made an appearance since. Okarun no longer has access to his yokai form, but at this point he’s surrounded by friends, he’s confessed his feelings to Momo, and he’s even grown physically strong enough to hold his own in a fight without any powers. As far as what we’ve been shown, Okarun has developed and his life has changed so much that he doesn’t really have any of those reasons to be a pessimistic downer that he had before the events of the series. Not to say he has no reasons to be sad, of course, we still haven’t been given even a hint of what his family and home life is like, and I expect something will happen with that eventually. But with where the story has gone so far, I don’t see this theory being true or narratively compelling.

TLDR: There’s not much evidence going for this theory, and several things against it, so I personally don’t see it going anywhere in the canon series. The way Okarun acts and the feelings he expresses in his yokai form could still potentially mean something, so I won't completely dismiss it, but with where the story is currently I don’t think this theory being true would add much or be a compelling element of the plot.

[auclairedetoru]

Namami has only been seeing y/n for a month but he's already so smitten.

The way she walks, the way she talks, the way she carries herself, her confidence, the way she applies her makeup, the colours she gets on her nails, the pretty outfits she wears, her facial expressions, everything. He's obsessed with her.

He met her at a little bookstore. He mostly goes there to browse and relax after long and tiring shifts. He enjoys the smell of the books and the overall atmosphere, sometimes he ends up picking something that pricks his interest.

Y/n was there doing the same thing when she saw him holding one of her favourite books. She couldn't help but comment on his amazing choice. He thanked her and asked her if she liked it. She let him know that it's a top pick for her but not number one. He proceeded to ask which book she liked the most. One thing led to another and he ended up leaving the store with her number saved on his phone.

After he noticed that not only has he been talking to her for a week straight, but he also always looked forward to reading her texts, answering her calls and talking on the phone, he decided to ask her on a date.

Namami did not go on many dates before. But when he did, he'd always asked his coworker Gojo to call him at a specific time, if he was enjoying the date he would tell the person he's with that it's just work related and not to worry about it, but if he wasn't he would tell them that he's needed for an emergency and he would pay for their cab and make sure they make it home safe before letting them down gently the next time he talks to them. Thankfully he only did the latter once when the person was being borderline creepy and he felt unsafe.

The date with y/n was a first for him. After she agreed, he told her about the time and location, planning on taking her to a nice restaurant, a classic. He was surprised when she disagreed and asked if he'd be comfortable with coming over to her house. She told him that she loved cooking but never got the chance to make big meals. Namami agreed, and it made his heart swell with happiness when she told him she was excited for their date.

The date was nothing less than perfect. He immediately felt at home the moment he stepped foot in her apartment, he particularly loved that she uses small lights instead of overhead ones, something he does at his apartment as well. She set the table beautifully, with candles and some of the most unique tableware. The food was a whole different story. He could not believe he was eating all that for free. He has been to many fancy restaurants, but none of them compared to her cooking.

When Namami asked if it was okay for him to ask her a couple of questions to see if they were on the same page when it comes to the future if they're planning on sharing one, he was surprised again when she said she was glad he brought up that topic because she had her own questions as well. Namami immediately knew that this would turn out for the best because his past dates always either tried to dodge this discussion or told him he was rushing things.

He first asked her about marriage. She told him that she wants to get married and that it's definitely something she hopes would happen in the future when she's ready, he agreed. He asked her if she'd want them to live together with a partner, she said yes but not immediately, maybe one and half to two years into the relationship, he agreed. She asked him about kids and if he sees himself being a father in the future, he said yes but he wants kids not immediately after marriage but to wait a year or two before trying, she agreed. She asked him about how he would handle disagreements and arguments, he told her that he was a very calm person and enjoys the peace communication brings, so he'd sit with his partner and figure out the problem and how to resolve it, she agrees.

Namami started to feel giddy when he realised they have both agreed to many of each other's answers and even shared similar opinions. Would she be the one he spends forever with? The thought didn't seem so bad at the moment, he hoped to get his answer quickly.

But he wasn't expecting it to happen within a month.

They discovered they shared the same route on their way to work and began walking it together. Nanami started to look forward to seeing her. Every morning, she greets him with a smile and "hi, Ken!" which he started responding to with "hi, Barbie" after watching the Barbie movie, she always giggles and throws her arms around his neck in a hug. He buys her her favourite boba and she drinks it while they walk and talk about whatever comes to mind. He drops her off at work since it's closer than his, but not before pressing a kiss to her forehead that she started calling her "good luck kiss". They even spend their lunch breaks together by talking through facetime. He was the type to skip that free time to get more work done, but he stopped doing that in favour of talking to his favourite girl.

He started looking forward to seeing her and talking to her. Weekends have become boring, sure they text, but it's not like hearing her voice, even through the phone speaker. She consumed his brain, she became his first thought in the morning and his last before bed. Thankfully, Nanami isn't dumb, and he realised he is in fact falling in love.

He didn't want to play around, after all, they're both serious about this relationship. He plans on confessing, letting her know his true feelings. It's a scary thought, something he has never done before, and he hopes she wouldn't reject him given that he fell for her fast when they both agreed this would be a "getting to know each other" phase. But he can't control how he feels about her, she makes him look forward to the future, as long as she is a part of it.

It's the weekend, Nanami invited her over in the afternoon to watch movies and hang out at his apartment, but despite what the weather forecast said, the somewhat sunny morning quickly developed into a stormy evening, one that was strong enough for him to turn the hang out into a sleepover. He gave her a pair of his pajama pants and a shirt to get comfortable and put the frozen pizza he has for emergencies in the oven.

They're sitting on the couch, a movie long forgotten on TV as y/n tells him a very interesting work story. He's trying to focus, he really is, but the way she's so close to him, her folded legs almost on top of his, her hair wrapped around his fingers as he plays with the strands, the way her face lights up when she remembers a detail, it's all so precious.

“and then she got mad and-”

“I love you.”

Y/n stops talking and he's instantly regretting his words. They literally slipped out of his mouth, he had no control over them. It's like she pressed a botton and they came out. He starts fearing the worst and his brain starts telling him that he made things awkward and uncomfortable for her and she can't even escape because there's a storm outside. Fuck... Why did he need to rush? Everything has been going perfectly, and now he ruined it. He's gonna have to find a way to make up for this. He'll apologize a billion times if needed, but he can't afford to lose her.

“Ken, I love you too, so much, but I need to finish the story.”

Huh-

“Right. Sorry, darling. Please continue, I'm all ears.”

He isn't all ears, he can't be all ears, because he can hear how fast his heart is beating and he can feel the blood rushing to his face. She said it back, she loves him, so much too! Is he dreaming, is it still the night before and he hasn't called her yet to invite her over? No. It can't be. He wants this to be real... and it is, everything is real. The way she's holding on to his fingers is real, the way she's excitedly telling him the rest of her story is real, the way he's holding back from smiling so hard is real, the way the pizza smell is filling the room is real.

“oh shit, the pizza.”

Nanami bolts to the kitchen, quickly grabbing the oven mitts and pulling the pizza out just in time. When he quickly glaces towards the living room, he can see y/n hunched over and squealing into the pillow, her feet kicking slightly. He chuckles. She really tried to play it like his words did not affect her the way they affected him, but it seems like their feelings are mutual in every way possible.

Nanami is somehow even more excited for forever with her now.

[coldkingwasteland456777]

Ok you are and me are on the same wavelength, all I want is SY snapping under the weight of the system, of the inevitability of his death by the person that he cares about, of the fact that nothing he does seems matter because a fucked up god-like being is railroading the narrative which is his life. Also I need more discussion of how fucked up it is to lose you entire world, like he lost his family, every part of his life that was familiar, like sure, he was a shut-in, he didn't necessarily make the best life choices but that doesn't mean losing his entire life isn't incredibly traumatising, which should contribute to his fucked upness, especially if he also had to contend with being Shen jiu which adds a whole other level.

Also I love the concept of SY making the abyss his home out of both fascination and desperation, and also the potential angst in like, for example, Binghe after years of searching finding a way to summon someone from any of the realms but when SY suddenly falls into a rift in front of Binghe, he screams, desperately trying to dive back through the rift but Binghe (whose never ever letting SY out of his sight again no matter what happens) lunges and grabs him, SY bites him on instinct, but Binghe Will Not drop him and the portal closes.

I like the SY as a human cultivator with demonic disguise but if he's a heavenly demon i imagine he immeditely bites into his own arm and shoves the cut up into Binghe's face who is actually pretty dazed from the fact he has SY in his arms again so he does accidentally swallow some of the blood, which SY immediately uses to knock binghe out? (I feel that something the blood parasites could do) and then probably runs (maybe to the northern kingdoms to see if he could get Mobei-jun to engineer another tear in the abyss? and Binghe tries to chase him down but unfortunately, as much as he might like the idea of having SY blood in him, it means SY can literally never be snuck up on

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[wardenparker]

In the Still of the Night, ch 3

Zach Wellison x female reader Co-written with @absurdthirst

Grown up and looking to the future, Zach Wellison and bunkmate Shane Morrissey are working for a new cruise line that offers its guests a vintage Vegas experience on the Mediterranean. The romantic atmosphere is rubbing off on many of the crew members, and Zach finds himself to be no exception when he meets the beautiful lead singer of Shane's band.

But being wrapped in the seductive arms of an atmospheric cruise is a far cry from real life. How will their relationship fare on dry land? They can't know unless they try.

Rating: E for Explicit 18+ Word Count: 8.8k Warnings: *Blanket warnings for this story include: Cursing, alcohol, food, cooking, eating, discussion of clothing/costumes. Mentions of prison time served, mentions of past homelessness.* Flirting, still a little awkwardness, blindfold, sensory deprivation, foreplay, oral sex (female receiving). Summary: Your day out with Zach gets more intense at every turn. Notes: Hopefully you're all enjoying the prolonged date as much as we -- and they -- are! (As always, chapter gifs are for the vibes, not to physically describe the characters.)

Ch 1 ~ Ch 2

It isn't hard for anyone who sees you during the rest of the day to spot the dreamy couple out on a date. The older woman who shows you to your table at the restaurant Zach picked out for dinner gives you a wink in agreement that he's an absolute cutie pie and comes back a few minutes later with two glasses of wine and a candle for your table despite none of the others having one set out.

He had chosen a restaurant that was more local than tourist and had been thrilled when there was no formal dress code. Eager to sit down with you after so much walking and talk about more of anything and everything that has been the topics of the day. “So how did you start out singing?” He asks curiously.

“My elementary school had a chorus.” It might be the first time in hours you haven’t been holding hands, but you’re still smiling as you sit side by side with your wine watching the sun set. “I stuck with it because I was a kid and it was fun, then the dance lessons got added, and then as I got older I realized that I also liked theater. It became a combination.”

“So you were a theatre kid.” He nods in understanding. He hadn’t been, but he had been friends with some and understood the passion of performing even if he didn’t have it.

“That’s how I ended up in New York.” You tell him, expression twisting into something like regret. “Just another small town kid convinced they could be the next Broadway star. Obviously that didn’t happen.”

“But you tried.” He reminds you, leaning against your shoulder and wishing he could take away the sadness. “Some people never try.”

“I go between thinking that maybe I should have tried harder, and wondering why I ever bothered at all.” With that offer of support there, you lean against his shoulder in turn and shrug gently. “It is what it is, I guess. But…how did you start cooking?”

Zach sighs softly, knowing that it would eventually come up. “Actually, I just started cooking a few years ago.” He admits.

“You did?” That surprises you enough to turn your head and look at him more fully. “So it’s just at natural talent, then?”

“I guess?” He shrugs slightly. “I got a job working in a kitchen. Saved my life.” He tells you. “Threw myself into it and experimented as much as I could and read everything I could get my hands on.”

“So you stumbled into your calling.” There is something else there, something he doesn’t want to tell you, so you don’t push. “That’s wonderful, though. Some people never find what they’re meant to do in their whole lives.”

“It helps with my anxiety.” He admits with a self deprecating grin. “So I decided that it was the best thing for me. One day I’d like to have a restaurant. One that I can plan every detail, down to free meals for the homeless.”

“I love that.” Without hesitation, the idea is not only a kind one but one you can tell means a great deal to him. “Some places have a system where you can pay for meals for others in advance, too. System like that can be used to pay for extra supplies so no one ever has to be turned away.”

“That would be amazing.” He’s had benefited from that kind of system before, but not often. And he knows how uplifting a good, hot meal can be when you are down.

"You can make it happen." Something in your gut tells you that he can and he will, and even though you have no stake in it, you can't help but feel proud of him for that.

“I’m hoping.” He flashes you a grateful grin. Even your confidence in him sounds so sure when he’s always wondered if he can succeed. “The club on the ship has given me so many ideas.”

"I've been eating your ideas," you remind him with a grin. "And they're fantastic. You're really good, Zach. Any place would be lucky to have you and any team would be lucky to have you lead them."

“What about you?” He asks. “This has to be a stepping stone for you. I’ve already heard from the crew that you might have some head hunters after you.” One of the passengers was apparently connected in the music industry and had been in to the club several nights.

"If I do, that's news to me." Whatever murmurings Zach has heard, you haven't. But you would be lying if you claimed not to be curious. "I don't know, honestly. I think I would rather be a headliner in a little club than wave a rose in a Broadway chorus for the rest of my life. But the chances of either are relatively slim." You take a sip of your wine and offer him a smile, shrugging one shoulder. "In my dreams I'm getting top billing in the biggest musicals and you're running the most popular restaurant in the country. Ultimate New York City power couple."

“That sounds amazing.” Zach chuckles. “Actually, running this style club, I think it would work in New York.” He tells you. “A dinner club.”

"I know it's something that you see in retirement communities in Florida, but I have always loved dinner theater." His laugh is sweet and deep and rolls through you like a wave of joy. "This club is such a great gig for people like us."

“Yes it is, but imagine….” He sighs softly. “Creating a headliner show like you would see in Vegas, right in New York and pairing it with a daily changing menu like we do here.”

"New York would love a show like that." It sounds so doable when he says it. Like a dream you could reach for and pluck out of the sky.

“It would be sold out.” He agrees, flashing a hopeful smile. “One day, maybe if I had the right singer to run the show side of things.”

"I guess you're going to have to get to know some singers then, aren't you?" His bright smile is reflected right back at him, teasing as always but it's because part of you can't dare to dream this big for yourself. Only for him.

“I will.” He nods and shrugs. “Maybe hold auditions or something. Singing for your supper?”

"That's what most of us do." You agree, not wanting your smile to flicker at all even if the memories sting. "Sometimes literally."

Zach catches the change, the dimming of the light in your eyes and he knows that he’s touched on a sensitive topic for you. “I get it.” He promises quietly. “I think I gravitated towards cooking because I knew if I was making food for others, I would not have that gnawing ache of hunger ever again.” He licks his lips. “Food insecurity, the therapist called it.”

Your heart sinks, chest tightening, and you nod as you slip your hand back into his. "I wish I was more surprised to find out that more than a few of us have been there. But a job like ours...with guaranteed housing and meals and a way to save money for months at a time? It makes sense that it would attract people who have had it hard."

Of course you would be understanding. His eyes close as he nods, feeling a little choked up by the compassion in your voice and the understanding in your touch. “Absolutely. And I hate that you’ve had a moments bad luck.” He murmurs. “You deserve so much.”

"So do you." You squeeze his hand gently. "Bad luck doesn't make us bad people."

“Not at all.” His hand slips from yours and his arm wraps around your shoulders protectively. “Now - before we start choking up, what do you want to try?” He wants this date to be nothing but a lovely moment for you and he tries to steer the conversation to more positive thoughts.

Without saying another word about it, you turn your head to kiss his cheek and refocus on the menu in his hands. They have enough tourists in town that the menu from this restaurant has one-sentence item descriptions in English that simply tell non-Greek speakers the main ingredients of each dish. A quick glance around you shows you that everything here seems to be served family style, and you settle in Zach's side again happily.

"How does this sound?" You ask, pointing out the special. Gamopilafo. The menu says, with Arnáki Stamnagathi. "Greek risotto with lamb and vegetables?"

“That sounds amazing.” Zach groans happily and nods. “Do you want to get that and something else?” He doesn’t want you to share with him if you are just trying to make the bill cheaper, he can afford paying for dinner.

"It looks like it's family style? Maybe we can get another side dish to go with it so we can try more?" You shrug slightly, knowing that food was just a topic of some stress for both of you. "Sharing sounds nice. But not if you don't want to."

“I’m not opposed to sharing at all.” He promises, leaning in and nudging his nose to yours. “I’ll share anything with you.”

"Promises, promises." It's too tempting to have him close and not indulge in another kiss, but you keep it short and chaste in case Zach isn't too into public displays of affection. The half dozen or so kisses that you have shared today have been relatively private so you want to respect that for him.

Zach smiles, beams really. “What else do you want, baby?” The term of endearment slips out, but he doesn’t try to take it back or apologize. Feeling like it’s just the natural next step of this amazing day.

While the honest answer is him, that isn't what he's asking so you pull yourself out of the dirty thoughts you've been having on and off all damn day and look back down at the menu. In the top section there is something that lists cheese, fruit, bread, and flavored local olive oil, so you point that out. "Cretan charcuterie plate to start?"

“I think that’s a good idea.” Zach agrees and smiles at you. “We can see if we can come up with our own ideas for a board.”

"We'll have enough menu ideas for three new restaurants if we let our imaginations wander." Which is not a bad thing at all, but it does have both of you grinning when the waitress comes over to take your order.

Zach orders for the both of you, checking in with his eyes to make sure that it’s everything you want and hands the menu over with a pleasant smile for the waitress. Enjoying the knowing glances she shoots between the two of you. “I think that she thinks we are newlyweds or something.” He confesses quietly when she walks away. “What do you think?”

“Maybe.” Don’t be so you, you remind yourself for the hundredth time in your head. “I don’t know how many people come around here being cuddly on a fantastic day-long first date.”

“It has been fantastic, hasn’t it?” He muses, reminding himself that neither one of you has walked away or even been upset today. Not really.

“I think so.” There are clearly more things to talk about in your future, but today has left you optimistic that that future could exist. “I’m glad you do, too.”

“So, what’s your favorite type of wine?” He asks. “With charcuterie? Are you a white wine or sangria girl?”

“I’m a whatever wine you serve me kind of girl,” you tell him with an amused laugh. “But I do love sangria. There are very few things that aren’t made better with a glass of sangria or a margarita.”

“A margarita; huh?” He smirks. “Salt on the rim or sugar?”

“Depends on the flavor.” After all, your palate isn’t nonexistent, it’s just uneducated. “But usually salt.”

“A watermelon margarita is my favorite.” He admits. “Salt and sugar on the rim.”

“Salt and sugar?” That has you raising an eyebrow. “Color me intrigued.”

“It’s delicious.” He chuckles. “Goes with a hamburger or ribs. Drinks just like water.”

“That sounds incredible.” It sounds absolutely mouthwatering, actually, and you crack a grin. “Maybe I’m just really hungry.”

“Next crew party why don’t we do sliders and margaritas?” He offers. “I think you’d love it.”

“It sounds amazing.” You can agree to that without hesitation. “But I would also eat an old sneaker if it came out of your kitchen, so just know I’m always here for your food.”

“So boil shoe leather.” He pretends to make a note and laughs when you shove him playfully.

“You boil shoe leather and I’ll sing scales off key. Our worst work night ever.”

Zach throws his head back and laughs. The deep, belly laugh of a man who is completely convinced that it possible could happen and finds it up-roaringly funny. “You’re perfect.”

“You’re perfect.” He doesn’t need to know that a musical lyric sprung to mind instantly. He doesn’t need to know that you’ve been thinking it for an hour or more now. But you do hope he knows that the absolute affection shining in your eyes is honest and real.

He hums, not exactly able to take a compliment as well as he can give one. Instead he clinks his wine glass against yours. “To being perfect together.” He offers with a smile.

Neither of you take compliments well, you note with a smile, but drink deeply from your glass and enjoy a private smile that he unknowingly completed the thought of the song lyric in your head. “I know you’re supposed to wait until the end of the date to say it,” you set down your glass, thank the waitress when she brings over the first course, and restart your thought after a few seconds. “But I really think we should do this again.”

Zach’s heart leaps at your comment, happy that you have said that. “Well, of course we should.” He agrees, winking at you as he starts to dip a crusty piece of bread into the seasoned olive oil. “But I was thinking maybe we spend a little more time together on the ship when we can?”

"We could always skip the crew parties now and then to have time to ourselves." Following suit, you dive into the cheese board along with him. The cured olives and soft cheese are calling your name. "I wouldn't mind that at all."

“I mainly go to the crew parties to see you.” Zach confesses with a shy smile, offering you the dipped bread after he’s spread a bit of goat’s cheese on top of it.

"I–" Your eyes drop, your whole face heats, and you clear your throat before offering him an olive that you have stuffed with a pinch of soft sheep's milk cheese. "I go to the crew parties to see you."

Zach snorts and shakes his head. “We are pathetic.” He teases. “Mooning over each other and not even aware of it until Shane makes you take me a drink.”

"He tried to tell me," you admit after trying the bite that Zach made for you. Like everything else he's ever fed you, it's perfect. "I just...didn't really think I had a shot."

“He would always talk about you.” He huffs. “Making that crush I was suffering under nearly unbearable.” He smirks. “I guess he was hoping to push me into making a move.”

“And when you didn’t, he pushed me instead.” Which is a very Shane thing to do, really. He’s always been a little bit too cocky for his own good. “He’s like my big brother. So it makes perfect sense that he would meddle endlessly.”

“He basically adopted me once we became roommates.” Zach agrees. “He’s a good guy with a surprisingly big heart.”

“It took him a while to get there,” you acknowledge, not quite knowing how much of Shane’s story he had shared with Zach. “But now that he has? He’ll be damned if he doesn’t help everyone that he can.”

“Yeah.” Zach nods. “From what he’s told me, he’s completely different than when he was first sent away.”

“He showed me a picture once. Oh how he dresses and everything back then.” Just keeping the topic about appearance is lighthearted. That way you don’t dip too far into past seriousness. “Even if that was the only thing that changed, he really is a completely different guy now.”

“Jet black hair.” Zach snorts, shaking his head. “Dude has amazing hair now. I’m a little jealous of it.” Shane still has earrings, but he’s no longer sporting the goth edge he had back in his younger years.

“Do you ever think about growing yours out?” Zach still has short-trimmed hair that is probably a cinch to take care of, but he might look great with it longer.

“It’s been a long time since I’ve worn it long.” He admits, rubbing his hand up the back of his head. “Since high school.” He snorts. “But I’ve not given it a lot of thought, honestly. Why? You think it would look good longer?” He asks, curious about your preferences. Everyone has them, it’s like preferring clean shaven over a beard.

“I caught myself wondering once if your hair was curly when it grows out,” you admit, clearing your throat a little from being flustered. Admitting that you’ve wondered and daydreamed about him is a big step to your mind.

“Yeah?” A slow, pleased grin starts to stretch across his face as he turns back towards you again. “Daydreaming about running your fingers through my hair?”

“Maybe.” The huff in your voice is pure embarrassment, though you’re glad that he seems to like the idea rather than being weirded out by it.

“Then I have to confess something…” he drops his voice down to a whisper like it’s a secret. “I really love when the hairdresser runs her fingers through my hair when cutting it.”

It feels like a far more visceral tease than you’ve been giving him, and you can practically feel how soft his shirt hair is when your eyes flick up to it. “Noted,” you manage to huff out a second later, banishing the mental image of Zach beneath you as you card your fingers through growing curls.

He smirks and winks at you when you manage to look at him again, finding it incredibly empowering to know that you are on the same level as he is. Both of you wanting so much, but being too shy to reach for it. Someone will have to make a move, but right now, he’s enjoying the flirting and bantering.

Neither of you seem to care much that it takes longer to make bites out of your appetizer if you hold hands, enjoying the small show of intimacy more than anything else. You're loathe to give up that connection now that you have it.

Zach enjoys sharing with you. Often making bites for you to try, and he smiles every time you groan in pleasure.

“Just because I have no idea how to cook anything doesn’t mean I don’t enjoy it,” you insist, and you’re laughing together when your waitress brings out your shared entree. The large and shallow bowl is obviously meant to be shared but is beautifully arranged — vegetables bringing color with the creamy risotto-like grains and tantalizingly seared and roasted lamb.

“Many blessings.” She is smiling at both of you as she puts the food down between you. “Happy marriage to young love.”

“Thank you.” Zach doesn’t correct her, beaming instead and bringing up your hand and kissing the back of it. If they believe that you are newlyweds, who are you to disclaim it?

Seeing him go with the assumption instead of correcting the woman makes your heart swell. There is something deeply soft and intimate about the gesture and you’re sure you must look so deeply entranced by your date that protesting wouldn’t do any good anyway.

“Soulmates?” The older woman asks, looking at the two of you with the pride of a grandmother.

Zach bites his lip, unsure of how to answer that, so he just wings it. “What do you think?” He asks, reaching out and caressing your cheek. “She’s perfect, isn’t she?”

"Very." The woman agrees, and with another proud smile she clasps both of your shoulders and heads off again to the kitchen with the purpose and speed of someone off to share vital gossip.

Zach smiles at you. “Well, I guess that makes us official.” He hums. “What do you think?” He asks, lifting a brow. “Want to be my girlfriend? Or should we jump straight to soulmate and wife?” He asks. “We’ve already gotten approval here.”

"It might be a little dramatic to show back up to the ship married." And yet you're grinning. You're absolutely beaming at him in a way that can't possibly be contained and for the first time today you don't want it to be. "But I love the sound of girlfriend."

“I’m sure we wouldn’t have been the first couple to have done that.” He doesn’t take offense to you ignoring the remark about soulmates. He’s seen you without sleeves enough to know that you don’t have his tattoo. You can’t be his soulmate, but he is drawn to you like he’s never been to another woman. “But girlfriend sounds perfect to me too.”

"I'm not one of those people that swears soulmates are the only possible relationship," you explain, as the two of you rearrange your little table to share your entree comfortably. The waitress had also brought you fresh drinks so the little table is loaded down with tantalizing options. "My parents aren't soulmates and they've been happily married for almost forty years. It's a great thing, but I always thought choosing your person yourself was more important than anything else."

“Interesting.” Zach is impressed and he nods. “I know that soulmates aren’t everything, but my parents were.” He tells you, smiling a little sadly. “They were probably the best relationship I’ve ever seen.”

"We both had good role models for healthy relationships. That's far more rare than it should be, I think." You note the past tense in his words but don't push, instead watching as he carefully serves the meal onto the two smaller plates you were given.

The lamb smells amazing and Zach is already drooling, imagining what he could make. “Are you ready to give me ideas?” He teases as he looks up from finishing plating.

"Dinner ideas?" You raise an eyebrow at him and pick up your fork, feeling bold with the help of the waitress who broke the ice and managed to make you Zach's girlfriend with a touch of cute teasing. "Or dirty ideas?"

“I accept all ideas.” Zach promises, his voice dipping down slightly, turning sensual.

"Fuck." Even just a quiet groan of frustration from you is enough to let him know exactly where you're at. Every single time he kisses you, you're convinced that you're going to soak through your shorts, and you no longer care if he knows it or not.

“I’ve been thinking about something.” Zach starts, forking up a bite of the risotto and trying it with a groan of approval.

"Tell me." There have been a few more serious topics touched on today without delving too deep, but you have faith that whatever it is that's on his mind won't be bad.

“We don’t have to be back on the ship until tomorrow morning.” The club is closed for the night while in port since the majority of the passengers are on shore. “What do you think about not going back tonight?”

"Like...find a little hotel?" Your fork is halfway to your mouth when you meet his eyes, seeing that there is the same spark of desire there as in your own. "That would certainly be more comfortable than using one of our bunks after we kick our roommate out," you agree, letting a grin crawl across your face.

“We don’t have to.” He stresses, not wanting you to feel like he expects to spend the night with you.

"I know." But you shrug with just a touch of guilt. "And if you want to wait that's totally fine. But...I definitely want to."

“I want to.” He is quick to reassure you of that. “I really want to. I just—” he bandied about for the right words. “Didn’t want to come off as pushy.”

"Pushy is normally my problem." you promise him. "The other part of Shane's whole 'be less you' advice was not rolling up to our first date and telling you we would make beautiful children." It's still of a hell of a way to come on strong so you laugh it off, but it's true all the same. "You've been anything but pushy, baby."

“You would have beautiful babies with Shrek.” He snorts, shaking his head. “My genes would have nothing to do with it.”

"Don't count yourself out." The grin on your face slides sideways and the two of you dig into your dinner in earnest. "Those curls of yours on a little baby? Cuties."

He blushes slightly, imagining how a baby with you would look. It’s a fantasy that he never even imagined being able to consider just a few years ago. “Only because of you. And most babies are cuties anyway.”

“They are.” That’s just a fact as far as you’re concerned. The two of you continue to eat for another minute or so before your mind catches up with all the possible consequences of that topic coming up and you almost stutter as you reach for your wine glass. “I’m—I’m on birth control, though,” you point out. Like he might think you’re trying to baby trap him on the first date just because you think babies are cute. “That’s…like I want kids eventually but I’m not crazy about it.”

This is happening. Zach swallows a bite of the deliciously fragrant and juicy lamb so he doesn’t choke. “Good. I mean, I would still want to wear a- birth control shouldn’t just be on you.” He tells you. “I’m clean, but I- it’s always good to- you know, uh, be safe.”

“I’m clean too, and if you feel more comfortable with a condom that’s totally fine, I just—” Who knows if more wine is actually a good idea at this point but you take about gulp out of nerves. “I didn’t want you to think I had any motivation for…you know…tonight, other than really liking you.”

He has to laugh at that, reaching for your hand and winking at you. “You’re focusing on your career. I don’t think that your grand plan is to be knocked up by the chef of the club you headline your first contract out.” He promises.

“Well when you say it like that it sounds silly.” And yet? A part of you is certain, beyond any doubt whatsoever, that if it happened you could be such a happy little family.

He smirks slightly and reaches over to brush off a tiny bit of sauce on the edge of your mouth. “So we both know where we stand.” He hums. “Let’s just relax and enjoy where our night takes us.”

******

With the sun set and your meal finished, an intimacy has settled over you and Zach as you sip your coffee together and listen to the busy streets of Knossos bustle with tourists and nightlife. Normally you would be part of that. You would be out with friends or searching out a feeling to get lost in — but today has been so thorough in proving that you can simply get lost in Zach that you don’t want to stray. Everything you could possibly want for your night is right here next to you. And it’s a type of calming feeling that you don’t know you’ve ever felt with another person before.

“That was probably the best meal I’ve ever eaten.” Zach rubs his stomach appreciatively and looks over at you. “Lamb on the menu for the club?”

“Abso-fucking-lutely.” You’ll eat anything he cooks anyway. But having it be a special memory between the two of you? That’s worth bragging about. “With those whipped carrots you made yesterday? Oh my god.”

“You liked those?” He grins, loving feedback as much as the next person and if it comes from you it makes it even sweeter. “I’ve been thinking about making it a soufflé and putting a topping on it. Similar to a sweet potato soufflé? What do you think? Too much?”

“I don’t know,” you admit with a grin spreading across your face. “I’ve never had a soufflé before.”

“You’ve never had a sweet potato casserole?” His eyes widen. “You’re shitting me?”

You shrug weakly, yet can’t help but laugh at how strong his reaction is. “My dad hates sweet potatoes,” you explain between giggles. “We basically ate like toddlers in my house forever, because he only liked four or five foods.”

“Wow.” He chuckles. “So I know what I’m making you tomorrow.” He grins. “Roasted chicken with sweet potato soufflé, creamed spinach and a fresh cranberry compote.”

“We just ate.” Sure, your tone is complaining, but the teasing is clear and sparkling in your eyes. “Why do you have to make me hungry all over again?”

Laughing, he leans over slightly to pull his wallet out to pay. Having cash is something of a safety net to him, although he’s proud of the shiny credit card with a low limit as he builds his credit back up. Offers have started coming for pre-approval of credit limits, but he’s resisted getting one so far. He pays this card off every month like clockwork. “I’ll let you sleep it off first.” He promises.

A different woman comes out with your check and a small folded bag. She smiles when she sees Zach ready to pay, and hands you the bag. “Congratulations,” she explains in a thick but clear accent. “From my grandparents. They’re very flattered you chose their restaurant for your honeymoon.”

Zach immediately feels guilty. “No— nothing is necessary.” He promises, shaking his head. “We are happy to be here. The food was amazing.”

"It's just a few cookies," she promises, apparently charmed by the display of manners. "And we're always glad to have kind guests."

“Everyone here has been wonderful.” Zach smiles as he hands over his card. “Now we just need to find a hotel with people as wonderful.”

"You don't have a place to stay already?" The bill is easily and silently settled with the exchange of a few bills between them and the woman points down the beach to a three-story white building on the edge of the beach. "Dite is a beautiful hotel. Small. But very nice. And you will see the perfect sunrise in your room."

“What do you think, sweetheart?” He asks, turning towards you. “I think it sounds just about perfect, if they have a room available.”

“Small sounds perfect.” In fact, after the bustle of the ship, it sounds like a small relief. “Thank you for the suggestion.”

“I will call for you.” She offers. “Family.”

“That would be wonderful.” You look to Zach for confirmation. “The hotel is my treat. I promise.”

He huffs, frowning slightly at the notion of you paying and there is a grin on the woman’s face as she nods in approval. “I will go call right now and let them know you are coming.” She beams before scampering off.

“It’s okay.” Sensing a bit of hurt pride that you dismiss as typically male, you lean over and kiss Zach’s cheek. “You can buy our breakfast.”

He can’t tell you that it’s because he somehow still looks at someone paying for something – even if it benefits them – as a handout. That is way too deep for this date and probably means he needs to schedule a visit with the VA therapist next time he’s in New York. “Sounds good, sweetheart.” He hums.

It only takes a few minutes for the younger waitress to return, and when she does she is smiling broadly. To Zach she hands a slip with the name and address of the hotel. “They’re getting your room ready now,” she tells you both gladly.

“Thank you.” He smiles. “For everything.”

“Our pleasure.” She assures him, and trots off again after saying good night.

He turns towards you and gives you a searching look. “Are you ready?”

"Absolutely." Considering you can see the hotel from here, you don't mind walking. A stroll through the streets of the ancient city, hand in hand with your newly minted boyfriend? It sounds perfect to you.

Zach scoots out of the seat and holds out his hand to you. “Then let’s walk off this amazing dinner.”

The roads and the beach stretch on longer than you anticipate but the walk is welcome. You're most quiet, enjoying each other's company without the need to fill the air with idle conversation. You take in the city around you and the overwhelming number of tourists. The hustle and the bustle is beautiful, but something about the fact that you can be comfortable in the quiet with Zach brings and unexpected extra layer of intimacy to the night.

Walking hand in hand is intimate, serene. He doesn’t feel the need to make excuses or fill the silence, he just enjoys the way the smiles seem to be just for you as a couple, coming from others who pass you on the streets.

The hotel is clean and bright, and the extended family of the folks who owned the restaurant are as sweet as can be when you check in. They’ve put you in a top floor room facing the ocean and promise you it’s their best, and you and Zach take the stairs up after thanking them once more.

“I feel bad.” Zach muses. “They think we are on our honeymoon.”

“First dates can be just as special as honeymoons, right?” You offer as you make your way down the hall to your room. “I checked their rates online and it was the same as what we paid. So they’re not giving us big discounts or anything. If they had, I would have said something.”

“Good.” He feels better about that and his stomach twists in nervous anticipation. You both had stopped in a little shop where he had purchased a small box of condoms. They feel heavy in his pocket.

“Hey.” The leaden heaviness sits between you as you unlock the door to your room and push it open. Before you even make a move to step inside, you settle your hand on Zach’s arm and offer him a soft, reassuring smile. “Just because we want to doesn’t mean we have to tonight, okay? We can decide to just hang out and cuddle and sleep beside each other and it will still be perfect.”

“Are you having second thoughts?” He asks seriously, trying not to look disappointed, because he doesn’t want that to pressure you.

“Not at all.” You’re quick to assure him of that, pushing open the door and stepping inside. “You just seem…nervous? I don’t know, maybe I’m wrong.”

“Afraid of disappointing you.” He admits with a small huff of amusement at himself as he flashes you a grin. “It’s been a while for me.”

"Then I'm flattered you would choose me to be the one to break that dry spell with." It really is a vote of confidence from him, and you won't take that for granted. Despite the fact that you don't understand how in the hell anyone has ever let him go, you're glad to be the person that is here and ready to see all of the potential he has as a partner.

“I would be fucking crazy not to.” Zach snorts, shaking his head. “Baby you are gorgeous and kind, and everything I don’t deserve.”

"Hey now." You shake your head as you shut the door behind the two of you, flipping the lock and feeling the shiver of anticipation roll through you. But still, hearing him put himself down is the last thing you're comfortable with and when you turn back to Zach you slide your hands up his arms gently. "I wouldn't let somebody else talk about you like that, what makes you think you get to?"

“Habit.” He admits, biting his lip and reaching for your waist to draw you closer. “I’m working on it.”

"I'm here to remind you how incredible you are anytime you need." A strong support system means everything, you learned that the hard way. And you're more than happy to be that for Zach.

“Thanks.” There’s a bit gratefulness and quite a bit of amazement in his eyes as he looks at you. “You are absolutely amazing, you know that?” He asks. “You take my breath away.”

Your hands creep up his arms, sliding around his neck so your fingers can sink into his short, soft hair. "I'd be happy to do that for you literally, if you'd like."

“How would you do that?” He has a pretty good idea, but he wants to hear what you have in mind.

The hum that leaves your lips as you press your body against his is full of promise. "I'd start at the top and work my way down, of course," you tell him, bringing Zach down to meet your lips for a searing kiss.

He can’t help but groan, a grown man melting against you, but he’s already weak in the knees from the passion in just this one kiss. The sense of complete rightness that washes over him as his own arms band around you tighter and he starts to give back to you.

None of the kisses you had shared yet today had been allowed to be this deep. You were in public. You were sharing space with other people. And this is so intensely intimate. It would have felt wrong just to let other people see your naked heart out there on your sleeve. But when it is just the two of you locked safely away in the privacy of a hotel room? You would be a puddle at his feet if it weren’t for the uncanny strength of him holding you tight against his chest.

It’s not hard for his body to respond instantly. He’s already lived most of the day in a state of arousal just being around you. But with the length of your body pressed against his and your tongue coaxing his further into your mouth? He is rock hard and aching. Groaning slightly as he turns both of you towards where the bed should be based on the split second examination of the room earlier.

And just like that you feel ignited. The press of his body against yours as he steers you blindly through around the room is an errant spark that seems to catch on every inch of you. With one hand your fingers card and tug in his hair, nails grazing over his scalp. With the other you pull his shoulders to keep him impossibly close — feeling like you’ll forget to breathe if you stop sharing gasps with him between kisses.

You taste like sweet wine and cream. A perfect combination when mixed with something that is just…you. He can’t describe it, but it’s warm and earthy.

The backs of your legs bump against the bed frame, almost toppling you over and making you hang onto Zach all the more tightly, giggling into the kiss. “Oops,” You can’t help but laugh at how deeply uncoordinated it was, even as out of breath as you are. “Weak knees aren’t very stable, apparently.”

“Then we should lay down.” Zach suggests, grinning against your lips and starting to crouch down.

It doesn’t exactly take convincing. Not when every single time he’s kissed you today has turned you a soaking wet, needy mess. The fact that you finally get to do something about it is exhilarating and relieving all at once. “Hell yes,” you agree, nearly hauling him into the bed with you when you try to kiss him and move at the same time.

He laughs when you both nearly topple over, flopping down on your sides in a move that is not nearly as graceful as he had planned in his mind. “Eager?” He asks. Sliding his hand down your side to your ass.

“Oh, absolutely.” You smirk, but shift your leg ever so slightly so your thigh presses against the front of his shorts. “Just as much as you are.”

“Baby, have you looked in the mirror?” Zach groans, twitching under the pressure. “You’re a complete knockout and fucking sweet as pie.”

“As long as you like what you see, the mirror doesn’t matter.” What you see and what he sees looking at you will never be quite the same, so as long as he likes the version of you that he sees, you’re fine with it.

Zach doesn’t say anything else, he just slowly leans in and presses his lips to yours softly.

It’s such a sweet, gentle gesture that you melt deeper into the mattress. For that one moment there are no thoughts at all left in your head. It’s just Zach and the possibilities.

He follows you, body half covering yours as he lets the kiss deepen slightly. Not too much, but he squeezes your ass gently as he grinds into you.

The roll of his hips earns him a moan, and he swallows it up eagerly so you give him another and hitch one leg up to let him get closer.

He presses deeper into you, slotting his hips between yours as you open up and he gasps into your mouth when his hard cock presses against the heat of your core.

The heat in your belly flares hotter, wicking all the way Down your limbs, and you whimper again because you have no prayer of a coherent sentence or even word in that moment. There’s horny and eager then there’s whatever the hell you are as you grind your hips against his to beg for more.

It’s juvenile, but grinding against you over clothes while he kisses you is the height of eroticism right now. He groans into your mouth before breaking away, wanting to taste every inch of your skin.

He trails kisses along your jaw and throat, making your back arch and stealing your breath all over again. While he begins to travel south you tug at his shirt, trying to tear the damn thing off while your whole body aches for him.

Zach smiles against your skin, cutting his eyes up at you playfully. “You’re too impatient” he teases, pulling away. “Think I’ll blindfold you.”

You pout instantly, but the idea is intriguing enough that you raise an eyebrow at him. “Do I get to see you eventually?”

“Eventually.” He smirks, loving that you are going along with his little idea. “That way you can accurately judge how good I am.”

“I can’t judge your skills with my eyes open?” Delighted to have found him not so very vanilla after all, you let the hand you still have in his hair tug in his curls and grin when he moans.

“You might be overwhelmed by my good looks.” He chuckles and shakes his head. One of the things that made him suggest this is his tattoo. He didn’t want to have a ton of questions about it right now. This wasn’t the time for remembering the past, but enjoying the present.

“Is this a ‘hands off’ situation, too? Or can I at least still touch you?” There are plenty of things you’re willing to try out that you already know you enjoy that people might consider out of the ordinary, but the first time with a new partner you want to feel them in every way.

“You can touch me.” He promises. “I’m just feeling a little shy right now.” He jokes playfully, winking at you. “Don’t want you to get too scared.”

“You have nothing you need to be shy about, but I fully respect having a few hang ups. I’ve got plenty, too.” Reluctantly as you are to take your hands off of him, you reach for your belt instead — or rather, the long sash of fabric that you tied through your belt loops today because you thought it looked a little cuter than a standard belt. “Use this.”

“Are you sure?” He takes the fabric from your hands and holds it up to his eyes playfully.

“I trust you.” You trust him somehow inherently. As though it were as simple as trusting yourself. In a way that sticks in your chest and warms through you like hot cocoa in winter.

He watches you for a moment after pulling the scarf down from his face, “Okay.” He agrees. “I just want this to be something we never forget.”

“I can already guarantee I will never forget any part of today,” you promise him, shivering slightly with anticipation as he settles your former belt gently over your eyes.

He ties it firmly, but not too tight. If you need it off, all you need to do is slip it up your forehead or pull it down. The point of this is to be fun, to explore without judgement and he can’t do that if you are uncomfortable. “Hopefully that’s a good thing and it doesn’t go into your ‘worst dates’ catalog.” He jokes before he slides his hands down to the edge of your shirt to push it up your stomach and drop a kiss right above your belly button.

With every small touch now heightened, your skin tingles with the scrap of his calloused fingers and press of the feather-light kiss. “I don’t fuck on the first date unless it’s a really fucking good date.”

“Me either.” Zach smirks against your skin before he decides to nip your side slightly, laughing quietly when you jump and gasp at the grazing of his teeth. Instead of working down, he decides to work up and nuzzles just under the band of your bra.

One hand blindly makes its way to his shoulder again, grasping the thick cords of muscle there and reminding you just how powerful this broad man is that is being so tender and playful with you. At this point it’s Zach’s game — to explore and to pleasure and to discover — and every point of contact between you is a spark catching fire.

It takes just a second to discover that your bra hooks in the front, to Zach's utter delight, making it easy to unbind your breasts and capture a nipple in his mouth before your shirt is even off or your straps slid down your arms.

The heat and pressure of Zach’s mouth feels boiling even on this warm night, sending you gasping and cursing as you grip his shoulder tighter. If you get any wetter your shorts might outright dissolve, but he would probably consider that a bragging right.

Zach groans against your nipple, loving the little arch to your back, pushing your breast to his mouth more. Offering yourself up.

There is no steady rhythm to any of it as Zach works to take you apart piece by piece. He has a method in his madness, surely, but you are breathless and moaning as he reduces you to a human puddle on the bedsheets. While you can’t see him like this you can definitely feel him, and your hands tug at his shirt again to get that luscious skin-on-skin sensation as he starts to travel down your body.

He takes his time, learning the sensitive spots on your body and enjoying every soft sound he pulls out of your mouth. Until he is dragging your shorts down your legs.

It’s about fucking time says the impatient voice in your head as you squirm in the bed and lift your hips to help him move things along. He’s consented to take his shirt off, at least, so that warmth that rolls off of him in waves can seep directly into your bones. You whimper as the cool breeze of exposure hits your overheated cunt, dripping with need and aching for attention.

“Fuck, you look so pretty right now.” Zach groans at the sight of your wet lips, hair trimmed and manicured. You either were hoping that the night would end this way, or you were very meticulous about your grooming. He’s kind of hoping for the former even though he wouldn’t care if you had done anything. “Baby, you look good enough to eat.”

“Tease.” You whine, trying to sound huffy but only succeeding in strangling another moan when his breath ghosts over your swollen pussy. Even with his hands caressing your thighs, you’re squirming.

It’s been a long goddamn time since Zach has had a pussy in his face, but he loves the musky scent of your wet sex. Making him twitch and groan as he slowly spreads your lips wide for him to drag his tongue up your folds for that first, tantalizing lick.

“Fuck, fuck, fuck—” With your back arching and your fingers tight in his hair, it’s so easy to lose yourself to one little taste.

He makes a sound of pleasure as he flicks his tongue over your clit and comes back for another pass. This time starting lower and letting his tongue tease your entrance before sliding higher.

If you weren’t blindfolded already you might have cum just from the sight of him. His lips and tongue explore while his hands keep you steady, holding you in place so the buck of your hips doesn’t unseat him before he can really get going.

He absorbs your sound, your taste. The very essence of your being, feasted on as he slowly and thoroughly licks through you like a meal he is savoring.

It’s a stunning combination of thorough exploration and eager enthusiasm that has you writing and moaning his name so quickly. You could have had a date yesterday and everything about tonight would already be better. Zach seems somehow to know exactly what you like without asking, reading your signals perfectly air pushing you higher and higher until his name is the only word on your lips.

Zach is completely entranced by the way you respond to his touch, never having a lover he feels so in-sync with. It’s like he’s touched you a million times before rather than just these last few minutes.

The whole world has stopped existing around you. It's just you and Zach and this bed and every new height of pleasure that he keeps building you to. The press of his hands on your hips, the deep push of his tongue, the sharp half-scrape of his teeth near your clit that he's discovered makes you gasp and moan.

“Cum for me baby.” He pulls away to gasp his plea, the need to see you fall apart about to rupture in his veins and make him go mad. His grip tightening on your hips and he dives back into your cunt with the desperation of a man starved that’s reached his oasis.

You don't have to tell me twice, you would say if you could swim through the thick mire of bliss to tease him. Instead, and much more true to the moment, you let out a sobbing moan and beg for just a little bit more to send you over the edge.

He hears the unspoken plea in your whimpers and opens his mouth wider to just devour you. Burying himself into your pussy where his nose is blocked by your mound as he pushes you over the edge and if he died in this moment, he would die blissfully happy.

Your back arches fiercely one more time, lifting your shoulders off the bed as you hit that sharp crest that explodes into your climax. All of your muscles tense and curses spill freely, interspersed with his name and moans entirely without words – until that crest becomes altogether too much, the thread mercifully snaps, and you fall back on the mattress an utterly satisfied puddle.

Zach is slow to pull his mouth away. Savoring the little tremors that race through your thighs and makes your pussy clench against his chin as he laps at your juices one last time before he lifts his head with a groan of satisfaction. “And just think, we’ve only started.” He hums playfully, knowing that the night has just begun.

------ Master Tags: @pixiedurango @chattychell @winter-fox-queen @lady-himbo @artsymaddie @princess76179 @paintballkid711 @missminkylove @pedrosbrat @ew-erin @sarahjkl82-blog @sharkbait77 @justanotherblonde23 @lv7867 @recklesswit @mylittlesenaar @f0rever15elf @gallowsjoker @steeevienicks @athalien @sherala007 @skvatnavle @thatpinkshirt @jaime1110 @girlimjusttryingtoreadfanfics @goodgriefitsawildworld @greeneyedblondie44 @littlemousedroid @harriedandharassed @churchill356 @ajathegreats-blog @haylzcyon   @beardsanddetectives @kirsteng42 @ladykatakuri @adancedivasmom @madiebear @tanzthompson @emilianamason @bigsdinger @xocalliexo @pedr0swh0r3 @avaleineandafryingpan @charlyrmv @avidreader73 @iceclaw101 @loveslide @elegantduckturtle @becsworld @julesonrecord @its-nebuleuse @itsrubberbisquit @mikeyswifie @guelyury @lizzie-cakes @for-a-longlongtime @vabeachazn @purplerain04 @weho2kcmo @madnessofadaydreamer

ItSotN: @greenwitchfromthewoods @copperhalfcent @ariavitiellos @spishsstuff @76bookworm76

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

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DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[brf-rumortrackinganon]

So how do you think Harry's kids got here? Do you think a surrogate was used? Do you think a donor egg and/or sperm was used?

I'm of the opinion a surrogate was used for both kids and that they might not be 100% their biological children. I know some people say Archie looks like August and Lili from her photo when she was one years old is supposed resemble the late Queen at that age. But people often see what they want when deciding who kids look like and kids can look like different people as their faces change.

You could go to any school in multiple countries and find a kid who looks just like Archie and we don't know what Lili looks like because whenever she's been "papped" the person apparently used the worse camera ever and their specially is blurry photos.

More importantly for me the question is why the BRF have played along is it just because they were afraid of being called racist if they said Archie isn't eligible to be in the line of succession? Do they not actually know whether a surrogate was used or do they simply not care?

For Harry and Meghan they should have been open about using a surrogate. They would have received so much support, there would be the conversation about whether people should use surrogates but the majority of the UK would've supported their decision to have a family. Funny thing is it would've made their kids special and got them the attention they wanted. Hiding all the details about the kids has resulted in no one caring about them or having any connection to them.

I would like the truth to be publicly known even it causes problems for the BRF. You won't generally find me defending members of the British aristocracy but if they have to adhere to the succession laws then so should members of the BRF.

I shared my thoughts on this several months ago (sometime between February - May 2024) but I haven't been able to dig that post up. I'll repeat what I said here but I will not be discussing this topic any futher after this gets posted.

What I said several months ago still remains true: Sometimes I think it was a gestational surrogate. Other times I think she really did carry Archie.

On the gestational surrogacy: Their story of Archie's birth, as told via Spare, gives me extraordinary pause because medically, none of what Harry says happened is/was possible. The lack of detail and/or sob story from Meghan also gives me pause. Consider the way she shouted from the mountaintops about her miscarriage in the New York Times. Now consider how silent she's been about her traumatic birth with Archie (according to Harry) or about how California's COVID protocols during her pregnancy with Lili may have affected her mental health. I specifically point out the latter because most of the women I know who were pregnant and/or gave birth between March 2020 - Summer 2021 talked a whole [fork] ton about the COVID protocols in place that made pregnancy an awfully lonely experience. Additionally, Meghan's desire for privacy on these experiences contradict her usual preference to compete with and/or one-up Kate. Since we know Kate had difficult pregnancies, we expect Meghan to either claim she had it worse (which Archie's traumatic birth as described by Harry in Spare definitely is, since KP's reports of the three Cambridge births were "textbook and uneventful") or her pregnancy was so easy, so straightforward, so textbook, so uneventful that she was literally a goddess of pregnancy. But yet Meghan has remained suspiciously silent, even when she's doing her "as the momest mom to ever mom" PR.

On the "Meghan really carried Archie" side: I have a cousin who's as thin as Meghan was pre-Archie, right down to the ankles that could snap. Like Meghan, my cousin's only weight gain during both of her pregnancies was in her belly/baby bump. So I know it's possible for some women to gain no weight but the baby bump. And second, Meghan did gain weight during her third trimester - she was noticeably fuller in her face at the Windsor presentation and had a noticeably fuller body at Trooping and Wimbledon and appeared to struggle losing the weight until spring 2022/Platinum Jubilee. We know that Meghan is incredibly vain to where she wouldn't have gained all that extra weight without good reason - after all, she made Trevor sign a pre-pregnancy contract listing her demands / requirements to get her body back should they have a baby.

Now to your questions:

is why the BRF have played along is it just because they were afraid of being called racist if they said Archie isn't eligible to be in the line of succession? Do they not actually know whether a surrogate was used or do they simply not care?

I've already covered this here. I think you can find it under the surrogacy tag. So I won't go into too much here.

My theory for why the BRF played along is because they didn't know there was a surrogate until it was too late and by then, they were already trapped in the scheme so they had no choice but to go along. Presenting their schemes as faint accompli has been Sussex MO for a very long time, with no one developing a spine until they demanded to commercialize the monarchy.

My theory for why the BRF continues to play along is because Charles is somehow involved and/or implicated and that truth coming out would lead to a scandalously huge lapse in confidence that could only be reconciled by his abdication to William. Charles has waited too long to be top dog to let anything get in his way and I suspect that we'll only find out the truth (or even a partial truth) if Clarence House finds a way to untangle Charles from it.

As I said at the beginning of this post, I won't be discussing this anymore and will not be posting any asks resulting from this. You're free to discuss in comments or reblogs, though.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[tuxedoferret]

Arcane finale was good....but

Spoilers for the finale of Arcane season 2, Arc 3 in general.

I'm probably screaming into the void but I wanted to get these thoughts out and see what other people think.

In general, I liked the endings for most of the characters. Their arcs make sense.

Vi, Caitlyn, Ekko, Jayce, Mel, Singed, and Viktor's story conclusions, I think were ended beautifully! (And Jinx too but I'll circle back to her in a second). Their endings made sense and were executed very well! I'm content with how their stories end!

And MOST of the deaths make sense... most of them.

Of course most of the minor characters are dead, no surprise since a majority of them we don't even know the NAMES of unless you scour the credits in the VA section.

Ambessa's death was well done, with Mel finally getting her mothers approval through breaking free of her control and finally being able to decide her own life and Caitlyn becoming a true leader.

The only thing that really bothers me, is the deaths of Heimerdinger and Warwick/Vander. Out of all of the champions in the game they're the only non-humanoid ones that made it into the show. They're also the only (game first) champions to actually die and they barely get to do anything. (I am one of the believers that Jinx is alive because there's no fucking way they would kill off one of their chief money makers, also based on evidence in the show).

With Heimerdinger in season 1 we see him serve as an oppositional force against Jayce, and then a mentor working with him. He gets kicked off of the council as a result of his conservative viewpoint. And he reflects on this, he leaves to go help the Zaunites however he can but gets shunned away. Then the goes and helps Ekko with repairing his board and getting home. In season 2 this continues with Heimerdinger helping Ekko get into Jayce's lab and them having the discussion about wild runes before getting sucked up into the anomaly. His last episode is him in the alternate universe with helping Ekko build the Z-Drive to return to his own universe. He puts it in the amplifier, is about to go with Ekko, then runs out and puts a few more things together and just... dies. Thats it for him. MAYBE he'll come back since he's a Yordle but this is new canon and the man had flesh and blood squished out of him. But in general his death feels cheap and unnecessary. What was the point of his death? How did it impact the narrative and what did the story gain from it as a result? Not fucking much really. He's never mentioned again afterwards. I feel like his death had no impact on the story whatsoever. I honestly think it would've been better if he had survived and returned with Ekko to fight in the battle against Noxus and Viktor. I would've liked to see him, either returning to the council or not, atoning for his mistakes by trying to make things better in Zaun with his inventions.

With Vander/Warwick there was so much hype around the theory that Vander would be returning as Warwick. And we were all super excited when that came true! We love it when the narrative rewards us for paying attention! But we get like... 3 episodes with him before he becomes a Viktor automaton. He was also still very much alive even after Singed drained his blood, so Viktor was wrong about how that would kill him. Warwick's role in the end felt very lackluster, and it felt redundant to just, kill him off AGAIN. Maybe I'm just a little mad because I have read up on Warwick and I feel like he had more potential for the narrative than just... make Vi watch her dad die all over again. The fight scene with Warwick could've been replaced with any big evil bruiser really (coughBlitzcrankcough). In general Warwick felt more like a Vi and Jinx accessory than his own potential character. Which kind of sucks. And maybe I'm a bit salty that we didn't get a full wolf Warwick. I think the whole his mind was reset/erased bit could've still been done if the explosion damaged his head and it healed back wrong/if singed replaced his head with one of the wolves' heads to make him fully Warwick in the end.

Isha's death kind of feels... not impactful at all to the story afterwards aside from Jinx's spiral. I would've liked it if her death did more than just that (Like I said, permanently damaging Warwick/Vander would've been nice)

This is about the league of LEGENDS and you'd think that Warwick and Heimerdinger would have bigger roles than just being killed off to further another characters story after barely impacting the narrative.

Also I feel like Sevika being on the council is like... stupid. I think she wasn't handled well at all after episode 4. She just completely disappears after running away with Isha. Why do we never see her hanging with Jinx and Isha again? I would have LOVED to see how Sevika reacted to Vander not being as dead as previously thought, the man she betrayed and ultimately ended up mirroring in the end with her refusing to give up Jinx to Piltover. I think it would've been fun if Sevika was the one to tell Vi when she woke up that Jinx gave herself up, despite all of Sevika's protests, an inversion of what happened with Vi and Vander. Putting Sevika on the council in the end is just kind of weird for her character. I understand it's like, the idea of Zaun finally getting representation on the council, Sevika getting a say in what happens in the undercity. But I feel like that could've just as easily been accomplished with finally letting Zaun have its own independence with Sevika being the "Baron" of Zaun, being the new leader. Because we've seen she's a genuinely good leader! She has a good head on her shoulders. It would've been fun to see how she'd struggle with being the new leader of Zaun, struggling against the Chem Barons if future series ever decided to look into Zaun again.

In general I'm fine with the ending of Arcane. But I feel like the endings could've been written a different way for those 3 characters. I honestly feel like it would've been better if the show ended off where the game picks up, and I don't even play League, I just like the lore from what little I've been reading.

[pinkcowzz]

ahhh so. warning. will be talking about arcane s2 spoilers below the cut. i have. so! many. thoughts.

i've seen a few takes that s2 felt very rushed to some people, and like. yeah? i can get that. but also. not really.

there was A Lot of ground to cover so it moved very quickly but the pacing actually made a lot of sense to me. i think that this show has never attempted to tell each characters story in the fullest. like, to me, that's what makes the world building so good. you are only witnessing part of the story. there is only so much of each character that we, the viewers are allowed to see.

yes there was a lot introduced in the final act, yes some of it made zero sense. but, to me at least, it makes it so much more realistic and immersive.

the final act is war time. shit happens fast. decisions are made and acted upon almost immediately. there isn't time to mourn and there isn't time to grieve. if you stop, you will die so you must keep marching forward.

we don't get to see what signed is up to, we don't get to understand the complexities between mel and her mother, we don't get time to break down how the arcane is changing we just have to know that something is happening and it will affect us so we must do something to react.

moving on, i really wanna talk about jayce and viktor first because. their final discussion, had me ill. i'm honestly really glad that they are never officially established in the show, because it makes their bond that much stronger to me.

the first season, we see how their studies connected them and propelled them forward. in jayces case, it pushes him into politics. in viktors, deeper into the arcane. they had to set everything else aside *cough cough their morals and personal relationships(sky & each other)* in order to achieve what they wanted to achieve.

in the second season, we see how that was their demise. for viktor, the creators did an amazing job showing us this with the scene between him and sky.

'i'll miss our talks'

'no you won't'

like holy shit? in those two lines, we see how viktor has fundamentally changed. his goals, his objectives, they got lost somewhere. in the first season, we do see how much viktor enjoys discussing his ideals and thoughts, its what drives him to go and find jayce in the first place.

and as for jayce, he's icarus. he flew too close to the sun and he, in a lot of ways, is the beginning of the end. while ekko and heimerdinger were building their way out of the alt time line, he was witnessing the destruction his invention brought about.

and don't even get me started on them calling each other their partner during their entire last talk. like wtf im ILL.

okay! onto jinx! (and isha and vi) i have. heard a lot of complaints about how one- her death was for shock value and two- that isha's death was glossed over and i whole-heartily disagree.

i think first off, jinx isn't dead. there a lot of people out there who can put the details together more precisely than i care to tbh, but my biggest reason is the airship we see at the end. these creators LOVE their foreshadowing and i mean LOVE (think viktor showing off the invention and shooting that gun to how that gun is later used). i think it's literally the first episode that powder says she wants to ride in one and ur telling me the last episode we get a shot of one flying away? yeah no. my girl is alive and breaking the cycle.

speaking of breaking the cycle, vi would never be able to move on with her life if jinx is still around. she would never be able to grow, to be willing to work on her relationship with cait, would never be able to escape the guilt, etc etc. that's like, a big point that i think a lot of people are missing.

for vi, jinx is everything. and she should be. she is the only family she has left. and had she not walked away from her, there is NO TELLING what would've happened to the two of them.

jinx's 'death' was for the both of them. they can move on now, they are free to allow the shit show that was their childhood be in the past. like hello?????? did y'all not listen to the conversation that she had with ekko in the alt time line? you need to let go of some things to be able to move onto the next and it sucks and it hurts and its shitty but the world will keep spinning.

and the only way that jinx was able to come to this conclusion is because she lost isha. had isha still been around, she would have had to stick around zaun and piltover. but also. i need y'all to realize that jinx is used to losing people, she is used to grief, it is a close friend to her.

and i think, thematically too, vi not moving to the other ledge is SO IMPORTANT. she CAN'T let vander go. that was her father, that man raised her, she couldn't let him go. are y'all connecting the dots? like! hello! do you see?

vi has never been one to let someone she loves go lightly. the entire first season she is grappling with this idea that her sister changed, that she moved on and allowed herself to let her past (kinda) go. it doesn't make sense to her. she allows caitlyn back so easily because it terrifies her to lose someone in her life.

that is who she is in her core.

and that is why jinx makes the decision for her. it's her way of saying, 'i see you, i understand you and i will make the hard call for you because i love you'

so yeah, like i said. a lot of thoughts. im so excited to see wtf is going on in noxus in the future show and am so intrigued by whatever the fuck is going on with mel.

also. maybe it's just me. but i love an open ending. i think being able to talk about the what if's and the maybe is so much fun. not everything has to be wrapped up with a bow on top. again, we, the viewers, only get a small insight into the world the characters live in. this show could go on for ages if we followed them all the way through their lives. this was never meant to be that type of show. go watch friends or smthn if you want a formulaic story that will clean every lose end up for you.

we follow these characters through a formative moment in their life, what happens next is up to them. (and psst. that's what fan fiction is for)