#there's a pipeline I swear

[past-misfortunes]

if you're a fan of The Worst Witch (HB) and also Rebecca (Danny), please reblog this so I can prove a point

[its-not-a-pen]

first day as a small-town sherif and you discover that some of the convicts you're transporting managed to escape in the night and since the penalty for letting prisoners escape is death, and the penalty for being late because you were looking for escaped prisoners is also death, you decide to free ALL of them and go hide out in the wilderness for a bit, except the convicts are super grateful so they make you their leader and it turns out they're decent guys who were exploited by a tyrannical government, so long story short you're crowd-sourcing for a peasant uprising and would anyone like to chip in?

3650th day and due to a series of unforeseen events you are now the emperor and founder of the han dynasty.

[mugentakeda]

do you think people would see how katara and aang interacted in book 1 and be like "wow you guys are so devoted to each other!!! how long have you both been friends?" and theyd both be like "just now going on 2 weeks :)" and the people would be like "what"

[vaguely-concerned]

obsessed with the fact that if you choose the last purple option in lucanis' romance chat before going off to tearstone island ("they MOVED the MOON!!!" still in the running for the best delivery in the whole game btw it's so ineffably hilarious to me), it's rook who flinches away just a little bit (if still warmly <3) and tries to change the topic and lucanis who's steady even though he's clearly still so afraid. 'don't tempt fate'/'*the softest fucking voice you've ever heard in your entire life* I don't intend to'. pain and suffering

lucanis looking at rook and helplessly, with a wonder that verges on despair, saying 'what would I do without you?' is soooo. especially at that point in the relationship and with what's about to happen. and for whatever reason rook can't quite stay with the fact that they do mean that much to someone, that they are so reverently and so groundingly 'I want to know what your favourite food is so I can make it for you any time you want it' everyday loved, it's too much and they have to deflect from it or the fear of losing it. can say some very interesting things about them, too.

(there is also a Pattern in that in my estimation lucanis frequently responds better to inviting humour than to earnest shows of concern -- it seems to help him be more engaged/online to be offered that more neutral space to meet you in and uh 'build' the conversation around something funny together than to be confronted with compassion head-on because that clearly mostly deer-in-the-headlights him, as we also see with some of the early flirt options haha. contrast this especially with bellara, who repeatedly gets genuinely upset if you try to make light of some pressing and painful situation she's dealing with (girl I'm so sorry I'm so jestercore and I canot change this but I'll try :'( for you). I think the times lucanis reacts negatively to the purple options are much more about you siding with other (frequently more charismatic lol) people against him or throwing him under the bus interpersonally -- like seeming to go along with illario's charm offensives, or telling teia lucanis didn't want to come help out with caterina's funeral and he'd just sit alone and brood about it if you didn't force him (???!!! hello??? unprovoked and deeply unkind out of left field???? this option is so fucking MEAN and for what fhdaskjfa you're telling me there's no way for rook to be a bit of a dick in this game?)

when it's one on one conversation he consistently seems to find it quite comforting, though... which makes a lot of sense because in many ways it's how he interacts with illario, just shorn of the resentments and hidden daggers and things they Do Not Talk About but really should beneath the levity that makes it sharp. it's gone ugly between them, but I think the affectionate instinct beneath is real and goes back a long way before all of that festered -- it's a form of play he does with people he loves. and uh. not really caterina huh. notably.)

[ahli-stuff]

An Overanalysis of That Bsd 119 Panel

“If God does not exist, everything is permissible.”

—Fyodor Dostoyevsky, The Brothers Karamazov

With one of the most intense displays of genuine emotion that we’ve seen from Fyodor paired with the Expression emphatically taking up over half the page, I immediately wondered, what does this tell me about Fyodor?

I’ve seen a lot of interesting analysis floating around already, with the main two being: Fyodor doesn’t think Atsushi represents the “noble” beast of his ability, and/or Atsushi’s attitude reminds Fyodor of his past self.

However, to me, it seems that Fyodor’s reaction is a natural culmination of his obsessive and hypocritical search for perfection.

Part I: Fyodor’s Impossible Idealism

Fyodor has always been a romantic.

Not a romantic as in someone interested in ‘romance,’ but a romantic as defined by Oxford Languages: “[someone or something] characterized by…an idealized view of reality.”

From the beginning, Fyodor’s goals has always been steeped in idealism. “Saving” the world! Though thankfully a departure from the omnicidal maniac trope (I hate it! If you destroy the world, what then, genius), saving the world is as nearly nebulous as destroying the world. What does saving the world mean?

To Fyodor, it has been stated that he means cleansing the world of sin: ability users.

But I would argue that a better way to phrase this would be to cleansing the world of imperfection. Fyodor doesn’t only view ability users as imperfect, he views humanity as a whole as imperfect. I hinge this arguement where upon Dazai meeting Fyodor for the first time and talking with him in prison, Dazai says “people are sinfully stupid,” not ability-users, in opposition to Fyodor’s ideologies.

The second reasoning for this arguement is that while Fyodor hates ability users, he has no problem killing non ability users. You would think for someone who puts so much emphasis on abilities users as “sinful” that he would subsequently view non ability users as pure, right? Yeah, no.

“But Fyodor,” someone asks. “After you erase all the ability users how the fuck are you going to fix the rest of humanity?”

For one, he’d be dead (someone correct me on this if he said he’d kill all ability users but himself). For two, if the former () is the case, then is he just going to… write all of the rest of humans as perfect? Is he going to kill them to a write a version of humanity that is perfect? If that’s the case, then what the hell does ‘perfect’ mean to fyodor?

Another popular theory is that Fyodor is attempting to rewrite the world from the beginning without abilities, but that brings up the same issue in my second point—Fyodor doesn’t exclusively view ability users as imperfect, he views all of humanity as imperfect.

His plan is full of holes when you consider how exactly he defines “perfect.”

Therefore, I’d like to go forward in this analysis with the assumption that Fyodor is attempting to kill all ability users, including himself, through the “salvation” of death to create a “perfect” world despite all logistical fallacies.

So… what was the purpose of this tangent? It’s that I believe Fyodor’s search for perfection is futile, he likely knows it, and his goal is simply the largest unwilling suicide pact the world has ever seen.

Part II: Does Fyodor even believe in God?

Before this section begins, I’d like to define religiousness by the unconditional belief in gods or a god.

Short answer: yes. Slightly longer answer: well, yes, but…

Fyodor embodies of the churchgoing villain trope to a tee—at every possible moment he uses religion as a directive to all his actions. God, to Fyodor, is his patron.

What makes Fyodor’s religious zealousness so interesting to me is that highly intelligent, calculating, and cunning villains are often associated with ideologies ranging from relaxed-religiousness to atheism in media. Dazai is an example of this—he a deist who believes that god exists—but has created a world which runs on inconsistencies and absurdity.

Hell, Raskolnikov, the main character from from Crime and Punishment himself is an example of an intelligent character who is non-religious. While Raskolnikov is not a villain or a necessarily an irredeemable person, he is, as opposed to BSD Fyodor (the character of whom he inspired), an intelligent “bad person” who is notably non-religious. The following is a quote from Raskolnikov, in Dostoevsky’s Crime and Punishment, where he cynically comments about a religious character.

“At first he was afraid that she would worry him about religion, would talk about the gospel and pester him with books.”

Which naturally leads to the next question: why is Fyodor so religious if it clashes against both his literary counterpart and the tropes associated with an “intelligent villain”?

Trick question: I don’t think Fyodor is religious at all.

I believe that Fyodor’s fervent belief in god does not come out of genuine faith, but rather a desperate need to justify his own crimes. After all,

“If God doesn’t exist, everything is permissible.”

That is an adapted quote referenced in BSD 42 from a conversation in another one of Dostoevsky’s books, The Brothers Karamazov. The meaning of the quote is that the presence of god gives moral guidance meaning, and without god, humanity falls into anarchy.

After all, if heaven and hell do not exist, if god does not exist, or if god exists but he doesn’t care, or if god exists but he hates Fyodor, then… there’s no such thing as Fyodor’s idea of perfection. All of his plannning and scheming will be for naught. The slaughter and manipulation he has enacted across centuries will be pointless.

Fyodor must believe in his idealism (his version of god) or else his world views, his idealism, his raison d'etre—crumbles.

So let me ask the question again. Why is a villain who is as intelligent as Fyodor also religious? It’s because he must be, or he’d go insane.

“God is necessary, and therefore must exist... But I know that he does not and cannot exist... Don't you understand that a man with these two thoughts cannot go on living?”

This is a quote from Dostoevsky’s Demons, which perfectly describes what I believe about Fyodor’s motivations. I believe that deep within Fyodor’s fucked up mind, he understands that either god does not exist or that god exists, but hates/doesn’t give a rat’s ass about Fyodor.

However, Fyodor’s idealism has no room for nuance, even though someone of his intelligence must already understand that. Anything that challenges his idea of god, his idea of salvation, his idea of perfection, will challenge his very reason for being alive.

Which is what brings us to:

Part III: My Bad; The Panels this Analysis was Supposed to be About

In the past few years, there has been a recent shift in the fandom’s general perception Fyodor. He is no longer perceived as a character with a god complex, but rather character with a messiah complex(also known informally known as a Jesus complex). This is basically cemented in Fyodor’s last words before ‘death’: “Eli Eli lama sabachthani,” which mirrors Jesus’s words, not god’s.

While both god complexes and messiah complexes arise from the same core insecurities and delusions of superiority, those with messiah complexes are often characterized by their extreme empathy and intense desire to “save” others.

Looking at Fyodor, you wouldn’t think that he is a highly empathetic individual, but it is only because of his advanced emotional intelligence that he understands the human condition intimately enough to manipulate it—and he uses that power to try to “save” humanity the same way he perceives Jesus would.

But… if anything, it’s Atsushi who resembles Jesus.

Atsushi is compassionate; he extended his sympathy and respect to both Kyouka and Akutagawa, two people who attempted to kill him. Atsushi is selfless; from episode 1, he attempted to use his own body to cover a bomb in order to protect the ADA (people who he had barely known at the time!). Atsushi is humble; he denies his power and affability when confronting Lucy’s anguish.

(Arguably, you could say that Atsushi’s selflessness in the beginning was more motivated from self-hatred then true altruism—and you would be right, but once Atsushi learns a sense of confidence, his selflessness does not disappear… it just becomes genuine.)

Compassion, selflessness, and humbleness—all values that Jesus is said to preach.

The prideful Fyodor knelt before Atsushi in hopes a finding a god to his “Jesus,” but all he found was a painfully human boy. Not only that, he found a man who is more of a savior than he will ever be.

To add insult to injury in 119, Fyodor discovers Atsushi is an imperfect being who resides within what he had previously believed to be a perfect being. He is a contradiction—a nuance—and like I said before, Fyodor’s idealism has no room for what-ifs and buts. If he entertains a single contradiction(like Atsushi), his entire world view collapses.

So, Fyodor goes on the defense. In his attempt to rid himself of the so-called pathetic humanity he sees Atsushi demonstrating, he demonstrates some pathetic humanity of his own: For the first time we’ve seen since Fyodor has been introduced, Fyodor forgets his fixed benevolent, lofty, half-amused persona and gets pissed off.

More often than not I believe self-righteous anger comes as a result of insecurity and doubt. I imagine that his inner monologue is going something along the lines of: ‘how could this noble, god-like creature be so stupid, base, human? How could this faux-divine suggest that I am not already saving humanity? How could I have ever believed that he could be the perfect one I’m searching for?’

What I said before, about how Fyodor’s idea of perfection is a zero sum game and he knows it; it is reflected in his interaction with Atsushi. Atsushi’s mere existence and personality is evidence of what Fyodor has been trying to deny this entire time: his ideal of a “perfect world” does not exist.

“Your worst sin is that you have destroyed and betrayed yourself for nothing.” —Fyodor Dostoevsky, Crime and Punishment

[djevelbl]

Talking myself through the thought process of how I'm gonna inevitably make a pvpciv!zam design bc I love me a good villain/antagonist, the mannerisms and all that, I somehow got into thinking about Frank Sahwit and now I feel dumb that I never quite caught onto the pun in his last name--

[dukeofdelirium]

anyway.. gonna leave this here

[sleepyminty]

Hey death mark fans, guess who i found

[neilsracquet]

andrew minyard really was the definition of liking someone so much that every single thing they do annoys you

[relentlessconqueror]

thank you for this event infold.... now ppl are seeing my vision....

[driftingthruspace]

hear me out

why is jack from jack in the box kinda,,,,

[littencloud9]

collapses to the floor. does anyone have kunichuu fic recs

[foreverfearlessred]

what do I, Logan Sargeant Defender, do now

[starlingpaw]

i wish the summer was over us in bursts

we're in the middle of nothing we can hold

and the sewers erupting life in gold

i'm gonna happen and happen until my whole gave up the ghost

i'm gonna renew my sinew until my cells divide no more

[starfall-spirit]

Hey, remember when I said the acotar fandom is literally the same people in different bodies?

I was scrolling the gift exchange tag and found another one.

My Santa ask right next to @born-to-riot’s 😂

[lokidoctorpugs-wenclair-brainrot]

Tumblr has single handedly got me back into reading comics/graphic novels along with books has straight up created my interest in anime/manga with the help of one of my IRL friends but not only that Tumblr by itself has gotten me into fanfiction and by extension Ao3 something I thought was kinda cringe and on top of all that I remember a time in my life were I was on Tumblr and thought to myself "I must be the only one here who doesn't use Ao3." What I'm trying to say is that The Tumblr to Avid Ao3 user and creator pipeline is real, I swear to the gayest of the fanfiction gods it is

Need to reinstall my old drawing app if I actually want to bring back the bad art comics but I don't think people will miss my shit art, TBH, so here's a new piece (some shit website with shit controls and that's coming from someone who's not an artists (obviously) like I want to draw without moving the whole damn canvas.) and an old piece (try to guess who everyone is supposed to be on the new one. Good luck you'll need it with my art skills or lack there off lol.)