#there’s a lot of different people there

[ratatattouille]

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).

-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Where the writers FUMBLE is:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes

-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.

-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

Where season 2 FUMBLED:

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.

-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

Fumbling points summarized:

-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

HUGE EDIT:

I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).

so here's my criticism of my criticism:

-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little Powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.

-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.

-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

[callmecoke]

sugar baby headcanons!

CW: Mention of sex work, This is sfw generally but still deals with adult topics so proceed with caution.

Tf141 x reader

What you’ve realised about your favourite mystery account is that A) it's run by multiple people, and B) At least one of them is called Price.

You can’t exactly pinpoint who the rest are or how many, but you’ve managed to identify a few common themes when interacting with the account.

First, you know who Price is, and you can almost always tell it's him when he’s interacting with you. He’s the one you go to first regarding bills and fees you physically can’t pay. Within seconds, he transfers you the money and never lets you thank him for any of it. He also does his weekly check-ins to make sure everything is good. “Have you eaten?” “How’d you sleep?” “Did you take your meds last night?” That kind of thing. He’s also the one who calls you ‘Dolly’, a nickname he reserved for you. 

But you're also pretty sure this other guy (Simon) lurks in the chat when you’re streaming. He won’t ask questions; he just sends you random tips throughout the stream while he watches silently. He’s not as talkative as Price or the others, and that’s kind of how you know it's him. But you’ve realised that just because he’s quiet doesn't mean he doesn't want to talk. It’s quite the opposite. He enjoys hearing you talk about your life and day and silently rewards you. When you DM him, you even get a little conversation. Nothing more than money and a “Nice”, but still conversation nonetheless.

You know one other fellow spends most of his time in the livestreams and not in your DMs (Gaz). He’s the one who engages with you in conversation the most, asking endless questions about your life. And he always comes back on the next live stream, remembering everything you said in the last. He’ll want the update on that project you were working on for school or if that job interview went as well as you both had hoped. If you weren’t Live to complete strangers, you’d probably open up to him about stuff you’ve never told anyone.

Now…One more person shows up now and again, mainly in your DMs. Part of the service for the website is that people can pay you to take a selfie and give it to them. They can be dirty or completely innocent; it all depends on what you’re advertising. There’s this one person who rather frequently asks for pictures of you, especially those with you smiling. You know it’s a different guy from the others you’ve spotted because he’s the only one who's outright flirtatious with you. Initially, you were wary. A man spending a lot of money on pictures of your face and upper body just screams trouble. But you grew to trust the account, so when you sent them the image, you were surprised by how quickly he showered you with praise.

“Fuckin’ hell, you’ll give a strong man a heart attack walking around that gorgous.”

“Makes me wonder how cute you look in person.” “I’m surprised no ones come along and snatched you up all ready. Can’t complain though. Means I get more of you to myself.”

You’d be lying if you said there wasn’t a slight blush on your cheeks after reading his responses.

[madamechrissy]

Cursed Promises

Pairings: Sukuna x Fem reader

CW: This chap, fingering, cunnilingus, dirty talk, Sukuna calls you little bunny lmao, soft Sukuna in places, reader is a lil innocent thing, gonna get A LOT freakier as we go, true form Sukuna

Summary: You have been promised to Ryomen Sukuna, King of curses, for as long as you've been alive, ostracized from your village, 'special'. Now you are to marry him, sight unseen. People everywhere fear him, but will you find yourself intrigued by him. Just who is the King of Curses to his new wife? Arranged marriage au

A/N: Finally writing Sukuna oof I'm nervous aha- SMUT with feelings. Gonna be like four parts to this, so a short fic! Monsterfking and fluff lol- Taglist open <3 Comments/ reblogs appreciated ❤️

Part One

Today, you are to marry King Ryomen Sukuna, the demon king of curses, you’ve known this your whole life, this is what you were chosen for. The special girl in your village raised to one day be his bride, however you did not feel special growing up, if anything you were just different. You could not even play with other children normally, you had to have special care taken, and others whispered of you.

You were now twenty years old, the wedding was supposed to be a couple of years ago, but was put off due to Sukuna being away during a war, battling and being gone for long. He was now back, and claiming what was his, though you had never even met him, you had heard the tales, the frightening ones of him, how he ransacked villages, ended lives.

Your village was protected and saved because of you, as if you’re a sacrificial lamb being led to the slaughter, a thing to be whispered of, because you alone possess energy, energy you truly have no clue of, but it makes you special. You now are standing in the most beautiful and elegant robes, everyone was speaking of your beauty, smiling at you, but you saw it, the fear in their eyes.

The tears in your mother’s eyes, and the sullen look on your father’s face, even your terrified little siblings, and you have to wonder, is he so terrible and cruel? And is your life over already? You take several breaths, clutching the flowers in your hand so tightly a thorn pricks your finger, crimson blood dripping down.

You peer at the finger, sighing now, inside the high castle walls of the king, contemplating how everything had happened so quickly. Even knowing your life belonged to him, you still lived relatively normal, until that royal emissary had come, and told you now was the time, the great honor bestowed upon you.

The way they speak of him… Would you even survive?

Your steps feel heavy as you walk through the halls of the palace, your heels clicking on stone floors, decked out in royal, beautiful robes, guards on the other side of you, for if you choose to run you will be captured. You knew that, and had no intention of running, for you want your family and the village to be safe, even if they seemingly threw you to the wolves.

Or, wolf that is.

Your heart beating a frantic rhythm in your chest, you try to stop your heavy breaths, to slow them, as the guards open the ornate doors, revealing the enormous room before you, where many have gathered to see. You look down at the floor beneath you, trembling at the thought, feeling his immense presence before you even look upon him.

It was as if the entire room trembled in fear from him, and you could feel it, his gaze upon you, as you continued to step slowly, one foot in front of the other, now the eyes of everyone in the room were on you. You feel the weight of this arranged marriage heavy on your shoulders, the fate of so many depend on it.

You finally get closer and look up slowly, studying his form in his white robes, thick and muscled and so tall, so big he towers over everyone. You trail your gaze up his broad chest, to his four broad arms, the veins wrapping around each forearm, huge hands on each one with long black nails, like daggers. You nearly trip then, and one of his large hands grasps your waist, taking it over like you’re nothing.

You’re shaking now, eyes darting up to his face, an arrogant smirk on it, and ruby red eyes staring down at you. Four of those eyes, assessing you in that gown, his long fingers curling at the nip of your waist, burning you through the robes. His presence is so intimidating and intense, but…

You’re not scared?

His hand feels so… you cannot describe it, the burn of his touch, the insane feelings you’re having all at once, like you can’t breathe. He’s so huge everyone has to crank their necks, you feel so small in his grasp, next to him, barely reaching his chest, which you see somewhat from the opening of his robes, the strong muscles and taut skin, before darting back to his face.

“Tch, clumsy girl.” He huffs, setting you in front of him now, and you curtsey low in your robes, eyes down.

“Forgive me, my King.” You murmur, trying to be obedient, it’s what you were taught, right? He scoffs, crossing one set of his arms, tilting his head at you, he has shockingly light pink hair, a color you’ve never seen, raising a dark arrogant brow, the candles are flickering and casting shadows in the grand hall, making him look even more intimidating.

“Hmm.” Is all he responds, taking your hand in one of his, it absolutely swallows yours, and you both turn to look at the orator, who now will start the ceremony, and you stand and bow your head, as he locks you both together.

You are now Ryomen Sukuna’s bride.

You look up as he is supposed to kiss you, it would be your first kiss, he leans so low, bending at the waist, and you prepare for it, shutting your eyes, how would it be, to kiss the King of Curses? However he merely brushes his lips against yours for a brief moment, before stepping away, and announcing you as his bride.

The anticipation kills you every moment, as you watch his concubines dance for him, but his ruby eyes keep flickering back to you, constantly, even as he drinks from his golden goblet, and even as several women run their hands on his chest. You think that’s for the best, perhaps he will have no interest in you, for you’re a simple village girl, many speak of your beauty, but you’re not worldly or experienced like them.

Perhaps he will not do more than what is necessary, and spare you from supposed cruelty. You’ve heard so many tales of what he has done, however you did not feel any cruelty when he held you, when he brushed his lips upon yours, but maybe you’re a bit naive, so sheltered to be the perfect wife for him.

You’re taken to your new chambers now, they are luxurious and beautiful, regal and fit for a Queen. You are a Queen, aren’t you now? It’s insane to take in, while your lady’s maid begins undressing you, you take in the surroundings, the red and gold ornate decorations, the low bed that has a canopy above it, draped with the same white and gold Sukuna himself wears.

Your peer in the looking glass, draped in a thin red yukata, with nothing underneath, your breasts are apparent, the opening exposing the valley between them, making your cheeks heat up. You feel the silk against your bare skin, floating across your body, knowing you’re naked under it makes you so nervous, as you know your duty will be to give the King his heirs.

You have very little knowledge, your mother had said to lay there and endure it, and that you would love your children, so that would get you through. The thoughts about that are purely horrific, you do not know anything aside from that, that he would lay on top of you and give you babies. You also know men seek pleasure elsewhere, not with their wives.

You don’t know what to think, but your heart falters when the door to your chamber opens, and Sukuna’s standing in your doorway, so massive he takes it over entirely. His eyes glint as he studies your body slowly, his sharp tongue darting to lick a lower lip, you fiddle nervously with your hands as he shuts the door behind him with a resounding click.

��My king, I hope I please you.” You say, dipping obediently, and he laughs then, the sound booming, a snarky look on his face.

“You’re trained to say everything right, perfect little thing huh?” He walks to you, one of his hands tilting up your chin, the sharp black nail pressing under it.

“I am meant to bear your children. It’s my duty.”

He scoffs now. “Your duty, hmm? Tell me, are you afraid of me little bunny?” You glare then, earning his chuckle.

“Little bunny!”

“A lamb for slaughter, surely, but also a little bunny frozen, afraid of the big bad wolf hmm?” His hands trail down the edges of your wrapped kimono, you struggle to keep any composure.

“You need not tease me, I know how it’s done.”

He’s grinning now with his sharp teeth, his two bottom eyes squinting to almost lines, the top two crinkling at the corners. “Oh, show me then, wife.”

You stomp over to the bed now as he laughs, taking several breaths and laying on your back, staring up at the canopy. Now he’s laughing louder, and you peer your head down. “What, you’re supposed to… give me babies.”

“Holy fuck this is rich.” He snorts now, walking to you, hovering over you.

“Well I know I… here.” You slip the knot of your robe off, baring your body then, and watch his breath catch, desire flaring in his eyes. “I’m supposed to be naked for you… do I displease?” You ask, as he backs away then.

“Displease… foolish brat.” He looks away for a moment, before exhaling and sitting you up on the bed instead, eyes drinking in every bit of your body slowly, tantalizingly, you’re breathing even faster, knees knocking from your nerves. “You’re terrified.”

“I am not! You may… do it.” You spread your thighs, eyes shut now, and he sighs, two of his hands slipping up your thighs now, the other two cupping your face, surprising you.

“You think it will be so terrible, your duty?” He speaks through gritted teeth, you keep your eyes shut, staying still.

“My mother said I shall endure it.” He sighs now, tracing your jaw, his huge hands surprisingly delicate, then you gasp as his other hands sliding up your thighs grow tongues. “Ah! What!?”

Your eyes lock onto his, and he’s so close you can inhale him, this musky heady scent that makes your tummy clench. “You think I, King of curses, don’t please those who enter my bed?”

“I… you mean all those girls?”

He tilts his head, the tongues lapping at your skin again. “I’m in here, aren’t I?”

“But you’ll find pleasure with them, I am only your duty.” You murmur, looking down, he hums to himself.

“Tch, you are… your body…” He trails off then, sighing. “I will not sleep with you tonight.”

“So I do displease!” You blink back tears.

“God you’re quite annoying. Just… shut up.” You glare now, and he grins. “I like that angry look, little bunny.”

“I am not a bunny! I… ah!” Sukuna’s hands are slipping up your thighs further, his other two sliding to your breasts, exhaling as he squishes them, black nails pressing into tender flesh, but it feels so good. You’re getting wet between your thighs, confusing and embarrassing you, making you pull away.

“Ah-ah, brat. Where do you think you’re going?” He’s moaning now, kneeling between your thighs, the King is kneeling before you!? It seems like insanity, his hot breaths now between your thighs, his eyes drinking you in. “Fuck, look at you.”

“Y-you said you will not lay with me tonight? Please don’t look at me there like that, I’m all…”

“Soaking wet.” He slides his long tongue against your soppy wet cunt now, licking a stripe up your slit as he moans. “Fuck you taste good.”

“What are you doing! I… ah… mmm!” Sukuna has two hands shoving your thighs wide, as you go to pull his head off you, the sensations of his wicked tongue are so overwhelming, only for him to moan when your fingers entangle in his pastel locks, two eyes glaring up as his tongue flicks on your clit, making you gush. “My king… I…”

“I want you to cum all over my face, be good for me bunny, would you? If you do a good enough job, I’ll reward you tomorrow.”

“A good job!? This is wicked… it feels… s’good- ah!” Your head is thrown back now, and you’re shoving his face against your cunt, you gasp then, realizing your folly. “I’m so sorry-”

“Shut your mouth, I only want to hear your cries.” His head dips back between your thighs, tongue lavishing your velvety walls, you’re gushing honeyed arousal all over his handsome face, yes he is handsome to you. You’re not afraid of him right now, especially as he’s touching you everywhere.

You’re crying out and shaking, thighs struggling to close, but he holds them firm, his other hands squishing your breasts again, tongues on his palms lapping at the sensitive peaks of your nipples. His tongue is fucking into you, one of his rough fingers rolling your clit now, making you go fuzzy, your walls are pulsing around his wet muscle, clit twitching under his fingertip.

You feel tension pooling in your tummy, feel yourself getting hotter, on edge, like something is ready to explode, overwhelming you, you’re sobbing almost, tears flowing but they’re from the insane pleasure. How his big hands grip you so tight you’ll bruise, how his tongue’s devouring you, you can hear yourself, how wet you are, mixing with your hoarse moans.

You never knew your duty would feel like this, you never knew you could crave a demon king’s touch, and you certainly never knew his tongue could bring you to the brink of ecstasy, or that he would want to give you pleasure. His eyes glint up at you, as he flicks his tongue faster, his hands pinching your nipples, the pleasure making your eyes roll back in your skull.

Your toes curl, draped over his broad shoulders, as he works you more and more, everything is heightened, you can barely see, hearing the squelching wetness, hearing him drinking you. “Ngh- my King-”

“Cum, let me feel you. Drink you.” He whispers, and you have no clue what he means, he sees it clearly. “Release, now. An order.” There’s the military leader, the demanding king, but it just makes you wetter for him, makes your hips arch up for more of his caresses.

You nod weakly and he groans, his tongue lapping you up, his hands massaging your breasts, making your back arch, so filled with pleasure, and for the first time in your life you feel desired, you feel alive. Your first orgasm rocks through your body, your cunt clenching around his tongue, your body shaking, your heart racing, your eyes blurry with the intensity. 

“Oh my god… oh my!” You’re soaking his face, taut nipples lavished by his tongues, and he’s smiling against your cunt, you feel his lips curve, tongue sliding out to flick up to your sensitive clit, watching you shake violently, walls fluttering around nothing as you breathe in heavy pants. “I… we… you…”

Sukuna pulls back then, smiling smugly up at you, licking his lips clean, your juices glistening on his tongue, even the strong jut of his chin is coated in you. “Good girl, now how is your duty going?”

“I… I cannot think.” You whisper, he leans up over you, his heavy, tattooed chest weighing on your soft breasts. Your hand touches his chest tentatively, feeling the burning hot skin, the strong muscles, his steady heart beat.

“You taste so sweet, little prey.” He kisses you then, not a kiss like the wedding, no it was brutal, taking you over, and you embarrassingly taste yourself, surprised at how the flavor is. His tongue darts in your mouth, his four hands gripping your waist and hips as he presses you into the bed, you gasp as you pull back. “Ah, those eyes, already drunk off me.”

You look at his lips, tracing them with your finger tips, his quiet moan does not escape you. “Do I do it back? The…”

He’s chuckling at you, making you angry again, a sarcastic look on his face, a brow raised. “What a slutty virgin, you wish to suck my cocks?”

You blink. “Cocks!? Two!?”

He’s laughing now, kissing down your jaw, moaning against your ear as you tremble under him. “You’re so tiny, it would be so easy to break you. So fun to break your pretty little head.”

That only serves to make you wetter, and he notices, moaning as you feel hardness between your thighs, under his robes. You tentatively raise your hips, earning his hiss, him pinning your hips down, thumbs pressing into your pelvis. He looks down at you with four dilated eyes, tongue licking his lower lip, one of his other hands brushing back your hair.

“Mmm, you will go to sleep, and tomorrow, I shall show you how much more there is to your duty than just bearing my children.” He says, you nod carefully as he stands up, leaving you on the bed, breathless, overwhelmed.

“And will you… lay with those concubines?”

He raises a brow, eyes trailing down your body. “Will that anger you, little bunny? Should I be afraid of your little paws?”

“It would upset me.” You say, pouting now, and he glares, clearly irritated. He then rolls his eyes with a sigh.

“Tch, already annoying me. Fine then.”

“Really?” You sit up, hopeful, suddenly craving more of him, your hands slipping up his strong biceps, you watch his eyes flutter shut for a moment.

“Yes, irritating creature. Now go to sleep.”

“Will you sleep with me?”

“Sleep in bed with you? No, I need to care for my precarious situation, caused by a bratty new bride.” You giggle and he glares, sobering you up. “You’re giggling at me, the king?”

“N-no. Sorry, my King. I shall see you in the morning.” You say softly now, he scoffs once more, eyeing your body lustfully as you slip back on your robe.

“Tsk.” Is all you get, as he leaves you alone in your chambers. You hesitantly touch yourself, seeing the sticky, glittering wetness still left, from your arousal and his tongue.

Lay there and endure? More like lay there and beg for more and more, blinding fucking pleasure from his tongues. Perhaps everything you think is completely wrong? What more is there to your duty, if you can call it that? You simply must know… and you’re very curious about his… cocks, fuck just the thought makes your pussy clench.

You’re snuggling up to a satin pillow in your new bed, lewd insane images flitting your mind, and for some reason you’re able to shut your eyes, and fall fast asleep, still feeling his touch on you.

If you wanna be tagged in the next three parts lmk! It'll be much more freaky next chaps, warnings will be added lol, gonna just be a story abt a girl and her demon king lol, nothing too angsty

[astrow1zar6]

Astro Observations~ 40

Scorpio moons take really long to talk about themselves and their past. Especially when getting to know someone they are romantically interested in (I notice this more with the men) it’ll be years until you really start to know them. This is why many can view them as toxic.. but once you wait out their little game they are loyal to you for life.

Taurus moons would rather pretend they are happy and content than ask for help. This is why they are viewed as emotional stable (but really they’re just repressing a lot:( it’s okay to be not okay♥️)

Aries Venus people get turned on from arguing (especially if paired with a Scorpio Mars)

Fire mercuries were yelled at a lot for talking too loud

Moon in Leo’s and be SO toxic when insecure. Cockiness to the extreme.

Every Leo sun I meet I see attract so many people to them. They really are such magnetic people their energy gives people life (like the sun). As dramatic as they are their confidence is so refreshing & admiring to be around. Their confidence gives others confidence as well.

Virgo suns Leo Venus women smell soooo good usually. Every time I walked someone to smelled like heaven they had this combo.

Aquarius sun tend to mold into their environment. Their personality can become easily influenced by those around them. This is why it’s important for them to surround themselves around positive influences. (Their friend group can usually change them for the better or worse)

Mars in Aquarius folks love things that are out of the ordinary whether it be clothes, sex, people, friends ect. Anything that confuses them or shocks them they usually become obsessed with.

Uranus in the 3rd house sounds like such a smart placement! I never met one person with this placement so I’m so interested on what these people think. (If you have this placement talk about it in the comments 🤗)

Mercury retrograde people are FUNNY omg. For a placement that has a hard time communicating they are absolutely hilarious. They say the most original jokes, shit that makes you think “how do you even come up with that🤣” they are able to see things people normally overlook which makes them so witty.

All Scorpio placements have such piercing dark eyes (sun, moon, rising esp). Even if you have light colored eyes they still appear dark in a way idk how to explain it.

Scorpio risings love people who can hold eye contact. It’s like their secret way of communicating. Insecure types however I see completely avoid it.. but most I notice really dig it. (Especially when it’s their crush 😏..)

Leo risings can exaggerate things about themselves to impress others. They are very dazzling and engaging but you can sense a fakeness in how they present themselves at times. (You guys don’t have to be something you’re not to impress others you guys are so cool regardless 🫶🏽) I’ve seen a lot of people with this placement be actually really awkward and nerdy but most cover it up with a glamorous mask.

Water mercuries can sense when people have bad intentions. They are usually the first ones to see when someone is fake while others might miss it. (Can catch a bad vibe from someone everyone likes then later find out they were horrible people all along).

Moon in Aries women are so HOT. The men are hot as well but very immature and annoying most of the time.

Aqua moons I feel like are the most unconventional and eccentric of all the Aquarius placements. They on a different wavelength then us all.

Gemini Risings in school were usually getting trouble for talking too much or disrupting the class lol.

Sorry I took to long to post I’ve been violently sick all week ♥️🫶🏽

[quarterlifekitty]

Weaknesses part 4: playing dress up

Gaz is happiest when the two of you have matching/coordinated outfits. He just loves it when people can look at you and instantly see that you’re together and that you look so good.

Soap, I’ve established, is a comfy bitch lover. Loves sweats. Big faded t shirts. Loves the comfy cotton panties. He thinks you’re hottest when you’re in your comfy clothes and he comes home to find you passed out on the couch, drooling, tv on, and bent in a position that’s going to kill your back. Who said that.

Ghost likes you in clothes that cover a lot of surface area, but are revealing in a different way. Tight turtlenecks, maxi skirts with a slit up the side. It adds a sort of sexy mystery to your look that he’s a fan of.

Price likes is when you’re dressed up for him. When you choose your outfit intending to please him— to wear things that he thinks are cute. He doesn’t particularly care about the modesty of it, so long as you picked it with him in mind. And if you get a little nervous while asking what he thinks of it, that’s a huge bonus.

König is a simple man. He wants you in his clothes. Long time fantasy of his. Sending him a picture of you in his clothes is how you get him disregarding the speed limit getting home.

Nikolai, imo, is the one most into dressing you up like a doll. He likes the control, he likes spoiling you, and he likes having you almost as a cute little accessory when he takes you out. And he picks doll-like outfits too— things with lace and ribbon and ruffles.

[mollysunder]

It's important to remember those black six-eyed bird in the finale were ravens, not crows. It's not even just because the ravens will lead the will lead to Swain, it's because I need everyone to understand that ravens and wolves are heavily connected!

Wolves and ravens have such a well-known and successful symbiotic relationship that ravens are nicknamed "wolf-birds". They manage to feature together in mythology across cultures, because they're just so recognizable as a pair. Now we've got a "wolf" titled woman (Mel) off to meet a raven (Swain) coded man. Can you imagine what they're about to do when they meet?

Fun fact, ravens lead wolves to their prey.

[melliemell]

Pairing: Dazai x f!reader

Contents: NSFW, car sex (unfortunately for Kunikida), breath play, dazai levels of whining, but he always gets what he wants doesn't he, Approx. 1.5k words

“Don’t even think about it,” you breathed, grinding your hips against Dazai’s. His mouth fell open, eyes fluttering shut as a moan left his lips before it turned into a strained laugh. Dazai guided your hand to his neck. He bit at your lower lip playfully, languid thrusts drawing out your pleasure with every deep stroke. 

“Pretty please?” Dazai whispered to your ear, his lazy smile widening as your fingers grazed the bandages he always wrapped himself in. “I’ll be a real good boy about it.”

“You’ve been anything but for the last half-hour,” you retorted. “I’ll think about it.”

Dazai pouted, his trademark gaze of innocence returning. He knew how to get what he wanted; even if it required you to play this game of fetch every time. Instead, you ground your hips down, enjoying the friction of him bottoming out in you.

The parking lot was empty this late, keeping your undertakings pleasantly obscured under the roof of your car. 

You weren’t meant to be here, precisely. 

Nor Kunikida’s car– it was supposed to be back hours ago. But then again Dazai was ever the opportunist; why waste a perfectly good vehicle when you’ve already used it the whole day to spy on a client? Might as well give yourself a treat for a job well done.

Dazai brushed your hair to the side, teeth sinking into your soft skin. You couldn’t move much, your hips straddling Dazai’s and the steering wheel digging into your back with his every thrust. He was keeping you in place, not giving much of any opportunity even as you wriggled and panted against his lips. 

Postponing your orgasm was becoming somewhat of a speciality of his, especially with how grumpy it got you the longer he played around. That was what he wanted, more often than not. Predicting your actions was easy, and knowing how far to push to reach your breaking point–

easier.

Then he might get what he wanted. 

Your hands drew him closer, your focus waning as the pressure built up again. You weren’t going to let Dazai ruin this one too. Maybe it counted as giving in or perhaps you felt like you were taking control this time, but…

Delicate fingers trailed around Dazai’s neck, making him shudder the moment he realised what you were up to. He wanted it, of course. As much as it annoyed you how desperate he would get only to have your hands wrap around his throat, the pressure building with every second.

You knew he liked the thrill of it. The suicidal maniac in him was ecstatic–playing with life like that. You on the other hand felt your worry building every time he so much as looked at you with that pleading gaze. It was only a play, no real harm behind it.

Plenty of people were into breath play, and yet…it felt different. 

It scared you, sometimes—just a bit.

“Change of heart?” Dazai’s eyes were hooded. He looked beautiful like this, flush all the way down his chest. His hand trailed up your thigh, gripping tightly.

“We make a deal?” you asked, arching forward. He was easy to bargain with, like this. “I do this, and you give me the best orgasm I’ve ever had? No half-assing here, Osamu.”

Dazai fluttered his lashes and his grin turned vicious. “I do as you please, oh great beauty of mine.” And you could only blink your eyes closed, hands wrapped around his neck in preparation.

Dazai raised you up suddenly, his cock slipping out of you.

“Wh-at?” you asked, grabbing into his shoulders for balance. 

“I’m a fast worker, what can I say?” Dazai smirked. 

His hand went to your entrance, drawing slow steady drags of his fingers against your wet pussy lips. The moment his fingers entered you, a shudder crawled up your spine. 

You weren’t sure where he was going with this. His fingers made quick work, moving within your walls and twisting to your sweet spot often enough to make you dizzy. You almost forgot what you were meant to do with your hands.

“Fuck,” you said, trying to force your attention back into focus. 

Dazai was looking at you, enjoying every second of it. 

A few more strokes and his hand pulled away, only for his cock to enter you again, sudden and filling. Your thighs clenched around him, breath coming ragged. The fingers now covered in your wetness went to skilfully move over your clit, thumb rocking back and forth in time with Dazai’s every thrust.

You had to remind yourself to breathe, eyes back to Dazai’s face. He was watching you, head thrown back as a smirk tilted his lips. You could have been a sight to see for all you knew.

But that didn’t bother you.

You reached up, tracing his jawline with both hands before going lower. Dazai’s whole focus was on you, every detail engraving itself in his mind as you wrapped your hands around his neck. 

Such delicate work under these circumstances wasn’t ideal. You felt Dazai try to swallow under your hands, the pressure barely there to distract him. But he knew this was only a warmup. It takes time for you to ease into it; this wasn’t the first time you were hesitant to do this.

Dazai’s cheeks reddened. Slowly, ever so slowly, your pressure increased, and you marvelled at the way Dazai moaned weakly from the sensation of literary being suffocated. 

Dazai’s eyes fluttered shut, head thrown back as his hold on you waist tightened.

He was beautiful like this, so vulnerable and entirely at your mercy. 

You tried to regulate, watching his every twitch and grunt for the air he lacked. You were bringing him to the brink only to relax just enough to get his bearings back together. 

Your legs were trembling from the strain, seeing as Dazai’s trust became sporadic, trying to force out as much of his strength into fucking you. Your lower belly tingled with your release which was steadily building up. 

Dazai’s thumb didn’t stop, his hand going down to your entrance to gather more of your wetness before coming back to stroke at your clit. You could barely breathe at this point.

Dazai looked at you, choked sounds falling from his open mouth even as his upper teeth bit into his lip. He was having the time of his life.

“Good boy.” You smiled, diving for a kiss as your hands squeezed firmer, swallowing Dazai’s whine as your tongue trailed inside his mouth. Saliva trickled down his chin, making him a bigger mess with every second.

You felt his legs spasm, the tension increasing. Your pussy clenched around him, just the way he liked before he was near.

You held him, not letting go even as his belly fluttered, twitching with every strain to push his orgasm forward. You forced him into the seat, Dazai’s neck bared prettily as you hovered over him, the sound of your kissing filling the air almost as much as his rapid trusts as he struggled to reach you. 

“Come on, pretty boy. I’ve got you,” you panted against Dazai’s lips.

Pleasure seeped in, not suddenly this time, but a steady buildup of more more more–and you were cumming, cunt fluttering around his cock enough to force Dazai’s eyes open, staring wide at the rooftop as a pitiful moan vibrated right from his chest. You felt his cock twitch inside you a moment later, his spent shooting inside you, warm and thick.

You only loosened your hold on him when you were sure he was coming down from the high. Dazai’s head lolled to the side, eyes still closed as he breathed hard between coughs for air. He looked utterly exhausted, his face pale with overstrain. He barely had the strength to move, let alone slip out of you. 

Not that you could help, flopping against his chest to breathe in his musky scent. The air around you was hot, almost foggy. Like in those sappy romance movies where the couple run away to their car to finally have some alone time.

Except this one wasn’t yours.

You pulled yourself back, reaching with a groan for your phone. 

“Whatcha doin’?” Dazai asked, kissing at your shoulder. He looked so pretty as he blinked at you, face serene. 

“Looking for a nearby car wash,” you said, forcing your eyes to the screen. 

A silence before Dazai’s hearty laugh filled the space. You looked at him, eyebrow raised. 

“Were you expecting something else?” 

“Not in the slightest,” Dazai said, clearing a tear from his eye. He still smiled when he said, “Kunikida sure has a great friend in you.”

“In both of us.” You leaned in for a quick peck. “Seeing as we’ll be splitting the bill.”

Dazai groaned but it didn’t sound as sincere as he would’ve liked. He pulled you in close, pouting all the while as you pretended not to notice him. He got his way this time around, it’s not like he had much to complain about. 

[mostlysignssomeportents]

Bossware is unfair (in the legal sense, too)

You can get into a lot of trouble by assuming that rich people know what they're doing. For example, might assume that ad-tech works – bypassing peoples' critical faculties, reaching inside their minds and brainwashing them with Big Data insights, because if that's not what's happening, then why would rich people pour billions into those ads?

https://pluralistic.net/2020/12/06/surveillance-tulip-bulbs/#adtech-bubble

You might assume that private equity looters make their investors rich, because otherwise, why would rich people hand over trillions for them to play with?

https://thenextrecession.wordpress.com/2024/11/19/private-equity-vampire-capital/

The truth is, rich people are suckers like the rest of us. If anything, succeeding once or twice makes you an even bigger mark, with a sense of your own infallibility that inflates to fill the bubble your yes-men seal you inside of.

Rich people fall for scams just like you and me. Anyone can be a mark. I was:

https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security

But though rich people can fall for scams the same way you and I do, the way those scams play out is very different when the marks are wealthy. As Keynes had it, "The market can remain irrational longer than you can remain solvent." When the marks are rich (or worse, super-rich), they can be played for much longer before they go bust, creating the appearance of solidity.

Noted Keynesian John Kenneth Galbraith had his own thoughts on this. Galbraith coined the term "bezzle" to describe "the magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it." In that magic interval, everyone feels better off: the mark thinks he's up, and the con artist knows he's up.

Rich marks have looong bezzles. Empirically incorrect ideas grounded in the most outrageous superstition and junk science can take over whole sections of your life, simply because a rich person – or rich people – are convinced that they're good for you.

Take "scientific management." In the early 20th century, the con artist Frederick Taylor convinced rich industrialists that he could increase their workers' productivity through a kind of caliper-and-stopwatch driven choreographry:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

Taylor and his army of labcoated sadists perched at the elbows of factory workers (whom Taylor referred to as "stupid," "mentally sluggish," and as "an ox") and scripted their motions to a fare-the-well, transforming their work into a kind of kabuki of obedience. They weren't more efficient, but they looked smart, like obedient robots, and this made their bosses happy. The bosses shelled out fortunes for Taylor's services, even though the workers who followed his prescriptions were less efficient and generated fewer profits. Bosses were so dazzled by the spectacle of a factory floor of crisply moving people interfacing with crisply working machines that they failed to understand that they were losing money on the whole business.

To the extent they noticed that their revenues were declining after implementing Taylorism, they assumed that this was because they needed more scientific management. Taylor had a sweet con: the worse his advice performed, the more reasons their were to pay him for more advice.

Taylorism is a perfect con to run on the wealthy and powerful. It feeds into their prejudice and mistrust of their workers, and into their misplaced confidence in their own ability to understand their workers' jobs better than their workers do. There's always a long dollar to be made playing the "scientific management" con.

Today, there's an app for that. "Bossware" is a class of technology that monitors and disciplines workers, and it was supercharged by the pandemic and the rise of work-from-home. Combine bossware with work-from-home and your boss gets to control your life even when in your own place – "work from home" becomes "live at work":

https://pluralistic.net/2021/02/24/gwb-rumsfeld-monsters/#bossware

Gig workers are at the white-hot center of bossware. Gig work promises "be your own boss," but bossware puts a Taylorist caliper wielder into your phone, monitoring and disciplining you as you drive your wn car around delivering parcels or picking up passengers.

In automation terms, a worker hitched to an app this way is a "reverse centaur." Automation theorists call a human augmented by a machine a "centaur" – a human head supported by a machine's tireless and strong body. A "reverse centaur" is a machine augmented by a human – like the Amazon delivery driver whose app goads them to make inhuman delivery quotas while punishing them for looking in the "wrong" direction or even singing along with the radio:

https://pluralistic.net/2024/08/02/despotism-on-demand/#virtual-whips

Bossware pre-dates the current AI bubble, but AI mania has supercharged it. AI pumpers insist that AI can do things it positively cannot do – rolling out an "autonomous robot" that turns out to be a guy in a robot suit, say – and rich people are groomed to buy the services of "AI-powered" bossware:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

For an AI scammer like Elon Musk or Sam Altman, the fact that an AI can't do your job is irrelevant. From a business perspective, the only thing that matters is whether a salesperson can convince your boss that an AI can do your job – whether or not that's true:

https://pluralistic.net/2024/07/25/accountability-sinks/#work-harder-not-smarter

The fact that AI can't do your job, but that your boss can be convinced to fire you and replace you with the AI that can't do your job, is the central fact of the 21st century labor market. AI has created a world of "algorithmic management" where humans are demoted to reverse centaurs, monitored and bossed about by an app.

The techbro's overwhelming conceit is that nothing is a crime, so long as you do it with an app. Just as fintech is designed to be a bank that's exempt from banking regulations, the gig economy is meant to be a workplace that's exempt from labor law. But this wheeze is transparent, and easily pierced by enforcers, so long as those enforcers want to do their jobs. One such enforcer is Alvaro Bedoya, an FTC commissioner with a keen interest in antitrust's relationship to labor protection.

Bedoya understands that antitrust has a checkered history when it comes to labor. As he's written, the history of antitrust is a series of incidents in which Congress revised the law to make it clear that forming a union was not the same thing as forming a cartel, only to be ignored by boss-friendly judges:

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

Bedoya is no mere historian. He's an FTC Commissioner, one of the most powerful regulators in the world, and he's profoundly interested in using that power to help workers, especially gig workers, whose misery starts with systemic, wide-scale misclassification as contractors:

https://pluralistic.net/2024/02/02/upward-redistribution/

In a new speech to NYU's Wagner School of Public Service, Bedoya argues that the FTC's existing authority allows it to crack down on algorithmic management – that is, algorithmic management is illegal, even if you break the law with an app:

https://www.ftc.gov/system/files/ftc_gov/pdf/bedoya-remarks-unfairness-in-workplace-surveillance-and-automated-management.pdf

Bedoya starts with a delightful analogy to The Hawtch-Hawtch, a mythical town from a Dr Seuss poem. The Hawtch-Hawtch economy is based on beekeeping, and the Hawtchers develop an overwhelming obsession with their bee's laziness, and determine to wring more work (and more honey) out of him. So they appoint a "bee-watcher." But the bee doesn't produce any more honey, which leads the Hawtchers to suspect their bee-watcher might be sleeping on the job, so they hire a bee-watcher-watcher. When that doesn't work, they hire a bee-watcher-watcher-watcher, and so on and on.

For gig workers, it's bee-watchers all the way down. Call center workers are subjected to "AI" video monitoring, and "AI" voice monitoring that purports to measure their empathy. Another AI times their calls. Two more AIs analyze the "sentiment" of the calls and the success of workers in meeting arbitrary metrics. On average, a call-center worker is subjected to five forms of bossware, which stand at their shoulders, marking them down and brooking no debate.

For example, when an experienced call center operator fielded a call from a customer with a flooded house who wanted to know why no one from her boss's repair plan system had come out to address the flooding, the operator was punished by the AI for failing to try to sell the customer a repair plan. There was no way for the operator to protest that the customer had a repair plan already, and had called to complain about it.

Workers report being sickened by this kind of surveillance, literally – stressed to the point of nausea and insomnia. Ironically, one of the most pervasive sources of automation-driven sickness are the "AI wellness" apps that bosses are sold by AI hucksters:

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

The FTC has broad authority to block "unfair trade practices," and Bedoya builds the case that this is an unfair trade practice. Proving an unfair trade practice is a three-part test: a practice is unfair if it causes "substantial injury," can't be "reasonably avoided," and isn't outweighed by a "countervailing benefit." In his speech, Bedoya makes the case that algorithmic management satisfies all three steps and is thus illegal.

On the question of "substantial injury," Bedoya describes the workday of warehouse workers working for ecommerce sites. He describes one worker who is monitored by an AI that requires him to pick and drop an object off a moving belt every 10 seconds, for ten hours per day. The worker's performance is tracked by a leaderboard, and supervisors punish and scold workers who don't make quota, and the algorithm auto-fires if you fail to meet it.

Under those conditions, it was only a matter of time until the worker experienced injuries to two of his discs and was permanently disabled, with the company being found 100% responsible for this injury. OSHA found a "direct connection" between the algorithm and the injury. No wonder warehouses sport vending machines that sell painkillers rather than sodas. It's clear that algorithmic management leads to "substantial injury."

What about "reasonably avoidable?" Can workers avoid the harms of algorithmic management? Bedoya describes the experience of NYC rideshare drivers who attended a round-table with him. The drivers describe logging tens of thousands of successful rides for the apps they work for, on promise of "being their own boss." But then the apps start randomly suspending them, telling them they aren't eligible to book a ride for hours at a time, sending them across town to serve an underserved area and still suspending them. Drivers who stop for coffee or a pee are locked out of the apps for hours as punishment, and so drive 12-hour shifts without a single break, in hopes of pleasing the inscrutable, high-handed app.

All this, as drivers' pay is falling and their credit card debts are mounting. No one will explain to drivers how their pay is determined, though the legal scholar Veena Dubal's work on "algorithmic wage discrimination" reveals that rideshare apps temporarily increase the pay of drivers who refuse rides, only to lower it again once they're back behind the wheel:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

This is like the pit boss who gives a losing gambler some freebies to lure them back to the table, over and over, until they're broke. No wonder they call this a "casino mechanic." There's only two major rideshare apps, and they both use the same high-handed tactics. For Bedoya, this satisfies the second test for an "unfair practice" – it can't be reasonably avoided. If you drive rideshare, you're trapped by the harmful conduct.

The final prong of the "unfair practice" test is whether the conduct has "countervailing value" that makes up for this harm.

To address this, Bedoya goes back to the call center, where operators' performance is assessed by "Speech Emotion Recognition" algorithms, a psuedoscientific hoax that purports to be able to determine your emotions from your voice. These SERs don't work – for example, they might interpret a customer's laughter as anger. But they fail differently for different kinds of workers: workers with accents – from the American south, or the Philippines – attract more disapprobation from the AI. Half of all call center workers are monitored by SERs, and a quarter of workers have SERs scoring them "constantly."

Bossware AIs also produce transcripts of these workers' calls, but workers with accents find them "riddled with errors." These are consequential errors, since their bosses assess their performance based on the transcripts, and yet another AI produces automated work scores based on them.

In other words, algorithmic management is a procession of bee-watchers, bee-watcher-watchers, and bee-watcher-watcher-watchers, stretching to infinity. It's junk science. It's not producing better call center workers. It's producing arbitrary punishments, often against the best workers in the call center.

There is no "countervailing benefit" to offset the unavoidable substantial injury of life under algorithmic management. In other words, algorithmic management fails all three prongs of the "unfair practice" test, and it's illegal.

What should we do about it? Bedoya builds the case for the FTC acting on workers' behalf under its "unfair practice" authority, but he also points out that the lack of worker privacy is at the root of this hellscape of algorithmic management.

He's right. The last major update Congress made to US privacy law was in 1988, when they banned video-store clerks from telling the newspapers which VHS cassettes you rented. The US is long overdue for a new privacy regime, and workers under algorithmic management are part of a broad coalition that's closer than ever to making that happen:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

Workers should have the right to know which of their data is being collected, who it's being shared by, and how it's being used. We all should have that right. That's what the actors' strike was partly motivated by: actors who were being ordered to wear mocap suits to produce data that could be used to produce a digital double of them, "training their replacement," but the replacement was a deepfake.

With a Trump administration on the horizon, the future of the FTC is in doubt. But the coalition for a new privacy law includes many of Trumpland's most powerful blocs – like Jan 6 rioters whose location was swept up by Google and handed over to the FBI. A strong privacy law would protect their Fourth Amendment rights – but also the rights of BLM protesters who experienced this far more often, and with far worse consequences, than the insurrectionists.

The "we do it with an app, so it's not illegal" ruse is wearing thinner by the day. When you have a boss for an app, your real boss gets an accountability sink, a convenient scapegoat that can be blamed for your misery.

The fact that this makes you worse at your job, that it loses your boss money, is no guarantee that you will be spared. Rich people make great marks, and they can remain irrational longer than you can remain solvent. Markets won't solve this one – but worker power can.

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[mcflymemes]

PROMPTS FOR PRE ESTABLISHED CONNECTIONS AND CREATING HISTORY BETWEEN CHARACTERS *  assorted dialogue for giving your characters a history and giving them past things or events to talk about, adjust as necessary

do you remember what i told you last time?

have you been doing well since i saw you?

that's not what you told me back then.

when was the last time i saw you?

you were shorter then.

i'm picking the restaurant this time.

we've known each other since we were children.

always knew i could count on you.

that time was different. this is worse.

you're not going to let me live that down, are you?

i seem to remember a conversation we had back then.

so you changed your mind about it?

do you remember our encounter in paris?

you should know me by now.

am i the only one that knows the truth?

we had a lot of help back then.

your mom told me to look out for you.

you just love bringing that back up to annoy me.

maybe don't mention my past indescretions?

this was never going to work out between us.

i told you not to get attached.

i know more about you than you think.

i was there, remember?

i'm not about to forget all the shit you put me through.

you told me you were going to try and make this work.

remember what i said to you?

the last time i saw you, things were good between us.

you never mentioned this before.

that was the longest flight of my life, and you made it worse.

can i still trust you after all that?

at least we tried to make something work.

we never discussed what happened between us.

okay, but i'm driving the car this time.

i haven't forgotten what you said last week.

i'm still thinking about your comment.

i didn't realize it was you when i first saw you.

you seem to make a lot of enemies around here.

there's not much for us to talk about.

we worked it out last time.

i know you far better than you know yourself.

we have a long history.

is that the shirt you were wearing last time?

what don't i know about you?

i haven't told them about us.

you were the only person i could go to.

you know me.

this is bigger than both of us.

i can't stand your driving.

are you taking me to the place we had dinner last time?

that's not at all what you said.

didn't we agree on that?

i thought i made it very clear where i stand.

are these the same people that came after you last time?

are you still going on about it?

can we talk about it?

staying silent about it won't help.

you're the only person who knows the real me.

this is a bad time to talk about your problems.

[annasellheim]

So this was on the @writing-prompt-s site- so I'm treating it as a writing prompt. (I can't fucking draw right now due to a busted shoulder, so I'm doing a bunch of them because I'm alone, hurt, and sad, and they're fun).

Anyway, the story:

I sat down next to him. I looked at my former student, now an adult. A brilliant engineer. I remembered him. I had really liked this kid. The man in front of me was impressive as hell too. It didn't surprise me at all.

"I'm really, really sorry this hurt you. That I hurt you. What I was trying to do was show you some techniques. My goal was that, later, after you learned them, you could deviate from them and make your own thing.

We have a set of guidelines of things we need to teach. It's a mandatory curriculum, with national guidelines, just like math or science or whatever. But it varies from state to state. And who the hell knows what they do in private school. And the curriculum isn't focused on self expression as much as teaching you how to use fine motor skills and..."

Shit, stop it Anna. You don't need to keep justifying yourself.

I try to remember when he had moved away during the school year. I wonder if I hadn't gotten to the point in the spring semester where I gave my students more lee way, to experiment and deviate from the techniques I showed them. To let them decorate their dishes any way they wanted. To make trees and flowers for different seasons. I wondered if he had been part of one of my first classes, before I figured out how to create a really solid curriculum.

Regardless, I could have been clearer about it. I was new to teaching when I had him as a student, I know that much. I was overwhelmed, and honestly, barely keeping it together for the first, like, 4 years I taught. And there were 20-30 students in my classes. It took me a a while to figure out what works and what doesn't in the classroom.

The most important thing was this man in front of me. He was way quieter and more hesitant than the kid I remembered. I hope I didn't do that to him, but I'm was probably reading too much into it.

I took a sip of my coffee.

"You know what's cool tho? The shit you've been doing at work-"

He looked surprised and snorted.

"What?"

"You swore."

It was my turn to laugh. "Yeah, to be fair I'm not in classroom mode right now.

Anyway, the stuff you've been doing at work, it all sounds like it takes a ton of creativity to accomplish."

"I never thought of it that way..."

"Well, you've been on the forefront of a bunch of stuff because you think outside the box. I'm glad I didn't rob you of that."

We sat next to each other on the bench. He was thinking it over. I was trying to not dwell on the fact that he brought this up, that he had carried this pain with him for 20 years.

"Do you still make art?"

"No, not since elementary school, since my last-"

"Your last required art class. Got it."

I gave him a side eyed glance.

"You know you can get back into it at any time, right?"

He was taken aback, he obviously had never considered it.

I smiled. I've had this conversation before, many many times.

"It's not like a sport or something. You can start at literally any point in your life, you don't need to be young and in peak physical condition. Art ain't basketball.

The cool thing too is that you can choose what you want to make, you're an adult. Nothing in art is required for you to learn. You can pick any class you want, or no class at all."

I gave him my business card.

"If you shoot me an email, I can give you some books to read for you to get started. Not to teach techniques, but exercises that help get you back to the point where you just make stuff. I think a LOT of people stop making art for all kinds of reasons, not just because of a novice teacher. There's been a bunch of stuff that's come out recently to try to help adults make art again. y'know, to recapture the joy of it."

We said our goodbyes. I really hope he thinks it over and reaches out.

Once a little boy went to school. One morning The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make all kinds; Lions and tigers, Chickens and cows, Trains and boats; And he took out his box of crayons And began to draw.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, He liked to make beautiful ones With his pink and orange and blue crayons. But the teacher said “Wait!” “And I will show you how.” And it was red, with a green stem. “There,” said the teacher, “Now you may begin.”

The little boy looked at his teacher’s flower Then he looked at his own flower. He liked his flower better than the teacher’s But he did not say this. He just turned his paper over, And made a flower like the teacher’s. It was red, with a green stem.

On another day The teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy; He liked clay. He could make all kinds of things with clay: Snakes and snowmen, Elephants and mice, Cars and trucks And he began to pull and pinch His ball of clay.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” “Good!” thought the little boy, He liked to make dishes. And he began to make some That were all shapes and sizes.

But the teacher said “Wait!” “And I will show you how.” And she showed everyone how to make One deep dish. “There,” said the teacher, “Now you may begin.”

The little boy looked at the teacher’s dish; Then he looked at his own. He liked his better than the teacher’s But he did not say this. He just rolled his clay into a big ball again And made a dish like the teacher’s. It was a deep dish.

And pretty soon The little boy learned to wait, And to watch And to make things just like the teacher. And pretty soon He didn’t make things of his own anymore.

Then it happened That the little boy and his family Moved to another house, In another city, And the little boy Had to go to another school.

The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. And he waited for the teacher To tell what to do. But the teacher didn’t say anything. She just walked around the room.

When she came to the little boy She asked, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, anyway you like,” said the teacher. “And any color?” asked the little boy. “Any color,” said the teacher. And he began to make a red flower with a green stem.

~Helen Buckley, The Little Boy

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[angelicgarnet]

the way people online talk about autism is getting really weird, like do they know that neurotypicals still have interests? that someone being passionate about a hobby doesn't mean they're autistic? you guys know that right

[ace1diots]

people with autism and chronic fatigue when they had plans but then different things happened and now their out of energy a lot earlier than they expected and now they cant do the thing they wanted to actually do thanks to being out of energy

autistic folks when their routine gets disrupted, and they don't get alone time when they're supposed to get alone time

[dailyhatsune]

the old uncle who refuses to wear headphones on the train

[catmask]

sometimes while i think about that while a lot of adults did not treat me very well as a kid i also get a lot of 'in hindsight this person was so good to me and i didnt even realize it until now' as an adult. today i was thinking about how the first anime convention i ever went to was when i was 10 and i asked the man working the manga cafe what manga was/what a good place to start was (because the con was very overstimulating for me and i had gotten lost) and he asked how old i was before recommending yotsuba and asking if i wanted any water or something to eat. its really simple but theres a lot of bad things that couldve happened or he could've been careless in his recommendation, but instead yotsuba has remained one of my favorite manga for years, and probably a large portion of why i continue to read manga as an adult... i think adults who try to involve kids in the world safely/kindly even in little ways make so much more of a difference than they ever really know.

[gailynovelry]

You know those aesthetic image posts that float around tumblr? I'm . . . starting to see a lot on my dash that are obviously ai-generated. Are non-artists having trouble telling the difference between AI images and real photos, or are people starting to stop care about the stolen art that gets fed into those programs?