#there was so much love and time clearly put into every single lore detail in this game

[r-aindr0p]

Thoughts on book 6 while it's still fresh in my mind because that was a lot :')

The whole story in general is great to me tbh It's one of the rare visual novel format games where I actually take the time to read the main story but book 6 felt very special for many reasons

I think it's since everyone in the teams (minus the fools that came to get grim and bring Vil his cosmetics) Has overblotted already and they know how it is, they were already more or less in the process of working on themselves and somehow kept on thinking things through during the long descent into tartarus. In every book there's a sense of urgency during the overblot phase, and there too but it takes them so much time to actually reach down and realize what's has been happening for the last 4 to 5 hours that they had time to experience conflict and bonding. I did every single battle in every hangar to read all these little interactions, the bickering, kicks and compliments.

It was exhausting in the best possible way.

Making a bullet list of what struck me from this point because I have trouble explaining things clearly especially when there is a lot of things :')

Battles : so many, poorly rewarded in gems but great reward in interactions actually

Ost : 10/10 will remember, I love synthetizer sounds and Ignihyde/book 6 did not disappoint

Jamil mumbling the whole time trying to have a strategy against the phantoms while Leona casually keeps ripping into him (and firing spells at him because he's in the way, cats are assholes so this checks out/pos)

Riddle and Azul both wanting to be right in their explanations everyone yaps and no one listens

Pomefiore was vibing though and I loved that for them

Jamil you had 3 hours you could've slept it doesnt take that long to gather supplies for two please sleep

Azul so exhausted he slept on Riddle's shoulder, aww :)

So uh...? Did the phantoms lure Ortho to merge with them or was there and Actual part of late Ortho down there....? Either way, eerie, I like that

Robots getting a heart/soul is one of my favorite themes ever I am so happy for the little guy

Also Ortho has the same seiyuu as Mikaze Ai from utapri who is a singing robot i am going insane about that (and he sings the op song for kono oto tomare but that's unrelated) Love that seiyuu

Sobbing for Idia because he must've felt really done with everything and desperate to be able to actually Overblot (Au bord du gouffre, et au fond du trou as I'd say in french idk how to explain this)

Please Idia share things, it's scary to think about it but it's actually not that bad and sharing your interests feels great, you already do that in a way at the board games club, continue this way

Vil was the MVP throughout the whole book honestly beautiful in every way hearing him genuinely cry and then laugh in such a short span of time threw me off positively

More Rook lore hello wdym "oh I have several family villas and a bunch of siblings" WHAT DO YOU MEAN SIR

Unfortunately I remembered Grim has the same seiyuu as h*talia england so hearing him cry felt weird for a second, happy he's back though

Hey wdym "we renovated the whole ass dorm and every single room but lmao not yours though"

Mickey apparitions feel so off everytime it pulls me out of the immersion in the story because it's so goofy (it's like hearing donald duck take damage in Kingdom hearts battles I can't take it seriously it's too funny)

Fuck legend of the underworld.

That's about it ! And I'm probably forgetting a bunch of other details right now but I loved book 6 despite my complaining posts :") I have trouble knowing how I feel in general/processing my own feelings and put words onto them but I like stories like this because it helps with that ?? I really feel happy and sad and other things, and realize it the moment I feel it ?? Once again I don't really know how to explain it but it's a positive experience.

Thanks for sticking along with my yapping and during my speedrun of the book :')

Minor book 7 stuff under the cut

Wdym I need to level up good cards for book 7 ???

Is it that hard and hellish ?? I barely crawled out of the 6000 tartarus fights 😭

Well I hope you can choose whoever unlike the teams in book 6 because I'm about to create the dream team called "Oops ! All Rook Hunt !"/hj

Anyway here's my ssrs, what's painful is farming for the spell materials honestly but My Rollo is maxed out and well taken care of ✨️ Malleus and Lilia do decent damage as well and have their spells either maxed or at 8 each. Though I tend to level up cards based on their looks and favorites rather than how useful they are :)) I have no idea if there's a single healer in there I'll check it out later.

But for now I will harrass Sam until I get at least one ssr perfume in his lootboxes so I can uncap savanaclaw Rook once more and have him forever locked up in the guest room with Rollo, the closest thing to croissant de lune I'll have in game hhhjgfje

[fyeahnix]

I've been slacking on HFW updates here so here are my tweets over the last couple of days compounded in sequential order:

Another of my favorite things about Horizon, which I probably mentioned when I played ZD, is how Aloy uses technology to enhance her own skills. It's so easy to let tech do all the heavy lifting for us, but she never does that. Even without the Focus, she's still a competent and crafty hunter. And that's fucking cool. Also I just really like Aloy in general. Such a great character.

I like to think Talanah is still overall a better hunter than Aloy and would be absolutely OP with a Focus. She had to get nerfed some type of way. This is based on absolutely nothing but vibes because I cannot remember every single event from the first game nor did I read the comic. Sorry lol

Forbidden West has done a fantastic job so far of adding in a bunch of cool new shit to play around with on top of what you got in the last game, including the expansion of the climbing mechanic. I can't even imagine how they'll top this if there's a third game coming at some point in the future. No, I am nowhere near done with this. I've only just started, haven't even GOTTEN to the actual Forbidden West yet. It was just a point I wanted to make. THIS is how I feel a sequel should be done.

The only thing truly frustrating me about HFW right now is the vantage points. I love the concept in theory, but in practice....ugh. idk if I'm having issues with spatial awareness or what..but getting feedback that's like "maybe I'm too high? Maybe I'm too low. Maybe I'm not close enough?" Kinda sucks because I FEEL like I'm close but the game is so super specific about specific angles. I got to the correct spot like 10 times but because I wasn't looking at the exact angle, it wasn't completing. It's a skill issue on my part probably but it is still very frustrating.

Now that I'm really looking at the map, No Man's Land feels like "Starter Area #2" lmfao

Monster Hunter solidified for me that I love the feeling of saying "OOOO SHIT" when I see another large monster. Saw the first Snapmaw and just had that same feeling lol. Horizon series is literally Monster Hunter Jr for me and I mean that with all the love and praise in the world. Ofc I am going to be shocked when I see A Very Large Monster lurking around in the water when I wasn't expecting it.

Aloy is doing The Protagonist Thing and I love it. Really showcasing her flaws in this game.

I appreciate the fact that Aloy is like "I can't fucking cook, taking this shit to an actual chef" when she picks up ingredients. We love honesty.

Goddamn the tattoo work on these characters in Forbidden West is so GOOD

It is very cool to see Aloy's vocabulary around Old World tech evolve between the two games. She has clearly learned quite a lot.

The way Aloy says hi to a certain character is so reminiscent of how she said hi to the first hologram she saw on the Focus. How cute lol.

Very very interesting how different tribes describe Aloy's hair color. Like it's such a SMALL detail but really shows the level of attention they put into making the tribes culturally significant from each other.

There is just so much to talk about with this game.... But the food you can buy...so much juicy lore and worldbuilding in the descriptions. I LIVE for shit like this

[stillmonsterz]

hello. i just want to say you are both incredible writers and i've personally read both of yours and hoonie 's works.

nobody deserves to receive hate on both sides.

did she plagiarize you? who knows— maybe she had, maybe she didn't. perhaps she might have gained inspiration from your writing before without even knowing or recalling it since there are way too many fics on this site to remember every single detail from every fic you've ever read (even i feel the same. i've wanted to write before, but i've read so many to the point i'm just scared of accidentally plagiarizing someone because i unknowingly get influenced by the multiple different writings i've consumed that people have put out and i can't exactly pinpoint every single scenario that's inspired me) but sometimes, coincidences can really happen, no matter how unbelievable it may seem because it's happened way too many times and way too similarly to even think of it as a mere coincidence anymore.

situations and scenarios repeat themselves over and over again. tropes get reused over and over. i've read fics from the same fandom that get very similar with each other, but i haven't seen anyone really bat an eyelash about it because they probably haven't noticed or maybe it's just because they are all accepting at the fact that we are all a bunch of people who gain inspiration from each other on this app and just honestly here to have fun and read and write what we love and enjoy the most. (obviously unless it's all flat out copying word by word along with characters and plot)

that's how a fandom is, that's what fanfiction is. it's all supposed to be for fun to enjoy the lores we find entertainment in and have genuine adoration for. to make other people happy and enjoy your works by indulging in a hobby that you enjoy doing yourself.

you can't fight everything or accuse every single person who has a similar scenario

because how will fanfiction work if it's not to get inspired by anything or if we all haven't thought of the same exact scenario at one point? it would just be too much to do that every single time to any person who dares think or write the same sentence another person does, it's very energy draining. please don't do that to yourself also. it's like an 'agree to disagree' situation.

i'm sure if she said she hasn't, then she probably hasn't to be honest. i know it's hard to believe, but coincidences like that can really happen. even the plot of her stories were completely different from your own though, it was just in those scenes they were really similar, so it's very plausible that things like that can happen.

i am not the best at english but i really hope you get my point.

there are clearly so many people on this site, you can't keep up with everything to every single post and every single fic and look out for a million different other users to see who you might end plagiarizing on accident or not/or who might be plagiarizing you (whether on complete accident or not)

who knows maybe even yours could be eerily alike to somebody else's work too without you knowing— and that person could also just up and post the same screenshots and accuse you of plagiarism straightaway without discussing matters with you first. it definitely wouldn't be a nice feeling and it can really be detrimental to somebody's state of mind because you've worked hard on it, right, but then you end up getting accused of plagiarism in the end over something you didn't mean to do at all.

you've said "i hate engenes" and i am going to assume you know how messy it can get in this fandom, so rather than posting her @ and a screenshot of her story next to yours for everyone to see, maybe adress it to her privately from the start and clear things up with her personally before making posts about it and saying things like, "if you're going to copy my fic atleast do it well" because that's not nice to say. things wil only become messier if that's how you address the situation :( yk how crazy it can get on enhablr and how 'too much' they can be so it's not hard to believe that they will actually go and harrass the other person without thinking their actions through and through.

people won't focus on the , 'don't report her' , because you know once they see those receipts (the screenshots you've provided), they most definitely will run away with that and send any type of harsh thing they can say to that person to have it taken down immediately.

please i suggest you to take down the screenshots you posted and all the other uncalled for things you've said about her and the situation and continue these matters in private because it has genuinely affected her and her state of mind and i don't want it to start affecting you too from the guilt that might eat at you or the insulting things people throw in your inbox.

i do not want to see two amazing writers have a dispute over a situation that should be handled in private and not for the gaze of idiots to see and attack whoever seems 'right' or 'wrong' and have our own favourite writers get driven off of this app due to the unnecessary hate.

you really don't deserve the hate coming from her side of the followers as well so please, please ignore anything anyone says that just flat out insults you rather than thinking about what they're saying and talking about it rationally!!! please only mind those who are actually trying to see this in a non-biased light and want to help.

once again, you BOTH are very talented writers so i don't see the point in making a big fuss over this like please people and the followers on both their sides— if you see this just seriously stop sending hate because we are all here to enjoy and read from these gifted writers— not attack and throw around death threats at each other, wtf have we become :( that's not who we are so let's calm down and be kinder to one another :/

and i just want to remind everybody that it's just enjoyment and fanfiction at the end of the day, something we should do out of love and enjoyment for, so nothing is absolutely WORTH sending death threats or insults over. like be fr right now do you really think we should all have each other by the throats and threaten to kill one another online? that's so embarrassing, just please stop and look at yourselves 😭 if you think that way just please go outside and touch grass. please.

there is no need for competition to back up your favourite writers, they're both undeniably GOOD and that's that. don't make it seem like a competition or that they're trying to outdo each other and make the other seem better because they're both really impressive in their own writing.

i hope you resolve this with her privately and come to terms with this matter. that's all i'm hoping for. i wish you and her a very pleasant day.

1. It's been resolved. She has chosen to leave the platform, and I'm not sure if she would want to hear from me any further. I've spoken my piece, and she's spoken hers.

2. I'm keeping the screenshots up for a bit. If the similarities are so miniscule, then surely no one would be swayed by them. I'm not going to back down on my stance. I don't feel any guilt, either. I do feel remorse at the way I handled things, but I did not direct my followers to send her hate.

3. You're right that I wasn't nice. I've apologized for how I've approached this, and I've apologized to the writer directly.

This is the last time I answer an ask about this situation. I'm done with it. I've said all I've wanted to say.

[sevenkittensinatrenchcoat]

Some Analysis of the Heaviside Layer and the Jellicle Choice

NOTE: This is mostly going off on the 1998 version, because the story is made more clear there.

Why Does Anybody Want to Go to the Heaviside Layer?

We know that those who are chosen to go to the Heaviside Layer “Can now be reborn and come back to a different Jellicle life”. So, they’re reincarnated. This is based on the idea that cats have nine lives. The Heaviside Layer moves them from one life to the next. I’m guessing that only after living all nine lives do cats actually die. What happens then? Do they remain in the Heaviside Layer? Is there some other sort of afterlife they move on to? Can cats tell which life they’re currently living? Old Deuteronomy has apparently “lived many lives in succession”, all as Deuteronomy, so he’s probably aware, but is that just him, or does every cat know? There are a lot of holes in the lore that can only be filled with “for the purposes of this story, it doesn’t really matter”.

The Heaviside Layer is “full of wonders” as well, so everyone wants to see what’s up there someday, but if it’s not their day, it’s not their day. If Heaven exists, it would be cool to see what it looks like, but that would mean dying and most people don’t want to do that.

The play never explicitly states that any of the cats gathering for the ball want to be chosen. The question they’re asking is “Who will it be?”. They want to know who the lucky cat is and see them off. This is probably the end of that cat’s life as the cat they know, so they all want a chance to say goodbye. The Jellicle Choice has their life celebrated before moving on to the next one, because that’s what most of the musical numbers do.

Who Actually Wants to Go to the Heaviside Layer?

Everyone, someday, but only a few are probably interested in being chosen at the specific ball that the play’s about. Cats who don’t have songs about them aren’t being put in the spotlight, so none of them are up for it. Out of the cats with songs, several of them are also out. Macavity is only sung about because he’s the antagonist and we need a song explaining who he is. Old Deuteronomy’s number is also just musical exposition for a main character.

Some of the musical numbers are spontaneous, while others seem to be presentations being put on for the ball. The cats with songs that are presentations are probably the ones making a case for the Heaviside Layer. So, now we have to determine which is which.

Gumbie Cat:

This one seems pretty planned. There are costumes and special effects. Munkustrap has a Gumbie Cat in mind, right after talking about the Jellicle Choice, meaning that he either thinks Jenny should be picked, or he thinks she will be picked. Jenny is the OLD Gumbie Cat, someone reaching the end of one life, possibly ready to move on to another.

Rum Tum Tugger:

Tugger crashes the party here and Munkustrap isn’t pleased with this. He appears to be the one organizing the night’s events, so if an event annoys him, it probably wasn’t meant to occur. Tugger’s number is spontaneous. Since Tugger is a fairly important character, the song serves as his introduction. It’s a typical musical I Am Song.

Bustopher Jones:

There aren’t any costumes or effects in this one and Bustopher doesn’t even stick around for the ball. But, some of the cats sing his praises when he shows up. He most likely had no intent to campaign to be the Jellicle Choice. He dropped in to say hi and Jenny just started cheering for him, because she’s his biggest fangirl. He probably could qualify for the Jellicle Choice, but he’s clearly not interested. He doesn’t even care who the choice is. Bustopher is not a normal Jellicle cat, not asking “who will it be?”.

Mungojerrie and Rumpleteazer:

Jerrie and Teazer perform their number to no one after everyone scatters in fear of Macavity. Their number is just them messing around, telling the audience about what they’ve been up to, because it’s fun.

Since Old Deuteronomy probably doesn’t count for the choice, since he’s the judge, we end act one with only one established candidate. Tugger, Jerrie, and Teazer had other reasons for their musical numbers and Bustopher basically declined, “I’m still in my prime, I shall last out my time” meaning that he doesn’t intend to go anywhere, Jennyanydots is the only cat who’s been seriously considered by this point.

And Jenny doesn’t really qualify either! She performed her number before Old Deuteronomy showed up, and by starting up Bustopher’s number, she nominated someone else. If she nominates someone else, she most likely doesn’t want to win, or at least doesn’t care very much. So, Munkustrap nominated her, but Jenny herself isn’t really competing to be chosen. She appreciates that she was given her own number and that she’s admired that much by the tribe, but she’s still got a lot to do in this life.

So, on to Act Two. Old Deuteronomy has seen Grizabella sing Memory by herself and implies in The Moments of Happiness that he’s basically already made his choice. However, he implies it with references to Memory, which the other cats haven’t heard yet, so they don’t know that. Old D is still hearing people out though, so now we enter the “auditioning for the Heaviside Layer” portion of the show.

Gus: The Theatre Cat

Gus is an ideal candidate for the Jellicle Choice. He’s old and frail, he’s lived a long and meaningful life, it would be good for him to move on. Jellylorum nominates him. She’s interesting, because the other cats in her age range were all nominated themselves, but her moment in the spotlight is nominating someone else.

Jellylorum is Gus’ caretaker. She most likely brought him to the ball, intending to plead his case. Gus is far too weak to dance at the ball, so I imagine that he was off napping somewhere throughout Act One.

Gus is the only cat who can really compete with Grizabella and his number is the only one that can really compete with Memory. Jenny had a big show put on for her number, and the amount of energy she put into it shows that she’s got a lot of life left in her. Theatre Cat and Memory are both about cats who are definitely reaching the end of their current lives, not able to put on a show. They’re simple, but emotionally powerful.

Gus isn’t just physically weak, but mentally a bit out of it as well. He’s barely involved in the creation of his own number. He just plays off of what Jellylorum said. He’s not even really present enough to want to be chosen. Jelly is pleading his case for him, not because he wants it, but because she believes that he needs it. She knows that he’s not what he used to be and that it’s probably time to move on. She sings a song to celebrate his life and accomplishments, knowing that if she succeeds, this is the last time she’ll see Gus as Gus. But, she keeps the mood fairly upbeat, keeping any pauses in the song from lasting too long, not wanting anyone to get too sad. The Jellicle Ball is a celebration of life, not a funeral.

There’s a lot going on in this number.

Skimbleshanks: The Railway Cat:

So, Theatre Cat has a bit of a downer ending, so Old Deuteronomy decides to change the subject, calling in Uncle Skimble to lighten the mood. The kittens all love his train stories and mentioning his name cheers Jemima up immediately.

This is another number that appears to be a presentation. The construction of the train feels like there were props ready and that this had been rehearsed, only going wrong at the last second. So, Skimble’s another candidate for the Jellicle Choice, but, like Jenny, the energy of his number is proof that he doesn’t really need it. Skimble’s goal at this point is just to entertain. He leads the number himself, so one nominated him, so I doubt he’s being taking very seriously as a candidate. At this moment in the show, everyone’s probably certain that Gus will be chosen.

One interesting detail of Skimble’s number is that he always sings in the past tense. Not every single lyric in the song is in the past tense, but the lines in the present tense are sung by the chorus, not by Skimble himself. The number starts with the chorus in present tense:

There’s a whisper down the line at eleven thirty-nine

But, when Skimble takes over, the tense shifts:

All the guards and all the porters and the station master’s daughters would be searching high and low

The chorus alternates between past and present tense throughout the number, but Skimble stays in the past. He’s mainly telling specific stories about his time on the train, but he also makes more general statements about his time as railway cat:

You could say that by and large it was me who was in charge

Skimble’s time as railway cat is purely in the past tense. He’s retired. The retirement is fairly recent, since the chorus of mostly kittens don’t seem to know about it. My theory is that the humans running the train decided that Skimble was getting too old to do his job and Skimble had to retire. He’d defined himself by his job as The Railway Cat. He was defined by his career, so without his career, who is he?

This is part of a reoccurring thing with several other characters. Many cats have titles of The X Cat, with X being a career or role in society. But, some of them are now too old to play their parts. Grizabella’s looks have faded with age, so she can no longer be The Glamour Cat. Gus is too weak to perform, so he can no longer be The Theatre Cat. Grizabella, Gus, and Skimble are defined by roles that they can no longer play, so who are they now? What do they have left to contribute to society?

The answer is Memory.

Gus and Skimble tell stories from their past careers to the future generation. They inspire the younger cats. The stories of their lives, their memories, are what they have to give. The show has the importance of memory as a reoccurring theme. Skimble clearly figured this theme out on his own, creating his own number to share his stories with the kittens. Gus isn’t quite as aware, but his theatrical career is clearly an inspiration to Jellylorum, who tells the stories when he can’t. The memory can outlast the person, because others hear the stories and tell them to even more people. In that way, Gus will always be The Theatre Cat, Skimble will always be The Railway Cat, and maybe, Grizabella will always be The Glamour Cat in the same way.

This concludes the Auditions For the Heaviside Layer. The remaining character number is another one that Old D isn’t present for and features a younger cat who’s just really getting into his role of The Magical Cat. But, there are still some things worth pointing out:

Mr. Mistoffelees:

The song, despite being as flashy as the rehearsed numbers, is played as spontaneous. Tugger has an idea and then he sings a song to sell the idea, the idea being “Misto can save the day with his magic”.

Up until this point in the show, the only real interaction between Misto and Tugger is Misto calling Tugger a “terrible bore”. If he had a planned number, Misto probably wouldn’t have picked Tugger to sing it. The opening of Gumbie Cat implies that he would’ve wanted Munkustrap to do it. He thought Munk was going to sing about him, but he sung about Jenny instead. So, Misto thought he’d have a number, for whatever reason, and that Munk would sing it.

It doesn’t make sense for Misto to want to go to the Heaviside Layer. He’s just become an adult and is still trying to prove his worth as one. He wouldn’t want to have to start over. Misto is very competitive, so he might think of being chosen as winning a competition, and he just has to win, wanting the victory, not the prize. He also might’ve wanted his own number, not as an audition for the Heaviside Layer, but purely for a moment in the spotlight and the validation of someone wanting to sing about him. He wants to put on a show for the party and show off his magic tricks. He assumed that Munkustrap was in on that plan and would give him his own special number, but he didn’t. Munkustrap arranged a number to nominate Jenny for the Jellicle Choice and didn’t really have anything for Misto to do.

Misto wouldn’t expect Tugger to give him a number. The number is exactly the sort of number Misto wanted, a chance to show off his magic with a long break to show off his dancing. He didn’t expect Old Deuteronomy to be kidnapped, and the trick to bring him back is one he’s never done before, so it isn’t all fun and games, but the fact that he gets a number gives him confidence. So, Misto shows off a lot and gets to be a hero and the adults take him seriously now and this is basically his dream come true. It’s not about the Jellicle Choice, but it’s still a big deal.

Sidenote:

In many productions I’ve seen, when Misto does his Conjuring Turns, the UFO that Grizabella rides to the Heaviside Layer starts to descend. He’s powerful enough to open the gates to the Heaviside Layer and might not even know. Munkustrap is Old D’s son and heir, but Misto will be the one who sends cats to the Heaviside Layer in the future, because he can. The importance of his magic might give him co-ruler status with Munkustrap!

So, the candidates for the Jellicle Choice are:

Jennyanydots (declines, nominating Bustopher instead)

Bustopher Jones (declines)

Gus (loses out at the last minute)

Skimbleshanks (didn’t expect to win and didn’t)

Grizabella (last minute nominee and winner)  

[mandalorianchronicles]

So What Makes a Mandalorian a Mandalorian? || Part One

Among the main themes playing out in this season, Din’s perception about Mandalorians is a major one. Those of us who grew up with Star Wars - watched the movies, the TV series, read the books - basically consumed as much Star Wars content as we could...we have a lot of Mandalorian lore and information to  sift through and many of it is contradictory. 

For those who saw the OT, Boba Fett was the original Mandalorian. There were many books written about this one bounty hunter who had a soft spot for the nastiest characters in the galaxy. They were always writing him to have this complicated code of honor that made him sort of good, even though he was clearly bad. We *wanted* him to be good.

Then the PT came out and we got his backstory. Jango Fett was a bounty hunter who took a job as the DNA donor for the entire GAR and kept one unaltered clone for himself to raise as a son. When the Jedi killed Jango, 10-year-old Boba was left alone, nursing a deep hatred for the Jedi (or at least, for Mace Windu). His fondness for the Empire in his later years now made more sense. 

But Boba still wasn’t a Mandalorian, as nothing that the EU books or comics had released about him was counted as canon, even before Disney took over. Then TCW came out and we had even more insight into Boba. We saw his complete disregard for his clone brothers. We saw Aurra Sing leading him down a darker and darker path - but we also saw how he didn’t enjoy killing for the sake of killing either. That much, his father had instilled in him. In interviews, we discovered that George Lucas had never intended for either Jango or Boba to be true Mandalorians, something that TCW seemed to confirm when Obi-Wan Kenobi asked the Prime Minister of Mandalore about Jango and Almec stated that Jango was not a Mandalorian and he didn’t even know how Jango had come by that armor. The case seemed closed at that point, though many fans doggedly clung to the lore than Boba and Jango were Mandalorians.

Fast forward to today. We learned a few important things about Boba:

1) His armor is actually his father’s. There was conflicting lore about this as well, none of it confirmed in canon. Some said it was Jango’s, others said it was his own. Some even said that it was made of carbon steel, instead of beskar. Glad that’s settled.

2) Boba never took the creed. This was assumed by most everyone who watch TCW, but it’s good that it was confirmed. So, if you go by the supposition that true Mandalorians are not a race, but a creed - Boba Fett is not Mandalorian.

3) Jango *might* have been a Mandalorian. He was a foundling and he was given the armor by Mandalorians. That would imply that he did take the creed, but it doesn’t confirm it. Foundlings who are raised by Mandalorians are allowed to take the creed when they come of age, and then they are given their own armor. However, as we know from season one, foundlings who take the creed are all recorded in the Hall of Records on Mandalore, something that Prime Minister Almec would have had access to. He obviously knew Jango, but was emphatic about the fact that Jango was NOT Mandalorian. So, did Jango actually take the creed to become a true Mandalorian? Was he “given” the armor or did he take it? Is The Mandalorian retconning TCW or is there more to the story? We may never know. Regardless, he was killed, and Boba inherited the beskar. And now he has it back.

Which brings us back to the Din’s identity crisis in season 2. 

Din has learned some very important things about Mandalorians over the past several weeks, and I’d say he’s taking it very well. We started out with him meeting Cobb Vanth, a non-Mandalorian wearing Boba’s armor. When he took off the helmet, Din rightly assumed he was not a Mandalorian. They worked out a deal, and Din kept the armor because it belonged with a true Mandalorian.

Next, Din met Bo-Katan Kryze. When she took off her helmet, Din wrongly assumed she was not a Mandalorian. She informed him that he was part of the Children of the Watch, a fringe cult of Mandalorian zealots who believe in “the way”. I’m going to pause here and define what a cult is for people who have been debating this for the last few weeks.

A cult is “a system of religious veneration and devotion directed toward a particular figure or object.” In the case of CotW, their devotion is directed to the armor itself. Mandalorians existed long before they had their armor (according to legend). They developed the beskar armor to even the playing field against their ancient enemies, the Jedi...and everyone else in the known galaxy. We have seen people born on Mandalore (I’ll call them indigenous Mandalorians, even though they are supposedly not the original aliens who inhabited Mandalore) who live their daily lives without armor. We’ve seen how certain indigenous Mandalorians have rejected the warrior ways, though it’s unclear if they still swore to the Mandalorian creed - which I would love to have a canon copy of (please, Filoni?). Even the warrior Mandalorians who owned armor were not always wearing it, and certainly didn’t have a problem showing their faces. 

To the warriors like Gar Saxon, Sabine Wren, Bo-Katan, Pre Vizsla, and Fenn Rau - their armor is important to their heritage and their line of work, but it is not their entire identity. Take off the armor and they are still Mandalorians. Not so with the CoTW. Take off that armor in front of another person, and you are no longer able to put it on again. Get defeated just once in combat and an enemy removes your helmet, and you are no longer a Mandalorian. Their entire identity revolves around the beskar. It’s implied that a single failure results in expulsion from the group, unless you’re fine being that one person who walks around naked and exposed, the humiliation and shame of your failure staring you in the face behind expressionless masks every moment of every day. THAT is what makes Din’s group a cult, and if you have a problem with the term, I’m sorry. But that’s what is is. 

Moving on. Din has suddenly been made aware that “the way” is not the ONLY way. He rejects this at first, but Bo-Katan masterfully draws him into a mission that she did not need his help with to show that if he ever decided to be open-minded, he had a place with them. I’ll write more on her later, but I don’t have the time to do her justice here. She gets in her digs in true Bo-Katan fashion, but in the end, you can tell that Din has begun to accept her as legit.

Milestone #1: Okay, so some Mandalorians who swore to the creed take off their helmets in front of other people, but they can put it back on again.

Next, Din met Boba Fett and learned that he did not swear the creed. Since the armor was in Din’s possession, obviously Boba had been defeated at some point by someone (if he only knew it was an accidental bump to the jetpack by a blind Han Solo). But since Din forgot to lock up the Razor Crest with its state of the art ground security protocols which I will now never know the details of, Boba snuck in and took his armor back. He then proceeds to take out a few squads of stormtroopers with it, earning some brownie points. Remarkably, Din does not threaten to take it off him as he did with Vanth, but I sure wanted to...ahem. I digress. When Boba shows his chain code (which is apparently also a birth certificate and might have cleared up some lineage confusion in past films), Din just accepts that because Jango was a foundling, the armor rightfully belonged to Boba.

Milestone #2: You can be defeated and have your armor taken away from you and still put it back on again.

Milestone #3: You don’t even have to swear to the creed of Mandalore to have the right to wear beskar armor, as long as your father (or, sole DNA donor) was a Mandalorian foundling.

We’re seeing Din’s ingrained worship of the armor being stripped away one layer at a time. He’s learning that what makes someone Mandalorian does not begin and end with the metal plates they attach to their bodies. It’s deeper than that. And I, for one, cannot wait to see where this leads him.

[kaiserin-astraia]

NieR's Project Gestalt

So after several nights losing sleep over this, I decided to write down my biggest issue with the NieR series: project gestalt. It’s pretty unanimously agreed by fans that project gestalt was probably the worst plan in the history of plans, executed in the laziest way possible. And yet, I couldn't help but obsess over how project gestalt could have been salvaged, even after the events of ending E of nier replicant.

This is the part where I say: I’m going to spoiling the hell out of NieR: Replicant and in some capacity NieR: Automata. If you don’t want to be spoiled, then get out now — that being said, if you’re sticking around anyway, I’ll be attempting to give summaries and explanations to concepts in the games that are relevant, so that we are all on the same page. also also I only know the high level details of the Drakengard series & won't be touching on it much.

So. What the hell was project gestalt?

Project gestalt was the terrible and last ditch effort to save humanity from a widespread pandemic called white chlorination syndrome, or WCS. WCS was caused by a literal inter dimensional fight between a red dragon and demon baby thing that resulted in the death of both and the deterioration of their corpses causing salt (also called Maso particles) to fall from the sky. If you got infected, the Cult of the Watchers gave you the choice of losing your free will and fighting for them as a soldier in the Legion, or turning into a pile of salt and dying. BrandonSP has a wonderful video talking about the Legion and the Nier universe leading up to the events of Nier: Replicant that I’ll link if you want to know more about this history (here), but all you need to know is: humanity is on the brink of extinction and the planet is no longer inhabitable in its current state.

Project Gestalt discovered that the way humans could escape extinction is by separating their souls from their bodies — the soul having no physical form is immortal & immune to maso, while the body without a soul can't become infected, because there’s no consciousness to force into a demon deal, I guess. You know, I realized while writing this that it’s not clear why separating soul from body actually worked to prevent WCS, but whatever it worked because Yoko Taro Said So.

However, separating body from soul was no easy task; upon doing so, most people’s souls would instantly go berserk, turning into mindless violent entities. The first success was the playable character of Nier: Replicant, who I’m going to call Nier. Upon this first success, the governments of the world convinced / coerced him into cooperating with the Project, and he became the cornerstone for all the “gestalts” aka the souls separated from their bodies.

Just to keep everyone up to pace, gestalts are the souls separated from their bodies, otherwise known as “shades” in Nier: Replicant.

So Project Gestalt’s planned chain of events was as followed:

1. All remaining humans would undergo gestalt-ing 2. The resulting replicants (aka, the soulless bodies) and androids would fight and defeat the legion & clean up the planet so that it was habitable again … which meant containing or eradicating the leftover maso covering the planet. 3. Once ready for rehabilitation, Grimoire Weiss and Grimoire Nior would merge into each other, causing all gestalt souls to snap into their respective replicants starting with Nier 4. Profit. Seems a simple plan, right? Well, not even a single step of that plan worked. By the end of Nier: Replicant ending E, Nier’s Gestalt, aka the shadow lord, has been killed by his own replicant; the replicants have gained sentience and I would argue their own souls, and many gestalts have relapsed into becoming violent, nonsensical entities. The insta-snap grimoires are dead, too, and-- Oh there’s the tiny issue that when a gestalt relapses, their corresponding replicant gets something called the “black scrawl”, a painful and terminal disease. Once a gestalt relapses or dies, their replicant can’t be recreated (well... mostly) and because the original gestalt, the shadow lord, is dead, all the other gestalts are doomed to eventually relapse or die as well, and thus humanity goes extinct. This is where I call bullshit. There’s little known about the time period between Nier: Replicant and Nier: Automata— especially the time of the gestalt and replicants decline. The game(s) leads you to believe that nothing can be done because the soul snapping Grimoires are dead and so is the original gestalt. However, there is tons of evidence in the game itself that implies it’s not so simple, and truly the true tragedy is that simply, everyone gave up — or more likely, Yoko Taro didn’t want us to think this hard, lol. Well TOO BAD, I can’t stop thinking about it so finally let’s actually talk about how to save humanity. First of all, I read on Reddit how it seems to be that the androids Devola and Popula are only two units, and with their demise in Nier: Replicant that project gestalt is doomed to failure. However, Nier: Automata clearly talks about how there were several Devola and Popula model pairs in different cities/continents. There’s no way that only our Devola and Popula in Nier: Replicant knew how to merge a gestalt with its replicant; such vital information would be stored in every android related to the project, and these models were quite literally created to oversee it. So. Idk why the hell the project was allowed to even get so disorganized, but regardless, after the the Shadow Lord and grimoires die, the remaining Devola and Popula units should have immediately made a plan B. There were several big issues with the state of the world before, so we’ll tackle them one by one for the biggest chance of success. 1. All relapsed gestalts need to be eradicated or contained. Their violence has lead replicants to attack them back and view them as monsters, leading to meaningless conflict. If the Devola and Popula units are programmed not to harm the gestalts because they are the 'true humans', they need to make new units ala A2 or 2B to take care of it. Because we know that android technology is already there, evidenced by the Memory Tree, and Devola and Popula, it follows this is definitely possible.

2. There should be three divisions of research made as follows:

2.1 Research into the effects of mismatched replicants merged with gestalts, like Kaine. Because the clock is ticking, there’s unfortunately no time to gawk at morals. Taking volunteers, even 1 success could be the difference between extinction or survival.

2.2 Creating and housing “iced” or “stasis” gestalts, while replicant bodies are “grown” for them. Because replicants have formed their own identities, they should try to create/raise replicants completely asleep/comatose. If not this, research into putting gestalts into their proper replicants at infant stage can be tried. (Note: replicants were infertile, hence why replicants had to be made, not born of sexual reproduction. Yoko Taro said that replicants couldn’t reproduce because they didn’t have their souls, however I think this was just a comment said to cover a plot hole.)

2.3 Research into whether replicants truly have souls or not, and whether something can be done to allow them to reproduce. Regarding the soul issue, it’s heavily implied that the Memory Tree, having absorbed the memories of so many replicants, began growing a soul of its own (that Nier killed, thinking it was a shade, oops). Now, how is that possible? It shouldn’t be, unless the replicants had made their own or unless a soul being created was possible. If we want to get fancy, a fourth division could be organized to study Emil and the weapons project that experimented on him, with an emphasis on how to either reverse the effects or if any information can be gleaned from them regarding the soul.

2.4 Black scrawl 2 electric boogaloo: it’s said in the project gestalt files that they couldn’t find a cure or reason for this phenomenon, but if we’re trying to cover our bases, another research division should be created to investigate and attempt to cure it. It seems to be a magical malady, so I wonder if Emil would be able to help... or even Kaine.

3. (Moving along...) More androids should be created to build cities / homes / areas of civilization for the newly reformed humans to re-habitat. This is said to be a goal of the androids in Nier: Automata, and they were doing a piss poor job — maybe if they got started earlier they’d have a better shot. The replicants were/are already living in medieval levels of squalor and poverty, which is ridiculous considering the android's technology is so advanced.

4. No more lies: though in my plan, replicants shouldn’t have to be created except to be possessed, but if they are created and allowed to mature into a sentient age, replicants should be educated and informed about the truth of their existence — this is for many reasons. First, that way replicants will be less likely to fear and attack shades they see; two, worst comes to worst, they may be more willing to share their bodies with their gestalts and who knows? Maybe they’d merge naturally. Three, no replicant would be allowed to get strong enough to defeat an android (or two -- seriously, what were the twins thinking letting Nier get so powerful?).

Hopefully this makes it very obvious that the death of humanity was entirely the fault of Project Gestalt itself and the androids meant to oversee it -- at least the androids have the excuse of being programmed to act a certain way, but still. It's so frustrating that we just have to accept that humanity was doomed even though, by its own lore, there was a lot that could have been done to attempt to save humans. Like, I love you, Yoko Taro, but gees.

anyway if you've read all this I'm so sorry but also I'm REALLY interested to hear what y'all think about the Nier universe and it's facets. idek why I've got such deep brainworms but here we are.

P.S. As of writing this, I've played some Nier: Reincarnation and it just further implies that the way they created and treated replicants was both A) awful, holy shit, it's so bad, and B) ill-advised on every level. I don't want to spoil but good lord. Honestly, I think at this point YT just wants to express/nail home that humanity was doomed to fail because of its own cruelty and flaws. ok ill shut up now bye love u

[carmenxjulia]

I put together a transcript of the 2 hour Q&A Interview the Carmen Sandiego Discord did with Showrunner Duane Capizzi. All of the questions were submitted by server members. You can read everything below the break!

Duane Capizzi:

Hi there!

Am I in? Is this thing on?

PizzaHorse:

Hi, welcome!

Yep, you're in the right place!

Duane Capizzi:

Sorry I'm late, I was wandering around some empty Discord hallways looking for the right room haha

PizzaHorse:

No worries. Let's get started!

Who is your favorite character?

Duane Capizzi:

Moose Boy!

KIDDING!

Alright, how to NOT get myself in trouble if my answer isn't "Carmen" haha.

But really, they are ALL my babies.

So I know it's going to sound like a cop out to some that I can't pick just one. But hmm, some for instances...

I love that she's so morally evolved at such a young age; her ability to always take the high road and never lower herself; her drive and conviction and dedication. Her ability to kick serious booty and look good while doing it. Her progressive values, her fashion sense. I could go on and on. But then there's Shadowsan and his arc; Chase and his. Julia, who's every bit as strong as Carmen but shows it in different ways. The Cleaners don't get enough love.

I'll close that question with an anecdote about The Cleaners ...

I love that all our characters are embraced and that everyone seems to have favorites. Our sound engineer Marcel is a pretty serious guy: he has a serious job that takes high levels of focus and attention. He's always deeply focused and not prone to small talk. Anyway, we were in the middle of our first or second sound mix, and he suddenly stops in the middle and turns around to face us. I'm thinking, "uh oh, we're giving too many notes." That's when I notice he's freeze framed the Cleaners. He says "I really like these guys." Then he turns around, hits play and gets back to work.

PizzaHorse:

What was the biggest challenge for coming up with new stories and plot for the reboot?

Duane Capizzi:

THE biggest? Sigh. I'm not sure I could come up with just one. Plotting is always challenging and we had the brain trust of the room, our trusty white board, and writer assistant to keep the threads of the ongoing storyline together. I think the single biggest ONGOING challenge was tracking which character knew what at any given time.

The caper part was challenging - coming up with new capers and keeping them interesting and fresh. But, it was the characters and their interactions that kept things fresh and interesting. Another museum heist? That's okay - Chase is on the case and he gets to interact with "X" this time (for instance).

There were also some episodes - Duke of Vermeer and Crackle Goes Kiwi come to mind - where there was SO MUCH SET UP needed to get the payoffs to work. I was really worried about too much talk/too much detail. Very "Swiss watch!" It took a lot of work to make sure it all clicked and was clear - hopefully it seems effortless on screen but I can't say there wasn't some sweat and the occasional tear (mostly from me - I'm a big cry baby

But really, what made it fun was that we had so many buckets to draw from: sometimes a story germ initially began with a character idea; sometimes it was inspired by global location; sometimes it was a clever way to update or reimagine an idea from old Carmen lore. Usually, it was some combination of all of the above!

PizzaHorse:

What was your favorite scene to write?

Duane Capizzi:

I think we have a theme here! "How can I pick just one ...?"

As a film buff, I got to indulge in some serious fan nerdery on this show: I got to write spy movies, yakuza movies, spaghetti neo-westerns (though turning it on its head: spaghetti westerns usually involve REVENGE and because of Carmen's character make up, this was sort of anti-revenge).

Is writing coming up with the idea or typing it? Haha. An "if a tree falls in the forest" question. The writing team and I had so many cathartic "that's how it goes" in the room. But on my own, writing the Pilot, was a very inspiring time for me: I remember laughing out loud the moment I thought of Chase falling on his own car (in part because of doing my spin on "that trope" that we've seen in so many hard boiled movies recently). But also how emotional I got when I imagined the simple but potent image of Black Sheep deciding to take her destiny into her own hands and walk that long corridor to the Faculty who we were about to meet for the first time.

I think I've cited this in another interview, but there was a period where I was completely immersed in Chase's arc and the scene where he would crack the location of VILE island ... by listening to Julia in a dream ... was a big one for me. It revealed he was finally open to admitting he needed Julia more than he would ever admit - yet, it was his own subconscious speaking.

The next morning, after cracking that scene, I bumped into Raf Petardi (voice of Chase) ... at the supermarket! It was very strange and hilarious

PizzaHorse:

Did you scrap any lengthy or funny scenes that you would be able to share?

Duane Capizzi:

With few exceptions, most scene cuts are done at the script stage so that the story board team doesn't waste effort over boarding. A variety of trims to any script are common, but they are usually for the better

The easier question to answer might be scenes were part of our "wish list" at writer room stage, but never made it to story or script. I hesitate to go too deep here (in the event that we might ever do more Carmen episodes in this canon - I'm not giving up hope). And there were cases where things we wanted to do earlier in the series wound up getting nixed or not fitting for whatever reason, but we got them in later - USUALLY FOR THE BETTER. So there's sort of a reverse Murphy's Law/rule of good fortune somehow in these things. But some fun things that didn't make it into the show, that leap to mind were: a Bollywood dance sequence (!). A Vegas caper involving Brunt wanting to steal an Elvis jumpsuit against the backdrop of an Elvis impersonator convention. We also thought it would be neat to get Maelstrom imprisoned so that Julia could interrogate him and he would play mind games with her - very Lector/Clarice!

PizzaHorse:

Were there any different treatments of Carmen you pitched before settling on the one we ended up with?

Duane Capizzi:

I was one of several "pitches" that I'm sure HMH heard before running with my version. But I can honestly say I've never pitched anything as fully formed: the take on Carmen felt so right to me, and clearly HMH and by extension Netflix agreed

I'll answer your question with an anecdote: I had the entire Pilot pretty well worked out, and pitched it in the first meeting. But one key thing that changed (much for the better!), simply because it wouldn't have fit without slogging things down ...

In my Pilot pitch, Black Sheep's escape on the boat was off screen: we see Shadowsan corner her, then we cut away. The rest of the Faculty show up to find SS's broken sword on the rocks, and are led to believe BS killed him (!). In the present, Crackle points his weapon at Carmen and prepares to pull the trigger. We know that Chase is on the way and may rescue her. The compartment door opens to reveal - not Chase - but Shadowsan! Big surprise! Then we cut back to BS's escape and find out what really transpired etc etc.

Crazy, right? SS would have been hanging out with the gang in season 1; we might not have gotten to 203 with his back story, since his sword was broken and he couldn't return it. Just one of those magical things where "things work out" the way they are supposed to. THAT SAID, it made for a heckuva pitch

PizzaHorse:

Are there any characters that ended up taking a direction you didn't initially anticipate?

Duane Capizzi:

GRAY.

I didn't know we'd make him amnesiac when I wrote the Pilot, that was something we came up with in our first week Writer Room.

And even then, when it became clear he'd be a key piece of the bigger puzzle, we didn't know how exactly (mostly the Season 4 stuff).

We did get very deep with a version where 404 ended with his protective streak for Carmen kicking into high gear, and they would be fighting off Vile Guards back to back in perfect tandem. Then, having chosen Carmen over VILE, it was Carmen who actually orchestrates Gray going "off grid" so that VILE can never find him again. Funny, I know that is arguably the version of Gray's arc that many fans might have preferred seeing. But in the tradition of spy thrillers and film noir, and for a lone wolf character like Carmen who is focused on her life mission and not romance, we stand behind where we went with him. We felt it was so much more compelling ... and truly more emotional that he totally has a get out of jail free card when he sacrifices everything (including his life, potentially) to save Carmen.

when she needs him most!

I know I made some controversial comments about Gray "not being good enough for Carmen" and I'd like to clarify that I meant, until that final episode. What he did was so selfless and heroic. Is there hope for them in the future? Who knows?! But I do hope we get to explore that one day

I'm sure Gray is living off the grid somewhere now, inspired by Carmen's selfless good and thinking of her from time to time.

PizzaHorse:

You mentioned in the interview with Alicyn that Carmen is a love story, but you were cut off before you could finish discussing. Could you elaborate on your answer now?

Duane Capizzi:

Ugh, yes! Sorry about that. I actually answered that privately for someone so will cut and paste that response here. Let's see if it works.

Something we never said in the show, but something I imparted to the creative team was: Carmen Sandiego is (among other things) a LOVE STORY, where every character in our ensemble is in love with Carmen in one way or another. Even if they don't know it! That love can take different forms: we see how spurned by Carmen Coach Brunt feels and why she retaliates so excessively. Chase eventually comes to realize that he too loves Carmen, even if he wasn't initially aware of it haha. One of the most moving things to me about the series is how all of the different factions come to Carmen's rescue at the end when she's not "in her right mind," without knowing the others are there too. It's a massive group effort to bring back the Carmen they love. But we weren't looking for a fairy tale ending for Carmen with ANYone - Carmen's a classic lone wolf anti-hero, that goes with the territory. At least at this stage in her journey.

PizzaHorse:

Were there other locations that you wanted to feature in the show that didn't make it?

Duane Capizzi:

I think we managed to cover a lot of ground and "cadence" between different countries/cultures/continents was important to us. Many "iconic" locations of course, and it would have been nice to explore some lesser known locations if we had more episodes.

One that we almost did was Niagara Falls, Canada - actually literally going to the Falls and doing a big hydro-electric caper, where Player could actually get into the field with Carmen and the team.

But ultimately, we wound up bringing Player into the fold the way we did and wound up stronger as a result. It made his "first face to face" with Carmen even more impactful, IMO.

PizzaHorse:

Were there any changes in production between the first half and the second half of the series?

Duane Capizzi:

Well, there was that Covid thing

But while it was no doubt a colossal undertaking to get the entire staff transitioned to work from home (animators! and their equipment!), we managed to make up for lost time WITHOUT a dip in animation quality. My fedora's off to our amazing team at Wildbrain for pulling it off!

We did lose some staff between orders, but that is a natural part of production unfortunately. Namely, one of our episodic directors Kenny Park, our first storyboard artist Dennis Crawford, and our story editor May Chan were among those who moved on to other shows during the break. But, as hard as their shoes were to fill, fill them we did!

PizzaHorse:

What is your favorite season?

Duane Capizzi:

Easy. Hands down, Season 3.

(crickets)

KIDDING!

Again, another "they're all my babies" answer (and yes, I love Season 3 equally

It's hard, because really when you step back I'm sure you'll agree it's a series, with stand alone capers; but it's really all ONE BIG MOVIE.

Season 3 is like the scherzo of a symphony: the shortest movement of four, and the one that tees up the big finale.

That's my hoity toity answer but I'm going to put to rest all of the various theories on what happened with season 3. It was a combination of two things: Netflix's desire to experiment with different ways of "dropping" seasons, and their desire to do a holiday themed drop (in this case Halloween, naturally). It became our challenge to come up with a theme (easy enough: masks), and the bigger challenge to serve their need while not interrupting our ongoing narrative. A challenge to be sure, but a challenge met. I think the biggest bump was perception: it was a short season and I know that was disappointing to many. But, by design.

So, Season 3 = an essential part of the whole. I don't think there's a wasted episode, and it gets everyone into position for the big finish. I can't pick a favorite season - you can't make me

PizzaHorse:

Were there any characters you had wanted to give more time to but couldn't due to time/plot restraints?

Duane Capizzi:

Well, there's the "what was on the white board" answer but hopefully some of those ideas will see the light of day in some way, shape or form some day. I think if we had more episodes, we would have shaken up the internal dynamic of VILE a bit more (as hinted at Brunt's displeasure with Maelstrom for leaving her hanging out to dry at end of 405 - a seed we planted "just in case," as some have noted). And we had more scenes in mind with Chase's partnering with Carmen for the first time that we had to cut to the bone because of what little room we had in that otherwise packed episode (worry not: it's mostly more gags, more embellishment, more twists and turns - but the important stuff is there). Mostly, and I don't think it would have been right for Season 4 but I hope to tell in the future, I think there's an interesting history between Shadowsan and Lady Dokuso - possibly tragic - that I would love to explore one day. (She was a cameo in Duke of Vermeer at the dinner party BTW, I'm not sure if anyone noticed. And we built a bigger role for her out of that)

PizzaHorse:

What are some pre-2000/nostalgic Carmen references you snuck into the show? Do you have a favorite reference that was included?

Duane Capizzi:

Doing that was so much fun! I'd say roughly 60% of the characters were from previous iterations of Carmen, though often in name only. We had fun reimagining most everyone to make them more relevant or updated or giving them a more colorful personality for starters.

"Suhara" was Carmen's Japanese mentor when she worked at the ACME Agency in a flashback episode in the 90's series, for instance. I don't think I need to spell out how we turned that one inside out

And Tigress was also one episode only: she was a "rival thief" to Carmen, but revealed to be an ACME agent in disguise - a persona created solely to bait Carmen. It was really cool of course, but it seemed like untapped potential so we made her an ACTUAL Vile Thief.

My own internal rule was to make sure the references/easter eggs wouldn't confuse anyone - they were there for those who were in the loop and window dressing. The one and only time i broke that rule was Dark Carmen's line from 407: "I do it for the mental gymnastics." It was one of the most absurd lines from the 90's series (IMO) and i was determined to have it come out of Dark Carmen's mouth. I'm sure it left some 7 year olds scratching their heads

aside from that, the key references were the music: I still tingle at how we worked the Rockapella theme into the Interactive Special; and the 90's main title theme (composed by Mozart!), in our Vienna episode ("They're playing my song"). If you wanted Rockapella or Carmen as a bad guy, well ... be careful what you wish for!

PizzaHorse:

Was there any improvised content from recording sessions that made it into any episodes?

Duane Capizzi:

Yes! Not much, because a lot of it would have pushed us into TV-MA haha

Mostly Mary Elizabeth - Coach Brunt has a POTTY MOUTH!

Mikey and Abby usually riffed their banter WAY beyond what was on the written page and had us in stitches. Some bits definitely made it in! But mostly there was too much or it would get off point (hmmm, much like my interview answers maybe? haha)

Sharon Muthu did rise to Pun Goddess status with "Mask and you shall receive." And Raf pitched me "Chasse means hunt in French" after one session and I said: "I'm going to write that in." I don't think he believed me. You can't say I'm not a straight shooter.

PizzaHorse:

If you could get more season, would you do it, and what type of story would you tell?

Duane Capizzi:

Well if that hasn't been clear so far, ABSOLUTELY

There have been discussions of course. It's up to the powers that be at this point. I will say this: the beauty and tradition so far has been that every iteration has been its own thing. I definitely think there are more "different canon" versions of Carmen that can be had and be a part of this wonderful tradition. After all, there were many naysayers for our version when it was first announced.

I will also say that if we don't get to tell any more stories in this canon with these characters, we've left a perfect gem that will stand the test of time. I would rather go out on a high note than overstay our welcome.

All that said, we worked within the allotted episodes given, ended it as we wished, but left the door open for other stories. I'd love to do an expansion and a deepening: pick up where we left off; find out what happened in those two years; and proceed to do the equivalent of Godfather II or Better Call Saul as related to the amazing originals they followed.

Let's hope! Keep putting good vibes out there!

PizzaHorse:

If you could pick a character on Carmen Sandiego who'd you switch places with for a day (you get to control their life and they get to control yours) who would you pick, and why?

Duane Capizzi:

Okay, THIS is difficult. So you're going Freaky Friday on me?

on a Sunday?

Hmmm, I know Ivy would get along with my cat ... but then I'd have to hang out with Zack!

That's the trick: I can't pick my favorites cuz I couldn't hang out with them!

(not that I have favorites - they're all my babies haha)

Okay, I have one: ROUNDABOUT. I could fill Shadowsan's seat - how cool is that? Then, I could enact all my evil fantasies - but still have a get out of jail free card cuz he'd be sitting at my desk!

(cut to Duane being brain wiped - D'oh!)

PizzaHorse:

Who are two characters who don't really interact in the show that you think could be good friends or work really well together?

Duane Capizzi:

Hmmmm. Okay, now I'm going to give you quick and sassy answers. Gray and Julia! They'd be so cute banding together to rescue captive Carmen (for instance). And they could also duke it out and maybe settle things between themselves re: shipping controversies instead of dragging me into it

PizzaHorse:

The FINAL QUESTION. Have you learned anything super impactful while working on the show?

Duane Capizzi:

Aside from Iceland's terrifically low crime rate?

I think I have learned to never underestimate how meaningful characters can be to fans. Social media has obviously brought us a lot closer to our fan base in more immediate ways: it's been really gratifying to hear/see/read feedback and not be writing things in a vacuum. It's been gratifying to see that ideas that were meaningful to myself and the creative team on Carmen that were crafted with care, have also resonated with our fan base. THANK YOU TO EVERYONE who has traveled on this journey with us - for embracing Carmen's world view, and her friends and foes alike. Take care everyone! Stay safe! This has been fun, thanks for having me!

PizzaHorse:

HUGE thank you to Duane Capizzi: for being here today.

Thank you everyone for watching and reacting!

Duane Capizzi:

Okay, gotta run - just gotta find the door

Anyway, really: THIS HAS BEEN AMAZING. I speak for everyone involved in the creation and production of Carmen: it has been an amazing and inspiring series and we're elated to see it connect with such a CREATIVE, TALENTED and INTELLIGENT fan base. Take care everyone! Until next crime...

[crypdoezoology]

ik you touched on it a little bit but i'm still like extremely curious about why you don't like hereditary and midsommar specifically? i can't say they're my favorite horror movies either but i do like them so i'm curious about your criticism!

i really struggle to be totally coherent w/ my complaints about these movies 😅 i mainly have just a very gut reaction to them. like i GUESS i can see why people like them, they both have some really well done effects and gore visuals, and they both have a pretty cohesive aesthetic style. but ultimately both of those things end up feeling rather hollow to me.  in hereditary’s cause i think when so much attention is put into the visual look of a film, and clearly had great actors and a good budget that someone would have edited the the plot (and i’ll struggle to stay calm about how frustrated that makes me). if a little indie B movie w/ unknown actors and a tiny little budget makes a somewhat slapdash movie w/ some plot holes but they blow some stuff up in the end or have 2 minute scene of someone’s face melting off you feel like yeah ok this makes sense it is what it is and i can really appreciate that. hereditary has so much going for it and yet it feels completely superficial. it’s all about looks and it has no substance when IT REALLY COULD HAVE. there’s just no excuse! the plot makes no sense to me, the whole cult this is completely convoluted and needed massive editing. nothing adds up and to me it really pulls away from what’s happening in the movie. it kind of seems like it jumps from shock value gore scene to shock value gore scene which is like FINE if that’s what the movie is SUPPOSED TO BE but hereditary parades around in the skin of a psychological horror film about family tragedy. AND IT’S REALLY NOT  ONE. the focus is massively pulled away from the family dynamics w/ all that fucking cult demon ghost shit going on and in the end neither the family drama OR the demon cult ends up being well fleshed out enough to make sense. it’s like they had two scripts lazily glued them together and then put a real expensive dress on it. i really. REALLY. don’t like it. to me it doesn’t feel organic or honesty or fun. i fucking hate every character they are so god damn unlikable there isn’t even anyone to hold on to or enjoy. it just makes every little annoyance stick out to me, there’s nothing to sooth it over and make me feel like the little faults are forgivable.  and that brings me to midsommar. which is a bloated, self important hell film. honestly i would just write it off as insufferably boring if not for how it was received by the public. the way audiences interpreted this movie have created so much loathing in me for the movie itself. which AGAIN comes off to me as being superficial. all flash no substance. again not really any likable characters! which WOULD AHVE BEEN GREAT TO HAVE SINCE IT’S A LONG LONG ASS MOVIE. jeSUS it’s so god damn long did i watch a directors cut by accident or is it really three hours long?????? EITHER WAY it needs massive editing, there is so much garbage in there, it wants to have this deep lore and everything but there’s just too much!! like fucking pick your set dressing!!!! it’s just exhausting and pretentious that a director would think the audience really needs to see every single little thing you thought up like you’re not the second coming man, get ur point across and get out. i just don’t feel a heart or soul in the movie, it wasn’t fun to me to watch, or even haunting or traumatizing. it was just annoying the reason i keep fucking thinking about it is because i hate that i wasted time watching it and every time someone brings it up i feel SO mad that people really think this is what is the pinnacle of horror media when it feels like a gentrification of horror media. dress it up make it glossy and pretty, it feels corporate and sterile. and what is it w/ BOTH these movies dragging mental illness into for no fucking reason?? w/ in hereditary saying the dead mom had schizophrenia and dani’s sister in midsommar having bipolar? WHAT did that add to the movies?? other than villainizing people w/ mental illnesses REALLY what was the point? like this is one of those little details i was talking about earlier, like the fact that it’s in both movies really makes me fucking wonder. like if this was just some stupid little b movie that no one watched it would barely matter to me, but the fact that these movies are so fucking popular and there are so many of these ~le problematique~ features in these movies that everyone is willing to condemn the genre for! BUT THEIR STILL. HERE. makes me feel like people only give a shit about advocating for the awareness of the demonization of the mentally ill in horror media when the movie can’t be turned into pretty aesthetic gifsets. 

i’m not going to say no one is allowed to like these movies, like i said at the beginning to an extent, i can see their appeal, i admire the gross shock value that hereditary kind of has, and i can dig the serene aesthetic of midsommar. and you’re allowed to enjoy a movie that’s problematic, we all do, i’m not trying to “cancel” these movies. i do think ari aster has some thing about the genre down and i’d love to see him make a movie i can really enjoy. but jesus i will never ever ever come to enjoy these films, the really rub me the wrong way and i think they’re both too big for their britches. 

[myhahnestopinion]

THE AARONS 2020 - Best TV Show

It was prime time for TV in 2020, with many more free hours to fill. I managed to get through a lot of my backlog in fact, finally getting around to watching shows like The Strain. It’s a show about a deadly disease that tears society apart because a lot of arrogant people think they are exempt from quarantining. The disease turns people into vampires, so it’s technically escapism. Here are the Aarons for Best TV Show: 

#10. The Plot Against America (Miniseries) - HBO

It’s not TV, it’s not HBO, it’s real life. The Wire-creator David Simon’s penchant for illustrating the human fallout of institutional failures made him a perfect collaborator for HBO’s Plot Against America, an adaptation of Phillip Roth’s alternate-history novel. Following a Jewish family in New Jersey navigating the increasingly-fascist America of a hypothetical Charles Lindbergh administration, the show is a terrifying warning of what happens when hatred and conspiracy theories are allowed to accumulate political force. Notably, while the book ends with history back on the right track, the closing moments here are left ambiguous. The show was a limited series, but in many ways, The Plot Against America is ongoing.

#9. Mrs. America (Miniseries) - FX

Its interests are married to The Plot Against America, but Mrs. America traces the country’s rising extremism from a more historically accurate perspective. The miniseries centers on political activists in the 1970s on opposing sides of the proposed Equal Rights Amendment, but its dialogue isn’t a strict dichotomy. The episodic format is expertly utilized to build out intersectional ideas from the likes of Rose Byrne’s Gloria Steinem, Uzo Aduba’s Shirley Crisholm, and Margo Martindale’s Bella Abzug, detailing the difficulties in building a diverse coalition, and the dangers of a single-minded one. Drawing parallels to current debates, its compelling centerpiece is how conservative Phylis Shafley (Cate Blanchett) successfully defeats the Amendment; voting against your own self-interests, Mrs. America says, is as American as apple pie.

#8. The Outsider (Miniseries) - HBO

Societal collapse comes from within in the two shows mentioned above, but the threat in HBO’s adaptation of Stephen King’s 2018 novel is decidedly an “other.” King clearly had his mind on modern manipulations of truth when crafting the ingenious premise: a man is arrested for the murder of two young boys due to irrefutable DNA evidence, only to provide an air-tight alibi for the crime. To match King’s procedural prose, HBO brought on The Night Of’s David Price, who layers the original work with meticulous mysteries. The Outsider has all the pulpy jolts expected of the author, but the show’s true horror lies in its overbearing grief, best brought to life by Ben Mendelsohn’s Detective Anderson. To say more would be to spoil its secrets; you’ll want to be on the inside.

#7. Perry Mason (Season 1) - HBO

Just like the famous fictional attorney, HBO can’t seem to lose, with Perry Mason marking its third entry on this list. The reimagining of the long running court drama actually takes place before the character’s illustrious law career; here he’s a down-on-his-luck private eye caught up in a scandalous child kidnapping case. The result’s a gangbusters production of old-fashioned moody noir: political corruption, femme fatales, and a more morally-complicated Mason, as played by The Americans’ Matthew Rhys. The lavish period details and character-actor cast, including Shea Whigham, John Lithgow, and Tatiana Maslany, will help draw viewers in, but, I’ll confess, I was already hooked by the season’s chilling opening moments.

#6. Zoey’s Extraordinary Playlist (Season 1) - NBC

Dour seasons have dominated this list thus far, but Zoey’s Extraordinary Playlist sings a different tune. It’s a lovably oddball premise: an accident during an MRI causes a young woman, played by Jane Levy, to hear other people’s thoughts in the form of popular music. It’s all karaoke, but, emphasized by the presence of Skylar Astin, a worthy inheritor to Crazy Ex-Girlfriend’s musical-comedy crown. The tracklist, workplace antics, and love-triangle drama all exist in a comfortingly familiar network TV realm, but the show takes additional steps for inclusion with stories highlighting Zoey’s genderfluid neighbor (Alex Newell) and an American Sign Language performance of Rachel Platten’s “Fight Song.” During a year in need of shuffling off stress, there was no better time to queue up Zoey’s Extraordinary Playlist.

#5. What We Do in The Shadows (Season 2) - FX

FX’s expansion of the mockumentary feature film of the same name lit up some of the darker corners of its universe in the show’s second season, transforming mundane-seeming material into something completely, uniquely batty. Each creature of Shadows took their turn in the spotlight this season, from a middle-management promotion gifting energy-vampire Colin Robinson unlimited supernatural power, to undead Nadja befriending a doll possessed by her own ghost, to Matt Berry’s Lazlo forging a small-town persona as a bartender/volleyball coach to escape a vengeful Mark Hamill. As always, it was the sympathetic Guillermo (Harvey Guillén), a Van Helsing descendent desperate to become a vampire, who gave the show its emotional stakes, and the vampires within a different kind altogether.

#4. Stargirl (Season 1) - DC Universe

Shadows was lit, but few things burned brighter this year than Stargirl (perhaps too brightly for the flamed-out DC Universe). The superhero drama is one of several that will outlive its original streaming service - fitting, given its obsession with legacy. Based on a character created by DC Comics stalwart Geoff Johns after the tragic loss of his sister, the show finds a young girl taking on the mantle of a fallen hero after moving to a town run in secret by supervillains. With sprightly fight choreography and an unabashed embrace of its comic book lore, Stargirl outshines the overabundance of small-screen superheroes out there. Its highlight is the bright performance of lead Brec Bassinger; put simply, she’s a star, girl.

#3. BoJack Horseman (Season 6b) - Netflix

Throughout its run, BoJack Horseman garnered acclaim for routinely delivering unexpected pathos, and the final season kept it on that track until the end. ...Get it, because horses run on tracks? The unexpected porter of television’s legacy of antiheroes ended in much the same vein as its sister shows - with consequences finally catching up with its protagonist. No amount of fanciful animal puns could soften that painful catharsis, as the show finally trampled its tricky web of abuse through bittersweet means. The series closed out with an especially thoughtful scene, the kind viewers who looked past the wonky pilot years ago were regularly blessed with; to the very end, BoJack, you were a gift, horse.

#2. Better Call Saul (Season 5) - AMC

As good as Bad ever was and better than ever before, the fifth season of AMC’s spin-off completely upended the world of its eponymous lawyer while bringing Vince Gilligan’s universe one step away from full-circle. Saul Goodman found himself in way over his head, and viewers found themselves way on the edge of their seats, as his first foray into “criminal” lawyering swiftly dovetailed with an escalating drug war. Despite the emotional distress of watching fan-favorite character Kim Wexler placed in perilous situations, there are no objections to be had with the drama’s continued masterful storytelling. Ramping up the slow-burn storytelling, season five saw Kim and Saul’s relationship develop in rich and unexpected ways, while still keeping their final fates unresolved. Fans are thus waiting with bated breath for the show’s final call next year. 

#1. The Great (Season 1) - Hulu

Who could be the best but The Great? There was a minor television controversy this year over Netflix marketing The Crown as a historical drama despite its fictional interpretation of events; The Great has no such pretentions. An asterix adorns every title card of the show, letting viewers know that its take on Catherine the Great’s coup against Emperor Peter III of Russia is only “an occasionally true story.” The show indeed is not great for education, but it’s the most entertaining television of the year, locking stars Elle Fanning and Nicholas Hoult in a battle of wits and a fight for the country’s soul under the watch of The Favourite co-writer Tony McNamara. The uproarious comedy slyly collates leadership based in cruelty with leadership based in goodwill in the background of its quite bawdy escapades, a subtle bit of relevant political maneuvering that lets it successfully claim the crown this year.

NEXT UP: THE 2020 AARONS FOR BEST TV EPISODE!

[vanquishedvaliant]

The sidedish is scrolling your blog and not finding you talking about new anime

I must not be hip enough to recognize precisely what you’re getting at by ‘sidedish’, but I just don’t usually post it much on tumblr unprompted anymore because writeups are a pain, they don’t usually get much traction, and I’m more than satisfied talking about it in discord with people that are actually going to listen and respond.

I DO have thoughts on new anime I can serve if it’s that in demand, though. 

Here’s what I’m watching this season with some initial reaction ratings based on the first couple episodes

New this season;

Wonder Egg Priority 10/10

UraSekai Picnic 10/10

Kumo desu ga, nani ka 8/10

Kemono Jihen 9/10

Hortensia Saga 7/10

Soukou Musume Senki 7/10

Gekidol 6/10

Sequels;

Cells at Work 9/10

Cells at Work: Black! 9/10

Uma Musume Pretty Derby 10/10

Tensei Shitara Slime Datta Ken 8/10

Log Horizon 8/10

Dr Stone 10/10

Continuing from last season;

Higurashi ... Gou 10/10

Hanyou no Yashahime 6/10

Jujutsu Kaisen 10/10

I’m also watching the original Higurashi in between off days to catch up to where Gou is, since I’d never seen it before and it’s clear I’m not getting the full story in Gou anymore without it.

Deeper thoughts under the cut.

Wonder Egg Priority and Urasekai Picnic are the clear AOTS contenders. Both are at once extremely superficially similar but very different in practice, and both bring something unique and charming to the table.

Urasekai is extremely notable at being a well executed supernatural adventure anime that is also a yuri; as much as I love pure romances like Bloom into You or Adachi and Shimamura, it’s very rare that we get anime with lesbian main characters or WLW romance where the romance itself isn’t the focus, that includes a serious, intriguing plot alongside the elements of romance. You know, like straight people get without a question every single story ever.

It’s got this very classic cryptid / SCP / otherworld adventure feel and has the right comedic and tension beats to be quite good, though its long term impact will be determined by what kind of further message it has.

Wonder Egg Priority immediately comes off with extremely powerful vibes in the vein of things like Flip Flappers, which I mean in the highest compliment. A surreal, metaphor-filled story of dreams and desires and well laid subtext, with colourful, exotic action and a snappy pace. This one’s extremely interesting to me, and its first episode was masterfully efficient in setting up its premise both aesthetically and thematically.

The real test for Wonder Egg will come with time; this is a story that trades heavily in meaning; so it’ll have to run longer and come to a conclusion to really test what kind of impact it’ll have. For now, I’m VERY interested and cautiously optimistic.

Spider Isekai is a charming twist on the typical flood of fantasy game / isekai stories placing our protagonist at the extreme low end of the power curve, and quite UNLIKE Slime Isekai or most others on the market like last season’s Kuma Bear, this one seems intent on keeping her there rather than immediately granting her insane godlike powers and thrusting her back above the curve.

The parts of the show that focus on the spider herself are lovely; there’s a real tension and sense of stakes in her struggle to adapt, slowly getting used to her new body and gaining levels and abilities, making even simple conflicts against frogs or lizards seem life threatening and serious, giving us a real reason to root for her.

On the other hand, the show frequently switches focus to... the entire other classroom of isekai’d children which is by far less interesting. There’s potential in there somewhere for a story about mass isekai’d kids adapting, but other than some details like one girl being gender swapped, and another being the class pet, there’s just really not much interesting about them at the moment and these sections just feel like a waste of time while waiting for the Spider to come back.

I don’t doubt that they’ll eventually meet up and have their stories intertwine... but at the moment, I don’t think I actually want that to happen. We’ll see where this one goes.

Kemono Jihen took me by surprise, and I wasn’t planning to watch this one unti l saw some screencaps. But the first two episodes have been outstanding, giving us a fantastic supernatural mystery detective agency plot and characters with real emotions, eye catching action scenes, and a compelling mystery.

Definitely looking forward to more of this one.

Hortensia Saga seems like a fairly typical fantasy war chronicle RPG story. It feels very in the vein of early to mid era fire emblems, and I happen to like anime like this that are solidly executed, like Grancrest Senki a while back. It’s doing a good enough job so far to keep my interest. Nothing game changing here, but a decent offering.

Soukou Musume Senki; this one also comes across in the standard seasonal fare of superpowered teenagers fighting aliens, this time with power armor and mild isekai elements. The monster designs are good this time, and the second episode brought us some nice moral / political dialogue showcasing some level of self awareness and depth. It’s fun so far.

Gekidol this show wants really badly to be compared favourably to Shoujo Kageki Starlight Revue. They’re hamming up the theatre tropes, putting out specials, sliding in secret background lore. First episode was fairly interesting, but the second seriously dropped the ball with its half assed Idol episode, and incredibly tone deaf play at a heartwarming moment.

I’m gonna keep watching this one for now, but it really needs to prove to me it has some meat and isn’t going to just keep borrowing tropes from other shows to lend it superficial “deep” merits.

For sequels,

Cells at Work is as cute, wholesome, and info-taining as ever. I think the OP this time is missing a little oomph, but the show itself is still going strong.

Cells at Work: Black! is offering a new take on it with a slightly darker and mature setting with a stressed out alcholic smoker at risk of contracting STDS, with a little bleaker tone and harsher stakes. It relies on the background of the original Cells at Work to work both tonally and narratively, but with that support it provides something quite interesting and unique.

The usual Cells at Work metaphors and humanization of bodily processes are just as excellent as always, and I’m giving special credit to the sketch about alcholic liver damage being compared to drunken abuse of host club employees, displaying a perhaps obvious if natural juxtaposition of the physical and emotional damage the substance abuse is causing to both the body itself and others around them.

Uma Musume; Horse girls! Racing! Just as surprisingly excellent as last season, giving us a fantastic sports story anime with charming characters and balanced stakes, with a good helping of humour. Easy recommend.

Slime Isekai: This one’s still going strong but has diverged from it’s original premise quite seriously. There’s nothing intriguing about this being an isekai  about being reincarnated as a slime anymore; and he’s way too overpowered for any of the combat to have any stakes. What it DOES have however is a fascinating look at the birth of a fantasy nation of monsters, politics, science, and social development of a varied and multicultural monster nation. And THAT I’m still in for.

I will seriously never forgive them for making Bobcut Lizardgirl into a regular ass human though. It has a serious problem with de-monsterizing its character designs and seriously reducing their appeal.

Log Horizon the true king of MMO isekai is back after 7 long, long years, and it’s jumping STRAIGHT into the depth of its political intrigue and deep understanding and development of the socio political issues inherent to its setting. Somewhat dry as ever, but truly fascinating for those looking at a more serious exploration of what the concept of living in a game actually means.

Dr Stone: I don’t have to hype this up, do I? Mad science speedrunning the development of human culture from the stone age up! This time they’re going to war! They made cell phones and cup ramen out of rocks! It’s heartwarming, emotionally rich, entertaining and informative, and funny as all hell. A classic for sure.

Higurashi. Everyone knows higurashi. Thing is, I just never watched it. We thought Gou was going to be a remake, but then it ended up being Rebuild of Evangelion, so I stopped at episode 12 or so and went back to watch the original. Classic horror mystery.

Yashahime. Yikes. This one’s... well. I don’t have any especial nostalgia or affection for Inuyasha like many people, but Yashahime is clearly a very middling approximation of it. There’s things to like here, the main trio of characters are all great designs, Moroha standing even head and shoulders above them as a truly endearing goblin child, and it really does feel in ways like 90s toonami fare. But there’s some lack of depth going on here, and I just don’t even know what to say about the Sesshoumaru pedophilia thing. Extremely questionable plotting.

[miraculouscontent]

“favorite salt blogger” eXcUse yOu

But yes, I am absolutely up for another Alya roast.

[All’s Fair in Love and Lore]

First things first, I want to reiterate something I brought up a long time ago (back when I talked about “Mayura”), which is my relationship with lore and how it affects my opinion of an episode.

I see lore as a seasoning, not as a main course, so it’s rather difficult to get me riled up over details about lore. I mean, a lot of people complained about Mayura’s power, for example, but I was not one of those people. The core of my critique and analysis lie in character interactions and plot details, not lore. If the lore is good, great, but if it’s lackluster/bad, I’m not as likely to hammer away at it compared to say, someone like Alya (we’ll get to her in a moment, I promise).

Anyway, I’m gonna be honest in saying that I wasn’t expecting Fu’s foe to be a sentimonster of his own creation. I mean, we’d known for a long time that the destruction of the temple was caused by something that Fu did, but we didn’t know what until now.

As for the reasoning itself, I’m mostly on board because Fu was like, a dumb teenager who didn’t even want to be a guardian, so the fact that it was a silly mistake makes sense to me. My biggest gripe is honestly just that they didn’t clarify how Fu dropped his staff and then couldn’t go after it. Is it going to be revealed after all this time that the man can’t swim?

(that problem might’ve been solved had the flashbacks shown less and been more vague visually; same applies to him talking about losing the grimoire and peacock+butterfly)

I’m aware that a lot of people thought that there’d be more build-up/tension from Fu making a mistake that literally destroyed a whole temple, and I think the reason for that is that we, as an audience, weren’t told that it was such a small mistake. When we see the temple being destroyed and Fu looking on with regret, it makes the situation seem really big and important, like Fu trusted someone he shouldn’t have and that someone was a big bad of some kind.

I can’t blame people for being disappointed, but considering that the temple and all its residents were brought back in the end, I’m glad it was just a foolish mistake made by a salty hungry teen that could simply be reversed, because Fu didn’t deserve to live his entire life feeling guilty over it. Like, yeah, there are some obvious things that should probably be addressed (i.e: the fact that these residents have been gone for almost 200 years) but eh, details, I don’t really care that much.

Though, I guess we know why Wang “bicycle away from all problems” Fu isn’t that great as a guardian now; he’s had a few years of training at best. It doesn’t excuse everything he did and I wish it was more of a plot point but still.

Plus, him being like, “yeah, forget how the actual guardians tried to teach me because clearly that did nothing for me mentally,” was very amusing to me and also, yeah, I don’t think that starving teens for 24 hours who don’t even want this darn job is a great idea either.

That said, I do feel like this episode kind of has the “Ladybug” problem where they’re focusing on two characters at once, and in both “Ladybug” (an episode that should be Marinette-centric) and “Feast” (an episode that should be Fu-centric), that second character is Nathalie/Mayura. I don’t technically have an issue with Nathalie getting focus in a narrative sense (though, am I the only one who thinks that the foreshadowing in “Ladybug” over Emilie using the peacock is pointless now? I felt like Adrien saying “the same thing happened to my mom” is enough.), but when Fu already doesn’t get a lot of focus outside of plot-centric episodes (technically Marinette doesn’t either but she has screen time), I feel bad for the guy. I think Nathalie’s plot points could’ve been used better in an episode like “Miraculer” since Chloe already gets more than enough focus.

Granted, if this episode was a two-parter, I would’ve been all for Nathalie getting focus because this episode is about a sentimonster, so it makes sense, but I don’t think the episode was able to touch on both topics in full in the time it had, and it’s just weird in general that this season is a downgrade from Season 2 in that respect, where Season 2 had multiple two-parters (one of them technically being a three-parter) whereas Season 3 only has one two-parter. I believe I’ve talked about it before, but now it’s two episodes that could’ve been worthy of being two-parters (three if counting “Miraculer” but I was reaching on that one), so it’s even more noticeable than before.

What I do like about the episode is the Marinette and Fu interactions along with Marinette and Adrien being heroic civilians. It was also interesting to see Wayzz lecturing Fu about how Fu was making a mistake because it’s nice seeing Wayzz have more input on the matter.

Also, Plagg playing piano with Adrien was good. I guess Sadrien was inevitable since Nathalie’s sick but thank goodness it’s brief.

...you know what I didn’t like though?

[Abandon Hope, Alya Who Enter Here]

Gosh darn--Alya, I swear, I leave you alone for one episode (for the most part) and I guess you didn’t like that or something because DANG.

Now, look, I totally get Alya being in pursuit of more information. In fact, I'd be in full support if we got to see more of Alya coming up with in-depth theories, whether they're true or not.

The problem is that Alya has no tact when doing so, and this brings me all the way back to "Oblivio" when I rambled about the fact that Alya took that photo and posted it online without Ladybug's permission, despite Ladybug having trusted her, given her an interview, and gave her a miraculous on multiple occasions.

And I do not believe for one second that Alya ever gave up on figuring out Ladybug's identity here. She clearly gets nervous when Marinette calls her out for it, and I don't see "figuring out Hawk Moth's identity" as her only goal.

Her actions here are particularly insulting because of the severity in what she's doing. Either Alya believes that her theory isn't accurate and that's why it's okay to post it, or she's just that reckless in what she's doing.

Considering her track record, I'm inclined to go with the latter.

Furthermore, Alya explaining all of these things when she already has a video about it on her blog is dumb for two reasons. One is that she's presuming that neither Marinette nor Alix follow her blog (at the very least, she presumed that Marinette did back in "Dark Cupid"), and two, she put her blog first and her friends second when prioritizing who should know. It just seems superfluous for her to tell her friends this information when she's already made a video about it (at least run it by them for a quality check first jfjisoshfhf).

And speaking of prioritizing who should know, Ladybug should know and Alya doesn’t even run it by her first either. Presuming that “The Mime” happened by now (basically impossible for it to have not), Marinette has already given Alya an interview with Ladybug, so Marinette should be the first one that Alya goes to so she can be like, “Hey, can you get a hold of Ladybug again so I can ask if this is accurate/helpful?”

I dread what would’ve happened had Alya gotten her hands on the grimoire somehow. Every single page would’ve been posted to the Ladyblog without a single thought and the mere idea of that is horrifying.

The fact that Alya mentions Hawk Moth yet doesn’t even realize the gravity of what she’s doing is ridiculous, and going further to have Marinette apologize to Fu for giving Alya the fox miraculous but not having it be directly addressed (i.e: not having Ladybug visit Alya to talk about privacy; again, having this be a two-parter would’ve been nice) while Alya clearly learns nothing by the end of the episode is just--

it’s dumb. Alya wouldn’t even have needed to get a talking to by Ladybug anyway if the episode had just had Alya see the crushed/missing statue at the museum and made the connection that, “oh, I posted a video about this statue and now the statue is gone and a terrible monster hungry for miraculouses with that same symbol on its head showed up not too long after HMMMMMMM.” The episode claims that Alya is a great journalist only to then not have her connect the dots because... like, tunnel vision, I guess???

And that wouldn’t be a problem if it were just addressed, but instead, now we have yet another female character who has their hero status brought into question, leaving Ladybug as the only female who is undoubtedly trustworthy (not counting Alix, the eventual bunny holder).

It’s so baffling to me that the episode goes out of its way to bring up the issue of what Alya’s doing and why it’s dangerous, only to then not discuss it further. I don’t know if the episode went through rewrites that ended with the scene cut out, but that scene would’ve been important unlike... say, Alya getting on Marinette’s case for staring at Adrien (and the award for the most irrelevant scene in this episode goes to--).

I mean, despite what I said about the episode itself and it needing more time in general, the episode can’t spend time on pointing out that Alya has made a mistake only to then not take the time to address it and instead show that Alya hasn’t learned anything.

Thus, given “Reflekdoll” and now this, we see that even if Alya is clearly at fault and/or needs to learn a lesson, regardless of whether the writers are aware of it/point it out or not, nothing will come of it.

*sigh*

[vaguely-concerned]

Twisted Fate/Graves thoughts 2 Electric Boogaloo because none of you can stop me

and I just have a lot of feelings okay

- t.f. taking an entire paragraph mid-fall during a harrowing life or death chase to give you the context for how much the imminent destruction of his boots is a  tragedy is the funniest and most endearing character detail and also irrefutable proof that despite appearances he, too, really does only have that half a brain cell, it simply pingpongs around in there much more than graves’ half (which instead finds one idea and GOES HARD for it no matter what lol bless him)   

also his pov is basically just a flippant ‘well this is a goddamn bitch of an unsatisfactory situation’ until graves literally forces him to have an honest emotion at gunpoint, and y’know... that be what love feels like sometimes when you’re like that as a person, extremely relatable, I feel for him so much

- I’m still just quietly astounded by the hmmm... implied intimacy? I guess? in the argument they’re having once they’re actually talking in burning tides. let’s look at what they’re actually saying to each other:     

T.F.: “Are you ever gonna learn? . . . Every time I try to help you, I-” and “ I tried to get us out. The rest of us saw the job was going south . . . But you wouldn’t back down. You never do.”

vs.

Graves: “You’ll run again. That’s all you’ve ever done.” and “You made out alright, though . . . You know why? It’s because you’re a coward. And nothing you’ll ever say can change that.” 

like them’s the sort of fraught fighting words you have with a spouse right towards the end of an ugly divorce, the full fruitless ‘why do you always have to --’ and ‘but you never listen to me!!!’ deal, especially from graves’ side lol. it’s the sort of hurtful you can really only be with someone you’ve been very, very close to, someone you know incredibly well. considering the whole backstory what graves is essentially saying here is ‘It’s your own fault people have left you; you deserve to be alone’.

(interestingly, in twisted fate’s pov it seems that what’s really messing with him is the part of not being listened to. he tried to plead with his family and they refused to listen, he tried to convince graves to run away with the rest of them and he didn’t listen, and here they are again and graves isn’t listening  a g a i n  and at that point t.f. clearly just sort of. gives up on actually being heard, in a slightly heartbreaking way. and from how graves reacts to seeing that I really think he’s not naturally cruel like that at all, he’s just in too much pain to think until this startles him out of it and then he does actually listen)

- through both stories graves is so desperately, enduringly horny for t.f. to be emotionally present and engaged with him without slipping away into his ~*cool magic gambler*~ persona and I find it weirdly sweet 

- graves immediately getting fond of this leaky battered old rowboat... hfsadkjfhasd he’s sort of adorable in a way? it’s also really cute how he’s got this really tight focus on tf and his mannerisms and how genuine he’s being at any given moment. it’s such a neat way to show what he’s feeling and thinking about, which must be hard with a character who’s so massively oblivious to the finer points of his own inner life lol  

ALSO can we talk about how tf literally winks at him at one point, right after they’ve sort of had a little moment of regained trust... like my good sir that is so deeply unnecessarily saucy of you, please control yourself (though in his defense graves somehow still isn’t picking up what he’s putting down so y’know maybe subtle isn’t the way to go here anyway haha)

- I wonder if t.f. used to go by his initials even before he changed his name -- graves calls him by it straight off the bat in burning tides and t.f. seems to consider his real name mildly embarrassing lol. (also intriguing that he does appear to think of it as his ‘real name’, and not ‘old name’ or something like that. it’s why I feel like we’ve got more of a dual identity going on here than a deadname situation, it feels more like two distinct levels of emotional vulnerability/availability to me. and so ‘tobias’ stops being relevant when there’s no one left to know him as that. ow.)    

- from reading his bio it seems like twisted fate has had to figure out a lot of the magic stuff on his own (except for the mention of his grandpa teaching him the fortune telling part of it -- seems like they had a bit of a special connection, really, if him leaving his old cards with the kid before they left is anything to go by). what I’m saying is that I would read thousands upon thousands of words of him experimenting with it when they were younger and graves hurriedly having to topple a table over and pull them both behind it for cover before they both explode lol 

(and then t.f. popping his head up afterwards like ‘hAH see I TOLD you I could do it!’ and graves disconsolately lighting a cigar from the burning rubble b/c the things one does for love partnerships huh)

- I’ve been looking over burning tides with a writing eye a few times to figure out what makes it work so well for me, and one of the things I really like is that there are a lot of small comments/details that are there or are framed in a certain way specifically to emphasize the familiarity and history between the characters. Just small details like He moves fast for a big man. I’d forgotten that and graves mentioning he’s never liked standing too close when t.f. does the teleporting thing -- not to mention t.f.’s name reveal, which if I understand this correctly was actually new information to the readers when burning tides was going on. (and yes it is still very funny to me that his actual name is tobias. the duality of man)   

(I also feel like there are HUGE differences in writing quality between the different POV sections -- I guess different people wrote for the different characters? Well, both of the first person sections are gold and that’s what matters to me in this story so I don’t really mind. Sadly the Miss Fortune parts read the weirdest and stiffest to me, which is unfortunate b/c I love her lore concept a lot and she’s so cool in double double-cross. WHO the fuck let an unironic ‘the crimson-haired siren’ slip through the edit, is what I really want to know. please, narrator, tell me about her cerulean orbs while you’re at it) 

- The man I used to know seems lost under years of hatred.

I don’t try to say anything else. I can see it in his eyes, now. Something’s broken inside of him.

still makes me SO SAD and I’m incredibly happy it turns out not to be true in the end thank GOD

- this might just be me reading into stuff too much, but I really like this sense that in moments of high emotion/genuine vulnerability, graves tends to sound older and more tired while t.f. sounds younger than he actually is, more frightened and hurt

- if his mind hadn’t been completely focused on partner-rescuing and open murder were in any way his style, t.f. totally could have killed gangplank right there and then before miss fortune even got to blow the fucker up haha. then again if that were the sort of guy he were he’d be dead along with all the rest of them

- it’s so good that graves tries to save miss fortune’s guy before they leave the cave but also isn’t broken up about it when it turns out he can’t, that feels like such a correct encapsulation of his moral character haha

- I really do enjoy graves’ POV so much not just because there’s something immensely comforting about how he refuses to be scared even in the face of death because he’s too damn grouchy and won’t give the world the satisfaction, but also because the language/cadence is so satisfying. he does have a way with words, in a gruff non-flashy sort of way.

It smells like the end of everything – sulfur and ash and death; cooked hair and melting skin -- the rhythm of that is so gooood and that whole section conveys the horror and destruction but also the awe of the scene so well. (I’m telling you graves isn’t actually dumb at all, just astoundingly unbendingly single minded once he’s got an idea in his head lol) 

- I keep thinking about the fact that the last two things twisted fate thinks about before he passes out from drowning is if graves is scared and ‘What would Malcolm do?’ and I’m feeling real 😭😭😭 about it

- I’m still so disproportionately intrigued by graves mentioning his mom in burning tides. considering how early and seemingly easily he left home (...not to mention that he brings her up in connection with someone punching him in the face) it might be a safe bet that they weren’t that close but like. she also seems to be one of the very very few non-revengy things he’s checked up on after getting out of prison. did he send money home sometimes? would he visit whenever they came back to bilgewater? did she ever meet t.f. and if so did she approve or was this a bit of a uncharmable mother in law from hell situation? I um. I want to know these things pls riot it’s for science

.

(First post is over here btw, if anyone’s interested!)

[beyondthetemples-ooc]

📌🏳️‍🌈💎

Ahhh, thank you so much! Defaulting to Teen Titans. So....

It’s about to get Rambly.

Media Hyperfixation ask game --> [x]

📌 how did you find your hyperfixation?

It all started with the cartoon! Saturday cartoons were kind of a thing in my family, and my dad was always big on superheroes. So naturally, if a superhero cartoon was on, we’d watch it as a family. I wasn’t especially invested in superheroes as a genre, I just liked the plots better than a lot of other kid shows.

I remember watching Nevermore in the dark room, and mostly just being Vaguely Confused, not really caring what was going on (because someone was brushing or braiding my hair, and I liked that a lot better at the time). I specifically remember seeing Pink!Raven and just kind of being like: “...okay? Weird.” I remember the watermelon Loreal Kids shampoo from that night better than I remember the episode because I legitimately just Was Not Paying Attention. I don’t even remember the first time I watched the Apprentice episodes.

But then I remember LOVING Fear Itself from the first viewing, the whole thing with Pretending Not To Be Afraid and the line “I’m afraid, but that doesn’t mean I can’t fight back” REALLY struck a chord with me, and by the time Aftershock pt. I aired, I was SUPER emotionally invested in the Titans’ well-being. I was so surprised they’d survived! Terra had to be stopped and I was FURIOUS at her for what she did to them! I couldn’t WAIT for next Saturday!

Now, I don’t remember quite WHEN I started reading the comics, definitely before Haunted aired, because I recognized Raven’s soul-self IMMEDIATELY. (It’s Kind of a Big Deal in the comics.) But whenever it happened, that same dad that loved superheroes was a comics collector, and when I started enjoying the show, he started letting me read the comics. At first it was just the trade paperbacks, started with Terror of Trigon and Judas Contract (what a way to start off, huh?), and also the trades from the ‘00s Adult Comics (Teen Titans v3, as we call it). A Kid’s Game, and Family Lost. (Family Lost made a big deal about Raven’s return, and elaborated on Raven’s backstory via Arella. Take a wild guess which one I read over and over again.) He also gave us the Beast Boys and Girls trade, but my sister was much more of a Beast Boy fan and adopted that one the same way I adopted Family Lost.

(I’d put a Read More here if I could, but Tumblr isn’t giving me that option? So let’s hope the mobile trick works.)

:readmore:

Eventually he asked me if I wanted to read the comics they first appeared in, and naturally I was like “YES!” So he pulled the box of New Teen Titans (etc.) comics out and set it near the living room, and he made the rule that I could only take one issue out at a time, and had to return it before I read the next one.

I visited that box ten times a day sometimes.

I would take the issues with Azarath out time and time again, staring at the pictures, reading and re-reading the discussions there, taking in every single little detail. The rainbow stars. The triplicate moons. The architecture. The clothing. I’ve always been especially fixated on Azarath, and Marv’s habit of casual lore-drops fed my fandom-thirsty soul so WELL.

And when I read Tales of the New Teen Titans #2, Raven’s origin story? I never wanted to put it back in the box! I was ENAMORED.

The more I learned about Raven from the comics, the more I related to her, and the more I fell in love with the Raven in the show too, appreciating her backstory and filling in the blanks of things I desperately wanted to know about her. (Which was EVERYTHING!) 

Raven was the sole point of entry for how hard I fell in love with the franchise, but the older I got and the more I learned, the more I grew to love everything else about it, too.

🏳‍🌈 do you have any headcanons (lgbt, race, neuro, etc) that are important to you?

I headcanon Raven as both aspec and POC! I mean, canon doesn’t color her much at all; the cartoon gives her eerily pale skin and the comic artists tend to color her a deep peachy “white” skin color.

But if you look at the profiles George Perez draws, things like her nose shape and eye/brow structure look like It Could Be. Especially this silhouette from the GAMES graphic novel:

And, I mean, Marv Wolfman considered making her black from the start. So it even works on a meta level.

I don’t know what nationality she could be, because nationality comes from the parents, and, well, Trigon’s a demon, and Arella’s drawn a lot more classically-European looking. Small nose, big eyes, pale skin. Arella was also a foster child, so it’s probably canon that she simply doesn’t know her national origins?

And about asexuality? It’s lifted straight from the comics. There was literally an entire storyline that focused on her and sexuality. And she just DID NOT WANT sex. Now I might be projecting a little, because Marv made it very clear that the reason she’s so apprehensive and avoidant about it is because of her mother’s r*pe. And for the longest time, I was apprehensive and totally avoidant of sex because, for me, I was a sex-repulsed ace, and let’s just say I had a sort of social-learning trauma from several close friends. But you can be afraid of sex and be sexually attracted to someone at the same time. This was CLEARLY not the case with her. When they were getting ready, she’s clearly bracing herself, forcing herself into it, only going along because Eric forced it on her, and she’s like “If you must, just get it over with”, and that’s only BARELY paraphrased. She had no desire for it! No heat, no excitement! Absolute zero! Just straight FEAR.

Not to mention, as much as I despise that storyline, the closest thing she has canonically come to ever Getting Down with someone was that weird astral “child” thing with the Wyld weirdness, and if I remember correctly, that was a complete accident with No Body-Unifying Prerequisite.

(Clearly she’s romantically active in both the comics and cartoon, but hey, I’m also a lot more romantically engaged than sexually too. I haven’t decided yet if I headcanon her as demi, gray, or what, but I definitely get Very Strong Ace-Spectrum Vibes from her.)

As for other characters, I’m honestly Really Intensely Hyperfixated on Raven In Particular, so I’ve never given as much thought to the others, but in running teentitansheadcanons, I’ve seen submissions that Beast Boy is autistic or ADHD, and I like that interpretation! I legitimately Can Not Comprehend how his mind works, I just can’t grasp how things Operate for him at all, but from his outward behaviors, I can definitely see it.

I also heavily, heavily headcanon that all the Titans have PTSD, both from their pre-hero days and the fact that they’ve all faced near-death scenarios. Different events impacted different Titans differently, so it’s from different things for all of them, and they all have their own individual ways of coping with it, but it’s There.

I also headcanon Really Hard that they ARE each others’ support group, because Found Family means the WORLD to me, and I imagine it does to all of them too. Wait, screw “imagine”-- that’s canon as HELL.

💎 are there any fun facts or trivia that you would like to share?

Hmmm.... I have too many to easily choose just a few! So! More Rambling!

~ Raven wasn’t named as such due to her heritage or prophecies of doom; rather, Marv Wolfman just really liked the name Raven. If anything, she was named after a character, Raven Winters, Marv had written in an earlier project!

~ The Azarathean word “Arella” meaning “messenger angel” is a DIRECT derivative of Hebrew, as well as the word “Azar” (meaning “aid”) and the suffix “-ath”, as I understand it, means... something I can’t remember now, like providing or bringing or something. But it’s all very parallel to Hebrew!

~ The New Teen Titans crew nicknamed Trigon “Hot Stuff on steroids”, referencing a blood-red mischievous and child-shaped demon character from Archie Comics. He’s not very much of a threat. This never fails to amuse me.

~ Tara Strong still wants to know what happened with Terra and Trigon. (At least, she did when I saw her at Indy PopCon.)

~ Back in 2003ish, there used to be RAGING debates over whether the Robin in the cartoon was Dick Grayson or Tim Drake. Yes, even after he was shown to become Nightwing in the future. Because of how his costume looked, I think? And his personality. Even though the cartoon Titans were CLEARLY waaaay different from their comic counterparts.

~ Cyborg’s metal body parts are a molybdenum steel alloy! This was stated in the 80′s comics, but as I understand it, molybdenum is still used today in the medical field for prosthetics and skin-contact technology.

~ Starfire says one of my favorite meta lines in the comics: “I know what I look like and there’s nothing wrong with being pretty. But if that’s ALL that I am I’d be pretty boring.”

~ Wonder Girl’s origin story has been retconned almost as many times as there are DC Crisises. I can hardly speak any further on it, because I thrive on continuity and retcons just Throw Me Off.

~ Red Star’s original name Way Back When was actually Starfire!

~ Marv Wolfman took the name “Nightwing” from a Kryptonian story! Yes, Dick Grayson’s alias was named after a Superman thing. (Marv’s a huge Superman fan though, so are we really surprised?)

~ Starfire and Raven, a fierce warrior and a timid pacifist, were created to be Polar Opposites! Like, INTENTIONALLY. (With Donna Troy as the balancing act between them.)

~ When Beast Boy/Changeling transforms from a large creature into something smaller, according to the New Teen Titans letter columns because a fan asked about this, his extra mass goes to Cleveland. This was probably a joke and never explained, but maybe that’s why there’s so much green stuff in Lake Erie!

[handmaidensofnaboo]

“Ultimately, it is very apparent this novel was noticeably, lovingly, and carefully crafted by a Prequel fan, a Padmé fan, a Handmaiden fan... Queen's Shadow is a fitting tribute.”

❦

Queen's Shadow had a somewhat impossible task for me as a handmaiden “super fan,” a potentially “tough critic,” so I commend E.K. Johnston for willingly providing me with an early copy to share my thoughts on it with you all... I was nervous about how Queen's Shadow would turn out to be honest, but EKJ was up to the task...

I'll preface this review by saying Handmaidens were my first real community engagement in fandom. My older sister and I joined the Royal Handmaiden Society on TheForce.Net boards back around 2001 when I was about 14. The RHS was the reason I went to my first convention (Celebration II) and although the group isn't as present online as it once was (please follow @royalhandmaidensociety​), I made life long friends and it forever shaped and changed me. It was an overwhelmingly positive fandom experience at a very impressionable age and for that I'm forever thankful...  So for those of us who have such deep roots to this, who have, for the past 20 years, analyzed the handmaidens’ every micro expression, every costume, and have carved out our own understanding of them (from what little information that would could find), this book might be a bit "complicated " to process.

 At least it was for me.

With the announcement of Queen's Shadow, I was of course initially ecstatic, validated even, that they/we were being seen and heard, finally!! Yet mixed feelings slowly sunk in too. Despite us RHSers long lamenting the lack of content—handmaidens unjustly being overlooked in both Star Wars official media and for a long time in mainstream fandom—it also became this amazing small community space for each of us to freely imagine and play in. It’s been a kind of safe haven I've come to greatly appreciate. With a book featuring them... That could all potentially change. This fandom could change. I found myself wondering a few weeks ago, "Will I even like these girls? Will I love these new versions of Eiraté, Rabé, Sabé...” Something I've previously never had to consider. My fictional friends were about to be exposed on a larger than ever level, and reshaped, officially, forever. I was worried.



I knew I had to go into this book open minded, no way could EKJ take each one of our different headcanons and fantasies and appease us all in one ultimate text—but to my surprise, there were certainly select striking scenes, moments, I had while reading, where (for me) she did accomplish just that.  

After both the prologue and the first chapter in particular (which were centered around my favorite Handmaidens, from TPM), I had to put the book down for a while because I was so overwhelmed in the best kind of way. It truly was so close to capturing what I have wanted all these years that I just wanted to bask in it. Maybe that sounds silly but even simply one chapter filled with handmaidens, is an overwhelming amount of content for us to receive, let alone an ENTIRE book. This little fandom is just so used to excavating for scraps. I reread the beginning of the book again the next day, out of pure enjoyment, before I continued on.



The unbelievable news, the great news... Something I can't believe even is real... Is that Queen's Shadow starts with handmaidens and ends with handmaidens, and there are handmaidens in… NEARLY? Every. Single. Chapter. I really never thought I'd never see the day. I’m stunned. Yes, they are different then I imagine them, but I'm happy to see them, I still like them, just the same. And Padmé, who has also been sorely ignored, unappreciated, and underutilized within general Star Wars media/merchandise, is also finally getting the spotlight she deeply deserves.

❦

Queen's Shadow is woven like an intricate tapestry threading together Padmé's stories throughout the entire prequel trilogy (especially the first two films), and highlights some of my favorite stylistic and thematic choices within them. Similar to the prequels (especially TPM) it reminded me of a period drama, with it's more formal dialogue, richly detailed costumes, ceremonies and politics, and admittedly a more contemplative pace than the swashbuckling fairy tales of the OT (but still engaging in it's own way). Also like the prequels, you get that occasional ominous foreboding, that sense of pieces being moved behind the curtains by shadowy figures, of unclear motivations by supposed "allies," of tragic destinies being spun—but still find yourself swept away by moments of hope and idealism, despite it all.  There is a particularly heartbreaking yet beautiful finale moment of this book with her that was so fitting to George Lucas' vision of Star Wars, it was, as he once said, "like poetry—it rhymes." Anytime something can capture that Lucas approach to storytelling, I am thankful to be reminded of why I loved Star Wars in the first place. (Especially in the Disney era years when I've felt a bit "post break up" about the franchise, to be honest.)

Queen's Shadow is foremost about Padmé's work, shifting and hardening herself into her new role as senator. It does justice to the themes and qualities that originally enchanted and inspired me about her: fulfilling her duty to her people, her compassion for vulnerable communities, and fighting for what's right—through language, through political and inner power, strategy, and unexpected partnerships. And as always, Padmé is luminous. 

There is one cause in particular she is advocating for that is notably poignant in its connections to TPM. I was incredibly pleased it was there, relieved even. It was so important and needed for her character. It enriches the choices she makes in the later films. And it is just one of a number of political themes in the book that are timeless and ever relevant, but wasn't inserted into the story in a heavy-handed way. I love that the main audience for this book (young girls), will get these meaty concepts presented to them through our beloved political heroine and the diversely talented women supporting her.  While we do see the various skills and character moments of Padmé and her handmaidens, I admit (and this is just my first read impressions) they all still did feel somewhat at a distance for me. I personally would've liked to have dug deeper into their personalities. I'm not sure how to properly articulate it, but I just felt a bit left "wanting more"—for more walls to come down, to have gotten further into their inner thoughts... But I think it's partly the challenge of the large number of characters, the book’s YA length, and a personal preference of writing style. Which, in EKJ’s defense, does compliment these particular characters, who have long had these kind of untouchable, unknowable presences, these masks over them (and she does address that). I think as I reread it, my feelings on may improve as I retain all the subtleties better. But if they remain elusive, that gives us room to fill it out with our own head canons, which is something many of us all ~clearly~ enjoy! It is part of their appeal, part of why we first loved them after all. 
It's also important to note the impressive attention to various Star Wars lore that is entwined throughout Queen's Shadow, from remnant gems of "Legends" handmaiden lore (and even RHS in jokes), to architectural details found in Battlefront II, to various appearances by Clone Wars characters... And many more I’m sure I’ve missed. Yet thankfully I can't recall any of it is done in a way that comes off as showy, elitist, or hard to follow (if for example, you're like me and admittedly haven't watched hardly any of the Clone Wars).  Additionally, here and there, there were some scenes or lines that didn't quite hit the mark for me personally, one minor set of changes from "Legends" handmaiden ages irked me a bit (we had so little to cling to ok! lol), frustration at already established lore (such as Panaka and Clovis, which EKJ can’t help), and other things that were simply just creative choices of the author (which of course happens for me with almost every Star Wars spin-off). 



Regarding the last point, that was the only other occurrence where I put the book willingly down, this time because I needed to get some space—to process something I decidedly didn't like. It was about midway through the book regarding a particular minor storyline. I don't want to spoil, but I will say it involved a new character that, for me, was taking up too much room in a book that already had plenty of amazing characters I wanted to spend more time with. I just felt he wasn’t exactly needed, or that others easily could've substituted his place and it would've been more meaningful to the lore.  These critiques are relatively minor however, and most of them are easy to move beyond, especially when I consider the bigger picture, and the majority of scenes, quotable lines, and pivotal interactions in Queen's Shadow that do seamlessly work. Those more than make up for the handful of things I struggled with.

 Ultimately, it is very apparent this novel was noticeably, lovingly, and carefully crafted by a Prequel fan, a Padmé fan, a Handmaiden fan. For this I'm deeply thankful, because it's easy to imagine if it wasn't—How poorly or sloppily Padmé could've been mischaracterized or the possible omission and/or confusion regarding the handmaidens… The latter of which BOTH the revered Dave Filoni and Timothy Zahn are woefully guilty of, (full offense). It hits me sometimes how so much damage could've been done were this in less capable, less attentive hands, with an author that would've cared less. EKJ clearly cared a lot. Minor issues aside, that's really what mattered most to me, at the root of it. So I'm very glad.



The more open minded you go in, the more you will enjoy Queen's Shadow, and (I say this for myself, as much as for anyone else who can relate) we can still make space for and enjoy our old head canons alongside to the new lore, or even mesh them together... I admittedly struggled a few times, but I definitely enjoyed reading it overall, particularly all the scenes on Naboo (and another planet that will go unnamed for now)... 

If you love Padmé, the handmaidens, Naboo culture, prequel politics—this book is a must read. The more time that passes, and as I reflect back, the more I feel that Queen's Shadow is a fitting tribute to Padmé and our handmaidens, let alone the prequel era itself. Queen's Shadow will be comfortably situated on my bookshelf beside our other established classics: Queen Amidala's Journal and Queen's Amulet, and I’m looking forward to revisiting it again when the audiobook comes out (holy heck we're finally gonna hear almost all the handmaiden names pronounced??! Have we been saying them "correct" all these years?? Stay tuned lmao...) I'll probably be posting my spoiler thoughts on Queen's Shadow after the book's release on March 5, 2019. Pre-orders are available online, though I really recommend purchasing it at your local independent book store if you can, and/or requesting your local libraries get a copy! Please share your own pictures/thoughts/reviews on here, twitter, instagram etc. and tag it. We gotta encourage Disney to give us more, because this book definitively ends with an invitation for a sequel or spin off of some sort, and I, a bit desperately, want it!!  The more we can support Queen's Shadow with the language Disney knows best ($$ and exposure) the better chance of future Padmé and handmaiden content, and they deserve it!! All of it—books, comics, Disney+ streaming miniseries, video games—Give them the legacy Rogue Squadron got. It's their time.



Again, thank you so much E.K. Johnston for creating this beautiful book, and going out of your way to provide me a copy. I'll always treasure that moment when I got that surprise package in the mail, a book nearly 20 years in the waiting. I was 12 years old again, that snowy day on my porch.



Can't wait to read everyone's thoughts. MTFBWY. ✨✨✨

Thank you for reading,

@handmaidensofnaboo​

❦

♕ Pre Order Queen's Shadow 

♕ Purchase Queen’s Shadow at your local independent bookstore

♕ Follow author E.K. Johnston: website | twitter | instagram | tumblr

♕ Follow cover artist Tara C. Philips: website | twitter | instagram | tumblr

[im-fairly-whitty]

Can I be a bit selfish and ask for a 🌟and your commentary on Dr. Facilier's emotional attack on Ernesto in the PAFT oneshot you did?

You got it.

From Dealing With Shadows, a PATF x Coco crossover:

First off, I was super excited to write this scene because Dr. Facilier and Ernesto De la Cruz are my two favorite Disney villains of all time and I was eager to see how similar but different their kinds of villainy are when put side by side. 

A similarity that they both have is that they’re very blunt about what they want. Other villains are usually interested in their evil quests because of a dark backstory that drives them to want revenge or pull elaborate heists to get the object they desire (a coat of dalmatian fur, revenge for not being invited to a baby shower, a genie, peter pan’s head in exchange for a severed hand), but Facilier and De la Cruz are so much more straight forward than that.

What do they want? Money, fame, and power. Why do they want it? Just...because. What on-screen explanation do we get for why they’ll go to such lengths for it? 

Not really any to speak of actually. 

They just want it, they reaaaaaally want it, and they want it NOW. 

No lengthy monologues about being disgraced by the scientific community and needing a bird skeleton to redeem themselves, no griping about being mistreated as the emperor's overlooked elderly advisor, not even a single word about being left on a shelf in a collector’s edition box for their entire lives. 

They want money and they want power. Which at the end of the day, are the most basic selfish desires humans all have. We want control of our lives and the ability to live it comfortably in whatever manner we choose while enjoying what we do. Facilier and Ernesto end up being very stark representations of these simple desires when taken too far, but without lengthy explanation, which makes them the most fun to headcanon for in my opinion. 

But even though they have the same desires they differ in how they seek to get it. A key difference between them is that Facilier plays the long game with elaborate planned schemes and twisted deals and unhealthy alliances to get what he wants, and he doesn't care that his lifestyle makes him a visibly shady individual. He knows he’s made deals with devils and loves it. 

Ernesto, on the other hand, is far more impulsive and desperately wants to be loved and admired, meaning everything he does is carefully hidden and rationalized and sanitized. Why does he poison Hector? He panicked. Why did he throw Miguel off a building? He panicked. Where Facilier knows he’s scraped his way into every good thing he’s ever stolen, Ernesto instead believes he deserves the power and wealth and fame he gets, and instead lashes out at anyone or anything that he perceives to be threatening what’s his. Whether that’s Hector’s time and talent, or his established reputation and fame in the LOTD.

So when these two get together it’s not really two villains in one place who are evenly matched in badness, it’s actually one very evil and crafty man who is able to manipulate the fears and self-consciousness of one very proud and entitled man. In fact Facilier’s weakness (the over-confident belief that his next big success is right around the corner, meaning that it’s fine for him to go deeper into debt in an eternally higher stakes game of catch-up) makes him even more powerful over Ernesto, who craves and seeks to project his own missing sense of self confidence. 

It’s honestly too easy for Facilier to get Ernesto right where he wants him, cornering him right into his own selfish plan as easily as you might trap a spider under a glass cup.

(Also I really really enjoyed writing the visuals of the playing card illustrations, I watched the PATF tarot card song a million times while writing the oneshot and could see the cards for the oneshot in my mind’s ye really clearly. Also also I adore writing dark magic so it was a treat to write Undead!Facilier in his full spooky glory.)

🌟 Hmmmmmmm...How about:

Taken - A Frozen Oneshot that tells the story of Kristoff being taken by trolls as a child.

I really enjoyed writing the opening scene of Kristoff’s parents Henrick and Ida arguing over whether Kristoff should go ice harvesting with his father. In musical movies especially there’s a tendancy for background characters to be glossed over as unimportant chorus singers at best, even the main characters sometimes getting airbrushed as realistic details are sanded down to make the plot smoother and the songs jauntier. Being able to turn around and take two characters from the frozen universe and make them feel achingly real and multifaceted instead was a treat. 

The best part about the scene is that even as you’re getting to know the parents and understanding Henrick’s stubborn belief that trolls aren't real, you of course know the truth about what’s about to happen to Kristoff which lends the scene a special irony laden looming sense of doom. Added to that is the fact that you’ve known what’s about to happen for years (Kristoff being adopted by trolls) but have likely never once thought about his parents and the special brand of cursed fae hell that they were put through while their son was off being adorable with Svenn and the trolls. 

It puts the reader in the very seat of irony as they realize that the details beneath the musical airbrushed facade are anything but cheerful and happy. In fact it’s a real horror story.

(Also this was another case of me loving to write dark magic too not to mention getting to weave in a bunch of real changling lore so bonus points there.)

[mochizuke]

A DR3 ANALYSIS

Sincerely, someone who is sick of people saying that it doesn't match up to cannon.

I decided to take this from a discord server I am in after multiple people asked me to put it online for the world to see, so -deep breath- here is my personal essay using quotes and screencaps from sdr2 as to how dr3 doesn’t stray from cannon, and sticks to the continual lore from the series. Y’all are just mean.

okay so we will start with since that seems to be the main controversial topic. first lets start with people saying it strays from cannon. it doesn't. the statement of brainwashing being what caused the remnants to fall to despair in sdr2 is clearly stated.

there's no mistake that this particular trope is taken from the final trial in sdr2 

if you want to say that how the brainwashing is brought up is lazy writing, i can tell you that adding an entire developed character to explain how such a trope found its way into the lore of the  into the anime is not lazy. character development takes a lot of time, and is in no way lazy. not to mention it also explains how the brainwashing technology found its way into ultra despair girls in the first place. (ie: the helmets worn by all of the children. With a remnant of despair in the city, it could easily be how Monaca got her hands on that technology.)

if you want to say it takes away from junkos influence as a character and makes her less powerful then i raise her character trait of using every person she comes into contact with. it is in NO WAY out of character for her to use someone else's talent for her own gain. she uses matsudas tech for wiping memory of the kids in dr1 (see dr0), she uses monaca and her position in the towa family to spread technology for the end of the world (see udg), she uses mukuro as her personal bodyguard (see the ENTIRE SERIES), she uses izuru to shift the blame from her for the tragedy so she can fly under the radar in the killing game for dr1, (see dr0 and dr3)

Going to now jump to how the brainwashing does not take away from the remnants had done as far as the atrocities they committed. The whole theme in the hope arc was redemption. The remnants in the ANIME itself go out of their way to say that they dont expect forgiveness for what theyve done. and that they only seek atonement in any way that they can when they are speaking with mitarai as he is debating shutting down the other brainwashing thing that he has set up through the future arc.

I would provide screenshots but the only version of the anime i can find online is dubbed with no subtitles. but you can feel free to watch it yourself? The episiode itself is pretty easy to find.

if you wonder how the brainwashing is undone, watch the ova. World Destroyer is an alter ego created by hajizuru himself modified to do psychodives and repair damaged psych from within the neo world program. its implied that he ran that ai on every student who died within the program who not only patched up their brain from thinking it died, but helped revive them from despair as well.for the survivors of the killing school trip, we already know that they were already on the mend from despair due to awakened hajime glitching out the program for them to create their OWN future at the end of sdr2

going onto chiaki.  just rewatched this scene so im going to type this word for word as it comes up in the dr3 dub so that i dont get anything wrong. this is the imaginary chiaki talking to hajime as they are on the boat.

"that day when you entered the neoworld program, a cutting edge ai was built. codename nanami. First, they mined your hippocampus, compiled memories of esteemed authority figures, and the idea was to fuse those memories into a single personality that you could all trust. Imagine the surprise when it turned out they didnt have to bother.one memory overrode the rest. It was the same for all of you. Strange yes, but undeniably sweet. there was one person you'd all give anything to see again."

This explains how chiaki, though previously a real person, was also given an ai version of herself within the neo world program. it also gives a lot more weight to her character in the story in general.

as far as people saying chihiro made chiaki, that is not the case. Chihiros research was used in the development of the neoworld program. as well as matsudas (as the neurologist), and gekogaharas (as the therapist) at no point did it say that they ACTUALLY worked on the program. just that their research was used. ai chiaki likely refers to chihiro as her father and alter ego as her brother because it was chihiros tech that made her life possible within the program. even in her ftes its stated that she does not think of them in the streamline way that a human being thinks of family. 

Okay so i've covered brainwashing, chiakis existence in both worlds, and the brainwashings somehow resolving the remnants of blame. (though it didnt) i think the other thing was nagitos despair? 

so the thing about the brainwashing that i think gets misconstrued a lot is that it was NOT shown to change their core personalities. but it DID addict them to despair in the same way junko was, and nagitos core personality obviously revolves around hope.

Nagito has always been a character that bordered between hope and despair. even in dr2 hajime makes a point to say that his eyes a swirling with a mix of the two in the first trial. what seems to be the case post brainwashing is that nagito is a walking contradiction. he will do things under the influence of the brainwashing and wont question them until he thinks too hard about it. every time he thinks to hard about it he seems to have a mental break.

like when izuru states in drs "if you hate junko then explain your hand"

and he goes "huh... thats strange... do i... hate her?"

queue: "huh huh huh huh huh huh huh huh huh huh huh huh huh huh huh huh"

or at the end of udg where he states that he hates AND loves her more than anyone else. 

he cant coherently see what hope used to be to him anymore and for him, his ORIGINAL  want for hope was to find someone strong enough to not be killed by his luck

but that got skewed to a MUCH more junko-esque view post brainwashingh. i think those are the main topics that get debated if theres anything else you want me to lay out let me know or i can go more into detail if theres more that you want to know regarding these topics. otherwise i think i got my thoughts laid out now. You can even feel free to message me if you want a more thorough breakdown of the series.