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#there was an option to flirt with him which 1: fuck no he's my son 2: he's literally asking me for advice about another woman
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Danse: If you have the time to talk now, I'd still like to know what you think about Scribe Haylen. Cat: Is something wrong? Danse: No, not at all. Haylen's doing well. I simply wanted to talk to you about her, but I wanted to know what you thought of her first. Cat: She's as dedicated as they come. A real team player. Danse: I couldn't agree more. But I wasn't looking for an evaluation of her performance as a scribe, I wanted to know what you thought of Haylen... as a person.
- oh. ooooooooooooohhhhhhhhhh! i see what this is ;3
---- honestly? my thoughts on Haylen are mostly positive at this point, i don't think they'd make the worst couple.
-------- note to self: see if i can convince her to join the Railroad...
Cat: This isn't like you, Danse. Are you going to tell me what this is all about? Danse: I suppose I'm beating around the bush because I don't normally find these discussions easy to handle. I'll try and get right to the point. The truth is, I'm worried about her. Since you and I are getting along so well, I felt like I could confide in you about it... to get your honest opinion. Cat: She seems to be able to handle herself. Why are you worried? Danse: Haylen is a model scribe. This has nothing to do with her capabilities in the field. A few months before you found us, one of my men was shot multiple times by Raiders. Haylen stayed by that Knight's side for two days straight without sleep fighting to keep him alive... but he was on a slow decline. I decided that his suffering needed to end and ordered Haylen to administer an overdose of painkillers so he could die with dignity. Even though I'm certain she wanted to continue fighting for that Knight's life, she injected him without question. Cat: Are you asking me whether or not I approve? Danse: Of course not. I stand by every order I've ever given. That soldier was gravely wounded. Even if by some miracle he happened to survive, he would have been paralyzed for life. But the decision whether or not to ease that soldier's suffering isn't the point here. The point is what happened later that same evening. After what felt like an eternity, she collapsed into my arms, crying. I... didn't know what to do, so I just held her for a while. A few minutes later, she stopped, kissed me on the cheek, and simply said "Thank you", before heading back into the police station. Right then it hit me... maybe I pushed her too hard. I ordered her to ignore her instincts. To do something her medical training told her was wrong. That's why I'm worried about her... and for that matter, everyone under my command.
- yeah, these two would both benefit from getting the fuck away from the Brotherhood. like, tough decisions for tough situations, but ideally you don't send people into those situations, or at least without the resources and personell necessary to make it back.
Cat: Haylen will be fine. It's you that I'm worried about. Danse: Me? Look, four soldiers... over half of my team, are gone. Each one of them died because of decisions that I made. I understand the risks that come with the job, we all do. But how can anyone have confidence in me anymore? Hell, how can I have confidence in myself? Cat: Would it make you feel better if I told you that I believed in you? Danse: Actually, it does. Well, it looks like things have taken a turn. I signed up to be your sponser so I could teach you everything that I know, but it looks like I'm the one that needed the lesson today. All joking aside, I'm pleased that we had this discussion, and even with all the problems you're facing, you still took the time to listen. It's comforting to know that I can speak to you as more than just your commanding officer. Cat: I'm here anytime you need me, Danse. Danse: Anyway, thanks for letting me get that off my shoulders. I think it's been weighing on me more than I realized. I'm only sorry you had to see me at my worst instead of at my best.
- QUEST ADDED: convince Scribe Haylen to leave the Brotherhood of Steel.
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irishseaweed · 4 months
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FALLOUT 4 COMPANION SPOILERS
(And some small lore spoilers)
Anyway, I am a whore. As such, and since Fallout 4 has no negative repercussions for doing so, I have romanced (basically) every romanceable companion in Fallout 4. I have a lot of opinions. I will be ranking the romanceable companions here, with short reasons as to why they've been ranked as such. A follow-up post will include my little fashion makeovers for said companions.
Honorable Mention : Magnolia (one-night stand only, the game doesn't allow more than that. I actually finished romancing Piper *immediately* after leaving Magnolia's room the morning after, funny enough. But still, an interesting side character voiced by the original live action Wonder Woman, what's not to like?)
Disqualification : Paladin Danse (requires siding with the Brotherhood of Steel and FUCK those assholes straight to hell Im not doing that)
NOW THEN :
1. Curie. The second to last companion I romanced, but my favorite. Her storyline about learning to grapple with synth/human emotions and survival needs, experiencing the Wasteland for the first time, and growing into her own person is great. Plus, you get multiple dialogues that include Flirting options- and unlike other companions, each of those dialogue sections includes TWO flirting opportunities rather than just one. Flirting with Curie also makes her adorably flustered. She's also super polite to the other companions, and the Combat Medic perk can save your life in a pinch. Normally I find a french accent slightly obnoxious, but for her it sounds nice.
2. Hancock, mayor of Goodneighbor, the second companion I romanced. Compelling character, great default outfit, enables chaos and chems, solid backup with his shotgun, fun dialogue all around (and that voice tho)... you can't really go wrong with Hancock. The Isodoped perk only adds to the benefits of not using radiation protection in the Glowing Sea, pair with the Ghoulish perk to embrace the nuclear waste.
3. Piper, the first companion I romanced. Her drive for investigation and truth-seeking is inspiring, she's compassionate, she has that little nickname "Blue" for the player-character, she helps you get connected to important characters like Nick Valentine, she gives you sweet rolls... just all-around a really positive presence in a wasteland full of cynics and nihilists. With a highly Charisma-based build, ESPECIALLY in early-game, her Gift of Gab xp boost perk was phenomenal.
3 (yes its a tie). Cait, my third romance. Her tragic backstory and struggle with addiction make for an extreme level of character depth some companions just can't keep up with. Plus, a little spiteful violent fun now and then keeps things interesting. Enabled some of my more questionable decisions, like doping up and melee-brawling a behemoth to death. I like the level of detail that her likes and dislikes around drugs and alcohol shift after her quest. The Trigger Rush perk can be a lifesaver if you're struggling at the end of a close fight.
4. Macready, the fourth companion I romanced, migrant from Fallout 3's Capital Wasteland. Good for ammo in a pinch, didn't mind my occasional thievery, but he's got some flaws. I didn't even know for sure his wife was out of the picture until the conversation where I actively finished Romancing him, and having him galavant around with me while his sick (though waiting to be cured thanks to me) son was god knows where with no family to watch him makes me feel a little guilty. His Killshot perk combined with the railroad Deliverer makes stealthy assassinations much easier, though.
5. Preston "Another Settlement" Garvey. Fuck you Preston Garvey. The last character I romanced and by far the worst. You only flirt with him once before fully romancing him, and he responds with all the passion of a wooden 2x4. Even his Romance dialogue is mostly about how he used to want to kill himself which is just trauma dumping out of nowhere to desperately try to give Garvey any depth at all. Hell, every other companion has a Thoughts dialogue option and a Relationship check-in dialogue option, but PRESTON has "Chat" instead of "Thought" and it uses the same stock few lines as if you choose "Relationship" instead. Plus having him as a companion makes talking to him to complete and receive Settlement quests that much more difficult because sometimes he just won't do those conversations. I hate him. I am going to keep him in Sanctuary to keep an eye on him, but he will not be stationed in the area where the rest of the romanced companions are. He does not deserve a seat at the table, a place in the bed. BUT his unique perk is handy when fighting large groups, so romancing him wasn't a *total* waste of time. Plus, he was by far the fastest to romance, so at least I got it over with quickly. Do like 8 or 9 of those little five-minute settlement quests and he'll be begging to fuck.
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I posted 5,941 times in 2022
That's 3,533 more posts than 2021!
300 posts created (5%)
5,641 posts reblogged (95%)
Blogs I reblogged the most:
@hadeantaiga
@sorrelchestnut
@do-you-have-a-flag
@vaspider
@piratewolf
I tagged 1,460 of my posts in 2022
#our flag means death - 383 posts
#personal - 235 posts
#askbox - 98 posts
#whump - 45 posts
#castlevania - 42 posts
#someone get that man a dom - 42 posts
#the witcher - 36 posts
#con o'neill - 32 posts
#izzy hands - 32 posts
#bb is a lawyer - 31 posts
Longest Tag: 138 characters
#my religious affiliation is 'nothing unless we're discussing different denominations of christianity at which point i am catholic on main'
I sent 1 gift in 2022
My Top Posts in 2022:
#5
honestly, I'm okay with spending money to get rid of ads my ad-blocker normally can, and I appreciate @staff giving us this option instead of making it a patreon clone. I pay for a subscription to Reddit and TVTropes and Dropout because I can afford it and I like to support websites I want to stay active. I'm actually even more willing to spend that money on Tumblr.
7,753 notes - Posted February 24, 2022
#4
okay I know the popular conception of stede and lucius' relationship is a father/son thing but like, okay, I get it, and I'm here for it, but I also don't get that vibe at all.
like, I don't think lucius admires/looks up to stede in a parental way. he likes stede, he's supportive of stede, but personally I wouldn't call my dad a bizarre little man or ask him how his breakup is going. like, that's way too informal. that's more a relationship of equals than anything else.
nope. I think their relationship is actually elder gay/baby gay (in the sense of experience rather than chronological age). lucius has been out for years, he has a lot of experience in relationships, he is way more able to read relationships (e.g. knowing that ed and stede are flirting before they even realize they're flirting), and because of that he is extremely well equipped to give advice about navigating queerness.
stede, on the other hand, has just barely started to dip his toes in the gay pool. like regardless if you go with the theory that stede didn't even realize he was gay until he met ed or that he knew for years but couldn't acknowledge it openly until he met ed, stede has zero practical experience. he is, in his forties, experiencing a bunch of "firsts" that lucius probably did in his teens or early twenties. the entire emotional landscape is foreign to him (and I was going to make a joke about how pirating is also foreign to him but then I started thinking about how piracy in this show is a metaphor for queerness and that's a whole second essay)
basically I think lucius spent the first however-many weeks on board the revenge being like "oh my god this guy is a naive idiot but at least he's paying me," and then he heard nigel badminton joking about how he used to bully stede in school and his gaydar went off like mad, and at that moment his attitude changed to "someone needs to protect this naive gay idiot and that person is me" and that's where it is for the rest of the season.
9,160 notes - Posted April 14, 2022
#3
the best part is they politely gave alex jones’s lawyer the opportunity to fix their mistake and they DIDN’T DO IT. smh shaking my head
TEN DAYS. THEY HAD TEN FUCKING DAYS. AND THEY DIDN'T DO SHIT. AND THEN THEY HAD A CHANCE TO LOOK AT THE TEXTS AND OBJECT BEFORE THEY WERE ENTERED INTO EVIDENCE AND THEY DIDN'T. the unmitigated GLEE in bankston's voice when he's like "and as of two days ago, it fell free and clear into my possession, and that is how I know you LIED TO ME" is just fucking awe-inspiring. i love this man.
9,412 notes - Posted August 3, 2022
#2
i feel like every activist should read about fruitlands.
fruitlands was a transcendentalist utopian commune founded in the 1840s. the founders (including louisa may alcott's dad) thought that the existing capitalist economy was evil: alcott described it as a tree “whose root is selfishness, whose trunk is property, whose fruit is gold." so they decided to create a commune that was completely divorced from the economy. like, their response to the "you say you're against capitalism but still participate in it! checkmate socialists!" people was literally "you're right, let's not!"
they refused to consume any materials or foods that couldn't be locally grown, like tea or sugar. they were also highkey vegan: not only was it immoral to eat animal products and use animals for leather and wool, but using animal labor or even using manure as fertilizer was forbidden. and they refused to trade for anything they didn't have within the commune because participation in an oppressive economy was bad, especially if it supported slave labor (ex: wearing cotton fabric).
it fell apart in less than a year because they didn't have enough food to survive the winter.
why?
well, part of it was circumstantial: the site they picked had little arable land and they arrived a month behind in the planting schedule. part of it was the impracticality of living in the 1840s and being so vegan that they couldn't even use oxen to plough their fields or wear clothes that were warm in cold weather.
but the main reason was that the men of the commune (and they were almost all men, except for alcott's wife and another woman, ann page) didn't actually, like, do anything. they left all the household chores and childcare to the women, plus most of the farm work, while they sat around and philosophized about how cool their utopia was. even before it fell apart, most people there had began taking "vacations" away from fruitlands so that they could take hot baths and avoid trying to till the soil with their bare hands.
there are a lot of good lessons here.
1. it's very easy to talk about your great ideas for society but putting them into practice is much harder. you have to actually do the work to achieve the goal: you can't shunt it off onto other people based on the same oppressive systems you're trying to subvert.
2. you need to consider the practical implications of what you're arguing for, including potential downsides. banning wool for ethical reasons is all well and good until you're stuck wearing linen clothes and canvas shoes in the middle of a massachusetts winter.
3. you can't expect that a utopia is going to be all the things you like about society staying the same and everything you dislike being changed. that is at best naïve and at worst intensely selfish.
tl;dr: talk is cheap, praxis is hard.
20,261 notes - Posted January 26, 2022
My #1 post of 2022
youtube
I already knew a lot of criticisms about cryptocurrency and NFTs but HOLY SHIT Dan Olson just spent two hours very carefully and viciously picking apart every single aspect of the entire operation and explaining exactly why it's capitalism at its worst and is basically a perfect scam machine
23,874 notes - Posted January 21, 2022
Get your Tumblr 2022 Year in Review →
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mandareeboo · 3 years
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ok now im curious what your most petty thing is (regarding the dp post)
Oooh boy, here we go! Buckle up fuckers this is gonna be a longer one.
My senior year of high school, I took a creative writing class. Partially because I needed to fill the slot, mostly because I wanted to improve my writing (spoiler: I did not). Now, my high school was a three floor building- first was mostly gym, second was general, and the third was senior lockers and art classes. I spent a good chunk of my schedule senior year on the second and third floor, going between an art class to my earth science (I took that one entirely as filler, but also bc I like science) to my locker and so on.
Creative writing? Creative writing was in the fucking basement. Go to the first floor, go to a corner generally used for health and development classes, to another corner, follow a ramp and some stairs, and boom there it is kind of basement. (Side note but this teacher was REALLY into attendance and would get you in trouble if you were late which was really annoying since basically no other class was in that part of the building).
My creative writing teacher wasn't bad, per se. I've had worse teachers. I had an algebra teacher who delighted in making freshman girls cry and mocking them for it. I had a journalism teacher who would use her class time reporting how Hilary was secretly ill during the election. I had a history teacher say trans people weren't real to an openly gender nonconforming student (I didn't know them well enough to ask for specifics on their alignment, but they were using they/them at that point) and set up assignments just to mock students on the take they were told to make. It was more that she was uncreative and took it out on the kids doing creative writing.
She gave us two books to read. Basically “how I write” by published authors. I don’t remember the first one well enough and I donated it ages ago, but the second was Stephen King’s “On Writing”. It was 3/4′s personal stories about his life and 1/4′s “also write a bit every day”.  I mostly remember the first author bc she had those fake dreadlocks white people do when they destroy their hair and she gleefully told a story about making her son have a meltdown at a party or wedding or something bc he got overwhelmed and she wanted him to learn that “sometimes you don’t get what you want”. So. You know. Not much there.
She also instructed us to write in a journal every day, which she would check every few months or so. It had to be at least half a page. She would leave little comments in every one else’s journals when she checked them, but not mine- I realized pretty quickly she was a bit uncomfortable with LGBT+ content, so I made it my mission to make every journal drabble as gay as possible bc I was bored and she couldn’t mark them WRONG when she just stated we needed to write.
But it doesn’t end there! Through the entire class, we got exactly five writing projects. Stories that follow very specific guidelines that we would then read in front of the class, group proofread, and then have the teacher give final grades for. These things were approximately like a thousand words a piece, and I was writing out my 10,000 word “It Starts off Small” story in class when I got bored, so it wasn’t difficult. 
Our first project was a character going through a difficult decision. Or... something? I honestly forget the criteria. Anyway, I was HYPE. I’d had this idea for a long time now a human choosing between peaceful death or reincarnation, and this gave me the push to write it! I had a whole thing planned with death being a deer and reincarnation being a wolpertinger (bc reincarnation leads to many possibilities, ed boy, so a Frankenstein bunny made sense to me). Anyway I poured my heart and soul into this bastard and, bright eyed and bushy tailed, handed it in. My classmates all thought it was pretty good. Not to toot m’own horn, but there was some pretty bad ones going in, so I thought I’d get a solid B or something.
I got a D. I guess the struggle was too metaphorical, or it didn’t perfectly fit her criteria. I was devastated. Then I was mad. Bc I was a bored senior who thought they’d made something pretty decent for this completely optional class and her refusal to see that really hurt me at sixteen (I was always a year younger than my other classmates, so despite being a senior I didn’t turn eighteen until almost a year after graduation)
Well, fuck it, I decided. I’m going to parody the shit out of this class.
Our next project was a fantasy story. I was bitter and grumpy. The other fantasy stories read aloud were stuff like “yeah this dude fought a wizard and got a girl, then they went home and banged” (this was not hyperbole, he would’ve written and read the smut if allowed, I knew him personally) and “this girl that NO ONE UNDERSTOOD was called CRAZY but this S@!$ cheerleader who Stole Her Boyfriend so she killed them all” (fun fact: the girl who wrote that was my age and a sort of half-friend from middle school. She was a yaoi fangirl who didn’t mind lesbians as long as they, you know, didn’t FLIRT with her or something.) 
So I get up there. It’s the last day of presentations. And I present with a polite cheer. My story is about two magical shepherd type figures who are called Sister Brighten and Brother Dick as they chase down a werewolf who was drunk off his ass and accidentally bit someone else. They then revealed they were basically supernatural designated drivers for the whole town. I made Brighten mention that Dick’s name wasn’t even Richard. I titled it “His Favorite Brand is Grayhound”. It fit every single criteria. I got an A. I could tell she didn’t want to, because there was no comments or anything like everyone else’s, but she had to follow her own criteria.
Our third was a conjoined effort thing so I didn’t pull any fuckery there, but the fourth one was about common myths and spinning them into real or fake. One girl did the hook-handed door handle thing and the boyfriend ended up above his truck hanging (somehow???). I think someone did the age-old adage of a haunted wedding dress? I kind of read through those presentations. 
Now, I’m salty-salty at this point. I wasn’t expecting His Favorite Brand is Grayhound to get me a good grade. I half-assed a lot of it. I am in full Not Happy Teenager at this point. I grab a daddy long leg and settle in.
My fourth story of the year is “Paperskin.”
Paperskin is about a boy named Billy with the thinnest skin membrane ever. Just full on body horror. You could see his teeth behind his lips. Billy gets bored one day and wanders out of his house, tries to kick a soccer ball, and breaks a leg. As he’s laying in the grass a daddy long leg bites him- and his skin is so flimsy the fangs sink in and he dies. I’m actually still pretty proud of Paperskin. It’s a horrifying, Edgar Allen Poe of a monstrosity, but it made people squirm, which was the point. The teacher is clearly a bit unnerved at this point, but she gives me another A. 
I wrote a more “normal” story after that of a contentious objector forced to house kids going to see if any confirmed soldier deaths were any of their parents as my final one and I could feel her spite as she gave me a B.
So, yeah. That’s the story of when I tormented my creative writing teacher with The Gays and my weird ass sense of humor after she called one of my best works at that age a piece of shit.
 Here’s a google drive of these bad boys, because yes I do still have these things. I turned these fuckers in for grades, people.
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cha-melodius · 3 years
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YOU WATCH THE BATMAN! (how about Batman Illya and Cat(wo)man Napoleon, coz ya know... she is a theft)
When I first saw the beginning of this ask I was prepared to say that I'm not actually that big of a Batman fan, that I really only saw the movie because my partner is a big Batman fan, which is all true. BUT. Then I read the end of this, and !!!! This is brilliant?? And even more: how has this never been done before?????
I went looking in the Napollya tag on AO3 out of curiosity, and what I found was that pretty much all the Batman AUs in this fandom are 1) Batman/Superman, for obvious reasons; and 2) in Mandarin. I'm actually not sure how many of them are really AUs vs. crossovers vs. something else wacky going on. Even looking for superhero AUs more generally, there is shockingly little. Of course there is the excellent From Hedonism to Heroism, which is one of my favorite AUs for them, and that does feature a thief-hero Napoleon, but Illya is more like Superman in that one (or, well, Red Son, I guess).
But I digress! Because Batman!Illya and Catwoman!Napoleon is SUCH an excellent setup! Illya makes for a great Batman, what with the tragic past, and the brooding, and the wanting to do good but having that twisted by third parties. And Napoleon is a perfect Catwoman, especially the versions of her that are, on the outside, the brilliant thief who is only looking out for herself, but then she gets unwillingly (at first) roped into helping Batman and ends up sticking with him because she actually does care.
Plus, oh, the opportunities for the flirtatious back and forth! Batman!Illya catching Catwoman!Napoleon at a crime scene and being completely overwhelmed by this outrageous flirting, so that Napoleon gets away, and it happens again and again. Illya tells himself he's not going to let him do it again, but there is just something about this thief that gets under his skin. And you have to have a Bruce!Illya meeting Selina!Napoleon and it just being electric between them, and neither of them really knows why. (Side note: I definitely prefer playboy Bruce Wayne to wet cat Bruce [saw someone call Pattinson's Bruce that and it's SO accurate lmao], and I think it would be hilarious and unexpected if we had playboy Bruce!Illya).
Then they have to work together to bring down some truly bad person (NOT a Joker stand-in, because god I'm tired of it), and they're both falling in love with the other person, but not knowing who the other is really. Also I love the idea of Catwoman!Napoleon taking a bullet or otherwise just about dying to protect Batman!Illya (which is absurd because he's got way better body armor lol), and slipping away before Illya can try to save him, insert line about having nine lives here. What if it's THAT WOUND that makes Illya finally figure out just who Napoleon is? And like, Napoleon is still a thief and Illya should technically turn him in, but he CAN'T because he's too fucking in love with him?? Alternately, Illya takes the wounded Napoleon back to Wayne Kuryakin Manor, because he has no other option really, and when Napoleon wakes up in one of the guest rooms they have to have a Conversation, lolol.
Also, this made me picture Napoleon in a leather catsuit and I just. YES.
So yeah, thank you for this ask, it really delighted me to think about, ngl.
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matthewtkachuk · 4 years
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feel something pt 1 - jj
On the outside, you’re a kook princess with a seemingly perfect life and a perfect family. The expectations are suffocating you, to the point where the only thing you feel is numb. You’re chasing different coping mechanisms in order to feel something. Until a chance encounter with a certain blond pogue you know you’re supposed to hate gives rise to a different kind of feeling.
Warnings: angst, toxic behaviour, poor coping mechanisms, drug usage, mentions of sex, mentions of suicidal ideations (brief), Rafe being a grade a asshole, shitty parents
Pairings: JJ x reader (eventually), Rafe x reader (slight), Topper x reader (slight)
Words: 3.1k
A/N: I accidentally deleted this, ugh sorry if you see this again!! I started off wanting to write a supremely angsty one shot, turned into a supremely angsty multi-chapter fic. This is a slow burn, babyy. Here’s the set up, let me know what you think! :)
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You stand teetering on the edge of the balcony railing, barefoot and facing the waves as they crash onto the beach. You’re not thinking about jumping. At least you’re pretty sure you won’t actually jump. Really you’re just looking for even a flicker of an emotion to stir up in your chest. Lately you haven’t felt anything more than mild annoyance at your parent’s constant bickering and pestering. You know you’re too young, but all you feel anymore is numb. You lift your left leg, balancing precariously on the right for a minute before lowering it and returning to the balcony and slipping your heels back on.
You don’t want to die, you just don’t want to live like this. Kook princess, paraded and practically pimped around by your parents, looking for you to find an advantageous marriage, have 2.5 kids and further accumulate your hoarded wealth. “Why don’t you date the Cameron boy? He’s quite good looking and your father would love it if you married his business partner’s son” and “The Thornton boy would be a good match, the family mansion is the largest” and “Jacob Kane’s father is a name partner at a successful law firm on the mainland”. Your mother’s incessant nagging about finding the perfect husband only further cements your lack of value as a human being, your usefulness tapped out at your ability to be someone’s wife.
You don’t understand the wealth accumulation thing, your trust fund probably equals the national budget of a small country already, and there’s no way anyone could blow through the entire family fortune in a single generation. At this point, it just feels like generating wealth for the sake of generating it. What good is money if it just sits in a bank account or investment portfolio, earning passive income and not being used for anything.
You recognize you’re very privileged, you’ve never once had to worry about where your next meal would come from, you have a closet full of designer handbags and red bottom shoes the value of which could feed several families on the Cut. But what’s the cost? You feel suffocated by the pressure bestowed upon you by your parents. You’re the eldest sibling, primary heiress to the Y/L/N family fortune and expected future successor of the family business. Truthfully, you couldn’t give less of a fuck about retail development or whatever it is that keeps your father so busy that he missed every single one of your piano and ballet recitals growing up. You like the idea of studying Shakespeare’s sonnets and soliloquies over learning about mergers and acquisitions and tax avoidance laws at college, but you know your father would sooner cut you off than let you pursue your own passions.
Sometimes you let yourself fantasize about leaving it all behind, running off to some college like Columbia, moving to New York and living in the city that never sleeps. With your 4.0 GPA and stellar extracurricular activities, you could probably get a pretty good scholarship. Or maybe Paris, where you would sit in a cute little café flirting with French boys and writing poetry by the Seine River. But it would be hard, and you’re too much of a coward to see if you could make it on your own without daddy’s money. Not to mention the little voice in the back of your head that sounds suspiciously like your mothers telling you that you’ll never amount to anything without their help.
Later, you’re wandering the party, both hands curled tightly around the cup you hold to your lips, eyes staring out at the crowd over the rim. Unfortunately, you catch Rafe Cameron’s eye as he’s sat around the coffee table with a freshly cut white line ready on the surface. He’s surrounded by the idiots he calls friends and more than one pretty little rich girl making eyes at him. The left corner of his mouth turns up in a smirk as he realizes you’ve sized up the company around him.
“Hey Y/L/N, want a line? First one’s on me, babe.” He calls out at you, but you just roll your eyes and keep moving forward. As desperate as you are to feel something, you’re not sure you can cross that line just yet. Partaking in the occasional joint or bong rip is one thing, but hard drugs is another. You don’t think trading in the empty feeling in your chest for an addiction is worth it. Seeing the blown out pupils of some of your peers, and the way they not-so-discreetly sniff and wipe at their noses you realize you’re likely alone in that assessment. “Your loss!” he calls out at your retreating form, and you don’t even bother to look over your shoulder. You know he’s not really interested in you beyond making you a customer and maybe a quick fuck.
You snort to yourself, wondering what your mother would think about the boy she wanted you to pursue offering you a line of coke at a party. Knowing her, she would focus on the fact that you had gained his attention and ignore the illicit substance.
Making your way through the cluster of bodies is harder than you had initially thought, everyone was on everyone. Every kook party ends up this way, a certain subset of the group coked out and the rest so drunk they can’t function, and you begin to wonder why you even bothered coming.
You’re not totally sure what you’re looking for, your best friend and Rafe’s younger sister Sarah doesn’t really associate with this crowd anymore ever since she started spending all her time with the less fortunate side of the island. Rafe had called it ‘slumming with those dirty fucking pogues’ the last time Sarah had partied with you. Maybe it isn’t right to call her your best friend anymore because not only does she not associate with this crowd, she doesn’t really associate with you either.
You know she’s hanging with Kie again, there are a lot of watchful eyes on the island and even more flapping lips. It’s kind of ironic, Sarah was the one who convinced you to drop Kie, and you had let her. Now the two of them were spending all their time together on some dilapidated boat named after the inhabitants of the Cut and you were alone at some lame party with a heavy weight on your chest and under your eyes.
Sighing deeply, you down the rest of the contents of your cup and grab a refill before turning your attention back to the crowd of people in the middle of the living room. As your brain starts to fog further with the familiar feeling four vodka crans give you, you let Topper put his hands on your hips and pull your bodies close together, your back to his front. A voice in the back of your mind wonders if you’re supposed to feel guilt over Sarah’s ex’s hands all over your body, but you don’t feel anything and Sarah clearly doesn’t give a fuck about you either.
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The next morning you wake up with Topper’s hands around your bare waist. There’s a pain radiating against your skull and you have cotton mouth, but you quietly gather your clothes and sneak out of the room before the sleeping blonde can wake up and give you that regretful look he gets in his eyes every time you hook up. You know he still loves Sarah, in his own fucked up way and though you don’t regret where you woke up, you know you’ll just be annoyed if you have to deal with his issues this early in the morning with this bad of a hangover.
You’ve almost successfully left the large mansion, quietly walking through the living room to the front door when a voice remarks dryly, “Really, y/n? I thought you were better than my sister’s leftovers.”
Inhaling through your nose and out your mouth sharply, you spin on your heel to face Rafe with a blank expression on your face. He sits at the kitchen island, bare-chested with his hat on backwards, casually eating a bowl of cereal. The thought of why exactly Rafe is sitting half naked in Topper’s kitchen, eating Topper’s cereal briefly flashes through your mind but you decide you don’t care. “What do you care Rafe?” you ask, only half interested in his response. There’s a moment of silence, and you pick at your fingernails rather than meet his gaze.
“I’m just saying, I thought you were better than that,” he shrugs, bringing another spoonful to his mouth.
You roll your eyes, already tired of the conversation, “And who, pray tell, is better for me?”
“Me of course,” he smirks at you, and you huff out an annoyed laugh and raise an eyebrow silently asking him to explain. “Come on princess, I know your parents want you to marry up. ‘m your best option on this island”.
Mildly annoyed, you roll your eyes and turn back towards the front door, eager to leave this conversation behind. “C’mon baby, we both know how this thing ends, with you on my arm as the perfect trophy wife.”
There was a time those words might have brought butterflies in your stomach. Growing up best friends with Sarah meant you also grew up with Rafe, and you used to have the biggest crush on him. Forbidden by Sarah after a late night game of truth or dare, you didn’t use to mind when your mother would spout off about Rafe being the perfect boy for you. He used to look out for you like he did for Sarah. But that was a long time ago, and he no longer cared about either of you anymore and you had to admit you couldn’t remember why you had ever thought him anything but repulsive. That was before the drugs and the untethered rage that always rests just under the surface of his skin, ready to be unleashed at the smallest slight. You might have married the little boy with the gap toothed smile who once punched Jacob Kane when you were in the second grade and he wouldn’t stop bothering you, but this Rafe wasn’t good for anything beyond a quick meeting in the dark.
If you had been able to feel anything, you might have snapped back at him, but you had no energy and honestly all you wanted was to shower in your own shower and collapse in your own bed, so you ignored his comment and slipped out the door.
It was a quick walk back to your house, and you snuck in quietly through the front door hoping no one was home and your dreams of slumbering until the early afternoon could be realized. Unfortunately, your mother sat on the cream colored chaise in the sitting room, clearly anticipating your arrival. Her eyes quickly scanned your appearance, your manolos held by the straps in your right hand, your sex hair and décolletage you were sure was covered in bites and bruises caused by overeager lips, before sighing.
“Y/n, darling, you have to stop this silly behaviour and settle down. Boys aren’t going to want to lock you down if they’ve already had you.” She criticizes, effectively slut-shaming you. You roll your eyes at that, briefly wondering if the old wives tale was true and you’d end up with your eyes stuck like that. You decide you don’t mind, it would save you some time as your base reaction to most interactions is to roll them.
“I had a rough night mom, I’d like to go back to bed,” you tell her as you try to slip past her. A cold hand circles your wrist, stiletto tipped manicure digging slightly into the skin stopping you from moving any further.
“I’m serious, y/n, you’re better than this.” She throws the same words Rafe had at you. Exasperated and exhausted you rip your wrist from her grasp and head to the stairs. “We’re not done talking about this!” she shouts but you ignore her and continue towards your nice shower and bed.
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Rolling over to an empty bed several hours later, you grumble as you try to identify the source of your wakeup call. Cursing as you smack your arm against your side table, you finally manage to grab your ringing cell phone. Seeing RC flash as the contact calling, you groan loudly, before hitting the decline button and rolling back over. A minute later your phone chimes again, indicating a voice mail.
You figure there’s no point in drawing out the inevitable, so you unlock the phone and listen the voicemail Rafe left. He’s invited you to hang out with him and his friends on his dad’s yacht. Before you can talk yourself out of it, you’ve sent him a text to say you’d be there in an hour. Despite there being no love lost between you and Rafe, you really don’t have any better options and maybe if you tell your mom who you’re hanging out with she’ll get off your back and not subject you to The Lecture. You and Sarah used to laugh and joke about The Lecture, about how being a Y/L/N means being perfect and obtaining a perfect husband. The two of you would mock your mother, exaggerating her southern drawl that slipped out as she lectured you on the importance of propriety and ‘leaving something to the imagination’.
As you slip on a navy sundress with a deep neckline, you laugh, thinking to yourself that there’s not much left to leave to the imagination. You take the time to curl the ends of your hair to create a bouncy wave and apply a few coats of waterproof mascara and lip gloss. The humid heat of the OBX keeps your makeup routine light in the summer.
“And just where do you think you’re going?” Shit. Your dad’s home, he knows you stayed out all night, and he’s pissed. You don’t think your mom told him the full story, because he’s not frothing at the mouth mad, just his typical disappointed mad.
“Rafe invited a couple of friends to hang out on his dad’s yacht, daddy,” you reply back, not meeting his eyes.
You can tell your dad disapproves, because the lines between his eyebrows are more pronounced with his narrowed eyes. As he starts to give you what you’re sure is an impassioned lecture, your mother pops up out of nowhere, gushing, “Rafe? Well of course you can go sweetie, isn’t that right hon?” she turns to your dad, a single eyebrow raised daring him to defy her. Your parents are the ultimate power couple, wielding power and guilt over each other almost as easily as they try to do to you.
He sighs, realizing the fight with his vengeful wife isn’t worth the lesson you’re not going to learn anyway and nods, “Alright, just be back for supper, we’re going to sit down as a family tonight. And tell Sarah we said hi.”
If either parent noticed your stiffened back, they don’t comment on it. You hadn’t told them that Sarah dumped you like yesterday’s news just yet. Why blow a perfect cover story? Again, the lack of guilt should probably concern you, but you’re more focused on the very expensive, very good quality wine that you know is waiting for you on the Cameron’s yacht.
An hour later, you’re sitting between a very uncomfortable Topper and a disinterested Kelce with a full wineglass in your left hand. Your right hand slides your sunglasses back onto your eyes to shield them from the harsh sunlight that beats down directly on your face.
You can’t find the energy to strike up a conversation with either of them, and they don’t seem very inclined to start one either, so you turn your head to the side and look out at the water until you see a familiar beat up boat approaching. You visibly tense as your eyes lock on your blonde former best friend laughing with her arm around John B as their stupid friends talk and laugh around them. “You okay, y/n?” Kelce finally speaks, noticing your change in posture.
“Never better,” you drily reply moving to turn your head back to the other side of the yacht, as if the other boat on the water didn’t exist at all. Your eyes briefly flicker to the other blond on the boat, taut muscles on display beyond the ratty cut-off tank top as the pogue known as JJ attempts to wrestle with his friend Pope. You feel a drop in your stomach that perplexes you as your eyes scan his sunkissed skin. Startled, you turn your head quickly and take a huge sip of your wine.
You anticipated some sort of confrontation, maybe a thrown insult, but their boat simply eclipsed the yacht and they continued on their way. You were annoyed by the concerned look that Kelce threw your way after they had left, so you downed your glass and grabbed Rafe’s hand and all but dragged him inside the cabin.
The second the door shuts behind you, you’re on him, mouths mashing in a hungry kiss. He smirks against your mouth and leads you into the bathroom and proceeds to rid you of your clothes.
As you’re letting Rafe Cameron fuck you in the bathroom of his yacht, your mind can’t help but think you’re fucking over Sarah, too.
“Fuck baby, you feel so good,” he praises in your ear as he thrusts into you from behind. You don’t even have the energy to fake a moan, you just lean your head back against his shoulder.
When he’s finished, you simply slip your dress back on, refill your glass and sit back between Topper and Kelce as if they didn’t just hear you hook up with their best friend.
You go to bed early that night after a “nice family dinner” that consists of back-handed compliments and your mother fishing for details about your time on the yacht. You don’t think she’d be too pleased about letting Rafe ‘have you’ before ‘locking you down’, so you keep it to a minimum. Both parents drill it into your head that as a Y/L/N, you’re held to a higher standard than your peers. Perfect grades, perfect life, perfect daughter. You don’t know how to tell them you don’t even feel human anymore, so you smile and nod as they pester and nag. Your little sister sits quietly the whole time, looking at you with an emotion you can’t quite decipher.
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seagreen-meets-grey · 3 years
Text
When Lightning Strikes Ch. 17
When your life is nothing but a cloudless sky, lightning can come and strike you so unexpectedly, you won’t even know what hit you.
Or: When Hiccup and Astrid meet, it is as if lightning strikes.
[Chapter 1] [Chapter 2] [Chapter 3] [Chapter 4] [Chapter 5] [Chapter 6] [Chapter 7] [Chapter 8] [Chapter 9] [Chapter 10] [Chapter 11] [Chapter 12] [Chapter 13] [Chapter 14] [Chapter 15] [Chapter 16] [Chapter 18] [Chapter 19] [Chapter 20]
Crossposted on ao3 and ff.net
_______________
“I’m in love with you.”
Fresh raindrops were hitting the windscreen in an increasing rhythm, the backdrop to her thoughts.
“I’m in love with you.”
She turned on the wipers.
“But I can’t be your friend anymore.”
His voice was haunting her, words replaying in her ears over and over, accompanied by an electric jolt stopping her heart for a beat every single time. She almost anticipated a flash of lightning on the horizon, a crack of thunder rolling through her chest.
The drive back to Berk had never felt this long, the allowed driving speed never this slow. Eyes on the road, she fumbled for her phone, managing to connect it to the car one-handed. There was a call that absolutely could not wait.
It rang a few times, then cut off. Did she have no reception here? Didn’t he? Did he decline her call? Nervously tapping her steering wheel, Astrid flung the phone onto the passenger seat. She would try again if she got stuck at a traffic light. But traffic flowed freely and not much later, she parked in the same spot as mere hours before. She couldn’t believe so little time had passed since she had gotten ready for her lunch not-date (that had totally been an unofficial date).
Dashing through the rain, she quickly made it to the front door and rang the doorbell. But after fifteen minutes of repeatedly pressing the button, she concluded that he either wasn’t home or really did not want to open the door. She tried his phone again, but it just kept ringing and ringing. Which was weird, because he had specifically asked her to call him back, hadn’t he? Why would he not answer her calls now? Had he changed his mind, was he mad that she’d just left like that?
She racked her brain for where he could be, but the weather wasn’t leaving her a lot of options. He couldn’t be at work because it was a Sunday. She didn’t know where any of his friends lived. Hell, she only knew two names, maybe three if she counted the ex-girlfriend. Perhaps he’d gone to the forest again, despite the weather?
But his car was still parked to the side. Was he home after all? She tried the doorbell again, then rang for his neighbor. They could let her in so she could pound at his door, just in case his bell wasn’t working.
“Hello?” came a grumpy voice out of the speaker.
“Ah, yes, hi. I’m trying to get a hold of your neighbor, but he’s not opening. Could you let me in, please?”
“No.”
Briefly taken aback, she blinked a couple times. “I really need to–”
“I don’t know you. If they’re not opening, I won’t either. Good day.” The speaker crackled and went silent.
“Yeah, fuck you too,” she mumbled. “You got great neighbors, man.”
He still wasn’t answering her calls. At this point, she didn’t know whether to be annoyed or worried. Texting him a quick ‘where are you????’, she returned to her car and deliberated her next step. One option was to just wait here for him to get back. Call him over and over again until she got a reaction.
“Ugh!” With a frustrated groan, she threw her head back and closed her eyes. There was a way for her to reach someone who knew him, but even if she was successful, it would be a mighty awkward phone call and she would have to swallow a bit of pride.
“I’m in love with you.”
“Dammit!” She hit her steering wheel, accidentally setting off the horn. Hopefully, it had made Hiccup’s neighbor jump.
The next call went unanswered as well, but that only boosted her determination. There was no stopping her, not so close to her happy ending. She wanted to hear his voice, wanted to look into his wonderful eyes and scream at the top of her lungs, let out all her suppressed feelings that she’d been harboring for him ever since the moment his presence had first struck her like lightning. Three words, one breath. The clear answer he needed to hear from her, the one she needed to speak out loud.
She found Dagur’s contact in her list and sent him a short text, hoping he would help her out first and ask annoying questions later. And lo and behold, twelve minutes later, she had Heather Oswald’s number.
She picked up after the fourth ring. “Hello?”
“Hi. This is Astrid Hofferson, um... We’ve met a couple times, I’m–”
“Yeah,” Heather interrupted her in a tone Astrid couldn’t decipher, “I know who you are.”
“Oh, okay. Great. Uh, I’m looking for Hiccup, actually, and he’s not home or answering his phone. You’re the only person I could get a hold of who might know where he is or…”
“I have no idea.”
“Ah, well then, do you have an idea where I could look?”
The line went silent for a moment. “Without a clue about what’s going on, it’s hard to narrow it down.”
“Oh. Well, maybe–”
“Look, Astrid?” Heather interrupted her. “I know it’s not my place to say. But Hiccup is one of my best friends and he’s been pretty depressed because of you for the past two years. He… cares about you a lot.” Astrid tried to get a word in, but Heather didn’t let herself be interrupted. “I know you two are friends, but you’re not doing him any favors as long as you’re not honest with him.
“Heather, I-”
“Whatever it is you want from him, please tell him so he can stop driving himself crazy.”
“Yes, I know, that’s why I’m looking for him!”
“You are? Good. You might not be aware of it, but you have the power to absolutely break him. I’d rather you didn’t.”
Astrid gulped. “Yeah, believe it or not, he actually has the same power over me. Why do you think I’m calling his ex-girlfriend for help?”
Heather chuckled. “I haven’t heard from him this weekend, but I can think of a few others who might have. I can give you their numbers.”
“Thank you, seriously!”
“I’m doing it for him. Good luck.”
The line went dead and Astrid let out the tension in her shoulders with a sigh of relief. She didn’t have a new lead, but she had gained new options. And she’d just gotten the dad talk from her ex’s best friend’s sister.
Her phone buzzed with a few messages from an unsaved number, sending her a few contacts. She assumed the two people with Hiccup’s last name were his parents and decided to make them her last resort since there was no need to worry them about their son being uncharacteristically unavailable. Besides, they didn’t even know her.
Discovering she actually knew the other people Heather had referred her to, she decided to call Fishlegs first, hoping for not another lecture on how to treat one of his best friends. The one had been uncomfortable enough. The last thing she wanted to do was hurt Hiccup, even unintentionally. He was way too important to her, had taken root inside her heart the moment he’d first smiled at her.
She still remembered how he’d been able to make her forget about the sea of people around her in a matter of seconds, joking around about something trivial, grasping her full attention so easily she’d even blinded out her own fiancé, who’d been right there next to her. Looking back, she could only shake her head at her own stubbornness in admitting her immediate attraction and the connection that had been there from the moment their eyes had met. Her skin tingled at the memory of that bolt of lightning striking her to the core…
With a wince, she pulled herself from her daydream, concentrating on the task at hand and making the next call. Fishlegs picked up almost immediately, voice a little wary of the unknown number calling him on a Sunday evening. The horizon was darkening gradually, the last rays of sunlight drowning in the incoming wave of night, the streetlamps outside flickering on one after the other.
Fishlegs didn’t know where Hiccup was. “Maybe his phone is dead? He sometimes forgets to charge it before it’s too late.”
“Nope, it’s ringing. The signal’s getting through. Which means that’s not it.” She didn’t want to waste her time theorizing about why he wasn’t picking up. She wanted to find him, then she could ask him and punch him for leaving her hanging like this. “But do you know where he could have gone on a Sunday night while it’s raining?”
“Hm. You say his car is home?”
“Yes.”
“Well, Snotlout lives nearby, that’s an old friend of his–”
“Yeah, yeah, yeah, I know him.” Tucking her phone between her jaw and shoulder, she started her car. “Where does he live?”
Fishlegs gave her the directions and offered to stay on the phone so she could keep him updated, but she quickly thanked him and hung up before pulling out of her parking spot. This was the worst scavenger hunt ever. At least she could cross calling Snotlout off her list.
Severely hoping to either catch Hiccup this time or at least get a solid lead, she pushed the doorbell ten seconds long and then hit it repeatedly in a short span of time until she heard the static of the receiver.
“Whoever the fuck you are, fuck you. Hiccup, is that you? I want my jacket.” Well, so much for finding Hiccup here.
“No, it’s Astrid, we met once, I think you tried to flirt with me.”
“Wait, the Astrid? Hot Astrid? Hot-strid?”
“Call me that again and you’ll find out how hot my fist is!”
“Okay, okay.” She noted with satisfaction how he was trying to cover up that he was intimidated. “What are you doing here? Came here to get a taste of the Snotman?”
Deciding to ignore his immediate new attempt at flirting (she would handle that another time, for sure), she just rolled her eyes. “Have you seen Hiccup?”
Expecting the same answer she got from everyone else, she was surprised when he said, “Yep. He was here.”
“When?” She jumped on the information, leaning closer to the receiver.
“I don’t know, some time in the past couple hours? I was busy, I don’t check the clock on a Sunday.”
“Did he say where he was going?”
“Out.” Oh, she wanted to break the door in and slap him.
“But where, Snotlout?!” A dog started barking very closely to the intercom, making Astrid flinch away.
“Shut up, Hookfang! I don’t know, he wouldn’t tell me. Sit, you dumb dog! He just came by for a jacket, he was kinda drenched. Pretty stupid, actually, because he had an umbrella and it wasn’t even raining when I looked outside.”
She bit her lip and frowned. So he was out somewhere, probably still in the rain. Great, so she just had to drive through town and search all the streets of Berk until she found him. At least she had some kind of solid plan now.
“Thanks, Snotlout.”
His answer was drowned out by the barking dog, then the intercom fell silent with a crackling static, but she was already sprinting back to her car. She tried calling Hiccup again, but then gave up with a groan; she wouldn’t reach him. He hadn’t read her text yet, either. So what now, call his parents if he had walked there? She didn’t even know if they lived in Berk.
Reaching for her phone again, she replayed his message. The butterflies tumbled through her stomach again when he said the five words she would never grow tired of hearing. There was the sound of traffic and rain in the background, but that didn’t help a lot, so she replayed it again. And there it was, another lead – he said he’d been at her parents’ place, looking for her. Of course! Maybe he’d mentioned more to whoever had answered the door.
She sped through town, parking right in front of the front door, something her father hated. But right now, she couldn’t care less. Fumbling with the keys for a minute, she pushed the door open and yelled into the house.
“Mom! Dad! Anyone?!”
Her father stuck his head through the door to the living room, glass of wine in hand, wearing his comfy couch pants. “Hello, daughter. We were wondering if you were still showing up for dinner.”
“Sorry, I forgot to cancel, I had something important to do.” She trudged down the hallway to the living room, leaving dirty footprints on the floor.
“Astrid, your shoes!” her father chided her, but she ignored it.
“Was Hiccup here?”
“Who?”
Her mother turned around on the couch. “Yes, your boyfriend was here. He was looking for you.”
Astrid scooched by her dad who almost spilled his wine. “When? What did he say?”
Wilma clucked her tongue in disapproval, shaking her head at her daughter’s wet shoes, two steps from the new carpet.
“Mom.”
Frederick put a hand on her shoulder, holding his glass out of her reach. “Why don’t you take your shoes off and join us? This crime thriller is very entertaining and there’s more wine in the fridge–”
“Mom!”
“Like I said, he was looking for you. I don’t remember when, but it was still light outside. He didn’t say what he wanted, though, and left as soon as I said you weren’t here.”
“Who?” Frederick repeated, confusion written clearly on his face. “The young man you spoke to earlier? What was that about a boyfriend?”
Astrid didn’t have time for explanations to be exchanged. “Which direction did he leave in? This is very, very important, mom!”
“What’s going on, dear? Why don’t you–”
Astrid rolled her eyes with an impatient growl, contemplating threatening to wipe her feet on the carpet if her mother didn’t just come across with the information, but figured that would only spark an entirely different discussion. “Mom, I swear – please just tell me, please!” The desperation had to be showing in her eyes because her mother gave in with a sigh.
“Down the street to Marram Lane, he was on foot so my guess is he was heading for the bus.”
That didn’t make her chase any less frustrating, but it was better than nothing. “Anything else?”
“No–”
“Okay, thanks, bye!” She dashed past her dad who took a surprised step back. Before the front door closed behind her, she could hear him complain about his spilled wine on the new carpet.
Jumping into her car, she deliberated showing Hiccup’s profile picture to every bus driver she could catch, until one of them remembered him and where he got off the bus. But chances were he’d taken the route home and was already back there while she was looking for bread crumbs all over Berk. So she decided on one last attempt. If he didn’t open his door now, she would go home and probably not sleep all night.
If it hadn’t been for the red light near the park, she would have missed it. Tapping her finger against the steering wheel, she absentmindedly glanced outside while waiting for green.
It was the jacket that caught her eye. Chipped print of faded red flames climbing up the dark sleeves, wide and short on a body too tall and lean for the cut. It was him.
The umbrella shaded him from the light of the streetlamps, but she immediately made out the wild auburn hair, the line of his jaw, the slope of his nose, eyes cast down. He was heading for the park, on a shortcut to his house that she couldn’t take with her car.
A honk from behind her alerted her to the green light and she stepped on it, crossing the intersection and pulling over onto the sidewalk as soon as she got the chance to.
She ran, only just bothering to lock her car. The rain was coming down in buckets and she splashed her entire right leg when she stepped in an overly large puddle, but that wouldn’t slow her down.
“Hey!” she yelled. “Hiccup! Wait!”
He had almost disappeared behind the next corner and a few trees when he suddenly stopped and turned around. “Astrid?”
Panting, she came to a stop. “Finally. I looked- I looked everywhere for you.”
“Oh- oh yeah. I’m so sorry.” He pulled his phone from his pocket and showed her the screen. There was a large crack right down the middle and her unsuccessful calls finally made sense. He hadn’t been suddenly ghosting her, after all. “Did… Um, did you get my…”
“I got your message.” Her instincts told her to just grab him and haul him in for a kiss like she’d wanted to for so long, but he’d asked her to talk and she wouldn’t make any rash moves; there was just too much on the line.
For a beat, he looked at her nervously, before he noticed the water running down her face, darkening her hair and clothes. He stepped closer, holding his umbrella over the two of them.
“Thanks.” She wiped wet strands of hair out of her face. Every now and then, a gust of wind blew cold rain underneath the umbrella like a lawn sprinkler that had lost its rhythm. She was exhausted. She’d had a very long day.
It didn’t escape her how his eyes briefly dropped down her face, awakening the memories of his lips brushing hers earlier that day, numbing the tips of her fingers for the fraction of a second, before he averted his face. “I’m sorry if I sprung all this on you, but…”
“No, I’m the one who has to apologize.” His eyes settled back on hers and the shiver running down her spine had nothing to do with the weather. “You were absolutely right, I had been running from my conflicts, and my feelings. I went home to talk to Eret.” She took a deep breath. “We decided to break up.”
His eyes widened in surprise. “Oh, I… Was… Was it true, then? About him and…”
“Dana? That wasn’t what I thought it was. You were right about that, too.”
“Well, I’ll have you know I am always right about everything,” he said with a one-shouldered shrug and the hint of a shy grin.
“Hmm, sure.” Her lips were twitching and the invisible string attached to her heart was pulling at her chest. The rain was cold and the heat his body was emanating was driving her insane. The proximity to him, the way he was looking at her, the light of the streetlamps reflecting golden specks in his deep green eyes sending a parade of tingles over her skin. “He hadn’t been cheating on me any more than I cheated on him.”
His brows furrowed; head cocked to the side ever so slightly.
“Emotionally. Not with Dana. And that’s only one of the reasons me and him didn’t work out.”
Shaking his head, his frown deepened. “So… What does that mean now? Astrid, why are you here?”
She mirrored his expression. “Because you wanted to talk–”
“No, I mean, why are you here? In the rain, soaked to the bone? You could have called later, or tomorrow, or any other time.”
“No, I couldn’t,” she replied, trying to lay all the sincerity she felt into her voice. “Like I said, I’ve been running away for way too long.” The world began to blur around her, the traffic and the rain faded, vision narrowing in on him, capturing his gaze so intently, it caused her palms to sweat and her hands to start shaking from the intensity. “I love you. Okay? I love you! I want to be with you, Hiccup! I- I love you.” Her heart was rapidly pumping liquid lightning through her veins from finally saying the words out loud.
The earth stopped spinning as she looked at him, waiting for a reaction. His lips were slightly parted, eyes posing as windows to his soul, alive and starry, burning into her like fireworks into the summer night. With bated breath, knees weakening under his gaze, she felt the electricity buzz around her, charging for the final blow. Seconds passed, small eternities, in which she couldn’t move, the current pinning her to the spot.
Then, he suddenly surged forward, grabbing her face with both hands, and lightning crashed through her as they finally connected in a blinding flash of blue and white. Her chest exploded; high voltage was coursing through her every nerve, every vein, blood alive, heart pounding in sync with his; it was like their souls were magnets, caught in each other’s magnetic field, too strong to disconnect.
Her heart was soaring, quaking, pulsating, the world empty but for them. Their heavy breaths and the deafening thunder in her soul the only sound reaching her ears. Space and time became foreign concepts, the universe narrowing down to where they stood, hands roaming over shoulders, necks, limbs and through hair, unable to linger, always seeking out more, lips chasing lips.
She had to hold onto him as the ground disappeared underneath her feet and she went falling, flying, tumbling through the clouds. Her stomach was doing somersaults, backflips, pirouettes; the lightning strike had left her blind. She couldn’t get enough of his touch, lungs screaming for air, but she couldn’t care less about breathing, reconnecting with his lips after every hasty intake of air, drowning in the feeling of wonder, of pure euphoria.
The only thing she knew to be real was the warmth of his body, the passion that let their lips collide over and over again until she felt dizzy from the lack of oxygen and the intense electric current running through their bodies like one.
Eyes still closed, they eventually parted for much required air, their foreheads touching, breaths mingling. Her hands were slowly sliding from his neck, resting over his erratic heartbeat, mirroring hers. His fingers trailed down her spine, settling around her waist.
“Did you feel that?” Her voice was shaking.
“The lightning?”
Her eyes fluttered open and her chest swelled with affection at the raw emotion in his eyes and the fact that he felt as much for her as she did for him. She nodded with a gulp.
“I did.” He lifted a hand to her face, gently wiping something hot and salty from her cheek that she hadn’t even noticed herself. “Is this real?”
“I certainly hope so.”
“Hey, if not, at least we’re stuck in the same dream, right?”
“Right.” Getting lost in his gaze again, she blinked when he suddenly cleared his throat and looked around, as if remembering that there was a whole universe out of their wonderful, perfect little bubble.
“We should probably go someplace dry.” The umbrella was discarded somewhere on the ground, dirty and forgotten. “I keep getting drenched today, how is that?!”
The laughter breaking out of her and the look he gave her in return were nothing short of breathtaking, and she wondered if she was ever going to get used to that, already addicted to everything about him, everything he was doing to her. “My car is back there.” She pointed in a general direction over her shoulder.
“Okay.” He leaned down and softly pecked her lips again, followed by another toe-curling, heart-stopping, world-shaking kiss, slow and deep, her fingers clutching at his soaked shirt. Their noses brushed, wet and cold. “Okay,” he repeated himself in a whisper and stepped away enough to entwine their hands, starting towards where she had pointed.
The skin of their interlaced fingers was frigid, but Astrid did not feel the cold. She just felt… free.
His thumb brushed over her knuckles as she steered him back to her car and the contact crackled through her nerves like an inextinguishable fire. Just this morning, she’d been shaken by her own confession to herself, still anxious over the fight she’d had with Hiccup the day before. Entire lifetimes had passed since then.
Glancing at him, she caught his eyes and the blinding smile on his lips. Oh, those lips. She had discovered a new drug and she was already high on it. With a weak fist, she punched his shoulder. “That’s for breaking your phone.” He blushed, rubbing his neck with his free hand. With her own, she fished her car keys from her uncomfortably wet jeans, pushing the button and glancing over him once more. “And what the hell are you wearing?!”
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- End of Part 2 -
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Major Updates to My Weird Idea (that includes my Nightside OCs)
Go check my previous post on this - HERE
This is mainly an update for @schizoauthoress , @the--blackdahlia , @spacelizardtrashboys , @enigmaticandunstable and @piratewithvigor and I personally think @nattinngrst might like this.
I went on a trip to the beach yesterday with my parents and my older brother (who I bored and annoyed with this idea and you'll see some of his influence in this here post)
Anything written in italics is meant to be taken as a joke as you read through this wall of text, sending good vibes as always, hope y'all are doing well.
The show is set in Canadian, Texas (real place: Wikipedia). I'm thinking of this show starting in the mid-to-late 90s (1996/1997).
I've managed to do several things with that weird sitcom idea, so, where to start, how about with the three potential titles:
1 - Neighbourhood Watch
2 - First Call
3 - First Round (Which my brother likes)
Here are some options for bar names, starting with the Cop bar:
1 - The Donut Hole
2 - The Roasted Hog (which my big bro suggested)
3 - The Sherriff's Outpost
And the Biker Bar:
1 - The Handlebar Inn
2 - The Steel Horse Saloon
3 - The Rebel Room
Next on the list of updates: Cast additions, character roles and (Finally after 2 days) Names for Everyone!!
I'll start with the Cop Bar's owner & staff:
Rosalina Asturias 'Rosa' (Played by Billie Martinez) an employee of the local cop bar. Didn't grow up in the town, moved here for work.
Violet Croft (Played by Eli Herne) an employee. Grew up in town, never left, has the hots for one of the guys in the local police.
Sunshine Crawford 'Sunny' (Played by Holly Di Antonio) an employee. Grew up in town, left for college and came back.
Roscoe Power 'Ross' (Played by Jimmy Hart) the loudmouth who owns the bar, grew up in town, used to be a car salesman.
Olesya Pavlovsky 'Olivia' (Played by Penelope Voronin) an employee who grew up in town and has immigrant parents, goes by 'Olivia' because she would rather you don't f*** up her actual name.
Winona Vance (Played by Sam Griffin Silver) an employee who moved here from New York, for unknown reasons, and doesn't really understand the small town, everyone knows everyone lifestyle.
Lavender Whittemore (Played by Victoria Lucifarian) an employee who grew up in England but moved to live in America, settled in Canadian, Texas due to her love of westerns.
Next: The Local Police Squad:
Sergeant Valentine Gautier 'Val' (Played by Bret Hart) recently promoted before the series begins but still on patrol duty, watches over his younger brother.
Corporal Buck Morris 'Buckshot' (Played by Davey Boy Smith) the gun loving corporal of the squad and the only one to have both 'work' and 'home' guns.
Captain Napoleon Cooper 'Crazy Cooper' / 'Captain Crazy' (Played by Jim Neidhart) the police captain, recently reassigned to Canadian, Texas as there were rumours abut him which interfered with his work in his previous location.
Officer Duke Gautier (Played by Owen Hart) the young, recently recruited brother of Sgt Gautier, often put on patrol alone to ensure less arguments, but always checked on by his brother.
Next: The Biker Bar's Staff:
Ozzy Rains (Played by Charles Wright) A biker and member of the staff who grew up just outside of town but loves his fellow staff members like family.
Brock Martel (Played by Henry Godwin) a biker and member of the staff who grew up on a local ranch and loves beer, football and the current Mayor's down-to-Earth style.
Vincent Gore 'Vinnie' (Played by Kane) the owner's son and a known fire loving 'freak' often protected by his surrogate family, the bar staff, Vinnie knows no better than 'ooh, cool looking fire' and must be restrained or have his hands swatted away to stop him burning himself trying to touch campfires.
Raven Knight (Played by Kirby Roussimoff) the only female staff member, but also the girl who does all the tough jobs when needed, has a side business of making and selling artwork, such as portraits to locals, has designed some of the bar staff's tattoos.
Harlow Gore (Played by Paul Bearer) the owner of the bar and a loving father to his son, took Murphy (Undertaker) under his wing when they first met and also treats him, and the rest of staff, like family.
Hunter King (Played by Phineas Godwin) Brock's cousin and a member of staff, taught Raven how to shoot a shotgun and his father owns a local tattoo parlour.
Sequoia Reed (Played by Rikishi) an employee and Frankie's (Yokozuna) cousin, also a surrogate cousin to Raven, having been best friends since childhood. Reed loves his job and his staff family and will defend both at any cost.
Lupe Zapatero (Played by Savio Vega) an employee at the bar and possibly the shortest member of staff, towered over by the tallest staff members but is not any less of a fighter because of his size, a former mechanic who loves nothing more than taking things apart and putting them back together while listening to metal / rock.
Murphy Graves (Played By The Undertaker) Manager of the biker bar and an excellent member of staff, has an outlaw rules vibe, as in he would say to the police "Your jurisdiction ends when you walk in my bar." Very protective of the staff, and the owner.
Frankie Wolf (Played by Yokozuna) the most relaxed and laid-back of the staff, Frankie would prefer to be in the kitchen making potential 'Culinary Masterpieces' as he would call them. Sequoia and Raven's (surrogate) cousin, views his staff mates as family.
Next: The Local Band (Named: Exoskeleton Samurai)/College Students
Quinn Thorn (Played by Jeff Hardy) the bassist to Ros' (Lita) vocals / lead Guitar and older brother Garth's (Matt) Drums, a face paint enthusiast and an English major in college who never seems to find time to study, but always has time to date somehow.
Roz Jerome (Played by Lita) the vocals and lead guitar for the band and an art major who actually studies, dating Garth (Matt) and met Quinn through him. Roz also studies Spanish and French.
Garth Thorn (Played by Matt Hardy) Quinn's older brother and the band's drummer, a major in psychology and a horror movie lover, Roz' boyfriend and almost totally devoted to her, even at the cost of his college work.
Next: The Local Townsfolk of Note:
Mayor Robert Sweet (Played by Jim Duggan) rarely seen, but apparently a good man with good ideas, helps out in volunteer projects and absolutely loves the town. Trying his hardest and people know this, and they love him. (did I meme correctly?)
Rusty Jarvis (Played by Mick Foley) the local hippie who has never left town, somehow managing to know both everything and nothing at the same town. (Very Dude Love with hints of Cactus Jack and Mankind) Does know how to fight when he needs to.
Redd Wayne (Played by 'Sycho' Sid Vicious/Justice) the local baseball/softball star, helps out at the local school/college teaching sports and likes Raven's artwork, he watches her draw when he can, runs the local little league & minor league baseball/softball games.
Earl Black (Played by Steve Austin) the most often seen regular at the biker bar, absolutely loves both the bar and the town, a hardworking guy who has befriended the entire staff (including Harlow and Vinnie) of the biker bar.
Lex Aston (Played by The Rock) a local struggling actor, teaching an acting class to pay the bills and an absolute ladies man, and for that reason he goes to the cop bar, to try and pick up one of the bartenders who works there, often favouring Rosa as she will jokingly flirt back.
Finally (for this section): The Degenerates and Their Benefactors:
Reign Yates (Played by Billy Gunn) Leon's (Road Dogg) best friend, often the getaway driver for the group and a scout for locations, often getting all the info on a place before telling Matty (H.H.H) and Dell (HBK). Often leaves town with Leon to get the heat off them. (and make out in secret)
Zelda Hooper (Played by Chyna) the only female degenerate but possibly the toughest, has a rap sheet as big as her arms, not to be trusted when around the other degenerates as she is usually the actual brains of the operation.
Matty Battle (Played by Hunter Hearst Helmsley) the co-leader of the degenerates, often protected by Zelda or Mark (Kevin Nash). does most of the talking but has the piss taken of him for his looks often by either other degenerates or locals who don't care for the degenerates.
Romeo Colombera (Played by Mike Rotundo/I.R.S) the right hand man of the mysterious benefactor, and often the lawyer for the degenerates as well as a taskmaster for them, telling them what the boss wants done and by what date.
Mark Rake (Played by Kevin Nash/Diesel) the tallest degenerate with a rap sheet as long as his leg, a former bouncer at a now closed nightclub, alongside best friend (and possibly boyfriend) Galo (Scott Hall) and now a bodyguard (when needed) for Matty and Dell (HBK, also boyfriends).
Leon Rose (Played by Road Dogg) best friend of Reign and a scout for the group alongside him. Has found every possible way to piss off other townsfolk and often in the most fights because of it, always on the police's radar for one thing or another and constantly leaving town because of it.
Galo Villalobos (Played by Scott Hall/Razor Ramon) the only (supposedly) Latino degenerate, raised in Canadian, Texas but his parents are from Cuba, Galo is a former nightclub bouncer (alongside Mark) Galo is known (for his ability to give minus fucks) as the most relaxed member of the group.
Dell Pain (Played by Shawn Michaels/HBK) the co-leader alongside Matty, a known flirt with people regardless of gender or sexuality, just to piss them off on some occasions. Dell grew up in town, knowing it like the back of his hand.
Giles Rennell (Played by Ted DiBiase) the mysterious benefactor of the group, bailing them out if needed, he stumbled across the group after seeing a police bulletin and decided to use them to cause enough chaos to guarantee a chance in the next mayoral election.
Zac Noel (Played by X-Pac) the shortest and youngest degenerate, Zac is often treated as the child of the group, being taught how to get away with crimes and trick the police into just letting him go by clerical error and tomfoolery.
Next on my list of updates: Season 1's episode list, episode titles, episode synopses, some spoilers, and the revolving door idea a bit further explained.
Series running order:
Biker bar episode
Cops on Patrol episode
Band/College Students episode
Cop bar episode (yes these are different)
Degenerates episode
(last episode of each season/series only) town meeting/town get-together (E.X: town hall meetings, the town getting together for a sports game or barbeque or restaurant opening)
1x01: Insert Coin to Start: The pilot episode of the series sees the local biker bar of Canadian, Texas installing two, brand new, arcade machines. After leaving for the night, the team finds the bar broken into and both machines missing with no evidence or possible suspects to the robbery. The team finds the machines relatively undamaged in an alleyway nearby. By the end of the episode there's still no suspects. B plot includes an argument between father and son, Harlow and Vincent which ends when Murphy gets involved.
1x02: Hot Pursuit: Newly instated chief of police Chief Cooper [Neidhart] makes changes to the patrol teams before tasking them with looking for any persons involved with (1x01)'s robbery and break-in, leading to a high speed chase later in the episode. B plot includes the squad coming to grips with the new, and much crazier, police chief.
1x03: Making Noise: Local band Exoskeleton Samurai [Team Extreme] are writing new music late at night while Roz [Lita] tries to study for a class the following day but, during a moment of quiet, they hear a break in a couple of doors down and attempt to see who it is. The group get a glimpse of Zac Noel [X-Pac] and Mark Rake [Nash] but not a full glimpse. Now aware of the local degenerates, the band try and forget about it and focus on their own lives until their apartment gets broken into when they're not there.
1x04: Donuts & Beer: The new cop bar opens on the other side of town, serving mainly (both savoury and sweet) bagels and donuts as well as beer (on tap and bottled), the fact it's slightly more risqué gets (both good and bad) attention on the place. Winona Vance [Sam] gets in a fight with Zac Noel [X-Pac] as she's locking up. Winona [Sam] being put in the hospital with a broken arm makes the rest of [Cop Bar]'s staff double down on getting justice for the near break-in.
1x05: Dirty Work: The first episode from the degenerates perspective. The degenerates are just causing general problems for the town without reason because it's fun' but it's quickly losing their interest as the heat on them rises. The end of the episode has Matty Battle [Triple H] receiving a call from 'Mister R' [DiBiase] offering him a deal.
1x06: Blue & Black: A brawl breaks out at [Biker Bar] following whispers that the people who broke in are in the building. The bikers who work at the bar threaten to hurt anyone who works for the rival bar if they try and mess with business while in the biker bar.
1x07: Captain Crazy: A rumour that the current captain was moved location and promoted to smooth over allegations that he may not be fully sane, Officer Duke Gautier [Owen] is determined to find the truth while Sergeant Valentine Gautier [Bret] and Corporal Buck Morris [Davey Boy] are determined to keep the peace and catch the local degenerates.
1x08: Broken Strings: following an argument with an ex girlfriend Quinn Thorn [Jeff] finds his guitar smashed and has to work odd jobs to buy another one (starting a potential series c plot). Garth Thorn [Matt] ends up in a fight with Galo Villalobos [Hall] which ends when Roz Jerome [Lita] smashes a table leg over the back of Galo's [Scott's] head, knocking him out and giving him over to the police.
1x09: Badges & Bottle Tops: Captain Cooper [Neidhart] stops by [cop bar] to talk with owner Roscoe Power [Jimmy Hart]. Meanwhile the Gautier boys [Owen & Bret] interrogate Galo Villalobos [Scott Hall] about what the degenerates are doing and why, getting no information about the mysterious benefactor over than he pays them a lot of money depending on what they do.
1x10: Paid off: The mysterious benefactor 'Mister R' [DiBiase] pays Galo's [Scott's] bail, getting him free for a while but side-lining him too. The benefactor remains hidden in shadow but Matty & Dell [Triple H & HBK] have a meeting with him to discuss money and the next job.
1x11: Written in Ink: the tattooed bikers on the staff encourage regular customer Earl Black [Austin] to get a skull tattoo on his back and even take him with them to the tattoo parlour they frequent, finding it to be burned to the ground with a 'freaks get lost' sign planted in the wreckage. Murphy Graves [Undertaker] dismisses the rumours that the arsonist is the fire fascinated Vincent Gore [Kane] and even gives him an alibi when the cops come looking for answers, putting blame on someone in town who knows about Vinnie's [Kane's] love of fire, which is nearly every person in town.
1x12: Sergeant Heartbreaker: Sergeant Gautier [Bret] is accused of flirting with the staff at [Cop bar] leading to a paid two day leave to get heat off of him while he's ordered to remain at home. Officer Gautier [Owen] and Corporal Morris [Davey Boy] are put on patrol together, leading to a high speed chase of Reign Yates, Leon Rose & Zelda Hooper [Gunn, Road Dogg & Chyna] after witnessing a mugging, assault and graffiti from the trio, the cops eventually lose them down a back road on private Giles Rennell's [DiBiase's] land they would need a warrant for.
1x13: Failing Grade: Quinn's [Jeff's] lack of sleep leads to him getting a fail on an test forcing him to do the semester again. Enraged by this Quinn [Jeff] considers leaving the school but is encouraged to continue following Garth [Matt] ending up in hospital following [1x12]'s assault and mugging on Garth & Roz [Matt & Lita].
1x14: Microphones & Megaphones: [cop bar]'s owner Roscoe Power [Jimmy Hart] installs a stage for local acts in the bar, leading to Violet Croft [Eli] performing later that episode (the closing of the episode into the credits) and the night before the first performance the bar is covered in graffiti, leading to a massive clean up effort from the staff and local volunteers (like Mick Foley & The Rock).
1x15: Trench Warfare: Romeo Colombera [IRS] the benefactor's [DiBiase's] right hand man and go-to lawyer gives the degenerates an list of jobs, run the police chief out of town by the end of the year, run the bikers out of town, and ensure that 'Mister R' [DiBiase] the benefactor wins the next mayoral election.
1x16: Fuelling Up: after closing up [biker bar] Raven Knight [Kirby] narrowly avoids being burned by her motorbike exploding in a ball of fire. Her boss, Harlow Gore [Bearer] tells her to take the week off, leading to her coming into the bar and sitting at the back of the bar, sketching the regular customers and having a long conversation with local sports star Redd Wayne [Sid].
1x17: Brothers in Arms: Together: the Gautier brothers [Bret & Owen] are put on patrol together leading to the arrest of Zelda, Matty & Dell [Chyna, Triple H & HBK] before the trio are bailed out, the brothers interrogate Dell Pain [HBK] (leading to a very 'basic instinct'-esque scene with Shawn in assless chaps and boxer briefs) who gives them no information on their behaviour and why they are doing the things they've done.
1x18: Night Time Fun: the band attends a college party, unknowingly with Zac Noel [X-Pac] also in attendance, leading to the trio being high and drunk and the Thorn brothers [Matt & Jeff] end up in a fight, almost being thrown out of college entirely for their actions the next morning.
1x19: Head or Hart: Violet Croft [Eli] and (officer) Duke Gautier [Owen] meet properly for the first time on a blind date, leading to them walking through the streets of Canadian, Texas at night. The date is quickly ended after Duke [Owen] spots Leon Rose [Road Dogg] spray painting [cop bar] and gives chase after handing Violet [Eli] his number.
1x20: Grunt Work: The degenerates have a group meeting about how to sabotage the town meeting, leading to Rennell [DiBiase] coming out of the shadows to lead the degenerates in a coordinated attack on the town hall. Leading to the degenerates waiting until the town meeting to begin the next day.
1x21: Town Meeting: Mayor Robert Sweet [Duggan] conducts a town meeting, leading to everyone airing their grievances with the degenerates recent spree of activity. At the end of the meeting, paint bombs hidden above the townsfolk go off all at once, covering everyone in bright, almost neon, green paint.
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smartguyreviewed · 4 years
Text
2x4 - Dateline
Original air date: Oct 1, 1997
Anyone who was holding their breath for me to get back to this, thank you. Been going through a lot like most people right now but I had to remember this blog is a good distraction because I get to write about one of my favorite shows growing up. Anyways, enjoy. :) 
Let’s talk about cock-blocking or to be more gender inclusive...actually, I can’t think of a term similar that utilizes both a male and female part. Anyhoo, let’s talk about it.
I’ve done it (unintentionally). You’ve done it. We’ve all had it done to us as well. Like the night you finally got a chance to be alone with your dipshit crush and your annoying friend tried to insert herself until she finally realized what was going on and left you two alone so you could have your first kiss ever at age 19.
TJ is an extreme cock blocker. He will break your shit up and then pout because he’s still just a kid. Normally, TJ only wants to punish Marcus by enacting this cruel tactic but in this episode, he shifts gears to the person who is both a mother and father to him: Daddy Flody.
We begin this episode at a supermarket. Tj is checking out cereals and Floyd is checking out dat ass.
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TJ catches Floyd staring and in his precocious little way, starts asking him questions about women. It kind of reminds me of Frank from Milk Money. which is a horrible movie that I adore and you should watch it because despite a little kid befriending a prostitute, it’s still a decent 90s coming-of-age tale. And Alex DeLarge is in it.
After TJ makes his dad sweat further by asking what body type gets his penis erect, TJ comes to the conclusion that Floyd is lonely and could probably benefit from some female companionship.
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Cut to TJ on an unrealistically chatty PC barking at TJ to fill in the boxes for Floyd. I don’t know about you, but if my computer kept talking to me, I’d throw it out of the fucking window. I am so glad websites that talk at you are obsolete. Apparently, this computer is also sentient because TJ pauses for just a moment too long when Marcus comes in and this impatient computer bitch asks for the rest of the info in a more demanding tone.
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But because TJ was distracted, he inputs his own height instead of his dad’s and the computer announces that she’s transferring him to their little people’s section. Hey, they gotta find love too!
Marcus is skeptical of why TJ is trying to set Floyd up. Just then, Yvette walks in and asks who is using her eyeliner to write down phone messages, which I totally expect a straight man to do. After fessing up, Marcus asks Yvette to dissuade TJ from setting up his dad. Yvette then uses her soon-to-be psychology degree on Marcus and reasons that he might be a little salty because he doesn’t want another woman to replace his mom. But no, Marcus is a teenage boy and completely lacking depth until certain episodes call for it. Instead, he says he just wants the car on weekend evenings so he can try to bang his latest girl of the week. Of course, he could just be deflecting to avoid a heavy conversation but I’m gonna go with the former because Marcus is the horniest boy on the show.
Yvette decides to help TJ since Floyd has few dating options. Her plan is to beef up his personal ad by making him younger and a fan of soul food and Maya Angelou. Marcus is still not with the shits and says that nobody wants to date an “old guy with three kids.” Completely forgetting about the fact that his dad is an attractive man, this happens instead:
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TJ and the gang are now making final cuts on the 130 prospects Floyd had. I mean, that’s great and all but I’m sure at least half of those women were catfishes. Then again, in the 90s, maybe there was more legitimacy since there wasn’t enough technology to hide behind? I dunno. But Floyd definitely has some options.
While deliberating who will receive the clock from Floyd, Marcus makes what would be considered a transphobic comment questing if some of them really are women and how he doesn’t want Floyd to end up like Eddie Murphy. Mo, on the other hand is questing if this is even legal. Mo is a teenage boy and is probably likening it to what Tinder now is: a place to meet horny individuals.
Yvette thinks the ladies are good picks but then begins nitpicking their flaws, among one of them being that one of the ladies has breast implants. Because women who get surgeries to help boost their self esteem apparently don’t deserve love? Yvette is such a hypocrite as we’ll see in the future. Mo then begins taking the rejected pics because he loves older women, especially ones with perceived low self esteem. Just then, Floyd comes in the room and the gang has to cover up their dirty work. Floyd makes a bad joke and then dips out.
They eventually settle on a light-skinned natural woman named Jamie. They agree to meet at the grocery store, sot hat’s where we end up. Marcus is acting like he’s never seen pretty girls outside of school and leaves to spit game at women who just wanna be left alone so they can buy their frozen pizza and wine in peace.
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Jamie sees who she thinks is her suitor and immediately is pissed because she, you know, thought she’d be meeting Floyd and not a little boy. Yvette comes over to smooth things over and convinces Jamie to meet Floyd. Well, TJ’s cute face convinced her after she was understandably freaked out. They go to meet Floyd. 
Jamie shows up and explains what happened and that she was pre-screened to make sure she wasn’t a guy. Floyd actually even gives her an up and down look before she says she passed! Pretty sure this also wouldn’t go over well today. Jamie and Floyd, however, hit it off and leave to go on a date. When they get back, Yvette and TJ are spying on the new couple to see how it went. Floyd was actually bigging up TJ and talking about how smart he is to Jamie when they got in. Aww. Floyd is proud of his son for hooking him up. Yvette is noticeably annoyed at how he gets all of the credit, but I mean, it was his idea. Yvette just helped him out. 
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Upon completion of this totally selfless act to get his father some love, TJ is happy at first. Yay TJ! You’re on the right track to becoming a thoughtful human be--
Sike! TJ immediately regrets this decision once he realizes that his father having a personal life means that he won’t see him as much. TJ has a basketball game coming up that Floyd won’t be able to attend now. Yvette offers to take him but it’s not the same because Yvette is a girl and girls aren’t fun. And just like that, TJ the petty, cock-blocking asshole comes back.
The next day, TJ and Floyd are playing basketball when Jamie comes home. Floyd invites her to play but TJ is all like “bitch, wait your turn” and then Floyd puts her on TJ’s team. She then bribes TJ with the food she’s about to cook for them. He agrees but then Jamie and Floyd start flirting because duh. TJ leaves in a jealous fit, upset that this woman he hooked his father up with has the gall to want to spend time with him. He simulates what he wants to do to her body on a bag of Funions.
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I have to say though, how long was the frame of this episode? Days? Weeks? Jamie has essentially become their stepmom. She’s even giving Marcus advice on how to treat a girl like a human being instead of a meat popsicle with titties. Yvette and Marcus then leave, allowing Jamie and Floyd their Blockbuster and Chill time with The Preacher’s Wife.
But TJ is a boner detector because as soon as Jamie and Floyd are about to mash faces, TJ whimpers for his pa because he doesn’t feel good. We think Floyd banished him to his room but then TJ comes over and pushes the two would-be lovers apart so he can ruin their night. Jamie eventually decides to leave, even though it’s clear she was holding out in case she could get a piece of Floyd but TJ completely squashed that possibility. Floyd actually whines when Jamie says she’s leaving. Aww. Floyd is lonely. Does TJ care? Of course not. 
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TJ sounds perfectly fine when he says he’s sorry he ruined the night. Father and son decide to just watch the movie together instead.
The next day at school, Marcus is spitting his game at the girl he went on a date with. Turns out, treating women like actual people has been working well for him! He’s even going on a second date. Yvette comes by to let TJ know that she’s picking him up again. TJ is, of course, pissed because Jamie had come over to the house the night before, albeit dick-less. Yvette has to explain to TJ that when you date someone, the goal is to see them frequently and that he’s the reason their last date sucked. She then shatters Marcus’s dreams by letting him know that Floyd is taking his car on his date. Guess Marcus is gonna have to make out on the bus.
TJ’s lips are all puckered because he’s losing his father to another woman. He’s so distressed that he actually picks a fight with a senior. Mo steps in and literally drags TJ home. No, seriously. He carried TJ like a bag of groceries all the way to the Henderson house during school. Then he transformed into a therapist to get to the root of TJ’s outburst. This is during school hours. Mo skipped school to bring TJ home and give Floyd advice. Mo is amazing.
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TJ is playing basketball with himself when Floyd comes in and then he spills that he’s sick of Jamie. Floyd reminds TJ that he’s the one who set them up and I guess TJ didn’t know things would actually change. Now would have been a good time to mention if he feels some way about another woman besides Yvette playing a maternal figure in the wake of his mother’s never explained death. But Floyd does a good job as usual and says this is temporary because when TJ is a teenager, he won’t want anything to do with Floyd. TJ finally stops being a prick and Floyd offers to be careful about how he schedules his time and then continues the basketball game he let Jamie interrupt previously. Aww Floyd. Too bad TJ is probably going to hold onto this for a while because he was giving his dad a lot of shit in the end credits. This isn’t even the last time he does this to Floyd and we never see Jamie again, so I guess it’s safe to assume that TJ killed Jamie. 
Things I noticed:
- Can we just take a moment to appreciate how hot Floyd is? How could Marcus ever think his dad wouldn’t be able to attract women?
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- This brilliant cover for the gang if Floyd came in during the date deliberation:
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- Marcus doesn’t want Floyd to go out on dates because he wants the car to himself on the weekends. He says if Floyd starts going out, he’s making out in the back of the bus. Yvette then says, “No, thanks to Rosa Parks, you can make out anywhere on the bus.” Brilliant retort. I really hand it to the writers of this show.
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lizzybeth1986 · 5 years
Text
Quick Thoughts on The White People Waambulance, Chapters 18 and 19
• Sorry this QT is coming out so late, guys. I regret to say my heart wasn't really in this one...and it hasn't been with regards to my QTs for a while. This one might be my last, unless we count me finishing them off for the (not rewritten) Book 1. It's been two years since I began, and the last two books made the process honestly really exhausting.
• I clubbed the two finale chapters together because I really couldn't be bothered to do separate ones for both.
• In fact...I won't be doing any of what I have been doing for my QTs so far. I'll be honest to you: I usually do multiple replays, the last few in tandem with the other routes on YouTube. I go through the scenes one by one. I keep note of differences and variations and carefully choose screenshots that will reflect the gist of the scenes.
But I couldn't be bothered to do any of that this time. I pressed the "continue" and then the "end book" buttons as soon as I finished my first run of those chapters. I'm drained, guys. And I don't think I'll be coming back to the TRH series at least, not even for Liam or Hana or Kiara. Maybe my mind will change by the time the second book comes out (update from present-day Lizzy: no it didn't) but I'm not counting on it. And you'll probably know why by the time this QT ends.
• TW: Discussions on racism, both fandom racism and from within the narrative. The last section of this QT is going to be...pretty heavy, guys.
There's also going to be a lot of anti-Drake, anti-Olivia, anti-Madeleine and anti-Penelope content here, so if you like any of those characters...well, you've been warned.
The ensuing post is going to be LONG, and I know a lot of you have good reasons not to deal with long posts, so here's a tldr:
1. The TRR writing team stick to their weird obsession for jobless whiny white men.
2. Read this book once and you'll feel like you're drowning in an ocean of white tears.
3. WOC continue to get scraps from the writing team, even as they boast of being diverse and inclusive. In fact, they're regularly treated as mere tokens, exotic eye-candy or non-entities, while their behaviour is measured on standards that are very different from their white counterparts (this happens in other books as well).
...okay I wasn't expecting for the tldr to be long too 😅
• Me @ my QTs then:
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Me @ my QTs now:
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• I'll probably be finishing off my TRR Book 1 QT series when I'm a little less burnt out, but for now this is where it ends, I guess.
• So...here is to summarize the last two chapters: Accident happens. LIs mad. Paparazzi sad (but largely get away scot-free). MC and baby safe. At the Council meeting Kiara slam dunks the murderer of Liam's mother with the style and elegance this fandom still refuses to acknowledge her for. The MC is nice to her for like half a second. Last Apple Ball. New clothes for everyone as if they had a Diwali bumper sale the week before or something. Godfrey is somehow responsible for the security (who thought this was a good idea) and seeing the Auvernese Royal Guard outside our doors is SO not-creepy.
We get to see if we impressed our Auvernese and Monterriso allies enough. Bradshaw compliments Kiara for like half a second. Olivia sees the dude from the Q&A session (Jin) at the Ball and (if you pay) you get to see her catch, interrogate and lowkey flirt with him.
Leona and Bianca make it to the ball (where is Bartie Sr. Where are Xinghai and Lorelei. Where is Regina) and this time the narrative makes sure to shoehorn a plot element into their presence here: Leona is there so we can do something about the reveal that she constantly ratted us out to the press for money. ("oh look! Walker Ranch was plot related after all! We have a reason (albeit a flimsy, paper-thin one) to set 9 whole chapters in Texas. Even though we had to literally come up with this bit in the last minute, because really - all we wanted to do as a writing team was nut collectively over Drake Walker")
(I also can't believe that between the time I wrote this line and the time this QT finally came out - they literally found a way to re-fucking-write Book 1 so they could nut collectively over Drake Walker earlier)
• Why were we required to dress down in Texas for these assholes when they couldn't even bother to dig up their Sunday best for this ball??? Oh right, they're Walkers. Hypocrisy runs in the family.
• Good thing is you can choose to banish Leona if you want. She's angry about it for a second then accepts it and leaves. But like what is the point of banishing her when she hardly even bothers to come there in the first place? She's not going to be bawling her eyeballs out saying "boohoo, they threw me out of this country that I spent like five minutes in and never even wanted to visit in the first place".
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• Bianca is present at the end of Chapter 18 mainly to deliver to us a plot point at the very last minute: a clue about where we could find proof about Queen Eleanor's murder. Bianca mentions conversations Jackson had with her, and a secret room somewhere. Her leaving the palace and abandoning her children is addressed, and the MC gets to berate her. It's...short.
• Why this important piece of information was given to Bianca when idk LEO could have pitched in and spoken about it, no one knows. Oh wait. I keep forgetting. Bianca is Drake's mother. That's why.
• Okay so Amalas valiantly found out about Leona's involvement in this and gave us tangible proof via photographs. But we're kiiiinda forgetting that the scrutiny and privacy invasions were happening even before we hauled ass to Walker Ranch? Who was responsible for those? Who was the "source" that the Chapter 17 paparazzo was referring to, the one that mentioned they would triple the price for more photos of the Queen/Mother of the Heir (Coz like why would she do that. She's already broke)? How did Amalas come by this information so easily and why was she really that invested? Why is no one asking these questions? Why isn't the group asking these questions? Why are they stupid. Jesus, they're all so stupid. HOW ARE YOU SO STUPID, SQUAD.
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• Shortly after they get rid of Leona and Bianca, the rest of the group give the happy couple a choice of toys for the nursery - and that's our final nursery purchase. You can either go for the corgi - which is on brand for the series by now I think - or the lion, which is seen as very Cordonian.
• More party shenanigans. We're nice to Kiara for another half-second. Kiara arranges a photoshoot for us. The team can't pretend to give a fuck anymore about its fans so they will ask us to pay for an edit that I've seen millions of edit-creators in the fandom do wayyyy better. Like let's be honest - compare the engagement shoot pics (messy as they were) to the shoots we eventually got this book. You can see the difference. You can tell which one required more work.
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• Anyway, if you choose this scene you wind up going back to the ballroom, dance with your spouse, aaaaand it's time for another diamond option. This time your spouse gives you something you've been craving (mousse parfait for the Liam MC, chocolate chip cookies for the Hana MC, handmade chocolates for the Maxwell MC and a choice between bacon and a veg version of it for the Drake MC. Damn, team TRR. Your favouritism is showing). The couple also writes a letter to the baby that the child can read growing up, in a bit of a parallel to Eleanor's letter to Liam that we see at the end of the chapter.
• After this, Liam reveals he has been pondering over what Bianca said, and wants to find out where they could find that secret room. Cue Liam's own flashback scene for free. Godfrey bringing to Queen the same goblet that the RoE MC found in a flea market in Book 2 for Regina (or perhaps just a similarish one). Liam and Eleanor reciting a rhyme that turns out to have clues for the secret room.
• To give the team credit, they seem to have (finally) put some thought into this. Like this actually feels like Liam's scene. Not one that delivers information about his family but is really about another character. They seem to incorporate all the things Eleanor seemed to be known for - things that were hardly addressed in the books when it came to talk of her. She is shown with a love for books given that books and poetry form an important part of the clues she leaves for Liam. One of the books is about foraging, which is unsurprising considering her love for gardens that was established in Book 1 of TRR.
• So...like...nice job but why was practically everything about Eleanor (including the way she'd stand up to Constantine, her displeasure at the sound of Godfrey and Bartie's names, her nature that Liam not only inherited but also learned) left only for your finale? Why no buildup? Why was I seeing you lot constantly pandering to Drake's family the entire time? Why do I know way, way more about Jackson than I do about Eleanor whose story this WAS? Why is she and her son suddenly getting this burst of attention at the tail end??
• They still manage to push young!Drake into a scene focusing on Liam and Eleanor, so we can see how Eleanor's teaching of how to be a responsible royal began to make inroads into Liam's way of thinking. It's the ultimate irony, that Liam took his mother's advice so much to heart that he lets Drake stay in his home, eat his food, and complain about those dastardly nobles to his heart's content for free.
Poor Eleanor in her grave is like
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• Very fitting, how Constantine's proposal to Eleanor happens in the hedge maze, very much like Liam's first declaration of love in Book 1.
• If you're married to Liam, you get an extra letter that's addressed to Liam's future wife. She clearly knew her days were to be numbered by the time she gave birth to that second child at least.
• Lmao @ how the team somehow managed to remember that Eleanor would have been Leo's stepmother too. He's mentioned a couple of times. They didn't have enough time to develop a sprite for young!Leo but somehow had all the time and resources to make one for young!Savannah who had literally no purpose in Drake's flashback scene? Hmm. Hmm.
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• They somehow manage to find the twin to the RoE MC's gifted goblet that Godfrey gave Eleanor the night she died, and Liam reveals that he's been obsessed with poisons enough to know that it wasn't the drink that was poisoned, it was the cup itself. Everyone is shook.
• Love that extra little detail about Liam's obsession with learning about poisons and how it's a sign of how deeply Eleanor's death affected him. But tell me honestly if you remember this plot point coming up even once before in any significant way. Even during the one time a person is poisoned in the previous book (by the laws of karma, the victim in this instance is Godfrey's only daughter) Liam shows very few signs of this "obsession". At a time when he has also lost a father. Convenient how something that could have added more depth to Liam is kept aside until there's a scene where his knowledge is required. Convenient indeed.
• I kind of understand why Liam acts on impulse, okay. The man just discovered who murdered his mum, at least some amount of irrationality is allowed (esp considering he hardly got to express ANYTHING when his goddamn father died). But you'd think Liam's friends would hold him back and help him think this through? Convince him that there are more effective ways to confront and get a confession out of Godfrey who after is in charge of security at the moment? You seriously think charging into the ballroom and suddenly stripping this man of his titles is going to actually work??? You couldn't figure out how to make him vulnerable instead so that he wouldn't be able to escape???
• I mean like, sure, one could always rationalize it all as "well see Lizzy, they needed a dramatic end to this story and they needed to wrap this mystery up quick". But there were other ways they could have spread it out than make it all sound so...so random. And you bet we all know why the narrative had to scramble around last minute to solve this. It's because we spend half the damn book in a dilapidated ranch with a shit family!
• Anyway, Godfrey escapes...and the MC tells her spouse that she's going into labour after...two contractions? Um. Okay.
• So. That ends Book 1 of this new series. And with it my QTs, for this series at least. My QTs for Book 1 (the OG, not the rewrite) might continue, but I'd need to repeat my failplay again because I lost most of those screenshots 😭
General Thoughts on the Book:
• So far, this is what I can see as happening in the next book:
- The birth, obviously
- Any extra perks from our purchases (ie. the nursery and the garden)
- Subplots involving the LIs' conflicts regarding parenthood and their own childhoods
- The mystery behind Eleanor's death isn't quite over yet, nor is the truth behind the constant paparazzi presence in TRH. Leona was the scapegoat this time around, but how did Amalas get all this information so quickly?
- Where is Eleanor's other child? Olivia's investigations may or may not lead to that answer. I'm pretty sure Jin might be involved as well.
- Another possibility is that Madeleine may give us important information since she was potentially aware that Eleanor was pregnant at the time.
- The mystery behind Jackson's death and what he knew regarding Eleanor's condition.
- What part did Bartie Sr have to play in all this? How involved was Constantine in the murder (if in fact he was)? What more dark secrets will we learn about Constantine, Godfrey and Bartie Sr during this time? What ultimately caused the breakdown in Constantine and Jackson's relationship, since Drake mentions Jackson being around when Regina was Queen as well?
- Speaking of Regina, how involved was she in any of this? We know she was Godfrey's cousin-in-law and Bartie Sr made a comment on her during the announcement about the heir, and that she married Constantine a couple years after Eleanor's death, but was she aware of any of this or was she largely out of the major plot and brought in later to cement Godfrey's position and power?
- I'd mention the possibility that Lorelai could know something, but they didn't really give anyone connected to Hana any time at all, so I have my doubts.
- Operation Swan, and possibly a visit to Monterisso. Liam's younger sibling must be in one of these places but my guess is on Monterisso.
- I'm guessing the team will write a nice wedding for Penelope and Ezekiel next book, while Kiara continues to get scraps from the same team.
- Drake and Olivia will continue to eat into the plot. Madeleine will join this unholy trinity as well because they've set the stage for her to have plenty of angst.
With that over, these were my thoughts once this book was finished:
WHERE ARE THE DUCHESSES?
Remember how, back in Book 3, we all marvelled at the number of women in this country who were in positions of power? Adeleide and Emmeline were powerful duchesses while their husbands were secondary figures, and Joelle though married into a noble family is an influential artist and - according to Liam - the embodiment of King Fabian's values. It seemed like, despite the underlying sexism and racism in the story, women were at least at the forefront of Cordonian politics.
This is virtually gone in TRH1. Godfrey (who wasn't even interested in Krona in the first place, much less Cordonia) and Landon (whose only concern seemed to be Penelope, leaving Emmeline to manage the duchy) have a seat in the Council. In fact we never even see either of these woman in the book. I can maybe understand the logic behind not appointing Adeleide, but the fact that Emmeline is passed over for her far-less -qualified husband is a mystery to me!
Also, has anyone noticed how white-male-centered the whole Eleanor story is? Notice how we never see Eleanor's friends, besides Jackson? We never see any of the courtly ladies of that era? She's the Queen. She'd have her own court. I find it impossible that Eleanor would have no interactions of importance among her own goddamned court, that Joelle, Emmeline or Adeleide wouldn't even be mentioned in her story thus far. It's fascinating that forget being part of her story - these women are largely forgotten in the book itself.
(Note: It's also important to add that none of Kiara's family - besides Zeke - makes an appearance this book. At all. One member of Penelope's family and one member of Madeleine's family is in the council, but we never really see or hear anything from Kiara's, even though Hakim was Constantine's old friend and Joelle could have easily been connected to Eleanor, given that Eleanor was exactly the kind of ruler Joelle would have loved and respected.
While we're on that subject, Lorelai could have been connected to Eleanor as well - considering that we know next to nothing about her years in Shanghai. There were ways Hana's story could have been tied into the overall plot as well that were largely ignored. The fact that both the main and secondary WOCs presented opportunities for better plot and story, and despite that they were largely ignored in the books...I think that says a lot. But I will get into more of that in detail in a different section).
LI SPACE AND STORY
• Now...as we all know, The TRR/TRH series is primarily a romance-focused book first, with an underlying plot about royalty and politics. So it makes sense to evaluate the book based on what it gives its love interests. That includes the number of scenes they get, and the kind of focus their story is given. So...here's the rundown of how that goes in TRH Book 1:
Liam: Overall, not too bad. He gets one individual scene, a free and paywalled childhood scene (though the free one is essential for the group's realization of who killed Eleanor). The letter his mother writes to Liam includes an extra section towards the end, meant for the MC who marries him. However, we must note that a lot of this "attention" was thrust into the very final chapter of this book, and 99% of the same book didn't exactly make an attempt to explore his inner thoughts on anything - his mother's death, the dealings with the foreign countries, his political activities. Eleanor being pregnant came from a scene that made Olivia the center of attention, the MC had the opportunity to ask him how he was feeling only once or twice, and most of the time the narrative relegated it all to "the matter is still being investigated". It's a slight improvement from the absolute lack of concern the MC and the narrative showed about Liam's emotional state post his father's death in Book 3, but not much.
Variations wise, the team did step up on the basic ones for most of the LIs, so clearly we've moved past the days of seeing cut-paste scenes and the likes of Liam and Hana saying "I'm so dumb in love with you". However, in playthroughs where the MC is Liam's wife and Queen of Cordonia, her lack of genuine concern for her country and lack of curiosity about the place she's ruling, sticks out like a sore thumb. The fandom loves to highlight how the plot is "written for Liam" or is "easier in Liam's playthrough", but besides his own child being the heir, nothing else from Book 3 onwards seems like it was particularly written with him in mind.
Drake: Hoo boy. So 2019 was clearly the year that many people didn't believe me about Drake eating up space, and the year they had to eat their words because in TRH it was too obvious to be ignored. On an overall scale you cannot avoid the extra perks even his LI scenes got - his Valtoria scene in Chapter 4 was longer, set in a different place and he was allowed to expand on his decision to say yes to Liam's request in a way Hana and Maxwell never were. We learned way more about his familial relationships and dynamics than all the LIs combined. His childhood scene was the first to be given variants depending on whether the MC was his wife or not. His sister's wedding takes up almost half the book, leaving little to no space for either the intrigue, or even the pregnancy that was supposed to be THE most important part of the book.
An insane amount of retconning was done to emphasize strongly on the "marshmallow" part of his personality, having him state time and again that for the MC he can even "sport a tutu if you said you had a thing for the Sugar Fairy". Part of these changes could be attributed to the backlash the team got for having him call a pink cake "girly".
There is a strong possibility that Jackson might be explored further in the second book, and it's no surprise considering that he's the one parent that is most talked about in the series. The book looks like it was truly written with Drake in mind, with a heavy dose of Olivia, and everyone else was added as a bit of an afterthought.
Maxwell: Pretty awful treatment for a character that the head writer of the team claims to like. He has no individual character scenes, and one childhood scene where his older brother Bertrand is given more focus. Ironically, Maxwell was more wary of Bartie Sr in TRR Book 2 than Bertrand was, but somehow they changed this little detail so that Maxwell could be written out of his own story.
His LI scenes were also not given much effort - some were badly written, and some scenes (like the free ones) showed little to no variations between the friendly and romantic playthroughs. One that comes to mind is the baby announcement photoshoot, which was so poorly done it added nothing of value to the character or the relationship.
Like the last book, Maxwell isn't allowed much development in TRH1, and he's still forced into a largely "court jester" role in the story. This reflects very poorly on him in certain situations, such as the chapter where we finally get glimpses of his book. The aim was to be humourous and light about the events of the series, but he comes out of it sounding thoroughly insensitive towards his friends, none of whose consent he took to write this self-centered pile of garbage.
However, there is hope that they might do things a bit better for him next book, if the rewrite of him in TRR 2.0 was anything to go by. However, it would be awful if they tried to do a better job of him and then left out Hana. Speaking of which...
Hana: I'm going to begin this section with a comparison to another character, someone who should have been treated as a secondary character - Olivia.
Olivia in this book has 2 character scenes (they're very plot driven, but they also explore her outside of her friendship with the MC and dynamic with the group). The spy scene with Auvernese royalty, and the scene with Jin, the Auvernese spy. An entire chapter is spent in her duchy (by now we've seen Lythikos four times and I'm now sick of the place), and she winds up taking over Maxwell's Q&A scene as well.
So that's technically 2.5 scenes AND a childhood scene that revolves around her even though it's about Liam's mother. In addition to this, Olivia also gets her own mini-book, The Royal Holiday, that revolves (again) around her duchy and has the group clamouring to give her attention when no one else wants to.
Here are the stats for Hana, who by virtue of being an LI, is also a potential co-protagonist in the series:
Nothing.
Zilch. Zip. Zero. Nada. Nothing.
She has one childhood scene that is part of the group's scenes - a beautiful, heartbreaking one that serves as a slap in the face to anyone who'd dared to be dismissive of what she went through earlier - but none after that, and no individual scenes either. The team - in one of their most offensive choices this book - force a storyline where she has fertility issues just so the MC can be the one carrying the child, and the same MC can opt(!!) to ask about her well-being after two days. The same MC has the chance to whine about not getting pregnant soon enough in front of Hana.
There have been a few efforts made to make the MC appear more caring towards Hana: she can angrily defend Hana against Isabella's jibes, and she can make Hana relax for once during the baby shower (unlike the wedding reception where the same MC treated her like a bridesmaid). The MC even gets to tell her wife that she should never consider herself secondary or unimportant.
All of these are nice, but at the end of the day they're all scraps. I'd equate it to how we're allowed to give Kiara compliments on the final two chapters, but the white women around her still get a far bigger chunk of space, story and attention dedicated to them. The team have a pattern of adding these tiny tidbits that will temporarily satisfy stans while still maintaining the status quo, and that's precisely what's happening here. Its important for us to understand this. Underneath all this surface concern and all these scraps, Hana is still getting dust in place of actual story and characterization. And given that they made ZERO major changes to Hana's scenes in TRR 2.0, I'm not expecting that to change.
As for the book in general...I don't have to go into why this book is a mess, do I? We all know. We've all witnessed how disproportionate the writing has been and while I'm glad more and more people recognize what I've been seeing since Book 3, it's sad that it took 9 whole chapters in Walker Ranch for so many to understand exactly how much space Drake has been eating up for no good reason.
BLACK HOLES AND WHITE TEARS
I'll begin this section by talking about Drake Walker. He's the most prominent sign of the larger problem.
Drake Walker is what I call a Black Hole LI. And yes I mean black hole as in the one that exists in space (Beckett from TE also fits into this category). He is the kind of LI that sucks up everything. Love. Light. Joy. Common sense. Other characters' spaces.
He is the kind of love interest that will have Liam's traumatic experience centered around him. The kind of love interest for whose problems - largely created by his mammoth ego - we have to resolve in Shanghai, the home of the lone female LI. While that same female LI gets nothing, and then disappears in a subsequent chapter. The kind of love interest whose love confession can take precedence even over the MC's own issues (remember the Beaumont House chapter in Book 1? The one that took place the day after Tariq nonconsensually kissed the MC? 98% of the dialogue revolved around Drake's feelings. Not about the faulty lock, not the possibility that the MC's security had been tampered with - Drake's feelings). The kind of love interest that was given an entire extra wedding and artwork for his mother in Book 3 itself - none of which were given to any other LI.
A Black Hole LI is totally the kind of LI that would get 9 whole chapters in their home while we have never even visited the homes of the others since the early books of the previous series.
This wasn't something that began just this book. It's been a constant since Book 2, and you can even see signs of his story gaining way more importance in Book 1. It's also not something we can - in all honesty - blame simply on finances and fan popularity: the writers confirmed Drake to be one of their favourites, and attempts to give his scenes additional perks (eg plot elements pushed into both the Whiskey scene and the Beaumont Office scene) happened long before they could make any conclusions about his popularity. I bought the Beaumont Office scene to find out more about that family. I bought the Marshmallow scene so I could find out more about Liam and Hana's conversation post Coronation (remember - Hana was never even allowed to speak about her return to Cordonia because that scene was given to Drake). I bought the Italian Restaurant scene to learn more about Liam's assassination. The funny thing about all these three is that these were their stories to tell, yet Drake is the focus. Quite a few of Drake's initial scenes sold because the team consistently made the effort, consistently ensured that the information from his scenes would benefit us in the long run. The narrative allowed for Drake to have his own story, and additionally let aspects of his story overshadow that of the other LIs' (see the examples I've given above). Even though he has very little of value to contribute to the larger story (no job, his friendships are shallower than a wash-basin, and no genuine communication with any commoner in the story - only endless whining).
The treatment Drake gets that no other LI does, is a problem in itself, but it also is a small part of an even bigger issue. He isn't the only white character who gets this sort of attention and detail to his story.
Take Olivia, for example. Started out as a rival to the MC, before her sad sad childhood and her genuine love for Liam was revealed in the Book 1 finale. Over the course of the story, her role changed from petty rival to Warrior Duchess to reluctant bff. Over the course of the original series, Olivia became one of the most prominent characters in the story, on par with the male LIs. I'm not sure how many people realize that Lythikos is the ONLY duchy in the kingdom we've seen thrice (four times if you count Holiday). To give you an idea of how big a deal that is, here's how many times we've visited other duchies besides the capital and Applewood:
Fydelia - 2
Portavira - 1
Castelserraillian - 1
Ramsford (the home of our sponsors!) - 1
Hana's mother's home - Never.
Lythikos has a detailed familial and cultural history, and I wouldn't be lying if I said we know more about this one region than we know about the entire country of Cordonia. And honestly for me, the obsession with this one duchy has reached saturation point. Lythikos is not Cordonia. Lythikos is not all there is to Cordonia or even the only place that should matter. Yet it seems the team is more than eager to flog that horse until there's nothing of interest left.
Olivia is the only character who gets an entire mini book that revolves around comforting her and making her feel better about her background and origins. I don't think we've ever given Hana this much attention when she left her home for us. Or when she was being bullied by Madeleine. Or when she was the other bride in that grand wedding. Or when we received the news that carrying a child to term would be dangerous for her body. Or --
We were given an entire mini-book to comfort Olivia - the woman who continued to call Hana "damaged goods" and " a failure" for not marrying a man, while Hana's friend/wife stood by and watched. The woman who didn't have to think twice before making snide remarks about an equally skilled courtier who never did her any harm, only because she could get away with it. Istg when I heard that most of the court snubbed her during that first event in Holiday, this was my reaction:
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Like girl I feel bad for you but at least now you know how it feels to be held responsible for shit beyond your control!
Hana, in the meantime, is forced time and again into situations that would break most people - but with very little payoff. Her arc with her parents was given a resolution that confirmed that Hana could only be considered worthy if she was useful. She was made to interact time and again with the woman who harmed her with such glee in Book 2. The MC - as a friend or as a wife - is at best neglectful of her issues and at worst someone who uses and discards Hana as she sees fit. And now...in her romantic playthrough she's given a storyline that doesn't allow her to bear children easily, and the MC spends less than two minutes to actually check on her. Hana is one of the co-protagonists, yet a side character given the treatment she should be getting. One could technically blame finances for the way she's being treated too, but keep in mind that the bad treatment goes as far back as the Applewood chapters in Book 1. Technically a time when she was bringing in money.
I get it. Olivia is a fan favourite. Many in the fandom wanted her to be an LI, the writers didn't, so they carved out this middle path where she'd have a major portion of the story anyway. But keep in mind that a lot of this attention came - and is still coming - at the cost of Hana. The team pretty much gave Olivia what they'd been refusing to give Hana all along.
On a smaller scale, you see similar patterns with the secondary characters - especially the women of the court. Madeleine and Penelope had elaborate backstories designed to make people forgive and sympathize with them, and Kiara - even though her backstory in Book 1 was inherently tragic and deserved to be handled sensitively - was given validation with great reluctance from the team, and with no consequences if we treated her cruelly. Even now, the team has only tossed Kiara a couple of scraps in the final chapter, while already setting the stage for Madeleine to get her own tragic "patriotism" arc for TRH Book 2, and a possible wedding for Penelope in the near future.
The difference here doesn't just lie in who gets attention and who doesn't. It lies in how the MC is supposed to view these women as well. A lot more sympathy and understanding is automatically extended to the white women, and the MC faces consequences if she fails to acknowledge their pain. Far less sympathy is offered by default to the black and the Asian woman - the MC may be friends with Hana but a huge chunk of their relationship is mostly about the MC benefiting from Hana's skills without giving much in return.
Even though their misdeeds are acknowledged and spoken about, both Madeleine and Penelope are written in such a way that the problems they're currently facing matter more than anything they've ever done in the past. Hana is made to sweet-talk Madeleine despite being bullied by her in a previous book. The MC herself never gets ANY opportunity to directly address what Penelope put her through in Portavira, because what the MC went through matters less than Penelope's condition.
Compare this to the relatively small scale of Kiara's "misdeed" (being honest about not continuing with an alliance - I'm surprised people think this is an actual thing to be offended about!), and the way the MC is allowed to mistreat her sans consequences afterwards. We're even allowed to call Kiara a snob in the books - which isn't at all true if you look at any of her scenes in canon - and constantly make fun of her desire to learn (in fact, if anyone in the series could be called a snob, it would be Olivia). If I were to sum up how a woman of colour is spoken about in the books, vs a white woman - this screenshot would do the trick:
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(Notice how none of the options to speak about Penelope allow us to speak rudely of her, yet in Kiara's case we're allowed to make judgements on her as a person. In Hana's case, while we don't exactly drag her the way we can drag Kiara - we get precious few opportunities to actually defend or support her when others talk rubbish about her).
When you explore the series overall, it's impossible to ignore the casual racism that makes disrespecting people of a certain race/colour easier than on another. It's impossible not to see where the narrative chooses to give consequences to an MC who treats a white woman badly, and where it allows the very same MC to suspect, and then (optionally) gaslight, a woman of colour a couple chapters later. It's impossible not to see which people are meant to be respected despite their bad behaviour, and which people can still be treated badly despite their better behaviour. It's impossible not to see a pattern emerging.
This is not even a problem that plagues only the TRR series. From TCaTF to ACOR to Platinum to even MoTY, there is an ongoing pattern of discrepancies between the way white people and people of colour - particularly women - are treated. Many POC characters are placed in situations where it's easier for them to suffer/die/be shown disrespect, than it is to show them kindness or mercy. MOC are regularly either exoticized (Prince Hamid is the most glaring example of this) or placed in very traumatic situations for which the payoff isn't always going to be that great (I know this happens to Dallas, but I don't know about the payoff for Syphax).
WOC particularly suffer quite a bit in a lot of PB novels, in comparison to their white counterparts. Rowan Thorne of TCaTF, as a character, didn't deserve for her death to be made easier than her survival (in contrast to Diavolos, who was given far more opportunities AND will live simply by virtue of allying with Kenna), any more than Kiara deserved to be interrogated by the people who should have been concerned for her safety or Xanthe deserved to be shipped to slavery. All this, while a Vanessa (who is in a position of power and who plays an active role in rendering the MOTY MC financially helpless) gets a diamond scene where she "explains" her situation and a Madeleine doesn't even have to hear about her bullying from her victims.
The fandom, too, has contributed to this on a number of occasions. Speaking specifically of TRR, how many times have we seen Hana being dragged on Olivia posts? (also, if we were really measuring Olivia by the impossible standards that we held for Hana's characterization, Olivia would appear pretty damn one-note too: after all, 80% of her characterization consists of knife jokes). How many times was Hana being looked at with disdain for either her niceness or the poor writing for her, while the same fandom would regularly coo over a nice-presenting Penelope (whose characterization is one of the most inconsistent in the series)? How many times have we seen Kiara being called a creep/obsessed for merely looking at a man, while almost no one judges Olivia for kissing a man without his consent? How many times have people forgiven a traitorous Penelope and hated on a far more innocent Kiara in the same breath? How often did the fandom hate on Liam for accepting the MC's advances after she rejected him, yet not say a word when Drake did the same thing? How many times has Maxwell been loved for his humour and childlike nature while people of colour with a similar personality (Lily from Bloodbound, for example) were hated on instantly? Clearly, there have been more instances of people in the fandom sympathizing automatically with the white character, than with characters of colour. Time and again, brown and black characters - particularly women - have been required to match up to impossible standards (if they're nice they're boring. If they don't like the MC they're <insert every gendered sexist insult you can think of here>). The standards are far more relaxed for white characters, and they're often given more breathing room and to most of what they want without the constant judgement that black and brown women get. The standards set up for both are grossly different.
Racism is a beast that assumes many forms - and not all forms of racism will appear obvious to some, especially when such stereotypes are so normalized in media and popular fiction that we almost accept it at first. Almost. To get to the root of why there's such an imbalance in this series - among others - we need to first acknowledge the sexism and racism that are such a vital part of its narrative, and that its fandom regularly buys into and (sometimes unwittingly) promotes.
At this point, it's important to understand that having queer characters or characters of colour simply exist in the books isn't enough. Token rep can be found in PB's books by the dozens, but at the end of the day it means nothing if there is a constant reluctance, over and over and over, to treat those characters with the same care and sensitivity that they treat their white ones (or their "exoticized brown" ones).
• Like I mentioned earlier, I won't be playing TRH from this point forward, but I do hope to finish my TRR QTs soon. I have a LOT of thoughts! If you'd like to be tagged on those, do tell me!
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hello there (ノ◕ヮ◕)ノ*:・゚✧ I'm pretty new to destiel and just found your blog because I wanted to look into some fanfics and someone recommended & turns that you have like a billion one shots for destiel! love your writing style but, I'm not sure where to start in your drabbles tag because it's soooo much (゚д゚) can u maybe point me to some popular ones or some that you preferred writing or something like that to get me started? thank you anyway (ʘ‿ʘ)ノ✿
Hey friend! 
Ahh, I totally get you. :p A billion is a bit ambitious, but with like 400 stories in one tag and no way to sort, it might get tricky. *sweats nervously for not having a better tagging system*
But anyway, you rock for finding my blog and liking my style, so here is a little something to help you out! For starters, a lot of my stories are also on AO3, which is still a realm of chaos, but is a hell of a lot easier to navigate than my tumblr tag. 
Anyway, here is a little map to get you started, sorted by my most popular Destiel fics (according to AO3), and ones I personally just loved writing!
Canon!Verse fics, most popular:
1) CursedTeam Free Will is hunting a witch, but before she dies she turns Cas into a kitten. They can’t find a cure, and after two weeks everyone is losing hope. One night when Cas is sleeping on Dean’s chest, the curse fades and he turns into himself again. As Dean’s luck would have it, Sam walks into the living room seeing Dean sprawled out on the couch with a very naked Castiel on top of him.
2) JealousyWhen Dean, Sam and Castiel are having a drink at a bar after a hunt, Dean finds Cas flirting with a guy, and suddenly realizes something about his own feelings for the angel… 
3) Dream A Little DreamCastiel goes after a Djinn but gets captured, and of course his dream world is all about Dean and him being happy together, so he’s very disappointed when Dean and Sam save him and he wakes up… 
4) With A Little Help From My FriendDean is really nervous about finally telling Castiel how he feels, so he practices over Skype with Charlie. Naturally, Cas chooses that exact moment to drop by, and ends up hearing the whole thing…
5) WhiteboardFor a while now, there has been a whiteboard in Dean’s room. When failing to say the words out loud, there’s always the option to write them down. So that’s exactly what Castiel suggests, and Dean humors him, the two of them finding new ways to understand and forgive each other by working through some issues from both the present and the past.
Soulmate AU’s, most popular:
1) What Can’t Be SeenSoulmate AU where you first see color after eye contact: Cas is a famous best selling author and he’s promoting his book, so he’s talking to a crowd of people and suddenly his world is in color, and a lot of his fans pretend to be his soulmate. A Cinderella type situation ensues.
2) The PendantAU where instead of a tattoo/name everyone’s born with a pendant/charm necklace that matches their soulmate’s. Dean walks into their bathroom thinking it’s empty, but there’s Cas taking off his shirt to take a shower and Dean sees his necklace (that matches Dean’s, obviously) and freaks out (because Dean is totally 100% NOT gay at all). Bonus if Cas already knows.
3) Daffodils & Forget-Me-NotsSoulmate AU where when you write something on your skin with pen/marker/whatever the hell you want, it will show up on your soulmate’s skin as well.
High School AU’s, most popular:
1) No HomoFor the prompt: ‘I wasn’t gay, but then I kissed you in front of some homophobes to piss them off, and turns out I might be kinda gay for you after all’. In which a kiss makes Dean realize that he has feelings for his best friend.
2) This Game We PlayDean and Castiel have been best friends since they were little, and sleepovers are a common event. They’ve always loved playing the game where they draw out letters on each others backs and try to guess what the other is writing. Even though sixteen seems to be a bit too old to still play the game, Castiel uses it as a chance to silently confess something that he’s been wanting to share with Dean for a long time.
3) Camping and CuddlesDean and Castiel have been best friends since forever, and they decide to go on a camping trip to celebrate graduating high school. When it starts raining and Cas’ tent turns out to have a huge hole in it, the boys are forced to share Dean’s tent, and things heat up.
4) The CallCastiel accidentally butt dials his best friend Dean, and Dean overhears a conversation that wasn’t meant for his ears. Or: the one in which Dean finds out that his best friend has feelings for him.
5) Practice Makes Perfect‘It’s not gay if it’s practice, but shit that was actually really nice wanna practice some more?’ Or, the one in which Dean offers to help his best friend Cas improve his kissing skills, until it’s no longer just ‘practice’. 
(If you are particularly into High School AU’s, I also made a complete list of al my HS AU’s that you can find here –> Click!
College/Roommate AU’s, most popular:
1) What It MeansDean’s roommate and best friend Castiel always says ‘I love you’ to him every night before they go to sleep. Seeing as Dean has some serious feelings for his friend, he can’t take the confusion any longer and one night asks Cas what it means when he says ‘I love you’. 
2) If At First You Don’t SucceedFor the prompt: “Wait, did you just flirt with me?“ “Have been for the past year, but thanks for noticing.
”Dean has a huge crush on his friend Castiel, with whom he also shares an apartment. When he decides that he finally wants to woo Cas, everything that could possibly go wrong, does indeed go wrong.
3) UnbrokenDean’s best friend and roommate Castiel is asexual, and it’s causing Cas a lot of trouble when it comes to dating. Cas feels broken, but Dean deeply disagrees; he’d be with Cas in a heartbeat, if only Cas would see him as more than a friend… 
4) Safe And SoundFor the prompt: ‘College!AU where Dean and Cas are roommates and one of them is afraid of thunder, so naturally they have to huddle/cuddle together until the storm is over.’
5) Hot & ColdDean and his best friend Castiel get stuck in the middle of nowhere when the Impala’s engine gives up on them. A snowstorm is raging, and it seems that the only way to keep warm is a method that sounds a lot like ‘naked cuddling’. Not that Dean is complaining.
Blind/Deaf AU’s, most popular:
1) Through Your EyesDean’s best friend Castiel is blind, which is why Cas loves it whenever Dean describes the things as he sees them. When Castiel gets curious and wants more details about Dean’s looks, Dean is reluctant to go into detail about them. Castiel’s solution is simple, and demands nothing more than a gentle touch.
2) At First SightDean has been blind since he was four years old, but at 18 years old he regains his sight through special surgery. This also means that he will finally be able to actually see his boyfriend Castiel for the first time. Castiel is excited, but at the same time utterly terrified that Dean won’t approve of his looks…
3) MisunderstandingsWhen the handsome new student Castiel Novak arrives at Lawrence High, Dean has every intention of making him feel welcome. However, Castiel seems to ignore Dean whenever Dean tries to talk to him…
4) DeliciousImagine your OTP, based on this text post: ‘Okay, so I’m a waitress at this restaurant that’s open really late and it’s nearly 1am and this family comes in and I’m so tired that I handed their BLIND SON a menu and he’s like “ah… thank you… I’ll just… read this” in a serious voice and I fucking snorted.'With blind!Dean and waiter!Cas.
Personal favorites to write:
1) Her Favorite Love StoryThe story of Dean and Castiel as seen through Mary Winchester’s eyes; AKA how she witnesses her oldest son fall in love with his best friend. 
2) The MatchmakerBased on this prompt: “My cat keeps breaking into your apartment next to mine, so I tied a note to its collar to apologize, and you write back. We keep exchanging cat notes, and you turn out to be pretty cute.” 
3) WingsWhen ten year old Dean Winchester and his family move to a new town, he becomes best friends with the boy next door, who happens to be an actual angel. Dean is fascinated with Castiel’s wings from the start, however when they get older, Cas suddenly starts hiding them and no longer wants Dean to groom them for him.
4) BlackboardsFor the prompt: 'Dean and Cas are both high school teachers, and they leave each other cute notes on each others’ black boards.’
5) To Date a DickCas is out on a date with a complete and utter asshole in a really nice restaurant, and Dean is their waiter who feels the need to intervene.
6) Angel Grace (2 Parts)Dean Winchester loves going to conventions to meet the cast of his favorite TV show 'Angel Grace’. Aside from being good at his job, lead actor Castiel Novak is charming, handsome, and has a heart of gold. Like many fans, Dean has a serious crush on the guy. However after meeting Castiel several times, it’s starting to look like Dean’s crush isn’t as one sided as Dean had always assumed it was.
Holiday Specials:
❄ Destiel Drabbles: December/Christmas Edition Fluffy Christmas-themed Destiel stories to warm the cockles of your heart during the cold December days! 
❄ All I Want For ChristmasDuring a big family get together, a drunk Castiel starts singing ‘All I Want For Christmas Is You’ to his best friend Dean while the whole family watches.
🕷Destiel Drabbles: Halloween EditionSome fluffy Halloween themed Destiel drabbles. Happy Halloween!
🕷Kiss Or TreatCastiel has been dutifully handing out Halloween candy all night, entertaining the many kids ringing the Novak house’s doorbell, but he’s in for a big surprise when the bell rings once more and it’s his crush Dean Winchester suddenly standing there on his front porch…
🕷Of Holding Hands and Haunted HousesFor the prompt: 'You’re scared of haunted houses and Halloween attractions, and I don’t even know you but your friends left you behind (what dicks) so I’m gonna hold your hand and get you through this, alright?’
♥Valentine’s DayFor the prompt: 'Cas anonymously sending Dean one of those school Valentine’s Day flowers with a little personalized note, thinking that someone as popular as Dean won’t notice his message anyway because he gets so many. Little does he know that Dean sent one to him as well…’
If you feel like reading a multi-chapter Destiel fic, I wrote one of those as well: 
Fortune CookiesDean and his best friend Jo own a bakery together. When a salesman named Crowley visits Dean to make a deal, Dean has no idea of the consequences, and his world turns upside down when an actual angel literally crashes into his life. For the first time in his thirty-year-existence, Dean is overwhelmed by real companionship, wings, and most of all… love.
Or for easily reading and clicking through short fluffy (mostly canon!verse) Destiel stories, go here:
~ 100 Days of Destiel Drabbles ~
Or here: 
~ 30 Days of Destiel Drabbles ~
Hope this was helpful, and happy reading! :D (I really need to become a better tagger, ahum. :p)
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gascon-en-exil · 4 years
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But What If You Want to Come Out on Vers Bottom?: A “Coming Out on Top” Review (Part 4)
Part 1
Part 2
Part 3
All that’s left now are the ten Brofinder dates. Because there’s so many of these and because they’re all fairly short with only a few variations in how they can go down I’m not going to be spending much time on each - just a quick overview of the stories as well as an evaluation of the inevitable sex. The quality does vary a fair bit, although it’s all subjective as to which are better depending on what kind of story you’re looking for as well as, in some cases, your kinks.
Jake
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Comes with a fairly obvious death condition, a sequence in which Mark and Jake get to nerd out over The Legend of Zelda, and another in which Jake lectures Mark/the player on the virtues of polyamory. I’ve always been poly-friendly myself, and the lecture does lead into a - thoroughly random - train scenario, but to say it’s not how you’d logically expect this date to go down is a bit of an understatement. Jake never even takes his shirt off, so in place of a body hair toggle he gets one to dye his hair pink for whatever reason. It’s a shame too, because at the start of the date there’s some discussion over Jake’s weight and how he should be confident in his size and his unusually elaborate buffet eating strategies.
Tommy
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Like Jake’s date Tommy’s rapidly goes to some unexpected places, but in his case those places entail getting kidnapped and forced to talk through the failures of the criminal justice system at gunpoint. There are more than a few chances to get a quick game over, some funnier than others, but if Mark survives to make it to Tommy’s place he’s greeted by a brief but hot round of sex with the one man in the cast whose dick size is talked up even more than Brad’s. In this case it may actually be warranted; the girth of that thing looks positively inhuman in the CGs, so, rejoice if you’re into that.
Frankie
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This guy talks an outlandishly highbrow game that he very clearly can’t deliver on, and having a successful date with him requires Mark to be as aggressively honest as possible as a means of badgering Frankie into admitting to all his unsubtle deception. The man underneath them may just be a more pathetic prospect than Mark himself, but at least the player gets treated to as good a striptease as this game can deliver with its assets followed by sex on the beach...literally, not the cocktail. This date reserves inexplicably dirty names of that nature for gelato of all things.
Luke
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The absurdity only continues to build as Mark is invited to “Streamflix and chill” by an Irish frat bro who doesn’t know what that term means because apparently this universe’s Netflix knockoff doesn’t exist in Ireland. It’s up to the player to smoothly guide Mark through a showing of an inspirational story about a narcoleptic rugby player to get to the grand prize of a chance to quietly blow Luke under the blankets when his housemates could walk in at any second (or provide off-the-cuff commentary on Brokeback Mountain, as it happens). There’s also a dream CG at the end featuring yet more sports roleplay sex, as if Brad’s route didn’t offer enough of that. My favorite part though is Luke complaining about American bars not serving alcohol past 2 AM, as I agree with him that it is utterly barbaric.
Cesar
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As should be apparent, this is the one with cop sex. Mark gets caught up in a drug sting, and depending on how the player feels about Ian’s suggestion of bringing along ranch dressing (or rather, ranch dressing mix) to the supposed siesta the specific type of cop sex will either be a fairly standard round of Mark bottoming or one of the only finger-fucking sessions in the game. Either way Mark will be resisting arrest as well as sexually harassing a police officer following what was very obviously a setup targeting cruising gay men, but because this is an erotic dating sim and every man in it wants Mark’s ass let’s all withhold our reservations regarding the ethical ramifications of this entire scenario. I have no trouble doing so, although that’s mostly because cop sex does nothing for me. 
Terry
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Well, color me surprised - if not terribly aroused - because at long last we have a twink. There seems to be a thinly-veiled pop culture reference here, to something like a younger Justin Bieber or one of those guys from One Direction, but as wild as this date ends up going I find it hangs together rather well even without working as an allusion to any specific celebrity. Mark finds himself billed as the winner of a date with a pop star, and hilarity ensues as he encounters screaming fangirls, a creepy stalker trying to get locks of Terry’s hair, and a karaoke contest in a dive bar where New Orleans gets name-dropped because this city is mentioned in so many songs and where Mark “rocks the hell out of” Schubert’s Ave Maria, somehow. The sex itself is a novelty, with the choice coming down to either Mark giving a rimjob while Terry performs autofellatio or Mark pounding some twink ass. A post-coital hair snipping for the stalker is optional.
Donovan
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This man has some hang-ups, and I still can’t decide whether they’re hot or not. At first pass this date is a bite-sized deconstruction of what Dream Daddy could have been had it been interested in actually examining the kinds of relationships it claims to center around - Donovan is a literal father, divorced and new to the dating scene and clearly uncomfortable with many aspects of it up to and including the very sexualized concept of gay daddies. His attempts at flirting and blending in at a gay bar are awkwardly endearing, but as I suggested with Alex I think CooT wants to have it both ways by having Donovan opine about being treated like a daddy...when he looks the way he does and while he’s buying drinks for a guy more than ten years his junior. Even his attempt at more authentically bonding with Mark via an impromptu woodworking tutorial quickly pivots into innuendo and heavier flirting leading up to the inevitable sex scene (although the player should note that in order to get said sex scene you’ll have to know a little about what Donovan is teaching Mark as well as allow him to step away for a heart-to-heart with his teenage son). What follows is shower sex where Mark tops his bull of a date - so if you’re into big hairy bottoms and didn’t get enough from some of Amos’s options this is your story.
Oz and Pete
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No Grindr analogue would be complete without a partnered relationship looking for one more, and in truth this date earns some major points for realistically capturing the mix of awkwardness and sensual chaos that comes from jumping in bed with an established couple. This includes crossed wires on who’s using the shared profile, a bit of informal relationship counseling, and the messy but inevitably uneven bonding Mark does with either Oz or Pete. There are two successful paths to this date according to which of them Mark spends more time with at the bar, with each of them building up to a particular type of fetish sex that the two of them haven’t discussed with one another until now. For Oz (on the left) that’s double penetration, while for Pete it’s cuckoldry with some bonus rimming and felching in the scene itself. This is admittedly one of the more physically demanding scenarios Mark can find himself in, especially if he favors Oz, but as I said it’s handled with a surprising amount of realism. Plus there’s a comment before the date that sort of handwaves Mark’s pre-sex stretching that goes along with an utterly ridiculous (mental) image, so I’ll let it slide.
Theo
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This one is interesting, to say the least. Mark is paid to pose as Theo’s fiancé at his ten year high school reunion, as part of a ploy to show off how successful Theo has become and rub his former bullies’ noses in it. In addition to the usual wacky humor - and cameos from both Penny and Ian - this is a story with a fair bit of heart to it depending on how Mark deals with the situation. He can either play the perfect partner and earn Theo the recognition he craves...or he can go as absurd and over-the-top as possible but don’t try rickrolling the bullies because that’s a step too far, making a spectacle of himself and teaching Theo a valuable lesson about not caring about the opinions of the people who used to mock him. Provided the date’s a success in one form or another Theo will proffer the above Dom/sub scenario, and Mark can respond either by agreeing to be a sub (either in the comparatively vanilla sense if he was sensible at the reunion or as a pup if he went overboard with it) or by flipping the script and making Theo his sub for the evening. They could have done a lot more with the pup play considering it’s just the sub version with a collar and canine sound effects, but there’s already more logical bang for your buck going on in this date than in around half of the others.
Hugh and Jesse
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This is...I can’t even....
Okay, whatever. It’s the last one. It’s not a date, properly speaking, but is accessed if Mark chooses to play with himself on the Brofinder menu. He gets high off some incredibly dubious weed given to him by Ian and proceeds to get intimately acquainted with his goldfish Slurpy in what is CooT’s second-heaviest icthyophilic moment (Google for #1, I already said back in Part 1 I’m not going there). If he calls for an ambulance he’ll be taken under the care of a pair of twin EMTs who make up for what they lack in professionalism with the kind of zany determination you’d expect with a setup like this. At that point it’s the player’s choice of a spit roast or a combo blowjob and rimjob. Adding to the overall disorienting effect of this “date” is the game experimenting with perspective and its visual assets in ways rarely seen elsewhere and that honestly don’t work very well. There’s only so much you can do with such, ahem, stiff portraits.
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My OUAT Rewatch -- S5E14 -- Devil’s Due
Link to Rewatch Review and Ranking archive
Everyone stand back, it’s time to honor the MOM OF THE YEAR!
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Yeah, if you’re a Milah fan, you may want to back away now.  In fact, you may want to back away PERMANENTLY from my blog because I have no love or empathy or sympathy or ANYTHING for this fucking bitch except cheering for the fact that not only is she dead, she’s DOUBLE DEAD.  
Yeah you heard me.  Not even sorry.
So I went back to look at March 2016 me to see what some of my thoughts were on this one.  I had LOTS to say but I want to focus in on a few key things:
1.  I loathe Milah.  She’s a bitch, an abusive spouse, and just a piece of shit in general, and probably one of THE worst parents on the show, and that’s saying something given this show.  I don’t feel one ounce of sympathy or sorry for her.  Not ONE.  Not even half of a half of a half of a half of one.  
And I had about HAD IT with the Milah apologists in this fandom, and I’m not just talking about the OUAT fandom in general, I’m talking about the RUMBELLE fandom.  Yes, there are Milah apologists in the RUMBELLE fandom.  I’d wave hi to them, but I’m pretty sure they all have me blocked.  Or vice versa.  Or we are mutually blocked.  
GOOD.
Anyhow, I wrote this very lengthy, pointed post after this episode on why the character of Milah disturbs me so much, so here it is:
https://celticheartedfangirl.tumblr.com/post/141406210392/seeing-pro-milah-stuff-on-my-dash-is-so-upsetting
I blocked A LOT of people after this episode initially aired.  Not even sorry.  
There is also this excellent post laying out exactly how Milah is abusive for all the idiots who claim that “Milah never abused Rumple”:
https://violetfaust.tumblr.com/post/133300598121/milah-never-abused-rumple
I know I’m being blunt here but this character triggers me more than any other character on the show.  She is TERRIBLE.  Just in this episode, let’s look at what mommie dearest did in the flashback ALONE:
1.  She yells at Rumple for PLAYING WITH HIS CHILD.  Seriously.  
2.  As soon as Bae gets bitten by the snake, they go to a healer and her immediate -- IMMEDIATE idea is “Hey, let’s KILL HIM!”  I mean, sure, her kid is dying, I’m sure any parent would do anything to save their child, but I honestly think most would stop short of “Hey, let’s do murder!” unless the way of saving their child was stopping an actual murderer who was trying to murder their child.  But nope, Milah goes right for bloodlust.  But of course SHE can’t do the killing, let’s make her husband do that, then get mad at him when he can’t muster up the same level of glee for murder that she can.  
3.  After Bae is healed, she goes STRAIGHT TO THE BAR.  Doesn’t stay to comfort her son that almost died. Nope -- goes off to drink and look for the pirate that flirted with her earlier.  You stay classy, Milah.
Which brings me to the issue that caused all kinds of debate when this episode aired -- “Ermagod Rumple took Milah’s agency with that deal he made!”
Oh, please.
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Who thinks that Rumple and Milah had anything that remotely resembled sex since he came back from the ogre wars?  
PLEASE.  That was a DEAD BEDROOM.  They weren’t planning on more kids.  
And hey, if mom of the year Milah wanted more kids, why weren’t there a bunch of baby Killybunnies running around on the Jolly Roger given that she was off with him for at least EIGHT YEARS.  
https://celticheartedfangirl.tumblr.com/post/141199068997/violetfaust-chanceofserendipity-rebelside
Rumple’s choices are always -- ALWAYS -- shit, shittier, and shittiest.  He NEVER has a good option.  His choices were
a) Bae dies
b) he commits MURDER
c) he give up a hypothetical second child that he literally has NO REASON to think will ever exist
Which one would YOU pick, oh great and wonderful Milah defenders?  Tell me your brilliant plans if YOU were in that situation.  
“Oh he should have talked to Milah” HELLO have you ever seen this abusive cow be reasonable to him?  NO.  You can’t reason with an ABUSER.  So don’t even give me that bullshit answer, sit down.
Just look at this bitch:
https://celticheartedfangirl.tumblr.com/post/141713831697/emospritelet-thatravenclawbitch-woodelf68
Using sex as a weapon on her abused, desperate spouse.  Yes, I know we love squishy woobie!Rumple but this is ABUSE.  Using sex as a weapon is ABUSE.
https://celticheartedfangirl.tumblr.com/post/141212899672/milah-never-abused-rumple-we-only-saw-a-little-bit
And in the underworld, Rumple is AGAIN faced with a no-win, no good solution situation.  
https://celticheartedfangirl.tumblr.com/post/141427043007/you-used-to-say-belle-not-having-a-reaction-when
Honestly, if the genders were reversed and Rumple were a woman and Milah were a man, the whole fandom would be like:
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I’m done with Milah, just talking about her makes me stabby.  So onto Emma . . . . here’s March 2016 me:
https://celticheartedfangirl.tumblr.com/post/141400138912/so-hold-up-emma-tells-milah-about-neal
Someone slap her for me.  
Also the “Poor Hook” bullshit:
https://celticheartedfangirl.tumblr.com/post/141200226257/what-pisses-me-off-the-most-about-the-whole-save
And Adam running away from fans who ask him valid questions that he has zero answers for:
https://celticheartedfangirl.tumblr.com/post/141895654207/audreyslovegrows-queen-of-the-merry-men
But Belle is pregnant so . . . . . yay?  I remember thinking back then, “Gee I wonder how they’ll fuck THIS up.”
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Here, have some hilarious fan art from the really good scene we all love:
https://celticheartedfangirl.tumblr.com/post/141429781082
BTW, despite all the bitching, MAJOR KUDOS to Robert Carlyle for knocking it out of the park on this one!  Well done, sir!  
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This show doesn’t deserve you.
Points tally:
40 points to start
15 points for Rumple centric (was the last one SERIOUSLY Season 3?  I think it was, JFC, this show . . . . )
10 points for Papafire
5 points for Swan Queen
5 points for in character Rumple
5 points deducted for Hook
Despite my bitching, which is mainly about the CHARACTER Milah, I didn’t dislike this episode.  Full 25 bonus, no deductions.
Total points:  95
Follow #celtichearted OUAT ranking tag for more to come!
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eviegrimhlide · 4 years
Text
that ouat x descendants au
I dunno why but for the longest time I’ve had this idea for a ouat x descendants fanfic, that I’ll just randomly get urges to write it
more below b/c my babbling is L O N G
basically auradon takes the place of misthaven / the enchanged forest, the isle of the lost is an even bigger clusterfuck than before, and emma is something of a contemporary to ben & the other descendants. but the thing is shenanigans or smth go down with rumple (who’s still the dark one) and he finds out emma’s the savour with a fuckton of magic, in a land where magic was just outlawed, and goes after her. so snow and charming have to protect her but it all goes wrong, and she accidentally get’s sent away to the land without magic (unknown to her parents) and emma’s plot is similar to her pre-storybrook life.
meanwhile in auradon poor snow & charming are distraught they lost their daughter but sadly life also moves on. they also mostly keep this under wraps due to the pain, and to keep the secret of their daughter having magic, so people only really know that snow and charming had and lost a daughter.
anways descendants 1 and 2 happen (I dunno bout 3 yet b/c I’m still mEH on it but also fuck hades mal is not his daughter bc I said so. also lilith totally exists in this) ok maybe instead of descendants 3 there’s this quasi plague that’s settling over auradon b/c magic is dying for some reason, despite it being outlawed it still existed but now it’s dying and it’s causing this taint, and the fairies say it can only be stopped by the help of the saviour so everyone’s just??? who tf is the saviour (guessing snow & charming didn’t let that revelation slip oop)
many shenanigans later the descendants find out that it’s emma who’s the savior and oop she’s actually snow and charming’s daughter and oop she’s still alive aND OOP she’s in the land without magic. it’s a fun time getting there but they got a tracking spell working leading them to an apartment in this crazy ass city that’s waaay different than any of the ones in auradon. so they get inside and it leads them to the apartment door. what they don’t expect is a grown up 20-almost-30 something to open the door. and they dON’T expect said 20-almost-30 something to have a 10 year old son. wasn’t she supposed to be around their age, just a bit older??
turns out when you’re dealing with unstable magic to protect your magically inclined baby, it can have adverse effects. like accidental time travel. oh dear.
sO it takes a helluva lot of convincing for emma to return to auradon with them, cause honestly?? who has time for believing in magic anymore (WINK WINK NUDGE NUDGE AURADON) and it end up being henry who convinces her, with this kickass story book, the only thing he had left of his father (yes baelfire is still totally his father, and yes neal is still the son of rumple, and yes he somehow ended up in the land without magic. i like the idea that rumple got his hands on the book / stole it from the author, bc that’s sorta still a thing. and rumple was using it to help himself along to one up the heroes, and bael, in a fit of rebellion, stole the book when he ran away, but I digress.)
henry and the descendants convince emma to return to auradon, except uh oh, while they were gone magic failed even more and the villains got out. except the magically inclined baddies are also suffering b/c of this so it’s just a mess all around. some have set up bases of operation, some are running around causing chaos, and some are being contained by the kingdom’s armies
long story short and it turns out this plague is emanating from neverland. b/c yes it’s still a scary place ala ouat, and yes peter pan is still a bad guy. neverland is dying b/c of the lack of magic, and damnit the island is gonna take everyone with it. basically peter would steal kids and rush them off to neverland, where they’d eventually be fed to the island to keep up the magic, but as people stopped using magic, and believing in it, it’s power dwindled, thus less magic for peter to feed to the island.
and honestly I forgot where I was going with this but it’s captain swan af, cause I’m just imagining them back in auradon (with hook cause hello it’s neverland, and who knows neverland better than peter pan who’s missing?? hook) and emma’s got this big magic thing she’s trying to psyche herself up for, and killian is just all, “c’mon swan you can do it, I’ve yet to see you fail.” in the sultry voice of his. and emma just LOOKS at him with a smirk and is all “well keep waiting cause today’s not that day.” which tOTALLY leaves everyone confused cause hello?? this is the saviour?? a good guy?? and is she fLIrTInG??? with big baddie captain HOOK??? yes, yes they are, cause no matter the universe, those two are one true love
and maybe one day I’ll write it but lbr, I’ll mostly dream about writing it.
(also evie & doug aren’t a thing b/c I said so. there are so many ship options and they had to go with this.)
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nefariouscryptid · 4 years
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Yo, you mentioned fic snippets being ready about your os story. Can we see the one which is Peter moving on Jason? Ty!
“Jason... jay...son...”
He was breathing heavily now. He felt Peters hot breath against his neck and his palm grip his thigh. The leather couch dipped as he leaned further away from him, weight resting on his hand. Music was blaring, people too distracted as they got fucked by their own partners. A bunch of rich bastards partying like they were teenagers. He was at the 1% frat party, as he liked to call it.
He could hear Peter mumbling under his breath, and felt his hand roam freely against his chest. In any other circumstance he would shove him off, change the subject, leave the situation. But they were behind closed curtains, two bouncers outside as he and Peter snorted whatever they could and drank whatever awful combination they could come up with. He couldn’t tell if he had poor judgment from whatever his body has ingested, or if he simply started to stop caring. Caring about what others were gonna say, what they were gonna do, if he was gonna hear his fathers voice in his head every time he looked at a man with any sense of desire.
He tried to listen into what Peter was saying. It sounded like drunken rambling, him having witnessing some of his more disorganized speech before in the years they’ve known each other, but to his surprise the words strung together made sense.
“You’re... too peeeeerfct.. t’me... dnt... dnt evr...” a string of harsh breaths cut him off. “....leave.. me...” Jason was now lying down, Peter’s body slung on top of him, his left leg wrapped around Jason's right, and arms wrapped around his chest. Peters hand toyed with Jason’s button up shirt, hastily unbuttoning the top. “Why.. don’t you want me... no ones ever treated you good..” his speech was becoming more clear, but his tone was becoming more upset. He doesn’t know why he hasn’t shoved Peter off by now, or why his hand was trailing towards Peter’s lower back, the other toying with the sand blond hair. “I’d treat you good... so good...” Jason heard a loud sniff, and a pitiful whine. Peter seemed like he was starting to cry. He was never an emotional drunk, unless around him. When they were alone, drinking in their lonely mansions, with a girlfriend or a wife that didn’t love them, they’d drink till they puked, and Jason would have the title of seeing Peter in his absolute vulnerable state. Seeing everything spill out of him, seeing him unwind, the persona unfold. The only man to really see Peter Durante. Today seemed to be one of those days. Or nights... days.. fuck what time was it?
“Peter... what are you talking about...?” A Byrne trick: act oblivious to avoid the obvious elephant in the room. He knew Peter was erratic, saying things he didn’t really mean. Loving, vulnerable, and sexual things. He’s seen it happen. Back with his old secretary, Meredith, for example. He knows Peter is a liar. And while he would never admit it out loud he hated being lied to like this. The lies itself, coming from anyone else would maybe annoy him at most. But from Peter, it nearly enraged him. Because there was always the sliver of hope that he was the exception. That Peter wasn’t lying to him. That he does mean everything he says when he’s drunk or high. But then he sees him flirt with another money hungry whore and he’s soul gets crushed yet again.
A cackle echoed in the room. Peter slid upward to Jason’s face, both legs now wrapped around Jason’s hips, arms snaking underneath his. He was practically spooning him now, both laying on their sides with Jason’s body twisted to face him, Peters body pressed against the leather couch. “Yoooouuu know what I’m talking about... don’t act like you don’t... you... don’t...” the grin was wiped off Peters face. “You don’t... know...”
Peter exhaled, trailing his hand up to Jasons chin. “...You don’t... know.. I killed her. Mariah... she.. was no good for you.... hated her... hated the way she looked at you... such.. love.. it wasn’t love...”
Jason’s eyes widened. His last girlfriend, Mariah, went missing 3 months ago. He assumed that she was yet another gold digger, putting on the doting persona, and left with his shit. But he never found anything missing. And “they” never found her. Once again he found himself not to care, maybe wasn’t processing... But he never liked her... yet he was shocked that Peter killed her. Just because he didn’t like her. Mariah was a nice woman, always treated him and Peter nicely. Sure you can’t be a good person when married to someone who does such terrible things and work in such terrible industries... but she was nice. And nice was hard to find these days.
His hazed brain tried to pin point why Peter would kill Mariah. Did she say something to him? Was he going off the rails? Those are the only two options he could think of, logical ones at that. His thoughts were cut off.
“...you torture me... I hate my wife... s’makes me wanna die... makes ME wanna really die... and I hate her way more then I hate myself... ths’how you know she makes me miserable...” he laughed. “...but you’re aaaalllwwwaaaayyss there to make it better... just seeing you... makes eeeeveerryytttthinggg go away... and yet... you torture me...” Jason’s face was flushed, both in odd joy and despair. He knew this was just another one of Peter’s empty lies, empty words. He accuses him of being the torturer, but he’s the tortured. Yet he found himself leaning more into Peters hand, which was now cupping the underside of his head and bringing it close to the side of his cheek. He closed his eyes.
“All those girlfriends... the sex... it’s torture... evry... fuckin minute of it. Seeing what I can’t... have.” He squeezed his legs tighter around Jason’s waist, body snaked around like a cobra. It’s kinda what he looked like, a hungry cobra trying to eat prey he can’t stomach. “I wanna.. I wanna kill them all. Every woman that’s touched you.” His voice became more clear and less divided. “Every woman that’s laid their undeserving and ungrateful hands on you... I wanna kill. Mutilate their fucking bodies... rid of their finger prints. Their bloodline. And replace their prints with mine. Jason... Jason... please...”
Jason was breathing heavily now. His eyes were darting back and forth. He had to do something, get him away from the situation that was inevitably gonna break him when he sees it was all lies. He broke free from Peters grasp and leapt off the couch. Whipping his head around to meet Peters, eyes brimming with tears, he started to scream. “STOP FUCKING LYING TO ME! STOP FUCKING DOING THIS SHIT!” He gestured to Peter, who’s eyes were now blown open in shock, body staggering upward. “I CANT FUCKING TAKE IT!!! YOUR FUCKING LIES!!!” Jason’s head was spinning, his face hot as he staggered back, body slamming into the wall, knocking over empty bottles of gin on the Coffee table. Maroon walls were blurring together, he was barely able to hear his own anguished cries. Sliding down to the floor, he looked up and glared at Peter, who was now looking at him with a new kind of despair he’s never seen before. Not in his eyes.
There was a beat. Peter stood up. Jason was expecting a response, a scream, another one of his drunken meltdowns. Instead he got a monotone, hollow reply.
“You... fucking asshole.” Swiping his coat in one swift motion, Peter sped out of the room, door curtains blowing away before he could even touch them. And Jason lied there, broken glass around him, broken yet uncaring. He no longer cared what the bouncers thought, what others thought. He didn’t care anymore about his... attraction towards his friend, men in general. But with that replaced a new feeling. The crippling fear of being rejected by the only man he’s ever loved.
And he thinks he just did.
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rhetoricalrogue · 4 years
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1-10 for zoe! 🦇👀
Thank you!
1: Origins! How did you come up with the concept for your OC?
Zoe was my second Wayhaven Detective and the concept that caught my eye was the joining the force vs. going to jail and I went “HMMMM.” I didn’t know who she was or what she had gotten caught doing until I did a bit of brainstorming and came up with my ex-delinquent currently using her powers for good instead of vandalizing old abandoned buildings or shoplifting cheap booze from the local corner store.  Everything else has sort of clicked into place as I go.
2: Were they originally well received by the fandom? Or if they’re fandomless, did the RP community take to them right away or was it hard to get attention?
I want to say that she’s pretty well-received by fandom? I mean, I haven’t gotten any complaints and it seems like people enjoy reading about her.
3: Has your OC gone through different incarnations during their stay on Tumblr? Were they reimagined or have they stayed the same all this time?
Zoe hasn’t been around for long so it’s too early to do any drastic incarnations. I have developed her character a little more than the original one-dimensional thought, but she’s kept pretty true to how I first thought about her, just fleshed out more.
4: How do you get into your OC’s mindset to write for them? How do you find the muse for them?
I go back to review previous fics and pick up where I’ve left off. Either that or I’ll go through character development questions to get me thinking about her again.
5: Were you nervous about putting your OC out there? How long did it take before you decided to play your OC here on Tumblr.
YES (tbh I still am) It’s a new fandom for me and I was petrified of getting a new-to-me canon character’s voice wrong. That being said, I think I posted my first Zoe thing about an hour after finishing her Book 2 run. I channeled my inner Carrie Fisher voice and went “it’s okay to be scared, do it anyway.” and here I am. 
6: What is your OC’s family situation? Do they get along? Do they fight? Or are they alone?
As far as immediate blood relatives, Zoe only has Rebecca and their relationship is...complicated. Rebecca was gone for most of Zoe’s childhood and missed a LOT of milestone moments or times when Zoe really, really needed a mother to lean on instead of an Agency caretaker. There’s an option in Book 2 where she says “I didn’t need an agent, I needed a mother” and that sense of abandonment burnt a lot of bridges and ultimately led to her rebellious nature when she was a teenager. She was desperate for any attention that even bad attention was enough for her, but she still didn’t get what she needed. There’s a lot of resentment and feelings that need to be worked out, but as far as she’s concerned, she never had a mother and she doesn’t trust this whole “I am your mother, I will always love you” bullshit Rebecca’s saying now.
Zoe is big on family being the people that she gets to pick and the ones that pick her in return. She and Verda hit it off right away and it wasn’t long before he invited her to his house to meet his family. They all instantly clicked and now his daughters call her Aunt Zo and she meets up with Eric regularly to catch up on everyday things.  Her best friend/old high school boyfriend still keeps up with her and she spends every Friday night at the bar he owns. His teenage son has a band that plays a few sets until curfew and every so often Zoe can be coaxed into joining in to sing and play the guitar for a set or two.
7: What does your OC look for in a friend? Do they value friendship a lot?
Accepting her for who she is and not wanting to change her. She values friendship so much, even if in the back of her mind she’s scared that the other shoe will drop and they’ll abandon her just like her mother did.
8: What does your OC look for in a significant other? Are they looking at all?
Zoe’s not really looking, but if she sees a hot guy who fills out a pair of jeans well she’s not going to tell him to get lost if he starts to flirt. She likes her partners to be direct with what they want instead of dancing around any sort of attraction they may have for her and she appreciates someone who has a laid back personality that can roll with whatever.  It really was no surprise that she hooked up with Mason, but what’s surprising (and scaring) her is that while she’s used to doing the friends with benefits and no strings attached deal, she’s developing deeper feelings and wanting those strings, which is very out of character for her.
9: What is your OC like when at work? Are they diligent? Slacker? Do they get along with their co-workers?
Zoe gets along well with her co-workers, even Douglas. She sees a bit of herself in him when it comes to his relationship with his dad that makes her want to take on a mentor type role with him, but the whole crush he’s suddenly developed and isn’t shy about expressing is sort of irritating. She’s flattered, but no. It doesn’t seem like he takes a hint well, so there’s eventually going to have to be a sit down sort of meeting in the future.
She is exceptionally diligent and detail oriented when it comes to her job. She knows that people know her history, and she’s determined to make sure that her police record (now expunged, thanks to Rebecca pulling strings, which irks her to no end) doesn’t influence how people perceive how capable she is at being a detective. She’s damn good at what she does and if it means spending a few hours in the office most nights to make sure that all her I’s are dotted, T’s are crossed, and file system impeccably organized, then so be it. She works hard, but she makes up for it by unwinding when she can.
10: How do they deal with strangers?
She doesn’t trust strangers at all, and they have to work to earn her trust. Throw in the fact that the most current strangers started throwing their weight around and taking over her investigation five seconds after she met them and it’s no wonder that her hackles went up while she dug her heels in and had to fight the urge to repeatedly tell Adam to fuck off.
Ask Me About My OCs
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