#there is no real character writing

[cto10121]

Me [sits up straight in a straitjacket]: You know what I just realized? That the verses in the original Les Rois du Monde match Romeo’s, Benvolio’s, and Mercutio’s personalities perfectly. Romeo’s verse is about the kings “living at the top” and having “the most beautiful view,” contrasting it with the true kings talking shit about them “below,” which is in-character for Romeo; even in the original Shakespeare his language vacillates between the ethereal and grounded and practical. So of course he would focus on that. By contrast, Benvolio’s verse focuses on how bored and alone the kings are compared to them. Sure enough, Benvolio is a party boy who loves “la danse” (hell, even in the Shakespeare he is the most gung-ho about going to the Capulet party). And of course, Benvolio ending up alone would be his own worst nightmare, which is what happens at the end of the musical (ouch, ouch, ouch). Mercutio’s verse, meanwhile, focuses on the kings’ fear and making “traps” that they would fall into one day. Mercutio comes from a ruling family, so of course his verse would be more political, and it’s in line with his cynicism (also, doing anything out of fear would be so damn stupid to Mercutio). Even the mention of the kings “protecting themselves from everything, even love” is in-character, because Mercutio himself doesn’t believe love is something to be guarded against. It’s something light and not very serious (see: his Shakespearean counterpart describing love as a “tender thing”). So when Romeo and Mercutio sing together, they continue the politically-tinged theme of the kings fighting amongst themselves (Mercutio) and the idiocy of that war (Romeo), with Benvolio echoing them as support. So I guess that’s why I prefer the Romeo-Benvolio-Mercutio verse order rather than the Mercutio-Benvolio-Romeo one in the Hungarian. It just makes it more about the three of them rather than it just being Mercutio talking shit (legit, though, lol), Benvolio being his wingman, and Romeo mostly vibing with (1) throwaway but insightful critique. Also, it just so happens to be the same order the three speak in the equivalent scene in the play, which is a plus. I don’t know, does this make sense?

Therapist: You are a sad, strange woman, and you have my pity

Me: But am I wrong

[shhhhimwatchingthis]

My favourite underrated thing about Louis de Point du Lac is that he truly is the least curious vampire to ever be made and he does not give fuck about vampires despite being one.

Its Claudia who goes to libraries, reads the folklore, tries to learn as much as she can and pushes Lestat for answers about who made him and where the others are. Claudia says Vampire Pride and Louis says hmmm Vampire Tolerance.

And Louis...truly does not care about vampire history,law, culture. He's never even thought to ask. There are vampire laws?...ok...Lestat never cared about them and he's not going to either, lol. He's broken a few and he will continue to do so. Oh you have a coven? he's not gonna join it, he's gonna do his own thing. but good for you good for you.

the 500+ year old Coven Leader, he's gonna call Louis, Maitre, actually.

He has fire powers? thats kinda cool. he'll learn that but only cause it lets him vent his feelings about Lestat.

Lestat and Armand say the name of the vampire queen in front of him and Lestat straight up says, "Louis has no idea who that is" and do you think Louis cares, outside of the fact that for some reason it means he can't kill Lestat? No! Do you think in the 77 years he's been with Armand he ever took 5 minutes to ask a follow up question? No!

Do you think he will care about Akasha in season 3? Doubt it! Outside of her obsession with Lestat, who is the only person left on the planet he seems to be able to filter Caring About This Shit through

He blatantly breaks the 3rd law and publishes a book about being a vampire and when the other vampires get pissed not only does he not apologise he literally sends them his location and says 'you wanna fight? lmao don't miss'

I love him. Daniel Molloy is gonna need to bring his A game because Louis will not be solving a single mystery next season, nor would it even occur to him to try.

[noknowshame]

always a fun time when real life people are doomed by their own narratives. like guys you know it doesn’t have to be like this right? this isn’t a stageplay the foreshadowing isn’t real until you make it real

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[the-great-kraken]

if you see a male character kiss a male character, you assume they are gay.

if you see a female character kiss a female character, you assume they are a lesbian.

if you hear a character say they don't feel like their gender, you assume they are trans.

so why do a-spec characters have to jump through so many loops?

a character saying they've never had a crush or don't want a relationship or that they don't understand romantic love is so often ignored or used as fodder for other queer or autistic headcanons (reinforcing stereotypes that aroace people are secretly gay or always autistic)

why is it that our stories are always "up to interpretation"? why do we have to wait for the words aromantic or asexual to be said to be taken seriously? why is it that even when characters say they don't want relationships, fans will scream and cry about sex/romance favourable aspecs and qprs?

when it comes to gay and trans characters, even the likes of bisexual lighting is often treated as though it canonises their sexuality. for aroace characters, even the most explicit coding possible is swept under the rug in favour of other "interpretations"

i'm so tired of fighting for representation just to have it ignored and minimised by fans. let characters be aroace. please.

[marciaillust]

Asterism book cover

[simplykorra]

I stare at her perfect normality until I wake up and realize that I'm still the freak I've been my whole life. One thing I've learned since then. Life has a really fucked up way of making your dreams come true. - Ava Silva

[stewykablooey]

succession operates on the complete opposite end of the 'nobody talks like that' spectrum in which they write dialogue that is full of words nobody has ever said but instead of uber polished therapy speak its some of the most insane sentences in the english language that comes full circle into being actually authentic

[fryologyy]

wander over yonder sketchdump!

[ghouljams]

I think some of you faux-cest writers aren't going far enough. "Daddy" is overdone, doesn't have the raw gut-punch power of "Dad"

Because hearing John Price say "let Dad have a look" while bending you over and tugging your panties down???? Got me shaking in my boots.

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[max-nico]

I am obsessed with soulmate characters. There is no (light) without (dark) there is no (sun) without (rain) there is no (day) without (night) there is no (joy) without (anger) there is no (red) without (green) there is no (love) without (hate) there is no (defense) without (offense) there is no (tide) without (moon) and these characters can be love interests, best friends, enemies, rivals, I DON'T CARE, but they understand each other like no one else does and where one goes the other follows

And this isn't about just grumpy x sunshine this is about one existing without the other. Characters where if you take one away a part of them gets taken with the other, characters whose lives are significantly altered by the absence of the other, characters who literally already do find each other in different universes.

[poorly-drawn-mdzs]

Have you seen my little lad?

[First] Prev <–-> Next

[officialspec]

ill be honest as much as i love to criticise the use of fatphobia for comedy ill never be able to hold the fatphobic jokes in kung fu panda against it

like yea those movies are guilty of dipping into The Usual Tropes for a cheap laugh but not only is the character writing for the fat characters the strongest and most sympathetic ive Ever seen literally just the character designs of the pandas in the 3rd movie get me choked up sometimes. theyre all so appealing and clearly treated with the same care and attention as everyone else without copping out and making them Barely Fat. po is already a size that doesnt exist in film protags and hes still the thinnest person in that whole village and that meant a lot to me