#there is no difference in this except for the colour of the background

[dustykneed]

you are my sunshine, my only sunshine

you make me happy when skies are gray

(prompt fill for @mcspirkevents' mcspirk bingo prompt "gone with the wind".)

static frames below:

ouch! neck deep in aos bones feels rn... lmk if i should make a fix-it or somethin

[scarscloudie]

My p old art of a bakugan oc

Her name is Aurora and she is one of my first OC's tbh!! Though, she was Mary-Sueish in the past...

[skyriderwednesday]

I really doubt the polar bears are shivering yet, and I still really don't like doing cover design, but my brain said "what if the Sherlock Holmes books had cameos on them?" and then said "you CAN'T put the Holmes profile on ASIS, don't be lazy, he isn't there yet".

So I'm left with what is probably a good idea, but only enough brain to come up with three out of nine--

I have no idea what goes on A Study In Scarlet

The Sign Of Four gets a lady (Mary) in a pearl necklace

The Holmes profile can go on Adventures

No ideas for Memoirs

The Hound of the Baskervilles can have the hound against the moon (original, I know)

No ideas for Return, ditto The Valley of Fear, His Last Bow, and Case-Book.

Anybody else want to knock braincells over this one?

[the-travelling-witch]

𝐁𝐀𝐊𝐈𝐍𝐆 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒

summary: just some small baking hcs because i couldn't help but think about these guys while doing some baking myself

pairings: all students x gn! reader (can be read as either romantic or platonic, except for ortho)

warnings: just fluff, there is no concrete trope here, just random brain worms; reader is not specified to be mc/yuu

a/n: peer reviewed by @daisystwistedgarden who woke up to me spamming our dms with these ♡

twisted wonderland masterlist

HEARTSLABYUL

Riddle would be the most attentive student ever, taking notes on the exact ratio and the time you spent mixing everything together. Please don’t give him measurements like “what feels right”, he wants to know the exact amount down to the gram. One day, he wants to bake something for you by himself, but for now he’s content with sharing what you made together over a cup of tea.

Normally, the delicious smell of pastries and cakes comes wafting out of Heartslabyul’s kitchen with Trey at the centre of it, so the first time he comes to your dorm to see you baking, he’s pleasantly surprised. Obviously, he’s liked you before but now he looks forward to swapping recipes and spending afternoons side by side in the kitchen.

Cater would be posting all over magicam how cute you are and would fill his stories with candids of you kneading dough, taking stuff out of the oven, etc. He’d try to hide how flustered he gets if you tell him you made something savoury because you remembered he’s not fond of sweets.

The Adeuce combo would loiter around your kitchen, snacking half your dough without contributing any help whatsoever (Deuce tries, Ace never had any intention to from the start). One thing’s for sure: if Ace or Deuce ever have to bake an apology tart for an unbirthday party again, they already know who they’re recruiting. It’s also a great reason to stop by your dorm more often than they already do.

He would never admit it, if you made something for him, Ace would feel his heart beat a little faster. Instead he’d poke your cheek and make a nonchalant comment about how you must be so in love with him that you couldn’t stop thinking about him but the way his delivery stutters a little and the fact he can’t quite meet your eyes gives him away. Don’t mention if his ears turn red either (or tease him about it~).

Contrary to his roommate, Deuce is adorably honest about his appreciation for your hard work. You made this for him? Just because? There are a few seconds where his brain buffers while deciding what to do, would hugging you be too forward? But wouldn’t bowing be too formal? It’s honestly very cute to watch how his face flushes a colour that’s a nice contrast to the blue mark next to his eye as he stammers out his gratitude, especially if you’re not (yet) dating or haven’t been for long. 

SAVANACLAW

Leona was probably lazing around your dorm already and you woke him up from a nap with the noise of kitchen equipment and the different scents filling the air. He’d slink over to watch you work, offering unhelpful comments while leaning his entire weight on you. Because of his upbringing his palette is obnoxiously refined but he’s the one helping himself to more of what you just took out of the oven, so he’s not sly.

Ruggie can smell that you’re baking something good before even entering your dorm. Sure, most beastmen have a keen sense of smell but when it comes to food, nobody zeroes in quite as fast as the hyena. He’ll join you in the kitchen under the guise of learning a new recipe from you- and he is! It’s just that he’s also sneaking a treat or two off your baking tray.

Jack would help carry and stir stuff for you but he’d mostly keep to the background and let you do your thing, afraid to accidentally ruin the pastries or what you’re making, his nose and tail do twitch at the pleasant scent though. Since he’s an athlete, Jack makes sure to watch his diet but he’d never refuse to try what you made.

OCTAVINELLE

As the head of Mostro Lounge, Azul is always on the lookout for new items to add to the menu, so he takes quite the interest in your recipes. With a few tweaks here and there… For him to enjoy them in private though, he’ll study the recipe for different reasons. Of course he will try everything you make at least once, but the housewarden is still very conscious of his appearance, so he’ll enjoy your baking in measured amounts.

Jade, much like his childhood friend, is very intrigued by what you’re making but not out of business reasons. The eel is much more interested in how your recipes compare to his native ones and he’s already thinking of new things to try the next time around. As with everything, Jade loves to tease and fluster you, so of course he has to show you how to perfectly roll out the dough by caging you between himself and the counter. 

Perhaps you should think twice about letting Floyd into your kitchen. If he asks to let him help you, chances are he’s in a good mood, which is positive for his enthusiasm but detrimental to keeping your dorm clean. Sure, the eel is quite competent when it comes to preparing food but by the time your tray is in the oven, you, him and the floor are covered in flour.

SCARABIA

The first time you offered something homemade to Kalim, he had to refuse with a begging side glance to Jamil. Afterwards, he reasoned with Jamil that if he just joined you in baking, he could be sure of everything that went into the treats and so his vice housewarden relented. Against what people might think, Kalim is not actually half bad at baking, you just have to walk him through all the steps slowly. He might never have baked something himself before but he makes up for it with enthusiasm and the will to learn, plus he makes the whole thing super fun from beginning to end.

The first time Jamil sees you baking, it’s late in the evening and he just dragged himself over to your dorm for some much needed rest. But when he sees you working around the oven, there’s a split second where all the alarm bells in his head go off to thwart impending doom, until he remembers that you probably know what you’re doing and he relaxes. Old habits and all that. After that day, he’ll join you in the kitchen from time to time, if his schedule allows it. There’s no doubt about his capabilities, so Jamil’s always welcome to join you but he also appreciates that you don’t expect him to, which makes this a nice way to wind down for him. Also gets easily flustered if you make something for him and him only.

POMEFIORE

Vil would also compliment your hard work. Sure, he might offer some constructive criticism (if he knows it won’t hurt your feelings) so you can improve even further the next time around, but he’s also not hesitating to point out everything that deserves praise. He might click his tongue if you get cream on your face but will gently wipe it away and dust the flour off your clothes with a fond smile.

Rook is just as excited and eccentric as always, raving about the beauty of baking and how lovely you are for creating something so delicious. It doesn’t matter if you’re making the simplest cookies known to man, to him it might as well be a three tier cake.

Epel would be so happy if you made something with the apples his family sent him, but he appreciates it either way. He’s also really talented when it comes to decorating -probably because of his years spent carving apples- and he feels really manly when you ask him to stir something, knead the dough or carry ingredients.

IGNIHYDE

Idia is probably running through every anime and dating sim with a baking arc he’s ever watched/ played and his hair tinges pink as you invite him over. You’re at the intimacy level already to unlock this super domestic route? He really wants to save state irl, so he can keep coming back to this, both in case he messes up and to relive this moment.

Ortho would be a sweetheart, setting timers and looking up recipes and techniques if you’re stuck. He compliments your work and laments lightheartedly that he can’t smell or taste anything, saying he’ll pester Idia into inventing olfactory and gustatory receptors, so he can get the full experience next time.

DIASOMNIA

Congrats, you now have a very curious fae prince on your hands. Not only is he studying your recipes and ingredients with great interest, Malleus is just as fascinated by baking utensils running on electricity. Do yourself a favour and invite him for tea afterwards where you can serve your treats, he will be puddy in your hands.

Watch your bowls carefully when Lilia is around while you’re baking. There is a good chance the fae will try adding a few ingredients of his own and it will not end well for anyone involved. He’ll playfully pout about you rejecting his help and deflecting from the topic but a second later he’s laughing about how cute you are for wanting to make something for him by yourself.

Silver would fall asleep when surrounded by the good smells, the warmth of the oven preheating, your lovely voice and the kitchen sounds. He can’t help it, it’s such a relaxing environment and it puts him at ease and therefore also to sleep. But, ever the charming knight, he would help you clean up afterwards and very genuinely compliment your hard work with a soft smile.

Sebek will yap up a storm on how ‘your human recipes can’t hold a candle to briar valley’s supreme cuisine’ but he’s oddly docile once he actually taste tests. If you tease him about his earlier statements, he will flush red, trying to save face but also not wanting to lie about liking your baking.

© the-travelling-witch 2023 - do not repost, translate, copy or edit

if you like my content, reblogs, comments and asks are always much appreciated (also, yes, there will be second parts for the characters) ♡

➺ send in an ask to be added to or removed from my tag list

Twisted Wonderland: @savanaclaw1996 @honehbee42

[xenonarrow]

At last, my piece for the Moon Knight fanzine Lunar Labyrinth (@moon-knight-zine) from last year! This is the first time I work with a zine project and it was definitely a delight.

I had fun with the symbolism on this piece, more info under the crack:

Prompt/Subject: My place in this zine was part of the artists for the 4th chapters, Waxing Gibbous: Order. The prompt was changed and revised through the process, ultimately revolving around the concept of being reborn, rebuilding, discovering each other's strengths and ultimately the chapter's namesake order. I played with the concept of rebuilding a literal set of mirrors as a visual metaphor.

General setting: I chose to feature the MCU version of the character(s) with some elements from the comics since the time of the planning was very close to its release on D+. The scene is set inside one's house as I often use them with the symbolic value of one's personality and emotional state. I chose Steven's apartment from the MCU for two main reasons: 1) It's shown at the end after the events of the series, implying they still use it as home 2) The layout of the set is well documented and also nice and cosy. I used a combination of pictures from the behind the scenes and artbook + a rough scene I put up in Blender as reference for the subjects' placement, perspective and palette

Character(s) There is only one (physical) character in scene that I called "the body" since it's placed in a way so the face is not visible. This is deliberate so to not give away any clue about which alter is fronting - he can be any of them, all or none at the same time - it's just the body. The physical appearance. The medium with which the psyche interacts with the rest of the physical world. The body's clothes were a tough choice but I ended up with Steven's pyjamas since it was what they wearing at the end of the series. Steven, Marc and Jake are represented in the mirror with their Duat sequence clothes (except for Jake's attire for his only on-screen appearance + comics version fake moustache because honestly he feels naked without them) and in a pose reflecting as much as their individual vibe and role as I could in a single image: Steven and Jake are helping the body putting the mirror pieces back together in two different ways, one in a more concerned / affectionate manner and the other is slightly more blunt and direct. Marc is covering his face, as hiding away is kinda fitting for his character on different occasions (hiding memories in an attempt to protect Steven, Hiding parts of himself and his life to his loved ones, running away from his problems etc). Being dramatic as usual.

Mirrors I love using mirrors as visual metaphors. And I love how they used them in the series. I am very normal about it. In this piece the mirrors function as a reflection of the inner self (or selves, in this case): the same body is reflected in three different mirrors (the alters) which are more or less fractured based on the status of their relationship with a specific alter and themselves: Jake has the most pieces missing, since in the series he's the most elusive one to the point of the others not being aware of his existence up until the end despite still being active in protecting them in times of need. The background of the mirrors reflects the pattern of the (head)space as seen in some parts of the Moon Knight (2016) comics while the colours are chosen and assigned based on the box colours used in Moon Knight (2021). The pattern is not following the perspective of the shards on the floor because it's not a physical space the mirror is reflecting but it's more of a "door" to another dimension, the psychological one. The back of the mirrors has a hieroglyphic inscription vaguely inspired by those seen during the first costume sequence at the end of ep 1 (will be back at this later)

The moon dart (that shiny thing stuck in the rightmost mirror): The moon dart symbolises their connection and service under Khonshu. It was thrown diagonally hitting all three mirrors (and causing the fractures in them) and it got stuck in Jake's, symbolising his status as the one in the system still under the god's leash. The dart has also a side, positive connotation: despite the havoc that being Khonshu's avatar has brought, it also started to bring them together and work as a team.

Hieroglyphs: There is a thematic back-and-forth in this segment of the mirror, as the empty sections symbolises a loss of self in favour of being an Egyptian deity's puppet (hence the hieroglyphic inscriptions, vaguely resembling the pyramid texts where a certain hymn features an earlier and more violent version of the god Khonsu being a slayer for the king), but in the same inscriptions (see the second picture) carry a hopeful message: "There is no son who is strong against his father, but you are strong and mighty while Ma'at (personification of order, balance, harmony) dwells on your arms and your Ba (plural) will last forever, repeating rejuvenation like the Moon". I used "father" referencing the comics where Khonshu leans heavier into posing as a fatherly figure as a manipulation tactic, so the sentence can be interpreted as escaping from Khonshu's leash and finding strength and balance among themselves. It also echoes the usage of the moon dart.

Easter eggs: There are two easter eggs in here. Three Ba birds with the alters' faces can be seen over Steven's mirror, it's a little signature detail since a previous drawing with them apparently became iconic in my corner of MK fandom? They are also mentioned in the hieroglyphic text. There's a tiny Dracula hiding under the carpet layer. We can't see you in the finished piece, but we know you're here you big fucking nerd

WHEW that was a lot. Thank you for reading this far!

Here are some other progress pics if you fancy:

[brothermayihavesome0ats]

Criminal Minds S01E01 - a scene analysis/things I noticed

(The text in the images is the same, I just worried you can't read my handwriting)

1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene

- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling

- Morgan is in front of Reid but still behind Hotch and Gideon

- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.

- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show

2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)

- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.

- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.

3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.

- Gideon is wearing red to contrast the green

- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family

- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone

- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work

- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.

4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.

5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.

6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.

Colour contrast throughout the episode:

[asapeveryday]

We Have Now

Pairing: Nika Mühl x Reader

Warnings: lil bit of angst, suggestive content

Summary: The season is over, the seniors have graduated and the summer has begun. The future holds a lot of uncertainty, but your feelings for Nika have never been uncertain. Is it too late for you?

A/n: I just can’t resist summer themed fics. Also I’m ngl this is NOTT my best work so I’m sorry for that… enjoy anyways.

“Holy shit!”

Through the window of your bedroom you can see the sunset has turned outside an entrancing mix of tropical colours. Pink, purple, orange and yellow mix in the clouds and paint the world around you for a moment, and you know you need to see it up close.

You rush down the stairs and past the living room, where the rest of the team is sleeping on the couch with a movie on in the background.

It had been a long day for everyone, the team had planned to spend a couple days of July at an airbnb in Rhode Island back in February, and the plan thankfully took off.

The day had been filled with a long car ride, various TikToks, loud music, unpacking, swimming and barbecuing. Everyone was exhausted.

When you rush out to the deck you’re encapsulated by the scenery. Sunsets were beautiful, but even better by the beach. The white sand and deep ocean water against the rich setting sky was something out of a book.

After taking about a hundred photos and videos, you put your phone away and just stood in astonishment.

Playing basketball with these girls at Uconn was one of the biggest blessings you’d ever received in your life, and you were going to miss them so much. You often found yourself swimming in old memories at night, memories of locker room conversations, late night drives, shared playlists, loud Friday night parties, shared looks, useless yearning and post game tears.

You’d already gone through your sad feelings at graduation though, and the draft had brought some more light to the situation. You had no regrets whatsoever about your college career, except for maybe one thing. And that thing was on the beach right now.

Nika was laying on the sand, just far enough from the ocean to avoid getting hit by the high tide. She didn’t say anything when you laid down beside her, the both of you just stared at the darkening sky as the sound of waves filled the silence.

“Remember how different things were when we first met?” You finally say after some time.

Nika quietly laughs. “How could I forget?”

You roll your eyes playfully. “Gosh, I thought you were so weird.”

“You were weirder.” She grumbles.

“You just thought all Americans were weird.”

“Because you guys are! I never saw so many overly confident basketball players who were so bad till’ I came here.”

The two of you laugh together for a moment, then it’s quiet again.

Your hand is excruciatingly close to hers, but neither of you move closer.

“Everything’s so different now.” Nika mumbles, almost to herself.

You turn your head to face her. Nika’s side profile is strong, prominent nose, perfect lips, sharp eyebrows and expressive eyes. Her cheeks are pink from being out in the sun. You have the urge to make them pinker, but you shake the thought away.

“Yeah. Everything is different…but that’s a good thing”

Nika nods solemnly, but you can tell she’s thinking hard.

“Niks, don’t worry too much okay? Things work out if they’re meant to.”

She brings a hand to her face, covering her eyes and muffling her voice, which slightly wavers when she says. “What if I don’t make it?”

With this you give in and take her hand, squeezing it tight for a moment.

“Baby they’re lucky to have you. One day with you and they’ll know you’re needed on that team. Everyone else knows it for sure.”

“Says who?” Her eyebrows furrow. “I can’t just assume this’ll work out. What if it doesn’t? What the fuck do I do then? All my work will have been for nothing.”

“If Seattle doesn’t see you as an asset to their team, then I assure you there’ll be another team just waiting for you. Everyone here knows how valuable you are as a player, and the internet wouldn’t let anyone forget.”

She isn’t very convinced, but she turns her head to meet your gaze. Her eyes remind you of a puppies eyes. “Thank you.” She says, sincere and slightly embarrassed. Her hand is still in yours and your noses are almost touching. You wonder if she’d ever talk to you again if you kissed her.

At the thought of that, your stomach sinks. You sit up suddenly, hand breaking from hers. You don’t see how her face drops when you do it.

“I-“ you start, but hesitate. You didn’t want to regret anything like this again. You wanted her to know every thought in your head, even if it had a chance of going sour. “I’m really gonna miss you Nika. More than anyone else, I think.” You finally manage to get out.

She sits up now too, her brown hair blowing in the salty wind, her almost hazel eyes glinting from the reflection of the water, or perhaps something else, something like hope.

“More than anyone else?” She questions you.

“Yeah.” You say, turning to meet her stare. “I’ve always liked you more than the others.”

“Hm.” She says, as if she was expecting more.

The silence is eating at you, you just want to scream out how badly you want her. You know it’s too late, when this trip is over everyone splits. You to your hometown, Aaliyah to Washington, Nika to Seattle, Paige and the others to Connecticut. Still, you didn’t want to live with this in you forever.

“I had a massive crush on you during freshman year.” You utter as confidently as possible.

Nika’s lips part in surprise “You- you did?”

“Yeah. Major.” You scoff. Those days were almost pathetic in hindsight, obvious to everyone but Nika and yourself.

You watch as Nika draws swirls in the sand with her finger. You can practically hear the gears turning in her head.

“And…when did this crush fade away?” She finally asks you.

You let a beat pass before sucking it up and saying. “It didn’t.”

Nika’s eyes really widen now. You hold her gaze as best as you can. “I never stopped liking you. It just got stronger overtime, actually.”

You almost recoil when she scowls at you.

“Fuck you.”

“What?”

“Fuck!” She rubs her face, exasperated. “You- urgh, I wish you told me. I wish you told me way, way earlier.”

You don’t say anything.

“I wish I knew. Don’t you get it?” She whines, almost pleadingly. “God, if you’d told me way earlier we could’ve…maybe we would’ve..” she trails off.

Finding out that Nika Mühl, your best friend and longest love, also loved you should’ve been the best moment of your life. Instead it had you thinking of everything that could’ve been.

“I was scared.” You mutter. “I was so, so scared, I don’t know why. I wish I’d just told you, but you know me. I never take chances. I pass the ball, I don’t make the shot. I just…I wouldn’t have been able to take it if you didn’t feel the same. So I never did anything.”

She’s close to you now, hand on your knee, face flushed.

“What are we gonna do?”

You stare at her face, eyes darting from her eyes, then lips, the her eyes again.

Her eyes are beautiful. Honey brown, golden in the sun but piercing now at dusk, eyelashes long and fluttering as she tries to make sense of this situation.

You’ve wanted her more than you’ve wanted that ring at the end of the National Tournament every single year. The thought of you wasting time that could’ve been spent pressed next to her, skin to skin and soul to soul? It was sickening to you.

Still, here she was. Eyes begging you for something you’ve dreamed of. The sky now staining the beach a violent pink.

When your mouth meets hers it’s everything you’ve fantasized about. Her lips are full and soft, fitting perfectly against your own. You can feel her lashes tickle your face as you tilt your head just right, her arms get goosebumps when you fiddle with her hair.

Pulling away from her, you can’t help but melt at the satisfied smile on her face.

“I’ve wanted to do that for so long.” Nika says. “I just wish it could’ve happened earlier.”

“I’m tired of wishing.” You say, putting a hand on her face gently. “We can’t change anything now. It’s over. But we have today.”

She drinks in the feeling of being this close to you. “We have now.” Nika whispers.

Your kisses are sweet and chaste at first, but it’s getting colder out and you need her warmth. She changes the pace, clashing into you with a sense of urgency now. When her mouth slightly opens and you feel her tongue against yours you know it’s over for you. She can have whatever she wants.

Nika finds herself straddling you now, and you’re suddenly hyper aware of everything that’s happening.

After four years of thinking of her before bed, before letting your hands take care of yourself night after night to the thought of her, here she was in all her glory. Body toned and breathing hard, hair sprawled against her tan skin, fingers untying her bikini top.

She leans into you, but instead of kissing you she puts her mouth to your ear. You can feel her smirk against your skin.

“How much of the past four years do you wanna bet I can make up for in one night?

[greenplumbboblover]

Not-a-tutorial - Lighting (Basics)

I really loved @nocturnalazure Storytelling tips, and figured I'd add one more chapter that I, personally, feel can be helpful to add the mood or maybe a bit more 🌶 to your pictures! (with or without reshade ;))

But first, go check out these tips by Nocturnalazure!

Camera Shots

Dialogues Part I

Dialogues Part II

Things to note before beginning:

This technique can be used with and without reshade/gshade/sweetfx or even editing images. (but I would recommend it!)

Make sure you're playing with at least "Lighting and Shadows" to highest settings. Otherwise this won't work.

All of the images in this post have been taken without being edited/haven't used reshade/gshade for them. (So, just the good ol' C button 😉)

A lighting mod can already go a long way! So, if you haven't yet, go find one before reading!

All Base Game compatible! No EPs/SPs needed

I'm in no way a colourist! But it may be cool to check the science behind it if you want to go more advanced on this :)

And with that said... let's get to it!

What do we need?

1. "Wall Area Light 1x1", (since it's simpler for sims)

You can find it under BuyDebug on (But first make sure you have Testingcheatsenabled true on!).

Pssst! I would recommend adding it to a catalogue! I made a "story" catalogue and added it so it's much easier to find it!

How to use lighting, the very basics:

Here we have Lolita Goth, outside with no lighting except for the world's.

Not to bad, eh? Well. there are a few reasons why we want to add lights to this scene.

Lolita's face is quite dark.

The reader will be very focused on the background AND the sim. (I personally keep looking at the bench, and less at Lolita right now.)

It's interesting, partially because of the lighting mod installed, but we can make it even more appealing.

NOTE: These techniques will work no matter if your sim is facing the sun or facing away from the sun! The results will always be the same with the lights.

Setup:

The basic setup is simple! You'll need 3 lights. One behind your sim(s), one sideways and one in front.

Back light = used for darker colours (blue, red, green, purple, orange)

Sub light = Used as helper colour for Back light. Can remove if not necessary. (helper in the sense of: Backlight is blue, adding purple can help being more interesting).

Front light = always white, flame, orange.

An example with the 3 lights used.

Setup:

Backlight = Red

Sub-light = Orange

Front Light = White

Why can't I just use the front light?

While it's not a bad approach in certain scenes, often the result is a bit too... tense:

(Left is with backlighting, right is with only front-light).

Personally I find the left image much more appealing, and more interesting to look at. But if trhe right picture is more your cup of tea, the feel free to use it!

Here's an example with the same principle but at night:

(Left is with backlighting, right is with only front-light).

Here, I think it shows it even more, how nice backlights can make something more captivating!

Now that we know about the basics of setting up our scenes... Let's get into the details a bit more!

How to use lighting for nighttime (Outdoors):

Here we got a scene with Lolita and Gunther Goth in a dark spooky graveyard, having a gothic-y picnick. In-game, this is the lighting setup as of right now:

It's lit up enough, right? While in regular gameplay this is definetly true, in a story setup we can actually make this much more interesting! But before that, here's our scene image:

The thing though is... while there is light, currently the eyes aren't drawn to Lolita's face at all:

So... how do we fix this?

There are a few ways. But all require our Wall Area Light!

Setup 1:

One light can go a long way! In this instance, I added only one light, and used "Dimmed" so it still shows as if they're in the dark. (To select different light settings, use Shift + Click to see them ;))

There are scenes where this would be enough (though, having 2 facing from different directions would work better), it dosn't really in this instance.

The problem, however, is that it almost feels like there's a spotlight that is facing them. The scene may have got a bit more interesting (as we are more focused on Lolita's face), but just isn't there yet.

Setup 2:

By adding in a blue colour, facing the back and a little bit the front of our subject(s) we get a much more "fake" nightlight representation.

Though, a few thoughts here:

While in this scene I personally liked making the back colours blue, we can always experiment a little and change one of the blue into purple!

Now, the part of Lolita's face that isn't blue, we do want a non-blue colour. For this, I like to cycle through the following colours:

White

Flame

Orange

(Rarely! But sometimes red).

See result here:

This all depends on your preference, and if you want a deeper colour. Or maybe, to even set a certain dramatic effect! (this is where red may be nicer).

Make sure to also play around with the intensity settings of each light! This can really change things up!

Currently, I've set up the intensities like so:

Blue 1 = Bright

Blue 2 = Bright

Orange/white/flame/red = Dim

Though, if Blue 2 is purple for you, I'd recommend setting this one to normal or even dim.

How to use lighting for Daylight (Outdoors):

This one is much easier, and more straightforward! While backlighting is important here as well, it's less of a necessity in this setting.

Okay! So you've posed all the characters, set up objects, etc... and now we're ready for the lighting! Here's what I currently have:

Not bad, not bad at all without any lights... but what if we add them!

Here I added a White-dimmed light.

Better! In fact, if this is the kind of lighting you want in your scene, then feel free to leave it here!

What about a little more complicated lighting... sort of what we did with our night scene?

Here the left light is a white-dimmed light, and on the right we got a orange dimmed light.

it's not much, but it definitely added a nice shade to the scene! :)

Let's get to how we do this same thing, but indoors!

[noneorother]

The art director & the Good Omens book cover tier list of doom, part 1

part 1 l part 2

This is going to have to be a multi-part series because there are *checks notes* 64 different covers that I've found so far.

I am your resident Art Director/Good Omens enthusiast, and welcome to my completely meta-free book cover tier list. Listen, making a book cover is HARD. I should know. But while we salute these artists for their hard work and time, I think we can all admit that once in a while, the vision is just not on. And on very rare occasions, publishers seemed to have managed to commission the cover art directly from hell... 1. The original UK cover

Ahh, the standard by which all shall be judged. We're starting off with a nice & easy cover, with adorable woodcuts of Aziraphale and Crowley flanking a custom Good Omens font! While I have to take a few points off for the terrible kerning of the word "GoOD", the blockprint vibes and general bitchiness of Aziraphale's teeny weeny wittle face, along with the sick colour palette puts the orignial in my good graces. Tier: Great

2. The duelling US covers

Progress! Hail to the designer who figured out trying to make "GoOD" and "OMeNs" fit the same width was a fool's errand, and even managed to IMPROVE on the original handmade title by adding a little halo and devil's tale to the design. Aziraphale and Crowley are facing each other, while also managing to serve absolute cunt. Aziraphale is wearing EIGHTIES SNEAKERS. Crowley's little snake boots have HEELS. They've managed to keep the woodcut vibes and colour simplicity, while balancing out the full title of the book. Both authors get to trade off on who's name comes first! Dare I say, this is a work of genius. I could dock some points for Crowley's sad bat wings growing out of his right clavicle, but who am I to question greatness.

Tier: Blessed by God Herself

3. The Halo Master Chief(?) cover

How the mighty have fallen... As a Canadian child, I was subjected to maybe the most horrifying ad in existence by the War Amps warning children about machine safety. This cover is the paper embodiment of that ad. I am confused by the purple haze. I am frightened by the seeming ethereal flatness of Adam and Dog. I am strangely aroused by Aziraphale's eyebrows, and intensely saddened by the terrible outline/drop shadow they had to inflict on the type to fit "Pratchett" in that god awful space. Tier: WTF

4. Germany, Ein Gutes Omen covers

This cover inexplicably exists in two colour ways: red and teal. I put the audiobook cover here so you could experience the full illustration, and also how fucked up it is that they cropped the book version to include three horse-people of the apocalypse, but cut off DEATH on the regular cover. Points must be given for drawing a pretty slick Bentley, but I think we have to take even more points away for turning Crowley into a Ray Charles/Mike Wazowski hybrid. The ducks are nice. Tier: Not so Good (Omens)

5. Germany, Ein Gutes Omen covers continued

I don't know if the German designer of this cover *knew* that they were using western yeehaw cowboy woodblock letters when they made this cover, but judging by how they spaced the rest of the text at the bottom, THEY DID NOT CARE. And that seems to be a running theme for this one. We get kind of a duality thing going on with the black and pink background, but it just seems like somebody whispered the general themes of Good Omens into a jar, and threw it down a well, and this poor chap came along and picked it up. The baffling choice to align every piece of text on the cover *except* Neil Gaiman's name which is right aligned and rotated 90 degrees (not even real vertical type) will haunt my dreams, I think.

Tier: Bad

6. US, UK The Traffic Jam cover

For the love of Good Omens, WHY. I can think of so many more interesting symbols to put on the cover of this book than the ODEGRA SIGIL TRAFFIC JAM. Props for keeping the good colours and type, but like, I think this cover was secretly designed by @amtrak-official, or someone who just really, really likes public works. Tier: Does the Job

7. France, De bons présages cover

Leave it to France to make sure people know that Aziraphale and Crowley fuck severely. While I can't condone leaving out half the title of the book (and thinking a red carpenter's square counts as decoration), I can begrudgingly acknowledge that Ron Pearlman and Benedict Cumberbatch's love child is excellent Crowley casting. I think I give this a solid dark academia/10. Tier: Good (Omens)

8. France, De bons présages covers continued

Just imagine with me, if you will, the absolutely hilarious reality that this cover posits: Good Omens is exactly the same in every respect, but Crowley drives a pink 1950s convertible. Why do all of the colours on this cover look like they've been pre-digested? Why are the font choices and placement so bafflingly bad. My face is the demon's face holding that car. I feel his pain.

Tier: WTF

9. France, De bons présages covers continued

Minus points for not managing to write the full title of the book once again. I don't know what it is with the French. They seem pretty set on Good Omens being demonic. While I do appreciate a good Bosch-style demon party, the dude in the middle confounds me. All-caps Museo Sans that isn't even *centred* in the frame is just so lazy. I am le tired. Tier: Bad

10. France, De bons présages covers continued

Uhh. The font. The font is okay.... I think? Yeah. The font and kerning are. Okay. OHHH GOD I LOOKED DOWN BELOW THE TEXT WHYYYY. Tier: WTF

END of round one. I need a nap.

[puckpocketed]

who is #43?

Hello !! First off thank u for visiting. If you clicked read more by accident rip sorry it’s a lot of text. ENJOY!!! <3

1. This was the photo reference I used. I really did mean it when i said he photographs well!! I really like how scrungly he looks at times lol. v paintable

2. here’s a timelapse for your viewing pleasure in video + gif form <3

3. Process breakdown below. I am not formally trained, so don’t take any of this as professional advice!! The way i paint has been compared to channeling some evil contract with a demon also. So um . Im saying that i dont remotely think that this is efficient or correct, its just whats comfortable for me <3

3a) the dreaded lining phase. I have 2 modes of operation when it comes to painting - either i go full-dick with fancy inking/sketching + cel shading (rare, unrefined, haven’t figured out a nice workflow yet) OR i do a very very basic chicken scratch set of lines like so:

It’s less about being realistic here and more about laying down some guide lines for the chaos ahead. If i thought i could get away with it, I would start every rendered painting i do with laying down colours — but unfortchh ive tried that before and it usually ends in really weird proportions. Even with the lines i still need to make adjustments. This is something no people except me would notice but look at the above sketch; the eyes are too big and slightly too far apart, the forehead is too small and thus the hair is also not quite big enough… I have a bad habit of drawing eyes too big on faces, they’re my favourite facial feature to draw.. i barely resisted giving him big cow eyelashes (I love big cow eyelashes… all of my OC’s and most of my more stylised fan art of characters get big cow eyelashes… god…. Big cow eyelashes SAVE ME……….)

Anyway. Structure of the face + hand somewhat established. <3

3b) Underpainting!! Okay stay with me here . Ever since i figured out i dont have to paint in 03925893853 different layers, I’ve joyfully painted on 1 layer as much as possible. I dont have the brain power all the time to be managing layers so I simply dont work with that many layers. For this painting, the skin in its entirety was painted on one layer, the hair on another layer, and the effects on the last layer. There was a placeholder background off-white/grey colour for a while there, and I duplicated the line layer — one for figuring out where to lay colours, and one hidden for later so i could check back to see how accurate to the sketch/proportions were to the actual painting. 6 layers, 2 of which i painted the bulk of the piece on, 1 more at the end.

3c) here’s where I started carving out features. I think about objects in terms of volumes and light rather than lines. i love painting and sculpting because of this!! Here you see where I’ve begun to define his features — his eyelids, his bags, his nostrils. Just refining what was there before. The suggestion of facial hair before i gave it up and left it for later (his face is so naked the WHOLE time)

3d) nose bridge highlight, suggesting his eyebrows, a cheek highlight. A touch more coral red and muted yellow pull away from the grey/blue underpainting. Strategically leaving some of it peeking through.

3e) i truly start messing with the fidelity of his features here. Red lipstick <3 and some violet/blue for shadows on the right side of his face.

3f) the part where it starts looking like q.hughes to me (though, my friend said i got his vibe pretty early on which is such a compliment.. waaaaa…..) I love this part of every painting i do. I know it’s definitely not the Correct order since other parts of the entire painting are simply Not Rendered or Done, but whos gonna stop me?? :3

I love love loveeee painting faces. Adding the little shinies to his eyes + lips + upper lip + nose … you don’t know how much of a difference it makes until you do it. Also i snatched his eyebrows

3g) i really pushed the red/coral/ochre/orange here. Note the yellow highlights on his cheekbones, the forehead, and the thin thin line of pink right between where his bottom lip ends and his chin shadow starts <- very important . To ME!!!!!!! Also highlighting his waterline and adding his lashes was so so fun <3

3h) FACIAL HAIR!!! And I started rendering his hand. Some micro adjustments made to his face for proportion check.

3i) i start painting his hair in earnest and realise his forehead is too small so i make the adjustment. I really love how it falls into his eyes in this photo. <3

3j) i make some final adjustments to his eyes — a bit smaller, closer together. And i refine the outline of his jaw, push the stylisation of it just a little.

3k) Finishing details; his flyaway hairs, his moles, a bit of texture on his face, shadows cast by his hair, his little forehead cut <3

3l) i adjusted his hand here, added more texture to his skin, refined his hair a tiny bit more, and made the decision not to fuck around painting his jersey because i wanted the focus to be his face <3

3m) Canucks blue and green. Captain at 23. His form bleeds into the background. He is the franchise.

theee most fun ive had painting anything. and i finally feel... warmed up? if that makes sense. art for me is like. if i dont do it in a while it feels like nothing goes right when i come back to it. i hate that feeling, and the most difficult hurdle to clear is letting myself feel that until i get back into my Zone. after all this time i feel like im BACK !!!!!!!

i loved painting this fella. hes SO Shaped. <3

Apologies i simply do Not have the energy to write the alt text for all of these so i hope the little blurbs are okay aslkjasdklj. i gotta post and go to bed . if u made it this far, thank you for reading!!

[burn-before-reading]

blue is the colour of your eyes

joost klein x artist! reader

The overwhelming need to paint him. just fluff and rambling and being a nervous mess.

now has a prequel! read here

word count: 2.3k

a/n: supposed to be short blurb but it got away from me soooo anyway i haven’t tried to write anything in a hot second but Joost is inspiringggg so enjoy. Definitely wanna come back to this idea later possibly who knows. i don’t proofread anything btw so good luck

warnings: none except awkwardness, google translate Dutch, and a titanic reference.

RPF BELOW. PLEASE SKIP IF UNCOMFORTABLE. DONT REPOST TO OTHER SOCIAL MEDIAS OKAY PLS AND THANK YOU

You can’t seem to stop staring at him today. Two hours of putting pencil to paper trying to come up with literally ANY other idea and now your left with a pages full of Joost doodles.

He, of course, has no clue. drawing on his ipad on the other side of the couch. a movie playing in the background as the two of your got engrossed in your own work. who knows what he was doodling.

You were supposed to be brainstorming ideas for a painting for a group show coming up. The theme was vague and open ended. Love, in every sense of the word. Platonic, romantic, the secret third kind you didn’t even wanna think about right now.

You shouldn’t be thinking about Love and staring at Joost. You two were friends. He just sees you as a friend. Purely platonic.

Turning the next page over you give yourself a fresh start and start working on a couple thumbnails for possible paintings. You start scribbling a figure in the center. moving quickly to the background you add scribbles of flowers and leaves. making a short list to the side of plants to study later: Daisies, Sage, tulips.

Satisfied enough with the first thumbnail you scribble a few more in different poses. hands folded in their lap, resting on a table, holding a cigarette….wait.

you go back to the last sketch and notice you added a bit more details than intended. chunky glasses and a sharp haircut. you look back up at your accidental muse. He is still engrossed in his own art, but you manage to catch his eye after a minute when he looks up from his work.

his eyes pierced into your soul in that moment and the painting flew together in your head. Splashes of yellow and orange contrasting with the green of the plants. And his eyes. bright blue.

Why are his eyes so blue…

“you good?” he asks.

you dont know how long you were staring at him before you submitted to your own subconscious desires. Pencil tapping repeatedly on your sketchbook you muster up the courage to ask,

“can I paint you?”

his mouth gaped open slightly as that wasn’t exactly what he was expecting. He straightens his posture and shifts slightly in his seat.

“like… now?”

“No not now.. I just keep getting stuck on this idea and,, can i?” you gesture to the space next to him and he shimmies over slightly to give you permission to move closer. Now sitting next to him, you lean your book over for him to see.

“I just keep thinking about this idea of someone in a boquet of flowers, or just surrounded by flowers, and I want it to feel warm. I would be looking off to the side, or maybe smoking, i don’t know yet, but around you I imagined some Tulips and maybe sage to contrast your hair and..” you stopped as you felt yourself rambling and you look up. Bright blue staring back at you, full attention, hanging on your every word.

Comforting, yet still intimidating. You feel yourself want to shrink back into your half of the couch. explaining your ideas and baring your soul to this creature next to you that stole your attention and won’t give it back. This Fae that you gave your name to and now your theirs. At his beck and call at 9am when he texts you to hang out all of a sudden, so you cancel your own plans. Fae with bright blue eyes. stupid blue eyes.

what shade of blue are they?

his face looked interested, but still confused and hesitant, so you start to backtrack.

“You don’t have to agree, it was just an idea I had..” your pencil nervously taps the edge of your paper again and you look down and away from his face.

tap tap tap tap tap tap

Joost grabs your hand to stop your nervous tick and you glance back at him.

“No i want to, but… do i have to be naked?” his question breaks the tension and you burst out laughing.

“No. what? No! why would you think that?” you ask. he laughs as well.

“Ive seen your other studies of people, I didn’t know if this was gonna be like that one scene in titanic or,”

“Titanic? no no, I just want it to be you. We can agree on an outfit later if you are down for it but I just want you to feel like yourself.” he smiled and from this close you could see and the beautiful little details of his face. crows feet, dimples, each individual eyelash. His perfect blue eyes.

———

the next week you met up again, but this time you had arranged your studio up so you could sketch and photograph your model as needed. You had gathered your other needed models, a bouquet or two of flowers you had spent the last few days over analysing and studying. pages and pages of flower studies to make sure you had all the right angles needed when it came to the final painting. This next step you were slightly dreading.

It much easier to draw something when its not starting straight back at you.

Joost showed up later that day wearing a white button up short sleeve shirt, a black tie, and his usual chunky frames. his hair not as neat as it usually was but styled to suit the overgrown mullet look he had been sporting lately. Yellow roots growing in. He had badgered you all week about what he needed to wear and even though you said you trusted his fashion choices to pick a suitable outfit he insisted on a guideline. So you gave him one.

“Well people usually get flowers on a date, right? so i dunno, what would you wear on a date?”

“ Have you gotten flowers on a date before?”

“well… no, but typically thats a thing sometimes. it seems nice.”

“… Is this a date?”

“…its a collaboration.”

You guided him over to the corner you had set up as the make shift backdrop for him to model in. An old love chair you thrifted years ago sitting on rolled out black paper for the backdrop. some flowers in a pile of the floor for you to mess with later.

He sits down on the chair as you gather your needed materials to sketch. larger pieces of paper, charcoal and an assortment of graphite, watercolour paints, and your camera for when he can’t sit still any longer.

“okay i think im all set. lemme know whenever you’re comfortable and we can start okay?”

“okay.. do I just stare at you or..” he fidgets with a ring on his finger.

“find something to focus on right behind me. and just try to sit naturally. I just want you to pose in a way that feels naturally.” you state and pick up a piece of charcoal and bring it up to the easel.

Posing came a little naturally to Joost. He had done plenty of photoshoots before but he felt 100% more nervous about this one. It was more personal, more intimate. He had never really watched you work before, fully in your element, and it was so fascinating to him. yet… boring. He wondered how rich people in the past could stand for so long to get their portrait done, it had been two minutes and he was dying of boredom. His only entertainment was stealing glances at you and the faint music in the background.

“Can I talk?” he asked, careful not to move he head as he glanced at you. he saw you nod in his peripheral vision.

“Yea that should be okay, Ill let you know if i need you to stop for a second.”

“So… do you have people model for you usually?”

“No not really. most times I paint from life outside or just have to look for references online. Ive drawn friends before, but never for a bug painting. This one needed to be more personal tho.”

“more personal? How-“

“Wait can you turn back?” He had moved his head towards you fully with that last question. throwing off the perfect angle you had for his hair. “Sorry I’ll answer in a second just tilt your head a little..” you gesture with your hands and he tries to go back into position, but its not the same. He is still looking at you, that perfect shade of blue haunting you, staring you down. you look at the first sketch you had and now it just feels boring. “Maybe lets try a different pose.” the pencil tapping starts again as you think.

“Sorry, did I mess it up?” he looks away from you and runs in hand through his hair, giving it a new look. It urks you how much can change in a person with just one moment. With one turn it feels like an entirely new image.

“You’re fine, I just want something more interesting. Maybe if your hands were… can I?” He nods and you walk over to analyse his pose at a closer distance. Wiping your hands on your pants to eliminate any charcoal and sweat, you carefully pose his arms to rest on the armrests. You step back, to view your work.

“You were saying, what is this for again?” he asks. You are too engrossed in your project at this point to feel embarrassed talking about it.

“A group show between me and some old college friends. Ive been struggling on something to pick for the theme and it finally came to me the other day.” You fidgit with his left arm, deciding if it should be resting under his chin or falling from the armrest into his lap. “I just want this to be perfect..”

“Whats the theme?” You look at his and feel your face grow a little hot with what the answer is.

“uhh,, flowers! thats what we’re missing!” you avoid the question by running to grab one the fresh boquetes you bought this morning.

“I think maybe if you just hold these then you can-“ you foots catches on a pencil that had fallen, sending you crashing down and into Joosts lap in the chair, where he catches your arms to help you regain balance.

“are you okay?” You are growing more frustrated by the second and you don’t want to look up at him.

“yea, fine. Just gimmie a second.” Your eyes stay down at his lap where the bouquet now laid in a shaken mess of petals and leaves. still usuable, but not your perfect vision like you wanted.

“Maybe you should take a break for a second?” he insists and stands up the switch places so now you sit in the chair, and he is hovering above you. “You are getting really worked up over this, are you okay?”

“yea yea, im fine.” you take a deep breath to try and regain yourself. Looking up, the blue is now inches from your face as he stares are you with worry. For some reason, in this moment, you just feel like bursting. “Its your eyes. I can’t focus with em.”

“what?”

“You’re always so distracting, you know that?”

“If im so distracting then why ask me to model?”

“Its just for the theme. Like i said it came to me the other day and i can’t let it go now.”

“ what can’t you let go?”

“I think I might be falling in love-“ you stop yourself as the words fall out, but the confession is already spoken. Your eyes fall to your lap as you can’t bare to look at him in the moment.

“Lieverd…” he bring a hand up to delicately grab your cheek and tilt your head up so you look at him again. With the two of you staring again you glance between his eyes and his mouth, and he seems to understand. “can I?” he asks and you rise out of the seat to meet him halfway.

Lips meeting and moving together as you bring one hand to his hair and the other grabbing at his shirt collar to bring him closer. His free hand pulls your waist in as your lips move in sync, each of you waiting for the other to break the moment.

You pull away first and are immediately met with your foe, blue staring you down but now feel softer. You pull your hands away slightly and wince at the damage you had done.

“Shit! Your shirt!” His looks to see smudges of charcoal staining the collar from where you grabbed it. He laughs and just shrugs.

“I kinda like it.” he replies and leans back in to kiss you again. You kiss back and lean into it before breaking again.

“As fun as this is, ai do really want to finish the sketch.” Joost laughs and nods, giving you space to get up and he sits down once again.

“Can I take you on a date after this?” he asks.

“mmm maybe,” you tease,” Ive never dated one of my models before.” you pick up the charcoal one more time and put a new piece of paper on your easel.

“Im more than just a model, right? Im your muse.” he smirks and gets into a dramatic pose that he is surely going to complain about holding for more than a minute. “Now, Lieverd, Teken mij als een van jouw Franse meisjes.”

You two did not get much more work done that day.

[lambert-simnel]

Angelic Data - behind the scenes photo of Brent Spiner, with a certain energy~

I’m still not happy but i will keep tinkering forever so I need to post this!

originally the idea was to add a halo but i realised that actually i think that’s an idea that someone else has already drawn from this image in another post, pls send me that post if you know it so I can cite that artist as inspiration!

anyway purple background because that’s always been my go to and the background isn’t interesting in the reference. Still colour picking from reference, except the eyes here which I used a different shade that stood out a little more. with all of these I haven’t colour picked every tone because often the combination of coloured pixels created a colour that isn’t actually present in the original image, so you’ve gotta use that colour in the painting to create the same affect. just pointing out they eyes because it’s a more obvious decision!

also side note, painting characters in a “realistic” style where the actor is wearing contacts? actually kinda difficult there’s a very uncanny inhuman element to coloured contacts , especially Data’s obviously, and it can be hard to make that look right. Iwtv and Witcher fan artists I understand your struggle now!

Also I was watching Independence day while drawing this and had no idea Brent Spiner was in that film, very surreal to see him on my screen while I was drawing him!!

I can’t promise more soon because I literally never know when the inspiration/motivation will leave. character requests absolutely welcome!

All art is under #my art and as always click for better quality! did a Ripley paint the other day so it’s not all star trek…

[seiishindraws]

Hey seiishin, I'm a beginner artist and i was hoping you could give a full tutorial on how you color?

hello! this is a bit of a hard question to answer since i dont think giving a tutorial of how i colour without learning any foundational colour concepts first would be very beneficial, so i'll try to give you some basic tips on picking colours instead since this is a very VERY expansive topic and im simply not the kind of person that can pass on that knowledge very well especially since im not the best at it lol

when im picking colours for my drawings, i try my best to "unify" the colour pallet so that it seems more cohesive, this tip from ggdg sums it up pretty well i think

other than that, i usually try to pick colours that generally look good together based on different colour harmony concepts, like these!

i'll try and show you an example with something i'm working on right now. you'll notice i didn't colour pick tinkaton's colours from its art and went for a warmer pink and saturated the blues of the hammer a little.

you'll also notice the canvases i draw on are NEVER pure white. this isnt to say pure white is something that can never be used but white is a colour that usually influenced by surrounding colours, so pure white in most pallets just wont look right. so its not usually a colour i would use as a backdrop if youre trying to pick good colours for your art. but again, there's always exceptions and this isnt a hard rule. here's pure white compared to the colour my canvases usually start with

another thing i should touch on briefly is colour relativity and the importance of value and saturation.

value is SUPER SUPER important for making sure all the colours in your art stand out from each other and read clearly. as you can see here, most of the values here stand apart from each other, and i can see that i probably need to adjust the darkness of the light blue in comparison to the pink hair tips, though the lineart separates them well enough already i think. this is also a good way tocheck you havent made any dark skinned characters too light. values are important guys!

hot tip: put a layer of pure black on top of your art and set that layer to "colour" and BOOM! you can see the values of your art in grayscale.

and i'll also briefly touch on colour relativity. because we percieve colours relative to each other, we usually read a colour as something its not when its surrounded by certain other colours. let's take a look at my background drawings in the cover i did for the shuichi saihara zine:

though i only used a bunch of different purples, when all of them are perceived in relation to each other, a warmer purple can look like blonde hair amongst all the other purples!

as for the brushes i use while colouring, i like textured brushes! i bought these so i cant share them for free but im sure there are many free alternatives out there

anyway, sorry if this isnt exactly what you wanted, but there are TONS of people out there that have worded this better than i ever could, i would suggest looking up some youtube vids on colour theory, but i hope these little tips are useful enough!

[crepes-suzette-373]

Mirror, Mirror

Niji and Sanji are designed to be very similar in a lot of ways, but also direct opposites. It's like mirrored images, which are almost identical except reversed.

There's the obvious opposite ones like how Sanji really cares about not wasting food and Niji didn't even eat anything at all. You can see his plate is completely untouched.

Also, if this is meant to show that Niji is a picky eater, you can kind of say that it's the opposite of a chef (while the Reiju novel did describe Ichiji/Niji/Yonji as all picky eaters, the description there are not necessarily true as the novels are not always supervised by Oda-sensei).

And of course how they treat women:

But there's also background stuff like this:

Certainly there's possible lore reasons for why Niji wears goggles even as a child, but since Ichiji wasn't wearing his sunglasses when they were kids, it just makes Niji's goggles stick out like a sore thumb.

Sanji's helmet also has possible lore/thematic reasons for it, like Man in the Iron Mask reference, but then why not make the helmet just straight up covered his whole face? The fact that it was specifically designed to have this large hole for the eyes makes me wonder.

They both kick as their primary choice of attack. And if the Wanze battle is any indication, Sanji clearly could be very good with blades if he wants to be. He just chose not to.

There's also the superficial like the black-blue-yellow colour scheme in Sanji's initial outfit and Niji's raid suit.

In the finalised drafts we saw that Oda-sensei noticed and thought over the fact that if Niji is "blue" it would clash with Sanji who is also already "blue". We don't know what the little note saying "yellow" means, but whatever his thought process was, we ended up with "double blue".

The raid suits cover art is just for fun, sure but because Niji and Sanji have identical colour themes, blue, well... aside from the gloves and scarf having a different colour and the belt buckle, Sanji just looks like he store Niji's suit.

This has to be intentional, right? If this is just coincidence, that's sure a lot of coincidence and it's such a waste.

[thisgirlnamedblusy]

Hallo!!

may i ask for a little spronkle of fluff? Donna goes out to town to buy fabrics, the neewww (oh, wow!) cleric selling it to her, Reader, has almost the exact same scar on their face (except for it not being unnaturally deformed, -- reader got it from like, an encounter with a rabid animal, or something),

Donna gets curious and asks about it, leading to a casual conversation, which led to Donna wanting to come back and chat with the new hire, seeing as how, unbeknownst to Reader (because, obviously, Donna wears the veil, Reader wouldnt know she had the same mutation) they had something in common, their scarring

Make it so that Reader (very slowly) catches on ?? And they develop feelings overtime ?? But, doesnt know if 'big-lady-Donna' feels the same way, so they just.. shaddap? (i had to use that 'big-lady' reference, or it wouldve haunted me, forgive, forget)

Reader asks to see Donnas face (although, very nervously, because of, yknow, Angie staring down Readers soul, aswell as Donnas rank/title), Donna complies, although hesitantly, and Reader is just so entranced by how similar the size/placement/colour of their scarring is, that theyre just so hyped, and cant help to call Donna beautiful, to call her newly-revealed, singular eye 'enchanting' and whatnot (make Reader a nervous sap, i beg and i plead, i need this prompt to rot my teeth),

Donna gets fed up from how clueless Reader is to how much Donna appreciates them -- leading to, very reluctant, and/or peeved (take that as you will, im unsure how to topic Donnas nerves, tremors, mood-swings and whatnot) confession, coming from Donnas side. (Meaning: Donna confesses first, very awkwardly, and shyly, and Reader obviously accepts, because, .. They're girlfriends, your honor!)

Angie, meanwhile, is hurling in the background because of how cheesy, and forced, Donnas confession was, (although, secretely, Angie is over the moon that her Donsie made a new (girl)friend). Maybe add a little bit of like, restless, over-thinking rambling in Italian to that mix. (Ex: Donna just going over about how cool it is that they have matching scars, maybe Reader could come over to her estate and see her portrait without it. *Mumble mumble, something nervy in italian*, do you wanna come over? Do you wanna see my workshop? Do you wanna see my dolls? I can have one resemble you. Do you sew? We can make dolls -- *Mumble, trips over words, Italian*)

Make it from Donnas prospective, Please and thanks!!

No smut, just wholesome wholesomeness, and ofcourse, happy, diabetes-inducing ending, where Reader does agree to come and hang out with her -- make them Girlfriends with your writers-magic from that point on, because i have no idea what else to add to explain how overtime THEY FALL INLOVESIES!!! (AGHH! SUCH ROMANCE! THEYRE SO INLOVE!!!)

No mention of G!P or just, like, any arousal in general (since ive seen it mentioned on other posts, by other people, when asked for no smut, i just wanted to clarify)

hope i explained this okay?? Sometimes im pretty vague/too specific while typing and add too many '()'s and '/'s (overthinking autism brain -- HEY! LOOK! I JUST DID IT AGAIN!)

wish ya the best of luck, aswell as the best of day, may Angie bite your fingers (not really.. aha.. joking! Or am i?), Ciao, Blusy!

Yesss!!! Wow, it was a curious request! Thank you!!! I hope you like it and sorry about the language mistakes!!!! :))))

Two broken faces

Pairing: Donna Beneviento x Fem! Reader

Warnings:¡ fluff, Donna being Donna, Donna's POV

Word count: 9,376

Summary: She's so simliar, but so different...

N/A: Sorry about the language mistakes!!! Requests are open!!! I'm waiting yours!!! I love you all!!! :))

I thought I had everything I needed.

I had my dolls, my books, the peace that solitude offers a woman like me… Always afraid of people, always hiding, I found in my isolated world a peaceful place to live, for all eternity.

I didn't ask for this, I never asked the Black Gods to have mercy on my soul, I didn't ask Mother Miranda to adopt me, I never asked anyone for that second chance, I just wanted to die.

Sometimes I wonder what would have happened if my family hadn't been noble, if my ancestors hadn't been part of the founding of this village. Maybe I would have had the chance to live in a different way or maybe my wish to disappear would have simply been fulfilled.

Donna Beneviento, a young woman who stopped fighting. Yes, surely they would put something similar on my grave. I would have become a legend, that woman who lost everything, who was cursed with an illness, who was condemned to watch how little by little, the world around me faded away behind that horrible waterfall.

But… After all, after that mercy that I didn't ask for, the result wasn't very different. To think that I was no longer alone would be to deceive myself. Angie was already speaking before I insisted on giving her life with my new gifts. Angie was me, I was Angie.

Maybe she's still me, even if I don't realize it, maybe I’m not even a Lord, maybe I wasn't even alive anymore. It was hard to know. That position of power that the Gods granted me only served to make my horrible thoughts to take shape, to find in cruelty a way to relieve the pain of my soul, the rage I felt at having been unjustly deprived of a normal life.

Josef was the first, but not the last.

What was the fault of the man who took care of me after the death of my family? None. Why did I do it? Because I could.

I try to look in the mirror and not see that reflection, the reflection of my horrible appearance, of that punishment for the sins I didn’t commit, but I only see a monster, a monster on the outside, a monster on the inside.

Surely that was what Miranda expected of me: another terrifying being to keep the flock under control. I cannot deny that she succeeded. I myself became the fear, the terror.

That legend that I thought I would become by ending my life became a dark tale, a nightmare story, the story of the terrible doll maker, Donna Beneviento.

I could not say when she stopped mattering to me, I cannot even say that one day she stopped. Loneliness was my fear, until it became my refuge. You did not love me before, when I was just a girl with a scar, now that I am a monster your punishment would be to fear me.

None of that matters, not even my brothers, nor this cursed village. I only care about Angie, my dolls, those that do not judge, that do not laugh at me, that do not fear me, that do not feel anything. The flesh deceives, lies, harms, porcelain does not. Porcelain is malleable, it looks the way I want, it is beautiful, soft and does not hate me.

I wish I could have been a doll, I wish I could free myself from the hatred that was inside me…

“Grigio,” I said in a whisper, while I was devoting my soul to making my dolls, to creating those emotionless beings that I envied.

Angie nodded, walking around the work table, looking for the fabric I asked for.

“Grey again, Donna?” the doll asked, in a mocking tone. I nodded without looking at her, finishing correcting the imperfections of that new companion.

“What's your problem with grey?” I asked, cleaning the smooth porcelain, with my gaze fixed on it, trying not to let Angie distract me, as she usually did.

“It's boring,” the doll said, handing me a too small piece of fabric, making me frown.

“It's not enough, I need much more,” I said focused, shaking my head. The doll shrugged, walking over to her new friend.

“There is no more grey fabric,” Angie mocked, hands on her hips.

I sighed, snapping out of my concentration, searching through the drawers. I would never trust Angie, I would never trust myself.

“There isn’t?” I asked confused, searching the workshop for the desired fabric. The doll growled angrily at my distrust, crossing her arms.

“I already told you, silly Donna,” she mocked, getting down from the table. I sighed, rubbing my eye. I had been in the workshop for hours, I couldn’t say how many.

“Angie…” I sighed tiredly, shaking my head and finally abandoning my dolls, walking through the dark basement hallway, through that comforting darkness. “I'm not in the mood for your nonsense.”

“Are you ever in the mood?” the puppet asked, with a mocking tone.

I didn't answer. I simply walked towards the phone, looking in a address book for the number of the village merchant, the Duke.

“Oh, oh, oh, ask the fat guy if he has yellow wool balls,” Angie said, tugging at my dress.

 I looked at her, unable to help but smile. Who it was didn't matter, my position as a Lord didn't matter, I was sure that, without Angie, I would have given up a long time ago.

“What do you want yellow wool balls for?” I asked amused, picking up the phone and dialing the number slowly, indicating to Angie that she should let herself be picked up. I still needed her to speak for me.

“I don't know, they're funny,” she commented, taking the phone while I lovingly put her old clothes on. “Hello, hello? Fatty?”

Nothing, no one seemed to answer.

“He doesn't pick up,” Angie whispered so I frowned, snatching the phone from her and checking she was telling the truth.

“Maybe he's not in the village,” I sighed, hanging up and shaking my head. “How convenient, I need that damn fabric.”

“He might be in his warehouse,” Angie commented, going back down to the floor. “Although I doubt he will fit through the door,” she mocked amused, making me smile again.

“What do we do now?” I asked, looking at the crumbling ceiling.

“Why don't we go to the village?” Angie suggested. “We can look for the Duke there.”

“No,” I said dryly, hardening my expression.

“Silly Donna... I want my wool balls!” the doll protested, in a childish way, irritating me again. “Let's go to the village, to the village!”

“Madonna… I said no, Angie,” I snorted, in a brusque tone.

No, I didn't want to go to the village, I didn't want to see anyone, I didn't want to see fear in people's eyes, I didn't want to see it again.

“Silly, you stupid pasta thing,” the doll hissed. “Stupid Donna”

“Are you done yet?” I asked with irony, with a dangerous look. As expected, the doll shook her head.

“Donna, you coward, I want my wool balls!” she shrieked irritatingly again, making me lose my patience.

“Chuidi quella cazzo di bocca!” I shouted furiously, completely out of my mind, causing the puppet to flee in terror, hiding behind a table.

Once again, I had lost control for no reason. I would never be able to escape my sentence.

I tried to relax, to make the trembling in my body disappear. I breathed deeply, lowering my head.

“Perdonami, Angie…” I sighed in a calmer tone, walking slowly to the doll's hiding place. She, timidly, peeked out. “I shouldn't have yelled at you.”

“You're very tense,” the doll whispered. “You have to relax...”

“I know, forgive me, please,” I said with my voice broken by the rage of my behavior, extending my arms towards her, who timidly approached, letting me pick her up from the floor.

 “Of course I forgive you, silly,” the doll said, hugging me in a childish way, bringing the smile back to my face.

“Fine… W-we'll go to the village to get the fabrics, what do you think?” I finally said, trying to compensate my only friend for having to put up with me day after day, for having to live… With a monster.

“Yay!” the puppet celebrated as I carried her in my arms, leaving the comfort of that dark basement.

I never liked going out, feeling the cold on my body, feeling insecure, outside the safety of the cracked walls. Maybe no one had the misfortune of seeing my face, but my mere presence was already uncomfortable enough for anyone.

Just think about it, a woman in black clothes, with her face hidden by a black veil, a lifeless figure which comes walking slowly towards you. It was terrifying.

Luckily, there didn't seem to be many people in the village, it was a cold morning. I also didn't want to notice if there were eyes watching me, if there was a child trembling in its mother's arms when it saw me walking.

The Duke's warehouse wasn't far away, and I headed there as quickly as possible. My breathing was uncontrolled, my anxieties were already starting to make me too nervous. I wanted to go home.

“Duuuuke!” Angie called when we entered the cabin. “Duuuuke! Where are you?”

There didn't seem to be anyone there and we both looked at each other, shrugging our shoulders. Not wanting to wait for that vermin to appear, I approached the place where he kept the fabrics, looking for that desired grey tone my doll needed.

“What do you think, Angie?” I asked the puppet, who was curiously rummaging through the merchant's things, nodding disinterestedly. “Where are the grey ones...?”

“Hello,” an unknown voice startled me, a female voice that was not familiar to me.

From among the boxes, a girl appeared, a young girl with a splendid smile. I didn’t recognize her, I would remember that face. Near her left eye there was a horrible scar. I couldn’t help but bring my hand to my face when I found a similarity between that deformity and mine.

The girl shook her hands, with an elegant gesture, without that smile disappearing.

“Lady Beneviento,” she said softly, lowering her head. “Surely the Duke would spend the whole morning flattering your presence but I believe in naturalness, do you need something?”

“Where is the fatty? Who are you?” Angie asked, letting me pick her up again while pointing at that unknown girl.

“Oh, the Duke is on a business trip, or so he told me,” she said, amused, shaking her head. “But I'm sure I can help you, or try, at least.”

I looked at her curiously, unable to take my eyes off her scar, one that didn’t hide her beauty at all. I couldn't say why, but my cheeks began to blush.

I didn't say anything. I just looked at her confused, just like the doll did with me, waiting for me to react.

“Oh, sorry, I haven't introduced myself,” the girl said with an apologetic look, extending her hand towards me, a hand that seemed very soft… “I'm (Y/N), the Duke hired me to be his assistant when he wasn't around. I manage the warehouse too.”

I hesitated for a moment. My instincts pushed me to reject that greeting, to ignore that smiling young woman, but, for some reason, I didn't. I slowly extended my hand towards hers, shaking it briefly, feeling for myself that I wasn't wrong, her skin was very soft, warm.

“It’s, it's a pleasure to meet you too,” she joked, confused by my shy greeting, with a natural, beautiful smile... “I never thought I'd have the honor of having one of you here.”

“Shut up, you stupid village girl! We've come for...” Angie said, interrupted by a sudden movement of my arms, letting her fall to the floor. “Hey!”

“I ne-ne-need fabrics,” I whispered with a hoarse, timid, barely audible voice. The girl frowned, coming a little closer to me.

“Excuse me, but I didn't hear you,” she said amused but with a kind look.

“Fabrics, stupid! Fabrics!” Angie shrieked, startling the young woman, who, surprisingly, kept her composure masterfully.

“Oh, fabrics, of course,” (Y/N) said, nodding and passing by me, letting me get a closer look at that scar so similar to mine, one that had me quite interested. “If you would be so kind as to come with me…”

I nodded slowly, following the young assistant through the warehouse.

“Are you looking for something in particular?” she asked naturally, rummaging through a pile of fabrics.

“G-Grey fabric…” I murmured, clearing my throat, with Angie looking at me strangely. I couldn't blame her for it, I was very nervous.

“Grey…” (Y/N) commented, searching with her eyes. “Oh, yes, here,” she said amused, pointing at several fabrics of that same color.

“Wool balls, we want wool balls,” Angie said with a haughty tone while I touched those fabrics with curiosity, unable to avoid looking at that girl out of the corner of my eye.

“Wool balls?” she asked confused, scratching her head. “Mm, yes, this way,” she said, gesturing for the puppet to follow her.

I paused for a moment to look at her again, my heart beating fast and my eye unable to stop studying each of her movements. She was a really beautiful young woman, who surely hid some terrible story, maybe one as horrible as mine, maybe… Oh, I didn’t know why I was thinking about it.

“Do you see anything you like?” she asked me when finished attending to Angie, getting closer to me, maybe too close, allowing me to look at her more closely again.

“Um, yes… I…” I stammered nervously, clearing my throat again and pointing at a random roll of fabric. Luckily, it was a grey one.

“This one? Good…” the young woman commented, taking the roll and heading to a small counter. “How much do you want?”

“No, I… I’ll take the entire roll,” I said, nodding, putting my hands together in front of my body, playing with them discreetly to try to stop shaking.

“The entire roll?” (Y/N) asked, frowning. The Duke never questioned me, why did she?

“Is there a problem, silly?” Angie asked mockingly, comically wrapped in a wool ball.

“No, there’s no problem but… I don’t know if you can handle it, it’s quite heavy,” the girl said amused, leaning on the counter and looking at that large roll of fabric. “I mean, I’m not saying you can’t… I mean, I…”

I laughed at that shy side, that nervous side my presence provoked in her. Normally I would have groaned or sighed at the sight of her body trembling, but on that occasion, I didn't. Even when she was nervous, she couldn't lose that bright smile.

“Calm down, I know what you mean,” I said in a different tone, louder and noticeable, as if my own voice was eager to talk to her.

“Uff, okay...” she sighed, running a hand over her forehead in a playful way. “Sorry, my lady, I'm not used to dealing with... Lords, you know.”

I laughed again, shaking my head. I could feel Angie's eyes looking at me inquisitively, but I didn't pay attention to them. Not wanting to look stupid, I took out a bag of coins, leaving them on the counter. (Y/N) picked them up, writing something down in a notebook.

“Fine...” the girl murmured, leaving the pen on top of the notebook. “Do you need anything else, my lady?” she asked kindly.

I shook my head, turning to leave, picking up my doll again, who was still staring at me.

“No, thank you,” I muttered before walking out the door. Something, something made me stop and turn around. “Uh, actually, I do.”

“Mm?” (Y/N) hummed, with that same kind smile, following me with her gaze as I approached the counter again.

“I don't remember seeing you before,” I said with a dry voice, with an indifferent tone. I didn't want to show her how nervous I was, besides, I didn't even know why I was that nervous.

“I'm elusive,” she answered amused, leaning on the counter in a casual manner. “But the truth is that I've been here all my life.”

“Working for the fat guy?” Angie asked, with a curious tone, shifting in my arms.

“No, no,” (Y/N) said, shaking her head, laughing amused. “I mean, I've been in the village all my life.”

“Really? It's funny, you don't sound familiar to me,” I commented, with a slightly dark tone, analyzing her expressions. The girl shrugged, as if it wasn't the most comfortable question for her.

“Well... I'm not very fond of masses...” she murmured in a cautious tone. “Don't get me wrong, I adore Mother Miranda, and you, and of course I pray to the Black Gods every day and...”

“Mmm…” Angie got out of my arms, walking along the counter until she was very close to her. “She's lying.”

“What? Oh, no, no, I’m not,” the assistant said, now a little more scared. “No, my lady, no, I'm not lying.”

“I don't care if you are, (Y/N),” I commented, moving the doll away from her, laughing shyly again. “I'm not judging you.”

“Oh, okay…” the girl sighed, with an exaggerated gesture of relief. “Well, to be honest, I've never had a particular interest in… All that stuff about the Gods.”

I nodded nervously, wanting to ask a thousand questions, without knowing why, without knowing what exactly was keeping me in that warehouse.

“But, but I go to masses,” she said with a more relaxed tone, pretending sincerity. “Um… Um…Do you want… Do you want something else?”

“No,” I answered abruptly, turning around again and walking towards the door.

When I arrived, I realized that my legs weren't moving, that my head wanted to turn towards that girl again. My behavior was strange, but I couldn't help it.

“Yes,” I said, entering again, causing her to laugh amusedly and look at me in amazement, probably because of my pathetic attitude. “Can I ask you a question?”

“Lycans,” she answered, relaxing her expression. I frowned and shook my head, confused.

“Cosa?”

“My scar, I know you were going to ask me about it,” she said with a relaxed tone, pretending to read the notes in that account book.

“No, I…” I stammered, embarrassed to know that it was really what I wanted to know, what had caught my attention.

“Don’t worry, my lady, nothing is wrong. I’m not ashamed of it,” she said with a sincere look, one that made me see that her left eye had a slightly whiter tone, as if it had no life.

That was how I was like when I was a child, when everyone laughed at me.

“What…? What happened to you?” I asked in a cautious, strangely curious tone.

“When I was 10 I made the stupid mistake of going into the forest at dusk, you know, I wanted to be the bravest girl and blah blah blah…” (Y/N) commented casually, gesturing with her hands. I nodded for her to continue. “How was I supposed to know that there were lycans in the woods? It seems unlikely in a place like this, right? Um, sorry, it was, it was a joke.”

“Uh-huh,” I whispered, frowning. “A joke?”

“Yeah, well… I've learned that, in order to be happy, you must learn to laugh at yourself,” (Y/N) explained, with a smile adorning her beauty again.

“Do you find that some lycans hurt you funny? You could have died,” I said annoyed by that attitude. No, that wasn't funny, it couldn't be.

“I know, but… Here I’m,” she said sighing, spreading her arms in a playful way. “I lost the vision of my left eye, but… I'm still alive, and that's the important thing.”

“You seem like a very optimistic girl,” I commented, with an amused laugh, inadvertently getting a little closer to her.

“Mm, well, it can't be any other way,” the girl said in a relaxed tone, tilting her head.

“It must have… It must have been… difficult for you, you know…” I said stuttering, raising my hand to discreetly point out the deformity of her face. “Children can be very cruel.”

“Oh, not at all,” she said with a wider smile, shaking her head. “There hasn't been anyone brave enough to mess with me.”

I laughed again, incredulous at that attitude, one so different from mine. So similar and so different at the same time… Like the two sides of the same coin.

“Why you say so?” I asked curiously, with Angie starting to get impatient, tugging at my dress probably wanting to go back home.

“Because if they did… Well, they were very likely to go home with a black eye,” she whispered in a lower voice, as if she wanted to tell me a secret. “You know what they say: an eye for an eye, right?”

She was a mysterious girl, one who, with every thing she said, brought a soft laugh to my lips. It had been a long time since I laughed so many times, that the smile refused to leave my face.

“Um, I…” I murmured after a moment of awkward silence, holding Angie's hands, which pulled at my dress harder and harder. “I'll leave you alone, I've already stolen too much of your time.”

“You can steal all the time you want, my lady, as you see, there's no one around here,” the merchant said amused, looking around.

“Um, yes, well, I… I'm, I'm leaving, th-thanks,” I stammered, closing my eye because of my pathetic stammering, ready this time to really leave, to control my desire to stay and chat with that girl.

“Wait,” she said, leaving me pinned to the ground, walking out the counter. “Wait, I…”

“Mm?”

“Um, hey, you're not as scary as they say,” (Y/N) said nervously, biting her lip to contain her words, words that, apparently, came out of her mouth on their own. “I mean, I, I liked meeting you, Lady Beneviento.”

“Oh, I…” I stammered, struggling between joy and anger. I couldn't blame her for fearing me, everyone did and everyone would, forever. “Me… Me too, (Y/N)…”

It could have been just another day, but it wasn't. Meeting (Y/N) made me start to smile. It didn't matter what I was doing: cooking, reading, working with my dolls... The beauty of her face was always present in my thoughts.

Chance is a capricious God, one that made me suddenly find myself with my distorted reflection. Yes, a scar identical to the one I had as a child, a face deformed by misfortune, just like me.

But, even though we had that in common, we were very different. (Y/N) was cheerful, outgoing and didn't let anyone make fun of her. I was the opposite, like an evil double, like the negative of a photograph. It might seem silly, but, as the days went by, that urge to want to go back to the warehouse became more and more intense.

Sewing in my workshop, as always, I searched in my head for a logical explanation for my sudden interest in that young woman, like every time I did, without finding an answer.

“Angie,” I said, frowning, looking at the old sewing machine. The doll, having fun with her new wool balls, walked towards me comically getting tangled in the yellow thread.

“I hope it's not something to do with the girl from the warehouse,” the puppet hissed. Poor thing, she was sick of hearing me talk about her.

“No, no,” I said with a look that gave away my lie. “Look,” I helped the doll to get on my lap while pointing at the old machine.

“What's wrong?” she asked, looking at the machine and then at me, confused.

“Don't you see it?” I asked with a frown, picking up a piece of freshly sewn fabric. “Look at these seams, they're not right.”

“They’re just like always,” the doll commented, playing with the piece of fabric in her hands.

“No, no, not at all,” I said, shaking my head again, blinking, giving away my lie. “There's something wrong with the machine.”

“Do you know what's wrong? Your brain,” the doll mocked, causing me to grunt. “There's nothing wrong with the machine, Donna.”

“I'm telling you, it's broken,” I insisted, pretending to look for the fault that old machine didn't have. “I think there's something stuck… I should take it to (Y/N). Maybe she can take a look at it.”

“Oh, of course, of course…” the doll sighed, moving her arms in an exaggerated way. “You just want to see her again.”

“No, I… Non è vero…” I muttered, stumbling over my words. “It's, it's the machine…”

“There's nothing wrong with the machine, silly Donna, stop making stupid excuses. If you want to see (Y/N), why don't you just go?” Angie said, putting a wooden finger on my nose, which I wrinkled in displeasure, determined to deny the evidence.

“It’s not about that, Angie,” I protested, pounding my fists on the table but relaxing instantly. “I want her to take a look at it.”

“A look?” the doll scolded me. “Oh, yes, what a great idea… What are you going to tell her when she realizes that the machine is perfectly fine?”

I tried to fight back, but I couldn’t. I huffed angrily, gritting my teeth. Angie was right. My legs trembled nervously as my gaze wandered to the old machine. I didn’t even think about it.

With a quick gesture, I pushed the sewing machine to the floor, crashing against it with a dull sound, indicating that something had broken. It was a pathetic, almost desperate plan. I still didn’t know what I was doing, why I was doing it, or rather, I didn’t want to know.

“Silly Donna! Nonna’s machine!” Angie shrieked, getting down to the floor to check the condition of the machine. I remained serious, but I adopted a haughty pose.

“What do you say now? Diamo un’occhiata?” I asked mockingly, bending down to pick up the broken machine from the floor, ignoring the insults and protests of the doll.

It was too easy for me to put the veil back on and leave my house. I had a fixed destination. I had her beauty waiting for me. I think I was starting to get too nervous. Breaking my grandmother’s machine so I could see that girl… It sounded crazy, but I didn’t want to think about it.

“Oh, my lady, what a surprise,” (Y/N) said, coming down a ladder, with a, as always, beautiful smile. “The Duke has already returned from his trip, he should have brought you the fabrics.”

“Yes, I…” I murmured nervously, holding the box under Angie’s fierce gaze. “I wanted, I wanted to see you.”

“Me?” the girl asked, approaching curiously, brushing the dust off her dress.

I could only nod, leaving the box on the counter.

“I thought you could help me with this,” I muttered, with a broken voice, much more nervous than in our first meeting.

“Wow…” the young woman commented, taking the broken machine out of the box, observing every detail. “A Singer 66k, from 1917… What happened to it? It's in pieces…”

“Angie threw it,” I lied cowardly, earning a furious gasp from the doll.

“What are you talking about?!” the doll shrieked unpleasantly. “Liar, Donna liar, Donna…!”

I silenced the puppet with a subtle movement of my hands, making it stop screaming and move away, unable to stop it from glaring at me as it did so.

“Oh, that was a nasty fall…” (Y/N) joked, studying the machine. “It's a shame, it's a beauty.”

“C-Can you fix it?” I asked timidly, starting to regret what I had done. Her smile showed me that I shouldn't do it.

“Mm, I think so,” she said nodding, moving the machine to a small table with tools. I followed closely, watching her curiously. “Let's see…”

“I can, I can leave you alone if you are more comfortable,” I murmured when she started working, checking the pieces with a frown. She stopped and looked at me, shaking her head, with that wonderful smile…

“Oh, no, well… It's good to have some company, besides, that way I can prove that I'm not scamming you,” the assistant said amused, carefully unscrewing the machine.

“I trust you,” I said without thinking, playing with my hands again, trying not to look at her face, not to notice that scar that told me we had something in common, even if she couldn't know it.

“You must be the only one,” she commented sighing, searching for something in a box of spare parts. I tilted my head curiously. “Normally the people of this village are quite distrustful… I can't blame them, my boss is not exactly a… reliable man…” she said smiling, making the gesture of quotation marks with her fingers.

“You are not like him,” I said, stating a truth of which I was completely sure.

“Mm no, I hope so,” the girl joked amused, struggling with the machine. “Okay…”

Silence reigned again in the warehouse. She worked on the machine with surprising skill while I watched her, memorizing each of her movements. If she had noticed how I looked at her… Well, she would surely be terribly uncomfortable.

“So… Do you use this machine to you make clothes for your dolls?” (Y/N) asked, taking me out of my thoughts. “Y-you made dolls, right?”

“Cosa?” I said distractedly, thinking about her past, about how she had to live through that attack, about her courage when facing mockery and offensive comments, how did she do it? “Oh, I… Yes, yes of course…”

She smiled, nodding, without stopping working.

“You know? You can tell the quality of a handmade product…” she commented distractedly. “I mean, there are modern machines now but… If you ask me, I prefer the old ones, like this beauty”

“Y-Yes, I… I think the same,” I said with a smile that she couldn't see, luckily.

“I think… I think it's done,” she said, moving the crank to check that it worked correctly. “Just like new.”

I didn't expect it to end so quickly. I got nervous, like every time something didn't turn out the way I had thought.

“You are… You are skilled,” I flattered her, taking the machine and checking that, indeed, it was already fixed.

She shrugged, with an amused smile.

“There had to be something good about me, right?” she joked, getting up from the table and passing by me, allowing me to look even more at her beauty.

“Uh… Tell me how much I owe you,” I said, putting the machine back in the box, searching in my head for an absurd excuse to stay a little longer, just a little longer…

“Oh, nothing,” she said, looking at me amused, shaking her head. “It’s not necessary.”

“W-Wait, I have, I have to pay you,” I said, with my hands starting to sweat again. You relaxed your expression, sighing and shaking your head again.

“No, that it’s not necessary,” the girl said with a confused smile, surely due to the trembling of my body. “I’m happy to help you, my lady.”

“No, don't be condescending to me for who I am, I beg you to let me pay you,” I insisted with a darker, almost angry voice. Her smile was worth more than all the gold in the world...

“I'm not condescending, I'm just doing you a favor, I like you,” she murmured, frowning, as if she was trying to meet my gaze.

I pointed at myself in surprise. The words refused to come out of my mouth.

“Do you... do you like me?” I asked stammering, puzzled by that phrase, one that couldn't be true.

“Yes, you're kind,” she said, looking away. “It's not something that's especially common in this place.”

“Oh, well, I... I...” I said nervously, having the imperative need to run out of there to hide my embarrassment, the invisible blush on my cheeks. “Grazie, (Y/N)…”

“Prego,” (Y/N) said, with a wider smile, as if she knew the reaction that hearing her speak that way would provoke in my body, paralyzing it completely.

“D-Do you know Italian?” I asked curiously, with my voice shaking at the same time as my body. She laughed amused, with a clueless expression.

“Nope,” she whispered in an ironic tone. “I know the basics.”

“Oh, of course…” I said, even more nervous, looking for Angie with my gaze. “I… I'm, I'm leaving now and… Well, we'll see each other, and…”

“Whenever you want,” (Y/N) said, sitting on the counter casually, swinging her legs and picking up what looked like a cup of coffee. “Um, my lady,” she said suddenly, when I had already turned around. My blood froze again. “I hope your doll doesn't break any more things.”

“Hey!” Angie protested, rummaging through the counter. “Shut up, you idiot!”

“Angie…” I sighed, gesturing with my head so the puppet would stop stirring everything up.

“She seems to be funny,” (Y/N) commented, looking curiously at Angie.

“Yes… W-Well… She's… I don't know how to describe her…” I said, more and more nervous. “I guess she's one of a kind.”

“I see, she's like you then,” the girl said in a low tone, one that betrayed nervousness. The doll was making her nervous.

“Angie, basta,” I growled at the puppet, who was staring indiscreetly at the cup of coffee.

“Do you like coffee?” the saleswoman asked in a kind tone, looking at Angie, letting me see her beautiful, damaged face. It was so similar to mine…

“I don't know,” Angie said, in a petulant tone. “What I know is that calling this thing coffee is blasphemy, how disgusting.”

“Angie…” I protested, losing my nerves, kicking the floor pathetically.

“Hey, it's not that bad, is it?” (Y/N) asked, bringing the cup to her lips and making a face of disgust. “Well, maybe it is.”

“Don't mind her, (Y/N)…” I sighed, noticing how the sweat ran down my forehead, how my nerves kept increasing. “Angie, dai!”

“Don't be mad at her, my lady, she's right,” (Y/N) said, pouring another coffee into a different cup. “Maybe you can give me your opinion… You, you Italians are good with coffee, aren't you?”

“Me?” I asked, leaving the box on the counter, timidly reaching out my hand for the cup she offered me. “W-Well, I wouldn't know how to answer that… Actually my, my family was Italian, I… I was born here.”

“Well, but I'm sure you have better taste than me,” the girl commented, leaning on the table, frowning suddenly. “Oh, it's not mandatory, I'm sure you have a lot of things to do instead of wasting time with me.”

“Not really,” I whispered, breathing heavily at her apparent nervousness. Not wanting to think, not wanting to feel the things I felt when looking at her, I brought that steaming coffee to my lips, moving my veil aside.

(Y/N) looked away, not wanting to be indiscreet, respecting my decision, but fighting with herself to do so. I could see her confused face, her desire to look at me.

The bitter taste filled my throat. It was really horrible, I hate having to agree with Angie.

“How is it?” the young woman asked, with a fearful look. I shook my head, pushing the disgusting coffee away from my sight and smell.

“È orribile…” I murmured, trying to sound amused. I never knew how to do it.

“I thought so…” the girl sighed, making a face of disgust at that cup. “No matter how hard I try, I can't handle that thing,” she said amused, pointing to an old coffee maker.

“Do you want me to show you how to do it?” I asked without thinking, I asked without wanting to, without being able to help it. She looked at me curiously, then at the coffee maker, and finally at me again, nodding with a shy smile.

“Well, it's not necessary,” she murmured, scratching the back of her neck, downplaying it.

“Please, consider it… A favor,” I said, mysteriously sure of myself. “Because, because of the machine.”

“Mm, well, okay,” she said quickly, gesturing for me to follow her.

As calmly as I could, I taught the young woman how to make a real coffee and how to handle that coffee maker properly. She listened to me attentively, looking at me from time to time and writing down my advice in a notebook.

She was so close to me, her bright eyes were so close to mine… I don't know at what moment I was stuck in her gaze, in her almost perfect face, no, no, in her perfect face.

“It smells so good…” she commented, inhaling the intense aroma of coffee, closing her eyes, granting me the blessing of contemplating her relaxed face, her tender gaze. “I was definitely doing everything wrong.”

I laughed shyly, pouring some coffee into a cup, offering it to her kindly, praying that she wouldn't notice my shaking hands.

“Try not to fill it with too much water,” I said with a serious tone, pretending disinterest while she tasted my creation, with a look of satisfaction. “Always pay attention to the valve.”

“Yes, this is wonderful…” (Y/N) sighed. “Oh, sure, um… Let me pour you one cup.”

“I… Okay…” I stammered, accepting the offer to sit next to her in a couple of chairs.

Without having thought about it, we were together, enjoying a quiet coffee.

I couldn't remember when I felt so calm, so relaxed and at the same time, so nervous, with my heart beating too fast. I guess it was the coffee…

“And then I told him: I don't need to see with both eyes to notice that you're a complete idiot,” (Y/N) said, chatting with me in a friendly way, as if she had known me all my life. I wish it were like that.

“Did you tell him that?” I asked amused, unable to stop smiling. She nodded with a serious look.

“He wanted to go on a date with me to give me a chance, can you believe it? A chance, as if I couldn't choose...” she asked ironically, shaking her head.

I didn't answer, I just listened attentively. Her anecdotes were funny, but hearing them through her lips... That was out of this world.

“Bah, I don't need a stupid boy to tell me nice things... I know he would only do it out of pity,” she said with a slightly sadder tone.

“Mm,” I murmured, playing with my hands in my lap.

“Every morning I look at myself in the mirror and think: what would my life be like if I didn't have this thing on my face?” she commented distractedly again, stirring her coffee with her spoon erratically. “I always come to the same conclusion: Here I am, this is me, and if you don't like it, fuck you... Oh, I mean, sorry... Go to hell?”

I laughed again, a bit sadly. I saw so many things about myself in her, things she didn't consider a problem. She was brave, I was a coward.

“I wish I could think the same way,” I murmured with a broken voice, attracting her attention, drawing a confused look towards me.

“Why do you say so?” she asked in a different tone, with a more discreet smile, with the glint of caution in her eyes.

I suppressed a sob. (Y/N)'s attitude was admirable, enviable. I was never able to accept reality, to look at myself in the mirror in the same way. I was a monster, and she wasn't.

“Forget it, it's nonsense,” I sighed, getting up, wanting to go home, wanting to cry for being unable to recognize the meaning of my heartbeat, wanting to scream, to curse the Black Gods for being unfair to me.

“Oh, have I, have I said something wrong, my lady?” (Y/N) asked, suddenly standing up, putting a hand on my wrist, making my whole body shudder.

“No,” I said in a cold tone, moving away from her grip, perhaps too abruptly. “Dai, Angie,” I whispered to my doll, who was playing with the junk in that warehouse.

“W-Wait, I'm, I'm sorry,” the girl said, stopping me from continuing, standing in front of me with a pleading look.

“Why are you sorry?” I asked, with an involuntary resentment in my voice.

“Well, I, I didn't want to offend you… If I’ve said something I shouldn't have… Oh, of course, it's because of the: fuck you… I don't usually swear, really… Not always…” the young woman stammered nervously, with her gaze traveling everywhere, unable to focus on mine.

“You haven't offended me,” I said, trying to sound softer so my demons wouldn't overwhelm me again, not at that moment, not with her. “I have to go.”

“Sure, I…” she stammered, helping me to pick up the box again, with a fake smile. “Um, if you're not mad at me… Maybe you'd like to come tomorrow.”

“Tomorrow?” I asked, surprised by that offer.

“Yes, you know, I, I'd like you to check if I've learned anything about coffee,” she said nervously, with a strange blush on her cheeks.

“Do you want me to come here tomorrow?” I asked again, unable to believe her words.

“Yes, well… Yes, if you want,” she whispered, biting her lip and looking away.

“Mm, maybe I will,” I murmured, smiling, taking advantage of the fact she couldn't see me, my smile was hidden from her, as my monstrous face was.

That was the beginning, just the beginning of my constant visits to that old warehouse.

Funny conversations, exploits and experiences of (Y/N)… Any reason was good to hear her voice, to look at her beauty under the aroma of coffee. I could no longer deny myself my feelings. I couldn’t stop thinking about her, every minute, every second.

“Donna and (Y/N) under a tree …” Angie sang, jumping around while I, like every day, walked towards the village. I growled angrily at the doll, wishing she would shut up.

“Angie, per favore…” I sighed, shaking my head. “Don’t, don't talk that loud…”

“Oh, come on, there's no one here,” the puppet protested. “Besides, you're offended because you would like to be with (Y/N) under a tree.”

“Yes, it's true,” I said with a murmur, taking the doll in my arms so she wouldn't entertain me any longer. “(Y/N) is wonderful, don't you think?”

“(Y/N) is wonderful, beautiful, good, kind, fantastic, the best… Yes, yes, you've been repeating it constantly for weeks,” the doll mocked.

I smiled embarrassed.

“I've never felt this way about anyone,” I sighed, walking slower. “Angie, I'm… I'm in love with (Y/N)…”

“I know!” she complained, crossing her arms. “You're so annoying, Donna…”

“I'm not annoying, I'm talking about my feelings,” I said with a frown. “Hey, do you think, do you think she…?”

“Oh, no, no… Don't try to make me believe that I'm a fortune teller or something, I've already told you that I don't know if she feels the same. I can't read minds,” Angie said, shaking her head.

“But you're always with us,” I said, stopping before crossing the door. “Maybe, maybe you saw something that…”

“Oh, yeah… She doesn't take her eye off you,” the doll mocked with an evil laugh. “You get it? her eye.”

“Cazzo… I'm serious,” I said with a stern tone, starting to breathe hard.

“Me too,” Angie said, defensively.

I sighed, frustrated for not knowing, for not being able to read her thoughts, to decipher her smiles, to know if in any of them, she expressed something else than friendship…

“Oh, but that's not what I'm looking for,” the voice of an unknown woman made me stop in front of the warehouse door. (Y/N) was not alone.

“Who is that witch?” Angie asked, peeking through the door. I covered her mouth, hiding behind a wall.

“Mrs. Gravic…” (Y/N) sighed with a tired voice. “If you would be so kind as to tell me what you are looking for…”

“How rude, girl,” the woman protested, with a tone that made me burn with rage. “I don't know why the Duke hired you…”

“Donna… What do you think?” Angie whispered, rubbing her hands in a playful manner. I nodded, concentrating and gently reaching out my hand towards that unpleasant woman.

“Let's see… What do you say about this?” (Y/N) said, leaving something on the counter, something I couldn't see.

“Mm… Well, it could be that… Oh, Black Gods… Grandpa Igor…” the woman sighed and I smiled in satisfaction.

“Excuse me?” the girl asked, confused.

“Oh, I didn't mean to steal Grandma's jewels, don't chase me, leave me alone… No!” the woman screamed, running out of the warehouse in horror.

I nodded to the doll, high-fiving her. Mission accomplished.

“Hey, Mrs. Gravic?” (Y/N) said, looking at her confused, smiling when she saw me walk through the door. “Oh, Donna.”

“Ciao, (Y/N),” I said with the tone I always used for her, a calm one, increasingly sweeter, increasingly obvious.

“You came early today,” she commented, closing the door, like every time we were together, as if she wanted to save that moment just for the two of us. I shouldn't mistake that kindness, but at the same time, I couldn't help but do so.

“Well…” I said disinterestedly, leaving Angie on the floor, sitting on my usual chair. “I hadn’t anything better to do… I mean… Ugh…”

She laughed amused, shyly looking away, pouring the usual coffee.

It seemed like any other conversation. My words lost their fear. They became bold, even funny. All conversations developed the same way, all except that one.

“Um, forgive me for asking you but…” (Y/N) murmured, with a serious, different tone, with a look far from usual. “You probably think I'm stupid or… Well, that I'm butting in where I shouldn't but… I'm, I'm curious.”

“What are you curious about?” I asked, confused by her different attitude, by the fear I began to see in her hands.

“That,” she said with a sigh pointing at my covered face, one to which I brought my hand, with my breath frozen, lacking air.

 No, not that, my love…

“Um… What?” I asked nervously, diverting the conversation, saying with my gestures that this was the wrong path, that it would only bring her problems.

 “Well, you know, your veil… Why…? Why are you wearing it?” she asked again, her voice increasingly blurred by nervousness.

“Hey! Don't dare to say that to my Donna!” Angie shouted, staring at her, as if she was trying to do me a favor by deciphering her expressions.

“I…” I muttered. My hand was shaking so much that I dropped the coffee cup, breaking it into a thousand pieces on the floor. “Oh, porca miseria!”

“No, it's okay!” she exclaimed, putting her hands in front of her body. “It, it was my fault, I shouldn't have asked that… I, I… I'm, I'm sorry, shit, oh, no, no, I mean, dammit! I'll go to get a broom.”

I stood up, looking at the mess beneath me, nervous, seeking Angie's comfort, one that always brought me back to my senses. I couldn't find her, but I made a decision, the last decision, one last act of stupid bravery.

“Wait,” I said in a whisper, grabbing (Y/N) by the wrist as she swept the floor. “Wait, (Y/N)...”

She looked at me scared, guided by the movement of my hand, which forced her to keep her eyes on mine. Slowly, letting her go, I brought my hand to the black fabric, removing it from my face, revealing my deformed face to her.

Neither of us said anything. (Y/N) blinked in confusion, staring at me, getting a little closer, squinting, mouth agape. I looked away, suppressing my desire to put the veil back on, to run away and never come back.

“Wow...” she sighed, reaching out her hand to my face. I breathed nervously, holding her wrist tightly so it wouldn't reach its destination. I was about to lose my mind, in front of the love of my life… “Donna, wait, let me do it, please.”

I closed my already wet eye, holding back my tears, letting the softness of her hand caress my horrible scar, touch my hair with a rapt look.

“It's, it's incredible...” she murmured again, without stopping caressing me while I, nervous, unable to move, let that tear run down my cheek.

(Y/N) took her hand away, bringing it to her own scar, shaking her head. I couldn't speak, I couldn't even move.

“Donna, you are, you are... You are such a beautiful woman...” she said, smiling in a nervous but sincere way, illuminating me with the light of her beauty, returning her hand to my deformity, as if she herself were as nervous as I was.

“What are you talking about?” I said with great effort, almost furious, clenching my teeth. “N-N-non mi mentire…”

“I'm not lying…” she sighed, touching her own scar again, with a look of astonishment. “Wow, it's… Incredible… We have almost the same scar… Wow… Forgive me, it's just… What a coincidence, isn't it?”

“No, you're beautiful and I'm horrible,” I said sobbing, not believing her words, not even for a second.

“Oh, you must be joking,” (Y/N) said in a calmer tone, almost amused. “You have… You have a beautiful face… And well, what about that eye? It's, it's the most beautiful eye I've ever seen in my entire life.”

“What? Have you gone crazy?” I asked nervously, letting the veil fall to the floor. “Are you laughing at me?”

“Do you really think I'm laughing at you? Really?” she joked, pointing out her defect with a smug pose. I shook my head, trying to control my thoughts. “No, Donna, I'm telling you, I'm telling you the truth… Wait, what did you say?”

“Mm?” I muttered confused, running my hand through my hair, feeling unable to handle the situation any longer.

“That, that thing you said before…” she said, gesturing with her hand, accidentally stepping on the remains of that cup. “You know, that I'm…”

“You're beautiful,” I said with my head down, clenching my fists tightly.

“Mm, and how do I know you're not lying to me? You're my friend, there's no need to be accommodating,” she joked with an amused face, completely ignoring my subtle statement.

“Friend? Are you stupid?” Angie asked. “Donna, please… Tell her now.”

“Tell me what?” (Y/N) asked, curious. I cursed my doll. I was becoming more and more nervous.

“I don't know what she's talking about,” I stammered, having to stop my legs from running away right then and there.

“Hey, you can tell me anything, Donna…” the girl said, whispering in a tender voice, lowering her hands to mine, caressing them in a way that I thought was friendly, that I didn't think was romantic. “Really…”

“No, I…” I said, blinking nervously.

“Is there something worrying you?” she asked again, getting closer to me. “Come on, you can trust me.”

“(Y/N), I…” I stammered again, becoming almost hysterical as I looked at her peaceful gaze.

I couldn't believe it. I couldn't believe it was so difficult for her to understand my feelings. I had taken a definitive step, I couldn't go back. I couldn't turn back now that I had come that far.

“Cazzo! I, I like you, (Y/N)!” I squealed disproportionately, making her widen her eyes and frown.

“Oh, is that it?” she said, still smiling, not getting the not-so-indirect hint. “Oh, Donna, I like you too.”

“Angie’s right,” I hissed angrily, shaking my head. “Are you stupid? I’m telling that I like you, damn it!”

Her face immediately changed to a confused look. I growled again, kicking the chair roughly.

“What do you mean?” she asked again. I froze, turning to her slowly and dangerously. A thunderous laugh filled the warehouse. Angie seemed to be enjoying that.

“Porca puttana!” I squealed again, kicking the floor in rage. “I love you, (Y/N)! I’m fucking in love with you! I can't stop thinking about you day and night, counting the hours until I can see you again! I love you, ti amo! You're the woman of my life!” I squealed abruptly, making her blink comically.

“Oh…” she sighed, with an amused look.

“Is it clear now? Or do you need me to write it down for you?” I said, losing control of my emotions.

(Y/N) shook her head, but didn't say anything, so I growled furiously again, grabbing the notebook from the counter.

“I…Love…You. That's it, you still don't understand?” I said furiously, tearing off the paper and angrily putting it on her chest. “Taci, Angie or I'll deactivate you!”

“Hey… Come on… calm down…”(Y/N) said, putting a hand on my trembling shoulder, turning me around slowly. “Calm down…”

Her soft voice relaxed me, but the tears were already traveling freely down my horrible face.

“Shh…” you whispered in a tender voice, taking my hands again while I, desperate, shook my head.

“I-I'm in love with you, (Y/N)… Ti amo…” I whispered more timidly, coming back to my senses little by little, dying of embarrassment for my nervous outburst.

“Yes, I've already realized,” she said amused, bringing one of her hands to my intact cheek, wiping away one of my tears. “Donna… Listen to me… I… I feel the same way about you…”

“What?” I asked nervously, startling myself.

“The truth is that I didn't expect to fall in love with a Lord but… Well, I guess life has brought us together for a reason, don't you think? And I'm not just saying that just because... Well, you know," she said in a pleasant voice, pointing at her scar.

“You... You have feelings for me...” I said, not knowing if it was a question or a statement.

(Y/N), still caressing me, nodded.

“Please! I'm going to get diabetes!” Angie shrieked, breaking the magic of the moment. “Yuck...”

“Angie...” I lamented, just when I was starting to enjoy that moment.

“It doesn't matter, Donna...” she said, amused, still looking at me, still piercing my heart with her gaze. “You can tell she’s happy...”

“Well...” I said, laughing nervously.

“Hey... I thought about closing the store for today,” (Y/N) said, moving away. “Maybe you'd like to do something together...”

“Vu-Vuoli... Vuoli...fare qualcosa... in-insieme?” I stammered awkwardly, not keeping control of my own language.

“If you told me what I think… Yes,” she joked playfully. “Let’s do something together…”

“Oh, okay, I… Io… We can, go… You can… You can… You can come to my house if you want… I, you… you liked sewing, right?” I said nervously.

She nodded with a funny look.

“I can, I can show you my workshop, and… I can, I can… We can sew together… se… se hai voglia… E… And, I can, I can show you my bam… My dolls, and… I can, I can make one like you if you want, and we can, we can…”

“Donna,” she said, interrupting my pathetic attempt at conversation, relaxing my nerves with a soft caress, one to which I also joined my hand. “I would love to go to your house…”

“Really?” I asked, nodding, with a sincere smile, far from my usual nervous look. “Would you like to?”

“Yes…” she sighed, getting dangerously close to me. “But first, I'd like to do something…”

“Oh, okay, wh…?” I said nervously, interrupted by her lips, which kissed mine, caressed them in a tender way, in a way I never expected to feel. I don't know what her first kiss had been, but mine… I would never forget mine.

“Much better, don't you think?” she sighed still on my lips, letting the rhythm increase on its own, so I could kiss her without fear.

“Ugh, they’re kissing!” Angie protested.

We both smiled, resting our foreheads on each other.

“Come on, honey… I'm looking forward to see your dolls…”

[hydn-jpg]

redraw of this piece!! i mentioned in that post that i would redraw it at some point and ig that time is now! (i meant to post this before id2 came out but i got really busy so y'know lol better late than never)

i like to think i've improved! still can't draw chairs though haha

side by side comparison under the cut + rambly artist commentary(?):

i still have a long way to go in learning proper anatomy but i think the new pose looks a lot more natural and comfortable! also ~sexier~ perhaps

i tried to make the bg look closer to the actual cg they used in the book, i am arguably better at doing backgrounds now i think! i used to not put a lot of thought into it and just blocked out random shapes and called it a day (okay, i still do that now lol but i put more care into it now !! i try to make the shapes a bit more distinct and actually plan and sketch it out rather than draw some blobs and hope for the best ldkfkhsl). also more colour range(?) to give it a bit more depth!!)

i'd also like to add that i think i'm also better at figuring out compositions now, idk how it is for y'all but when i look at the original my eyes can't help but just fall to the centre, bc there's no focal point(?) or anything that's visually interesting for the eyes to land on. plus with the way it's structured, my eyes just naturally fall to center (+ bottom half bc the skin showing through the rips are bright in contrast to the black) >_> in contrast, in the redraw your eyes are automatically drawn to the face bc it's arguably the most interesting thing on the canvas and thus acts as the visual anchor of sorts (plus there is enough contrast with the background to make cas stand out instead of blend in)

even though i cringe looking at the og i can't help but to also feel endeared bc this was one of the first immortal desires fanart i ever did and also one the first of my posts to do really well! i never expected to get that much attention since i was only posting casually but it really warmed my heart reading all the lovely comments and motivated to draw more :D

it's also really fun seeing how much my art style and techniques have evolved! i don't think i use any of the same brushes i used to use for my old pieces anymore now haha. i also watched the timelapse for the old one and am honestly kind of in awe at how my different my drawing process used to be!!

i still have a lot to learn (esp in terms of anatomy, lighting, shading etc.) but i'm happy with where i am rn! the great thing about being a hobbyist is that there isn't really any pressure for me to improve quickly so i can just take my time haha (except maybe from imposter syndrome but that's neither here nor there)

i think i could've drawn his face and expression a bit better but i think this is a satisfying enough redraw for now!

btw, these are just my thoughts! i am not an art student so the things i said might not be technically correct but this is how i make sense of things in my brain