#there is literally SO MUCH ELSE I could talk about but here's just off the top of my head Explore tagged Tumblr posts

[tthoroughfare]

kerosene // ellie williams

*･゜���･* summary: the setup of a slow burn between you and ellie.

*･゜ﾟ･* pairing: jackson!ellie x reader

*･゜ﾟ･* content: sfw

*･゜ﾟ･* length: 1.7k

so... this actually started out as NOTHING. i planned for it to be nothing. just me, my pages app and my love for jackson!ellie & that fuck ass hoodie against the world. howeverrrr i may or may not have written almost 10k so far that i'm planning to split up (and continue) into an ongoing series just focusing on you and ellie living in jackson, spending time with your friends, slowly falling in love. real piners rise

god i just love jackson ellie so much. her little nerdy cocky self

the idea of being friends and pining over each other for literal years because you’re both too scared to say anything… catching the other staring, having a few little moments here and there but chalking it up to nothing because you both don’t believe the other would see you like that.

and then she starts dating cat and you’re just like welp. guess this is really never ever gonna happen after all. you let yourself mope for a while, not wanting to go out as much for fear of seeing them together and feeling that strange pang in your chest — just overall being weird and avoiding ellie. you feel silly, really, locking yourself away and listening to sad music over someone you were never even with.

you selfishly hope it doesn’t last long, that it’s just a fling, but when months go by and they’re still together, you come to some sort of acceptance. you even date someone else for a short while to try and take your mind off of her, but quickly realize you’re just searching for scattered parts of her in someone else. and something in your gut tells you that while nothing’s wrong within the relationship, it just doesn’t feel right. doesn’t feel like it’s supposed to.

meanwhile, ellie’s mindset was that she never really saw you as attainable in the first place. and she did genuinely really like cat, so when she initiated the relationship, she’d be lying if she said she wasn’t excited to see where it went. you were always at the back of her mind, though. she didn’t like the way you’d distanced yourself. you were never best friends, but definitely fairly close. she felt the switch almost overnight, the way you stopped going out of your way to talk to her, stopped asking her to tag along when you'd hang out with jesse and dina. she didn’t know what your deal was. the thought that you might be jealous did cross her mind, but she quickly swatted it away. why would you be jealous? it’s only her.

when you started seeing someone yourself, it was like confirmation. nothing was ever gonna happen, you weren’t jealous; how could any of that be the case when you were right there, with someone else? she cursed herself for even thinking about any of it, guilty conscience thick when her mind would then turn to cat. she knew she shouldn’t be deliberating whether you were jealous, whether you liked her, whether anything could ever happen between you, when she had a girlfriend.

she tried her hardest to push you out of her mind whenever you’d arise. she still saw you around, sometimes alone, sometimes with your girlfriend. you’d talk pleasantly, share a few laughs, but it wasn’t like it used to be.

and then one day, when she’s on her way home, she sees you by yourself. you’re sitting under a tree reading, headphones in. she can’t help but notice you look a little melancholy, like you don’t want to be bothered. she deliberates on whether to disturb you or not, stopping, then going to walk away, then stopping again. against her better judgement, she wanders over to you and nudges you gently with the side of her foot.

you look up, offering a small smile and tugging your headphones out. “hey.”

“hey.” ellie mirrors you, shooting back a soft smile of her own. a beat of slightly awkward silence passes as she tries to think of the reason she actually came over. she doesn’t even have one.

“what’s up?” you ask after a few seconds.

“uh… not much. just… uh… wanted to say hi.”

the corner of your mouth quirks into a slight smirk. “well… you just did.”

ellie breathes out a quiet chuckle, bringing her hands together to mess with her fingers. “very funny.” she pauses, then hesitantly crouches and sits beside you. “whatcha reading?”

you turn the cover so that she can see it. “mystery book,” you say, eyes flitting between ellie and the novel, before you rest it back in your lap, starting to lightly read again.

“you want me to tell you who the killer is?”

you chuckle, looking back up at ellie. “sure, take a stab at it.”

ellie’s eyebrows raise slightly. “pun intended?”

you tilt your head, raising an eyebrow as you realize what you just said. “nope. guess i’m just too witty.”

she looks down and smiles lightly, before looking up at the sky in feigned thought. she clicks her fingers. “it’s the priest.”

you let out a laugh. “there isn’t even a priest in it.”

“that’s what you think,” she quips back, feigning seriousness. “he will be introduced in… 43 pages.”

you roll your eyes, unable to hold back a smile. “shut up.”

“nope. wanna hear some more of my predictions? 100% accuracy guaranteed.”

“sure.”

“… you’re in a shitty mood,” ellie says matter-of-factly, before her voice softens. “seriously, you good? you look all…”

she trails off, gesturing at you slightly.

you chew at the inside of your cheek. truth be told, you are in a shitty mood, but you didn’t realize it was visible. plus, you don’t really want to talk about it. especially not to ellie, of all people. “yeah, nah, i’m fine.”

she just gives you a look in reply — one to say, ‘i’m not stupid’. to which, you let out a small sigh and shake your head. you’re not good at lying to ellie. “okay, i guess i may be in a… tiny bit of a slump.”

she shuffles a bit, leaning back on her hands. “why? what’s wrong?”

you pick at your nail, pausing. “i don’t know, man. just… yeah. stuff.”

“what kinda stuff?”

you curse her in your head for pushing, but simultaneously feel a pulse in your chest that she cares. you don’t particularly want to talk to ellie about your relationship. or lack thereof. it feels embarrassing, for some reason. in the end, you let out a small, defeated sigh. “ugh. just… so… i’m not with you-know-who anymore.”

ellie raises her eyebrows, trying to ignore the way she feels selfish relief. “damn. that sucks.”

you shrug. “i suppose so.”

another awkward pause occurs as ellie tries to think of what to say. comforting people has never really been her forte, but she wants to try for you. plus, she’s curious. “…wh-what happened?”

you look up, eyes flitting around the scenery, pulling a small face as you think. “nothing, really. just… wasn’t working. like… didn’t really feel right, y’know?”

she quirks an eyebrow, looking sideways at you. “so it was you, huh?”

you let out something between a breathed out chuckle and a groan. “…yeah. i felt really mean.”

“damn. you’re ruthless. heartbreaker,” she teases deadpan in response, a small smile tugging at the corners of her mouth.

to which, you roll your eyes and snicker, the smile lingering on your face. even in the worst mood, you’d noticed, ellie could always make you laugh somehow. “shut up. it wasn’t like that.”

“then what was it like?”

you shrug lightly, toying with the cover of your book. “i don’t know. went as best as it could, i suppose. i have nothing against her, nothing happened, it just… yeah. like i said. wasn’t right.”

ellie hums in acknowledgment, looking away in thought. her silence feels a little uncomfortable, driving you to babble on. “i don’t know, she’s nice and everything, but it just felt like we were kind of… wasting each other’s time. i didn’t see it actually going anywhere. i know we’re still young, and… y’know, it’s hardly like we have to marry each other or whatever. but something just felt missing. i don’t know.”

you glance at ellie briefly, then back down at your book, tracing the cover art with your fingertip. “like… you and cat. you guys seem happy. what does that feel like?”

she feels a little taken off guard. she’s not used to talking about this with anyone; anyway, nobody’s ever really asked. she shifts, sitting cross legged and leaning her forearms on her thighs, messing with her hands. “uh… i don’t know. i haven’t really thought about it.”

you furrow your eyebrows slightly. not really the reaction you were expecting. “oof. what does that mean?”

ellie lets out a drawn out hum, wrinkling her chin. “… i don’t know. i suppose it just feels… hm. it’s just… what it is. i guess.”

you pull a face, blowing air through your nose. “wow. don’t get too sappy on me, now. you’re gushing.”

her eyes roll in response to your sarcasm, a lopsided smirk on her face. “shut up.”

you mirror her smile, meeting her eyes for a few seconds, trying to shove down the way it burns a hole through you, makes your chest feel like it’s constricting.

the moment is broken by a call of ellie’s name. you both automatically look up, spotting cat strolling over with a bright smile on her face. 

“speak of the devil,” you murmur jokingly, turning to look back at ellie briefly.

she scoffs in response, moving to stand up. when cat presses a small kiss to her lips in greeting, resting a hand on her arm, you avert your eyes.

cat looks down at you, offering a soft smile and a wave. “hey.”

“hey,” you reply, looking back up. you did really like cat. you weren’t necessarily friends, but she was cool, and funny, and always nice to you. you flit your eyes between her and ellie as she turns back, addressing her girlfriend.

“i was on my way to yours. we still watching a movie tonight?”

ellie looks down at you, then back at cat, an unreadable expression on her face. “uh… yeah, yeah. for sure.”

cat smiles at ellie, taking her hand and lightly swinging it between them. “… well, we’ll leave you to it,” she says to you.

you nod slowly. “yup. catch you two later.”

you wave half-heartedly at them both as they walk away hand-in-hand, free hands returning the gesture. you busy yourself with putting your headphones back in and choosing a new song, but if you were looking up, you’d have seen ellie look back at you. twice.

[ostaramoon]

rainy nights + dingy motel beds 𖤐 dean winchester

【 pairing 】 dean x fem!reader

【 summary 】 you’re a hunter and occasionally you’ll help the winchesters on a case. this time, things don’t end the way you would have liked them to. dean, albeit awkwardly, consoles you. but it’s dean so he can’t help but start flirting after you’re done crying.

【 genre 】 fluff - hurt/comfort, a pinch of angst, intimate kissing + touching, mdni

【 wordcount 】 1.8k

the evening’s frigid breeze and heavy rainfall reflects tonight's hunt — cold and disappointing. it was supposed to be an easy case, a few werewolves hell bent on creating a pack in this small town, all you had to do was take out the monsters and move onto the next. but there was a small oversight, unbeknownst to you, the leader had kidnapped a high school girl and ripped her heart out before you, dean, or sam could stop him. 

now, the three of you quietly exited the impala, exhausted and lost in your own thoughts. you head towards your room, next door to the boys, without stopping to say goodnight. as you pull the room keys from your pocket, unlocking your door, you notice his presence behind you. 

turning to dean, you stare up at him blankly, “what?” you ask, not in the mood to converse after such a shit night. 

the man sighs, stepping past you and into your room. with his hands tucked into his coat pockets, he just stands in your room rather awkwardly. it kinda pisses you off, as you usually hunt on your own so you don’t have to deal with conversations after shit goes sideways. wash off the pain, crawl in bed and shove those terrible feelings aside while you search for the next case. it works. but this, the man you don’t mind working with every now and again, standing in your space like he can fix the hurt does not work. 

“dean,” you sigh, shedding your coat and shoes, letting them fall onto the floor without a care for the mess, “i’m really not much of a talker after a hunt like this, you should know that by now.”

he nods, carding a hand through his damp hair, “yeah,” he laughs through his nose, “me either. but i can’t let you put this all on yourself.”

you roll your eyes, walking past him towards the beat up duffle sitting on your bed. pulling out sleep clothes you start changing, not really caring what dean sees. you haven’t gone there with him, but you’ve never been shy about him seeing a little more skin. “not in the mood, winchester.” he watches you change, not with the usual glint of flirty amusement but with a pained indecision as he looks between you and the door. 

“look,” he starts, moving to sit on the bed in front of you, “i’m not good at this, but i can’t have you sitting in here alone, blaming yourself for what happened. we couldn’t have known she would be there.” 

you glare with a scoff, “that’s literally our job to know those things. we research, talk to the town, stalk and hunt to make sure no one else is hurt while we’re around.” you take a deep breath, trying to steady the rage rolling inside. “that little girl is dead,” your voice cracks, “because we missed something.” with that your hands go to your face, rubbing at your temples but also to hide the few tears that break past your usual stoic hunter mask. 

“hey,” dean whispers, a gentle tone you aren’t used to hearing from him. sam, sure but dean? not quite his forte. his calloused hands finding your hips and pulling you between his legs. but you remain still with your hands covering your face as the dam breaks and the tears flow, “will you just let me console you, dammit.”  

maybe it’s because he used his stern voice, the one you’ve grown to trust and listen to without question. or maybe it’s the quiet yearning inside that tells you to give in, either way in one swift movement, you let dean pull you into his lap. you bury your face into his chest. he smells like the earth, leather, and sweat. a smell that is as close to home as you can get in this life, a familiarity you’ve started to miss when you’re on your own. 

dean secures one arm around your back, rubbing your arm while his other hand snakes it way under your hair and to your tear stained cheek. “i’m just so tired, d.” you whisper. 

“i know,” he responds, placing a kiss in the top of your head, “we can’t save them all. but we took out those bastards, think of how many people we did save.” and he’s right, you know he’s right. but priding yourself on being the hero against the darkest part of the world makes a loss feel heavy on your shoulders. 

being vulnerable isn’t something you do often, especially not around dean winchester. you’ve certainly been close in the past, a friendly hug here and there, a drunken make out session once or twice. but crying in his lap is entirely new territory. but it doesn’t feel wrong, and you’re too tired and too weak to think any further into this newfound intimacy. 

“will you stay with me?” you ask, lifting your head to look into those sad green eyes. you’ve never let him or anyone see you with your guard down like this. and honestly, this isn’t how you pictured your first night sharing a bed with dean winchester. 

dean gives you a grin, the sadness evaporating from his eyes, now glowing with mischief as he looks into yours, “are you asking me to sleep over, sweetheart?” you fight a smile with a poorly crafted scowl.

“not like that, perv. besides, i can’t be very enticing with my pj’s and puffy eyes.” you laugh. the hand that was respectfully rubbing your arm falls to your waist as dean playfully pinches the skin peeking from the top of your pants.

“oh, you’re always enticing.” he retorts, “but i’m not really into the using-a-sad-girl-to-get-laid kinda thing. i’ll stay with you for as long as you need and i promise to keep my hands where you can see them.” you can’t ignore the small part of you that feels disappointed by his pledge to be respectful, now isn’t the time you remind yourself.

with a sniff, you give a weak smile “thank you, d.” 

“it’s what i’m here for, right?” his lips pull up into that signature charming smile. he gently places you on the bed beside him, and you’re instantly wanting to be close to his warm body again. unaware he was watching you, dean chuckles as he stands. “don’t start pouting at me, sweetheart. i just have to take off some layers. unless you like sleeping next to a dirty coat and boots?” he teases. 

you roll your eyes, “shut up.” slightly embarrassed he noticed your change in demeanor when he removed you from himself, you slid up the bed and under the uncomfortably thin motel blankets. sinking into the pillow, you can’t help but seriously look forward to having dean’s warmth to cozy up to on such a cold night. with a tired sigh he joins you under the covers, wordlessly grabbing your waist so that your bodies are flush against each other. his jaw nestles itself in the crook of your neck as you entangle your limps with his. that’s when you notice he also discarded the jeans he had on. “i did say sleep over, not sleep with, didn’t i?” you tease, snapping the band of his briefs earning a small grunt in response. 

“you’re crazy if you think i’m sleeping in those jeans.” he says into your ear, his voice raspy as it radiates through your bones. you try not to think of all the places that grow warmer just from being so close to him.

it’s almost instinctual at this point, to tease and pull away each time dean starts to think he’s close to catching you. even if he quite literally has you in his arms at the moment. “i’ve seen you sleep in jeans, even with your dirty ass boots on the bed.” you retort.

“yeah,” he chuckles, his hand traces shapes on your back, little strokes of heat follow each lazy movement his fingers make, “but that’s when i’m not in bed with you.” 

“mhm,” you hum, slipping a hand up the back of shirt. for warmth, you convince yourself, nothing more. “which brings me back to my original question.”

“says the woman with her hand up my shirt,” he teases back, pulling his face back so that he can look down at yours, “if i didn’t know any better i’d think you were trying to cop a feel, miss.” his voice is so deep you can feel it vibrate from his chest into yours. that kind of warmth does wonders for forgetting what you were upset about in the first place, which you take note of for the future. being close to dean, like this, is something you should do more often. 

“mm, no,” you grumble, feigning innocence as you bat your eyes up at him and let your hand move further underneath his shirt, to his chest, “you’re warm.” your eyes flick between his, then down past the freckles and to his plump pink lips, and when you return your gaze to his half lidded eyes his internal torment is obvious. his tracing hand stills before grasping your hip with a warning as he sighs. gotcha, you think to yourself. playing into dean’s flirtatious teasing and winning one over on him is incredibly satisfying.

“sweetheart,” he warns in a low tone, lowering his head until his lips brush against your ear, while he paws at the skin on your waist, “i can’t keep my promise if you look at me like that.” 

with a giggle you cross the unspoken barrier, pulling away just enough to catch his lips against yours. a quiet groan escapes his lips as you deepen the kiss. his hands have lost any regard for decency as calloused skin explores your body. he finds his way to your thigh, hiking it up around him and giving your ass a needy squeeze. your hands go up to his jaw, that budding stubble scraping across the palms of your hands and making the heat growing inside feel hot and unbearable. 

just as you start rocking your hips, in a selfish search for release, he stills you at your waist and pulls away from your lips. he locks eyes with you for a moment. needy, lustful eyes staring back into yours. instead of jumping back into the heat, he places a gentle kiss on your forehead and pulls you underneath his chin. you’re caged under his strong arms, holding you tightly. 

“i was serious about the no-crying-girls thing,” he says, “not much fun if i get you that easily, sweets.” 

you can’t deny that you enjoy dancing on the line, so to speak, with dean. the constant ‘will they, won’t they’ is a charming aspect of your relationship. but you agree, now doesn’t feel like the time to cross the finish line. there’s always the next hunt, and with that your mind drifts into sleep surrounded by the smell of earth and leather. 

──────────── ⋆⋅☆⋅⋆ ──────────

omfg i haven't written fanfic in like 6 years, i'm rusty so bare with me while i get back into the game lol

[alllgator-blood]

Okay I promise my next post will be the angst comic part 4 but FIRST. THE ONE AND ONLY THING I SHIP

LITERALLY THE SECOND PERSON WHO GUESSED THE PAIRING GOT IT CORRECT??? THAT WAS FAST. This is a situation where I have to go "okay hear me out" because it makes 0 sense to anyone but me. This is really long and very dependent on my au comic nobody but me has read, but the TL;DR is:

I feel like they'd be a good pairing because shamura loves to learn but doesn't care about material goods, and mystic seller is used to all gods talking to them only BECAUSE they offer material goods. So when somebody actually wanted to know about *them* personally and what it's like to be a weird angel thing, the two established a bond. Also they're both agender and most likely asexual AND don't seem to be socially aware despite being ancient wise beings that know seemingly everything, so they understood each other like instantly.

I have a lot of sketches of them hanging out but here's a shitpost sketch thing I made AAAAAGES ago

Okay so from an in-game standpoint, mystic seller pops up to tell you how the post-game works with purgatory and all that, and introduces the purged bosses. Really ratau could've done that as the established Tutorial Guy, or even narinder but there IS the chance that you killed both of them (lol) so mystic seller is the unkillable, all-knowing angel that shows up to say "you suck at killing people. The bishops are trapped in purgatory, you know. You should probably do something about that".

But from like a CHARACTER standpoint what do they stand to gain? They're not even from your dimension so why should they care, they're just here for your god tears? From the dialogue about the bishops we can see that they don't really give a shit about any of them, EXCEPT! SHAMURA? Mystic seller doesn't feel emotions like "our kind" does but one of the only times they do, it's to say it's a shame what happened to shamura. They also say they didn't barter with them much, because they "needed little".

SO THAT HAD ME THINKING. My au comic (which is hundreds of sketched panels and the full thing will never see the light of day unless I post it unfinished. Eugh) is about shamura going around chronicling everything they witnessed during the time they were alive, and they notice everyone is like...selfish. Trying to be the last god standing. Really obsessed with trinkets and charms, so some of the gods just go around harvesting relics from the other gods and using their powers to survive a little longer. Shamura has visions of the future of siblings they don't know they have yet, so they try to be friendly with the rest of the pantheon to form a family and it always bites them in the ass, so they have to kill them.

Eventually they end up with all these fuckin god tears and they're thinking "what do I even do with these? Nobody wants them and everyone has them", and BOOM. MYSTIC SELLER JUMPSCARE. They do the whole introduction where they say they have loot in exchange for god tears, shamura just drops off the tears and is like "I don't care about trinkets, bye" and the seller is like. What Thy Fuck. Because every other god is pretty adamant on getting something good in exchange for the tears. So they call them back and ask if there's ANYTHING at all they want. And shamura, being the self-proclaimed wisdom god, just asks the seller to talk about themself for a while, who's just like okkaaayyy?? Nobody else ever asked what it's like to be a bizarre circle headed angelic creature that collects magical bits and pieces, but shamura LOVES to learn, and the two bonded that way. Shamura would bring the mystic seller god tears, the seller would tell them a story, they'd write it down to put in their archives and the conversations eventually got more personal when the stories started to run out. They both realized they don't understand how other people work, but they knew how *each other* worked so they could kinda learn how to function as normal people with each other's observations.

When I say I ship them I mostly mean like a QPP situation because I think they'd be good partners in the most autistic asexual way possible, where they don't make out sloppy style or outright say "I love you", but they have an understanding of one another that doesn't apply to anyone else really. They don't have to rely on conventional relationship stuff to know the other one cares deeply for them in the most nonverbal, oddly specific way possible. I know shamura's the smart one but I really feel like that extends to everything except understanding how people work, hence all the stuff that happened with narinder and the rest of the family. So finding someone else outside the pantheon who is quite literally inhuman, otherworldly, genderless and uninterested in Carnal Desire would definitely make them feel the closest thing to romantic love that they can. Also, since mystic seller lets the gods name them, shamura named them "sunshine" after hearing one of their followers singing that "you are my sunshine" song to the person they loved the most. I always liked how shamura has their little moon crown and the mystic seller is depicted as the sun in some of the art? They go together well is what I'm saying and I'm kinda surprised nobody has done anything of them yet.

I WILL SAY I have angst planned for them once I do the introductory comics, it has to do with how narinder's imprisonment happened literally right in front of where mystic seller sets up shop, so canonically it's safe to assume they watched shamura get lobotomized in real time :')

But for now...I must go back to kallamar angst cause I've been putting off posting this part. It gets very mentally ill very quickly so I needed to balance it out with fluff......

[burntheedges]

Pas de Deux Chapter 6

Din Djarin x f!reader | 2.5k | fic masterlist | main masterlist | ao3

chapter summary: You can't avoid it any longer -- it's time for you and Din to talk.

a/n: I feel like this is the moment many of you have been waiting for, lol. I'm very excited to see your reactions! See my notes at the end and on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions and videos), a bit more angst (sorry), but they are going to talk!

Chapter 6

You thought about your conversation with Kuiil as you walked to your rehearsal with Adrian, as you stretched and practiced in your morning classes, and as you took the stage over the weekend in Vince’s piece in the mixed program. You thought about it as you watched Din and Yuna in the Balanchine ballet and as you did your PT for your ankles and as you talked with Talia about your role in Midsummer. You thought about it as you sat on the bus home at night, so tired and achy that you needed something to think about to keep you awake.

You thought about it so much you barely had time to think about anything else.

Was Kuiil right? Was Din more uncertain than frustrated? Was he finding it difficult to communicate and connect in a way he hadn’t before, at CBC? You thought about seeing him on stage with Yuna, and how effortless that had seemed. But Balanchine’s choreography, more than so many others, was so technical, so focused on precision. There was so much less room for the dancer in a ballet where all of the space was taken up by striving for technical perfection. 

In class, you let your eyes stray to Din for the first time in two weeks. You watched as he stretched and jumped and wondered if perhaps you had just been talking past each other.

What if he’s trying, and you simply haven’t realized it? What if he just doesn’t know how?

He’s never done this before, you reminded yourself. 

Your mind was swimming as you stepped into the studio for your fourth rehearsal with Kuiil. You found Din was already there, as usual, and tried not to stare as you worried over your questions. You resolved to be more observant, this time.

And this time, because you were looking for it, you finally saw what Kuiil was talking about.

More than once, as you danced, Din reached for you, literally and figuratively. You leapt past and he oriented his body towards yours, echoing your movement. He turned, but kept his eyes on you as he did. You could see him trying in the ways he knew, to shape his movements around yours, to showcase his partner on stage, but his discomfort with improvisation shone through. The problem was that all of his movements were so stylistically different from yours, that there was little for you to hold on to. And so the two of you struggled to react to each other, as Kuiil had asked.

You tried. You tried to respond to him, to react, but it threw both of you off. He clearly wasn’t expecting you to improvise so drastically. Suddenly the dance was disjointed, and you fell so badly out of step in trying to turn towards him when he moved away from you that you stumbled. 

The music stopped.

Din turned to look at Kuiil and you spun around to do the same. 

Kuiil simply looked at you both for a moment, and then sighed. “I have pushed you too much, I think, and forgotten the basics of partnership. And you will need to work together, to connect more deeply, as we begin the second movement.” You started to shake your head, but Kuiil held up his hand. “No. Here is what we will do, as you prepare for Midsummer and Swan Lake.”

And then he gave you homework.

…

“So, what, is Kuiil going to lock you in a room until you talk to each other?” Adrian’s voice was teasing, but you could tell he meant it.

“Not quite,” you said. “But instead of rehearsal next week we’re supposed to try to get to know each other. To talk.”

He smirked at you. “Ooooh, to talk.” 

You rolled your eyes. “Yes?” You poked him in the side and he yelped. “Stop teasing me and help me figure out what to talk to him about.”

He laughed. “I think you know what to talk about. You just have to figure out how to get him to talk at all.”

You shook your head. “He’s talked to me. Just not about… this.” You waved your arm at all of the problems you’d been having in rehearsal.

Adrian seemed to consider that for a moment. “You know, you’re right. He does talk to you, in a way he doesn’t talk to anyone else.” He furrowed his brow. “Maybe all you need to do is ask.”

…

You followed Adrian’s advice and started with simply asking Din to meet you at the rehearsal studio, without Kuiil, to talk. He agreed readily and you decided to take that as a good sign.

It was the week of Midsummer’s debut, and you were focused to the point of distraction on your role as Hermia. You appreciated it for taking your mind off of the disaster that was the pas de deux, though, and by the time you found yourself outside of the studio where you’d meet Din you realized you’d barely thought about the meeting at all.

(Well, not much. Not as much as the week before, at least.)

He was, as usual, already inside.

You closed the door behind you and dropped your bag and shoes before moving to join him where he sat with his back to the mirror. As you slid down beside him, he nodded in greeting. 

“So,” you said, when it became obvious Din wasn’t going to jump in first. “I think we both know what the problem is, but where do we start?”

You looked at Din and took a moment to observe him up close. He was staring straight ahead, but you didn’t think he was looking at anything in particular. He seemed too inside his own mind for that.

Just when you began to worry that you’d have to push him, that this wasn’t going to work because he wasn’t going to meet you halfway, he spoke.

“I’m sorry.” 

You blinked, startled — you weren’t sure what he was apologizing for. Did he think you meant he was the problem?

“What? Din, no—”

He shook his head and finally turned to look at you. His expression was as closed to you as always. “No, I want to say this. Let me… let me say this. I should have told you this weeks ago, but I can’t…” he trailed off, but this time you didn’t interrupt. You turned slightly towards him on the floor, extending your left leg and drawing your right knee to your chest. You gave him your full attention. He looked down at his hands and continued, softly. “I’ve never done anything like this before. I’ve been so worried that I won’t be able to… to let go of my training. To dance in any other way. To do anything else.” 

You wanted to reach out to him, but you were worried he would startle if you did. You laced your own fingers together and squeezed your hands around your knee.

“I can see the problems, but I don’t know how to fix them. I don’t know how to move like you do. I don’t know how to do anything but what I’ve always done. I don’t know…” Suddenly he looked up at you, and you sucked in a sharp breath at the sheer emotion in his eyes. “I want to dance this with you. I want to partner with you. But I can’t seem to figure out how — not because of you. Because of me.”

You were reaching before you could stop yourself and lightly rested your hand on his forearm. He didn’t startle, but he did look down at it, brow furrowed. You forced yourself to leave it there and squeezed his arm lightly. 

“Din, I…” you weren’t sure how to reassure him. You’d seen his discomfort in rehearsals and you knew this was new to him, even if he hadn’t told you so before. You decided to share your own worries instead, since he had just been so open with his own. “This is the biggest role I’ve ever gotten. I mean, you know I’ve got Hermia, and then the spring fairy in Cinderella… but I’ve never been chosen for something like this before. I’ve never had a chance like this.” He lifted his head and met your eyes again, and this time his eyes were soft. It encouraged you to continue. “And you’re so good, I’ve been so worried that I’m not…” you bit your lip and squeezed his arm again when he opened his mouth. You shook your head and he nodded, letting you continue. “That I’m not good enough. I’ve had bad reviews before and I’m not even a principal and I know there are people out there who think I’m not good enough to be one. I—”

This time, Din cut you off. “That’s absurd.” His tone was flat, like his point was so obvious he couldn’t believe he had to say it.

You blinked. “What?”

He tilted his head, his gaze dancing over your face. He covered your hand on his left arm with his right and squeezed. “Of course you deserve to be a principal. They should have already promoted you. Karga clearly wants to, anyway. You’re a beautiful dancer.”

Your mouth dropped open. “What?”

The corner of his mouth lifted in that barely-there smile and you felt your cheeks start to heat as his praise continued. “I’m surprised you didn’t notice me watching you. It wasn’t just for our homework. You’re… amazing. I don’t know how you put so much emotion into your dancing at the same time as so much such skill and technique. Like in Midsummer, everything you bring to Hermia, it’s…” His eyes scanned your face again, and you wondered if you were gaping at him. It felt like it. “It’s so real. And connected. I feel like a robot, compared to you. I’ve been trying to find that connection for myself, but…” he trailed off again and let his hand slip from where it covered your own. You took your hand back, too.

A connection, he said. “Um, thank you. Maybe…” you started, hesitant. He looked at you again. “Maybe we can help each other. Practice together, outside of our rehearsals.”

He nodded. You nodded back, and then you both laughed, a little. You’d never seen him laugh before and couldn’t help but stare.

You felt a bit shaky after all of that honesty and decided to lighten the air a little. “Ok, well, one thing we definitely need to do is get to know each other, right? So we’re comfortable together.” He nodded, and his expression was so open you had to force yourself to keep going, rather than to simply marvel at the fact that he’d dropped his mask. For you. “So. How about we each get 10 questions, but we can pass if we need to. Ok?”

One side of his mouth lifted in a smile. “You sound like you’ve done this before.”

You shrugged. “It’s a good way to get to know someone, especially when you have to dance with someone new.”

Din nodded. “Alright. You go first.”

Over the next half hour you learned that Din’s favorite color was black (“come on, really?” “Fine, my second favorite is green.”), he hated smart technology (“I don’t want my fridge to talk to me. I want it to be a fridge.”), and his favorite ballet he’d ever been in was, surprisingly, Giselle (“it’s not in the normal repertoire there, and they didn’t like how I danced it. But I did. It was the most free I’ve ever felt on stage.”).

You wanted to ask more about why he’d left CBC, but that felt like too much for your first real conversation. You did learn, though, that he had a son.

“Grogu,” he said, “that’s his name. He’s five. He loves watching ballet.” Din smiled a little, looking off into the distance. “I don’t know if he’ll want to dance, but at least he likes watching me do it.”

You smiled. He was more open when he talked about his son, who must have been the little boy you saw him with, back in December. “Sounds like he sits through it better than my family.”

Din laughed, and shook his head. “We’ll see if it changes as he gets older.”

“Is that why you’re always in such a hurry?”

He nodded. “My friend takes care of him during the day, but I hate leaving him for so long. She lives close by so I try to go home for lunch, on the weekends, or to pick him up from school.”

That made sense. A new understanding of Din was forming in your mind — not an avoidant, aloof principal dancer, but a father who wanted to spend time with his son as much as he wanted to dance. Someone with more on his mind than fitting into this new company — you imagined the move must have been difficult on Grogu, too. 

“How’s he settling in here?”

Din looked at you, that little half smile back on his lips. “Just fine. He likes his new kindergarten, he’s made some friends. Better than I even hoped, really.”

You nodded. “That’s good. I’m glad he’s liking it. I bet that was a difficult transition for him. And you.”

Din sighed. “A bit. But it was necessary.”

Before you could even consider asking what he meant by that, you both heard commotion in the hall. You checked the time and realized you needed to get to your next rehearsal. Din stood first and offered you his hand.

You slid your hand into his, and he squeezed it as he pulled you up. 

“This was a good idea,” he said, squeezing your hand again. “Do you think next week will go better?”

You nodded. “I think so. But do you want to meet beforehand, to talk about the choreography? Maybe figure out where we can find each other instead of missing each other.”

He nodded. “I’d like that.”

…

You felt lighter after your conversation with Din. You hadn’t solved the problem, of course, but you’d at least talked to each other. It felt like the air was clearer, now that you both knew the other was struggling in some way. Neither of you was alone in it.

Over the weekend you focused on Midsummer — it was a big deal for you, getting cast as Hermia. You were excited to dance through her turmoil. She was so torn, as a character, and you wanted to portray that on stage. 

As you prepared and stretched on Friday night, you thought about what Din had said — that he couldn’t figure out how to dance in a new way, and that he felt like a robot. You shook your head. A robot? You weren’t sure what he was feeling while he danced, but Din never looked like a robot when he was performing. He’d said, too, that he loved being in Giselle, an overall more emotional performance than much of CBC’s usual repertoire. That he’d felt free. 

You thought about his face, every time you’d seen behind the mask, and you knew he could do it. You just had to help him figure out how to find that connection again, and how to lower the mask more while he was performing.

As you stepped out on stage that night, you let that certainty ground you. As you performed your variation, you’d never felt more like you were floating.

...

Prev | Next

a/n: they talked!!! what do we think?

Pas de deux & partnering -- Partnering in ballet is hard! There has to be a lot of trust and communication between partners, even though you don't necessarily need to be like best friends. These two are so advanced and have been in companies for so long that they are able to jump into something like this, but they still have to establish a partnering relationship, which is tough! To give you an idea of just some of what goes into partnering, here's a video of "beginning tips" (skip to around ~12:00 for some interesting stuff on balance). Din is used to verrrrry formal partnering, and that is some of the reason for their communication issues.

Midsummer - reader is dancing the role of Hermia in A Midsummer's Night Dream, which can go to either a principal or a soloist, just depending on the company. Here's a nice overview of the two acts and the ballet from the San Francisco Ballet. Here's a video of a dancer breaking down the role. Here's a couple examples of Hermia's famous variation (solo): one, two. Hermia has other big moments in the ballet but I've mostly been mentioning reader prepping for the solo. Companies might also spread out the roles over different nights or weekends -- in this case reader has Hermia for one weekend, like Adrian has Puck for one weekend (which isn't really mentioned in the fic because I didn't think it was relevant). (Is it a little unbelievable that reader is so unsure about her possible promotion if she got this role? Maybe. Soloists could get this role, especially a first soloist!)

Spring fairy - reader is dancing the role of the spring fairy in Cinderella, too. This and Midsummer are big story ballets that would draw an audience. Here's another two performances of the spring fairy variation and all of the fairies in one video from a 2003 Royal Ballet production. Spring starts ~2:30. The wiki page has a nice overview of the numbers in each act, so you can see where the fairies come in. The wiki lists 4 acts, though, and most companies do it like ABT I think -- with 2 acts. And here's a full length recording.

Giselle - Din mentions this briefly and we'll learn more later, but here's an overview of the ballet. (it's one of my favs)

tag list coming in a reblog!

[ninja-confession-go]

Long rant about Jay (not a hate rant quite the opposite actually)

I hate that they got rid of Jay's mechanic/inventor traits as time went on. And instead of just bringing those traits back they keep introducing characters to fill In that role.

Like Im sorry but why are 3 of the 4 gals apart of the main group into mechanics or deals with tech in someway??? Why is Wyldfyre the only gal who doesn't have an interest In tech????

Nya, Sora and Pixal all fulfill essentially the same tech role and while that's fine as they can easily fulfill different aspects, my issue is WHY NOT BRING JAY'S SKILLS BACK THEN?

They r clearly not afraid of multiple characters fulfilling similar roles so why was Jay the only one who's mechanic skills were stripped away?

Like his skills were so important in the earlier seasons he helped out so much and even got the bounty for fuckin fly?? Like his skills in machinery was also a reason why wu chose him too so to strip that away just makes no sense?

Like I'll forever be salty about this, his intelligence in machinery was so interesting to see especially when u consider the comedic kinda of character he's supposed to be. They could easily made him the mad scientist type of inventor/mechanic but they just hate fun and whimsy and would rather he be just comedic relief and nothing else I guess.

THATS ANOTHER THING

I hate how they treated Jay like he was stupid in later seasons too. They really dumbed him down instead of being the smart comedic relief he's the dumb comedic relief and I HATE it. bro literally deals with mechanics and made shit from scraps if there is one thing he ISNT, is stupid.

Like if they had just made him, let's say not emotionally intelligent i could understand. This is my own personal headcanons coming through, but i don't think he was around many other humans aside from his parents and occasional mail man growing up, and while i dont think he means to come off as a jerk, he tends to say shit without thinking it through as we have seen ALOT and that could be chalked up to him dealing more with machines than people. So If they had just focues on his lack of emotional intelligence, THAT I could understand and would have been fine with. Obviously this is more my own headcanon coming through but u get the idea

But they just made him more all around stupid and I just find that so hard to believe.

I hate how none of Jay's backstory has been explored too.

They introduced a mind shattering revelation that Jay's adopted and proceeded to do...nothing with it.

WHYYYYY???

It would have been so cool to explore that but no, it gets no mention or focus at all aside from that random coversation betwen Unagami and Jay in the season that absolutely should have been a Jay season but for some reason wasn't. Like why bring it up then lol

I also hate that all of Jay's conflicts tend to involve Nya. Like I know they yin/yang but cmon bro, not every conflict Jay goes through has to focus on his relationship with Nya. Let this man get SOME interesting characterization that isn't based around Nya CMON

I saw a few posts on here talking about Jay's characterization and I just had to jump In with my two cents cuz it's crazy how they brutalized him in later seasons. The Fandom tries their hardest to keep the mechanic aspect of Jay alive and I appreciate that so much cuz it's a crime they got rid(or forgot or whatever) of it later on

If u can't tell I'm a Jay fan who's mad their fav was done SO dirty LOL

.

[lover-of-mine]

After the promo feeling a very "Eddie trapped under the fridge in the van" tonight... Ana what would happen if it's trapped Eddie again, Anna?? No, but srsly what do you think? Any spec...👀

Okay, hi, this is gonna get long, I'm sorry in advance, but hey, you asked oaksoaksoaksoaksa

No, but seriously, I'm gonna go back to what the goal of my drown Buck 2024 spec was to explain my thought process right now.

I said that initial spec came from the voices in my head, but I did have a somewhat logical thought process. Here's the thing, buddie needs to talk about almost dying, and (shameless self-promo incoming) while writing the trauma fic, I was trying to find what could be a canon trigger because I wanted to get as close to canon with that conversation as possible, so much so I didn't even plan on that ending up getting together fic, it just happened (and given the reaction I got to the fic, I think I did stay close to canon), and I realized the only way to get them talking about dying is to almost kill them again. And while in that trying to stay in canon mindset while looking at traumatic events, I caught on to some patterns on the way they handle and frame the ndes as triggers that were never pulled to their full extent. Considering the similarities between the well and the lightning (set on that here for better visualization) I was convinced we needed to give Buck a shooting moment. Mostly because buddie are connected through death. The big changes in their relationship are triggered by ndes. The truck, the tsunami, the well, the shooting, the lightning.

And well, the shooting is as intense as it is because of a few factors: it happens by chance, the thing they were supposed to be doing was already done but they weren't supposed to be there to begin with, it brings up a previous trauma for both Buck and Eddie, Buck is forced to do the saving alone. It's why the second collapse on the bridge made so much sense for so many of us. Because the show could draw us into a false sense of security and pull the rug the same way the shooting comes out of nowhere. They were at a bridge so adding water elements would be easy, and that's real for both of them since tsunami/well, betting trapped in/under a vehicle, doing the saving alone because everyone else is out of commission somehow. I also added the idea of equipment malfunctioning, because I kept going back to that (I don't fully know why I'm so hung up on that, it just makes sense in my head), and you could have all that happening at the bridge while Buck tried to get Eddie out.

But transferring all this to what we know about the 808 call. The cool thing about Buck and Eddie is that they are really mirrored and most triggers for one of them would work for both. Obviously, since I was literally mirroring the shooting, I latched onto the idea of Buck doing the dying and Eddie doing the saving (also because I know Ryan would EAT a desperate cpr scene), but it works either way. So let's assume Eddie is the one in danger here just because I think Eddie nde can have more consequences (you can trigger Eddie, Buck, Eddie and Chris, and buddie all for the price of dropping Eddie off a cliff or trapping him in a flooding car lol) and he's been relatively safe for a while since the bridge was a collective accident and Buck got him out with no effort. Oliver mentioned rock climbing and Tim said something about one character hanging off a cliff and I'm thinking maybe this is literal. So something collapses. We have very obvious water elements with the hydrants and the amount of cars makes the trapped under/in a vehicle easy too, something going to hell by chance, the street collapsing or the equipment failing and trapping Eddie inside the car we saw him in could do that, and since we have Buck and Eddie paired, Buck being the closest makes it so that he would have to do the saving. But the thing is, 809 is already done. So legit, if this is happening, this is where the episode ends and we get our first real cliffhanger.

I sorta want Buck to be the one who ends up trapped in the flooding car because I want the bragging rights, but I think rn, Eddie would have more consequences, but if we are talking pattern Buck is the one who usually dies with an audience, so I'm seriously going back and forth, it's all gonna depend on what they want to trigger here. Because the ndes are the beginning of the change, leading to some big consequences later on, and since Chris is not back yet, I can see them forcing a possible parallel oh moment in the way the shooting is supposed to be and then Eddie going to get Chris because Buck needs to get to a point where he's ready for Eddie and Eddie is never gonna truly find joy without Chris and then something on 8b triggers the getting together. Shit can go to hell for either or both of them. The thing that scares me is the way that 809 is already done, so they needed them still in the state they are now, so there will be little to no initial jump on 8b so I keep thinking cliffhanger.

But I'm also trapped into the idea of Eddie saying he's going to go get Chris, the call happening with no real issue and something happening to Eddie as he drives to the airport and the "Nobody’s hanging off a cliff at the end of the episode except for possibly one character." is actually Eddie while the rest of the team is unaware. (Or maybe buddie gets into a car crash while going together and then yall can call me Cassandra)

[fluffyglass]

ok here is the official frankie fluffyglass ceo of wigglefunny explanation of the plot of Something Ain't Right (this will be LONG)

It takes place a bit after The Cost of a Snack (as evidenced by Shelda having a new snakified leg), and starts out with Wambus internally monologuing about how he knows what the journalist (whom I'll be referring to as Stranger or "the stranger" for the rest of this post) did to Gramble, that specifically being feeding him bugsnax in his sleep. However, if you've read COAS I'm certain you recall that Wambus was not there and did not see what Stranger did. So how does he know they did it? The answer might surprise you: he doesn't.

Wambus is projecting. In the past (before the events of the game, and even before the events of The Fight), Wambus fed Gramble bugsnax. This is represented by the repeated motif of Kweebles rather than Strabbys. While in the present Gramble has a Strabby arm, when Wambus fed him bugsnax, he had a Kweeble arm instead. On the third page, when the stranger turns around and has Wambus's face, this is Wambus's conscience reminding him of what he did.

Wambus then turns to denial, asking himself different ways Gramble could have become snakified. Sleepwalking, lying about it, et cetera, but Wambus knows these aren't realistic. He knows what he (and by his own extension Stranger) did. Stranger being lit in red and Wambus being lit in green represent the respective bugsnax they gave Gramble. Also from this point on, Wambus isn't snakified, showing that the following events all take place in his mind rather than in reality.

Gramble's body being covered by black squares (which I'll refer to as censors) is Wambus's mind trying to block out things he doesn't want to see. Stranger showing up out of nowhere is kind of just an outlet for Wambus to incite his own self hatred. He hates and wants to kill the stranger for what they did, because he hates what he did in the past.

Throughout the ensuing fight, Stranger and their dialogue is censored. Why? Because Wambus isn't fighting the stranger. It's a reenactment of another horrible thing he did to Gramble in the past, that being The Fight. The censored dialogue is what Gramble said during the fight (which is irrelevant to the story), mirrored by Wambus parroting his own dialogue from then as well. That's why some of the dialogue doesn't seem to fit (see "Not when you've hurt so many", and him cutting himself off from saying "Weepy little rancher").

Then is the Big page, the only clear memory of the entire comic. He's blocked out so many things, but Wambus is never able to unsee the look of horror on Triffany's face when she witnessed The Fight. He's not looking at Gramble. He doesn't want to see Gramble. He can only clearly recall the instant he knew he was Guilty. Guilty. Guilty.

The following page is mostly a blur. He sees Triffany (with Filbo hiding behind her; the two of them lie to cover this up later by calling it a fight rather than a one-sided assault. Also I'll mention that Gramble was so out of it that he can't remember The Fight either, so literally nobody can contradict the lie), then he sees Gramble, and then everything is drowned out by the knowledge that He Is Guilty. The last panel shows him waking up (now snakified again, this is real) in horror. Triffany next to him is censored because he can't stand to think about her face, looking at what he did.

Ummmm yeah that's basically the story of Something Aint Right. Other stuff that didnt fit anywhere else is the main pop colors being Blue and Orange which are Wambus and Stranger's fur colors, and Gramble's hat eyes always staring at Wambus.

This is the official explanation of a weird surreal art piece I made that is supposed to be speculative but I love talking about my own work too much to keep it that way.

Something Ain't Right - Bugsnax

[l0serg1rls]

today i wanna talk about the big brawl.. season 6, episode 10 and the sekai taikai.. basically how eye would change some things.

this is gonna be an extremely long post .. i like to yap. clearly. so yeah.

initially, when i first watched i loved it.. but rewatching that specific scene. it’s giving lacklustre? i mean the choreography was good that’s for sure but i don’t know.. i feel like it could’ve been done so much better .. also feel like it didn’t really have to end in kwons death either.

the reason why it fell short for me and felt a bit anticlimactic was because it was just random? russian dojo came back and punched gunther in the face, everyone else started fighting.. like okay💀

the thing is there was no reason too really. (have the massive brawl breakout THAT way) a brawl is fine, but the way it was carried out isn’t. also the actual tournament way too short.

i have an idea; so gonna share it here for you all! this might be dumb but i don’t like a lot with this season 6 part 2 after initial thought. anyways here we go 😖:

start off by saying sekai taikai was too short. like a world tournament only being around 30-40 minutes. i would’ve had the episodes longer with a runtime of an hour or over an hour.

i think CK could’ve benefited from longer episodes and more episodes anyway and better writers. but i digress

each international dojo is introduced through short videos or flashbacks as the teams all join together in the arena or whatever, showcasing unique abilities and talent.

cobra kai and miyagi do both face frictions with other teams in the tournament. an aggressive and brutal dojo accuses cobra kai of being frauds who can’t live up to their intimidation tactics (blame kwon for that one, him intimidating others outside of the mat.) leads to that sort of confrontation.

miyagi-dos defense style is mocked by other dojo who sees it as way too soft. tension brews between alllll the teams. it isn’t just a cobra kai and miyagi do thing against all, all dojos have issues w each other.

several preliminary matches are shown, including standout fights featuring (sam, hawk, devon) and (tory, yoon, kwon) other cobra kai teamates deserved to be mentioned more.

tensions rise between tory and another dojos female fighter. tory isn’t balanced and dealing with the grief of her mother still. this girl from the other team is aggressive and fast. forcing tory to become the same. letting out her anger and almost gets disqualified.

johnny and daniel struggle to keep the peace between miyagi do. they’re fighting well, but not as good as they possibly could be. they’re losing a lot of matches and the team becomes completely divided. one side saying to fight aggressive; other side saying to defend

things begins to get a lil heated OUTSIDE of tournament.. rival dojos begin sabotaging each other outside the matches. a lot of street fights if you will. or just them fucking with eachother. an example: miyagi do member is ambushed completely by another dojo.

sam is targeted by a rival fighter in a dirty off the matt attack. causing noticeable, bad injuries, miguel jumps in to defend her and makes himself a target for specific dojo.

the brawl: a rival dojo manipulates tensions between miyagi do and cobra kai. possibly spreading a false rumour. like cobra kai plotting to sabotage a miyagi do fighter by injuring them with an illegal move they could disguise as not an illegal move lol.

yada, yada, yada. something happens, someone could hit someone else, the big brawl happenes!

during big brawl, tory could intervene to protect devon and takes a severe hit leaving her threatened with life changing injuries.

let’s get to kwon real quick: instead of him being an asshole and just getting killed. it’s established that kwon is one of the best fighters on the tournament. during brawl kwon gets ambushed by a jealous rival dojo or just a rival who wants to quite literally take him outta commission 😵.

kwon could also have a personality, so just not an asshole.. or not an asshole all the time , so he’s NOT a bad person and his team actually fw him.

say the ambush is so bad it triggers people from cobra kai to try and rescue him.. another way tory could get critically injured trying to protect him.

‘why tory?’ you may ask.. and why not? kwon was just introduced. it gives off more shock factor that a main character got hurt instead of him.

the impact of tory’s injury:

shock factor- tory being critically injured instead of kwon would exceed expectations.. like NO ONE could’ve seen it coming. her injury would create an emotional gut punch for characters like devon, sam, robby.

next, a full tournament arc. this would give the series time to delve into each fighting style, all the dojos. here’s how they could do it:

establish rivalries. cross-dojo friendships and betrayals .. this one could be interesting. inner team drama.

different fights during the sekai taikai:

tag team matches.

weapon kata demonstrations

survival matches

free for all battles

team relay matches

speed challenges

lastly, activities that the captains of each dojo would have to do or all the kids in the comp:

1. leadership seminar; captains are required to give speeches or participate in discussions about their dojos philosophy, training style, discipline, skills.

2. demonstration matches; captains are required to participate in matches to show their skills and set an example.

3. coaching workshop; leadership skills between the captains would be tested. captains would have to try and coach fighters from the other dojos.

as you can see if you’ve read up to this point, there’s A LOT .. i am a professional yapper. relaying back to my point. all this couldn’t fit into 5 episodes between 30-40 minutes, that’s why everything should’ve been bigger, longer.

CK doesn’t have the budget im aware so most of these are just headcannons unless someone wants to write a fic and do a whole rewrite.. which I might be up to do.. however i cant write for shit😭

uhm yeah 👌

[fcrafcrtnight]

"SO THEY'RE MONSTERS. THE WORST KIND - THE WELL HARMED ONE. very well. you're the expert here, jake. you.. how do you make sure that they don't bother us anytime soon? this is our town. yours and mine. and no, i don't know these people, but.. i trust you. we'll make all of that happen. WHATEVER WAY YOU THINK IS BEST? WE'LL MAKE IT HAPPEN." perhaps that showed just how serious she was about all of this. about.. him? yes, she was. she would have wanted to be in control of the situation otherwise, but.. right now, she was trusting him to know better. that meant something. didn't it? to her, yes. "no. i don't buy that. if there is something that i learned a long time ago? it's that there is always a winning move. sometimes, it may be a little more difficult to see it, but.. there is always one. there is always a way to survive. together? we can find it. ALRIGHT? NO ONE'S GIVING UP. NO ONE IS LETTING THOSE BASTARDS WIN." she knew that look. in fact, she may not have seen it in him before, but.. she had seen it reflected in her own face in the past. the refusal to admit what had happened. the refusal to admit that it still got to you. she knew that look - she knew that feeling and right now, it made her feel protective for him in a way she NEVER had before. she took his hand, curling her fingers against his own.

"hey. you don't have to, okay? whenever you wish to speak of it.. i'll be here. if not, that's okay too but.. know this? no one is hurting you again. not while i'm here. i take good care of my family, you know? and you're part of it now." perhaps in ways that one would have considered brutal, but.. no, she didn't care. as long as the people she loved were safe? that was all that mattered. she'd do anything - she'd get rid of anyone - for them. her family. "ouch. talk about bad luck? but lucky for me, i suppose. or we wouldn't be here," wrapping her arms around his neck, pulling him closer. yes, this was more like it. "the last date that i went on.. well, you don't want to hear about it. SOME BORING ADMINISTRATOR GUY FROM ANOTHER HOSPITAL. pretty sure i was out of the door as soon as i could. so you see, i.. i haven't been particularly lucky in the romance department either. still learning how this goes, actually." she'd leave out the dates with parker, because he was right. they didn't matter. not in the grand scheme of things, did they? "NONSENSE! you were a great dancer. for someone that was so concerned, you were incredible. enough to sweep me off my feet.. quite literally?" she glanced at him, bitting down on her lip, before nodding. fuck it. what was one day? "i hope you know that you've quite literally achieved the impossible? i've never taken a day off. ever. for anyone. i've gone to work sick and everything else in between. this is new, but.. you know what? i'll do that." she leaned against his hand for a second, closing her eyes. yes, this felt more like it. if anything? it felt like a promise. didn't it? yes. "that.. no one's ever done that kind of thing for me. ever," no one had ever put her first. no one. "and i trust you. with anything, at this point. i'll go where you go." which was not something that she would have said to anyone, but.. jake was different and maybe, she was just starting to realise how much right now. "you know.. it's a good thing we're responsible people or i'm pretty you could have convinced me to run away with you and just.. remain there. being free, just us.. it sounds.. HEAVENLY." @springbandit

Jake let out a soft sigh, running a hand through his disheveled hair as he processed Elaine's words. The weight of hat she didn't fully understand hung heavily between them. He appreciated her confidence and offers, but he knew what Jennings & Rall truly were. What Ravenwood truly was. And he knew they weren't something even the most powerful name could buy its way out of. "They're not just con artists." he said, "They're con artists with tanks, mortars, an entire military-grade arsenal at their disposal. And Ravenwood, the contractors they work with? They don't believe in mercy. You disobey orders? You're nothing. Less than nothing." He paused, willing her to understand the gravity of what they were up against. "I've seen it. Hell, I've been a part of it. Back when I when I was with Ravenwood, we...we weren't good people. We didn't give second chances. And now that they're with J&R? There's no winning moves." Her question about what they did to him hung in the air like a knife. He hesitated, fingers curling against his sides. The memories were too close, too raw. The basement of that pig farm, the harsh lights, the pain; it was a place he tried not to visit, even in his own mind. His voice tightened as he finally spoke. "You're better off not knowing. Some things...They're just better left alone." He looked away, unable to meet her eye as he fought to steady himself for a moment, the familiar thrum of tension building in his chest.

But then, she moved closer, her words shifting the conversation, and Jake latched onto it like a lifeline. His lips curved into a faint smile. "The last date I went on didn't even have working electricity," he teased, tone lighter. "Drinks by candlelight, wasn't exactly by design and it was a far cry from romantic - her mysterious husband returned from the dead. Or rather, we thought he had." He chuckled softly, a bit of genuine warmth creeping back into his voice. "That was the last time I danced, too. Until you. And for the record? Time hasn't made me any better." He reached out, gently brushing a strand of hair from her face. "You should take the day off. Your patients will survive one day without you. In fact, they'd probably want you to have a life outside of the hospital. Besides, you deserve this. We deserve this." his hand lingered for a moment, slowly and gently tracing down her before returning to his side. "I'll show you the stars, Elaine. For as long as you want to see them." he grinned, his confidence flickering back for a moment. "You're looking at one hell of a pilot, Dr. Pederson. Trust me, the air's where I do my best work. Safer than the ground any day of the week." His gaze softened further, and for a moment, the storm in his mind was quieter. "You and me, up there...I think that sounds like exactly what we both need. No noise, no interruptions. Just us."

@fcrafcrtnight