#there is just no way out for Dani

[caitlynmeow]

Daniela calls Bela the smart one because Cassandra always always ends up getting Daniela tangled up with her mess and also she pranks her and pick on her and Dani falls for it every time.

Bela though? She can see right through Cass and doesn’t fall for her goading and taunting. It’s this insight that she has that makes Daniela idolize her in that regard and consider her smarter than normal because how do you avoid Cass and her shit? You must have superpowers.

[charlietheepicwriter7]

so, a while ago, there was a dcxdp prompt that was like "Danny Fenton gets hired by the Justice League and slowly realizes that he was hired to hunt down Danny Phantom with Justice League Dark, so he has to gaslight gatekeep girlboss his way out of it" (link in the replies if you find it bc i can't)

but what if this prompt was more chaotic?

like, dani learns whats happening and instead of trying to get her template out of this, she decides to make it worse.

the team discovers the daughter of Ghost King Phantom (and Dani should probably have a different name in ghost form, maybe a star name? Maybe she can shapeshift into her original age, so she looks five) is sabotaging their work. when they finally capture her, she immediately latches onto Danny.

Dani: Papa! Danny, immediately: I'm not your dad! Dani, eyes tearing up with devious glee: I don't care if you and Daddy got divorced. You're still my Papa and I still love you! Danny: what. Constantine: YOU WERE MARRIED TO THE BLOODY GHOST KING!?

[braisedhoney]

answer her questions vlad. why do you skip leg day vlad.

(more of this bc honestly, dani deserved so much better. also learning how to draw dani.)

still inspo from @lilianade-comics au where vlad sucks less! kind of! but also just generally a decent parent vlad au lmao.

(do not tag as ship. pls.)

[starry-bi-sky]

"Stillborn? No, still born" Danyal au -- VLAD MASTERS THE BITCH HIMSELF

*Points at Vlad* THIS MFER GOT SOME TEEFS TO HIM. !! Okay okay, Vlad Masters in the stillborn au is different compared to most of my other aus in the fact that I am far more heavily leaning into his original ambitions of wanting a family and being desperately lonely. Because you know what wanting a family implies? Wanting to be a parent.

Fucked up father figure that could've been Vlad. Complicated love-hate relationship between the only two halfas in existence.

Danny hates Vlad, but he hates even more that he's genuinely considered his offers of mentorship. Vlad is the only halfa around, and they both have fire cores. Danny has these powers he doesn't understand, can barely comprehend some days, and can't control. But Vlad does. Vlad can. And Vlad wants to help him. He's the only other person who can get close whenever Danny runs too hot. Whenever his igneous hair cracks, splits, and spits back out into magma and his friends can't get close, Vlad can.

His hair is made of magma, which runs so hot that people need specialized suits in order to get near it. He physically cannot get close to the living as a ghost unless he's calm enough for his hair to cool into igneous rock. Which isn't as often as he would like. And sometimes he's too hot for other ghosts to get near unless they have fire cores -- which Vlad has.

There have been many times when Danny's having a meltdown (literally) and gone somewhere to be alone, to let his anger and hurt and loneliness overflow and spill out, that when he's come back to, Vlad's right there with him as an anchor. It's desperately frustrating, it's the only time they can get along. They don't say anything, Danny just turns and clings onto the only person he can touch as a ghost.

Its not fair. Vlad wants to kill his foster dad, and Danny can't let him do that. But he wants to be trained by the man, he wants his help and wants what he can offer. But Vlad can't step away from his revenge long enough to let him. It's just not fair. He thinks for a moment that maybe it could work, and then Vlad does something to remind him that no, it can't.

Vlad Masters sees too much of himself in Daniel Brown -- from the way he holds himself, to the defenses he puts up, his quiet anger that builds and builds and builds until it explodes. That simmers beneath his skin. All the way down to the fact that they have matching cores. This boy is cut from the same cloth as him, and by god does he want to help him. He's always wanted to be a father, and Daniel Brown is too much like him for him to ignore. He genuinely, truly cares about Danny and his wellbeing.

He wants to help him, child just let him help you. Let him kill your foster dad so he can adopt you himself and help with these powers that terrify and intrigue you -- he knows what that's like to have something that you can't control, to have a heat that you can't cool down from. "We're in the same boat you and I, let him help you please."

But his methods are all wrong, and Danny is too much like him -- stubbornness and all -- for him to agree when they oppose each other so greatly. But again, Danny is much like him -- which means that Vlad is equally stubborn, and in every single one of their fights he's parental. He's annoyingly parental. He drops his interest in Maddie to focus his efforts in trying to coax Danny onto his side. It's like trying to get a traumatized cat to trust you, and on some levels it works. It's like he makes some progress, and then moves too quickly and the cat immediately runs off and you have to start back from square one.

TL:DR; Vlad and Danny both want to find family in each other but they're too different to get along and ultimately they are doomed by the narrative to be at constant odds with one another unless one of them is changes, and it doesn't matter who.

[bet-on-me-13]

Ellie worked undercover at Cadmus

So, Ellie has grown up and become an Adult living on her own by now.

She is doing her best to make the most out of her life. She went to school, graduated from College, and even got a Job.

She grew up in a Lab, and learned quite a bit about Genetic Engineering over the course of her life both before and after escaping (Both from Vlad, and from Danny during that Point in time where they were trying to permanently stabilize her).

So, when she gets an offer to join a new start-up Company called Cadmus, she jumped at the opportunity to use her Knowledge to help others. (She was told it was a Research Company that used Genetic Engineering to make medicines)

It wasn't until she had already signed the NDA that she figured out that this was an Illegal Cloning Lab.

Thankfully, she was immune to the Mind Control that they had tried to use on all of the Scientists to make them okay with all of the illegal shit, but she still had to play the part so she could help the poor clones who would be created in this project.

She went Undercover for years. Any time a Clone was deemed a "Failure", she would try her best to save them. She did manage to save a few, sending them to Danny so he could help them find a home, but unfortunately she couldn't save them all.

After a few years, the other scientists began to stress out. The K-Series had been a total failure so far, and none of the Clones had even come close to being Viable. Even the most successful one, identified as Match, couldn't come close to being called an actual success.

So, they went a different route. If Kryptonian DNA didn't want to be Cloned, then maybe they could splice it with some other DNA and force it to work with them?

The Scientists began splicing Human DNA into the Genome, running trials to see if it would be Viable at all before even attempting to create a Full Clone. And they did find some success, preliminary tests showed that Human DNA was uniquely adaptable when it came to splicing, and theoretically it could be used to make a Fully Viable Clone!

When Luthor heard of this, he deemed that nobody aside from himself was worthy of being the "Father", and gave his own DNA to the Scientists to use for the Experiment.

Ellie was put in charge of transporting the DNA to the Lab, but in a random accident (we both know it wasn't, Clockwork), she ends up dropping the Sample. In a rush, she just puts some of her own Blood into the Vial and gives it to the Scientists working on the Gene Splicing Project. (She was panicking, ok?! Nobody would be able to work in a lab like this without getting a little bit of anxiety, and she hadn't gotten a wink of sleep in days at that point!)

They are thrilled! They don't know why, but Mr Luthor's DNA was so much better at Splicing than any other Human DNA they had ever tested before. He was certainly right about his own DNA being the beat suited for the Job!

Ellie meanwhile is having a bit of a meltdown. She can't believe she just gave them some of her DNA! And they already used it to make a Fetus! She's a mother now! She never wanted to be a Mom!

But she guesses that none of that matters anymore. She's has a son now, and she needs to get him out of there. But how to do it? As the only successful K-Series Clone, he was under the most heavily guarded security imaginable, so there was absolutely no way she would ever be able to sneak him out of there. Even if she used her powers, the Security was primed to scan for any and all foreign energy signatures, even Ecto Energy.

So for now, she was stuck. She couldn't break him out, and she also couldn't just leave the Company and let them abuse all those poor clones like that! She just needed to wait for the right opportunity to get her son out of there, even if it meant that she would have to stay behind.

It wasn't until a team of errant Sidekicks broke into the Lab a few years later, that she had a way out for her son.

[cl0ud-ninex]

Babes, I need to tell you something...

If you're one of the 'DaNy StAnS' who believe that Dany has to die to fulfill some bittersweet/tragic ending while also wanting the other characters especially the Starks to live happy health lives and become kings and queens you're not a real Dany stan.

You're just a Daenerys anti. The only difference between you and the antis is that the antis are more honest about how they actually feel about her.

[puppetmaster13u]

Prompt 67

Dan is not happy. His limbs are too small, his hands too pudgy and his body too squishy. And his so-called cousins are the same, despite the fact they were all finally going to turn eighteen (again in his case!) literally the next day! 

…

Um, hello strange masked being, back the fuck off! Who are you?! Put him down- actually put all four of them down thank you! Those claws are very big and he’s not worried but seriously, he doesn’t want to deal with this, he wants to go back to how he was! He’s not fucking growing up a third time! 

…

Did you just click at him?! Hell no, he’ll bite you, don’t think he won’t! So what if his powers aren’t working or that he’s now a squishy toddler thing, he’ll still bite your stupid fingers if you make his cousin-siblings scared! 

…

Talon is just bemused at the tiny (even smaller than the ones who usually follow it!) talons that appeared in front of it with no warning. Sure they have strange green eyes instead of yellow but they smell like Talons, have claws like talons and fangs like talons, and even sound like talons! Hm… It has even more hatchlings now! 

[ecto-stone]

like i never understand the obession of art Style inconsitencey uproar that SU have during it run. Like have you guy see how vlad is drawn in canon DP. Man change art style like chaging clothing.

[glow-worms-are-believers]

Meltdown meet-cute (dp x dc)

Steph was cold and hungry. Which honestly, was pretty par for the course for a stakeout. At her side Cass was standing as still as the gargoyle up in Bristol, and had been unmoving for what felt like forever. Cass really was just inhumanely good. Letting out a fond huff, Steph turned back towards their current target for the night.

They had chased a tip that the warehouse was a base of operation for some human trafficking ring that was coming through Gotham. Now it was only a matter of timing the guards and casing the place to make the take-down quick and efficient. Though with Cass here, that was almost a given.

"How was ballet?" Steph asked as they waited for the new people to come in.

"Good," Cass answered and it sounded like she was smiling behind her mask.

"I'm so hyped for your next recital," the blond said. "Maybe they'll let you do Laurencia variation you showed me last time."

"Not yet," the other girl answered fondly. "More practice."

Then, before Steph could answer, Cass spoke up again. "Look."

One of the man had looked at his watch and was turning to the other guard. Time was almost up, then.

"Showtime," Steph said as she let a smile stretch on her face.

Simultaneously, both girls jumped off their perch and fell towards the warehouse. Grapple-guns made noises and the drop wasn't high enough that they couldn't just roll off the impact, so that was what they did. Getting back to their feet, they silently crept towards the eastern front of the building where the blueprints had shown there would be a high-placed window for aeration (thank you, Oracle).

Steph dangled down as she broke the latch open, as Cass kept a lookout. Silently both vigilantes slipped in and landed softly on the ceiling metal beams. There were big crates piled up beneath them, but none big enough to contain human beings. Then, Cass nudged her and Steph turned to see those long metal shipping container.

Bingo.

Still up in the rafters, the two quietly moved towards the two big metal boxes. Making sure no guard was around, the two vigilantes dropped down and broke the lock swiftly. They started opening the doors with the things being rusted enough to make a noise Steph winced at. Finally, they got it open, only to be met by an empty container, with zip-ties littering the bottom of the box.

Had someone beaten them to the rescue or had the people been moved?

The two bats exchanged a glance before Steph nodded towards the other container as Cass nodded. They both moved to the other box and made quick work of the lock and the door, and this time they could make out one form in the very back of the container, seemingly glowing slightly green. Maybe some guard with a conscience had slipped in a glow stick in to ward off the complete darkness.

"Hello," Steph started. "My name's Spoiler and this is my friend Black Bat. We're here to help."

As she talked she and Cass walked closer and pulled out their low-level flashlight, casting a little light around. They could now make out what seemed like the frame of a small person, possibly a kid.

"Can you hear me?" Steph said as she inched forward.

With still no response, she took the chance to put a hand on the person's shoulder and gently guiding them into turning around. As the person came into view, Steph couldn't hold in a gasp.

It was a young girl, looking around 13-14 years old, but the truly horrifying thing was that where her legs should be, there was only a puddle of fluorescent green goop.

"Please," the girl begged as she turned imploring blue eyes on Steph. "Help me."

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[spacedace]

WAIT I JUST HAD ANOTHER THOUGHT FOR THE DISASTER MEET THE INLAWS DINNER:

okay context: so in this AU, Danny and Dan are the only ones who don't know the batfam secret. Jazz figured it out when they first moved in next door to Jason. Damian told Elle after she trusted him with the truth about being a halfa. Elle didn't tell anyone else since it was a secret Damian trusted her with, while Jazz & Jason assumed that everyone else in the Nightingale family knew and never really brought it up.

It just completely sailed over Dan & Danny's heads. Even though part of the deal the family worked out with the Spirit of Gotham is to help protect her Bats and Birds (that's why Dan ended up in Bludhaven, to help keep Nightwing safe) and they regularly (secretly) follow the batfam around during patrols and fights to help make sure nothing bad happens to them.

Which brings us to the disaster dinner where, after things have almost calmed down from the chaos and embarrassment of Elle and Damian's power point & movie, everyone is actually almost getting along. Turns out, getting horribly roasted by the two gremlins helped break the ice a bit. It's kinda hard for the Bats to hold on to as much of the suspicion for the Nightingales as before when they just watched a supercut of everyone’s most embarrassing moments from the past five years with color commentary from the Chaos Duo.

Which is to say Danny is feeling comfortable enough - with some edging on by Elle - to reveal his conspiracy theory about who Batman is, to Bruce.

Just looks Bruce straight in the eye and with his whole heart and soul asks, "So, like you're for sure Batman's sugar daddy right?" -

Tagging for those who asked: @screamingtofillthevoid @stargirl1331 @mnemovoid @malice-of-the-sunrise @bathildaburp @autumnwulf @revnantdpxdclover @coruscateselene @writer-extraodinaire @idfk-man10 @fluffen-spooky @frostedthroughghost @akikkobara @unadulteratedsoulsweets @phoenixdemonqueen @overlycaffeinatedsuperwholockfan @gin2212 @emotional-otter @lexdamo @dixiwoods @wildbacon @ashleysmshly @that-random-fangirl @satanicrutialspecialist @lazy-bouqet @treepainting @busterkeel @gin2212 @idontgetpaidenoughforthisshit @jaggedheart11 @introvert-even-on-the-internet

[caitlynmeow]

When Daniela graduated from high school and was about to enroll in university:

Bela: What do you want to major in?

Daniela: What do they have?

Bela: This is not a restaurant, Dani 😭😭😭

[batsplat]

☕️ on marc/dani as teammates? bc so many ppl on here especially have such a simplified and maybe even rose-tinted view of their dynamic imo…..

hm yeah it's a tricky one because I do think there's a lot of genuine interpersonal fondness there that was forged in the aftermath of some equally genuine animosity. for me, it's that development that's particularly interesting... what I personally have always found the most appealing about this rivalry is just how ruthless marc as to someone he genuinely admired and considered one of his heroes or 'references'. like, I think it's a bit different from the dynamic with valentino because it's kind of... vale's the childhood hero vs dani as a rider who's ahead of you who you want to directly emulate in rising through the ranks. with valentino, marc didn't really think they'd ever be competing at the top of the sport because of how big the age gap was, but with dani? different story

which does affect the emotional approach, I reckon - you can admire them and still dream of beating them, you know? like, say you're fourteen years old in 2007 and are getting out your customised casey stoner voodoo doll while he's bitch slapping your two guys, what fantasies are you cooking up in your little brain about meeting your heroes? with valentino, it's probably him grinning at you while handing you your tenth consecutive motogp trophy and telling you how amazing you are... how you're his successor, the one carrying on his legacy... lots of daydreaming of him like, hyping you up after he's retired and calling you god's gift to motorcycle racing, etc etc. who knows, maybe marc was also fantasising about beating valentino in epic duels, but he wasn't really expecting to be fighting valentino, right? whereas with dani? oh yeah, marc might have thought he was great... but in an ideal world, he's ripping the crown off dani's head when dani's a three time defending motogp champion! so crucially marc wasn't blindsided by actually fighting him on-track, and was kinda more prepared for that to get ugly? dani acts as a 'direct' reference, where he's just a few years ahead and marc can see how it's done, basically. but what this still means... he'd admired this guy for years, he had posters of him and all that shit, but the moment they're direct competitors and teammates? all that is just... locked away. no interest no mercy, all he cares about is beating the guy. and marc did still talk about using dani as a reference point, about how much he'd learned from him... but of course that scary fast learning of his was all about beating dani

from dani's side... I'm glad he's gotten to a stage where he's at peace with his career, but. god, it must have been tough. at the end of 2012, he's the in-form rider - more so than jorge. he won six of the last eight races that year. incidentally, this is how jorge is talking before the 2013 season:

obviously, jorge is trying to fuck with dani here, but he's also not really wrong. all four of the aliens have got a lot going on early 2013, but if you had to point at the guy who is dealing with the most pressure? well, it's got to be dani, doesn't it. he was the one who still had something to prove in the premier class, who was now being thrown together with the super hyped rookie. this is how dani spoke about marc at the start of the year:

and here:

and then of course marc beat dani at qatar and then won at cota... granted, dani does a good job of keeping his head and regrouping for the next few races - but it was still an auspicious start, provoking a lot of discourse that wasn't particularly kind to dani. so in that first year, you've got all these different elements - you've got how marc is competing on-track, dani's injury, how marc is already attempting to assert himself within the team, how you've got the behind the scenes warfare between their two teams (again, see this article)... and then dani's issues with marc's actual riding (x, x). now, I think it's worth saying that aragon 2013 is not a case where marc has clearly fucked up. he makes a mistake, yes, but he couldn't have known the slight contact he made with dani would lead to that wire breaking and dani's highside. here's what dani said:

this is a case where different racing philosophies clash, right? what dani's saying is that what happened was a direct consequence of how marc approaches riding - that he's always flirting with contact and this time it finally went wrong. it's the kind of riding dani has consistently disliked, and it's something marc is the poster boy for. in this case, this crash essentially ends dani's title bid. he couldn't walk for three days afterwards. dani criticised race direction for choosing not to give marc a penalty (apart from the penalty points) - this was not something he just brushed off

and, look, you do have to bring it up... dani's experiences with sic will inevitably have influenced how he approached the marc rivalry. I mean, it kind of did for all of them - there's elements of that tragedy that will have bled into how valentino, jorge, dovi and dani reacted to marc. with casey, it's one of the reasons why marc never even had an on-track rivalry with him. now, obviously, dani had big, big issues with sic, a lot of tension including harsh comments in the press and refused handshakes and all of that, as a result of sic's very aggressive approaching to racing. dani was also the one who suffered the most as a direct result, in particular after the broken collarbone at le mans. he's spoken after sic's passing about his regret about how he handled that relationship... how it changed his approach to rivalries, that reminder that there might be things he'd never have the chance to fix

the other sic-related element is that of course, there were easy parallels to be drawn between him and marc, and his shadow did at times loom uncomfortably over debates over hard racing during that period. I think you can feel it most strongly in jorge's response to marc... the echoes of when jorge had gotten in a verbal clash with sic at one of the 2011 pressers and his frustration when his complaints were just laughed off by journalists:

this press conference was from the race before le mans, where sic was responsible for dani's broken collarbone. so if two years later, you've got marc publicly shrugging off jorge's complaints in an only slightly more respectful manner, how can you not be at least a little concerned? yes, marc did have a better feeling of where the limit was, he didn't really push things too far, but... this was still a very recent trauma for everyone and nobody knew how far marc would or wouldn't push it at the time. especially not after the kind of reputation he'd gotten himself in his 125cc/moto2 days. (though of course it's important to note that sic's death wasn't caused by his style of racing, and if anything he'd gotten more sensible in the latter stages of 2011). so the influence goes both ways, right? on the one hand, it all feels a bit too familiar, on the other... well, that's actually a reason why you probably don't want to be too harsh on this kid. because you never know

in the end, the tensest year of their teammate partnership was 2013 - because after that title was sealed marc had won. by the end of the year, it wasn't really dani's team any more. his internal position had already been de facto undermined by casey, but not to the same extent because casey wasn't really interested in playing these games - plus the end stretch of 2012 had definitely cemented dani's role in the team. I've already given most of my thoughts here about how marc takes control of that team, which inevitably touches on some of his nastier behaviour. lying about what parts suited him is the obvious example... he's a ruthless teammate, he openly admits to it. and obviously, dani wasn't always just fine with that. who would be? he's accepted that's part of who marc is as a competitor, and at the end of the day he also had to accept losing. sometimes you just gotta make your peace with a status quo, yeah? it's tricky to strike the balance between not losing the competitive edge and not letting losing to your young teammate year after year drive you insane... dani's always been quite good at focusing on himself, even if a lot of the time 'focusing on himself' involved 'recovering from some horrid injury'

so you know, it's nice that their relationship has gotten warmer since they've no longer been teammates, and for the most part they did keep things civil while they were directly working with each other. also, you do just get over things when you're no longer competing with someone... I've said this before, but there's really only a relatively small number of truly burnt bridges in the paddock ecosystem. thing is, it's quite impressive of dani to seemingly not hold any grudges over what marc did to him... but he easily could have, and it kinda would've been justifiable? it's also primarily down to dani that this teammate dynamic didn't get worse than it was... which, y'know, you can argue if that was the right or the wrong approach, but it also meant he increasingly had to accept a subordinate role within that team - become a non-problematic teammate that honda was happy to sign again. and then you've got marc, who spent years looking up to dani and then spent years being pretty vicious to him and never saw the slightest contradiction between those two things, because of course he didn't! and of course he still has some historical fondness for him as a result of once being his fan... which is an element that has gradually snuck to the foreground again after marc increasingly managed to dismiss dani as a competitive threat. overall, then, as teammates they had their early tensions, then they were 'reasonably friendly coworkers', now they get on quite well. over the course of his career, dani's hardly been immune to drama with other riders, but at the end of the day he's pretty feud-proof on the whole. what kind of a nutter would you have to be to start a feud with dani pedrosa, eh

[danidrawsstuff]

so i went to grad yesterday

rambling in the tags

[luc3ks]

snap out of it

[fromtheseventhhell]

Renly had seemed anxious to know if the girl reminded him of anyone, and when Ned had no answer but a shrug, he had seemed disappointed. The maid was Loras Tyrell's sister Margaery, he'd confessed, but there were those who said she looked like Lyanna. "No," Ned had told him, bemused. (Eddard VI, AGOT)

This is literally people in fandom trying to make shallow connections between Lyanna and [X character] and presenting them as equally important as parallels drawn directly in the text. In fact, this coming after Ned tells Arya she reminds him of Lyanna (in looks and behavior) feels like George cementing the importance of their likeness. Other characters might have passing similarities to Lyanna, but Arya's parallels are much more meaningful than that and are being highlighted for a reason.