#there are ways to have a civil war element

[newobsessionweekly]

Aftershock

Main masterlist | The Rookie masterlist

Part 1 | Part 2 | Part 3

Tim Bradford x younger!reader

Fandom: The Rookie

Summary: You’re a bold, confident civil engineering student, used to taking control on construction sites. But when an earthquake hits while you're in charge of your father’s site, you meet LAPD Sergeant Tim Bradford. You clash, you work together, and slowly, something deeper begins to spark.

A/N: I have the second part almost ready so it'll be here soon!! Also is you have some ideas for this mini series, feel free to drop it in my box! Feedback is always appreciated!! I hope you like it! Lots of love, bubs! Stay safe! 🫶🏻🫶🏻

Warnings: Earthquake/emergency scenario, mild injury, panic attack (comfort follows), age gap, not proofread

Word Count: 4k+

It starts like a whisper—barely-there tremors under your steel-toes as you walk the perimeter of the new mixed-use high-rise downtown. You've spent the last half-hour barking into your phone, coordinating crane placement and checking load-bearing support numbers. You’re dusty, focused, and completely in your element.

Until the earth moves for real.

You don’t hear it before you feel it. The tremor roars upward through your boots like a live wire. The scaffolding groans. A metallic shriek pierces the air. Then it happens.

The world shudders. A cacophony of screams. Cement rains down. You drop to your knees and roll, instincts kicking in, sheltering beneath a shipping container propped on steel beams.

Earthquake.

It only lasts seconds—long ones—but the aftermath feels like a war zone. You crawl out coughing, your lungs filling with grit and fear, but your brain is firing on pure adrenaline. You're not just some student or supervisor. You’re the boss’s daughter. And he’s out of town, which makes this your site.

Your chest heaves, but your eyes are already scanning. Where's the crew? Who’s accounted for?

“Luis!” you shout, dodging fallen equipment. “Jen! Mateo!”

Two workers emerge from a cloud of dust, one limping, another coughing blood into his glove. You guide them to the open lot beyond the scaffolding, mentally mapping the layout. Six missing. Maybe more.

And then, over the scream of sirens, two figures cut through the dust—uniformed.

The man in front moves like he was born in boots. Tall, broad shoulders, determined jaw. There’s something sharp and no-nonsense about him, like he’s the human equivalent of a battering ram. Behind him, a quick-footed brunette surveys the site with wide, alert eyes.

“LAPD!” the man shouts. “Is anyone hurt?”

“I’m fine!” you yell back over the noise. “There are still people inside!”

He reaches you in seconds. “You need to move—this whole site could still collapse.”

“I’m not going anywhere,” you snap. “This is my father’s project. He’s out of town. I’m responsible for everyone here.”

“Name?”

“Y/n Y/l/n. Civil engineering student. Site lead for the day.”

“Sergeant Tim Bradford,” he grunts, scanning you. “This is Officer Lucy Chen.”

Chen gives a small nod and immediately moves to triage the injured worker. Bradford, however, keeps his full attention on you.

You don’t miss the way his eyes rake over you—not in a creepy way. He’s taking stock. Assessing damage. Dirt on your face, small gash on your arm. His brows tighten.

“You were inside?”

“Under that scaffolding.”

“You shouldn’t be standing.”

You fold your arms. “Well, I am.”

“You need to let us handle this.”

“No. I know this site better than anyone. I helped design the layout. There’s a crawlspace beneath the west scaffolding that no one else knows about. If anyone’s still in there—”

“You’re not trained for rescue ops.”

“I’m trained to know what’s safe and what’s about to fall on your head.”

His jaw ticks. “I don’t have time to babysit you.”

“Then don’t. Keep up.”

You step past him, and for a beat, he just stares.

“Unbelievable,” he mutters. “You’re like if a Barbie Doll had a death wish.”

You toss him a grin over your shoulder. “Grumpy and unoriginal. Cute.”

He follows, grumbling something under his breath about stubborn civilians and lawsuits.

The two of you reach the compromised scaffold, and you crouch beside the twisted beams. Bradford stops behind you, way closer than necessary.

“Let me go first,” he says, voice low, eyes scanning overhead.

“I’ll fit through easier. You’re built like a linebacker.”

You feel his breath on the back of your neck as he leans down.

“And you think I’m letting you crawl into a death trap alone?”

You glance at him, only inches away. “So you do care.”

He doesn’t move.

“Protocol,” he says stiffly. “And… you’re bleeding.”

You look down at the gash on your forearm—dirt-caked but shallow.

“Didn’t notice.”

“I did.”

He steps forward and gently takes your wrist. His touch is unexpectedly careful—rough hands, but soft grip. He pulls a cloth from his vest and dabs at the wound. You watch his face as he works. He’s so serious. So guarded.

“I’m going in first,” he says, not giving you a chance to argue.

You don’t push it this time. He’s trying. In his own way.

You both drop into the crawlspace, the air thick with dust and heat. Your shoulder brushes his arm as you squeeze through. Close. Too close.

You hear it before you see it—a cough. Faint, raspy.

“There,” you whisper. “Under that beam.”

Bradford nods. “Stay low.”

The man’s pinned, conscious but trapped under a slab of drywall and steel piping. You approach carefully, testing for weight, and give Tim a look.

“If we shift the load here, I can drag him out.”

“You sure?”

“Yes.”

His hand grazes your back as he shifts to position. Again, he’s close. Protective. Your skin sparks where his fingers press.

He moves the slab, and you reach under, tugging the worker free with all your strength. It takes effort. You grunt, digging your heels into the ground. Bradford leans forward, adds his strength behind yours. The worker slides out.

You sit back, panting.

“You okay?” Tim asks, wiping sweat from his temple.

You nod, heart pounding—not just from the rescue. From him. From the way his hand didn’t quite leave your lower back.

“Yeah,” you say softly. “Thanks.”

He meets your eyes. For a second, everything around you disappears.

And then his radio crackles. “Bradford, update?”

“We got one out,” he replies. “Sending location for medical. Continuing sweep.”

As you crawl back out, he places a steadying hand at your waist, guiding you up the incline. You feel the heat of it even through your shirt. It lingers. He doesn’t rush the touch. Neither do you.

Once you’re out, the EMTs swarm. The worker is taken. Chen updates the map with accounted-for crew.

You press your hands to your thighs, catching your breath.

“How many are left?” Tim asks.

You scan your clipboard. “Two. Maybe three. Could be hiding in the south exit shaft.”

“Is it stable?”

You pause. “Barely. But I can get us in.”

His eyes narrow. “You’re not invincible, Barbie.”

“And you’re not my boss, Grinch.”

He exhales hard. “Fine. But I go first this time. You stay on my six.”

“Yes, sir.”

He gives you a look. You wink.

You both make your way through the wreckage, ducking twisted rebar and beams. At one point, you trip on a loose plank. His arm shoots out, wraps around your waist.

You freeze.

So does he.

You’re chest to chest, his hand splayed across your back, your fingers gripping his vest.

“You okay?” he asks, voice a touch lower now.

Your throat’s dry. “Yeah. You?”

He doesn’t answer. Just watches you for a moment, then slowly lets you go.

You keep moving, but now every time your fingers graze or your arms brush, it feels intentional. Loaded.

You find the last two workers behind a jammed gate. Tim breaks the lock with a metal pipe, and you help the shaken men out. One thanks you. The other looks at you like you’re a superhero.

But the adrenaline has started to fade.

The full weight of it all—the noise, the near-deaths, the responsibility—presses down.

When you step away from the others, your legs buckle just a little. Bradford is there instantly.

“Sit,” he says, catching you by the arm.

You nod slowly, dropping onto a low wall.

He crouches beside you, reading your face. “It’s catching up to you.”

You swallow. “Yeah.”

“You held it together. You did everything right.”

Your breath hitches. “I didn’t… I didn’t think. I just moved. But what if I missed someone? What if—”

“Stop.”

His voice is gentle but firm. He places his hand on your knee. You flinch—but not from fear. From how it grounds you.

“Look at me.”

You do.

“You saved people. You helped us. You didn’t hide. You ran toward the danger.”

Your lip quivers.

His hand slides to your shoulder. His thumb strokes your collarbone, just once.

“You’re allowed to feel it now.”

And that’s all it takes. The panic hits like a wave—hard and fast. Your chest clenches, eyes burning.

Tim doesn’t hesitate. He pulls you into his chest, wrapping both arms around you. You bury your face in his shoulder, fists curling in his vest.

“It’s over,” he murmurs, voice barely above a whisper. “You’re safe.”

His hand slides into your hair, combing gently through it. The motion is soothing. Familiar. Like he’s done it before. Or maybe just dreamed of it.

“You don’t have to be strong right now.”

You tremble in his hold. He doesn’t pull away.

“I’ve got you,” he adds. “Okay?”

You nod against him. When you finally look up, his hand lingers on your cheek.

“Didn’t think you’d be the nurturing type." you say, voice hoarse.

He chuckles, voice rumbling in his chest. “Don’t tell anyone. It’ll ruin my brand.”

You lean back just enough to see his face.

And something shifts between you.

A quiet moment in the eye of the storm.

“I still think ‘Grinch’ suits you,” you whisper.

“And I still think you’re high-maintenance.”

“Excuse me?”

“Only a Barbie Doll would coordinate a rescue effort and sass a cop in the same breath.”

You smirk. “Maybe I’m both.”

The moment stretches. You’re both still, holding onto something neither of you fully understands yet.

Then a shout breaks the spell.

“Y/n!”

You turn. “Dad!”

Your father is running across the rubble-strewn pavement, suit jacket flapping, eyes wild.

You stand, and he pulls you into a crushing hug.

“I’m fine,” you gasp. “We’re all fine.”

He cups your face. “I got the alert mid-meeting and left immediately.”

You hug him tighter. “I had to take charge.”

“And you did,” he whispers. “I’m proud of you.”

You feel a shift behind you. Turning, you find Tim standing quietly, watching the scene with a measured expression. Your dad notices him too.

“You,” he says, crossing over. “You pulled her out.”

“Sergeant Bradford,” Tim replies, shaking his hand firmly. “Just doing my job, sir.”

Bradford looks at you. And he gets it.

You’re not just another young woman on-site. You’re his daughter. His pride. His heart. And you’re damn good at what you do.

Daddy’s princess—with steel in your spine.

He watches you hug your dad again, whisper something that makes the older man smile. And Tim’s jaw tightens, just slightly.

Lucy appears beside him, sipping water.

“She’s a powerhouse,” she says.

“Yeah,” Tim replies, watching you like he can’t look away. “She is.”

“You gonna ask for her number?”

He snorts. “She’d probably write it on an OSHA citation and tell me to lighten up.”

“You could use someone who challenges you.” his rookie shrugs.

Tim glances back at you—still in that vest, still a little scraped up, but glowing with that post-adrenaline shine.

Maybe he could.

[margaretkart]

Stop Treating Greek Mythology Like Just Another Fictional Franchise

I am honestly tired of seeing people lump Greek mythology into the same category as DC Comics, anime, or any other modern fictional universe. There’s this frustrating trend where people discuss figures like Odysseus or Achilles in the same breath as Batman or Goku, as if they’re just characters in a long-running franchise rather than deeply rooted cultural and literary icons from one of the most influential civilizations in history.

Yes, myths contain fantastical elements—gods turning into animals, heroes slaying monsters, mortals being punished or rewarded in ways that defy logic. But that does not mean Greek mythology is the same as a modern fantasy novel. These myths were part of an entire civilization’s identity. The ancient Greeks didn’t just tell these stories for entertainment; they used them to explain the world, explore human nature, justify traditions, and even shape their religious practices. The Odyssey isn’t just an adventurous tale about a guy struggling to get home—it’s a reflection of Greek values, an exploration of heroism, fate, and the gods' role in human life. When people treat it as nothing more than “fiction,” they erase the cultural weight it carried for the people who created it.

Greek mythology functioned in antiquity—these were their sacred stories, their way of making sense of the universe. And yet, people will still argue that the Odyssey is no different from a DC Elseworlds story, as if it was just an early attempt at serialized storytelling rather than a cornerstone of Western literature.

Part of the problem comes from how myths have been adapted in modern media. Hollywood and pop culture have turned Greek mythology into a shallow aesthetic, cherry-picking elements for the sake of spectacle while stripping away any historical or cultural depth. Movies like Clash of the Titans or games like God of War reimagine the myths in ways that make them feel like superhero stories—cool battles, flashy gods, exaggerated personalities. And while those adaptations can be fun, they’ve also contributed to this weird idea that Greek myths are just another IP (intellectual property) that anyone can rewrite however they want, without considering their original context.

This becomes especially frustrating when people defend radical reinterpretations of Greek mythology under the “it’s just fiction” excuse. No, Greek mythology is not just fiction! It’s cultural heritage. It’s part of history. It’s literature. It’s philosophy. If someone drastically rewrote a Shakespearean play and justified it by saying, “Well, it’s just an old story,” people would push back. If someone did the same to the Mahabharata or The Tale of Genji , there would be outrage. But when it happens to Greek myths? Suddenly, it’s “just fiction,” and any criticism is dismissed as overreacting.

I am not saying mythology should be untouchable. Reinterpretation and adaptation have always been a part of how these stories survive—Euripides retold myths differently from Homer, and Ovid gave his own spin on Greek legends in his Metamorphoses. The difference is that those ancient reinterpretations still respected the source material as cultural history, rather than treating it as some creative sandbox where anything goes. When people defend blatant inaccuracies in modern adaptations by saying, “It’s just a story, why does it matter?” they are ignoring the fact that these myths are a major link to an ancient civilization that shaped so much of what we call Western culture today.

Ultimately, Greek mythology deserves the same level of respect as any major historical and literary tradition. It’s not a superhero franchise. It’s not a random fantasy series. It’s the legacy of a civilization that continues to influence philosophy, literature, art, and even modern storytelling itself. So let’s stop treating it like disposable entertainment and start appreciating it for the depth, complexity, and significance it truly holds.

[keferon]

Titan LL!

Heavens, I love Titan LL.

...You know, since nobody's doing anything, I think I'll try something. Dibs!

.*.*.*.

Lost Light is named after a day of mourning.

He doesn't feel like it.

Perhaps it was a wish made upon the smallest of the youngest batch of Titans, brought online shortly before fires of revolution blazed across Cybertron and it's domains. For the mourning to be the least in the coming times. Perhaps they succeeded, but joke's on them. Lost Light may have been online through the times of grief, but grief does not touch his spark. It's another element of his surrounding, like floating rocks, clouds of solid something, solar winds, the works.

Well, for a given definition of "online", because, he, his batch and some older Titans were moored in random spots in the system, just away from Cybertron itself.

The new batch was mostly stationed in the shadows of Cybertron, in vain hopes of civil war going away quickly. But sometimes, when the fighting peaked and threatened to reach the moons, they were herded away and over to the system's edge, near the border of termination shock. There were a lot of visible stars here. And Primus, there was nothing more Lost Light liked more than those beautiful, beautiful stars.

The first Titans were sparked to carry their Cybertronian brethren beyond the embrace of their homeworld to the stars and defend them on the way. Not all Titans functioned as deep-space transport nowadays, but that was the original idea behind their frametype. Wayfarers.

And just when Lost Light started to go mad between moorings and itched to stretch his warp drive, because Primus and Unicron conspired to punish him specifically for his hubris, the Quintessons struck.

And Titans of Cybertron, eternal guardians they are, stood as the first line. While the little ones below scrambled around and got their priorities and slag-all in order, they stood. And together they withstood successfully. Neither Cybertron nor any planet in it's system fell to the Quintessons. It was not a clean victory, and Quints broke the lines to land incursions, but the Titans weathered enough that the little ones on the grounds were not overwhelmed. They endured the first of storms.

In the end of the beginning, the home system was safe, the civil war was over, and the Titans under the newly united Cybertronian High Command were partially reassigned to the outer fronts.

Now, Lost Light is a tiny Titan. An unusually tiny Titan by Titan standarts. He heard it was because there was a mix-up of vessels for reforging into Titanframes, and his was made from a late shipment two classes below specification.

His largest configuration houses in theory a thousand crewmembers. He prefers his smallest, which should hold above a dozen, but he does not have even a dozen of a crew anyway. He is still a Titan, and can comfortably rip into one, two, three Quint ships, but he cannot withstand a dozen, and Primus below, Quint ships in outer space come in waves and swarm like the squids they are. Instead, in this war he does he does best of what he does - he runs. He is small, his warp drives and bridge generators are the best among his batchmates, and he is fast. So he runs.

There's no Quint blockade that can stop him. Perhaps his cargo hold is not the largest, but if he is given a delivery, he will deliver it as soon as possible, come Pit or high tides. There's no escort craft that can keep up with him (and let's be honest, they are already understaffed enough that they simply can't find proper escort for his size), so he runs alone. If the Prime himself needs an express delivery, Lost Light is the Titan for the job.

He sees a lot of stars on his runs. He is pretty sure some of them are at least unclaimed, and some may be uncharted at all, so he marks them all on his maps. For later! Once the war ends, the beautiful, beautiful stars are his! He amasses a lot of maps, colors and marks them in the brightest hues his software comes with.

And some little ones even ask after the maps. Not like he hides them or something.

So, when the Prime calls, he comes.

Prime waits for him in the hanger personally. Together with the usual retinue, very much less usual very large pile of maps, boards and documents, a Perceptor hidden behind the pile of stuff (Xanthium talks about her favorite gunner a lot, when they have time to catch up), some twitchy engineer and his frequent passenger of express ferry Head Tactician Prowl.

Who has something very tiny enthusiastically crawling on him. Something so tiny, he has to recalibrate his inner and outer sensors for recordicon contact. His optics were hit in bot mode by rocks larger! Which were sometimes crawling with assorted space crustaceans! Come to think of it, thos crustaceans moved similarly...

And, because he is better at acceleration than braking, first thing Lost Light does is voice this observation.

"Prowl, sir, you've got crabs"

...

That was a start of a wonderful working relationship. Once they calm the tiny organic down from laughing, that is. It's name is Jazz, and it needs a ride home. Home which is besieged by Quintessons, and likely is near a fortified outpost, if not a starbase.

Strictly speaking, usually Titans are kept apart from organics, because they are usually very small, and tend to rot and fossilize. But since Lost Light is also very small, he got a direct invitation to an organic planet and immediately engaged his internal environmental system to produce enough oxygen. This is a chance of a lifetime!

Which brings him to his current... Problem?

The thing is, Jazz apparently has comrades. They pilot simulacrum frames specialized in Quint killing, which is very much respectable. And Lost Light's alt-mode's hangar bay may be a little tight in this configuration, but still compatible with them.

The issue is, one of those simulacrums which Lost Light got to shelter, a pleasantly painted one (flame patterns are always in vogue! No matter what anybody says!), appears to have broken down. Which made the organic inside very upset. At least he thinks it's upset, he is not very good at reading organics. Those "humans" do have fields, but they are very dull in comparison to Cybertronian ones.

The little organic with great taste is shouting what appears to be obscenities at unresponsive frame and alternates this with begging. Lost Light is floundering in his processor. The organic performs some indecipherable actions towards a fuel line of some sort with a tiny wrench. He's been at it for hours. None of the others from Jazz's makeshift warband returned yet.

This means Lost Light is responsible as the hosting Titan. Lost Light is usually alone. He does not quite know how to host other Cybertronians for prolonged periods of time, let alone organics. He hopes he maintains a nice oxygenated atmosphere.

He cannot watch this anymore. He has to gather all his confidence in his circuits and do something. Like talk to an organic without Prowl or the twitchy engineer (Swear? Swole? Swire? Swalter?) present. And, well, he'll figure how to decelerate later!

"Little one, do you require any assistance? I do have an internal welder somewhere..."

The organic startles, almost falling from it's precarious perch at the simulacrum's locked elbow joint, catches itself in time, and glances around. Then it glances up. And around again.

"I haven't hit my head that hard, yes? Is there someone here?"

"Well, yes? I mean no offence, but you're inside me"

Silence answers him, quickly broken by laughter. He remembers Jazz laughing. It is a similar laugh. He thinks he likes this laugh more.

"Well, I did not expect the ship to be speaking too. I really should not be surprised after this whole month"

At least the organic isn't despairing anymore? Lost Light thinks he can see a smile on it's face if he strains the camera.

"Technically, I'm a Titan. I'm a ship in the same way Deadlock is a,,, what you call small ground vehicle... Car? If I want to, I can be a building."

"Wait, but if you're the ship... How big do you guys come?!"

"Very. Now, little one, do you want my welder or not?"

Another wave of laughter follows.

"I do have a name!"

"You did not introduce myself"

"Cheeky. And yet, you did not introduce yourself either, big ship"

"My designation is Lost Light, and I'm the best Titan Courier this side of the galaxy"

The organic seems to finally locate his internal camera and so it points at it with it tiny wrench. Lost Light thinks it likes it's smile too.

"Well, nice to meet'cha, Lost Light. Name's Hot Rod. Now, about that welder..."

Lost Light rummages in his inventory for his favorite welder, mountable on a cargo manipulator. It is surprisingly elusive.

"I have it, I have it.... somewhere. It's been a long time since I patched up myself."

"...You patch yourself up often?"

"Nowadays not much, I'm a very good runner, and... Aha! There it is!"

Hot Rod look very, very happy to see the welder-wielding cargo manipulator. He is so much smaller than the tiniest little ones he carried. He reminds Lost Light of something that escapes his processor.

"Thanks, big ship. I hate ruptured lines. God knows when Ratch and that Swerve guy will be back"

"I'm not that big, you know. And I'm glad to be of assistance"

Despite pointed critique from the organic called Ratchet later on, Lost Light considers his skills with a welder in his internal cargo manipulator arms to be above average.

Hot Rod thinks so too, and ire of a medic shared is misery halved in Lost Light's books.

And then it hits him.

He reminds Lost Light of those beautiful, beautiful distant stars.

Lost Light prepares a very tiny datapad for a very big map.

.*.*.*.

...And here it is. I got possessed. Guest-starring my basic knowledge of astrophysics and bad jokes.

OOOOOOOOOOOHHHHHHHHH I LOVE THIS TAKE ON THEM SO MUCH

[hotvintagepoll]

Propaganda

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Jane Fonda:

"I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

[racsow]

after seeing the godawful trailer, I did a reread of the Electric State and i cannot physically understand how the russo brothers did not "see potential" in the story

i'll admit, i underappreciated the writing on my first read! going over it again there is so much richness to the character building and the dread of the atmosphere. There's a vibe that I can only describe as desiccated americana and i love it. The world is rotten and dying, and there is really nothing left to do but go on for going on's sake.

anyway i'm doing a very large essay on Stålenhag's whole body of work, but the Electric State holds a special place in my heart as the first of his books I discovered and the most resonant to me, so i just had to share my thoughts right after the reread.

This is less about the artwork, which i could talk about for ages, and more just a general overview of the story themes specifically!

(Moderate general spoilers? i don't go into much detail, and it's not a story overly reliant on its plot twists anyway)

The hopelessness of The Electric State is rather unique among Simon Stålenhag's works - his other books, set in Sweden, are much more fondly nostalgic, though they of course offer strange horrors of their own - but of a much more physical, immediate level.

The Electric State is different. It takes place in an alternate 90s US even more drowned in consumerism and blind greed than our own. A civilization that is crumbling, not from nuclear war or global crises or meteors, but by its own hand, by capitalism driving itself into the ground. The perfect pleasure machine, the neurocaster headset, leaves people twitching, comatose creatures whose minds lie in vast Silicon Valley servers as their bodies are left to starve.

Michelle does not have the privilege of escapism. She is one of the few left to wander a silent world, an apocalypse without people to see it. She is privy to the horror of watching the inevitable trajectory of a world falling to its death, and feels only recognition that it's probably better this way.

Michelle is never sad about the end of America. She doesn't ever reminisce about how good things used to be, or how we should have "appreciated it while we had it." But she certainly does reminisce.

She has the memory of her foster parents, who derided the government "coddling neurine addicts" like Michelle's mother. She has the memory of her grandfather coughing himself to death in their tiny apartment, irradiated from his lifetime of underpaid work assembling gigantic war drones. She has the memory of her mother overdosing on a drug the government hooked her on during her service in the military. She has the memory of her first and only love, a love which the world hated, how it kept her alive in her foster home of Soest City, and how it was ripped from her by the pastor.

Unlike Stalenhag's other stories, there is no element of nostalgia or quiet undertone of hope. Only disgust for what came before, and quiet fear for what comes next.

The horror of the Convergence, the eldritch machine god hivemind, is not even very relevant to the story - if anything, it's a side plot. When Michelle faces actual danger, it's never from giant robot gods in the mist; it's from cops and hotel clerks, from doomsdayers hoarding guns and a FBI agent hunting her down. She lives in fear of other people, of people who say they want to protect her.

But when she sees the gigantic silent machines wandering through the mists of Oregon, she isn't afraid. It's almost peaceful. The Convergence is beyond understanding. It grew out of the servers where millions of minds seeking oblivion from the world went to escape, and they converged into something unknowably vast who wanders the world in a hundred million thoughtless bodies. It's otherworldly. It does not fear, it does not dream, it does not hope, it does not hate. Maybe that's better.

I was scared. But I also felt something else when that thing stepped out of the mist in front of our car. I can't think of a better word than awe. Like when you suddenly become aware that you've walked into the wrong part of the woods and come face-to-face with a gigantic wild animal. Beyond the grotesque, there was also something else - something majestic.

And in its wake, the citizens of Point Linden, hundreds of people linked together, their neurocasters connected to the oily god in the mist, floated across the ground in front of the car, and they looked almost happy. Calm and peaceful, they moved past the car and formed a single group again behind us, and soon disappeared into the mist again.

[kasagia]

I Can Fix Him (No Really I Can)

Pairing: Aleksander Morozova x fem!moon summoner!Alina's sister! reader Summary: After the events of the fold and the fight against Aleksander, you, Alina, Mal, Baghra, Zoya, Feydor, and the Six of certain Crows join forces against the Dark General, who is trying to take over Ravka. But instead of hating YOUR Aleksander with all your heart, you still believe that you can influence him and stop the civil war in Ravka. Inspired by: Taylor Swift - I Can Fix Hhim (No Really I Can) Taglist: @aoi-targaryen @il0vebeingdelulu @chelseyyouraverageluigi @watersquirtpewpewboomm @summersummoner-pat Aleksander Morozova's Masterlist ~•♤♤♤•~ Main Masterlist

They shake their heads sayin', "God, help her" When I tell 'em he's my man But your good Lord doesn't need to lift a finger I can fix him, no, really, I can And only I can... maybe I can't. Taylor Swift - I Can Fix Hhim (No Really I Can)

You can't help but shudder as you observe the fold from the hill you're standing on. Sometimes at night, you dream about how HE created it. As shadow flew from his mouth along with a desperate scream, creating a shadow fold with creatures destroying everything and anyone on their way instead of an army that was supposed to save his people.

The bond between you is still there. Even though Alina made sure that the amplifiers he placed in you were completely inactive and removed. Sometimes you envied her for not having these strange visions about Aleksander's past. Maybe then you could hate him blindly instead of gradually starting to see the point in his reasoning and actions.

“You should be sleeping.” You close your eyes and sigh as you hear the old witch's voice. Baghra's presence was like salt to the wounds that her son inflicted on you. She didn't help you move on from Aleksander at all. Even telling you only the worst, bloody, dark stories of his past didn't change how you felt. And God knows how hard you tried to hate him after all this time you were running away from him and his people. "Ignoring me won't make your situation better. Only I can help you with this bond between you and my son; you know it well. Besides, you have a long road ahead of you. Your summoning skills are poor; he would defeat you with a wave of his finger. You are a better summoner of the sun than of the shadows."

"I am the moon summoner. Not some strange hybrid." You huff offendedly, stroking your thumb over the back of your left hand—more specifically, the small scar left after Morozova's stag amplifier.

"Moon summoner? Who called you that?"

"Your son." You say scathingly, enjoying the silence that came after your words.

You congratulate yourself as the smirk disappears from her face. You fondly remember how he gave you that nickname during one of your late-night meetings in his war room.

You were both night owls; it made sense that you would want to spend your time with the general who personally trained you in the use of shadows rather than senselessly tossing and turning in your bed, waiting for a sleep that would never come, right? Besides, over time, you went to his chambers to toss and turn in HIS bed. And not because you couldn't sleep...

"You still can't see it? He only wanted your power. Nothing more. He cares more about Alina than you, since your powers are weaker than theirs. You can control two elements and be the first to summon shadows and not be from our family, but you will never compare to them. And Aleksander is a greedy man, like all of them. He won't be satisfied with a naive girl whose powers depend on the time of day."

"I understand." You answered calmly. Out of the corner of your eye, you see the woman staring at you in shock, believing for a moment that you had actually moved on. But you can't stop a small, mocking smile from appearing. "Instead of standing here and looking at me stupidly, you'd better check on the others. I hope Zoya hasn't killed poor Mal yet."

"Silly girl. May the saints watch over you." She comments, shaking her head.

"Your good saints don't need to lift a little finger! I can fix him." You hear her mutter something to herself as she walks away, leaving you alone and not even responding to your taunt.

You sigh, playing with the sleeve of your coat as you stare at the fold. You could have fixed him. Really. He didn't need much. He was a good man, and maybe others didn't see in him what you did, but you deeply believed that the real Aleksander Morozova still lived under the mask of the Darkling.

All you had to do was get him out. And only you were able to do it.

You close your eyes, letting the moonlight fall on your face as you focus to summon your own light. You sigh in defeat, playing with the tiny ball in your hands, which quickly dissolves the moment you let the shadows slip through your fingers—as usual, too weak to summon a light bigger than your fist in the dark of night.

You pull the hood of your cloak over your head and go back to the camp, thinking about the nights when you could summon anything you wanted in Aleksander's arms. How dependent you had become on him... Alina had told you more than once that you should have known better than to listen and believe the enticing promises of monsters whispered in the darkness of night.

But was it really your fault that you still wished you could sink into the warmth of his embrace and sheets where you didn't have to worry about whether you'd live to see tomorrow? With Aleksander by your side, at least you never had to question your usefulness.

You were both his stars and his darkness. And while Baghra's whispers sometimes made you doubt it, in your dreams you remembered how much your Shadow Summoner valued your presence. And that despite how the world saw him, he wasn't really the villain in this story. He was just a fallen angel, a saint you had to put his halo back on and give the stars back to. Or at least that's what you wanted to believe.

After all, only you could fix him.

"And who is she?" Prince Nikolai's piercing gaze meets yours as you, Alina, Mal, and Baghra meet his band of rebels on the ship.

Alina told you that if you were to defeat Aleksander, who was growing stronger every day after the King of Ravka declared Grisha, who did not join the First Army public enemies, you needed to obtain an amplifier of some sea creature.

You didn't listen to her very much, though. You were busy talking to Aleksander at night... mostly trying to connect with him or watch him from the shadows. You only briefly listened to the plans they were making. After all, they didn't need you as long as Alina and Baghra were in good shape. You were only a spare summoner in case one of them did not have enough power. Another reason why you preferred to spend more of your time and energy trying to contact your Sasha.

Maybe at least he would consider you useful.

"Wait... I know you from somewhere... Aren't you the Darkling's girl? The one he gave flowers to at the Winter Festival?" A man with a ridiculous hat and guns at his side asks you. You roll your eyes at him, sighing.

"Yup. That was me." You admit it—a wave of whispers spreading across the deck of the ship. You feel the judging glances of the other crows at you.

"Poor girl. Fortunately, you've got it over with now. If you're lucky, next time you'll see him, he'll be dead." Nikolai comforts you, patting your shoulder. You move away from him, narrowing your eyes at him as you brush invisible dust from your arm—right where he touched you.

For them, his death would be a salvation. For you, it's the worst thing that could happen to you. Even worse than losing your own power.

"Oh, believe me, my prince. I can handle me a dangerous man like him." You reply, ignoring the angry look Alina gives you.

Nikolai chuckles awkwardly, responding with something joking to your remark. The group gathers in the captain's office over a table with reports, papers, maps, and Morozova's notes. They are discussing the plan, but you can't focus too much on it. You stare at the map, wondering where Aleksander could be right now, as memories of the Winter Fete come flooding back to you.

"I don't recall this thing as a part of the schedule. I thought it was only you and Alina who entertained people while I was looking lovely while standing next to the Fedyor and Genya for the whole night." You say it in an accusatory tone as you enter his chambers. You hear his small, deep chuckle as he closes the door behind you and turns on the lights in the room.

"And here I thought that flowers would help me get into your good graces, and you would forget that I dared to save you from the king's wandering eyes and keep you for myself in our shadows." He replies teasingly, slowly walking around the war table to join you.

"The flowers are pretty... but I'd like you to remember that I don't just control shadows. I am the moon summoner. A combination of both light and dark. You called me that yourself. So don't underestimate me just because I can't yet do what you and Alina can do." He frowns at your words and shakes his head. He brushes away some stray strands of hair that had fallen out of your elaborately styled hairstyle made by Genya and stares at you intently.

If you could, you would stare into his dark, chocolate eyes forever. And you weren't even ashamed of it.

"I don't underestimate you. I'm protecting you. Alina had already caught their attention—the king and his pampered prince. I don't want you to be next. Besides... am I so selfish that I want you to shine just for me?" His (not so innocent) question and the sweet smile he gives you make your heart melt for him. You pull him towards you by the collar of his kefta and kiss him sweetly, lazily caressing his plush lips with yours.

Aleksander Kirigan was addictive. His kisses were sweeter than the sweetest dessert you had ever eaten in the Little Palace's kitchen late at night with him, and his scent was intoxicating in the most dangerous way. You would never forgive yourself if you lost him; you couldn't imagine how your life would have looked if he hadn't shown up, literally swept you off your feet, and didn't take you into his strong arms.

You didn't know what he saw in you that convinced him to make you his, but you decided not to question it as long as he was your man and only yours. Even if he was a bit possessive at times.

"A little... but I think I can handle it." You whisper as you break apart after getting out of breath. His thumb caresses your cheek tenderly as he looks at you, smiling. You feel the light flow out of you under his touch. "How does it work? That you make me unleash my powers no matter the time of day?"

"You just need… a little boost. Once we find Morozova's stag, I'll make sure that you will get an amplifier from its bones. You'll be able to control shadows and light regardless of the position of the sun or moon." He assures you, tracing a few pegs with his thumb on your waist, massaging you as he slowly pushes you towards the war table.

"How romantic... men give their ladies jewellery, chocolates, and other sweet things, and I will get a bone amplifier from my man."

"Your man?" He asks teasingly, raising an eyebrow at you. His hands rest gently on your hips, playing with the fabric of your black kefta as he leans over you. His nose brushes against yours, and his dark eyes never leave yours as he plays with your belt, slowly undoing it.

"Aren't you one?" You answer his question with your own as he undoes the buttons on your kefta. He slides it gently onto the war table behind you, leaving you in your black silk dress. You shiver as his fingertips touch the bare skin of your arm and collarbone.

"I think I am..." He whispers, placing kisses on your neck. You purr as he coaxes both moans and light from you. You feel the heat on your skin grow with every second his mouth explores your skin, your power wanting to burst out of you to light up his war room.

"Aleks.. hmph..." You gasp as his lips connect with yours in a frenzied kiss.

You give him everything he demands. Your mouth, your tongue, your moans, your light, and your darkness, to play with as he sees fit. Nothing matters to you except his touch and his mouth and the way he uses them to caress you in the most lustful and pleasurable way, dedicated only to two people with a true, strong, untamed, and unpredictable connection.

You feel like he's everywhere. He is in your body, soul, heart, and mind. Your every little thought, breath, heartbeat, and moan of pleasure belongs to him. And he enjoys them immensely, almost as much as you enjoy his service. Aleksander serves your pleasure as he does to his Grisha—completely losing himself in you, giving you everything he possibly can. He is fucking you in the most demanding and breathtaking way, making you feel like nothing else exists for you but him.

As always, he's your crutch as you dig your fingers into him for a foothold, your muscles completely failing you as he guides you over the edge of bliss. Light floods the room, dispelling the shadows you and Aleksander had summoned earlier. He could just as easily take your powers away at that moment, and all you'd do is thank him and beg him for more.

You tug on his hair, pulling him into a kiss as you feel his movements become less regular and more desperate as he too approaches the peak of his pleasure. You find that the beautiful music that drifts through the window of the Grand Palace cannot compare to the sound your Darkling makes as he lets go of his control and restraint completely and allows himself to lose himself in you.

His shadows consume the room, making you see nothing, but at the same time you feel so much… and you can't say you don't like it.

You’re glad you can bite into his skin to muffle your moans a little. At least it’ll allow you to look Ivan in the eyes when you leave this room with Aleksander after Ivan calls him on urgent business.

Although your heartbeat remains unchanged as Aleksander’s hand grips yours tightly when he leads you through the corridors of the Little Palace. And from the uncomfortable grunt of the heartrender, you suspect that Aleksander’s heart is beating at least as fast in his chest as in yours. And it’s not all because of the adrenaline rush of learning of your sister’s sudden disappearance.

"I can feel your breathing on my neck, Aleksander." You whisper into the darkness, standing on the bow of the ship and staring at the foamy sea in front of you.

You shiver as familiar arms wrap around your waist. His warmer, bearded cheek rests against yours as you peacefully stare at the nightscape in front of you. Aleksander's fingertips stroked your sea serpent scale bracelet—your second amplifier that you, Alina, and her great team managed to get a few hours ago.

"You are becoming more and more powerful, milaya. Too powerful for my taste." He murmurs against your ear, and teasingly licks your lobe with his tongue. You tremble in his arms, biting your lip as you try to find some shred of control.

"Now that we don't talk, I don't care much. You should rather go and torment my sister, good Saints know that's your favorite thing to do lately." You huff and untangle yourself from his arms (which he reluctantly allows you to do). You walk to the starboard side and ignore him completely, playing with the shadows that came with his 'projection'.

"Jealous?" He asks teasingly. He acts too smug for your liking as he stands next to you and brushes your arm with his.

You don't know how exactly your connection allows him to appear next to you at any time he wants, but you don't like it, not when you can't do something similar and torment him whenever you want.

"About you? Never. We both know you're mine. But that doesn't mean I'm not irritated by you trying to seduce my sister into your plans." You reply, focussing your gaze on him. You allow yourself to take a closer look at the scars on his face—a new thing about his appearance besides the kefta in yours and his colours that Alina had mentioned to you.

The fold had clearly hurt you in more ways than one. And looking at Aleksander you can't help but feel sorry for him, because you imagine how much those wounds must have hurt him. You wonder if it hurt him more than when you both broke your hearts back on the ship in the fold.

Even more so, you cannot understand why he insists on keeping the fold and widening it.

"To be honest, I was hoping you'd react to my little... tamptetion of your sister and come to me to knock some sense into me. Then I could tie you to my bed and keep you with me. Maybe I should collar you like I did to Alina, since you ran away from me and betrayed not only me but also our people, our Grisha. Tell me, did my dear mother also convince you that she gave birth to a monster? Are you afraid of me, malyshka? Are you disgusted by the things I taught you and did to you in the darkness?"

"Not at all. You've been such an angel in those nights… pleasing me so well with your silver-tongue. What a shame you decided that you'd rather play with Ravka than with my pussy." You reply, running your hand over his jaw teasingly.

His beard is longer than usual, rougher, and standing so close to him you can see the outline of the black bags under his eyes. The civil war took its toll on him. But he was still too damn handsome to resist.

"Look how I depraved you, my sweet, little, innocent Saint. Just a few months ago, you blushed at my mere words—not to mention my touch—and completely forgot to respond with anything of your own. What a diligent student you became, milaya. Have you found a new teacher yet?"

"Why did you ask? Haven't you found some new students?" You ask mockingly, pushing his wandering hand away from your waist.

"Why should I waste my time teaching someone the tricks I've already shown you? It is much easier and more advantageous, for me, to find you and drag you with me back to the Little Palace than even start to look around for someone else. After all, I didn't spend that sleepless night, teaching you how to please me, just to let the other man enjoy the fruits of my hard work."

"Who said no one else than you haven't enjoyed it already?"

He responded to your teasing question with a low growl. He grabs your hips tightly, making sure that you won't run away from him and press his hips to your ass. Goosebumps appear on your skin, and your heartbeat speeds up when you feel his manhood against your body.

"You wouldn't dare. You know I would kill anyone who would even think about touching you. You are mine, my little moon. All mine."

"Right now, you are too far away to order me or claim your right to me, Aleksander. What a pity… especially when there are so many men who could be called mine instead of you." You said and pushed him away from you. "Have fun at your war." You growl at him and move to go under the ship's deck.

But you don't make it far away from him. After just a few steps, Aleksander grabs your arm and pulls you to his chest. Shadows swirl around you, making you unable to see anything. All you can feel is their coldness, the warmth emanating from Aleksander's chest, and his scent, which is like a drug to you after a long withdrawal—more addictive than anything in the world.

"Why the rush? Don't you want to spend a few more minutes with me? The Saints know I would. Very much so." He murmurs to your ear, making you shiver as his hands are holding you tightly, his fingertips dig into your arm, probably leaving you bruised the next day.

"Before or after you will destory half of the Ravka?"

"I haven't decided yet." He growls and leans towards you. Before you can react, he's tangling his hand in your hair and pulling you in, claiming your mouth in a passionate kiss.

You gasp, enjoying the sudden, unexpected feeling of his soft lips on yours. You instinctively tangle your hand in his night-black hair and pull him closer to you, biting his lower lip. You moan at the taste of his blood on your tongue, his fingers digging into your waist. He lifts you, forcing your legs to wrap around his waist as he pins you against the wooden wall of the ship.

He takes your air, every logical thought, and every heartbeat, stealing everything that's left of you to remind you that every last bit of you was tainted by him and will forever belong to him. No matter what he did, Alexander had claimed every last bit of you, all of you, and left nothing for anyone else, as if he would ever allow another person's lips to touch the places that were his.

His lips move to your neck, nibbling there and leaving a trail of hickies. His beard tickles your skin as you feel the familiar tingle of sunlight trying to break through you as his skin meets yours.

You freeze, realising that Aleksander is standing before you in his own flesh. This isn't a vision, a nightmare, or anything else. It's him. The REAL HIM.

You take a deep breath, but before you can say or scream, Aleksander's large, calloused hand covers your lips, which are chapped from the sea air.

"I told you I'd come back for you, milaya. No matter how far or fast you run, I'll always find you and bring you back to your rightful place. At my side." He whispers in your ear, sending a cold shiver down your spine and your heart racing, adrenaline pumping as you try to summon your shadows.

Any hopes you have of escaping are dashed by the sight of Ivan's red kefta behind Aleksander. Heartrender quickly slows your heart rate, sending you into a sleep state. The last thing you see as you collapse into the Darkling's arms is a bright light that must be coming from your sister. And part of you is glad you're unconscious. It means you don't have to look her in the eyes as you realise your mistake.

Strangely enough, you don't wake up on a ship at sea. Or handcuffed in some filthy cell. You wake up in a comfortable, warm bed in an unfamiliar chamber.

You sigh, stretching your aching muscles. You roll over, pulling the black silk sheets off of you, rubbing your hand over your eyes as the sunlight hits them.

You are surprised to find no one around you. Not a single living soul. You suspect that Aleksander has placed a heartrender by your door to watch over you. You decide to get out of bed and investigate your surroundings.

Your legs tremble as you slowly get out of bed. You steer yourself towards the window, using the wall as a support. You gasp as you see the buildings through the window, the houses of Os Alta, and most of all the familiar structure that was the Little Palace.

You shiver as the door suddenly opens with a bang. You turn around, watching Ivan carefully as he enters the room.

"You're finally awake. The Tsar wants to see you." He informs you and walks over to the closet. He pulls out a black kefta and hands it to you. You stare at the material for a moment, trying to make sense of what's happening around you.

"I won't wear this." You say stubbornly, refusing to wear his colors. You're too angry at him for kidnapping you to grant him any more small victories in your... little war.

"I doubt it will make him angry. Probably quite the opposite." Ivan comments, significantly lowering his gaze to the nightgown you have been dressed in.

You roll your eyes at him and yank the black cloth out of his hands. You expect to see an all-black kefta, similar to the one Alexander gave you at the Winter Fete, but you are… surprised to see embroidered silver detailing on the sleeves. You raise an eyebrow at Ivan, but he seems to ignore you, patiently waiting to be escorted to the throne room to face the new Tsar.

You reluctantly follow the heartrender, aware that your power is limited by the metal bracelet on your wrist—an accessory you remember vividly from when the Darkling entered the fold with you, Alina, and the Ravkan dignitaries.

You shiver uncontrollably as you remember what happened in the fold.

It was your first time crossing the fold, and Aleksander knew it, as well as the fact that you were afraid to cross the creation that killed your parents. Your only consolation was that now, if need be, you could summon at least a small ball of light to scare away the volcra. And that Alina would be there with you. But your Shadow Summoner had never even mentioned to you that your sister would join you on the ship against her will. A small omission of fact that had been happening to him more and more often lately.

"I can hear your thoughts." As if on cue, he stands right behind you. His hand—the one with the amplifier—reaches for yours and intertwined your fingers, squeezing your hand tightly in his grip.

"It's a pity that you only hear them and don't think about them even for a moment." You reply snidely, swallowing hard as you stare at your sister’s collar. When her gaze meets yours, you drop your gaze to her shoes.

"It had to be done. You know it."

"Do I? You haven't been telling me anything lately. You just keep saying that I'm too weak to fulfil your plans and that you need Alina." You reply angrily, turning to look into his dark as fold eyes. You shiver as you watch him clench his jaw and narrow his gaze at you, trying to ignore the curious glances of the invited nobility as he is trying to respond calmly to your allegations.

"I never said you were too weak. I said you needed an amplifier to unlock your true potential."

"And what difference does it make?" You snap at him madly, wishing you had more control over your emotions than he does. You guess it'll take you ages to master the ability of keeping up your mask of indifference like he does.

"That I know what you're truly capable of. Don't you think I'd rather stand by your side as we pursue our plan? Do you think that I wanted to do this to your sister? That I'm the monster my mother painted for her and you? Everything I do, I do for the sake of Grisha. For us. For you. I… I just need a little trust from you. That's all I'm asking, milaya."

"And you need to know how hard it is to trust you when my sister is chained to the floor of the ship, with a collar around her neck so you can control her powers." You whisper, voice breaking, holding back the tears as you face both your immense love for the man before you and your hatred for what he did to your sister.

"She never wanted it."

"But now she wants. Just like I never thought you could be more than the Black General to me, and here we are." At your words, he softens a little. He sighs and looks around. You can see that he is struggling with his thoughts, that he is considering your words, but you know as well as he does that your relationship is too weak for him to change his entire plan with one word from you.

You shiver, not from the cold that your black coat, strikingly similar to the one he wears, protects you from, but from a premonition of what's about to happen. Something you definitely won't like. But you allow yourself to delude yourself a little longer that everything will be okay. You reach for his hand and place a quick kiss on it, pressing your lips not to the bony amplifier but to his skin, which makes his gaze focus fully on yours again. As if you really were going to be his light in the darkness.

"Please... just don't prove me wrong. Don't make me regret trusting you so blindly." He doesn't respond to your pleas—something that should make you at least a little suspicious. But he doesn't. Instead, he tangles his hand in your hair, pulling you closer. He presses a kiss to your forehead, appreciating the feeling of your body against him for a moment longer before he lets you go completely to take care of Alina.

Now you know it was a farewell, that he knew you would not accept how he used your sister's power to intimidate those on the ship, engulfing Novo-Kirbirks in the darkness of the Fold.

Then everything happened so fast. And you're really grateful to Alina for dragging you to another ship, even though you were cursing her name and howling in the darkness of the Folds louder than the volcras. Because you know you would have jumped after Aleksander regardless, trying to protect him at all costs from the monsters he himself had created.

“We’re here.” Ivan announces, pulling you out of your thoughts. You literally only had a few seconds to prepare yourself to confront Aleksander before you were shoved into the throne room, the doors slamming shut behind you.

Before your eyes land on the Tsar, you allow yourself to scan the room for a moment. The throne room underwent a major renovation. It resembled one of the rooms of the Little Palace more than the former throne room of the Lantsovs.

As you might expect, the dominant colours are black and gold. Surprisingly, instead of sitting on his new black marble throne engraved with a solar eclipse, Aleksander is standing at a round table with a map of Ravka. His gaze meets yours, sending an electric shiver through you.

But what surprises you the most is that there are two thrones present in the throne room. Not one. And the second one has an engraving of a crescent moon.

"I heard you called yourself tsar, but somehow the rumor about you taking over the capital never reached me."

"You might have slept through it, Sankta Y/N." He responds to your mockery with his own. You wrinkle your nose at the sound of your most hated nickname.

"And how long exactly was I in that forced nap?" You ask, walking towards him with your arms folded. You lift your chin at him as he frowns at your defensive posture.

He puts down the reports he was reading before you arrived and takes a step towards you. You resist the instinct that tells you to back away from him, just as the one that demands from you to come closer to him and snuggle into him.

You marvel at how he managed to evoke in you both blazing fear and rage, as well as lust and love. The desire to be close to him seemed unable to weaken at all. No matter what he did, a part of you would always be his. And it was something you strangely didn't want to fight.

"A few weeks."

"Hmm… how nice. And how many times have you used my powers in your little plan to take over the title of Tsar, the Grand Palace, and well, probably all of Ravka in those few weeks?" You ask snidely, glancing briefly at Ravka's map and the papers on the table.

"You sound like you're suggesting that this was something I wanted to do, or at least something a little enjoyable for me. And I thought that you, of all people, knew me at least a little better."

"Do I?" You raise a questioning eyebrow at him, staring straight into those dark irises, trying to ignore the black scars on his face that you haven't had a chance to get used to yet. You can't help but wonder how he's put up with his... new face.

"You're asking me?"

"And who should I? Of the two of us, I'm not the master of half-truths here." You question him, undeterred by the shadows around him growing thicker with each of your mocking words.

"It wasn't a half-truth… I just kept some things in the dark to protect you."

"And look where your defending me has gotten us. What exactly were you trying to defend me from? From your mother, Fjerdan, Drüskelle, or perhaps from yourself, Aleksander?"

"I… it wasn't supposed to be like this."

You sigh, taking a step towards him. You place one hand on his kefta, just above his heart, and with the other, you cup his bearded cheek, forcing him to look at you.

"So tell me. Let me in on your plans. Don't treat me like a pawn in your game, but as your equal. Unless you do consider me as someone beneath you."

"You ARE my equal." He quickly confirms and takes your hand (the one resting on his chest) in a tight grip, intertwining your fingers as he stares at you pleadingly, feeling how close he is to having you on his side.

And all Aleksander ever wanted was to not be alone in his fight for Grisha. And he would have that. He would have you even if you ran away from him, screamed at him, called him a monster, and cursed him to the saints, if it meant he would never have to struggle against the world alone again.

"So start treating me like one." You reply and look pointedly at the bracelets on your wrists.

You see the internal battle that is going on inside him. You see him struggling to let you in and to be as vulnerable with you as you have allowed yourself to be with him. You know his past, you know perfectly well what he's struggled with, what he's been through over the hundreds of years, but if he wanted you on his side, he had to at least show you in some way that he was able to trust you the way you trusted him.

"I… you can't expect me to… after all this…"

"You once asked me to trust you. I did. Why can't I expect the same from you?" You ask, looking at him expectantly. "Do you think I am capable of hurting you more than you've already hurt me, moi Tsar?"

"That was never my intention." He frowns, refuting your accusations. He steps back, creating some distance between you, giving in to his defensive reflexes. But you don't back down. You'll make a good boy out of him and make him come to you and fall into your trap. He just needed a little push...

"I know. Which doesn't change the fact that I pay a price for loving you, and you, Aleksander? It would be so much easier for me to hate you. But I can't. I don't want to. So please, for OUR sake, don't give me a reason to."

You look up at him pleadingly with your most beautiful doe eyes and stop your lips from forming a smile when you see the effect it has on him as he slowly begins to melt his attitude.

You take a step towards him and grab him by the collar of his kefta. He stiffens for a moment but calms down when you pull him to rest your forehead against his. He sighs shakily and tangles a hand in your hair, stroking your temple with his thumb.

"Aren't you tired? Of fighting all the time, giving them everything and never getting anything in return? How many lives have you spent sacrificing yourself to Grisha, and how many have truly belonged to you?" You whisper and press a kiss to the corner of his mouth. His beard tickles yours and you smile slightly at the familiar, comforting feeling. You open your eyes and stare into his dark irises, mumbling against his lips. "We could have had this, Aleksander. We could have made Ravka stronger together, united Grisha and Otkazat'sya, built an empire the likes of which no one had ever seen before. We still can. I can convince Alina and the rest that you can be trusted, that our goals are aligned, only two paths lead to them, which we can connect, everything can still be changed. You no longer have to fight alone."

"You think I haven't tried their way? Grisha will never be treated as their equals. Not if we don't use force, if we don't instill fear in them."

"Aleksander... they are already afraid enough. Please. Let's find the last amplifier and end this. Don't you think it's taking too long? We can repel the Fjerdan, stop the Drüskelle attacks, intimidate the Shu Han, and bring peace and security, but only by combining our forces."

"It's too late for that."

"Who said that?" You ask, stroking the black scar on his cheek with your fingertip. He trembles under your touch, burying his face in your hand.

"They won't see me as anything more than a monster."

"Now yes. But I can show them the real you. My man."

"Your man?" He raises an eyebrow at you, placing a hand on your shoulder and caressing your collarbone tenderly. You shiver as you feel the power flow through you, answering the amplifier’s call.

"Aren't you?" You whisper, looking at him from under your lashes and lightly biting your lower lip.

A moment later, he gives in and leans forward, capturing your lips in a kiss. You sigh, tangling your hands in his hair and pressing your body against his. He pulls you back with him and sinks into the throne, with you on his lap.

You move your hands to his chest and slowly undo the clasps of his kefta, peeling the black material off of it. Alexander pulls away from your mouth and presses kisses along your jaw and neck, nipping and biting at your skin, marking it with hickeys as you work to undo his shirt.

You hold your breath and stop your movements as the bracelets on your wrists are suddenly removed. Aleksander places tender kisses on them, causing both light and shadow to flow from your fingers. You sigh, pressing your lips to his forehead and burying your nose in his hair, inhaling his scent.

"I think I am." He mumbles against the skin of your neck, his beard giving you small tickles that make your lips curve into a little smile. You lazily run your fingers through his hair and pull away so you can look at him.

You trace the black scar on his cheek with your fingertips, caressing it gently. Aleksander holds his breath for a moment and places his hand on your thigh, squeezing it when you touch a particularly sensitive spot on his still-aching wounds. Your heart aches to see him like this. You swear to yourself that this is the last time you'll leave him with his shadows, that you'll let anyone tear you from his arms and leave him alone in the darkness.

As you sit on his lap in his throne room... your throne room, you wonder how the hell you're going to explain this to Alina and the others. You wonder how you're going to convince them that you haven't completely lost your minds to the man beneath you and how to convince them that you both have only the best interests of Ravka in mind and have no intention of harming anyone in the process of increasing the freedom, security, and importance of Grisha.

You decide that's a problem for another time. Right now, you were happy to bask in Aleksander's embrace, warmth, and scent.

"Moya tsaritsa..." He whispers in your ear as he works on taking off your kefta.

Yep, you could definitely fix him... or at least that's what you wanted to think as he showed you heaven in the ruins of what was once Ravka. After all, a fallen angel is also an angel.

[split-spectrum]

Heat Sick

Pairing: Obi Wan/FemReader

Length: 3.5K (One-off)

Warnings/Tags: explicit sexual content - minors DNI. noncon elements including nonconsensual voyeurism, master/padawan kink, age gap (no ages expressly mentioned and no description of reader), power imbalance, masturbation, angst, guilt kink

Description: While on a mission with your master to uncover an assassination plot, you forget to turn off your security cam. Obi Wan sees more than he's ready to confront, and feels more than he's ready to withstand.

☆☆☆

"We will discuss this later."

"Master, can we not trade one more day of the war for this? Just one day?"

Obi Wan lets his eyes widen as he turns to face you in disbelief. "Young one, the decision is not ours to make. The sooner you learn that and make peace with it, the better."

"Perhaps I could stay behind. Just me. I could ask the council-"

He nods to the ambassador and stands, lowering his tone to you as the rest of the room leaves. "You will pack your things, and we will be on our way tomorrow."

As you follow him down the hall to your respective rooms, Obi Wan makes a concerted effort to keep his shoulders low and his pace steady. Letting his irritation show would do no good for either of you.

No - he thinks - not quite irritation. It stings more than that.

You've been ready for the trials for some time, and the only thing keeping you from completing them is your overloaded schedule of assignments. You aren't yet a knight, though you both know that you likely would be, if not for the war.

But until then, where he goes, you go. And to defy that - to defy him by contacting the council for reassignment... he'd never expected you to go so far.

"Forgive me, Master," you mumble behind him, clearly not sorry. "I- I just want to help these people, and it doesn't seem like anyone besides me can see the extent of their issues."

Obi Wan suppresses any semblance of feelings, turning to face you when he reaches his door. "Perhaps that is true. Let us... let us agree that it is. What then? Are you prepared to stay here indefinitely?"

You fall silent, gazing up at him with those blasted, soulful eyes of yours. Those eyes can simply bowl him over whenever you please. It just isn't fair.

He sighs. "The council sent us here to uncover the assassination plot against the Toydarian king, and we have done our duty. We could spend a lifetime on any planet if we concerned ourselves with internal politics."

"This isn't just internal politics," you insist. "Another attempt on the king's life is almost inevitable, because we haven't rooted out the underlying problems."

Your face is so solemn, he has to force himself to take a beat before answering too flippantly. "Let us hope it happens in the distant future."

"Master, I'm being serious."

"As am I, Padawan." He hits the last word with a little more emphasis than needed. "As I have told you time and time again, we must learn to choose our battles. We have won the day. Now we must move on to where we are needed most."

Your brows pinch tight. "And I suppose we just hope the Toydarians can last until the end of the war without falling into a civil war of their own."

"Indeed, let us both hope so."

You'd clearly expected another answer; had wanted a longer argument. Your mouth falls open in indigance, but nothing comes out.

You turn and stalk away, and Obi Wan heaves another sigh as he enters his temporary quarters. There is nothing he can do to make you see reason when you're like this. The only thing he can give you is time.

Which is why a few hours later, your knock at the door is expected, but still welcome.

"Master?"

Obi Wan ends his meditation and answers the door, finding you standing rigidly behind it, clearly making an effort to keep eye contact.

"Come in," he ushers you, stepping to the side.

You look at the floor, then back to him as you enter. Your voice is soft and low. "I... wanted to apologize for my behavior... earlier."

Obi Wan lifts his eyebrows, but holds back his words, for now. He's already forgiven you, perhaps too quickly. Perhaps you know that.

"I just feel so... frustrated lately, with all these short, temporary assignments. It doesn't feel like we're making a difference at all."

He nods, gesturing for you to join him in sitting on the end of his bed. "I understand your need to help others. But we must not allow our fleeting feelings to blind us to the greater picture. We are a part of an order. You must never forget that."

Your stare is fixed on your lap, and you nod. "I know. I know."

"Letting go in order to focus on the greater good is not always an easy thing. But you will learn." He allows a small smile. "I have faith."

Your eyes sparkle when you finally look back up at him, and Obi Wan swallows, forcing himself to keep his smile in place before he looks away. It stirs something within him when you hold him in your gaze like that, as if he'd hung the stars themselves. Reminds him why it is best that you complete your trials and leave his side.

"I'm... sorry I mentioned a reassignment. I wasn't thinking clearly. My place is with you, Master. I don't want to be anywhere else."

Your earnestness sends a little wave of warmth through him, and Obi Wan quickly tamps it down, reaching for your clasped hands on your lap. He pats your hand gently. "I... appreciate that very much. But your place will not be here much longer."

You give him a wry little smile. "That's true. I suppose I should use my opportunities to disobey you sparingly, or you may not speak to me anymore after I'm knighted."

He returns your smile. "You won't be rid of me so easily. Not when I'm expected to use the new graphic software for mission reports."

He enjoys the way your lightened gaze slides over to him, lips splitting into a full grin. He knew that would get a rise out of you - you hate it when he asks you to help him with his datapad.

"On second thought, maybe I should transfer to a new quadrant as soon as possible."

Obi Wan laughs again, patting your leg this time. His big hand rests on your thigh a little longer than it should, and he draws it back, clearing his throat.

"I..." Your softened voice fills the silence. "I suppose I'll also need to get used to calling you Obi Wan."

Hearing his name in your mouth sends another little ripple of warmth just where it shouldn't be - right between his ribs. He steadies his thoughts.

"Let's agree to hold off until the trials, shall we?"

He hopes you hear it as a brush-off; a simple reassertion of your relationship, and that you don't hear the way his voice is pulled tight.

You grant him mercy, standing to face him again. "As you wish, Master," you answer. "Thank you for accepting my apology."

Obi Wan shakes his head. "There is nothing to forgive. Caring for those around you is no weakness. Now, get some rest."

You bow your head respectfully as he sends you on your way, and Obi Wan closes the door behind you. He rests his palm flat against the cool durasteel of the closed door, standing still for a moment.

The way his words no longer come easily in your presence, he knows he should be pushing you toward the trials as quickly as he can.

But that's another issue, for another day. Right now, he should be taking his own advice and getting some rest.

He crosses the room, removing his outer robe and hanging it in a nearby closet. Finding the light control panel and clicking off the remaining lights, he turns to look back at his bed and frowns. There's still light emanating from a small screen at his bedside. Then he watches as the image of you moves across the screen.

Oh. Right. The security cams.

Each of your rooms had been equipped with them when you'd moved into the palace a week ago. It's a closed circuit, meaning that you can only view one another. There had been some other channels available, including the king's chamber and other important locations. Those have been shut off since the investigation concluded. The cams in each of your rooms were only meant to be used when you were gone, to secure your living quarters when you weren't using them. Evidently, you'd forgotten to turn yours off - probably because you'd come back to your quarters in such a huff earlier.

Obi Wan walks over to the screen, ready to shut it off, but finds himself standing there, lingering. Hand at the ready, but never quite pressing the button.

You shrug out of your heavy outer robe and hang it over the back of a chair, your movements graceful and slow. Bracelets slide from your wrist down your forearm, and although there's no sound with the image, he can practically hear the way they jangle together. Those blasted pieces of jewelry - he's told you a thousand times not to wear them, but you keep them tucked under the sleeve of your robe anyway. Probably stuffed into the fabric so they don't make a sound.

His hand comes back to his side, watching as you admire them while taking each one off. They aren't practical. They could catch on something during a fight. But they'd been given to you by a friend, and you'd stubbornly held onto them. And if he's being honest, they are beautiful.

Beautiful.

The word hangs in his mind.

He clears his throat, refocusing on the idea that he should work to accept that there are some things he was able to train out of you, and some things that remain a part of who you are. Now that you're moving on, no longer his padawan, he needs to force himself to view you differently.

He watches as you put away your bracelets, packing them with the rest of your clothing. After another moment, he lifts a hand to the button again. Any longer and he'll be infringing on your privacy. He just... wanted to take a moment to reminisce.

He continues to reminisce while you're bending down to roll out your night clothes, and he can see down the front of your-

Click.

His breathing is unsteady.

The blank, darkened screen stares back at him. Every one of his nerve endings feels like they've been dipped in molten lava.

He's never done anything so improper.

You are his padawan. 

His padawan. He leans into the word, branding it into his mind, with all that it encompasses. All the expectations and the prohibitions. All the sleepless nights and grueling days he's spent committing himself to you; to do right by you.

He's let this thing, this fascination, fester within him for far too long. Lingering looks, over time, have become a habit. And just now, the habit has been unspooled in front of him, spilling out like thread from a cut cloth. He'd never realized it had become this much a part of him. Not until just now, when his gaze didn't have to turn away. When it could run rampant with no consequences.

It fills him with a sort of dread. As if his feet are on a path he knows he can't turn from. No, indeed - he's already on it. Just by not moving from this spot in front of the screen, he's already taken the first steps.

He feels like every muscle in his body is taught, ready to snap. This moment could be so easy to resist, if he knew it would happen again. If this weren't the one time he would ever, ever have the chance to see you - really see you, without hiding his desire. Without the chance of you knowing. Without the need to control himself.

Click.

You've taken off your tunic, spreading it flat to roll it up. All you're wearing are your leggings and a thin undershirt that wraps tightly around your stomach and hangs loosely at the top. When you bend to roll the tunic up, his eyes are unable to tear away from the screen. The dark crevice where your shirt falls open draws him in, dangerously close to revealing more. His eyes are fixated on it. Pleading for it to spare him and stay in place. Pleading for it to slip.

He drinks in the features of your face. Your relaxed expression. The curve of your jaw. The length of your neck.

How many times has he imagined it - brushing a knuckle along the nape of your neck, just to feel your warmth. The thrill that would run through him as you might look up at him with wide, confused eyes. A shudder runs through him, filling him with unwelcome heat.

He's been on enough desert planets to experience heat sickness. The way it courses through the body in nauseating waves. Making him jittery, uneasy. Shaking with the feeling of wanting to burst, yet knowing there's nothing he can do to fight it. He could not beg the suns for mercy. The only thing he could do was let the sickness crawl through his veins, poisoning him slowly until he lost all sense. And hope he could come back to himself when it was all over.

You finish folding and turn around to unclasp the front of your leggings.

Obi Wan sits, the soft edge of his bed catching him.

He can feel his heartbeat in his throat as you seem to take an eternity to slowly slide the pants over the curve of your ass, exposing skin he's never seen before. Even in the smallest of your training clothes, he's never seen the full, soft cheeks of your ass on display like this. He sucks in a breath, eyes dancing over every inch.

You step out of the leggings, bending at the knees to pick them up, and he watches the arch of your back, the sway of your hips. When you put away your leggings, he considers it a blessing that you're behind a table, yet still feels the pull of frustration - waiting, waiting, waiting for you to step back into view.

When at last you do, your hands slip down to your sides and you turn to face the cam again, showing him the smooth skin of your stomach as your shirt lifts up.

"Stars, help me," Obi Wan whispers, unblinking.

But you're walking back and forth as you undress, and at the moment his breath hitches, you turn away again, and he sees nothing but your back. You stride across the room, completely at ease, and just as you enter the doorframe of the refresher next to your room, your fingers lazily slip under the waistband of some sort of obscenely delicate fabric, peeling your underwear down your body.

Obi Wan has to stifle a soft moan, imagining his own larger, rougher hands in place of yours, dragging the lacey thing down your legs to the floor.

You step out of them, and at a distance that's quite blurry, he can just see the soft bounce of your breasts from the side. His mouth is slackened, watching you walk away from the cam and into the next room.

His chest is tight. He shifts uncomfortably in the bed to reposition. He can feel the thrum of his own flushed face, can feel his pulse between his legs.

When you come out of the other room, you're clothed - just barely. You've put on a silky little slip. It's practically see-through. It might be worse than seeing you with no clothes at all. The slip itself is almost painfully innocent. No lace or adornments. A simple, soft garment worn for your comfort in bed. Nothing more.

The idea sends another shameful jolt through him, at watching you like this. Then he catches sight of the small pod in your hand. When you draw up one of your legs onto the bed and take off the lid of the pod to swipe your fingers through it, he realizes that it's a salve or lotion of some sort. A new level of agony overtakes him as you slide the lotion over your leg, rubbing in soft circles over your skin. Each time you lean forward to rub another circle, your slip rides up to show a teasing glimpse of your ass.

Obi Wan follows your every movement, feeling his gaze go glassy, heavy, and lost. The ache throbbing between his legs seems to thrum in time with your entrancing, repetitive movements. You start on the other leg, and when you bend forward this time, he groans into his fist, seeing even more.

Almost absently, he palms down his straining erection through his clothes. His eyes flutter shut at the feeling, and then snap open again to watch as you drop your leg, smoothing the lotion over your arms and neck, then sliding your hands around your breasts. You may as well be wearing nothing, the way he can see your fingers working beneath the fabric, squeezing the soft skin and teasing delicately over your own nipples.

His lower lip juts forward when his mouth falls open, and Obi Wan bares his teeth as if that will help him. As if the futile gesture of his struggle will somehow stop the way his hand is rubbing himself. As if it will keep him from tearing his off clothes as he watches you touch yourself.

Your hands slowly work their way down to your stomach, then down the lengths of each of your arms, and you finally put the lotion away. You dim the lights, but the picture is still fortunately - cursedly - clear enough that he can see every curve of your body as you climb into bed. You pull back the covers, and Obi Wan's palm presses hard into his lap and stills.

"Oh, darling, no..." he murmurs as you crawl forward, giving him a clear view of your perfect, glistening center. You're a little wet, and he feels himself losing a small piece of his sanity trying to imagine why you might be.

Once you're in bed, lying on your side, the light from the next room bathes your face in an ethereal glow so that he can see your every expression clearly, though your body is a little shrouded by the blankets piled at your feet.

He can, however, with the way you're angled, see right between your legs.

Hands trembling, he unceremoniously yanks down his pants to wrap a palm around himself, letting out a short gasp at the relief.

Your perfect pussy, bared just for him. He curses under his breath as he drinks in the sight of you, knowing he'll only last a few moments and squeezing himself, trying to draw out the moments as long as possible.

Obi Wan's heated gaze ratchets upward when he notices you yawn - soft, sweet and pure.

Entranced by the way your lower lip is hanging open, he imagines what it would feel like to shove two fingers into your warm, wet mouth. The image makes his cock twitch in his hand, and he imagines that going in next.

He admits it - he wishes he were there with you. Right now. Standing over your bed and looking into your big, luminous, trusting, tear-blurred eyes and shoving his cock into your lovely little mouth.

He wants to run a finger along the folds of your pussy until you soak his hand, and then he wants to ease your legs apart and tease circles around your swollen clit until you're babbling with pleasure. He wants you in every way. Stars save him - he wants to fuck you.

The thought makes him grunt low in his throat, and he tightens his grip. He's disgusted with himself, grinding into his own fist as if he could wring the very thought out of his body.

His padawan, bent over her bed, legs spread for him. His heavy palms on her waist, holding her perfect body, her skin too young and smooth for his calloused hands. Her pussy engulfing his dick, making him cry out her name with every thrust.

With every harsh tug of his pulsing, drooling cock, he's more damned. But he can't stop. Can't think of anything but you. His whole mind - his whole being - is concentrated on nothing but you, and how much he wants to paint your stomach, your face, your cunt with the cum that's about to shoot all over his hand.

He watches as you roll to your other side, tits nearly spilling out of your bedclothes, and imagines the way they would feel under his hands. The way you would bounce under your clothes as he ravaged you, coating his dick in your slippery, soft, innocent little cunt, taking absolutely everything he'd ever wanted.

And Obi Wan explodes, trying to block what he can, but failing miserably and covering his hand and the screen with ropes of hot, white mess. He chokes back a groan, forcing himself not to wake half the palace and grunts quietly into the arm of his tunic as he finishes soaking the bed and himself in his own seed.

He pants, watching the mess dripping over your warm, clean, clothed form on the screen. His mouth is hanging open, and he closes it to swallow.

Your eyes are shut, expression peaceful. You've fallen asleep.

He's shaking and sweating, staring at your beautiful face when the shame overcomes him.

The worst thing about heat sickness - once it takes you, even if you slake your thirst, even if you cool your brow, even if your pulse stops pounding for the moment - it will inevitably happen again. 

--

A/N: Shoutout to @slinkygail who kindly encouraged me to work on my WIPs! 💜

And thank you as always to everyone who reads. Hope you liked this one-off. :) It's been bouncing around my drafts for a while. A situation I don't believe for one second that Obi Wan would actually find himself in, but was absolutely necessary to indulge myself.

[sergeantbarnessdoll]

Hii!! Can I please request a Stucky x fem!reader fic? So you know how in Civil War, right before Bucky and Steve fight with Tony, the three of them find the other super soldiers that Zemo killed? Imagine that Zemo had missed one, one that was more recently abducted by Hydra to be experimented on with the super serum (so she wasn’t in cryo when Hydra abandoned the facility, she was in her cell). Instead of super strength though, she can control the elements. While she had figured out how to get out of her cell, she was too scared to actually leave the facility. The three of them hear soft cries from behind one of one of the cryo containers (she hid there after Zemo left) and find a very terrified woman who hiding her face in her knees and shaking. Steve would be so gentle and soft when talking to her and get down to her level and Bucky would understand completely what she is going through. Tony would probably be a little more on the defense. Anyways, she won’t speak at first, but Steve gets her calm enough to answer questions and she explains what Zemo did and how she hid, also she probably overheard him talking about his plan to break up the avengers and his plan to show Tony the tape of the winter soldier killing his parents because he knows it’ll start a fight. And maybe this is enough to stop their fight from happening because they know it’d just feed into Zemo’s plan?

Anyways, they bring the shaking girl back to Avengers HQ with them and they take care of her? She won’t speak to anyone else but Bucky and Steve, and she feels most comfortable cuddled between them🥹 (Avengers get back together)

Only Comfortable With Them » Stucky

Pairings: Stucky x Enhanced!Female Reader with the Avengers

Summary: You explains to Steve and Bucky what Zemo’s intentions are and you only feel comfortable with them after they save you from the HYDRA facility.

Warnings: Fluff, Angst (not Bucky and Steve), language, HYDRA, crying, nightmares, kissing, pet names

A/N: Thank you for the beautifully descriptive request @kpopgirlbtssvt 🩵

Written on my phone. My apologies for any mistakes.

Header made by @buck-star

GIF IS NOT MINE! Gif credit goes to the creator.

You heard unfamiliar footsteps walking in the now abandoned HYDRA facility. It didn’t sound like the boot HYDRA agents wore. You got off the bed in the cell you’re in and cautiously approached the door. You stood on your tippy toes to look out of the small window on the door. You seen a man. You couldn’t make out who he is. He was facing the other way. You could tell he was in the cryogenic chamber room. Your cell isn’t too far from there. He pulled a gun out of his coat pocket and pointed it at the cryogenic chambers the five Super Soldiers are in. He pointed it at the cryogenic chambers and shot each Super Soldier in them. He was talking to himself as he was setting up some kind of monitor and put a tape in it before leaving.

You had a feeling the man was going to come back and find you in a cell. You knew that you needed to get out of the cell, but you didn’t have a key or tools to unlock the door. You almost forgot that you have powers where you can control elements. You haven’t used them in a while. You figured if it focus on the door hard enough, it’ll open or somehow come off the hinges. You took a deep breath before focusing on the door. After a short moment you were going to give up, but then you heard the door rattling. You focused harder and soon enough, the door fell off the hinges.

You then cautiously walked out of the cell, walking toward the cryogenic chamber room. You seen bullet holes in the foreheads of the five Super Soldiers in the cryos. You were going to leave the facility, but then you heard three more unfamiliar footsteps, two pairs of boots and metal feet against the concrete. You quickly hid behind one of the cryos. You pulled your legs up to your chest and wrapped your arms around them tightly. You were scared that whoever is now in the facility is there to abduct you or hurt you. You were so scared that you started crying. Steve, Bucky, and Tony seen the Super Soldiers in the cryos had bullet holes in their foreheads. That’s when they heard the sound of your crying.

“Do you guys hear that?” Steve asks.

“Yes.” Bucky and Tony say in unison.

They followed the sound of your crying and whimpering, finding you behind one of the cryos.

“Ma’am?” You heard an unfamiliar voice.

You looked up to see three unfamiliar men. You scooted away from them.

“Pl-Please don’t hurt me!” You pleaded.

“We’re not going to hurt you.” He assures.

Steve hands Bucky his shield so he looks less intimidating.

“May I approach you?” He asks.

You stared at him for a few seconds before nodding your head yes. Steve carefully and cautiously approached you and crouched down in front of you.

“I’m Steve and these two guys are my friends Bucky and Tony.” Steve introduces them. “What’s your name?” He asks softly.

“Y/N.” You say quietly in a shaky voice.

“Can you tell us why you’re here?” He says.

“HYDRA kidnapped me and experimented on me. They hurt me. I didn’t like it.” You tell them.

Bucky carefully and cautiously approached you and crouched down in front of you.

“They hurt me too.” Bucky says.

“With needles?” You asked.

He nodded. You stared at the two men in front of you. Something about them is telling you that you can trust them and you felt comfortable with them.

“Sweet talking isn’t going to get us anywhere.” Tony says.

Bucky and Steve waved him off.

“Can you tell us about Zemo?” Steve asks.

“Zemo?” You asked, furrowing your eyebrows in confusion.

“The man who was here before us.” Bucky says.

“He had a gun and shot the Super Soldiers in the cryos. Then he started talking to himself about how the Avengers did something in Sokovia and wanted to break them up. He also put a tape in that monitor.” You explained the best you could.

“What’s on the tape?” Steve asks.

“I think he said it was a mission the Winter Soldier did.” You say.

Steve and Bucky exchanged looks, knowing exactly what mission it is.

“You’re safe now.” Steve says softly.

Steve and Bucky stood up. Both of them held their hands out for you. You stared at their hands for a few seconds before putting your hands in theirs. They helped you up from the floor.

“Wait a second. She’s coming with us?” Tony says.

“Yes.” Bucky says.

“How do we know she’s not part of that Zemo guy’s plan?” He says.

“She’s not, Tony. Look at her. She’s terrified.” Steve says.

Tony narrowed his eyes at you. You felt yourself becoming smaller under his gaze. Steve and Bucky wrapped their arms around you, guiding you to the quinjet. Steve flew the quinjet while Bucky stayed with you. Tony continued to keep his eyes on you, making sure you didn’t try anything, even though you weren’t going to do anything.

“What’s this?” Bucky asks, pointing at an IV needle still in your hand.

“It’s what HYDRA used to experimented on me.” You tell him.

Bucky found a first aid kit and opened it.

“May I?” He asks.

You nodded and extended your hand towards him. Bucky slowly and carefully took the IV out of your hand and put a bandaid on your hand. He brought your hand up to his lips and kissed it over the bandaid. You couldn’t help but blush when he did that.

“How long did HYDRA keep you there?” Bucky asks.

“About a year.” You tell him.

You glanced over at Tony. He was still looking at you. He was still on the defense about you. You looked away and leaned your head against Bucky’s shoulder, hiding your face against his shoulder.

“You’re making her uncomfortable, Stark.” Bucky says.

Tony rolls his eyes at Bucky and turned his gaze away from you. Bucky wrapped his arms around you, making you feel more comfortable.

“Where are we going?” You asked, looking from Bucky to Steve.

“Avengers compound.” Steve says.

“Is it safe?” You asked.

“More than safe.” He says softly.

You smiled at his words. You laid your head back on Bucky’s shoulder. You played with Bucky’s metal fingers as you started to doze off.

When you guys got to the Avengers compound, Bucky and Steve put your sleeping body in their bed and gave you time to rest. You clutched the blankets in your hands as you tossed and turned in bed, due to a nightmare you’re currently having. Your breathing was uneven. Bucky and Steve walked in the bedroom to check on you.

“Doll, wake up. You’re having a nightmare.” Bucky says softly as him and Steve gently shook you awake.

You gasped and scrambled to sit up, breathing heavily and your face wet with tears. Your mind was all over the place.

“Where-Where am I?” You asked frantically.

“Avengers compound. You’re safe, sweetheart” Steve says.

Steve handed you a glass of water. You stared at it before taking it from his hand and took a sip of it.

“Do you want to tell us about it?” Steve asks.

“Needles.” You mumbled. “So many needles. I didn’t like it.” You mumbled again.

“I get it.” Bucky put a comforting hand on your knee. “I didn’t like the needles either.” He says softly in an understanding voice.

“Scary and so much pain.” You mumbled.

Bucky nods, understanding what you endured with HYDRA.

“You’re safe now. You’re with us.” Steve says softly, putting a comforting hand on your other knee.

“Does that mean I can stay here with you guys?” You asked, looking from Steve to Bucky.

“Of course you can, doll!” Bucky smiles, patting your knee gently.

You smiled and stood up on your knees so you could hug them. Out of excitement, you gave them a soft peck on their lips without realizing it.

“Sorry.” You muttered, sitting back on your heels. “I didn’t mean to do that.” You say, fiddling with your fingers.

“It’s ok, sweetheart. I don’t mind.” Steve says.

“I don’t mind either.” Bucky says.

Over the next few weeks, you quickly adjusted to living in the Avengers compound with Steve’s and Bucky’s help. You only feel comfortable around them. The Avengers know that too, which they completely understand. They’re sure that you’ll warm up to them. You’re ok with the rest of the Avengers, but you’re not at the point where you’re ready to start talking to them, which they completely understand. You wave at them and smile when they say hi or good morning to you. When they talk to you, you listen and nod. They don’t expect you to say anything back, which they’re ok with.

You were wandering around the hallways of the compound bored and looking for Bucky and Steve. You assumed they were in the gym so that’s where you went. They were sparring so you sat down on the floor and leaned your back against the wall, patiently waiting for them to finish up.

“Hey, doll.” Bucky smiles as him and Steve walk over to you. “You ok?” He asks.

“Yes. I was bored and I want cuddles.” You say, looking up at the two Super Soldiers.

“We can do that right now.” Steve says with a smile.

You smiled and stood up. You stood on your tippy toes and kissed their lips, not caring that they’re sweaty. You went back up to the bedroom you share with Steve and Bucky, patiently waiting for them. You turned the TV on and flipped through the channels while you waited for them to clean up.

“Ready for cuddles?” Steve asks as he got on the bed.

You nodded your head eagerly and put the remote on the nightstand. Steve laid down next to you and you laid down next to him, laying your head on his chest. Bucky laid down behind you, wrapped his arms around your waist.

“What are we watching?” Bucky asks.

“I don’t know. I couldn’t find anything so I just put this movie on.” You say.

You guys weren’t really interested in the movie. You guys were more interested in cuddling.

“Hold me tighter please.” You say softly.

Steve and Bucky did just that. You smiled and sighed in satisfaction.

“Thank you.” You say quietly.

“For what, darling?” Steve asks.

“For saving me.” You say, looking from Steve to Bucky.

“You don’t have to thank us, doll. We’re just happy you’re safe now.” Bucky says.

“I love you guys.” You say, kissing them.

“We love you too, doll.” They say softly in unison, kissing you back.

🩵💙🩵💙🩵💙🩵💙🩵💙🩵💙🩵💙🩵💙🩵

-Bucky’s Doll

[thursdays-adult]

You know I never shipped Zutara back in the day. But I've been thinking lately about how it would have looked for the disgraced prince that's been banished for three years; who briefly returned only to become a traitor again; helped the avatar topple the current regime; and then ended the 100 year war to also start courting a girl from the water tribe. I mean yeah Zuko is likely cleaning house of all the Ozai loyalists and many people were likely exhausted by the war and glad to see it end. But still that's a populace who's been fed propaganda for over 100 years on the righteousness of the war and the superiority of the fire nation and who now has a fire lord speaking against all of it. A fire lord who seems more comfortable with earth nation and water tribe dignitaries than his own people, including his choice of a bride . In a way Mai seems like the more politically sound choice. A way to reassure the fire nation that they're still a priority and that not too much will change. Fire Lady Katara could possibly only stoke the flames of civil war. But then as Iroh said water is the element of change with a deep sense of community that holds them together through anything, and I think it'd actually be really interesting to see Katara step into all of that political upheaval and change because she might actually be the perfect person to lead them through it. And now I'm really fascinated by that concept.

[aeliem]

1st horseman - Conquest

(click for better quality)

timelapse and rambles under the cut

i finally fucking did it hell yeah!!!

ok so i had the idea to have each bad sans (killer, dust, horror & nightmare) as each of the horsemen of the apocalypse. i started it about a months ago, planning to release it on halloween (turns out that didnt really work out as you can see)

but now its finally done! the 4 drawings are all finished, im gonna post them over the course of this month so i have time to focus on comics (i have one comic in mind especially where all the scenes are done, i just need to make a clean script and makes the actual pages) (and maybe writing? i've been reading stuff on ao3 and im getting inspired)

also some stuff in the drawing (easter eggs? idk)

the purple color on the bow end & feathers is the KR/karma color (or at least close enough) Dust's eye is red & cyan (obviously), but i always headcanon him as having more patience than perseverance (except purple on red looks like shit so i draw it cyan anyway), but i did add a small sliver of purple between the 2 colors the text in the background is the message you get at the end of a fight when leveling up, and this one specifically (200 XP 0 gold) is for papyrus

anyways

Why Conquest for Dust?

part of it was by elimination, but between the 4 choices i feel Conquest matches best thematically. famine is out of the question, death feels too important to be him, and civil war is too chaotic/not really as calculated as i imagine him to be.

conquest's elements are: the color white, a bow, and the themes of conquest, but also "noble" war (between countries, by opposition to civil war) or religious war. white isn't especially about dust, but the bow i feel works because he would fight at a distance (and generally try to distance himself from what he's doing)

Dust's story is all about fighting an enemy who's on the other side of the barrier (the human), so linking it to war makes sense, and he thinks going on a killing spree is the only way he can save everyone/make things right, so the "noble" side of it matches pretty well. (also conquest can be/has been interpreted as the christ/antichrist, and i headcanon Dust has a huge savior complex so this absolutely matches)

enough ramblings, here's the timelapse!

[theguywithaplan]

List of Games Turning Twenty (20) Years Old in 2025

Advance Wars: Dual Strike

Advent Rising (they started planning the trilogy before the first game was out lmao)

Age of Empires III

Animal Crossing: Wild World (the DS one)

Arc the Lad: End of Darkness

Area 51 (the FPS that was low-key kinda creepy)

Banjo Pilot (the Banjo-Kazooie racing game on GBA).

Battalion Wars (the spin-off of Advance Wars).

Battlefield 2

Brothers in Arms: Road to Hill 30

Brothers in Arms: Earned in Blood (yep, they released two mainline games in one year).

Burnout Revenge (this cleared Burnout 3, and I will fight you on that).

Call of Cthulhu: Dark Corners of the Earth

Call of Duty 2

Castlevania: Dawn of Sorrow (go play the Castlevania Dominus collection. It has this game and a few others and it's GREAT).

Castlevania: Curse of Darkness

Civilization IV

Cold Fear (answering the age old question: what if Resident Evil 4 was on a boat and not as good?)

Condemned: Criminal Origins (a launch title for the Xbox 360 and a pretty solid horror game).

Conker: Live & Reloaded (maybe a controversial opinion, but this is WAY better than the original).

Crash Tag Team Racing

Dead or Alive 4 (aka, the one with not Master Chief in it).

Destroy All Humans!

Devil Kings (all the sequels would be under it's non-translated title: Sengoku Basara).

Devil May Cry 3: Dante's Awakening (let's rock, baybeeeeee)

Donkey Kong: Jungle Beat

Dragon Ball Z: Sagas (I saw a stream of this game a few months back, and oh my god, this looks so shitty/funny).

Dragon Quest VIII: Journey of the Cursed King

Dynasty Warriors 5 (who's excited for Origins???)

Far Cry Instincts (a console version of the PC exclusive original game)

Fatal Frame III: The Tormented

F.E.A.R. (if you haven't played this before, change that. it's fantastic)

Fire Emblem: The Sacred Stones

Fire Emblem: Path of Radiance (the one with Ike the Bisexual in it).

Forza Motorsport (the very first one).

Gauntlet: Seven Sorrows

Geist (the rare M-rated Nintendo game).

The Getaway: Black Monday

God of War (the very first one).

Gran Turismo 4 (one of the few PS2 games that could be played in HD, along with... Jackass: The Game...)

Guild Wars

Guitar Hero (the very first one).

Haunting Ground (a very rare PS2 horror game from Capcom).

Hot Shots Golf: Open Tee

The Incredible Hulk: Ultimate Destruction

The Incredibles: Rise of the Underminer (since the second movie came out, this game is now considered non-canon).

Indigo Prophecy/Fahrenheit (the second game from known hack/fraud David Cage).

Jade Empire (the last game that BioWare made before they got acquired by EA).

Jak X: Combat Racing

Judge Dredd: Dredd vs. Death (there was a for real-ass Judge Dredd game on the GameCube).

Kameo: Elements of Power (another Xbox 360 launch title, this one made by a post-acquisition Rare. It's pretty fun).

Killer7 (from the greatest to ever do it, Suda51)

Peter Jackson's King Kong: The Official Game of the Movie (you guys think it's based on the movie or what...?)

Kirby: Canvas Curse (a really fun DS game that only used the stylus)

Klonoa 2: Dream Champ Tournament (i think klonoa would get along really well with sonic)

The Legend of Zelda: The Minish Cap (the one where Link gets really small)

Lego Star Wars: The Video Game

Lunar: Dragon Song (one of the worst RPGs I've ever played. Don't play it).

Mario & Luigi: Partners in Time (the one with the Baby Mario Bros.)

Mario Kart DS (the first one with online play).

Mario Party Advance

Mario Party 7 (my personal favorite)

Mario Superstar Baseball (we didn't get a Mario Baseball game on the Switch. Because they're saving it for the Switch 2).

Mario Tennis: Power Tour (so many Mario games...)

Dance Dance Revolution: Mario Mix

Marvel Nemesis: Rise of the Imperfects

The Matrix Online (an official continuation from the movies)

The Matrix: Path of Neo

Medal of Honor: European Assault

MediEvil: Resurrection

Mega Man Battle Network 5 (the only one in the series to have a DS version)

Mega Man Zero 4

Mercenaries: Playground of Destruction

Metal Gear Acid (a launch title for the PSP, and a card game set in the Metal Gear universe. It works better than you might think).

Meteos (a puzzle game made by Masahiro Sakurai, the Smash Bros. guy)

Metroid Prime Pinball

Mortal Kombat: Shaolin Monks

Myst V: End of Ages (the final Myst game)

Need for Speed: Most Wanted (did you know that this game outsold the entire Halo series?)

Neopets: The Darkest Faerie (is Neopets still a thing?)

Nicktoons Unite! (a crossover between Spongebob, Fairly Oddparents, Jimmy Neutron, and Danny Phantom).

The Nightmare Before Christmas: Oogie's Revenge (an honest to god sequel to the movie that plays like Devil May Cry).

Ninja Gaiden Black

Nintendogs

Oddworld: Stranger's Wrath

Pac-Man World 3

Perfect Dark Zero (yet another Xbox 360 launch title, also made by Rare, and a sequel to one of the best FPS games ever made. It was fine).

Phoenix Wright: Ace Attorney (it had been out in Japan for a few years, but us Yankees got this four years after it came out).

Pokemon Dash (a Pokemon racing game. It was not very good).

Pokemon Emerald Version (I sunk like 500 hours into this game).

Pokemon XD: Gale of Darkness (a sequel to Pokemon Colosseum where you could capture other people's Pokemon).

Prince of Persia: The Two Thrones

Psychonauts

The Punisher

Quake 4

Ratchet: Deadlocked

Resident Evil 4

Serious Sam 2

Shadow of the Colossus (one of the best games ever made. Play it if you haven't yet).

Shadow the Hedgehog (pretty good to be a sonic fan right now).

Shin Megami Tensei: Digital Devil Saga (parts 1 and 2).

Sly 3: Honor Among Thieves

Sonic Rush

SoulCalibur III (RIP, SoulCalibur. Tekken is just too powerful.)

Splinter Cell: Chaos Theory (RIP, Splinter Cell. Ubisoft just sucks too much to make you anymore).

Spyro: Shadow Legacy

Star Fox Assault

Star Wars: Republic Commando

Star Wars: Battlefront II (this game's story mode is permanently etched into my brain).

Stubbs the Zombie in "Rebel Without a Pulse" (presenting it to you with no context. Look it up. It's hilarious).

Super Mario Strikers

Super Monkey Ball Deluxe

Tak: The Great Juju Challenge

Tekken 5

TimeSplitters: Future Perfect (RIP, TimeSplitters. Embracer Group killed you before you could come back).

Trace Memory (got remade in 2024 as Another Code)

Twisted Metal: Head-On (another PSP launch title)

Ultimate Spider-Man (you could play as Venom in this one)

WarioWare: Touched!

WarioWare: Twisted!

We Love Katamari

Wild Arms: Alter Code F (a remake of the first game)

Xenosaga Episode II

X-Men Legends II: Rise of Apocalypse

[legalkimchi]

Please learn more than just a Phrase.

I don't expect people to be subject matter experts on issues of global politics.

But false equivalency is rampant in online discourse regarding three major conflicts in the world today. I am using the word conflict in this post, however, when applicable, i will use other words to describe specifics. (Nuance folks... it's a thing)

So i start off with an assumption that most people don't understand the basics of most international events. As an american, i only know some of the stuff that is happening within my own nation. This is not an insult to you, dear reader. Rather, it is a position we all must realize we are in. You do not understand most world issues.

You just don't.

you aren't there. it isn't your life. you don't have the academic background.

I saw a post recently calling for "freedom for Palestine, Sudan, and Congo."

And it bothered me. Not because i am opposed to peace, (how is asking for ceasefire a bad thing?) but rather because i believe simplifying the conflicts with this wording showcases the ignorance of the differences.

Not all conflicts are the same.

In palestine, we have a convoluted mess where two groups claim a territory as home. getting into the in-depth story of this conflict takes time. Foundational elements of it take place thousands of years ago, but the conflict itself is only about 75 years old. So it is a long and short story. Currently, the sovereign state of Israel is engaging in a genocide in Gaza. Asking for freedom for palestinians makes sense. they live in an apartheid state and would like a state of their own. they wish to be free of occupation. you can argue with the details, be pro-israel, or whatever, but that is the basic ask of palestinians. (if you want to get into anti-semetic regional sentiment or the desire of certain groups to eradicate the israeli jewish population or Israel as a nation that's a different topic, not the point of what i'm talking about.)

In the Congo and Sudan, it is a different story.

Let's start with the Congo. First of all, Which Congo?

Let's please understand that there is the Republic of the Congo and the Democratic Republic of the Congo. The Republic of the Congo is a former french colony. Then there is Democratic Republic of the Congo. Some of us might remember this country as Zaire.

the DRC is the congo we are talking about in the news. This was a former belgian colony and the atrocities committed by the belgians there rival any genocide in human history. i've seen estimates between 5 million and 20 million deaths. some estimates state the population of native congolese were cut in HALF. since the turbulent start of the country after their independence in 1960, the country knew relative peace until the 1990s. Then a mixture of a weak central government and the Rwandan Civil war (which had it's own genocide you may have heard about) spilled over into what was then Zaire. Zaire dissolved, and the DRC took it's place, But the wars have been raging off an on since then. earlier this year, more civil war violence erupted AGAIN. This displaced millions, AGAIN. while the DRC is a bit of an autocratic and repressive regime, the rebel groups are groups with ties with the Rwandan government and the other group with ties to Isis. It's awful all the way down.

Sudan has had an ongoing civil war for over 20 years. I remember this because i helped lead some anti-genocide protests regarding Darfur when i was in college 20 years ago. I've been following this conflict for nearly my entire adult life. you may have heard about this with regards to the Save Darfur coalition regarding the genocide in Darfur. Well, that genocide has continued (albeit with less intensity) for 20 years. the civil war lasted until 2021, but restarted in a different form in late 2023. the conflict is now between two different sides of the military government fighting each other.

It is an awful conflict full of awful leaders. Sudan's government suffered a revolution in 2019 from a dictator, only to have that government overthrown in a coup by the current dictator. The Sudanese military is supported by folks like Russia and North Korea. you might see that among the other countries that support sudan, bunch of communist countries, and you might think "hey, maybe al-Burhan is a leftist".

no... no he is not.

He is a military despot. He has no ties to any real ideology. He just runs sudan as a military dictator.

So who is opposing him?

The Rapid Support Forces. and you may be thinking "ok, so they are the good guys? trying to overthrow the dictator?"

No... They are the ones that instigated the Genocide in Darfur.

This is a situation is "no matter who wins, the people of Sudan lose."

So when folks claim these are all the same. Or wonder why folks talk about one and not the other.

there are reasons. These are very different conflicts. Please learn about them. It matters more than spouting some 4 word slogan calling for "freedom."

Find out what the people of these areas actually need. Learn more about what is happening. My description above is incomplete. I may even get some things wrong. I am trying to keep informed, but I am not an expert, nor do i live there. Raise voices from the region and find out if there are ways to help.

[ljjsims]

The Greek Goddess Legacy Challenge: All Generations

Hi everyone! Since all my generations are posted separately, I thought it would be nice to have a post with links to every goddess. So.. Here it is :)

Gaia, Mother Earth. Primal Goddess of the earth. She who gave birth to all the elements in the world.

Aphrodite, Lady of Cythera. Olympian Goddess of Love, Beauty, Passion, Lust and Desire.

Hera, Queen of Heavens. Olympian Goddess of Marriage and Birth and Queen of the Gods.

Demeter, The Good Goddess. Goddess of Harvest, Agriculture, the Cycle of Life and Law

Persephone, Queen of the Underworld. She who destroys the light, Goddess of Spring, Death, Life and Destruction. Queen of the Underworld

Hecate, Guardian of the Crossroads. Goddess of Witchcraft, the Night, Crossroads, Ghosts and Necromancy.

Athena, The Bird Goddess. Goddess of Wisdom, Courage, Mathematics, Skill, Civilization and Strategic War.

Amphitrite, Queen of the Seas. Goddess and Queen of the Sea

Nemesis, The Inescapable. Goddess of Retribution for Evil deeds, Hubris and Undeserved good Fortune

Nike, Winged Victory. Goddess of Speed, Strength and Victory

Artemis, Protectress of Girls. Goddess of the Hunt, Forests, Hills, Moon, Childbirth and Archery.

Iris, Wondrous One. Goddess of the Rainbow and Messenger of the Olympian Gods

The Greek Goddesses Challenge by LJJ-Sims is a challenge based on the ancient mythical creatures and stories from Greece. I fell in love with Greek mythology in high school and have not let that love go since. In this challenge you will follow 10 deities in their journey through life. Every goddess has a different take on and goal in life. Special about this challenge?  All your kids have little challenges of their own, not only your heir. These challenges are optional, so if you feel like these are too much or just too restricting for you: by all means let them go. I also have sheets for characters that you can make before you start each generation. This gives your challenge a lot more personality and makes it frankly easier and more fun!

A little disclaimer: because I made these gods and goddesses into a legacy challenge, the relationships in the myths don’t exactly match the relationship in this challenge. There is a lot of keep it in the family in mythology, to put it lightly. And apart from the fact that you can’t do that in the Sims, I don’t really like that part. So I didn’t include it, thus the inconsistency. An example: Ares is now Hera’s stepfather instead of her son, which she conceived with her brother  and husband Zeus. This inconsistency can also be found in the stories. It’s just based on and not copied exactly, as Sims live lives that are a lot shorter than those of immortal gods. And it takes a way from the creativity if we just copy the myths. Even if we wanted to do that, it’s quite hard, as every myths has its fair share of variations and some are just completely different stories.

I use the MCCC-mod to alter the length of life states. You can find the days-years ratio here: the boring stuff.

[typewritingyip]

The Arcturus Missions

Part Twenty Two - Outlier

Part Twenty One

———

Iron is the 26th element on the periodic table, symbol Fe for Ferrum in Latin. It is the fourth most abundant element on Earth and was primarily deposited by meteorites.

Humans have been using iron since before the Bronze Age, initial use linked all the way back to the second millennium BC. 

It also is the mineral that the human body needs the most for growth and development, the human body uses iron to make hemoglobin which is a protein in red blood cells. Hemoglobin is why human blood is the shade of red that it is and why blood is a significantly different shade upon contact with oxygen.

Iron oxide is the reaction of iron to oxygen and water, which turns the iron to a dark red nearly blown tone, also known as rust. 

Rust is incredibly dangerous to Cybertronians and humans alike. 

—

Their walk through New Kaon was quiet and informative, Hound was trying to ignore the blood and discharge sliding under the collar of his assistance suit with each step. It was unlike Iacon and unlike Earth, it was something entirely unique to Decepticon culture and clearly Megatron was proud of it, smiling a bit, Hound kept walking and listening, “Just past those buildings is where we first landed on this planet, it’s where the space bridge usually stands though deactivated and dismantled due to the war.” His hands were folded behind his back, he walked with the same ease as any man who knew this was his city.

Nodding a bit, Hound continues to look around, “So, I understand why you have fighting pits, they’re probably a lot like our military bases back home, but why have them off cybertron?” Megatron hums, nodding some and glancing towards the sky, “Other than for the obvious reason, I take it?” It took a second for Hound to chuckle weakly, “Other than your million year civil war, yes, I mean why not have one there now?” Megatron nodded slowly, bowing his head slightly.

”Cultural differences and a desire to move on from unsavory pasts.” Hound came to a hard stop, staring at him and he cleared his throat a bit, “Wow.” Megatron chuckled deeply, “Jazz had a similar reaction, then attempted to explain some history of your planet while we walked. I think it just confused us both, he said he was not a history major.” Nodding a bit, Hound moves to catch back up.

Scratching his jaw again, Hound sighs, “Neither am I, so I don’t think I’ll even attempt that. I’d ask Breakdown on that, it’s much more up his alley.” They lapsed back into comfortable silence, walking the streets of New Kaon. Awkward companions that had similar goals. 

—

“Sir, why did you want me for your unit specifically?” They were still walking towards these ever elusive fighting pits. Megatron hummed deeply, “I figured that would be obvious Hound.” Nodding slightly, Hound picks up his pace slightly, “I don’t exactly see it that way.” With a chuckle, Megatron shakes his head, “No, I guess you wouldn’t. You and Mirage work very well together.” Nodding, Hound sighed a bit, “Ah.” With another chuckle, Megatron rested a hand on his shoulder, “That is not a bad thing Hound. Not many can work so closely with outliers and come out unscathed.” Nodding again, Hound went from nodding to slowly shaking his head.

Glancing toward the sky, Megatron bit back a swear, “Sometimes I forget that it seems your people don’t communicate the same way we do.” There was something in that statement, bitter and sounding almost painful.

In a breath, Megatron shrugged lightly, “We try to spread those with outlier abilities through different units, but maintain the bonds they make with more typical mecha. It’s not… easy to get along with mecha who have outliers. They can be abrasive and crass. Overwhelming both in EM and in personality.” Hound nodded a bit, really wishing for a pen and paper in that moment as they kept walking though now shoulder to shoulder. 

“Um, sir, forgive me but I still don’t quite understand and believe me it’s not making me feel like the brightest bulb in the box for having to ask this but what exactly are outlier abilities?” Megatron chuckled deeply but glanced towards Hound before frowning, “When i said that your kind don’t seem to communicate, I did not mean that literally. Has Jazz not told you?” Shaking his head a bit, Hound sighs, “It can be hard for him and I to have a moment to discuss things not related to the war or more everyday occurrences of, forgive me, your kind.” Nodding, Megatron fidgeted lightly with his digits, “I see.” Clearing his throat a bit. 

Nodding some, Megatron started to walk at a significantly slower pace than their already reduced one, “Outlier abilities are generally unexplained, they aren’t particularly connected to a mech’s altmode or anything else it seems. Back before the last war, they had to remain hidden or hide their capabilities.” Taking a breath, Hound just above a whisper, “Because Functionalism.” Megatron bowed his head. 

These were not topics that were usually brought up, it was suggested by Jazz to steer clear of them, but sometimes that just simply couldn’t be avoided. 

“They were persecuted and often hunted back then, now they are seen as the treasures that they are. In all honesty, it is one of the many reasons why Starscream remains my second in command, because of his trine’s capabilities.” Hound chuckled a bit and Megatron shook his head, “I wish I were joking Hound, but they were valuable assets. Still are, hence why they are here and not on Cybertron starting their lives,” He stops and sighs, “Now that the civil war is over that was supposed to be what everyone got.” Nodding a bit, Hound steps forward and nods encouragingly.

Taking a breath. Megatron continues on, “Now, generally, those with outlier abilities are spread throughout units. Clumping them all together doesn’t do us much good. We work with surrounding them with the right soldiers, mechs who can stand to work together without killing each other preferably.” Shaking his head, he sighs, “Hence why when you brought up the fighting you were dealing with in your own unit Optimus was willing to compromise.” Hound stared and bit back a groan, “Got it.” Finally, Megatron showed the barest bit of a smile.

Tilting his head a bit, it was almost as if Megatron was mocking Hound, “What? You thought your speech was that rousing?” Biting back a worse retort, Hound lowers his head a bit, “No, sir.” Megatron chuckled, “Regardless, we try to keep those who can get along with the outliers around and Mirage has seemed to take a liking to you. You seem to be able to find him very easily even when he is hiding.” Shaking his head a bit, Megatron laughs more than chuckles, rubbing at his jaw. 

Hound was staring and shaking his head clears his throat, “Sir, uh, I don’t entirely know what you are talking about. What do you mean, hiding?” Megatron waved a hand through the air, “Mirage is able to make himself imperceivable, generally.” He clears his throat slightly.

Hound wasn’t really sure what to say, “What do you mean, imperceivable? Like, invisible? Outliers can do that?” Nodding a bit, Megatron shrugs, “Only Mirage so far, everyone’s ability is different. As for the invisibility, to everyone except your kind it would seem. Jazz in his first few weeks with us grabbed his arm while he was invisible to our eyes, said he just felt like someone was standing near him. Then there’s you.” “Me?” Pointing lightly to his own chest, Hound shook his head a bit, “I don’t,” “You end up next to him half the time in these fire fights while we can’t see him, while the enemy can’t see him. Scared him half to death the second time it happened and you started talking.” They walked for a minute, Hound opening and closing his mouth before muttering, “I thought he wasn’t there.” Megatron laughed and bent at the waist slightly.

Glancing towards Megatron, Hound shakes his head a bit, “I didn’t realize, I swear it sir.” Megatron nodded, smiling and chuckling lightly as they slowed at the edge of something large and circular, “Yes, I believe that was what Jazz called a ghostly feeling.” Hound nodded before looking out at the circle in the ground and he stopped dead. 

The space was huge and horrific, but it was understandable with how long Cybertron had been at war. Everyone had their dirty secrets, even if they were training pits that looked like illegal fighting rings. No wonder they didn’t want any on Cybertron.

Megatron leaned against the railing, staring out at a few mechs that were training, who were also wearing what was the purple sigil of the Decepticons, now the emblem of one of the many political parties that made up Cybertron’s government. Which probably meant they were either high in the military, never stepped foot on Cybertron, or were a part of the council Hound had been avoiding. Very few mechs still wore their badges, less they were in the military or involved in politics.  

Back in the first few weeks they’d been out here, him and Jazz had talked about it. Back then when it was all so new it had seemed so interesting, how similar their planets were, then horrifying. Now, politics were the last thing he wanted to think about or focus on. 

Taking a breath, Hound leans against the railing, “Sir?” Megatron nods a bit, “I hoped this would not seem familiar to you. Your kind has gone through so much already in life, this was an aspect of it that I hoped you’d avoid. No matter how similar our pasts may seem.” Bowing his head slightly, Hound brushes a hand along the railing, “It is familiar, isn’t it?” “Yes sir.” Megatron sighs slowly, fist hitting the railing hard before shaking his head.

”I apologize for my anger Hound, I swear it is not aimed towards you.” Laughing a bit, Hound glances towards him, “Just my government?” Megatron pauses, frowning slightly, “… Yes.” Hound couldn’t help the laugh that bubbled up, even as it made his head pound, leaning a hit against the wall, he looked up at the sky.

He hadn’t really noticed that the color of the sky here was orange, every planet that they had gone to had been different and none had yet reminded him of clear Earth blue skies. 

“So, who is in there right now? I don’t recognize them.” Megatron hummed and looked down, “Ah, you wouldn’t. That is part of team Chaar, they live here in New Kaon and one of my old commanders is the head of their unit. They are highly skilled and even more unpredictable.” Nodding some, he sighs, “They have not made their way back to Cybertron since the end of the war and now are the primary unit for this sector.” Hound glances over at the two mecha circling each other, covered in weapons and both mechs huge. 

Megatron stares and sighs, bracing slightly, “You might want to grip the railing,” “Why?” Though Hound’s hands quickly grasp it just as his vision fills with dust and sound cuts out to prevent hearing loss. 

For a second, he wasn’t sure what the hell happened till Megatron came in over internal comms, “That would be Lugnut, he has a special weapon that causes overly dramatic explosions. It’s not very reliable, unfortunately. The mech he nearly just blew up would be Blitzwing, I’d suggest we move on before their argument starts.” Hound still couldn’t see anything, “Uh, sir, I can’t see where to go.” His cameras were trying to cycle the lenses to clear them.

A hand grabbed part of his plating and held on, pulling him away from the expanding cloud of dust.

—

Iacon was shining in the daylight, while Sideswipe was enjoying it the best he could, turning up the brightness on his visual feed. He’d slipped out of the apartment while everyone inside was still asleep, though technically breaking the rules he didn’t much care for any of them at the moment.

Copper and silicon tubing is what he was looking for, Breakdown had said he wanted to also start making vodka so that his concussion would be manageable. It was smart of him to only mention that once Hound left. 

Sighing deeply, he tilted his head back slightly for the light to hit more of his cameras, brighting the visual feed further, “God, I miss Earth.” His implants were draining unpleasantly down his neck and arms, his shoulders painful. All of them besides Jazz were experiencing overuse and it was becoming more unpleasant by the day. 

Rolling his shoulder, Sideswipe swore and grabbed it, falling into the nearby wall, “Fuck!” His mech collapsed as he sank into his seat, holding his shoulder. It wasn’t the first time he’d dislocated it and it wouldn’t be the last, but it was the first time since he became a pilot let alone while piloting. 

He was stuck, well and truly stuck, he couldn’t get up without the use of at least one arm and the weight of his assistance suit was tugging on his dislocated shoulder. Making all this worse with every second, it was as if the weight of the whole suit was on just his arm. A shadow fell over him and he looked up, visor dimmed from the pain.

Prowl was staring down at him, frowning lightly, “Sideswipe, why are you on the floor?” Lowering his head, Sideswipe swore again, grasping his shoulder painfully, “I dislocated my shoulder and can’t get up, and please don’t say I told you so. I know we are not supposed to leave by ourselves.” Nodding slowly, Prowl reached down and pulled Sideswipe up carefully, “That’s right, you're not, and now you see why.” Sideswipe swore again as they started to walk back towards the apartment.

He’d hardly been out for twenty minutes, just had enough energy to enjoy the sun projected through screens onto his face before his body started to reject it’s purpose. 

A hand came down on his good shoulder and he swore, looking over his shoulder at Sunstreaker, “You’re lucky it was the two of us to find you Sides, not Jazz or Hound. Come on, we can get the tubing later, we need to spend time not in the suits while we still can.” Nodding, Sideswipe hung his head, swearing every handful of steps from the pain. 

“You make it sound like I don’t have the intention of telling Jazz,” Prowl frowned at Sunstreaker, “Or assume that he doesn’t already know.” Sideswipe looked to Prowl, stared at him and sighed deeply, “Fuck…” Sunstreaker laughed and started to cough, Sideswipe closed his eyes.

Even without their cameras on, he knew Sunstreaker was coughing up blood, just as Sunny knew he was bleeding and his shoulder was dislocated. 

—

New Kaon really was like Fort Irwin, the buildings were squat and there was dust everywhere. None had gotten into his ventilation system yet but it was only a matter of time. 

It was a military city and made during the war, in a way for the war, but people actually lived in the cities they made for target practice. Adapting for their new society and life as it is. Megatron had gotten him out of the dust cloud and started back towards the edge of the city.

All the soldiers were loitering around some unpacked heaters, Mirage was helping a few seekers. He looked over and froze for a moment, biting back a grin, “Uh, get caught up in a dust storm?” Megatron shook his head, “Very funny Mirage,” he sighs, “There was an incident at the pits, do you mind assisting Hound with hosing off? The mechs perception has been limited by the dust.” Mirage nodded, “Of course.” He walks over and takes Hound’s arm.

To be fair, Hound still couldn’t see that well, one of his cameras had cleared up but the rest were still blurry and had turned off after the first ten minutes. Mirage helped Hound over towards the set up wash racks, “Come on, let's get this dust off. Jazz has the same problem, saying that the visors weren’t great with the visual input.” Mirage kept a hand on his shoulder, helping him along. 

What he didn’t see was other mecha making lewd gestures towards Mirage, same as they had done on the shuttle, everyone knew what the outlier felt for Hound other than Hound. 

“There’s a step up here, just to maintain drainage.” Hound cringes slightly, stepping up and nearly slipping on the tile, “Damn, I hate not being able to see.” “We’re fixing it, don’t worry.” Mirage shuffled him around and rested his hands on his shoulders, “Alright, don’t move.” With a few creaks, the solvent turned on. 

It was already bringing the internal temperature of his suit up, which Hound didn’t realize had started to drop already. He sighed slowly and shuffled his suit to open the worst of the seams, brown and red dust started to hit the floor. 

Mirage stood back for a second before moving over, “Do you need help?” His face was burning, “No, thank you.” Hound sighed again and started to work on his helm, trying to subtly clear off the camera, “I heard from Prowl that communal wash racks were a thing for your enforcers and military?” Biting back a smile, Mirage nodded slightly and cleared his throat, “Uh, yes. Of course a Prowl would tell you that, he’s been both. But, yes, usually though you can feel the other person's EM field.” And Mirage just about choked on his words.

Embarrassment was clearly running hot through the poor mech, though Hound still couldn’t see, let alone feel it, “Yeah, I’ve been told our EM fields are faint to non-existent.” Mirage hummed and shuffled his feet a bit.

“So, I’ve been told you wash primarily with water.” Hound had the helm of his suit shoved under the spray of solvent now, rubbing at his visor and activating the cycling for the cameras, keeping his visual feed to a minimum, “Uh, yes. Solvent in too high of an amount can leave burns.” Now that he was here, he honestly wanted an actual shower not just the car wash. 

Clearing his throat again, Mirage shifted, “You going to be okay then?” Hound smiled a bit and glanced over, visor finally lightening with recognition, “Oh yeah, once in a blue moon isn’t going to kill me.” Mirage winced slightly, “Can you see?” Hound brushed some of the solvent off and started to check through his visual feed, “Uh, yeah, I think so.” With a sudden jerk, Mirage had his arm and was pulling, “Come on, you need to sit near one of the heaters to dry off then.” And he was fast when he wanted them out of there, leaving the solvent running.

Hound was almost embarrassed as his suit was dripping with solvent, dragged over to where Megatron had set up a heater, Mirage frowning deeply at him before looking at Megatron, “Sir, keep an eye on him and I’ll retrieve your ration.” Before even Megatron could say anything the man was gone.

Mirage was burning up with embarrassment and everyone but Hound could see or feel it. 

Sitting down near the heater, Hound leaned back and sighed, whiplash is what he’d call that. His mech was still dripping lightly with solvent. At this moment he was thankful for the tight seals that had been installed for this hapless mission. Megatron leans forward slightly, “Are you alright Hound? Losing a sense like that is never easy.” Nodding slightly, Hound shrugs, “I could see a little bit, but the dust just was sticking to my visor, it’s not a perfect sheet of glass unfortunately.” He lightly touches the visor, taking a second to wipe some of the blood on his face.

Megatron cleared his throat, “And you are sure that you’d be incompatible with some of our replacements?” Houch chuckled slightly, “That is very kind, but unfortunately no. Most of your upgrades won’t work for us. Other than the external weapons you’ve given us, though energon is still toxic.” Megatron hummed, bowing his head slightly.

One hand rubbed over Megatron’s face briefly, staring at the glowing heater as the sun was starting to set, “Your kind are both strong and weak, I apologize if this offends, but your incompatibility with us could get you killed.” Hound smiled sadly and nodded, “I know.” They both stared at the heater.

Hound shifted a bit before sighing slowly, “Sir, do you mind if I ask you a question?” Megatron looked over and nodded slightly, “Go ahead.” Sighing slowly, Hound rubbed at the bandage on his jaw, “Why do you have Mirage on your team? The way Jazz talked about it was that he usually works with Prowl.” He hummed and nodded, “Optimus suggested it, said he would work well with the team I was assembling, which included you of course.” Hound nodded a bit, rubbing his jaw.

”Yes, about that, why exactly did you choose me? There are five of us, you could have had any one of us.” Megatron hummed and shifted on his seat, “Yet, you’re the one who is here.” Hound tilted his head to the side slightly and Megatron held back a groan, “I don’t need your spilt sparks running rampant on my battlefield, they're terribly young. Jazz has worked with Prowl for five and a half stellar cycles, plus they are seeing each other. And I will have Breakdown on this battlefield once he is healed.” Biting his lip, Hound clasped his hands briefly. 

Shaking his head again, clearing his throat was a bit uncomfortable, “Yes sir, but why specifically me. You could have sent me across this insane universe and we’d probably get the same levels of coordination and ground.” Groaning, Megatron shook his head, “That is not the point. This is not about you being a soldier, let alone one because it’s what your creator did. Because that is your function, it is not for that.” Sitting forward again, he leveled his gaze at Hound. 

“I enjoy getting to speak with you Hound, that’s honestly why I requested you for my unit, aside from Mirage. I am a speaker, I was the voice of a revolution and now my voice only carries when speaking to or with the mech I love. Being able to speak to you and be uninterrupted while having simple conversation, reminds me of a simpler time. You hold no expectations, what is that phrase you use? A breath of fresh air. Intelligent conversation with no expectations, no strings, is a very rare and valuable commodity.” It took Hound’s breath away, sitting back a bit he stared at Megatron.

In the months that they had been planet side, he hadn’t felt like he was getting close with any of them, felt rather alien among the mecha. Glancing around at the small group, away from the other pilots for the first time in months, Hound took a breath and nodded a bit, “Thank you sir, I am glad I can be that breath of fresh air.” Mirage smiled over at him as he walked back over with two cubes, handing one to Megatron, though a light blush still covered his face. 

Smiling a bit, Megatron nodded his head, and Hound sat back to look up at the sky which had gone dark a little while ago, turning the orange to red then dark to nearly black other than for the scattering of stars. 

Knockout comes over with his own cube, sighing deeply, “Do we know when they will be entering the system?” Mirage shook his head a bit, sighing deeply as he sipped the warmed energon, “We’re tracking them the best we can, but that still isn’t great.” With a huff, Knockout sat down, frowning. 

With a glance up, Megatron smirked, “Are you pouting because Breakdown is still on medical rest?” Knockout scoffed, “I don’t pout.” Mirage snorted, “That’s scrap and you know it. Hound, what was wrong with Breakdown anyways?” He glances over and Hound turns his mobility assistance back on, setting down his own food and turns on his microphone.

Clearing his throat a bit of the makeshift alien noodle, he tries not to choke on the overly sticky stuff, “He has what we call a concussion, that’s uh, a head injury that can hurt some of our hardware.” He had been waiting for this question, “He’ll be tired, have a hard time with external lighting, be dizzy and have headaches for the first week or two. We all know what to check for so we’ll know when he can go back to duty.” Knockout leans forward, “How do you treat it?” Sighing, Hound rubbed at his neck, dislodging the soaking bandage and tried not to wince as it made a splat sound hitting the floor.

Nodding a bit to cover up the movement, Hound sighs, “With rest and some medications we had stored on the Odyssey. There’s no external work we can do to help this and no software that can be downloaded to repair it. It just takes time.” Humming, Knockout sat back, frowning. Mirage nodded, “Have you had a concussion before?” Chuckling, Hound nods, “Around six of them, I’m lucky to still be a pilot.” Megatron scowled.

“Is it easy for you to experience this injury?” Shrugging slightly, Hound shook his head, “As a pilot, sure, but we’ve done all we can to prevent them. It’s just something that happens.” Megatron nodded and bruded into his energon, Mirage smiled a bit sadly and rested a hand on Hound’s knee.

Mirage cleared his throat a bit, “How’s it been? Separated from your team?” Nodding a bit, Hound glanced around their small group at the edge of the city, enjoying the night and outdoors instead of being up in some tower or building before looking to Megatron briefly and back to Mirage, “It’s a breath of fresh air.” Megatron smiled a bit, shaking his head some.

Knockout was looking around, frowning, while the Hound, Megatron, and Mirage spoke. Relaxing and being able to simply talk.

“Does anyone smell that?” Knockout was frowning intensely, looking around the assembled group, “What?” Mirage glances up, still sipping his cube, “Rust.” Everyone who was eating nearby briefly choked on their food and it went eerily silent as the few people still moving started to glance over their plating. Hound gulped slightly, his neck burning with itchiness. 

———

A/N

I AM ALIVE! But in all seriousness, I have taken the LSAT and now have time to write for a little bit.

I wanted this chapter to be a bit longer since it has been like, two weeks since part 21, so enjoy over 4k words everyone.

Also sorry if the writing is a bit all over the place, it’s my first time writing in just about two weeks.

TAGS

@lunarlei68 @whirlywhirlygig @loop-hole-319 @pixillandjester @alek-the-witch @not-a-moose-in-disguise @goddessofwind8water @neurologicalglitch @dersereblogger @pixel-transformers @mrcrayonofdoom @wireplaces @twilightfreefaller @original-blog-name-2 @devilangel657 @robbin-u @childofprimus @miniartistme @starwold @tea-enthusiasm @valeexpris606 @celticdoggo @bird599 @agentsquirrelsgotrobots @aquaioart @dimencreasatlas @thatwandercat @artdagz @seisha974 @starscreamloverfr @halenhusky309 @leethepiper @cat-cassette @blue-wrens @sirassban @astridkolch @cosmique-oddity @garbageenthusiast @osqindaxend @xervias @azulabutterfly @fryseem @spring-mc @echo-circuit @aghostsnail @wooblewooble @ask-glory-haddock-and-others @nonsscarpheap @magichats @iminahole247 @omgflyingderpywhale @pour1tin @thetrexartist

And as always, thank you to the amazing @keferon for this amazing AU and everything involved with it.

[suzannahnatters]

Many people have asked me why I say THE RINGS OF POWER is far more faithful to the spirit of Tolkien’s work than the Peter Jackson films. Let me explain. No, there is too much. Let me sum up.

(Warning: if you deeply love the Jackson movies, feel free not to read this. I’ve been meditating on this for 20+ years. You are not going to argue me out of any of it.)

FIRST – Jackson is, how shall we put it, not sufficiently familiar with Tolkien or his influences. He repeatedly and stubbornly made mistakes both large and small. Tolkien was a master of medieval military tactics. Jackson... is not. Every military decision taken by the characters in Jackson’s TWO TOWERS is pure stupidity. In Jackson’s RETURN OF THE KING, Aragorn casually beheads the Mouth of Sauron, which is a war crime, since the Mouth is Sauron’s ambassador. Jackson’s Eowyn tries to flirt with Aragorn by cooking him stew, even though she is a noblewoman from the warrior class who was raised to act as a civil and military leader in a medieval-coded society where cooking is not intrinsically linked to femininity. Jackson’s Theoden, grieving over the death of his son, utters the words “No parent should have to grieve the death of their child,” which is the kind of sentiment only imaginable in a society where infant mortality and death in battle is a good deal rarer than among the Anglo-Saxon Cossacks during the War of the Rings. Jackson’s Dwarf women are reduced to a punchline; Tolkien’s were miners, craftspeople and adventurers in their own right.

I won’t go on. BUT I COULD.

SECOND – One problem that by itself ought to have disqualified Jackson from adapting Tolkien, is that he is incapable of depicting or even understanding goodness the way Tolkien does. This deeply pervades all Jackson’s films. Jackson’s idea of goodness is ethereal, anaemic, and ineffective before gross and creepy evil. His Elves are not the vivid, passionate, hearty warriors Tolkien wrote: they pluck mistily at harps and feed on spinach. (TROP has Galadriel scaling frozen cliffs and Elrond splitting boulders. That’s FAR more like it).

Tolkien insisted on the concept of Faerie as being foundational to his work. This is a difficult concept to explain. It meant the beauty and glory of Valinor, yes. But it also meant an element of otherworldly, yet immanent, beauty and glory in Middle Earth itself. This is a good summary:

“Faerie may be roughly translated as Magic, but not the vulgar magic of the magician; it is rather magic "of a particular mood and power," and it does not have its end in itself but in its operations. Among these operations are "the satisfaction of certain primordial human desires" such as the desire "to survey the depths of space and time" and the desire "to hold communion with other living things."” (Source: https://www.ewtn.com/.../tolkien-and-the-fairy-story-4094)

When Lewis said of THE LORD OF THE RINGS, “here are beauties that pierce like swords”, that’s that he meant. Peter Jackson had no sense of Faerie. When, at the end of his trilogy, he has his characters get on a ship to go to the Undying Lands, he makes it a metaphor for death. Death! Tollkien’s Valinor isn’t the afterlife; it’s the earthly paradise of his world. Jackson cannot imagine an earthly or material locus of goodness.

This affects many of his narrative decisions. In the book Faramir resists the temptation of the Ring handily. Jackson’s Faramir succumbs to the power of the Ring and has to be scared straight. Jackson justified this by saying that Faramir needed to fall to the Ring’s temptation so that it remained an effective narrative threat. Basically, having failed to grasp the importance of Tolkien’s vision of powerful and present goodness and beauty in the first place, Jackson believed he needed to further degrade it for the sake of the story.

Obviously, THE RINGS OF POWER isn’t perfect, and still has plenty of time to betray its early promise. However, so far its showrunners appear to have a far better grasp of Faerie, beauty, and goodness than Jackson ever did. Its vision of Valinor is ineffably beautiful while still home to flawed living people. Its Elves are noble, ceremonious, dignified, warm, and grave. It is also actively pursuing Tolkien’s original themes. Elanor has a discussion of Providence that contains intentional echoes of “The Shadow of the Past” in LOTR, but there are also meditations on art and mortality that show an attempt to engage with themes Tolkien himself said were foundational to his entire work (Letter #131). These themes may yet be mishandled: but THE RINGS OF POWER has clearly at least READ the assignment. (Jackson’s films, by comparison, did dumb stuff like having Theoden, who in the books is simply dealing with depression, be literally possessed by Saruman and in need of exorcism “because exorcism is a Catholic thing and Tolkien was a Catholic, lol!”)

Jackson didn’t completely obscure the beauty and goodness of Tolkien, and I’m aware that THE RINGS OF POWER could not have happened without his pioneering and often sacrificial work in adapting the story to screen. I don’t want to discount the things that are good about his intentions, his work, and his love for the source material. But watching THE RINGS OF POWER was the moment when 20 years of frustration boiled over as I realised that, contrary to what I’d always told myself, it WAS possible to do Tolkien more justice than this. So far, I’m very pleased, and I’ll be waiting for future seasons with bated breath.

[integer115]

Two key problems with the Ashes of the Academy.

Replacing the theme of imperialism with the theme of comic book villainous evil.

The ideology of this school does not revolve around declaring the Fire Nation exceptional, deserving to guide and judge other nations. Not around the idea of ​​the Fire Nation's superiority over others, at least in the style of "we bring civilization and railroads to these savages, but they do not understand their happiness and we have to fight them." Not around the veneration of the monarch and the sacralization of his image as the personification of the Fire Nation itself. Not around the more mercantile side of imperialism in the spirit of "they have so much land and we have so little and it is unfair, so let's restore justice and take their land for ourselves" or "if we do not exploit other people, then we will have to exploit our own people." Moreover, the ideology of this school directly contradicts the ideas of national unity in the spirit of "we are all part of the Fire Nation and fight for a common cause" or "we are all subjects of our monarch, we are one family and he is the head of our family". The key point of the ideology, because of which the whole "conflict" exists, is:

That is, the fundamental element of the ideology of the Fire Nation, according to this comic is absolutely sick individualism. And this directly contradicts everything that any imperialistic, militaristic and similar systems in principle represent. It is impossible to create an army from individualists who only think about how to stab their ally in the back, from paranoids who strive to betray their friends before they betray them. Such people are generally almost impossible to govern, because there will be no guarantee that the order will be carried out. No monarch will support such an ideology, because he will not want to constantly worry about the safety of his power. The only war that such a society can wage is a war of everyone against everyone. Such a society is in principle incapable of building any empire. At most, it will be a very short-lived union of highwaymen. Therefore, no empire of the past relied on such a crazy ideology. A society with such morality can function only in fantasy. For example, in the world of the Forgotten Realms, where the dark elves live with exactly this kind of morality. You can also remember the Dark Eldar from Warhammer 40,000. Simply put, this is a fantastic ideology of chaotic evil villains.

But now we know where Azula went at the end of the Azula in the Spirit Temple. She went to conquer Menzoberranzan!

2. Lack of understanding of the objectivity of reality, that is, subjective idealism.

The metaphor is clear - children know nothing about the "real world" and evil propaganda defines their nature… Ooooh! Scared? Absolutely not. Reality doesn't work that way. A trivial example: in the comic itself there is a character named Hong. Her brother is supposed to go to the front lines and she worries about him. In the comic itself, this topic is reduced to idiocy about traitors from the colonies. But if you think about it, is this the only influence of war on the life of one specific child? A war that has been going on for a hundred years? Imagine, entire generations were born, grew up, lived and died during this war. Grandparents, parents, brothers and sisters - all of them are somehow involved in this war. Someone died in battle, someone became disabled, someone survived and brought back memories of difficult battles and trophies reminding of victories. Stories that family members tell each other, rumors that children tell each other, songs and music triumphant march of the Fire Nation civilization. Holidays and parades, days of mourning and rituals of honoring the fallen. War is reflected in the clothes that people wear introducing new fashion, in the kitchen determining the choice of dishes, war is reflected even in children's fairy tales. War is everywhere, even if there are no battles in the capital of the Fire Nation itself. Even if this academy only told about unicorns that eat rainbows and poop butterflies, it would not change the children's into pacifists. Because the world around them objectively exists.

These two problems can be combined into one - primitivization. Primitivization is the scourge of these comics.

PS. And just one more thought. If Ukano is such an opportunist whose main goal is to settle down in a warmer place, then he should not have rebelled against Zuko, but on the contrary, he should have forced Mai to quickly marry the Fire Lord and thus make the family stronger and richer.