#there are so many shows I will never be able to see

[foxy-eva]

Send Nudes

Summary: Chaos ensues after you accidentally send Spencer a nude pic

Pairing: Spencer Reid x Fem!Reader 

Category: Smut

Content Warnings: (18+, minors DNI) dub-con (Spencer receives an unsolicited nude pic), embarrassment, awkwardness, tension, heavy kissing, male masturbation, oral (fem receiving), handjob, protected penetrative sex

Author's Note: I wrote this for @imagining-in-the-margins Wrong Recipient Challenge!

Word count: 3.2k

Masterlist

Panic. Embarrassment. Shame. 

It was hard to describe what you felt when you stared at your phone, realizing that you had just sent Spencer Reid a nude picture of yourself. 

It was a mistake, of course – right when you wanted to send him a screenshot of an article, you stumbled over the mess in your apartment and selected the wrong picture. Frozen in place, you watched in horror as the read receipt showed up instantly. 

Spencer had just seen your naked body light up on the screen of his phone. 

A picture he never asked for and probably didn't want to see. It wasn’t a bad photo, some might even call it aesthetically pleasing. But you had never intended for anyone else to see it. It was just a way for you to make yourself feel good about your body. 

You contemplated your options. Burning your phone, moving across the country and changing your identity sounded intriguing but difficult to arrange. Instead you decided to text Spencer, hoping that soon you’d both be able to laugh about the embarrassing thing you just did. 

“I am so sorry about that. I really didn't mean to send that! Can you please delete the pic and forget about it?” 

You didn't get a response. Spencer was never great at texting but you had really hoped to hear back from him. It was hard to tell if he felt just as embarrassed or maybe even offended – you certainly wouldn't want to receive unsolicited nude pics either. 

You had barely gotten any sleep when you walked into work the next morning. Worst case scenarios had plagued your mind all night – from another painful workplace sexual harassment seminar to maybe even losing your job over your mishap – you had no idea what would expect you today. 

Everything seemed normal when you got to your desk, except for the fact that your favorite coworker didn't even look at you when you walked by him. Spencer usually liked sitting beside you in the conference room and also on the jet, but he did neither of those things that day. 

“Wow you really must have pissed Reid off, huh?” Luke whispered when he sat down beside you on the plane. 

“Did he say anything to you?” you wanted to know. 

“No, he didn't. What did you do? Spill coffee over his favorite chess board?” he teased. 

“Oh it’s so much worse than that,” you whined while heat rushed to your face. 

Emily decided to discuss the case before Luke could ask more questions. Spencer avoided you for the next couple of hours until you decided you both had suffered enough. 

A quiet moment in the coffee kitchen of the police precinct seemed good enough to approach him.

“Hey Spencer,” you said and noticed how he almost jumped at the sound of your voice. 

“H…hi,” he mumbled, his eyes fixated on the floor.

Stepping closer, he finally looked at you for the first time that day. The rosy shade spreading over his cheeks was impossible to ignore. 

“I’m very sorry about the… you know. I didn't mean to send it but I understand if you feel offended by it,” you sincerely told him. 

“I’m not… offended.”

You took a deep breath before you continued talking, “All I want to say is… if you want to discuss this incident with Emily or even HR, I would understand. I never wanted to make you uncomfortable in any way.” 

“No, it’s okay, really,” he lied. “We can just forget about it.” 

Spencer Reid was good at many things. Lying, however, definitely wasn’t his strong suit. You decided to drop the subject for now, aware that talking more about it would probably not make him less uncomfortable. 

The tension between you two was palpable for the rest of the workday. When you stepped into your hotel room that night, you were relieved to finally have a couple of walls between the two of you. 

If this thing didn't resolve soon, you’d have to talk to Emily about it eventually. But there was still hope that it wouldn't come to that. The embarrassment about your mishap was already bad enough as is.

The three knocks on your hotel door startled you. With your heart beating uncomfortably fast, you walked over to the door to find Spencer on the other side. 

He walked into your room without saying a word. Then he began slowly pacing up and down your room, still silent. He looked at you for a second but his sight fell to the floor immediately after that. 

“I uh…” he began before taking a deep breath. “I lied to you earlier.”

“About what?” you wanted to clarify. “Wanting to go to HR?” 

He shook his head. “I said that we can just forget about it but I don’t think I can do that.” 

Your heart felt heavy at his words. His discomfort pained you and you wished nothing more than to be able to take it back. “I’m so sorry Spencer.”

“I deleted the image off my phone but…” he paused to finally look at you. The expression written over his face was hard to read. What you didn't find was the discomfort you expected. Instead he looked… cocky?

He continued, “...it seems like it’s burned into my brain. And I can’t help but wonder, was it really an accident?”

“What?! Of course!” you squeaked. “Believe me, I would never want to send you a picture like that unprompted.”

That was when you saw a subtle smirk on his face. “Interesting choice of words.” 

You thought about it for a moment. Had you really just implied that you would want to send him nudes if he’d ask you to? 

“That's not what I meant,” you tried to brush it off. “And please don’t give me a lecture about Freudian slips.”

His presence filled the room and you felt like you couldn't take deep enough breaths to satiate your need for oxygen. His demeanor was so different from what you were used to and you had trouble wrapping your head around it.

His next question was even more surprising. “Who did you take this picture for?” 

The undertone in his voice was unsettling and you started feeling defensive. “I don’t see how that's any of your business but just for the record, I took it for myself. I do that occasionally to make myself feel good about my body.” 

It seemed as if he was content, almost relieved with your answer. You scanned his body language again and replayed his words in your head. Then it hit you all at once. Spencer was not here to scold you for what you did. 

He was jealous. And he wanted to make sure no one else got to see your picture. 

A grin formed on your face as you realized that you could play this game too.

Your tone was laced with a certain playfulness when you asked, “What did you do after you saw the picture?”

The change of your demeanor seemed to take Spencer by surprise. “I just told you, I deleted it.” 

“I don't think that's all you did.” He audibly gulped and you noticed his cheeks taking on a reddish color. Stepping closer to him, you whispered, “Did you touch yourself, Spencer?”

A shaky breath left his mouth before he confessed, “Yes.”

“Naughty boy,” You teased him. “You really liked that image, hm?” 

Nodding, he took a step forward until there was barely any space between the two of you. “I can't stop thinking about you.”

His words boosted your confidence. “I know I look great in that pic. But I think I would look even better in this lighting right here, don’t you think?” 

Before you could bring to action what you had insinuated, you felt Spencer's hands cupping your face to pull you into a kiss. The surprised gasp escaping your throat was muffled by his lips against yours. 

He kissed you with a fervor that knocked the air out of your lungs. Weakness rushed to your knees and you had to hold onto him to not tumble back. One hand pawed at his shirt while the other one held onto his shoulder. His lips felt soft yet firm against yours. 

When his tongue begged for entrance, you let it. As he deepened the kiss, you could feel heat rushing through body. A few moments ago you really thought you’d have the upper hand in this game you were playing but now realized you were just as pathetic as he was. 

Maybe sending him that image was a Freudian slip of some kind. Or maybe it was just some odd plan the universe had to bring you together. Either way, you were grateful for how things turned out. 

Your hands became curious as they wandered over Spencer’s body. The tingling in your fingertips could only be soothed by feeling his skin underneath them, so they quickly began unbuttoning his shirt. Spencer showed a similar interest in feeling more of you by the way his fingers dropped down to the hem of your shirt. 

Piece after piece both of your clothes fell to the floor, only ever breaking the kiss for as long as necessary. When you stood completely bare in front of one another, you dared to press your body against his to feel him. 

It was impossible to tell who moaned first when his length pressed against your stomach. With a firm grip on his shoulders, you moved him back until his legs made contact with the edge of the bed. You pushed down until he sat on the mattress, staring up at you with a curiosity in his eyes that made your heart jump. 

As you stepped back, his tongue darted out of his mouth to lick over his lips and you wondered if he thought about tasting you. To your surprise, he managed to not break eye contact until you challenged him, “Go on, take a look.”

His sight scanned your body, lingering on your breasts for a second before moving further down, taking everything in. You couldn’t hold back from looking at him, too. A rosy color had spread all over his cheeks and chest and when you dared to drop your eyes to his cock, you noticed how it twitched slightly against his thigh. 

“You’re so beautiful,” he cooed when your eyes met again. 

“Better than the image?” you teased, smirking at him. 

He only nodded before looking at your body again. It was like he was mesmerized, as if a miracle had just unfolded right before him. It became obvious that he was ready to worship you if you’d let him. But first, you had something else in your mind. 

“Show me exactly what you did when you saw my picture,” you told him. 

He raised his eyebrows in disbelief. “Wh… what?” 

“Don’t be shy now,” you snickered. “Come on, I wanna see how pretty you think I am.” 

The sweet smile on your face seemed to encourage him enough to let his right hand move towards his hardness. It was as if he needed reassurance when he found your eyes and you nodded.

He wrapped his fingers around his cock, giving himself a squeeze and you watched as precum spilled over the tip. Slowly, he began moving his fist up and down his length, swiping his thumb over the head each time he got to the top. The groan that slipped from his lips could only be described as absolutely sinful. 

You couldn’t deny how much the sight in front of you turned you on. Spencer was so incredibly beautiful and the thought that your body had the ability to make him feral like that drove you insane. 

Arousal gathered at your entrance the longer you watched him. This show was no longer enough for you, you needed more. Your hands found the curve of your chest, gently kneading them before your fingers began toying with your hardened peaks. Spencer’s eyes were fixated on your hands, his mouth hanging wide open and unabashedly moaning at the sight while accelerating the pace of his hand. 

Then suddenly, he stopped and got up from bed. Desperation was written all over his face when he looked at you. 

“Please,” he begged as he stepped closer. “I need to touch you.” 

It was everything you wanted right then, too. 

“I’m all yours, Spencer.” 

His mouth was on yours in an instant and he didn’t waste any time to move you over to the bed to push you onto the mattress. He followed quickly, towering over you as he kissed down your neck, making you moan in anticipation of what would follow. 

He moved further down your body, kissing and nipping on the tender flesh of your breasts before focusing his attention on your nipples. The sensation was almost unbearable and you could feel how your arousal began coating the insides of your thighs. 

Spencer smiled against your skin when he noticed you rocking your hips against his leg every so slightly. His confidence grew as he realized that you wanted him just as much as he wanted you. 

“Needy,” he chuckled as he kissed down your stomach. “That’s cute.” 

Right then you couldn’t care less about being in charge, you just wanted to be taken care of. When his lips brushed over your inner thigh, you opened your legs further to give him better access. He lay down between your legs and didn’t waste any time before he began leaving feather light kisses against your folds. 

You watched as he licked his own lips, tasting your essence on them before he found your eyes. 

“You’re so wet,” he teased and let a finger move along your slit. “Is that all for me?” 

He expected a witty response, like you telling him to bring his mouth to good use for once. So it took him by surprise when you simply sighed, “Yes.” 

There was no more game to play. No more back and forth of who was in charge. It was just the two of you, equally as desperate to finally do what you both had been dreaming of for weeks.

“Good,” Spencer whispered, his hot breath tickling your core, before he finally granted you some relief. 

His tongue moved through your folds, collecting your taste before he focussed on your most sensitive spot. He experimented with different motions for a few moments, paying attention to your reactions until he found what you enjoyed the most. Your hand flew to his hair, your fingers intertwining with his curls to hinder him from moving away – even though he had no intention to do so, anyway. 

With one arm wrapped around your thigh he hindered you from bucking uncontrollably against his face while his other hand found your entrance, letting two fingers slip into you with ease. He moved with great precision, adjusting the angle and the pace according to your reactions, bringing you closer to your breaking point with every second passing. 

The sounds of your pleasure filled the room as you began dancing along the brink of euphoria. With just a few more skillful motions, he pushed you over it. Your walls pulsed around his fingers while your entire body shook. He worked you through your orgasm before he lay back down beside you, placing a gentle kiss against your lips. 

You were still panting when you found his eyes. The warm amber of his irises was almost completely swallowed by his pupils, the lust visible in his eyes contradicting the saccharine smile he showed you. 

“You okay?” he breathed as he wrapped one arm around your waist. 

“Yeah,” you confirmed while one of your hands moved down his body. 

Tentatively, you let your fingertips brush along his length, feeling his velvety skin under your touch. “Now what are we gonna do with you?” you purred as you wrapped your fingers tightly around him, making him gasp. 

With a torturously slow pace, you moved along his cock. “Tell me, Spencer. What do you want?” 

“I uhm…,” he audibly swallowed. “I have a condom in my pocket.” 

The fact that he brought a condom to your hotel room when he came over early amused you. He never had any intention of just talking to you. 

“So, you want to fuck me?” 

“Yes,” he admitted unabashedly. “If you want that, too, of course.”

With a nod you confirmed that that was exactly what you wanted as well. Right after you let go of him, he grabbed his pants from the floor to take out the foil wrapper. You watched as he ripped it open and carefully rolled down the condom. 

Then, he kneeled down between your legs, taking a moment to admire the beauty of the woman in front of him. 

“Come here,” you cooed and he leaned over you without hesitation. 

Reaching between your bodies, you guided him to your entrance. He closed his eyes when he slowly entered you, relishing the sensation of stretching you open inch by inch. When he was fully inside you, he kissed you before he began moving with slow thrusts.

Wrapping your legs around his hips, you brought him even closer. When he was sure that you could take it, he accelerated his pace, fucking you against the mattress until you were sure you would lose your mind. 

Spencer’s body began trembling and he suddenly stopped moving. 

“Sorry, I’m really close,” he whined and tried to pull out slightly. 

“Don’t stop,” you pleaded as you kept him in place with your legs around him. “Please, I need it.”

One of your hands moved down to where your bodies were joined to desperately draw circles around your little nub, making you clench hard around his hardness. 

“Fuck,” he whimpered as he began moving again. “I can’t, ah–” 

With just a few more deep thrusts Spencer came, his cock twitching inside you as his whole body shook. It was enough to throw you over edge too, entering a state of pure bliss together with him. After you had both come down from your high, you welcomed him inside your embrace, your fingertips gently dancing over his back as he caught his breath. 

For the sake of getting cleaned up you separated for a few moments, only to lay back down together soon after. A shaky breath fell from Spencer’s lips and caught your attention. 

“So…,” he began talking but didn’t continue. 

You propped yourself up on one elbow to find his eyes. “Yeah?”

“I wanted to ask if maybe–” 

“You want me to send you that pic again?” you interrupted him with a grin on your face. 

“No,” he laughed. “I mean… that’s not what I wanted to say.”

Still in a teasing mood, you snickered, “But you would like to see that pic again?”

“You know what,” he chuckled as he lifted the blanket to get a peek at your naked body. “I think I actually prefer this.”

“Good,” you chirped. “If you want to see more of me you’ll have to take me on a date though.”

Placing a soft kiss on your lips, he whispered, “Deal.”

Thank you for reading! Please like, reblog and leave a comment to show your support and help me stay motivated to write more stories!

Taglist: @adoredfromafar @grumpyy-bearr @frickin-bats @pleasantwitchgarden @cynbx @xserenax-13 @alexxavicry @samuel-de-champagne-problems @evvy96 @reidsbookclub @lover-of-books-and-tea @sebs-oxygen @nomajdetective @kobaltdragon @matthew-gray-gubler-lover @castiels-majestic-wings

[deathbxnny]

Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[cuntdevil]

★ NEVER BE ENOUGH !

the fan fiction he writes for you will never be enough, and neither is the week he's been gifted to meet you. it will never be enough until he has you in his hold.

( fic demographics. ) jujutsu kaisen, kamo choso, dark content & sexually mature | minors, ageless & blank blogs : do not interact & 17k words !

╰┈➤ fanboy/fan fic writer!kamo choso & actress!reader, choso has a tumblr account, parasocial relationship, obsessive!kamo choso, stalking, nonconsensual photo taking, mentions of masturbation, sexual fantasies, fingering, oral (female receiving), unprotected sex, overstimulation, creampie, etc.

( author's note. ) i enjoyed writing this piece so much, even though i was a bit nervy !! i hope you lot enjoy as well !! much love, baebies. mwah !

They say people that write fan fiction are weird. That they’re stuck in a world that will never become a reality. That they’re obsessed with fiction instead of focusing on the authentic. And, in a way, it’s true. They have an imagination that brings them to wonders and they hope to escape the real world. They spend hours on end trying to perfect scenes, hyper-fixating on one specific idea that came to them at the whee hours in the middle of the night that they just had to bring to life to alleviate the constant badgering inside of their mind. They give people a gift, something free to read in their spare time, for nothing in exchange except for a like, reblog and a comment to share their feelings. 

Choso, he doesn’t feel ashamed when he admits that he indulges in fan fiction to his friends. Why should he? It is, after all, a form of creativity. However, the teasing becomes annoying and it’s all they can talk about for weeks on end, so instead, he keeps it to himself because he just can’t be bothered. But, to say he’s ashamed? No, that’s something he’ll never be. 

Why should he be when he can fabricate an entire universe inside of his mind? Why should he be when he can beckon thousands of people to read his work and garner a following that tells him that he’s not alone — that there are people who enjoy his work and what he can create with the right pairings of words and phrases? Why should he be when he has mutuals that write alongside him, doing what they love to do?

Call him an extremist all they want, but if other men can create their dream characters in their fantasy footballs and have entire plotlines to how they came to the top, what’s so different from it? He should be able to love something so much that he needed to create his own world(s) of it. Even if they all revolve around you. 

If anyone were to scroll through his masterlists, they'd see that over one hundred of them had your name in it. Didn’t matter if it was a specific character you played or if it revolved around the real you, it was a consistent list that let his readers know that he was irrevocably in love with you. It was concerning until they saw a different name not tied down to you, clicking on the link as their previous remarks were quickly forgotten. 

He had first come to know of you through a sit-com, Big House. A child actress with the cutest of eyes. You had called all the attention on you as viewers loved you the moment you were introduced, rating going higher and the television series going for a total of eight seasons. It was a long-running show during the time that it ended, but Choso soon learned that all the episodes he had been watching at the time were reruns and weren’t current. It had disappointed him as he, too, saw your appeal to the mass.

He had next seen you on another show aimed for kids and families, once again, compiling high ratings for television companies as you had many side projects of modeling, acting in different franchises, and even dabbling in a short-term music career (It was an inside joke to fandom that your singing career remains unmentioned). However, Choso didn’t feel inclined to write until you starred in Us Against the World. 

For the first time, you were the main star of the show, finally showing the world your true capabilities and leaving everyone enamored by your performance. It worked especially well in your favor as previously, you were tied to a huge controversy that tarnished your name, being labeled as Hollywood’s Supreme Diva, after freshly turning eighteen and paparazzi weren’t so nice. 

The countdown to your eighteenth birthday had been a disaster as preying men had been looking forward to the big one-eight and the media entertained it— sexualizing your transition from child to adulthood. You had already started rebelling at sixteen, photo-ops have proof of you smoking and participating in underage drinking. Mothers ridiculed you, fathers fantasized about you. It was so disgusting in Choso’s eyes, his thick pieces on Tumblr being proof of it.

When the day had come and you wanted to celebrate despite the media constantly being up your ass, paparazzi were bombarding you the moment you slipped outside of a Casino, reaching for you in attempts to ask you invading questions. You had your bodyguards with you, but one managed to sneak through the cracks, reaching straight for your breasts. There were two infamous shots taken back then— one of you being groped and the next one you punching said paparazzi square in the jaw. 

Your father made you take self-defense classes, and you knew you could throw a punch. It was evident on the sleazy man’s face that you could, too, but in efforts to keep his dignity intact. He spit out the blood and said, “You punch like a little bitch!”

That was the title of the articles that came out the very next day, alongside (Your Name) has become the Supreme Diva of Hollywood. You seemed to have vanished after that night as people went on and on about your disrespectful nature, like you should’ve just let the man grope you. And people didn’t ignore your absence for a while, further articles being published and claiming that you were embarrassed about the way you lashed out. 

You had stayed away from the media for two to three years until you were offered a role to play the lead in a zombie television show called Us Against the World. The director had contacted you herself, explaining who she saw you as, Beatrice Martin, and how she thought you were well suited for the character, seeing everything that you went through. You had gotten so comfortable with the silence and seclusion from the world of fame that you were about to say no, but instead, your mouth had said “yes” and further promised that you were willing to at least audition for the role. 

Choso had set a reminder on his calendars of when the show would first be televised, locking himself up in the room with food and drinks as he was perched on his bed. The opening scene began with you and from that moment forth, he was hooked on the television show and you. Shortly afterwards, he had found himself immersed into the world of fandom, learning more about it and that people wrote fics based on the characters and different forms of media they enjoyed. From Wattpad to Quotev to Fanfiction.net, Choso indulged in many websites and apps. However, he felt a calling when he found Tumblr— the shitty site holding him bound by his arms and legs— the url handle kamoso becoming an account that many people look forward to clicking. 

—

You thought you were done with acting. You wanted to be, but now that you’re back under the limelight and more in control about your image, you manage to endure the brunt of the lifestyle. The worst has passed, after all. 

You’ve fallen back in love with the art of being someone else, finding comfort in the fake as you flash faux smiles and scream in agony on the camera as your significant other on screen gets ripped apart by the undead, fake blood pouring from the contraption connected to the fake arm. However, under the circumstances you’re under, you can’t stop and mourn, calling more attention to yourself under the herd of zombies hurdling your way. You have to be selfish and think for yourself, trying not to look back at the hungry mob nibbling on your dying lover. 

You run until the scene is called to a close, halting your movements as you pant. Hands landing on your knees as you hunch over and throw your head back. And when your co-star, Geto Suguru, touches your shoulder, you immediately reach to hug him, groaning as you tighten your hold around him and him doing the same. Everyone crowds together in this moment of goodbye because outside of flashbacks and cameos, this will be the last of consistently seeing him. 

And while this is all fake, some of it feels real as you will mourn the loss of another consistent cast member, soon to be replaced by someone else come episodes or seasons later. However, you’ll enjoy the video essays and the threads online people will create the moment the episode will drop— crazy conspiracy theories being said as fans stay completely in denial to the loss of another founding character. Or, people lowkey glad that they’re gone, sharing their thoughts on why they hated Geto’s character. Whatever it will be, you’ll use some of your spare time to giggle at it and message him later on that day. 

Because, outside of the bad that has come out of achieving your dreams, you really have come to enjoy the good that comes out of it. Like the contest that you’re participating in, the television company, ABC Channel, you’re currently working under partnering with ‘The Aspiring’ to host a contest, inviting a few fans to meet with any of the participating cast members of whatever show under ABC for a week. As explained to you, the contestants will submit an entry following the prompt: If you were to rewrite one episode, which one would it be, and why? 

You had found the prompt interesting when the news of a contest was announced during one of the meetings when Us Against the World was ready to start filming for the new season, opting yourself to be one of the stars who were willing to participate. It had brought a lot of shocked faces as you haven’t really shown interest in much fan interactions minus occasional hellos you’d give when someone recognized you. You had kept yourself reserved much to the media’s dismay as they were quick to write off that you had returned back to your old ways, but genuine fans were always quick to defend you, seeing you as what you are— human. Nonetheless, you received support from your fellow co-stars and staff, happy that you’re opening yourself up a bit more. 

The contest has yet to be announced, but you’re anticipating it as you also had the chance to be involved in who won for your show. It would be an opening of opportunities for the winner, a possible chance to network if they had true potential. You were always grateful that someone saw yours and you wanted to be the next person to shine the light onto someone else. You could hear your father’s voice inside your head at times, questioning you for your naivety and how you could take a risk like this. You can hear the deep, angered grumble of his voice chastising you. “How can you be so stupid? Why would you take a chance like this?”

Once upon a time, you’d let his every word dictate you. You hadn’t much choice as he was your parent and you were a minor, but you let his words become your Bible and had lost yourself along the way. While you had deterred yourself away for a while— hence the columns of you drinking and smoking— you had always let him put his foot on your neck in deciding who you were to be otherwise. It got worse when you had turned eighteen and you had let him put a halt in your acting career, wanting you out of the limelight for good. You had wanted a break, but never wanted to detach yourself entirely. When Us Against the World was offered to you, you and your father had a huge falling out about it and you haven’t seen him since. 

He’s called, and you have, but neither of you have made the effort to see one another. And, honestly? You like it that way. You want to shine without the moon standing in your way. Everyday, you’re a little closer to doing just so. 

—

theaspiring and abchannel 

Want to meet one of your favorite stars? You’re just in luck! The Aspiring and ABC are collaborating together to give dedicated fans a chance to spend a week with one of their favorite stars. All you have to answer is: If you were to rewrite one episode from your favorite ABC series, which would it be, and why? 

Put your imagination to use as we’re accepting a variety of submissions. However, please adhere to our rules and guidelines when submitting. Click the link below for more information and faqs. We can’t wait to see your submission!

www.theaspiring.com/abc-x-the-aspiring-contest 

Choso’s heart begins to race, reading the post caption, checking the account legitimacy only to see that both accounts are verified. When he clicks on the hyperlink, it sends him straight to the official website. He has to pinch himself in order to convince his mind that this is real— that this opportunity is an actuality and there’s a possibility that he can win.

He throws his phone at the far corner of the bed, too close to the edge but never falling. On his nightstand, he immediately reaches for his laptop, an idea already in mind as he spends the rest of the day writing. He typically finds himself like this when he writes, caged up inside of his bedroom as neglecting his health in order to finish a fic. The many times he had to tell himself that this wasn’t serious— fan fiction isn’t serious— and that he shouldn’t ruin his health because of it. However, he just gets so captivated by it, putting all of his focus on it and not eating or drinking or showering the entire day. His fingers would only move as his eyes got dry from looking at the screen for hours on end, but he couldn’t bring himself to stop as his mind would only go and go and go. If he didn’t get it down now, he was in fear that all of his ideas would evaporate in that very moment and they’d get lost in the abyss of forgotten epiphanies. 

Right now is the same as the last time he looked at the clock, it was only ten in the morning. When he’s finally done, it’s eight at night and the word count reads over 20k words long. He’s developed a migraine by now, finally shutting the laptop as the document automatically saves. The moment his feet hit the floor, it tingles and he has to limp his way to his bedroom door. He rolls his head back, his vision getting funny as he opens the door. He’s starting to feel the quick repercussions of his actions as his stomach growls and he starts feeling nauseous. He has to force himself to muster up the strength, fixing a small bowl of oatmeal to take away the pain and jump in the shower right after. 

The heat of the water is relaxing, the piping hot touch cracking every aching muscle in his body as he relaxes. The eucalyptus body wash infiltrates the steamy air, its strong scent lulling him to sleep that he nearly slips and calls it quits. Somewhere along the way, the clip holding his hair up has slipped out, his hair falling in front of his face haphazardly. The white towel wrapped around his waist threatens to fall as he takes careful steps, excess water dripping in his path. In the comfort of his bedroom once again, he pulls on a baggy t-shirt and pajama pants as he jumps back into bed. His laptop lays next to him as he’s momentarily coaxed to get back on it, but the exhaustion running rampant through him takes control and knocks him out before he could truly contemplate what was happening. 

The next day, when he’s wide awake, he works on the document again. He proofreads it, correcting all of his mistakes and making sure that everything makes sense. The document name, Never Be Enough. He had always wanted to write a fix-it fic for one of the most tragic episodes in the entire series, where your character— Beatrice— had finally reunited with your father after being departed for months because of the apocalypse. It was the main plot to the series for majority of the time as every time that you were close, some heavy obstacle would fall into place, distancing the both of you before either of you knew. It aggravated him, the writing of the show that he remembered wanting to drop it at some point. However, he braved it through. 

When the episode finally came where Beatrice was finally reunited with her dad, he was ripped away from her. Literally torn apart from her in a stampede of zombies that managed to make it through the barricade surrounding the small colony of survivors. Your band of friends that helped you get there had to get you away as you watched in pain, the last part of your old life all gone. The episode was called Never Be Enough, and gosh, while he hated it, it fit so perfectly. Because no matter how much you have fought to get there, it all felt like it was never enough. Choso had to question if it was his emotions that made him believe that the show writers were just crappy at their job and if in actuality, they were geniuses. 

After the season was left on that cliffhanger, it made Choso go into a silent rage inside of his mind as he could only think about how it ended and the possibility of your character arc being ruined before it even got the chance to get better. He had written some possibilities of a better ending, but never decided on it until yesterday. Twenty thousand words he had to look over, and if he’s being honest with himself, it still doesn’t feel like enough. But while there wasn’t a word limit of written entries for the contest, he didn’t want to test said limits and kept most of the piece where it was at. When he was finished, he formatted the first page how it was asked of him.

Alternative Ending to Us Against the World, Season Two: Episode 11

Never Be Enough by Kamo Choso.

Top Three Picks for 1 Week Celebrity Meet: Your Name, Geto Suguru, and Nobara Kugisaki.

He wrote a small page on why he thought the episode needed to be written before he transitioned onto the work itself, making sure that it flowed together before overlooking the entire document again. When he was finally satisfied, he downloaded the document— Never_Be_Enough_KCH.docx— and logged into his account for The Aspiring. He hated this feeling, this piercing pressure of anxiety in his chest. It happened whenever he posted a new fic and now it was happening with this, too, but this? This was much worse.

He felt like he could barely breathe, slowly dragging the file with his cursor and watching it load. When he read 100%, he hovered over the ‘Submit’ button and squirmed in his gaming chair, the seat swiveling as he turned from side to side. Closing his eyes, he just had to do it. The sound of the right click echoing through the room before he opened his eyes again and watched the screen load. Then, virtual confetti blowing across the screen as ‘Successful!’ reads across the laptop. He lets out the breath he was holding, his reddened face losing its color as he shuts the screen and jumps onto his bed. 

Pulling his phone from his pocket, he clicks open the Tumblr app, opening up a new post page and types out: ‘I think I just made the worst mistake yet. I’ll tell you guys later if I’m a fool or not.’

—

You never realized how reviewing competition submission could be so tiring. Days and days of watching, viewing and reading what people had to say. While it had been fun at the beginning, it quickly became tedious and exhausting after day three. From your checklist, you marked off those you found no interest in and checked off people who had lots of potential.

Each submission was sorted by the contestants’ top choices, where you seemed to have the majority of it for Us Against the World. Thankfully, any submission that had shown red flags were immediately removed before your viewing, but it was still a heavy amount that you had to go through. Your body ached and your vision started to blur as you read over another paragraph before groaning. You shut your phone screen off and drop the device right next to you on the couch and get up. 

When you stood up, you stretched and sauntered straight to the kitchen, opening the fridge and pulling out a tupperware of leftovers. When you look at the time, it’s only twelve in the afternoon. A yawn draws from your lips, eyes squinting shut as the hum of the microwave sounds in the small luxury apartment. You stretch once more, arms rising above your head as your shirt joins you for the ride, your belly button peeking from underneath. Three chimes before you’re opening the microwave door and pulling out the orange chicken and lo mein, stabbing a fork in it and blowing on the spoonful of food. 

You turn on the television the moment you return back to the couch, taking a moment to unwind and watch something that isn’t so of substance. Somewhere in between, you fall asleep, food halfway finished and nearly falling from your grasp. Your head leans crooked as you sleep sitting up, your head resting simultaneously on the wall and the leather as you’re tilting over. Ever so slowly do you move until you hit that slippery slope, falling down so fast that you jump awake in fright and your fork finally falls from the tupperware, clinking against the marble floor. 

“Shit,” you curse, never meaning to fall asleep. Glancing at the clock, more time has passed more than you expected, making you curse one more time as you go in search of your phone. It loads back to the last submission, which you quickly click out of and find something else. It takes time getting back in the groove of things, but when you do, you find yourself with certainly more energy than you did before, managing to skim through most of them. 

You spend the remainder of your day cooped up back on the couch before you’re clicking on what you note will be the last submission for the night. The document name, Never_Be_Enough_KCH.docx, when you click on it, it takes some time to load. The three dots spinning around in a circle before the front page loads. 

When you start scrolling, you gasp. “Damn…”

Over twenty thousand words to read. Wow, you think. They practically wrote a novel. You started debating on if you should really end your night with this. If you did, you won’t go to bed until midnight, and you have a busy schedule tomorrow. It wouldn’t be worth it. However, you manage to convince yourself to read the first paragraph at most, reading why they believed that episode should’ve been remade. In fact, they went on a miniature rant on why they believed the entire first couple of seasons should have been rewritten. It made you laugh as it heavily intrigued you, leading you to scroll further and read through it more.

One thousand words became two, and five thousand became ten. The words were written so seamlessly that when you stopped to glance at the time, you no longer cared, wanting to know what happened next. It was as if you weren’t an actress, but a fan of the series itself, immersed so deeply into the plot as you started tearing up at some points, laughing at the next. It felt amazing to be well invested in something. When it was finally over and you could no longer scroll, you felt a missing piece within your heart as you felt like it was too short and there should be more. 

Pushing yourself to sit up on the couch, you wiped away the tears on your face. “Fuck,” you couldn’t help but laugh at yourself. You didn’t think coming into this, you’d get so emotional, but this person? You scroll back to the beginning of the document, reading their name. This person, Kamo Choso, really outdid themself. On your list, you highlight his name. You don’t care if you didn’t finish the majority of entries, you go to message your manager, downloading the file as you send it to her. You even go the extra mile to messaging your coworkers, your text reading along the lines of: This one is definitely worth the read. I think I’ve already found my winner. 

—

In two months time, Choso receives an email from The Aspiring. He doesn’t open it immediately. Instead, he waits until the next day at midnight when he’s finally remembering it. With short breaths and his chest rising and falling, his thumb hovers over the notification as the subject line reads— Your Submission Results are in . . . 

And gosh, Choso really has to work on his pessimistic views because when he finally clicks on the email, he immediately thinks he’s lost the competition, dread coursing through his body as he’s preparing himself for disappointment. However, the words of We’re Sorry never show up and instead . . .

Congratulations, Choso! We were very impressed with your submission as you’ve managed to keep us on the edge of our seats for your entry. We’re ecstatic to say that you’ve won a chance to meet your number one pick, Your Name. They have a very special note to further congratulate you. 

“Congratulations, Choso! I wanted to personally say that I really enjoyed every ounce and every minute that I got to read your submission. It was really immersive and I have to say, you have a special way with words. Thank you so much for the time you spent writing it because I know it was a lot. Can’t wait to meet you in person!” — Your Name. 

Choso went to sleep as a more happy and optimistic man. 

DAY ONE

Airplanes have never been Choso’s thing. He doesn’t travel much, but when he does, he tries to avoid them if he can. He doesn’t have a fear of them, but he finds them so uncomfortable. The entire process of having to check in and then going through his packed bags to take out electronics and whatever TSA asks of him. It’s a tiring process that he’d just like to avoid altogether. However, for you and a paid flight, he’s willing to go through the hassle. He just has to make sure he has enough stuff to help him survive the trip over. It’ll be about a seven hour flight, after all. 

Scheduled to board the plane at twelve-fifteen, he should arrive around eight-fifteen. However, due to the different time zones, it’ll be somewhere around five when they land. It’s the one thing that Choso dreads when traveling as a whole, the change of time always messing with his mind and making him an absolute grumpy mess as he tries to get accustomed to it all. But, then again, he tells himself, it’s for you and it’s an all expenses covered trip. He shouldn’t complain at all.

When he boards the flight and it’s finally ready for take off, the first thing he pulls out is his iPad and the keyboard installment to go with it, pulling up offline documents he made sure to have saved up to his current progress. He spends the majority of the time on the plane hopping from one document to the next as it helped ease him during the turbulence and ongoing ruckus that would happen from time-to-time. 

Black headphones that drown out the rest of the world, when his iPad dies and his portable charger is already in use, he spends the next hour fast asleep with Lofi hip hop playing in his ears until he’s being nudged awake. One, two, three times he is nudged because he’s finally awake. A raspy ‘hm?’ that leaves his lips before his dark eyelashes flutter open. His aisle is completely empty when he looks around, only a flight attendant standing in front of him. “Sir, the plane has landed and everyone’s left.”

“Huh?” he hums before he realizes what she’s said. “Oh!” 

Face heating up as he abruptly stands, nearly falling over, he rushes to the overhead storage to pull out his carry on luggage. He leads himself out of the plane, never making eye contact with the rest of the attendants as he shuffles with his carry on. Checking the time, it’s thirty minutes past five and the vehicle waiting for him will be here around six. He thanks the simplicity of domestic flights as he doesn’t have to go through the heavy hassle of further checks, making a beeline towards the exits as people crowd the outside, either waiting for their ride or taking their luggage out of the trunk.

Choso passes the time with music playing in his ears and his eyes glued to the phone, reblogging posts and reading through his TBR list on Tumblr. When the clock ticks closer to six, he’s shutting his phone off and keeps his eyes out for his designated ride, anticipation running through him whenever a vehicle comes close. It has his anxiety racing as his fingers twitch to the jagged birthmark etched across the bridge of nose, the dark line probably annoyed with his habit. 

When his ride did come, it was more than he expected. A black limousine parking in front of Terminal D, just as they had explicitly told him. People were selfish as the vehicle tried to turn into the front, honking their horns in hopes to get past. However, the stubborn chauffeur stayed in place as shortly, people made space for him. When he finally parked, the chauffeur hopped out of the front seat as he quickly averted his attention to Choso. The dark birthmark being the indicator of his identity as he approached him. “Kamo Choso, am I right?”

Choso nods, eyes widening as he realizes that the limousine was, in fact, for him. He shouldn’t have expected anything less, but he didn’t suspect it to be just like the media portrayed it. “Uhm, yeah,” he verbally responds. “That’s me.”

“Great,” the chauffeur smiles curtly. “I’m Haibara. I just need to see some ID and we’ll be on our way.”

Pulling out his passport, Haibara takes a picture of it, his fingers swiping and clicking away before guiding Choso over to the vehicle. As the man holds the door open for him, Haibara already having thrown his luggage in the trunk, Choso takes a step inside as he observes in awe. Next to his seat, a basket of goodies that waited for him as well as a few refreshments. When Haibara finally hops into the front seat, he looks through the rear view mirror. “_____ bought you a basket full of snacks for you to enjoy on the ride down. She expected that you’d be a bit peckish after the long flight. I hope they’re to your liking.”

“Oh,” Choso hums, grabbing the basket as Haibara starts the engine, pulling out of the space. “That was nice of her.”

The comment was more to himself, and thankfully, Haibara didn’t comment on it as he simply nodded in agreement as his eyes became glued to the road. The only time he did talk was to ask if Choso wanted to change the radio, and showed him how to do so if and when he felt like he needed to. Other than that, the ride to the hotel was silent. The traffic was heavy where it nearly took an hour to arrive. Choso had finished two bags of chips since the ride, about to pick up another one when Haibara spoke once more. 

“I forgot to mention this earlier, but there’ll be a welcome dinner later tonight,” he informs Choso. “Once we arrive, you can freshen up and in an hour’s time, you’ll meet me back at the entrance of the hotel.”

Just as he says that does he pulls up in front of the hotel, parking the limousine right in front of the double doors. Exiting the vehicle, Choso grabs the small basket of snacks along with him as Haibara helps him with his luggage, signaling for the bell boy to assist Choso. The building exterior itself is large, a beautiful sight to see, but the inside is a thousand times better. It’s unfortunate that Choso didn’t get much time to marvel in it as Haibara nudges him forward as the bell boy nearly leaves him behind. 

“You’ll have plenty of time to look around later,” Haibara chuckles as he helps Choso check in at the front. Right as he’s about to temporarily depart, he gives Choso a curt nod. “I’ll see you in a few.” 

Choso doesn’t know if he prepared himself well enough. What was he supposed to do when he finally met you? It never felt real to him until this very moment, where he finds himself in the small confines of his hotel room and he’s opening his suitcase. Did I even pack anything decent enough to meet them? What am I even supposed to wear? Is it fancy? “Fuck,” he curses, flinging the cover of the suitcase over it as he stands up. A shower… A shower is what he needs. 

When it’s the time that Haibara instructed Choso to meet him, Choso is two minutes late. He hopes the brunette wouldn’t chastise him for it, but then again, the man didn’t seem like the type. If anything, he’d probably sweep it under the rug as it was just two minutes. 

So said, so done. Instead of the limousine, Haibara’s now standing in front of a black Lexus, legs crossed as his hands are stuffed inside his pockets. He has that habitual smile on his face as his eyes crease as he says, “You’re right on time.”

It makes Choso want to snort as Haibara holds the door open for him and hops inside. The drive is much shorter than the trip from the airport down to the hotel, arriving in just under twenty minutes. Haibara bids him a nice farewell as he instructs Choso what to do when he gets inside. 

He can already feel it, the sweaty palms and the damp under arms of his short-sleeved button up. He’s starting to shiver already as well. Each breath he takes is getting shorter and shorter and he’s trying to stop himself from experiencing a panic attack when the doors automatically open for him and there’s a sweet woman standing right at the front.

“Welcome to Mahogany,” she smiles kindly. “Do you have a reservation?”

“Uh, yeah,” Choso breathes. “I—I’m here for the welcoming dinner. My name’s Kamo Choso.”

She nods her head, receiving a clipboard as she reads through it. When she spots his name, her eyes light up as she leads him around back. That’s where he spots her, where it took him no time at all. Everyone’s seated together at a table that has to fit around twenty at least. It’s overwhelming.

It’s not just you, but it’s Geto Suguru, Kugisaki Nobara, Itadori Yuuji, Gojo Satoru… It’s some of the cast that he’s only ever been able to meet in person. It has him stopping in his tracks just a few steps away from everyone, where the hostess walks ahead of him, unaware that he’s stopped. He wants to turn around and tell Haibara to come back, but he’s probably driven off and he never did get his number. Would he have even given it to me? He asks himself. 

“Here’s your—” the waitress stops her in tracks when it comes to her realization that Choso hadn’t followed along, head spinning around to see that he’s a few tables down. It calls for more attention, much to his dismay as the chatter dies down and almost everyone’s peering their head to see their new guest.

Choso wants to die, face heating up as his hand raises to scratch at his birthmark. It’s the same person that’s caused this reaction to speak up. Your eyes elated as you push back your chair, coming to stand. “Choso!”

Your eyes meet your smile. They sparkle as you extend your arms out to him. Dressed in an orange dress, it compliments you well as the top hugs your upper frame before flowing at the skirt. It's simple, but perfect for the occasion as you have an ivory-toned shall to go with it. “I've been so excited to finally meet you in person. You have no idea how much I loved your entry. I read every single word of it and I even went back and read it two more times when I had the chance.”

You speak to him so easily. How do you do it? “You— You actually read it?”

“Yeah,” you chirp, guiding him to his seat next to you. “We all got a chance to read through the majority, if not all, the entries, and chose our favorites. Oh! By the way, let me greet you to everyone here—” 

Slowly does his anxiety dissipate with every passing second as he takes a seat next to you. You take time to introduce the winning contestants who’re also here and your co-stars. His heart still races, however, beating rapidly across his chest that it feels like it’ll implode. You’re more beautiful than you appear on screen. Your hair combed into one as your voluminous strands dance upwards like a crown. Curls that glide alongside your forehead with tendrils right at your temples. Your makeup matches the warmth of your orange dress, a slightly orange-tinted blush that works well for your warm undertones. You’re a beauty made to be marveled over, someone who deserves to be painted, your picture hanging in one of the finest of museums. 

Eyes glued to you the majority of dinner, he can feel it deep within himself. He’s in love. 

DAY TWO

A blessing that comes with acting is the impact that you have over people’s lives. Seeing how being an inspiration has truly framed a person’s life as they build a positive outlook on their dreams, thus chasing after them. The stories they share, or how they’ve found comfort in your shows. It all warms your heart when their genuinity outshines and sparks joy within you. 

You don’t want to hold yourself on a high pedestal, but you can read it all over Choso. The adoration he has for you, it was evident in his entry and it was evident at the welcome dinner last night. Standing starstruck as he gawked over the celebrities that sat around the table, but eyes ultimately meeting yours as they glossed and shined over in a thin veil of tears. You remember first being that way when you hit the limelight. It felt incredible meeting your admirations, but it could also be embarrassing.

It was cute how Choso was flustered and completely enamored once you broke that thick coat of awe, pulling him in for conversation as many of them complimented him for the work he put in before boasting about their winners themselves. In your eyes, the dinner was a tremendous success and you could only anticipate what today was going to be like as well as the rest of the week.

As your makeup is being done for the current episode filming, there’s three light knocks on the door. You shout, “It’s open!” 

One of the personal assistants opens the door, pushing his head inside as they make eye contact with you. “Ma’am, Choso has arrived. Do you want me to send him in?”

You don’t hesitate to respond with a ‘yes.’ Nodding your head, you smile. “Send him in.”

It isn’t long before the door’s shut that it’s opened once again as the same personal assistant leads Choso inside the trailer. Instead of the black button and black denim jeans he had on yesterday, Choso has on a white t-shirt and a pair of black sweats as he stands inside the trailer, hands shoved in his pants as he stands awkwardly. Your makeup artist gives him a polite smile as she does the last touch-ups before giving you the go ahead. 

“She’s all yours now,” she chuckles, before gathering up the belongings and giving the two of you alone time. Choso still can’t believe how your eyes continue to match your smile, portraying genuine happiness as you beckon him to take a look around.

“It’s not really much,” you shrug. “Just what I need to survive when filming hours drain me and I don’t have the time and energy to head back to my apartment.” Choso’s eyes travel, taking in the small exterior. It feels so homely as a bed is fixed to the far left corner as a few furniture pieces stand, holding a clutter of your belongings. Somehow, you’ve managed to make the space feel so real and cozy. “But, this isn’t the exciting part—” You cut the tour of your trailer short, pushing open the door and climbing down the steps. “—C’mon, the set where we actually film is much better.” 

You walk a few paces before Choso catches up to you. When he finally exits, you could’ve sworn you saw a glimpse of something shimmering as his hands went stuffed back into his pocket, but you ignored it, figuring it was just the reflection of the light. Quickly, your mind ventured to the task at hand as you led the way down the set. 

“We have two options for you guys,” you say, constantly glancing back at Choso to make sure he’s caught up with your quick steps. “Because the new season hasn’t aired and we don’t want to spoil things for you, we’ve got your chauffeurs on standby. You’ve got Haibara and I know he’s willing to bring you anywhere you want, he’s being paid a bit extra for it.

“Or, if you don’t mind a bit of spoilers and want to see more of the action,” you turn around, walking backwards as you wiggle your eyebrows. “You get to watch us film. Which one is it?”

“Who wouldn’t want to see you guys film?” Choso scoffs, his answer evident. He didn’t come all the way here just for a simple break from his everyday life. No, he wanted to experience the life that you lived as an actress. 

You snort. “That’s what I thought, but the rest of the guests wanted to stay behind. They said they didn’t want to be spoiled at all, which I can respect, but—”

“I think it’s a waste of a day,” Choso shrugs. “To finally get the chance to see what happens right before your eyes, and to miss out on that opportunity because you don’t want to be spoiled. Knowing about one episode won’t kill me.”

His candor sparks interest in you as you nod your head, processing his words. “What do you do for work, Choso?”

“I work from home as an IT,” Choso says. 

“What?” you guffaw. “You wrote a twenty-thousand word entry and you’re only working in IT? That’s a waste of talent.”

“I’m hoping to find something better at some point,” he tilts his head. “I don’t plan on staying in the field for too long. Though, I am good with computers.”

“Sorry,” you apologize, not initially aware about how your statement sounded. “I didn’t mean for what I said to come off so hard, but you definitely have some talent and I don’t want you to leave it to rot. We need a lot of writers within this industry. We need to keep the ideas flowing.”

Choso didn’t come here to network his way into a better life. He always felt like writing was a hobby that he had come to develop over the years after indulging himself in fandom culture. He loved writing, but also feared it. Feared the ideas inside of his head and how people would perceive his ideas. How people just couldn’t see past the wrongs of a character, never being able to tell past fiction and reality anymore— it scared him. However, he did dream of them coming to life. This was his opportunity to do so, but he didn’t want it to seem like that’s why he submitted his fic. He wanted it to garner attention, but only to win. 

“No,” he shakes his head. “I understand what you meant. I guess… I never really thought of myself as becoming a writer. Like, yeah, the idea came to my mind, but I was always afraid.”

“I know this is easier said than done,” you stop, your tone getting serious as your voice drops low. “Especially coming from me who’s been working in the industry for the majority of my life, but fear is one of the biggest things to hold you back in life. It’s the one thing that the majority of people let control them. I let it control me for part of mine.”

One thing your father instilled in you was fear. The moment you stepped into the limelight, he wanted you to take certain precautions. Fame could be detrimental to a person and having seen the many scandals through limitless magazines and news stations, he didn’t want you to fall victim to Hollywood. Limited interviews, chaperoned events— he did what a father was supposed to. He kept you safe, but his love knew no bounds and it started to hover. 

When footage of you smoking at sixteen was released, you were under lock and key as you could only go to set and straight back home with him. He kept you under his immediate scrutiny that had you rigid and stunted for it all. “Do you want to die?”

He would fill your mind with these drastic fears, always thinking of the worst. “Do you know what nicotine could do to you? It could ruin your lungs and give you cancer, then you’ll die!”

As an adolescent, you wanted to live vicariously and do what other kids your age did. You didn’t want to lose your childhood because of all these rules as a child actress. Why couldn’t you have both? So, you’d roll your eyes and when your father would least expect it, you’d sneak again, in hopes that this time you wouldn’t get caught.

Then, you turned eighteen and it seemed like all of your father’s fears were right. People were so quick to taint your image because of the boundaries you had set over your own body. It was as if you had no autonomy, no right in what you had to say over yourself as people labeled you all sorts of names— prudish bitch, whore, slut. Whatever name in the book that they could throw at you. 

Finally did you cage yourself in, locking yourself away from the outside world because it had gotten to you. Your father would always look at you in a certain way afterwards, his eyes twinkling as if to say, I told you so. 

Choso can’t help but wonder where that pretty little head of yours has gone, watching you silently as your mind drifts off as you let out a sigh. “My advice is to let that fear go and take what you want by the handle. You have real potential in you, and if you can find your way to make what you love your living, I say go for it. Especially when you have someone under your belt who you can take advantage of.”

You throw him a wink with your last sentence, the corner of your lips curving upwards before leading him to set. “Now, let’s go before I get yelled at for being late.”

You are an experience. That’s what Choso tells himself at the end of the day when he’s back inside of his hotel room, your golden bracelet in hand as he’s underneath the thick comforters as the air conditioner runs icy cold. It glimmers underneath the moonlight as he runs his thumb over it, heavy eyelids that taunt him, telling him to go to sleep. 

And while he soon succumbs to it, you’re an anxious mess rummaging through your belongings as you can’t find the sentimental piece anywhere. You’ve shot text messages out, asking anyone if they’ve seen it, but to no avail. Your mind wanders back to this morning— Choso. That quick glimmer before his hands were shoved in his pocket, but as quick as the thought came, you were twice as fast to dismiss it. 

That voice of your father comes back to mind, him calling you a naive little girl before accepting the role as Beatrice Martin. It comes back to haunt you, questioning why you’re so quick to dismiss a stranger. And you know that deep down, your father is right. You’re still that naive, optimistic little girl. 

DAY THREE

A habit you had developed over the years was fiddling with your bracelet. The thin gold chain dangling on your wrist as you twisted it around in efforts to keep you comfortable. Now that it’s gone, the habit you had worked to stop has returned, but this time in search of the same piece of jewelry. Scratching at your wrist while you still keep a smile on your face. You look out the window, your eyes transfixed with nothing as the moving vehicle blurs everything. Haibara glances back at you, worry etched in his mind, but he’s already asked you if you were fine once. He knows that he’ll push the limit if he asks again. 

So, when he’s in front of the hotel, he keeps on that bright smile as he parks the vehicle, “We’re here, ma’am.”

His smile falters when you don’t correct him for using the term ma’am, lips quivering as you climb out and walk past, only muttering out a weak, “thank you.”

Get yourself together, you chastise yourself. It’s just a bracelet. Just breathe. 

It’s like a switch goes off inside of you when Choso appears, cutting out your worries as your legs move towards him. You force yourself not to worry, your eyes twinging in faux happiness as your voice gets chirpy, a few octaves higher than normal when you greet him and pull him in for a hug. “I hope you’re ready for the day!”

“Uhhh, yeah,” Choso fiddles with the sleeves of his shirt. “I think I am. Still not sure about being filmed, but I think I’ll get used to it.”

“If you’re still having second thoughts, I can talk to the camera crew and work something out,” you say. “We can keep the footage to a minimum.”

“No, no, no!” Choso shakes his head. “I don’t want to be a bother.”

“You won’t,” you say, pulling out your phone from your purse. “I’ll message them right now and see if—”

Choso immediately reaches out for you, grabbing your wrist tightly to stop you. It was a subconscious movement on his behalf, not aware of what he was doing before it’s too late. It catches him by surprise as it does you. And he hates how you’re looking at him, eyes widened as you pull yourself out of his grasp, Haibara about to intervene. “I—I am— I’m so sorry. I just… It’s fine if they record. I’m sorry.”

“You’re fine,” you breathe, voice low as it cracks towards the end. “It’s fine.” It sounds like you’re more so trying to convince yourself that. “Let’s just get going before we’re late.”

The tension in the car eased the moment the two of you were led out, the period of silence being a heavy relief as you hopped out of your side and let out a deep breath. You have your hair out today, letting your curls free in the unrelenting wind that blows it out of the perfectly curated shape it was in. You have to hold your hair up in order for the stray strands to twirl its way into your eyes, careful on your feet in the heels you’re wearing today. The skirt of your floral maxi dress blows through the wind as your hand casts a shadow over your face. Oh, how Choso wishes he could have captured the moment on camera at just how pretty you are, feeling like he never says it enough. You make him feel inadequate how you manage to always shine bright. 

“Whew,” you huff. “It’s windy today.”

Your heels click when you’re faced with Choso. “The camera men are ready. You’re good to head on in, now?”

When Choso nods, you smile and hold out your hand for him. He stares at it for a few seconds before understanding what the simple gesture means. His heart beat skyrockets when he fixes his hand into yours, fingers intermingling with each other’s as you take the lead. He, however, holds open the door for you, trying to fix the erratic pace within his chest as he enters the establishment with you. You lean into him, your grip tightening. “Don’t worry about anything. Try not to focus on the cameras too much and just look at me. It’ll be a bit easier that way.”

Listening to your advice had put him at ease for the majority of the time as the two of you had started the day with brunch, simple conversations that ran smoothly. All throughout, you kept close proximity to him as the two of you ventured through California on two feet, bringing him around shops he found interest in and other places. 

Choso feels at such an ease that he forgets all about the camera crew that’s trailing around the two of them, following their every move. With your fingers intertwined with his, it set him at ease that he got lost in a train of thought. You had to nudge him back to reality for his eyes to flicker back on you as he let out a, “hm?”

“You didn’t hear a word I said,” you laugh. 

“I’m sorry,” his face heats up. You shake your head, fanning it off.

“Don’t worry about it,” you sigh. “I was just telling you that there’s this spot that’s really pretty. If you ever decide to move here and bring your partner, this is a good place to go to.”

“Okay,” Choso nods. The sun is starting to set as the two of you are brought to this spot deep within the park. It’s secluded around this time as the sky starts to darken. You bring him over to a bench, bending down to adjust the straps of your heels. Taking them off momentarily, you stretch out your feet as you exhale. “If I had any common sense, I would’ve worn sneakers.”

“At least you know for next time,” Choso shrugs.

“Yeah,” you say, pursing out your lips. There’s a comfortable silence shared between the two of you as the heat of day simmers down to a calming cool. It’s tranquil as you shut your eyes for a moment, taking it all in. Except, Choso, however. He’s staring off into space before he blurts out, “Y’know, I’ve never been in a relationship.”

It takes you out of your trance, your head tilting as you look at him in curiosity. “Yeah?”

“Yeah,” he nods. “Sorry, that was random, but I was just thinking about it and I’m grateful that my first one is with someone I deeply admire, even if it’s not real.”

“Can I ask why?” you hum. “Why haven't you been out on a date before?”

Choso squirms, eyes diverting away from yours. “I can’t give you a specific answer, but I would say that deep down, it’s my fears controlling me— yet again.”

You nudge him. “We got to work on that. You’re a handsome guy. I’m pretty sure that someone would love to be with you.”

“Yeah, but what if we only end up hurting each other?”

“I’m afraid that’s part of life,” you sigh. “Sometimes people hurt other people, whether we mean to do it intentionally or not. It’s a good thing that you recognize that now, so when you actually find that someone, you make that conscious effort.”

“What if I never find that someone?” Choso asks. “What if I never find someone who makes me happy?”

“Then you find happiness within yourself.” Your eyes sparkle as the wind picks up, blowing your hair into your face. The cameras pan in on the both of you, noticing how Choso’s eyes are glued to you in such longing. Brown eyes that are hyper-fixated on you. His eyebrows crinkle together in amazement at how you always seem to say the right things. “How do you do that? How do you always know what to say?”

You shake your head, your bottom lip juts out. “I don’t always know, but… some of it’s just recycled advice.”

Your laugh is contagious, bringing him to laughter at your statement as you stand up. Shortly afterwards, the camera men start to pack up their stuff, bidding you their farewells as they leave ahead of the two of you. You’re both still sitting on the bench despite the nipping cold that bites at your skin. The conversation continues as you start to tell Choso the worst dates you’ve been on in efforts to not make him feel so down about his lack of experience. 

When it gets too dark, you call Haibara to meet you at the park. With thirty minutes left to spare as the two of you start walking down the trail again, you begin to grow more curious about the boy. “You’ve had your first kiss before, right?”

“Yeah,” Choso scoffs. “I’m not completely fearful of relationships.”

You throw your hands up in defense. “I was just wondering—” Nudging him, you give him a sly smile. “—But look at you. The playboy.”

“I’m not a player, just… they never turned into dates.”

“Because of you or them?”

He has to take a moment to ponder on it. “A bit of both.”

“Mmm,” you shake your head in disagreement. “I think it’s a bit more you.”

His squirming is your answer, your laughter filling the silent air as you both stand in the parking lot now. You find another bench to sit on, Choso joins you as another wave of silence crosses by. Your eyes are on him dangerously as they squint over at him. There’s barely any cars parked, only the park ranger vehicle across the street, so you’re not fearful of any possible paparazzi. Still, you try to look through the green tufts of bushes and trees, trying to check any spot they could be hiding before you lean closer to Choso. “Let me kiss you.”

Eyes widening, his body stiffens up completely at your suggestion. “What?”

“Let me show you what it’ll feel like when someone you care about truly kisses you,” you suggest. Your head tilts to the side as you start to sway. His pupils turn to hearts, brightening up at the proposition as he faintly nods. An ‘okay’ falling from his lips before he’s inching closer instinctively. You’re meeting him halfway, noses touching before the lips. Your breath against each other the only semblance of heat provided as you look into his eyes. They’re glossy as they flicker from yours to your lips. Before you could have any second thoughts, Choso takes the opportunity.

Crashing into you, his teeth clash with yours and you have to push him back to gain more control, physically telling him to ease down a bit. His body tenses as you inch closer to him, pulling him forth and getting him to relax. He gains more confidence, a hand coming to pull at your waist in a need. You instigate it further with the swipe of your tongue, deepening the kiss much further than anticipated. Both arms snaked around your waist, your chest is pressed against Choso’s as a hum vibrates off his chest. 

It should’ve signaled you to detach yourself, but no. What does, however, are the bright headlights of the dark vehicle pulling in and the steady hum of the engine as Haibara parks in front of the two of you. Pulling away, you stare into Choso’s dilated pupils, seeing how his chest rises and falls. Silently, you stand up. “We should go.”

You can feel Haibara’s curious eyes on you, the both of you, as he holds the door open for the two of you. The car ride is silent the moment you step in it. Choso’s mindsets ablaze, a course of fire lighting up the path in his brain as he taps his feet against the vehicle’s floor. You, however, remain indifferent as you look through the window, for once, not needing to feel for your gold bracelet. 

DAY FOUR

It’s very important to be able to differentiate fiction from reality. Choso feels that it’s true when it comes to fan fiction. The many times people have come into his inbox to complain about the content he rights for and the morality of the characters or how he made his reader to be. Hate messages made to bring him down and deter him from writing fan fiction, but he never gave in. They went on and on for days, even weeks, about the choices he made the reader take and it grew exhausting. Were they truly watching the same television show after all? The entire premise was about morally gray characters and the bullshit decisions they made, and suffering the consequences after it. Why did the reader need to be someone standing on moral high grounds during the apocalypse? 

‘Oh, I would never do that as a reader.’ ‘Oh, you mischaracterized me here in this fic. I’m not a bitch in real life.’ ‘Are we watching the same show because Yamaza would NEVER!!’

He had endured it all. But, personally, his favorites were the one telling him to commit suicide. He’d run to his mutuals quickly to make fun of those who hid behind anons, chatting together in their private discord servers about them and their hypocrisies. Then, he’d run back on Tumblr to delete them because he’s gotten so used to the nasty climate that he no longer addresses things that aren’t detrimental. Unfortunately for them, they’re not one of them. 

There’s a media literacy crisis, where people don’t understand the plot devices of antagonists and their purposes. And if they do, it’s because a conventionally attractive actor or actress plays them in the film. Truthfully, however, they don’t understand. They believe the moment something is conveyed in darkness and negativity is the creator saying that they endorse those actions, reading or watching something purely for the enjoyment without really and truly dissecting what they’ve just consumed. That’s why it’s so easy for Choso to dismiss people like that who try to question his moral standing. He knows what he stands for. He knows that he’s a good person. He doesn’t need a stranger online to dictate whether or not he is. 

However, he finds his mind slowly deteriorating, mixing up what’s real and what’s fake when it comes to you. You were wrong for kissing him. How could you fill his mind up with these false illusions, showing him how someone who cared about him would kiss him? Were you insinuating that you did— that, in actuality, you wanted more? You after all did let things escalate, having him pull you closer, deepening the kiss along with it. 

You had confused the poor boy, infiltrating his mind with ideas as he started to yearn for more. He started to desire you in a way that seemed to exceed what was already there for you, lighting a forest fire that you alone could not contain. 

Choso wasn’t just gifted with the written word. He was also exceptional with a computer. He liked to call himself tech savvy, a hacker sounded too juvenile in his opinion. His position paid him a decent amount and it led him to live comfortably, so he never complains. He can take off many days and not have to worry about his bills, but he preferred working on a steady schedule. It was easy to jump from one monitor to the next anyway, making writing fan fiction and assuring that websites ran smoothly was a simple thing he could multitask within hours of the day. 

However, he had to admit that he never utilized his skill to the full potential. Not until now, where he felt like it was a dire need to. Finding your location just as simple as a quick google search, quickly climbing out of bed to throw on some joggers and a hoodie. He didn’t think Haibara would agree with his choices, so he wasted thirty dollars on a trip, hopping out of the car and standing outside of the gated community. Checking his phone, he skimmed through the pictures and screenshots, typing in the code before the sidegate opened and he was led in. 

He kept his head down as much as he could, peeking up at the buildings to count down the numbers. It took some time where he nearly took the wrong turn, but it seemed to be a blessing in disguise when he finally did find your exact location. Ten o’ clock at night, the moon shines down on him as he tries to find a concealed spot to stand in. A light is on, letting him know that you’re awake as he follows the shine of it. 

He can’t get a clear view of you, blinds that block the way as well as your white sheer curtains. However, they’re not securely shut, where if stands off to the side, he can get a clear vision of you. With your phone in hand, you’re oblivious to the pair of lurking eyes that stand outdoors. Your gaze fixated on the small screen in front of you as you checked your calendar for tomorrow. Halfway into the week, tomorrow there are still some plans fixed for Choso and the other winners as it’ll be game day. Another day filled with cameras on you as they video the experience. The day after, it will be the day before the last, a farewell dinner hosted for the contestants’ goodbyes. The last day, their goodbye remarks as they have it to themselves for the most part. They can make last minute trips if needs be before their designated drivers are assigned to drop them off back at the airport. 

You set your phone down on the dresser next to you as you stand at the door of your bedroom. A yawn drags out of you as you stretch, pushing your chest forward as you raise your hand up wide. You know what would calm you down and get you ready for bed— a steaming, hot shower. You pull off your top from over your head, revealing your simple black bra from underneath as you aim for the laundry basket, the shirt landing inside perfectly. 

You weren’t ever much of a clean freak, especially when you were constantly on the go. You find your towel resting on your dresser near the window, reaching to get it when you see something in the corner of your eye. Was that a flash? You fix yourself to get lower, trying to see if your eyesight was playing games with you as you shift the curtain to the side, peaking through the blinds. 

Cursing to himself, Choso feels caught as he ducks down, pulling the hoodie over his head as he crawls on his knees. Getting out of your eye line, he squirms as he feels a tightness in his pants. Subconsciously, his hands go to hold his length, palming at it through the soft material before the coast is clear and you’re no longer suspicious. Unfortunately, when you’re leaving your room and heading to the shower, the glass is blurred and there’s no way he could get a clear shot from there. So, he calls it a night.

It’s fine anyway, because when he’s back in his hotel room, ridding himself of his joggers and hoodie, cock hard and prominent in his hand, he’s got the perfect shot of you to get himself off to. He squeezes, hissing as his hips arch from the bed. Tip leaking of precum as he decides to himself that you’d look prettier naked. 

DAY FIVE

There’s heavy tension in the air. Something so suffocating that the sharpest knife wouldn’t be able to slice through it. Though, you just believe that it’s your anxiety eating at you during this time of year. It is habitual of it to hit you now. Unlike the dresses you’ve been typically sporting on the events with Choso, today you’ve decided to keep it simple with a pair of jeans and a graphic t-shirt. Your hair combed in one and perfectly gelled back, the only thing seemingly out of place are the tendrils that hang in front of your ears. 

Part of you think it’s the growing exhaustion that’s been making you feel like shit lately. You figure with the way you’ve yawned for the third time in thirty minutes as your back slouches in your seat, the greasy pizza half eaten as your eyes are so close to shutting. It’s the deep chuckle of Sukuna that livens you back up, him sitting on your left as he leans forward. “Are you sure it’s right that you fall asleep next to me? You might wake up as a brand new person.”

Nudging him in his rib cage, he barely moves a muscle under all of that muscle. He smiles, revealing his sharp canines. You glare up at him, not faltering to his piercing crimson eyes. “You wouldn’t dare.”

“Someone always says that before they all looked fucked up,” he booms in laughter before playfully pushing at your shoulder. You know he only means it in love and jest. “Wake up. You’re the last person I expected falling asleep at festivities. You’re stealing my job.”

“I know,” you groan, straightening your posture as you rub the sleep out of your eyes. “I think I need a break.”

“Don’t we fuckin’ all,” Geto agrees, chiming into the conversation. “But we’ve got a long way to go, so suck it up.”

And you try to for the most part, ordering a few drinks to get your blood pumping and the night to go on even faster. It’s a nice evening that you get to spend with your colleagues and their contestants, dragging along Choso to whichever game seems the most interesting before scoring a shitload of tickets. You impress him with how tactical and intricate you are, eyeballing the machines as your tongue sticks out as you try to drop the ball at the right moment. You’re a very competitive person, he’s come to learn, pushing him out the way when he misses a shot before showing him how it's done. You become so lively as the neon lights flash around the dark ceilings, bouncing off the walls and onto you. Those few drinks really worked. 

You throw yourself in Choso’s arms, winning yet again another game as tickets start rolling out. You had made a bet with Sukuna and his partner that you and Choso could gain more tickets than them and you’d be damned if you lost to that jackass. You loved Sukuna, but he’d constantly tease you for your loss. This time, you wanted to be the one to do it. 

“Yuh,” you grunt, voice rasping towards the end. “We’re so beating their asses!”

You try to pull away from Choso’s grasp, but he holds onto you tightly, seemingly refusing to let go. It nearly reminds you of the short incident with your phone and how he was so eager to snatch it from your grasp. It alarms you, eyes widening as you push at his chest. “Choso, let go.”

He falls from his trance, glossy eyes that die down its euphoria as he lets you go. Tensing up like he did last time and immediately becoming apologetic, “Shit, I—I’m sorry.”

You’re really hoping you didn’t lead him astray with that kiss. Taking a step back, you give him a side glance before turning on your heel. “Yeah, I’m gonna go get a drink. I’ll be right back.”

Heading to the food station, you spot Geto sitting down on a stool next to the counter. One arm over the filthy marble top, his back is turned towards you as he has a slushie in the next hand. You grab a seat next to him, the scraping of it alarming the man as he looks back. “Oh, hey! Are you having fun yet?”

“Yeah,” you hum with uncertainty. It’s his key detection that something’s wrong. Eyebrows furrowing, he’s shaking his head and you’re grateful you ran into him of all people. You’ve been needing to voice out your concerns. “No, you’re not. What’s up?”

He spins around his chair, his entire body facing you. Before he could let you speak, he’s already belting out your main concern. “Is it— what’s his name… Choso?”

“How’d you know?” The look that Geto gives you makes your stomach drop, grimacing as you slouch forward and silently groan. 

“If I’m being honest, (Your Name),” he starts. “His entry was the start of it. I get it some fans are really dedicated to their works and what they commit to, but if you read over his entry, it was highly fixated on you. 

You exhale. You had taken notice of that, but like everything else about Choso, you had decided to ignore it, paying so much attention to everything else and impressed with his dedication that you didn’t once find it alarming. 

“Not only that, but… Just an hour ago before we went back to the arcade, did you not notice how he was staring down Sukuna?” Geto continues to point out. “I don’t blame you if you didn’t. You were about to fall asleep, but he was giving him murder eyes.”

Geto wanted to say more, but he didn’t want you to feel like you were dumb for not noticing the signs from earlier. “But, what did you want to talk about?”

You were kind of hesitant, not wanting to feel like a complete fool for not mentioning it earlier, but better now than never, right? “You’re right. He is kind of… off?”

You console in Geto, mentioning how Choso tried snatching your phone away from you and just a couple of minutes ago, where he wouldn’t let you go. You noted your missing bracelet and how you couldn’t find it, telling Geto that you suspected it to be him, but still holding your doubts. “You are a messy person,” he noted. 

Your mind flashes to last night, but you thought you were pushing it too far now. There wasn’t any way that he could know your location. You didn’t want to mention the kiss because you can already see your faults in that. You didn’t need to be told that that was a stupid decision, you’re already starting to pay for your poor choices. “I don’t know, Sug… It was like, he was in this state and he wasn’t aware of what he was doing until after.”

“Or,” Geto butts in, pointing a finger out in suggestion. “He does know and he’s trying to play it off.”

You nod. That is a possibility, you think. “But, I’ll see—”

“Speaking of the devil,” Geto comes to a stand, eyes fixed behind him before another voice speaks and calls out your name, “(Your Name), is everything all right?”

You notice it now. Turning to Choso and watching how his eyes would flicker to Geto, a darkness possessing him. You stammered on your words, trying to find the best possible excuse you could make. “I, um— Sorry, I saw Geto and…”

“Sorry, man,” Geto smiles, intervening as he steps forward. His eyes crinkle like a sly fox as he looks Choso up and down. “I didn’t mean to hog (Your Name). We just started talking and lost track of time.”

Choso’s body relaxes in understanding, but there’s still that sliver of doubt inside him as Geto walks past. Choso turns to look back, and Geto’s still looking back at him as he walks away before his eyes flicker over to you. He thought Choso wouldn’t notice it, but he saw the subtle nod. Immediately raising his suspicions, Choso’s glued to you for the rest of the night. When your phone buzzes, you’re too scared to pull it out until you’re in the comfort of your home. A message from Geto: If push comes to shove, you know I have your back, (Your Name). Only two more days left. Hopefully nothing happens.

His words give you a sliver of relief, but you should’ve remained cautious, a pair of brown eyes lurking through your bedroom window. 

DAY SIX

You wake up feeling much better the next morning, the day running smoothly on set as the majority of your scenes run smoothly. You’ve paid no mind to Choso despite his constant eye on you, never seeming bored or tiresome of watching you all day and following you like a lost puppy. Sleeping has given you some clarity in what’s led you here, dissecting his actions when you woke up in the morning and coming to terms with your ignorance and your naivety. As much as legal action crossed your mind, you don’t have any substantial evidence to detain him, only his weird behavior to speak on verbatim. 

Nonetheless, it becomes easier throughout the day as your schedule is busy, never getting much alone time with him, minus small breaks and your lunch period. It isn’t until the day gets darker and the set is being cleared do you worry more, as the farewell dinner is in a couple of hours. In a tight-fitted silk dress, the royal blue looks perfect against your skin tone as you walk down the steps from your front door, the white shawl draped over you, providing you warmth as it grows chilly. The silver clutch in your hand sparkles as you reach inside of it to check the time. Haibara should be here any minute now. 

And just like clockwork do you see the bright headlights shine as he turns the corner. When he parks the car, you don’t give him a second to jump out, rushing to pull open the door handle and jump inside with a giggle. He grunts as he lets go of his, slapping the dashboard. “Ah, darn! I forgot to switch the locks before I parked.”

“You’re getting slow, Yu,” you smile. “I couldn’t wait any longer. You had me standing in the cold.”

“You could’ve always waited inside,” he remarks snidely, putting the car in reverse before pulling off. Haibara puts on a station that he knows you like, and you immediately start humming along to the music as he’s fixated on the road ahead of him. As your mind drifts off, you begin to wonder. “Yu?” his humming being your indicator to continue. “What’d you think about Choso? You enjoyed chauffeuring him around?”

Haibara hums, hesitant on his response as he looks through the rearview mirror. He’s seen a few of your exchanges with Choso, and they were all enough to set an unease within his stomach. Of the couple years that he’s been working with you, he’s come to learn that you’re really down-to-earth and sweet. With someone who’s grown up in the limelight, he first believed that he would get the exact opposite of that.

He’s had his fair share in the media, and you still withheld some things from it in regards to your father after returning back to the big screen. There were still some things that you were working through and that was fine. What he’s come to learn about you, though, is that you were still trying to hold onto some semblance of living an ordinary life. You took on this opportunity to help a fan, yes, to open up their horizons and have them utilize you as a connection to pursue any dream they had. However, you had crossed a line.

Watching you kiss Choso, it set a weird feeling in his stomach, but he also believed that you knew what you were doing— whatever that was. Keeping his eyes on the road, Haibara let out a heavy sigh. “He’s…”

“Be honest, Haibara,” you tilt your head, looking at him through the mirror. He exhales, staring back at the road. He clenches the steering wheel tightly as he shrugs, “I’ll just say that I’ll be glad when it’s only you I have to chauffeur in two days.”

At the dinner, you cling onto the shall, your feet tapping on the floor as everyone’s waiting for their entrees. Reaching for your glass, you twirl the straw with your tongue, sipping on your strawberry banana smoothie. You’ve barely spoken to Choso, feeling his eyes graze you the entire evening at your silence. It’s stifling.

“Are you ready to head back?” you try to ease the air around you.

Choso tilts his head. “I’m having mixed feelings. It’s a nice environment here, but I miss the comfort of my bed.”

You nod, continuing to sip your drink. Choso’s piercing brown eyes watching the way your lips pucker around the plastic. You retract almost immediately, clearing your throat. “How long is your flight back?”

“Around seven hours, I believe,” Choso contemplates. “So, it’ll be a long while.”

“Hopefully, you have some things to occupy your time,” you chuckle. “I know I need a few things to keep myself from getting antsy on long flights.”

“Don’t worry,” Choso smirks. “I got a few things that’ll surely keep me busy.”

With the tone of his voice, you’re not sure what he means by it. Maybe he’s just being playful or he knows something you don’t. You can’t quite determine if it’s your paranoia feeling this way, but you fall silent once more until the waitress comes back with a few extra hands as she sets down everyone’s plate. Reaching for your knife and fork, the back of Choso’s hand grazes the back of yours and you subconsciously stiffen up, but you choose to ignore it as you start to slice through your steak. 

Chatter starts up, livening the tables as your eyes brighten up as everyone enjoys their time. You’re in a heavy fit of laughter from a joke Nobara told everyone. Your face heats up as a fork in another spoonful of food in your mouth when you feel a hand against your thigh. You choke on your food, spitting it on your plate and calling for attention. Everyone’s eyes are on you now as Geto has his eyes on you first before they flicker to Choso. “Are you okay, (Your Name)?”

You nod, not wanting to draw too much attention as you nudge away Choso’s hand before they can travel any higher. Your heart starts racing as you try to control your breathing, your eyes watering. “Y–Yeah, I—” you clear out your throat again. “—I’m fine. Just, food nearly went down the wrong pipe.”

“Are you sure—”

“She said she’s fine,” Choso butts in, his hand returning to its spot on your thigh, aiming higher as his grip tightens. You clench your legs together, throwing him a look. 

“I don’t need you to speak for me,” you frown, your hand reaching for his wrist and dragging it away, the action more apparent to everyone now. Sukuna intervenes now.

“Hey,” he throws a threatening glare at Choso. “I don’t know what you think you’re doing, but I suggest it stops now if you want to get back home safely.”

The two men have a stare off, Choso clenching his jaw as he doesn’t want to back down. A vein stands prominent on his forehead, his face heating up as his stance comes to falter, breaking eye contact with Sukuna first. He knows who to pick his battles with, and Sukuna isn’t one of them. Shoulders falling, he pushes himself from out of the seat as the legs scrape loudly against the floor. 

“Sorry,” he mutters, but trudging out of the restaurant. 

Choso calls for Haibara earlier than expected, alarming the man when he pulls up in front of the restaurant to see Choso sitting down on a bench, clutching onto himself as his eyes wander before spotting him. He could only jump to conclusions and say something happened. He could feel the thickening tension in the air as Choso hurried inside, pulling at the door handle before Haibara could shut it himself. 

Curiosity piqued Haibara as he hopped into the driver’s seat and glanced through the rearview mirror. A soft hum leaving his lips as he tries to decipher whether or not it’s a smart choice to ask. “So, how was dinner?”

He watches him, constantly glancing through the rearview mirror and the road. Choso looks in his direction before averting eye contact. The man shrugs as his head hits the window. “Nothing special. Didn’t feel like being there anymore.”

Something told Haibara that was all he was going to get from him, but surely, you had much more to say. When Haibara arrived in front of the hotel, he didn’t even bother to hop out the front seat as Choso was already clutching onto the door handle, jumping out of the vehicle before it could even fully stop. Haibara didn’t feel guilty when he couldn’t say, Have a good night. 

Inwardly, Choso was fuming. He wanted to do something more. He wanted to say more, but Sukuna was a hulking man that would have his ass handed to him in a matter of seconds. The moment he entered his hotel room, he was pacing around it. Stepping over his suitcases and clothes that still lay across the room haphazardly, he clenches his fists, nails digging into the palm of his hands. How could you embarrass me like this? How could you let them embarrass me like that? Did all of this just mean nothing to you?

Whenever Choso didn’t know what to do with his overwhelming feelings, he tended to write. Like clockwork, his body moved for his carry on bag, unzipping it to reach for the device as he pushed away a pile on the bed. He squinted through the bright screen as he opened up a new document and cracked his knuckles. His chest felt tight as he started breathing heavily, and before he could think about exactly what he wanted to write about, his fingers padded away on the keyboard. 

DAY SEVEN

You hadn’t seen Choso after last night’s event, and you were grateful for it. There was supposed to be a send-off that you would attend, but after hearing about the mishap, you had been given the okay to miss out on it. You had decided to go to set early instead, practicing your lines despite having them all memorized as you were cooped up inside your trailer. 

In the small couch, your head pulls to the side as you lean against your hand. You let out a sigh as you’re coming to grow accustomed to the missing piece of jewelry. Instead, you start gnawing on the pendant around your neck as your legs are hiked up on the couch as you hold the stack of papers. Comfortable in your spot, the buzz of a phone alarms you out of your concentration as you reach to pick it up. An unknown number pops on the screen and your face drops when you read the short overview of the message:

It’s Choso. And before you think about blocking me, I have one more thing for you to read, then you can go ahead and never hear from me again.

You should really do it, go and block him. Your finger hovering over the three dots as you search for the five-letter word. However, another buzz vibrates through your hand as another notification from him pops up— a document labeled ChosoYN.docx. And against your better judgment, you tap out of the options and click on it. And against your better judgment, you read through all three pages. 

In another life, you would be mine and you would be happy with me. Oh, those days would be glorious ones as my pale skin would traverse up your golden. In the silky sheets of our king-sized bed, your body would lay pliant as your short nightgown would rise up above your hips. The sun would kiss your beautiful skin, but not as tender as I would. 

My tongue would drag over you, my spit painting over you with liquid diamonds and only accentuating your beauty. My love, you’re a marvelous living statue that the world doesn’t deserve, only I do. 

You’d call me your husband, my hands pulling at your hips to meet me closer. Goosebumps rising against your skin, you look so pretty when you first wake up that I have no choice but to have you. Ten digits that run down the expanse of you, teasing in all the right places as I am so close to your sweetness. Your cunt my forever prize that no one else can indulge in. You’re pretty in the laced pink panties I had bought for you, a gift to signify my undying love, to soon be ridden of as I pull it down your thighs. 

You’d drip for me, an endless ocean that I’d thankfully drown in as the center of said underwear is stained in your love. Your love for me. You look at me with those pretty eyes, silently begging for more before the soft plea falls from your lips itself. “Please…” you’d say with sultry, plump lips that’d be wetted and I have no other choice but to dip down and give you a sweet kiss. Tongues dancing together, the fervor we share is too much yet never enough. Your back arching off the bed, covered breasts pressing into my chest as your erect nipples poke through the thin fabric.

Your glossy eyes shut as you indulge yourself into me, your moans singing in a beautiful melody that the birds could never rival. And I could only burst in pride, being the only man that can make you feel this way. Arms wrapped around your body, holding onto your hips with a secure grip, only you could make a man ever so needy. In only the thin fabric of my loose boxers, my erection presses against you, alleviating only some of the friction you’re hoping to feel. My tip leaks with pre, staining the dark pair of underwear as I continue to press into you so shamelessly. 

I leave you with your lips swollen, nibbling on the bottom lip before completely retracting myself from you, your eyes dilated in a heavy lust-blown haven that I could swim in. I can only pepper more on your skin as you giggle, arms wrapping around my neck before I feel the painful press of your nails digging into my skin. And again, “Choso, please…”

I could never truly depart from you for every second of the way, my lips making an invisible path down from your lips to your neck, sucking on that sweet spot that has you mewling in milliseconds. So high-pitched they are as you grow ever so needy when I leave, your tender breasts getting more love as I adore on them. And truly, I adore them, pulling down the straps of your dress and them falling out one by one. Pretty dark nipples that point right at me, calling my name so gently that I salivate. My tongue lulls out as I lean forward, taking each of your breasts into my mouth. Your back is arching off the bed as you only feel euphoria. You pull me closer, nails digging deeper and daring to break skin. I’d love you to, I’d love to have your marks shown off as a sign of your possession over me. There’s no shame in immense love.

But, lower and lower I go, kissing at your tummy, licking into your navel before that delectable cunt shines like a treasure. It glistens like porcelain as the sun continues to watch us in all of our glory. It’s the finest piece of China that I sometimes regret ruining, but never regret loving. A teasing thumb presses down on your clit, eliciting a whine from your lips and a twitch from your legs in attempts to trap me there. 

“You just love to tease me, don’t you?” you say in a needy breath, eyes hooded as you peer down at me. “Gosh, Choso…”

“You’ll get what you want soon enough,” I respond. “Don’t I always?”

“Mphm,” you hum. “After your torture, yes.”

You always know how to make me laugh, a breathy chuckle leaving my lips before I press down on that fat pleasure point. Hips rising from the bed, I have to use one arm to hold you down, pressing my weight down to hold one of your legs from moving as the other kicks out. Rubbing tandem circles in you, I watch from below in how you writhe and moan for me, and only me. Your slick leaks from your honey hole, painting you forever in a gloss as I have you like this. 

Oh, how I delve in this— the sweet torture you love to complain about. How I love to slowly take care of you, giving every ounce of your body the love and care it truly needs to survive. I put you in a haze that leaves your eyes shutting and your head twisting and turning as your stomach churns for more, never truly satisfied. But you will be, you’ll always be when you’re with me. Dipping past your clit, my thumb runs through your folds, making your juices bubble as I make it dance around. 

Your hands reach down to tangle inside of my hair and then caressing my face to pull me out of paradise to bring me to heaven. A silent yet forceful coax as your fingers tangle in my dark hair in efforts to get more. My impatient angel you are. That I am, too, however. My cock stirring inside my underwear as I press myself into the bed, an exhale leaving me as I finally hear your pleas and dip forward. 

My lips pucker, a wet and chaste kiss against your clit as one finger dives inside of you. A stretch sweet, but not addicting like my cock’s as my digit enters you, warmed by your honeyed walls. You only make it worse. Me rutting into the bed, making me feel like I’m back in more youthful years. Your moans are more drawn out through the air, humming out in pleasure as your eyes shut in careless bliss as your fingers still are still knotted inside my hair. They pull me closer to you as I suckle on the tender nub that has you singing out my name in a lustful symphony. 

My digits thrust in a languid dance that conjures up these addicting sounds, gathering your slick in a gluttonous effort to take what’s rightfully mine from you. With the swipe of my tongue, I can taste it and the vibrations of my satisfaction run deep through your body as I press my fingers further inside. They bottom out, curling inside as your hips buck upwards. They twist and contort in the right directions, having you grind upwards in attempts for more. And I give and give, picking up the pace as I only want to take and take. 

I feel everything that’s you. Nose burrowing inside of your curled bush, inhaling your raw scent that only makes me crave you more ferociously. Fingers that are sopping wet as your juices drip down to my wrists and stain the warm yellow beneath us. Your wetness can be heard, the sound of your pussy loud inside of your shared bedroom alongside your whimpers and wanton moans. Head thrown back as those butterflies control your body, flying down to your stomach. Your legs twitch as your cunt pulsates around my digits, your voice squeaking as you gasp. “Choso! ‘M about’ta cum!”

“Go on, pretty girl,” my voice reverberated against you. “Give me what’s mine.”

Fingers leaving you to hold onto your legs, pulling you closer to my face, my tongue dips inside of your heat as it drags your orgasm out of you. You’re calling my name out as your fingers press into my scalp as I hum in between your legs, your thighs tensing up as your milky cum paints my tongue. Your essence is an elixir, rejuvenating me back to life as I clean you up, making your cunt sparkle the moment I drag myself away. A thin web of spit breaking once I sit up.

It’s apparent now. My heavy need for you as I’m on my knees against the bed. You blink away the haze, chest rising and falling as your beautiful pupils finally look up at me. An exhausted smile beaming from your face as they beckon me over. I fall to you, taking your lips in mine again. You can taste yourself, taste just how good you are as your love for me is written all over it. 

Together, we hum in a dire need for more as your hips leave the bed and meet my erection. Devious little fingers of yours that dip to cup at my hardened cock, palming at my covered length like a little minx and causing me to grind into your hand. You giggle when I pull away, knowing exactly what you’re doing, knowing that I’m putty in your hands. Oh, how you have full control over me. 

And I let you.

I let you take out my cock, revealing it to the cold touch of the air. Massively hard inside of your hand as you run the palm of it down the undersides, it still leaks the translucent mess of precum. You stop to hold it at the base, your thumb running down the thick vein that runs down it. “You love to withhold what you want from me. Doesn’t it in pain you?”

“It never pains me to please you first.” I hold no shame in my undying devotion for you, my twinkling brown pupils that swallow you up in the very moment before my lips are back on yours once more. Grinding into your hand, it’s nearly pathetic how quickly a moan falls from me. My eyes shutting as I bite down on your bottom lip, my high-pitched whimpers rivaling yours. Your knees point to the ceiling before caging me in, legs wrapping around the expanse of my waist as you grip my length. A delicious squeeze to it before my reddened tip touches your clit. You get on me so much for withholding what’s rightfully yours, but ultimately doing the same to me as you press my length in between your folds. Your hips rolling when I pull away from you, a string of saliva follows before the band breaks. You look down, in between your legs to watch how your pussy coats my cock, feeling how I twitch against you as you only have me yearning for more. 

“Is this your payback?” is my question before I spot that sparkle in your eyes. You shrug. “Something like that.”

Finally, the tip of my length kisses your entrance, your hips arching upwards as I meet you in the middle. We sing together in harmony, moaning as I sheath myself inside of you, my hips stilling for moments before they retract. I’ve set the tone, a beautiful melody as skin slaps against skin and our breathy sounds course the room. The drill of my cock is enough to make you a delirious mess, filling the morning air with your pleasure as your pussy continues to gush out for me in a copious splendor. 

My name is a mantra, summoning something deep within me that coaxes my orgasm, but our bodies, intertwined as one move in sync as I feel how your cunt pulsates around my length. Your legs twitch, flexing and contracting before you’re rasping out my name. “Choso, I’m—”

I’ve said it before and I’ll say it once more. “C’mon, give me what’s mine.”

I am completely still inside of you when my release becomes overbearing, spurting my cum deep inside of your womb as your walls try to fight back. Your eyes squint shut as your mouth falls into a perfect ‘O.’ You milk me completely while simultaneously painting my length in your milk white honey. Like a bee, I’ve come to pollinate, hoping that you’ll bear my children as I come down from my high yet never leaving your sweetness. 

And when I do, I kiss one last time for the moment before pulling away. My eyes continue to shine with my everlasting adoration for you. “I love you.”

You feel ashamed with yourself when you clench your thighs, arousal pooling in your underwear as you close out. Finally, you block him (The document is well saved on your phone).

( author's note. ) thank you so much for taking the time to read this. it's my first time writing for choso, so please tell me how i did in the comments or reblogs !

[1d1195]

The Lottery I

~3.7k words

From me: I thought I would close out 2024 with a mini-series. I'm hoping for shorter parts but I should be able to post on a regular basis (Mondays). You should see MANY similarities to my favorite show. I have been planning this one for over a year. I really hope you enjoy 💕

Warnings: angst (?) fluff

Summary: Small towns have the biggest romances and the best view of the moon.

“I don’t know how you ended up there,” Bailey shook her head.

“Bails,” she laughed. “I Googled it. It’s cute.”

The little town was adorably cute. The kind of place where the Christmas-hating CEO female lead in the movie would fall head over heels for the place in a month because of the small-town charm. It was about thirty minutes outside the city but with traffic it could take up to an hour. It was quaint. The exact kind of place she could envision her little dream.

“Your house is good?” Bailey asked. She nodded, flipping the camera to show her the little place she found to live in. Two stories. But the second floor was small. A bedroom, a bathroom, and a small room for storage. Maybe in the right light it could be a small office, but it would be better holding all her books. The bottom floor was open. Living room, dining area, and a kitchen. Down the hall was another bathroom and her bedroom. Right now, it was filled with boxes and no clear markers for any of the rooms. Her furniture was misplaced—the table in the living room, the TV on top of it, the couch was near the kitchen, and the lamps were atop the counters in the kitchen.

It wasn’t perfect, but it was home.

Moving in was second to her priorities. So the boxes would stay, her clothes haphazardly falling out of boxes, the iron on top of the island in the kitchen to get the wrinkles out of her blouses. “Neighbors are good?”

“I’ve only met Edith and David. They’re about sixty-five years old and hilarious. Edith is insistent on having tea by the end of the week and David wants to set me up with his grandson.”

“I can’t imagine you outside the city,” Bailey sounded wistful.

“It’ll be good for me to be away from all the big lights. I missed the stars... and the moon,” her voice was filled with fondness. Like the moon was her old friend she hadn’t seen in a while.

“We could see the moon in the city,” Bailey reminded her.

It wasn’t just the moon, it was the stars, and silence that the city never allowed. “It’s not the same and you know it.”

“You know babe...” Bailey trailed off. “You look... happy.”

She was. Really happy. The kind of happiness that couldn’t be faked because she was supposed to be happy. The kind of happiness that would make anyone jealous. And why shouldn’t she be happy? She was young, basically fresh out of college, ready to start her own business, and do everything she wanted on her own.

“I am happy,” she nodded and looked at her best friend through FaceTime. “I know everyone thinks I’m crazy. Try not to let them be too mean to me. I’m... I’m good,” she promised. “This is good.”

“You know,” Bailey grinned and shook her head. “I think you’re right.”

*

She wore her lucky dress—the one that she is certain got her a scholarship—and chose a pair of flats over heels because in her quick self-tour of the town she noted the brick sidewalks were likely to take out her ankle. She made sure every single strand of her hair wasn’t out of place. She wanted this to be a good impression. All her books and shows told her that small towns were lovely, but she was an outsider. It was possible that they wouldn’t love a newcomer and so she didn’t want to make it seem like she was changing everything.

But since it was her first night in her new home, there was nothing to eat. Nor to cook with even if she wanted to. Maybe if she had a loaf of bread, she could find her toaster in one of the boxes. Moving on her own was tough but she was proud of herself. Another check she could mark on her to-do list.

Her first order of business was securing her business. However, that couldn’t be done on an empty stomach. She locked the door to the little home she now owned. The trim needed a coat of paint, and she desperately needed to buy a lawn mower. Some of the windows needed to be replaced. She tried opening one of them and nearly threw her back out. The bushes in front of the little porch needed to be trimmed or taken out altogether.

But it was home, and it was lovely. She was excited to do it on her own. It made her feel proud.

Her family was far away. Honestly, it was for the best. They thought it was a terrible idea for her to move, maybe because they couldn’t depend on her any longer. If she thought too long about it, she got upset. But this was good. She was doing what her grandma believed she could do. What her grandpa wanted her to do.

With a family far away, her place was filled with boxes. Hardly anything was unpacked. It was a miracle she found her lucky dress but perhaps that was why it was so lucky. With the distance between them, it was easier to ignore the group chat. Easier to not feel obligated to help her family.

They’re adults, honey. They’ll figure it out.

She hoped her grandma was right.

Her friends were still in the city. Completely shocked she left the hustle and bustle for a small-town place. Their lack of support or what they passed off as worry made her nervous all the same. How would it survive? But she researched the perfect place and took plenty of time setting up everything she needed so she was ready to go when she graduated.

The only thing she wished could be different, was that her grandparents got to see her.

*

The main part of town felt like a city. But way friendlier. People shouted in the middle of the road. Kids ran across the road to the school. There were very few cars but even the ones present parked illegally and the officer strolling the sidewalks didn’t pay any mind to it. It was adorable. It felt like she was in a Disney movie, and she wanted to sing.

The center green was being set up with seats and banners. People were on walkie-talkies directing more items about the area. The space was warm and cozy. Like where she could spend the day reading in the grass and have a picnic with herself or a friend.

God, she hoped she made some friends. It seemed possible. Everyone was so nice. They all knew each other. That was evident. It was so comforting, exactly the change she wanted and needed, and she prayed they wouldn’t hate her for trying to bring something new to their little place.

As her stomach reminded her once more of its presence and emptiness, she approached the diner on one side of the main street. Squished between the post office and a shoe store. Someone was exiting as she opened the door, so she gestured for them to exit before she proceeded. “Thank you, darling,” the man tipped his hat to her.

With one deep breath, she entered.

It was like she was the new girl at school. The second she crossed the threshold of the diner, everyone stared at her. There wasn’t a voice to be heard, the only sound coming from behind the counter in the kitchen. “Uh... hi,” she swallowed. Quietly, she made her way to the counter and situated herself at the end of it away from everyone else.

Sure, she wanted to be part of the community and wanted to be liked, but she didn’t want to force it. The place continued to be quiet, although the murmuring began. No doubt everyone whispered about her. “No newcomers lately, I guess,” she mumbled under her breath and pulled out her folder of paperwork to go over it again.

You’re going to crush it! Bailey’s message read. She smiled gratefully, feeling her heart slow. She was wearing her lucky dress. It was going to happen. She was going to be happy no matter what.

“Shit!” It was paired with the distinct sound of something shattering. She turned directly to the sound as did everyone else in the place and she was on her feet immediately. It wasn’t anything major, a coffee mug on the floor.

“Jesus, honey, watch it!” It was an older woman who scolded her husband with a light thwack on the arm.

“I didn’t mean to, Alice!”

“Harry!” Someone called.

“Jus’ a second,” the voice was from the back, low, almost like it didn’t want to be heard. He must have been cooking or something because there was a commotion in the back behind the kitchen door. She didn’t think much of it because she was worried that poor Alice and her husband were going to get hurt picking up the broken shards or slip in the mess of spilled coffee on the floor.

“I can help,” she offered and crouched near the older woman—Alice—as she struggled to grab the pieces. “Here,” she grabbed a rag off the counter even though she had never been there and it wasn’t her place to do so. Gently she pushed the broken pieces and coffee into a neat little pile sopping up the mess as best she could.

“Well, aren’t you sweet,” Alice chimed. “Thank you.”

“Happy to help,” she smiled politely.

“Did you just move here?” She asked. Perhaps that would satiate the whispering.

“Yes, ma’am.”

“Where are you living?”

“Oh... um... Oak Street,” she stammered. It probably didn’t help her newness that she stammered. But her new address was new; she was still getting used to it.

“Oh, Holliston’s place! It’s a lovely home,” someone called from across the room.

“Y’don’t have t’do that,” it was the same voice that called from the back but now right next to her.

“Oh...” Her heart skipped a beat as she looked up at him. Did time seem to stop? That couldn’t be right. She wasn’t going to have a crush on the first guy she met on her first official day as a resident of the small town. “I don’t mind,” she said quickly looking up at him from her crouched position. “Happy to help and...” She stopped speaking again as he stared at her. His eyes were pretty, even if he looked grumpy. His mouth was set in a frown, and she noticed that once more everyone stopped speaking. “Sorry,” she said and stood, scooping the mess as best she could in her hands. Coffee dripped from the rag into the puddle at her feet. She could feel the splatter on her ankles, and she was nervous to look if she had ruined her shoes. It didn’t bother her, but she wasn’t sure she’d have time to head home and change before she went to the town hall.

Harry held out the tray for dirty dishes and she placed the rag, broken pieces of mug, and all into it. He dropped it on the counter about two spaces down from where her folder and purse remained. “Are you okay, ma’am?” She asked softly placing a gentle hand on her arm in a comforting kind of way.

“Alice, Ed, y’okay?” Harry—she presumed—was quiet. It almost rubbed her the wrong way that he repeated her, but he knew them, and she didn’t. So, she returned to her seat quietly after offering one more smile to Alice.

“All good, Harry,” Ed said in return.

Harry went back around the counter and fiddled with the coffee pot. He refilled a new mug and brought it over to Ed.  When he returned behind the counter he stood in front of her silently. Waiting. Not offering a word nor question.

Harry looked to be roughly her age. Handsome. If this was David’s grandson, she would have reconsidered his offer. But his scowl was to be desired. Made her uneasy. She wondered if this was how he always was or if it was something about her.

But she wanted to be liked. People generally didn’t dislike her. It would devastate her if he did. As grumpy as he seemed, she wasn’t going to shy away from her own personality. “Do y’want something?”

“What’s your favorite?” She asked glancing from the menu to him.

He rolled his eyes. “I don’t have a favorite.”

She blinked. He worked here. Did he own it? That would be crazy, he was so young. But she was young and about to own her business too. So who was she to judge his age? “How can you not have a favorite?”

“I like it all,” he shrugged.

“You seriously don’t have a favorite?”

“Since I own the diner,” he was explaining it like she was a toddler, “everything is good.”

“Well...” she took a deep breath. It wasn’t that she was one of those people who assumed everyone would like her, but it was... different to work for friendliness. Bailey told her she had the kind of face that would work wonders in sales. Everyone just opened up to her.

But not Harry. Harry was stoic as could be. It barely looked like he was breathing. Other than the irritation in his eyes, he had a really nice face. Smooth skin, angular jaw, and just pretty features that were probably wasted on someone so grumpy. But she could see something flicker in his eyes. Something that she wasn’t sure he wanted anyone to see which is why it was merely a flicker.

Was this grumpy man amused? By her?

“...Do you have a recommendation then?”

“Anything. It’s all good,” he was clearly over this exchange.

She thought she could get him to budge but it didn’t seem that way. This was the fast track to nowhere. Not the impression she wanted to make on her first official day in town. Sighing, she glanced at the specials board. “You have peach pancakes?”

“Yes.”

“Do you have white chocolate chips?”

Harry sighed, exasperated with the conversation, and she hadn’t even ordered her coffee yet. “Yup...” he was staring at her like this was going to kill him. Or he was going to kill her.

“Can I have one of each? Peaches and white chocolate chip?”

“What?” He seemed surprised. Which was interesting because surely it couldn’t have been crazy. Peaches and white chocolate chips had to be popular if he had them. He shook his head. “No.”

“Why not?” She frowned.

“Because s’extra work t’make a whole batch of peachpancakes and chocolate chip. One or the other.”

Maybe it was his tone or her frustration. The nerves of heading to town hall after breakfast. The piss-poor impression she was making at the extremely local diner where everyone seemed to know Harry. Even though he was grumpy they still ate there. It was obvious this wasn’t their first day being there. They still called out for him when the mug shattered even though she was more than capable of helping.

But she didn’t want to take no for an answer. Maybe if he had placated her or smiled. Or if he just didn’t look at her like she was the bane of his existence she wouldn’t have pressed. “But... I don’t want one or the other. I want one of each.”

“Get ‘em mixed together or don’t have ‘em,” he shrugged.

“But if I get them mixed together, the peaches will sink to one side or slide off all together. The chocolate chips always sink to the bottom. So the ratio in each bite will be off. I’ve tried it before; it just doesn’t blend well.”

“If I make y’one peach and one white chocolate chip, then all m’ratios will be off. I’ll have t’purchase different quantities of peaches and chocolate chips.”

“That seems a little dramatic for one plate of—"

“S’my diner! Jus’ order what’s on the menu or order four pancakes.”

“That’s absurd! I doubt I’ll even eat one whole pancake!”

Harry swallowed hard, his jaw flexing tight. Briefly he looked at the ceiling and then back at her. His voice was quieter when he spoke. “Order what’s on the menu or don’t order at—"

“Fine! Two peach pancakes!”

Honestly, she has no idea why she was arguing in the first place. It was idiotic and childish but there was something about the grumpiness that was off-putting and made her uncomfortable. Perhaps it was solely because he didn’t seem to like her, and she was trying really hard to fit in and he was the only person she had met so far that was close to her own age. If she could get him to like her, then maybe she wouldn’t be friendless and lonely.

With another large sigh (like it was painful for him to be standing near her) he rolled his eyes and headed to the back to make her breakfast. She wouldn’t be surprised if he poisoned them.

The diner was still quiet, and she could feel eyes flicking over to her repeatedly, their gazes heating her up with knowledge she was being watched. To keep her cool, she continued flipping through her paperwork folder and scrolled on her phone.

About ten minutes later, Harry returned holding her plate. It was practically silent again. The show that ensued was not forgotten by the other customers. Harry failed to hide his interest in her paperwork and failed to hide the fact he was reading whatever was in front of her. It didn’t bother her, honestly. She wanted to be an open book. Especially in a small town and especially with the guy that looked beyond irritated with her.

Trying again was insanity. But she was nothing if not one for perseverance. “Do you know what time the town hall opens? I tried to find a time online but—"

Harry snorted. “Town Hall doesn’t do online. S’whenever Sutton gets there t’unlock.”

She blinked. Small towns. “When’s that?”

“Usually before nine-thirty.”

“Usually?”

Harry shrugged, placing the plate in front of her. She could smell cinnamon and maple. Of course, the peaches were starting to caramelize as well and so it really looked utterly delicious. “Sometimes he forgets his alarm. Then s’before ten-thirty.”

She raised her eyebrows. “Alright,” she nodded. “Hey,” she called quietly as Harry turned to leave. “Do you do tabs? I’m probably going to be here every morning before work. It’s fine if you don’t. Just... figured it would easier.”

Did it get even quieter? Harry had a way with sighing. Heavily. Like talking to her and thinking were the two greatest and hardest tasks he’d ever been given in his life. Her eyes quickly darted around the place. There were enough tables to seat about twenty people plus five seats at the counter. It was busy—not crowded or full, but busy. It was just after the morning commute group had left; she had to imagine. The hustle of the nine-to-five crowd was long gone. “Sure,” he shook his head. “Every Friday.”

She was certain she didn’t imagine it that time. The entire place was silent for another ten seconds before the low murmur picked up again.

“Okay, thank you. I just... moved into town and I had no food at my house.”

“Whose house?”

“I’m sorry?”

“Whose house did y’buy?”

“Oh... uh... the Holliston’s?” Was that the name someone said a few moments ago? It had to be because no one corrected her, and it was apparent everyone was listening to her to talk to Harry.

“Nice couple,” she supposed she got it right then. “Do you want coffee?” He asked.

Was this him warming up to her? It was interesting. It wasn’t exactly warm, but it wasn’t arguing. Which she liked. Although arguing with him was kind of... fun in its own way. But she needed a friend before she argued with him for hours on end.

“Oh, yes,” she nodded quickly. “Please. Thank you.” Was it hot in there? Harry was attractive—even if he was grumpy. A sour face usually turned her off immediately. But with Harry... it didn’t seem so grumpy anymore. Especially now that he stopped arguing with her. The crease between his eyebrows disappeared. His frown turned to a more neutral expression. She swore that flicker of amusement was back again. “This is a really cute town,” she remarked.

Harry ignored the comment as he poured her a mug of steaming coffee and placed a little plate of cream and sugar packets beside it. “What brings y’here?” He asked. She did hear his skepticism like maybe he was going to kick her out before she unpacked if she wasn’t good enough for the clique-y village.

“Oh,” she swallowed. “I’m hoping to open a book shop.”

Harry tilted his head at her, surprise all over his face and she couldn’t figure out for the life of her why that would be. “Oh?”

“Yeah.”

He nodded. Approval? Was she in the club? “Alright, well... welcome, I guess. Let me know if y’need help with the water at y’house. It always gave the Holliston’s trouble in the winter, and I’d have t’go over and fix it. Don’t want y’pipes t’freeze.”

That was it. He walked away. She watched the grumpy, attractive man tend to the tables, cleaning, and serving all by himself. The others were patient. There was no rushing to get to work like it was Starbucks and everyone quietly waited their turn. There wasn’t a lot of small talk with Harry, but people smiled at him. Like they knew him from the time he was a baby. Maybe they did.

She hoped he would warm up to her. It would be nice to have a friend like him.

Turning to her breakfast, she cut into both pancakes stacked on top of one another, brought a bite of the two little pieces to her mouth after drowning it in enough maple syrup to make the man look at her suspiciously from across the room.

There was no way someone was that concerned about ratios of one patron. He could be grumpy all he wanted, but Harry was dramatic too. (Even if it was way more syrup than she needed, and he probably had a point in worrying about syrup—especially if she was going to be there every day.)

But as the bite hit her tastebuds, she had to look down and see it for herself.

One pancake was peach and the other was white chocolate chip.

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If you like this, check out my masterlist here

[amypihcs]

And here you go!

Together

Even if it had been two years since Holmes’ return, Watson still had to get quite used to some of the new traits that had manifested themselves.

Obviously, Holmes was not quite the same man he had been before his travels, but most of the new traits could be easily identified as the natural development of some of his earlier tendencies.

Holmes had always had, and carefully hidden from anyone but Watson, a certain distrust for the Police and for laws that seemed, to his analytical mind, always not clear enough and quite too blunt to be able to properly operate with them.

Holmes was, the doctor reflected, a surgeon. And he always hesitated to use his scalpel if he wasn't quite sure it wasn absolutely necessary to operate.

To Holmes, and Watson had begun to see his point in 1891 already, the police's work looked more similar to a butcher's work than the work of an esteemed colleague, and the detective had been less and less scared to state his point in the matter since the Blackmailer's act had passed.

Observing the moment from the outside, from the narrator's perspective that came easy too him, Watson could see the crescendo: The case in Norwood with Mr MacFarlane, then Mr Milverton's fate and how expertly the detective had avoided to get involved in the following enquiries, and now this.

Dr Watson hadn't expected his partner to be quite so public and open in his show of affection, but there they were, with Holmes' arm weighting on his good shoulder and his his face mere inches from his own.

"Gentle-man – Smiled the detective, and Watson was certain, even not knowing how it was possible, that Holmes had hyphened the word. – of the jury, you have heard the evidence. Do you find the prisoner guilty or not guilty?"

The doctor turned to look at his husband's small, satisfied, calm smile. They were of the same mind on that, of course, and so he decided for a little flirt.

"Not guilty, my lord." He answered, putting his old commanding tone in the sentence.

Holmes almost beamed at him and patted his arm. "Excellent, vox populi, vox Dei. You are acquitted, Crocker." He grinned, eager to have his clients out of the way.

Watson chuckled, glaring at him playfully and then hiding a smirk under his moustache at Holmes' reaction to Lady Brakenstall's embrace.

As soon as the detective had extricated himself from the young woman, they gave their blessing to the couple and sent them away for good, then Holmes let himself fall on the chair by the window, relaxing his shoulders and releasing his tension.

The doctor approached softly, resting his hands on Holmes' thin shoulders and putting a small kiss on his cheek. "Was this case satisfactory, my darling?" He asked.

Holmes threw his head back, his posture languid as he let his husband take one of his hands. "Much more than it seemed at the beginning. Hopkins will get his silver and i doubt he'll make many questions, true pity he's in the Force, he could be a much better detective if he freed himself from those shackles."

The doctor laughed and pulled his Holmes up from the chair and into his arms. "Not everyone can be as relaxed as you are in defying the laws and forms we live by, my dearest."

"You are certainly not afraid of it, are you?" Flirted back Holmes.

"Never, my dear. Never." Assured the doctor.

Holmes sighed deeply and squeezed his partner tight to himself.

"Thank you. – He murmured after a few seconds. – Thank you, John."

Dr Watson froze at first, but relaxed immediately and embraced his parter back, just as tight. "Nothing to thank me for, old man." He replied softly, stroking his thin back, trying to make his love for Holmes pass through the layers of clothing and then of skin so as to bring it right to his heart.

Neither of them spoke again, content to hold the other tight, to keep safe and be kept safe, basking in their change to reassure the other of his love, of his care for him and in the relief to receive such reassurance

I am drawing requests on my vacay - I was asked for Holmes and Watson in love and kissing, and don't we all want some loves and kisses.

[frmulcahy]

Listening to an episode of the @antiquesfreaks podcast where they cover the costuming in The Terror and here are some amazing moments:

"But Ken, are you the only one of us that put themselves through reading the book?" "I did. Because John Bridgens was trapped inside and I had to get him out and if I read the book good enough, perhaps I could save him"

"If you don't tell these men what to wear, they're gonna look like straight up hoochies."

"As we see in the later episodes of The Terror and discipline does break down and Dundy just starts showing up to command meetings with his suspenders out! Slattern that he is!!!

"Victorian Navy: one to one analog to working at present day Target."

"I heard they flog you at Target."

"I was press ganged into working at Target."

"It's Victorian times. Everyone's wicked fucking repressed and they're about to get wicked un-repressed whether they like it or not, and they're going to show that through their clothing."

"a blur of muttonchops"

"I pre-gamed the show for 5 years with gifsets on tumblr to makes sure I would be able to tell at least the major speaking roles apart, and I still could not tell Little and Jopson apart until I figured out they had different eye colors."

"And now I'm Pilkington SpottingTM as a hobby"

calling JFJ a "fashionable boy" with his "nippies out" because he doesn't button up his coat all the way like Franklin and Crozier

The two regular hosts repeatedly comparing themselves to a delinquent class that their guest is stuck substitute teaching

"I think my character would be hitting a fat doobie right about now"

Discussing Jared Harris being obsessed with his own costuming details like all the mending on Crozier's clothes

Jopson's first appearance - "he's normal and they're normal and everyone's having a normal time here on this completely routine expedition." "It's so normal. Do you ever fall in love with your boss???" "It couldn't have been more erotic if they had just had gay sex."

Stanley and McDonald's button grouping on their uniforms to denote rank

THEY TALK ABOUT THE ICONIC JFJ GANSEEEYYY

Also Irving's Sanquhar scarf :')

"the red sweater of tenderness" sobbing screaming throwing up

"I think The Terror would have been improved if all of the marines had Boston accents for no reason"

Also marines vs normal sailors

comparing sailor's clothes to fast fashion because it's not very tailored lmaooo

The canvas overcoats being period inaccurate but still neat because they're referencing later polar expeditions like what we see on the guys in the Shackleton expedition etc

They talk about irl Goodsir's letter about clothes and the many many shirts!

Nive having to wear a cooling vest under her costume since it was real caribou fur and her coat being patched with sail cloth later.

They go into Yup'ik masks which is super cool! As well as have a conversation about the ethics of visuals/information/knowledge about indigenous artwork being shared with folks outside of those communities.

Repeated! Dan! Simmons! Roasting! As! They! Should!!!!!

Reapted! Nive! Nielsen! Praising! As! They! Should!!!!!!!!

Sophia's "oceanic color theme"

"They let the dresses have colors. The dresses have colors. The dresses have bright beautiful colors, and it's great."

"They had invented aniline dyes and they were about to make it everybody's problem!"

Lady Jane in more solids vs Sophia in more patterns

"'A woman could never possibly understand polar exploration' meanwhil Silna's up there doing it better than all of them."

Clowning on how other period pieces never use bonnets and always fuck up in the hair and makeup department

"I found Harry Goodsir's fursuit btw"

"On a scale of Calypso's Birthday to Fitzjames's Carnivale, how's your impromptu nautical drag ball going?"

"It's actually exactly like The Purge." "It's like a little Victorian maritime Purge."

"As far as metaphor and literary analysis and whatever, scurvy understood the fucking assignment."

"I punched in Scorbutic Nostalgia so that I could remember to read about it later." "I have some literature for you if you want." "Yeah fantastic! I love disease"

"CGI bear expensive"

"This episode comes with a heavy caveat of 'go to Terror Camp'" amazing.

THE DRESSTM

Tozer's Hotspur costume and Dundy's Henry VI costume and their relevance

"This is the last we see of Party!Dundy"

(About Little) "Every day he gets emails :("

Bridgler and Apollo/Hyacinthus stuff fuuuuuccckk

"Hodgepodge, my boy"

"Oompa loompa doompity dacticals, don't indulge your morals over your practicals"

"Rip Hickey you would've loved Joker"

Not a silly quote but just a really fantastic one: "That is what the best historical designers do, is they find these nuggets of information that allow them to tell a story with authenticity, both in a way that is historical but authentic to the characters as well." EXAAAACCCTTTLLLYYYYYY

"Whomst among us has not Joplarped to get through the workday?"

[rootspiral]

Agatha All Along deep dive: episode 4 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7])

agatha once again protecting billy with her whole body.

"I didn't think it was real! I thought it was me, that it's my fault that I can't keep a job, that everything I touch turns to shit! That I couldn't save her!"

The poison drips through (yes I love Succession). Generational curse, generational trauma. The pain of who knows how many centuries of parents and grandparents and great-grandparents times a thousand. It's like a boulder that you're carrying around on your shoulders, and you can't see it and you can't put a name to it, how could you? How can you possibly know why your mother drank herself stupid, why your grandmother abused her children? You were born yesterday and drank all that poison without knowing what it was, you let it take it over and you walk around spreading it to the world.

And amidst all the pain, alice only ever chose to blame and hurt herself and she was always gentle to others. her biggest regret is not having been able to save her mom! you know why alice never turned into a villain like agatha? because her mom loved her. as simple and as that. lorna was so ill-equipped to save alice, she didn't know what she was up against, she was in a world of pain herself. and she went above and beyond to show her child how infinitely precious and loved she was.

oh wow, I usually say I'm crying as a figure of speech, but I am crying for real thinking about this.

lilia who has lived so long and experienced her big share of suffering, knowing all too well what alice is going through. there's so much compassion in her voice

jen stubbornly refusing to care about anything but her own pain, which is actually a very human way to respond to trauma? it's like she's at a crossroads and it's up to her to choose whether she goes back to being the force of good she used to be, or whether she goes down agatha's same path. I say it's up to her because it ultimately is, but she was so lucky finding this coven and community at such a crucial moment. agatha didn't have any of it.

no! don't apologize, you beautiful, generous soul! the sense of guilt and inferiority complex is real

agatha's face when billy is attacked

she starts running toward him even before alice

but when she gets there she freezes and lets alice go check on him

when she sees he's fine, she sighs and collapses against the door, clutching her chest.

lilia is really starting to get attached to everyone, and throughout her life love and loss have always been inherently linked. she already knows she's going to lose them.

okay jen refusing to leave the circle is still funny, I'll give her that

through all this rio has been watching and studying agatha, she always does. she knows that her diabolically smart wife loves to be in charge and come up with plans. she's being encouraging!

look at how small alice is! she's been helping and consoling billy just a moment ago, despite being miserable herself.

first of all, that's hilarious, so jot that down. second of all, you know agatha is so relieved she has to put on a show instead of doing something icky like, idk, sitting in a circle and talking about their feelings. and look at rio at the drums, she's already put all the clues together as well

oooh, she's doing the thing! she's detectiving! agatha harkness ladies and gentlemen, her hobbies are women, murder and puzzles.

and who gives her the solution? who has had millennia to study and commiserate human love and grief? she says it and she looks at agatha so pointedly.

The song that's so irrevocably linked to Nicky's memory, the song that she's been desecrating and using as a means to kill. A mother took it and poured all her love into it and made it pure again. Agatha has to live with that now, and you know that's going to take root inside her and affect her no matter what

this whole performance is patti going I might be singing backup again but watch me be a total diva about it

I LOVE YOU PATTI LUPONE

you'd think that alice should sing lead vocals here, seeing as it's her trial and her mom's song and all. WELL THINK AGAIN

the massive ego agatha has, honestly. you gotta respect that.

the feeling when you are the only normal person in a group of total hooligans. did I already say how gorgeous sasheer looks in that outfit? no I didn't. you are an apparition, sasheer.

but I want the song to have its own separate entry so hold on tight, brb

go to episode 4 part 5

[flaetsbnort]

It's a very common and very damaging mistake to think that the difference between "narrativist" RPGs and "simulationist" RPGs is that only the former has a story; or that the people playing the latter don't care about story. Dungeon Gal has been fighting bravely on this front for a very long time.

The difference, in my eyes, is one of focus. When you're playing a story-centric RPG, all the mechanics exist first and foremost to tell a story. And, in order to make this story-creation process simpler and easier and natural, it uses building blocks from well-worn genre clichés to achieve that. So story-centric RPGs aren't more likely to create a story, because we always create stories from stuff that happens to us, and even more so from play; they're not even more likely to create better stories. Rather, it's just easier to create stories, and to make sure that these stories follow a desired theme and vibe.

I really like that one way to categorize RPGs that calls this axis as simulationist X emulationist. I know that the "simulationist" term comes with bad baggage from the GNS days, but I think it's a useful descriptor for systems that care more about the physical properties of objects (how strong is your punch? how dextrous is your lockpicking? how much power does your spell call forth?). But I think using the term "emulationist" for narrative or story-centric RPGs is a good way to stress that the main difference about them is that they have tools to create a story along a pre-defined thematic axis, that is, their mechanics exist to emulate a kind of existing media; it's not that they have tools to create a story at all.

One example I can think of about this difference is character death. Most simulationist RPGs don't care about it much. It's entirely possible to create a character then die in two unlucky hits fighting a giant rat in the sewers. Conversely, in most emulationist RPGs, character death is difficult to come by. Apocalypse World is known to be a particularly cruel RPG, but look at its mechanics. It outright says that most (unarmored) NPCs die after taking 4 or 5 harm, but PC's harm clock has eight segments. Sure, a PC that takes 5 harm is actively dying - but an NPC in the same situation is dead and gone. And even if a PC is dying, there are four scars you can take to keep them in the game for longer. Players can of course accept their character's death earlier, but they don't have to.

Why does this happen? That's because, in most stories, you wouldn't kill a main character (and all player characters are main characters) in the first combat unless you were going for some sort of subversion, so there are many tools to make sure that bad rolls only change the direction of the story and to make sure that every player character gets to have at least some semblance of an arc. Simulationist RPGs don't care because they know that a pompous knight that shows up talking big about their quests and then dying to a sewer rat is hilarious and makes for a great story. And it's not that emulationist RPGs don't see it - it's that they don't want a story that doesn't fit the vibe their going for.

The best metaphor for me is an offroad car. If you care a lot about driving offroad, you'll get an offroad car, and it'll do the best job at it. But you buy a car that's not specially made for offroad, that doesn't mean you'll never be able to drive it out of the asphalt. It just means you'll have a bit of a harder time to do it. But you'll eventually get to the same destination just the same.

What are some examples of mechanics in games that advance the story?

I mean very few mechanics in TTRPGs don't advance the story. So, to provide few examples:

Attack and damage rolls (advance the plotline of "how this guy got fucking killed")

Skill checks (advance the plotline of "how that one asshole did a thing and succeeded/failed"

Gaining experience/other character advancement currency (advance the plotline of "how the character learned from their experiences and learned to shoot lighting")

Random encounter checks (advance the plotline of "look at all this fucking bullshit these idiots ran into while traveling from point A to point B")

Note: I've specifically chosen D&D centric examples because while D&D is the furthest thing from whatever the fuck "narrativist" is supposed to mean, simply by virtue of being a tabletop RPG the creation of an emergent narrative is an inevitable consequence, so if you're wont to look at TTRPGs in terms of "stories" technically all those things do advance the story.

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[leavemetrappedinacage]

EVERYTHING WAS A MISTAKE — i. cheater.

⤷ summary: Leaving home isn't hard, coming back to home is, you're determined to find your sister, but Gojo has many things to say to you.

⤷ pairing: yandere!satoru gojo x fem!vampire!reader.

⤷ warnings: angst, abuse (physical assault), a bit of gore, blood, abusive behavior, it's implied that Gojo has assaulted reader other times in the past, gaslighting, mentions of cheating, mentions of death, psychological violence (Gojo is manipulating the reader into thinking that everything is her fault), spoilers (JJK0).

⤷ more information about story: here.

⤷ notes: this chapter is a bit hard to read (it was hard to write too), if you are in an abusive relationship or have just come out of one reading it may cause triggers, so please stay safe. 🤍 (I forgot to post the chapter yesterday, sorry. 😭)

⤷ word count: 2867.

Human lives are bubbles floating on the surface of the water, fleeting, but the life of a vampire is perennial, like the Pinus longaeva, which will last for millennia if it is not uprooted. You let go of Satoru's clothes, to whom you were clinging tightly until recently. The words he said to you seem like a bad joke, but the part of you that knows him knows that he wouldn't lie about such a serious matter. A million possibilities run through your head and none of them seem right. Your older sister is the current head of the clan, she succeeded your mother after her death, she is also married to Satoru's older brother and is therefore part of the Gojo clan by marriage, no one in their right mind would harm her, unless they wanted to provoke a war that they would never win.

In the past, after you broke one of the clan's three taboos, your sister came to understand your side of the story, and although you confessed your sins out of your own mouth without showing remorse, she knew you well enough to know that you would never commit a crime of this proportion unless it was truly necessary, you were hot-headed, not a serial killer. However, there was a limit to her influence, your sister had to withdraw from the investigation not long after, the other investigators claimed there was a conflict of interest and personal motivations on her part because you belong to the same lineage, although you knew very well why they wouldn't allow her to investigate, you comforted her by saying it was all a mistake.

You accepted the death sentence so that her and her family's reputation wouldn't be tarnished by her crimes, but when you found out what they would do with your corpse after your death, you had no choice but to run away. You escaped from prison and left everything behind, so you would never see your family again and would forever be an outcast, but you knew that Gabi, your beloved sister, still had hope.

You fall to the ground on your knees, your heart breaks into a million pieces that you may never be able to put back together, the tears flow endlessly, but you don't make a sound. Your sister once told you: "One day, I will die, and you will be the last member of our family. And when that day comes, you'll miss me so bad when I'm gone, Y/N!" She said it laughing, you didn't care because she was the head of the clan, and just like your mother, she would die of old age with three children or more, but now those words blowing in the wind have taken on a new meaning, as if she knew deep down that it would happen. You put your hand on your chest and lean forward until your face touches the carpet, you open your mouth to scream, there's no strength left in you to do so, only a bitter taste of defeat in your mouth.

Satoru gets down on his knees in front of you and hugs you, you don't pull back because it's the only comfort you can have right now, you cling to him like you're clinging to your last thread of hope, you allow yourself to cry because it's the only thing you can do right now. He's never seen you react like this, you never cry, you didn't shed a single tear at your own mother's funeral, you were like a beacon in the middle of a stormy night, strong and resilient, no one has ever been able to shake you, so seeing you so vulnerable makes him feel he needs to protect you. He lifts your face with both hands and wipes the snot off with the sleeve of his shirt, you're a wreck, but you muster the strength to get up. Now with a clear head, you know you have to solve this problem, no matter what.

"I'm going to kill them all." You mutter, the glow you're carrying fades and gives way to a gloomy aura, you turn away from Satoru, you're planning how to kill these people, there are too many of them and only one of you, but you've been in a similar situation before, so you think it won't be a big problem. "Thanks for warning me, but I don't want you to meddle this time, it's a matter of fa-"

Satoru suddenly interrupts you. You don't have time to associate what happened right away, it was so fast, only then do you realize that he's hit you, you touch your cheek and it's hot and tingling, your ear is ringing as if a bell is inside your head, and it feels like one of your eyes has popped out of your skull because you're not seeing well. You're so bewildered that he has to hold you so that you don't fall to the ground again.

"I don't know what the hell you're thinking, but stop. Now." He gently grabs your face and presses down on your right eye with his thumb in order to put it back in place, and you stand there as if you were a doll being carefully repaired. "You're a hothead, aren't you? God! Are you thinking of killing someone else? I hope not, I don't want to have to do it again." He scolds you, he doesn't like the idea of having to hit you, but you always cross the line, it's so annoying. "If you make a single slip-up, everyone's efforts will be for nothing, your sister's life is at stake and we still don't know the intentions behind the kidnapping, so. Stop. Acting. Impulsively." He spoke slowly and nodded, waiting for you to agree. "Answer me."

"But-"

"Answer." Somehow his aura seemed to pressure you, it's always like this, he says he doesn't want to hit you, but if you keep doing things the way you want, he'll hit you again and again until you stop, you shrug and he sighs. "Y/N... answer me, I won't do it again, so be a good girl and say you won't do anything."

"I won't act on impulse, I promise."

"Yes, yes. I knew you were still a good girl." His tone of voice has changed, the pressure on his shoulders is also gone, he pushes back a lock of hair and kisses your forehead, it's almost as if he's someone else. "I'd love to spend some time with you here, but we have to go now."

"Now?" You hear a pop, Gloria and the children are still waiting for you, you can't leave without saying goodbye, you look around the room for the bread basket and find it completely ruined, you let out a breath of air through your nose. "I couldn't go and see any of you anyway."

"Who are you talking about?" Satoru grabs you from behind and buries his face in your neck, you're tense and stiff, it would be bad if he found out about Gloria, he's not the kind of person who tolerates jealousy. But fortunately he doesn't seem to know, he sees the basket of bread on the floor and remembers the children you greeted earlier. "I didn't know you liked children so much."

"Oh, yes, of course?! So you were stalking me at that time too?" He replies with a 'mhmm', you roll your eyes. "You're awful." You let out a dry, mirthless laugh. "Oh, I never had a chance, did I?"

"I'm glad you know your place." He's so overbearing and arrogant, yet if you had only half the power he has, you'd act like it too. "I'll help the children later if you behave yourself on the journey back."

"Really?" Your shoulders relax, you lean in to look at him, he nods in agreement and you're relieved, but everything has a price...

"But you'll owe me one." He whispers unassumingly. "Two, actually." He holds up two fingers, you choke. "Or have you forgotten that I'm going to have to take you in secret?"

"I thought you were going to give me up! I even thought I would need Suguru's help."

"Of course not!" He shouts, irritated, an icy chill shakes your body, you lower your head and he continues shouting. "What kind of monster do you think I am? I would never hurt you, Y/N. I... I... forget it." He pushes you away and massages his temples, then stops abruptly and runs his hand over his face as if he's just remembered something. "Oh, one more thing, Suguru is dead."

"WHAT?"

"I killed Suguru, he committed some crimes, but nothing compares to the fact that he hid you from me." Satoru lets out an infamous chuckle, you can't believe what he's just told you, but given the circumstances, you know he's not lying, the only person who knew your whereabouts was Suguru. "You remember when you abandoned me, don't you? Didn't you think about me? How I might feel?"

"You weren't the only one I left behind, and-" You start to speak, but he signals you to shut up and stop making excuses he doesn't want to hear.

"But as far as I know you haven't abandoned Suguru, have you?" You feel the air get heavy and Satoru's shadow covers you, he seems much bigger than you or you're feeling too small, you don't know, you go back and grope the tree, there's nowhere to run, you close your eyes and wait, maybe for the next slap or something worse. "He told me everything before he died... so we have a lot to talk about, Y/N."

Mistrust is like a deadly poison that eats away at you from the inside, it makes love grow cold, but it also gives birth to a weed called resentment. There's no fixing something that's been broken, when you put the pieces back together, the cracks and scars of the breakage will be there forever, it will break again if you fill it with water. There is no way to mend the heart of someone who has already been betrayed or abandoned.

Satoru look at you with a fake smile, the corners of his mouth are twitching, a bad sign, there's no escape for a change, there's only the two of you on this deserted house, even if there was someone here no one would come to save you, there's no place you can use to hide, but there's no way and no reason to hide when the Six Eyes are looking for you. You open your mouth, but give and accept that there is no other option but to stay quiet, he seems satisfied with your decision, the smile on his face widens.

"Satoru..."

"You cheated on me." He repeats with tears in his eyes.

"WAIT, WHAT? I never cheated on you." You choke, you don't know if he's making it up or Suguru said something that made him get it all wrong. "I don't think this is the time or the moment to talk about it."

"But I do." He retorts. "You disappeared for ten years, Y/N. DAMNED. TEN. YEARS!" He puts a lot of emphasis on that. "You didn't try to contact me during that time, you didn't even make an effort to make me try to understand your side, but..." He paused dramatically. "There was enough space for Suguru to continue in your life. Do you know how painful it was to find out from him that you'd been in contact and seeing each other for all those years?" He frowns and laughs like a maniac. "What about me, Y/N? I was alone in the dark for ten years. I had no news of you, I didn't know where you were, how you were or if you were even alive, but he knew because he told me before he died." He scratches the back of his neck and bites his lower lip. "You didn't even bother to break up with me."

"You turned your back on me first! You spent weeks ignoring me before everything happened and-"

"Because YOU were hiding things from ME!" He shouts and points at you accusingly. "I never knew your side because you didn't trust me enough to open up to me, your own boyfriend." He uses both hands to point at himself, the veins in his neck and forehead bulging, he's furious. "But Suguru knew, because you told him everything, didn't you? You even asked for help to escape."

You choke, you don't know if Suguru revealed all the details to him, but your mind goes blank like a blank canvas for lack of arguments, you can't retort, because what he's saying is the truth, at no point did you consider the possibility of trying to contact him, you didn't explain why you killed all those people in the first place, you just accepted the fact that he hated you and decided to walk away without saying a word. Who told you he hated you? Did he really think you were a monster? The fine line between what was true and what wasn't was so thin that you couldn't tell the difference anymore.

"I forgave you for killing those people and for running away, but this..." He points at you and for a portrait of you and Suguru on the bedside table, then makes a cutting sign with his hands, shaking his head frantically. "I'll never forgive that. Never."

"I'm sorry."

"It's too late to say you're sorry." Satoru reaches into his pocket and pulls out a black blindfold. "You never really loved me, did you? You loved him, I was just... an idiot. That's the truth. I was just a substitute for him."

You see the tears streaming down his face, he brushes them away with the back of his hand as if he doesn't want you to see him cry, you feel your stomach lurch, you don't have the courage to approach him, it's bad enough to know that everything that happened in the past was a big misunderstanding, to be abandoned and in a way betrayed, you can't measure his pain. And although you have your share of the blame for his suffering, he has to understand that you were on the run, many came after you to kill you, familiar faces, you have a lot of traumas to carry, and you don't want or need to carry the weight of this ill-fated relationship, but you can't help it.

"I expected a little loyalty from you. But you're one of them." Satoru refers to the fame of vampires and their multiple partners, but you're not like the others, you really only loved him, but he's so blinded by hatred that he can't see. You love him so much that you trusted him with your life. "You... you cheating bitch, I did everything for you, I... I even tried to forgive you for it, but then you started thinking about going after him? HAHAHA, I'm really stupid."

"I'm not a cheater. I've NEVER cheated on you." A lump forms in your throat, you can barely defend yourself against these unfounded accusations, based on jealousy and paranoia, you sniffle and wipe away tears that wanted to escape from your eyes. "I swear, I never did that, I-" 'love you' You continue the sentence mentally.

You endured everything in silence for fear of sharing the burden with someone else, because you are afraid to lose everyone, but you also believe that if you had been honest from the beginning, he would have understood you, and maybe your sister wouldn't have had to go through what you're going through now, but now it's too late to be honest.

"You just used me and are still using me for your own gain, you just want to ensure your sister's safety and leave. Like everyone else... I'm just a tool for you."

"That's not true, stop it."

The truth hurts, and he's telling the truth, from the beginning you thought of him as a tool to find your sister, but not everything is true, you also want to spend time with him, since finding him again has ignited something inside you, but you don't have the strength to go against him. You take a step forward and he moves away, you reach out to touch him and he rejects you, it's so painful that you'd rather he hit you, you grab his hand and he's so cold, so distant, as if an abyss were separating you. You open your mouth to beg for forgiveness once again, but you feel a stinging pain in your head and heart, a buzzing in your ears makes you dizzy and makes you scream hysterically, your nose and ears began to bleed non-stop.

"Y/N?" Satoru's voice becomes distant and his image blurs. "Y/N?! Are you all right?"

"I... I... I feel... so... sorry... I... will... tell you... everything..." Your vision suddenly darkens.

The last thing you hear is Satoru's voice shouting your name.

[readerstories]

When You Touch Me - Wolverine x male reader x Deadpool 8/?

A little shorter one, but it felt right. Next one is definitely going to be longer. Still on vacation, so I got no idea when the next chapter will be, but it will be longer. Hope y'all are having a good time! (AO3) (Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6) (Part 7)

Warnings/tags: male reader, canon-typical violence, enemies to friends to lovers, slow burn

Wordcount: 797

Summary: You’ve heard many stories about how people met their soulmates. Everyone crazier than the last, ranging from typical meet cutes, meeting with one of them at death's door, in war, meeting at your soulmate's wedding to another, and everything in between and outside of that. You had just never expected to add yours to the crazy list, meeting yours in a fight, only realizing after trying to kill each other for at least half an hour. And you certainly don’t expect to have another.

This time you get two weeks of what is blessed silence to your mind, but torture on your body before you see either of them again.

Yet again it's an unexpected location, though a slightly less strange one. You are finally back in the gym, after Evelyn giving you the go ahead. Dave had agreed to spar with you after calling her, just being a good friend, but you are working out frustration of not being able to do much training for weeks. 

Your body hurts and aches, but you hope getting to move and use it will soften it up somehow. 

It can’t hurt too much to at least try.

You need to keep yourself strong and able. You steadfastly ignore the hurt in your shoulders and upper back, the pain so constant now that you have gotten used to it.

You are just done with warming up, slowly and carefully, and manage to get your boxing gloves on and hit Dave’s sparring gloves all of three times before you are interrupted.

“You put on a show like this for anyone pookie?” You freeze mid-punch as you hear a familiar voice. Turning around, just outside the mats you are currently standing on, is Wade. He’s dressed in his full Deadpool suit, weapons and all.

“Dave, let's take a break, give me like ten minutes.” You address your sparring partner as you glare at Wade.

“Uh sure. You going to be okay?” You look over your shoulder, and see him eyeing Wade’s guns. 

“Yeah, nothing I haven’t dealt with before.” He nods, taking off his sparring pads before walking away and leaving the two of you alone.

“What are you doing here?” You take one glove off, dropping it on the floor in favor of grabbing your water bottle and taking a swig. Wade watches you, tilting his head as he speaks, and you swear you can hear the grin on his face.

“I was just in the neighborhood, and happened to see you through the windows, putting on the most titillating show.” You eye the windows, which are pushed high up in the ceiling of the gym. You take off your other glove and put your water down, hands on your hip as you glare at him.

“Sure, right..... Now, since you were just in the neighborhood, you have no reason to stay.”

“Seeing you, sweaty and panting, canceling your inner ‘Real Steel’? I think that’s a good enough reason.” He steps onto the mats, raising his hands. “I’m no Atom, but I can shadow box well enough.”  He raises his fists up in a loose guard, making a come hither motion with one fist. You sweep your leg out, catching one of his, making him fall on his back with a yelp and smack of the mats. A second later one of his guns is no longer in its holster, instead it's pointing at his chest, while your knee on his stomach and your hand around his throat keeps pins him down.

“If there weren’t people around, I would shoot you right now.” You know people keep to themselves here, but you think if you actually shot Wade they would pay attention. His voice is breathier than normal as you press down on his throat as he answers.

“Don’t threaten me with a good time. Besides, there are much more fun things you can do with me if we were alone.” You roll your eyes, ignoring how you’re actually feeling better by the second. For a fleeting moment the thought of getting your hands on skin instead of his suit goes through your head, but you shake it away.

“There isn’t.” You let go of his throat to take the magazine out of his gun, dropping it and the gun on his chest as you get up, standing next to his hip. He tilts his head, staying quiet long enough that you are able to talk again.

“I’m going to go take a piss, I expect you to be gone when I get back. If you’re not, I’m going to use your own damn blades to start cutting limbs off, audience be damned.”

“I think the audience would like that, the freaks (affectionate).” He winks somewhere off to his left, towards a weight rack.

“Wade.” You are sure the irritation rolls of you in waves, even without the bond between you both.

“Yeah, yeah, don’t get your panties in a twist, I’ll get out of your lovely hair.” You roll your eyes again, but turn your back on him and walk away.

—--

When you get back from the bathroom, Wade is gone. But, he has carved a heart with ”pookie” inside into one of the mats, making you curse his goddamn name under your breath.

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[whinlatter]

sorry if you've discussed this before, but do you think ginny's quidditch talent came out of nowhere? it's a common criticism I see about her but I feel like that kind of overstates how much of a quidditch "star" she was at the beginning, like she was consistently described as good but not great until partway into hbp and I also think it makes sense she'd keep it a secret from her teasing brothers. but maybe they're right and I'm just biased towards defending ginny

thank you for the question, anon!

the short answer is - no, i think it's (just about) plausibly rendered in the books. i think the series gets away with it because:

the story is told from the perspective of a teenage boy aka peak obliviousness in corporeal form, so we see what harry sees (and harry notices big fat nothing)

there is an entirely adequate narrative explanation for ginny's sporting skills that most readers not operating in bad faith* can put together, as you suggest: ginny comes from a sporty family who are all good at quidditch; she is of middling-to-good seeking ability when she first joins the team in ootp; she then has a good few months flying several times a week where she would necessarily grow in confidence and experience, leaving her perfectly able to blossom in hbp in a high school sport where she is competing against other children. fine and dandy in my book.

also quidditch is a broadly dumb and pointless plot so ginny being good at it is just a fun extra that we don't need to deep too much because - let's be real - quidditch is a waste of page space.

*i say this because, most of the time, these takes come from those who don't like hinny as a pairing. which is entirely their right and prerogative! it personally doesn't float my boat to spend my days doing worst faith readings of the text in order to make the case against canon ships i don't like, but as this is a race to the bottom - we are all adults dissecting children's books written by a nasty spiteful woman rotting in her mouldy castle spouting slurs, after all - who am i to judge.

(i also suspect the 'ginny is good at quidditch out of nowhere' takes have enjoyed such a long shelf-life on eg. reddit because the films are still most people's primary reference for HP takes so complaints about them then get cast back on the books - and, in the films, ginny does in fact rock up in film 6 like she's mbappé, if mbappé had the charisma of an extraordinarily soggy bath mat.)

with that said... could it have done with a bit more foreshadowing? yes, probably. people who don't like hinny as a pairing and prefer another are never going to be convinced - that's fine! but here i am, a paid-up hinny supporter, and even i think ginny's character development is sometimes wanting, to a frustrating and problematic extent. good writing (usually) means showing not telling, and it's weird and lazy of jkr to be so slapdash about revealing this and other character details about ginny and other (often female) characters. i think it's particularly striking that jkr underserves characters (again, usually women) who exist to serve the emotional development of characters (usually men), rather than the mystery plot(s) that drive hp as a series. (wanted! tonks' personality! last seen making fake pig noses and being the only auror mad eye moody mentored as his successor, for no plot reason!)

while i'm not a die-hard adherent to the chekhov's gun principle, i think one of the strengths of many novels du jour - especially the nothing really happens postmodern novel that crowds the bookshop shelves these days - is that their conventions allow authors to add colour to characters without each tiny detail being pregnant with meaning and in service of a driving plot that must be marched forward at all times. that can be really nice! as readers, we like to get a sense of characters as well-rounded living breathing people who go for a wee and take the bins out and stick on an album because it slaps every now and then; in these novels, we're also happier with the idea that things can happen to characters beyond the protagonist that don't directly impact the plot or demand the protagonist knows more than their own very limited vantage point. you have more room to play with character as a result.

jkr, ofc, isn't that kind of author. jkr is in fact an author for whom everything about her characters serves the plot. this, after all, is the brain that brought you 'remus lupin' the werewolf, and named the bad-guy-turned-good-guy in a book using a big black dog as a red herring omen of death 'sirius black'. jkr wants her audience to notice clues and remember little details about characters because they might be significant later on. this is entirely her wont and - lupin and sirius aside - she's often very good at it. the hp books are all standalone mysteries, and, when they land, those mysteries slap. ginny being the culprit in CoS is a genuinely satisfying resolution to the whodunit plot: this was reflected in critical reception at the time and was part of the reason why hp was able to be marketed as a children's book adults would also enjoy thereafter. there are also very satisfying foreshadowing and mystery plots that straddle the entire series and that reward the reader with reasonably good pay-off at the series end. (my favourite is the foreshadow within the foreshadow - e.g. regulus black barrelling back from ootp in DH, but then regulus' plot turning out to ultimately exist to foreshadow snape's own double agent status... delicious).

for my part, it's also what i want out of the fiction i read and the stories i try to write. i want everything to mean something. i want the weather, clothing, setting, body language etc to all do heavy lifting. i want character work to do work. it makes it fun for me to write and (i hope) it can it a bit more fun for the reader.

the problem is that while jkr is good setting up some mysteries, she is bad at others, and the romantic plot is one she falls down (a bit) on. she sets herself up for this: she wants to be a plot-centred mystery writer, so she does have an obligation to do better in how she deploys character details. jkr does to try to write the harry/ginny romance like a mystery, with little hints throughout the series up to the reveal of harry's feelings for ginny in HBP. (even ginny's full name is nominative determinism, finally revealed in DH once the reader has been told her place in the plot - ginevra, so guinnevre, the hero's queen). and while i will never not tire of pointing out to all of reddit that harry/ginny didn't come out of nowhere, and there is some satisfying foreshadowing knocking about here and there, i think it's fair to say that the harry/ginny build-up is not as satisfying as it could have been because jkr is basically lazier about the clues that ginny is the character harry will ultimately fall for, while she is much better at dropping clues for the series' central plot. that ginny ends the series with no real resolution of the primary tensions that motivate her other than her love of harry is probably the most acute example of this. but there's lots about her character where jkr phones it in a bit in fleshing her out or taking it to any logical conclusions or interesting plot directions. a smattering of examples:

ginny is the character who spends the entire series demanding to be included and not underestimated ends the series... with no real major role in the battle other than causing harry panic, while all other central characters receive a satisfying narrative arc that speaks to their central motivators across the series as a whole. (for an interesting discussion of what should have happened with ginny and the horcruxes, see here. i didn't even pay @saintsenara to write this!)

there are lots of shades of colour to ginny's character that are introduced pointlessly. i have previously talked about my beef with arnold the pygmy puff. we know ginny is popular but we know nothing of her friends who are all faceless plotless nobodies. we know ginny supports the all-womens quidditch team in a way that implies a nascent feminist politics after a childhood being excluded from playing a sport she loves by her brothers - yet we know nothing of it. we know ginny loves the one wizarding band that seems to exist because she has a poster of them on her wall and it just.... is something we just get told about her. now, all of these suggest ginny is a good time gal and a right laugh at the pub. and that's nice! i too am fun at the pub! but why does it matter? it wouldn't, in another series. but in a series where Everything Matters, it really stands out.

now..... i don't think all of this is an unsolveable problem for those of us writing fanfiction about ginny or harry and ginny as a couple. i don't think this makes ginny an inherently bad character. i hope the amount of life i have wasted thinking about this character is testament to this (...) and i personally find trying to cook up some fleshed-out characterisation and a satisfying arc for ginny, and for female characters more generally, from the crumbs of the original source material to be a very rewarding way to pass the time and a fuck you to a woman who thinks she can gatekeep womanhood while writing some astonishingly antifeminist fiction. i think harry and ginny are a deeply compelling and eminently plausible couple, and i think i return to writing about them as much as i do because i think they have a ton of potential as narrative mirrors and as characters with a rich well of tension but also devotion between them. as i say a lot, i think one of the things the harry/ginny pairing does refreshingly well compared to other romantic lead couples in YA fiction is show a couple that, at heart, genuinely get on very well, have a laugh together and enjoy each other's company in completely mundane lovely day-to-day ways (laundry and taxes u know). i think that's a striking and refreshing dynamic that i like to spend time fleshing out and playing with and writing about. but i can also see that there is an inconsistency in jkr's character work here, particularly her character work writing female characters, of which ginny is among the most acute examples.

[skzstannie]

"My Soulmate"

SKZ -> Hyunjin x fem!reader

genre: slight angst, crack, vampire/soulmate AU wc: ~2,200 cw: none

summary: being kidnapped and brought to your vampire soulmate is something you never knew you needed... until now.

A/N: Hello again! Life's been crazy, and I've actually had this written since forever ago, so I decided to go ahead and edit and post it! Hope you enjoy :)

Alsoooo, I survived the Ticketmaster war and was able to snag some SKZ tickets to the Chicago show!!!

Happy Scrolling! | Masterlist

"Please be careful. That area is so sketchy, especially at night. Infested with those dastardly vampires, I'll tell ya."

"Mom, I'm fine. The bus station is only a mile down the road, and I'm almost there," you speak into the phone.

Your mom gives a disappointed sigh from the other end. "Sweetie, I've heard so many stories of girls going missing on that street. I really wish you would've listened to me and taken a different way home."

"I've always taken this way home from work; why are you so worried about it now?" The more you speak with your mom, the more paranoid you become. All the shadows out of the corner of your eye appear as humans, lurking behind buildings and in alleyways.

"Because a girl was killed just last week walking around down there, not to mention she was by herself. Just like you!" she screeches over the line. You have to pull the phone away from your head to protect your poor eardrums. "It was a gang that took them! What was their name again? Stray dogs? Stray... Stay? I can't remember."

"It's Stray Kids, mom. I'm sure they're not even around these parts anymore now that the cops are looking for them."

Too focused on your surroundings rather than the ground beneath you, you trip and fall over a large lip in the sidewalk. Your body hits the ground, and you immediately clutch your knee. Your legs are littered with scrapes and scratches, but your knee in particular has blood dripping down it. Pieces of dirt cover your skin, unpleasantly sticking to your wound and the oozing blood.

You startle from the sudden cold breeze you feel over your shoulder. You turn abruptly, hissing when your leg rubs against the ground. Another gust of wind brushes past your front, and you're quick to twist around again. Your heartrate picks up at the eeriness of the situation, your hands turning clammy.

Suddenly, a being materializes in front of you. A scream catches in your throat when another appears next to him. Both are dressed in normal clothing, albeit entirely black in appearance, the only color emitting from the two beings in front of you coming from their pale skin. It's almost sparkling under the glow from the streetlights.

They stand and stare for a moment, and the silence is palpable. As you make eye contact with them, you take notice of their eye color- a deep, fiery red. You feel as though you’re in a hypnotic state as you continue to stare into their eyes. Your surroundings become blurred the longer you look, and you begin to feel dizzy as the world around you begins to spin.

You can faintly hear your mom screaming at you through your phone, calling out for you with panic in her voice, but you can't seem to look away from the boys in front of you.

The dizzier you feel, the calmer you become. It's a weird sensation, feeling all your anxiety and fear just slipping from you. The last thing you see is the muscular man in front of you approaching before you close your eyes from the exhaustion. It came out of nowhere, but it's all-consuming as all thoughts leave your head, and you're left their laying limp and vulnerable.

~ ~ ~

Your eyes feel heavy as you open them, and the bright lights are blinding as they invade your vision. Reaching up to rub your eyes, you quickly realize that your arms are tied behind your back. Becoming aware of your surroundings, you feel the cool plastic chair beneath you. Looking down, you see the zip ties around each of your ankles, anchoring you to the chair.

You appear to be tied up in a cell of some sort. Black, solid bars seal you off from the outside of the room. The cell is small, only about 8 ft by 8 ft if you had to guess. The floor is nothing special, just some concrete. While you can't see much from where your seated in the corner, the room around you seems empty and cold. A desk sits in the middle with a few stacks of paper on top.

Your eyes tear up at your predicament as the memories of the men dressed in all black come back to you. Question upon question spring into your head; where'd they come from? Where'd they bring you? What do they want from you?

Your worries seem to multiply by the second, and you are filled with dread as you consider the possibilities.

You know you must look amess as sweat starts to pool on your forehead, not only from the temperature of the room but also the imminent danger present upon you. Tears stream freely down your cheeks as you desperately pull at the zip ties holding you hostage.

A door creaks open while in the middle of your struggle, and you freeze. Voices fill the open space, and your mouth runs dry at the thought of meeting your captor.

"I told you, we won't be getting our next shipment of blood for another couple weeks. You're just gonna have to hold off-" the voice cuts off as the man walks around the corner. He makes eye contact with you. He shares the same eye color as the men that took you, but you know from the facial features that this isn't the same one.

The man heaves a sigh, his eyes never leaving yours. "I've gotta call you back," he says before hanging up the phone. Without uttering another word, the man walks back out of the room, leaving you alone with your thoughts once again.

It feels as if hours have gone by the next time you hear the door open. This time, cries of pain fill the silent void. You become alert at that, straightening up in your seat. Curiosity fills your gaze as you’re welcomed with the man from earlier, this time accompanied by two more.

The two men are being dragged by their ears, which appears uncomfortable if the sounds of pain are anything to go by.

The man from earlier releases them once they are standing right outside your cell.

"Explain yourselves," he says, crossing his arms over his chest.

Both men start talking over each other immediately, making it impossible to understand either one. "One at a time you pabos!" he interrupts them, creating an uncomfortable silence.

The buff one, which you now recall as one of the accomplices to your kidnapping, gestures roughly to the other man. Taking this as his cue to explain, he begins, "We swear she's the right one this time!" His words are rushed as he gestures towards you.

"You're kidding," the man in charge says, bringing his fingers to grasp at the bridge of his nose. "We've already been over this. You two can't keep kidnapping women from off the streets just because you believe them to be Hyunjin's soulmate."

Your heart races as your brought into the discussion. Soulmate?

You've heard of soulmates, but only ever in fiction, like books and movies. From what you've read, vampires are the only beings who can initiate the soulmate bond. Thereafter, the human can feel the bond, as well.

Suddenly, the pieces fall perfectly into place as you consider all the factors. Materializing out of nowhere, the red eyes, the hypnosis. These guys are vampires. How you didn't put it together sooner, you're not sure.

The bravery you're hit with is astounding, and you can't hold yourself back from interrupting the conversation. "Who are you guys and what do you want from me?" The man's rambling stops as all three look to you.

"Hi..." the man rambling starts, "I'm Jisung, and this is Lee Know and Changbin. We've brought you here because we believe you're our friend's soulmate."

"Please just let me go. I promise not to tell anyone about this!" you plead. You don't know what being the soulmate of a vampire entails, but you surely don't want to find out.

"Oh, we can never let you go," the man in charge, Lee Know, answers. "You've seen us, experienced our presence. You either have to stay with us, or... well, we kill you. You can thank these idiots for that," he gestures to Jisung and Changbin. Jisung brings his hand up to the back of his neck, rubbing it awkwardly.

You let out a sob at the ultimatum. You don't want to stay here forever. You want to go home, shower, and complain to your mom about work. You want to call your best friend and talk to her about the cute guy that you saw. The thought of never being able to do those things again envelopes you with sorrow, and more prominently, fear.

"Please don't cry," Jisung says, his hands coming up around the bars of the cell. "We would never want Hyunjin's soulmate to be sad."

"Jisung, we don't even know if this is his soulmate," Changbin says, his gaze piercing the side of your face.

"I'll prove it to you," he says before running out of the room, the door slamming behind him.

"I swear, I will kill both of you if this isn't the right girl. You said that the time before this was the last, and I'm getting tired of hiding dead bodies," Lee Know tells Changbin.

The hair on the back of your neck stands up, and you suddenly really hope you are this guy's soulmate. While this doesn't sound like the greatest of situations, at least if you live you'll get a chance to escape.

Changbin and Lee Know talk amongst themselves, and your anxiety starts to build once more.

~ ~ ~

It feels as if hours have gone by the time there's movement outside your cell again. Changbin and Lee Know, having gotten tired of standing, had taken a seat on the couch towards the back of the room, busying themselves on their phones.

You're still stuck in the same position. You've been wriggling your hands around, but you've realized there's no use in trying to escape. The two men would surely notice if the zip ties came undone, and even if they didn't, you're still stuck in this cell. You don't know what lies outside this room, but you're scared to find out.

You finally hear the door swing open, and you recognize Jisung's voice, this time accompanied by another stranger. The two come into view, and your breath hitches in your throat when your eyes meet the man Jisung brought with him.

He is easily the most beautiful man you've ever seen. His eyes meet yours, and you're immediately captivated, unable to look away. It's a strange feeling, but you suddenly feel all the worry and fear being washed from you, leaving you with a feeling of peace and serenity. It's almost like you've known this man for years, the way he brought you immediate comfort in this unfamiliar place.

"My soulmate," he whispers, and at this point you can only assume this is the 'Hyunjin' they were talking about.

In the blink of an eye, he materializes in front of you, now inside the cell. He quickly brings his hands towards you, and you feel no fear. The dread that once filled your body is no more as you allow him to carefully undo the zip ties from around your wrists and ankles.

Tears still slip down your cheeks, but the emotional pain you once felt is no more. You're overcome with unfamiliar emotions, and the tears don't stop.

You feel as if you recognize Hyunjin from your dreams. Always the hero, saving you from whatever dangers are out there for waiting for you.

Once the zip ties are off, you immediately rise to your feet and reach out to hold him. He embraces you even tighter, his arms wrapping firmly around your exhausted figure.

"This is such a strange feeling, but I feel at peace now," you whisper to him, your head resting on his shoulder.

"It's because we're together. The soulmate bond, I initiated it, and you've accepted it," he whispers back. "We can be together now."

"Have I seen you before?" you ask, taking a step back to admire his beautiful features.

"Maybe in your dreams. I've visited you there before. I've known what you looked like for a long time. That's how these guys found you," he says, gesturing behind him to Jisung and Changbin.

"Yea, and it only took us two tries! Do you know how vague of a description I had to go off of?" Jisung complains.

"Because I didn't expect you to go out and try to find her!" Hyunjin exclaims, exasperated.

"Well, I figured since your birthday was coming up, I could do something nice for you. And it only costed us one casualty!"

"Which I'm still dealing with, by the way," Lee Know says.

"Yea, yea. I just had a gut feeling about it this time."

[pinkcowzz]

ahhh so. warning. will be talking about arcane s2 spoilers below the cut. i have. so! many. thoughts.

i've seen a few takes that s2 felt very rushed to some people, and like. yeah? i can get that. but also. not really.

there was A Lot of ground to cover so it moved very quickly but the pacing actually made a lot of sense to me. i think that this show has never attempted to tell each characters story in the fullest. like, to me, that's what makes the world building so good. you are only witnessing part of the story. there is only so much of each character that we, the viewers are allowed to see.

yes there was a lot introduced in the final act, yes some of it made zero sense. but, to me at least, it makes it so much more realistic and immersive.

the final act is war time. shit happens fast. decisions are made and acted upon almost immediately. there isn't time to mourn and there isn't time to grieve. if you stop, you will die so you must keep marching forward.

we don't get to see what signed is up to, we don't get to understand the complexities between mel and her mother, we don't get time to break down how the arcane is changing we just have to know that something is happening and it will affect us so we must do something to react.

moving on, i really wanna talk about jayce and viktor first because. their final discussion, had me ill. i'm honestly really glad that they are never officially established in the show, because it makes their bond that much stronger to me.

the first season, we see how their studies connected them and propelled them forward. in jayces case, it pushes him into politics. in viktors, deeper into the arcane. they had to set everything else aside *cough cough their morals and personal relationships(sky & each other)* in order to achieve what they wanted to achieve.

in the second season, we see how that was their demise. for viktor, the creators did an amazing job showing us this with the scene between him and sky.

'i'll miss our talks'

'no you won't'

like holy shit? in those two lines, we see how viktor has fundamentally changed. his goals, his objectives, they got lost somewhere. in the first season, we do see how much viktor enjoys discussing his ideals and thoughts, its what drives him to go and find jayce in the first place.

and as for jayce, he's icarus. he flew too close to the sun and he, in a lot of ways, is the beginning of the end. while ekko and heimerdinger were building their way out of the alt time line, he was witnessing the destruction his invention brought about.

and don't even get me started on them calling each other their partner during their entire last talk. like wtf im ILL.

okay! onto jinx! (and isha and vi) i have. heard a lot of complaints about how one- her death was for shock value and two- that isha's death was glossed over and i whole-heartily disagree.

i think first off, jinx isn't dead. there a lot of people out there who can put the details together more precisely than i care to tbh, but my biggest reason is the airship we see at the end. these creators LOVE their foreshadowing and i mean LOVE (think viktor showing off the invention and shooting that gun to how that gun is later used). i think it's literally the first episode that powder says she wants to ride in one and ur telling me the last episode we get a shot of one flying away? yeah no. my girl is alive and breaking the cycle.

speaking of breaking the cycle, vi would never be able to move on with her life if jinx is still around. she would never be able to grow, to be willing to work on her relationship with cait, would never be able to escape the guilt, etc etc. that's like, a big point that i think a lot of people are missing.

for vi, jinx is everything. and she should be. she is the only family she has left. and had she not walked away from her, there is NO TELLING what would've happened to the two of them.

jinx's 'death' was for the both of them. they can move on now, they are free to allow the shit show that was their childhood be in the past. like hello?????? did y'all not listen to the conversation that she had with ekko in the alt time line? you need to let go of some things to be able to move onto the next and it sucks and it hurts and its shitty but the world will keep spinning.

and the only way that jinx was able to come to this conclusion is because she lost isha. had isha still been around, she would have had to stick around zaun and piltover. but also. i need y'all to realize that jinx is used to losing people, she is used to grief, it is a close friend to her.

and i think, thematically too, vi not moving to the other ledge is SO IMPORTANT. she CAN'T let vander go. that was her father, that man raised her, she couldn't let him go. are y'all connecting the dots? like! hello! do you see?

vi has never been one to let someone she loves go lightly. the entire first season she is grappling with this idea that her sister changed, that she moved on and allowed herself to let her past (kinda) go. it doesn't make sense to her. she allows caitlyn back so easily because it terrifies her to lose someone in her life.

that is who she is in her core.

and that is why jinx makes the decision for her. it's her way of saying, 'i see you, i understand you and i will make the hard call for you because i love you'

so yeah, like i said. a lot of thoughts. im so excited to see wtf is going on in noxus in the future show and am so intrigued by whatever the fuck is going on with mel.

also. maybe it's just me. but i love an open ending. i think being able to talk about the what if's and the maybe is so much fun. not everything has to be wrapped up with a bow on top. again, we, the viewers, only get a small insight into the world the characters live in. this show could go on for ages if we followed them all the way through their lives. this was never meant to be that type of show. go watch friends or smthn if you want a formulaic story that will clean every lose end up for you.

we follow these characters through a formative moment in their life, what happens next is up to them. (and psst. that's what fan fiction is for)