#then but their main color should be their main

[murderofsomeone]

it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another

anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)

extra bonus rambling under the cut

my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)

in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.

really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.

another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.

though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.

since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.

the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.

here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about

the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.

in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat

[validfemale]

✦ — soft girl reminders! ⋆.˚ ᡣ𐭩 

self-love isn’t just bubble baths and face masks, babe—it’s knowing you’re that girl even on your worst days. it’s about looking in the mirror and hyping yourself up like the queen you are, no apologies, no filters.

let’s get one thing clear: you’re the main character, and anyone who doesn’t see it can exit stage left. this is your time to treat yourself like the masterpiece you are—no crumbs, no compromise, just pure, unapologetic self-love.

01. treat yourself like the damn prize you are. you’re not here to be small or blend in. you are the main event, the VIP experience, the centerpiece. start acting like it! bring the same softness you show to others to yourself, but with that added edge—this is your world.

take up space unapologetically, make your presence known, and let your vibe set the room’s entire mood. whether it’s in the way you walk, talk, or even just exist, show the world that the energy starts with you and revolves around you. be the kind of person people can’t help but notice because they feel that main character energy radiating from you.

02. self-love is a journey, but we’re doing it in style. we’re throwing out the rulebook on this one. self-love isn’t about reaching some mythical, perfect version of yourself. it’s about being here, now, and feeling fabulous every step of the way, even when you’re just starting.

no more stressing about “where you should be”—you’re living this journey on your terms, taking it day by day, dressing it up, making it fun, and making it feel good. it’s all about vibes over timelines—you’re the main character, and you’re building your story with confidence and grace.

03. talk to yourself like you’re the baddest. if you’re not hyping yourself up, who will? every time you catch your reflection, toss a wink or a quick “damn, i look good.” every pep talk, every little “you got this” counts. we’re done with the self-critique and harsh words.

instead, make it a ritual: wake up, see yourself, and know you’re the baddest. own every inch of who you are—flaws, quirks, and all. the world will always have opinions, but they’re irrelevant because you set the standard. your confidence is the only validation you need, and you know you’re a vibe, end of story.

04. surround yourself with things as iconic as you. make your space a whole mood that matches your energy. let every detail speak to your sense of style, your vision, your vibe. whether it’s a cozy sanctuary, a lavish setup, or an aesthetic dreamscape, make it scream you.

you deserve a space that feels like it’s designed by and for a queen—one that reminds you every day that you’re the royalty of your own life. from the decor to the colors, it’s all gotta be as iconic as you. your environment should be a reflection of your worth and the vibe you bring into the world.

05. remember: you’ve been enough, and then some. no more editing yourself to fit into spaces or make others comfortable. you are the vibe. don’t dim your light or hold back just to blend in. you’ve been more than enough all along, and the ones who don’t get that? they can step aside.

you’re here to own every part of yourself, not to impress or please anyone. you’re showing up as your full, unfiltered self, and if people can’t handle it, that’s on them, not you. this is about you embracing every part of yourself, because you are the standard.

06. don’t waste your breath arguing with men. period.

don’t engage with anyone who can’t match your respect and energy. if he’s pressed, let him stay pressed while you stay unbothered. arguing with him only brings you down to his level.

you’re too busy loving yourself and focusing on your glow to be distracted by any nonsense. if he can’t recognize your value, he’s not worth the energy it takes to explain it. keep it classy, keep it moving, and let him talk to the wall. you’ve got bigger things to focus on.

07. being pretty is a privilege, use it wisely.

your beauty is your power, but it’s not all you’ve got. let it be the door opener, the thing that draws people in, but once they’re in? show them the full package. intelligence, charm, ambition—you’re a force to be reckoned with, and your looks are just the cherry on top.

use your beauty to amplify your impact, to give people a taste, and then blow them away with everything else you bring to the table. pretty isn’t the limit; it’s just the beginning.

08. rejection? never heard of it.

you’re not sweating over missed opportunities or things that didn’t pan out because you know they weren’t even on your level. rejection? please, you’re onto the next, knowing that if it didn’t work out, it’s because you’re meant for better.

lift that chin, adjust that crown, and strut away with zero regrets. you’re not settling, period. if something didn’t meet your standard, it’s not your loss. you’re constantly leveling up, so if it didn’t work out, it’s only because it couldn’t keep up with you.

09. stay obsessed with yourself.

let people say what they want, but it doesn’t touch you. nobody’s opinions or insecurities are your business. you’re too busy thriving, too busy hyping yourself up, and too focused on your own growth. you’re affirming, you’re glowing, you’re vibing—no one can bring you down.

being the main character in your own life is a full-time job, and you’re killing it. there’s no time for self-doubt, no space for overthinking. your energy is unmatched, and you’re here to live boldly, confidently, and unapologetically.

10. when your mind is clear, the possibilities are limitless.

when you’re unbothered, delusional in the best way, and truly believe that everything is yours for the taking, there’s no stopping you. dream job? it’s yours. endless abundance? coming right up. love that’s as obsessed with you as you are with yourself? of course!

let your belief in yourself be your superpower. walk through life as if every door you want to open already has your name on it. you’re manifesting with ease, and everything you desire is simply waiting for you to claim it.

[boom-bada-boom]

shawn spencer, through a series of comedic should-be-impossible hijinks, gets turned into a cat without anyone knowing its him. he elects to hang around the station and help out however much his four paws can.

hilariously, it doesn’t change that much.

some notes:

hes brownish-orange (kinda like henry’s hair in flashbacks??) which means he is close enough that he has the orange cat curse™

trying to decide on what breed he is. obviously mixed but what is in the mix?? main thoughts are havana, bengal, and siamese

okay final thoughts: bengal-siamese mix with a havana-like coloring for both eyes and coat.

hes a chatty cattyyyyyyyyyy,,,,,,,, yapper frfr

dog-person lassie and cat-person jules (she canonically has two cats)

he is so indecisive on if he should try and communicate that he is shawn to the station. on one hand theyd know hes safe and maybe be able to help him fix this. on the other jules has literally played fetch with him. a few officers have hand fed him. several cat things occurred. he would never live this all down (human shawn after hes asked where he was for like two months: (heavy sweating) i dont remember)

shawn sleeping in lassie’s chair and on his lap. he started doing it for the laughs but now he has realized that oh no this is actually comfy. tragedy.

half the station supports shawn’s cat shenanigans. a third just take videos. the remaining sixth try to call animal control on shawn but he always gets away and hes back in the station like two hours later so eventually they give up lmao

while all this is happening the station is also stressing because of shawn’s disappearance. they cant find any evidence for what happened. shawn went out to pursue a lead and just vanished. consequently, shawn is trying to make them all feel better with cat shenanigans

he refuses to use a litter box. it does not matter that he is so so small now he is using the fucking toilet. (the officers start leaving the bathroom door open a crack so he can slip in lmao)

shawn reading over case files while sitting on them. hes participating (and solving them)

shawn as a human accidentally left a pineapple stress toy in the station (maybe on some forgotten corner of lassie’s desk or smth lmao) and as a cat he rediscovers it and decides to play ball using it. all this to say that people start calling him pineapple because of it. honestly hes quite happy with that name over some other possibilities

jules is the only one allowed to touch the pineapple toy. he doesnt trust lassie not to try and dump it or something like the spiteful person he is and he certainly doesnt want anyone else touching it. (he would allow lassie to touch the pineapple toy if it werent for that fact though)

(shawn very carefully putting the pineapple toy down in front of lassie for the first timeand staring up with his big ole eyes and lassie stares back and externally his expression is hella flat but internally hes like oh no. oh no its growing on me)

BIG NEWS: cats can in fact eat pineapple, just not a lot since as a fruit it has a lot of sugar (not good for cats), HOWEVER… “It’s hard to see why because cats don’t have the taste buds that let them enjoy sweet flavors. The strong sweet and tangy taste of pineapple is mostly lost on them.”

shawn finally managing to get someone (probably buzz) to give him some pineapple only to be utterly HEARTBROKEN bc it DOESNT TASTE LIKE PINEAPPLE ANYMORE !!!!!!!!!

juliet holding him like a little baby as he is purring like a freight train

LASSITER HOLDING HIM LIKE LONGCAT AS HE IS WAILING LIKE THE DAMNED

literallyyyyyy thisss,,,,

he breaks into the chief’s office to lounge on her desk and she gives him hardcore side eye before, after a while, just sighing and starting to pet him. “this station doesn’t exactly need a mascot, you know,” she tells him, to a reply of mrrp, “but i suppose a little bit of cheering up wouldn’t be too bad.” very carefully, she taps him on the nose. “but not too much. this is a serious line of work—no making a mockery of my station.” the dull thunking of a tail smacking repeatedly into solid wood made no promises.

inconceivable amounts of cat fur everywhere and on everyone. no one can brush him because he wriggles away like an eel and dramatically grooms his fur out of their reach. so he just sheds everywhere. hes got a thick coat there is so. much. fur.

he keeps sneaking into crime scenes. no one is sure how but they suspect he is hitchhiking in lassiter’s car. no one can prove it tho bc they cant fucking find him. the crazy thing is that he leads them to evidence sometimes like a narcotics detection dog but with completely random items that usually seem nonsensical at first. until they prove otherwise. consistently.

lassie to himself: man this feels just like dealing with spencer’s psychic shit. weird.

GUS FIGURES IT OUT FIRST. not because he saw anything but he just saw a newspaper about this cat solving crime with the cops and he was like “oh my fucking god. it can’t be.” and then he pulled up to the station yoinked said cat and went to an isolated corner to freak the fuck out with it. “shawn what the hell happened” he goes, and shawn meows with feeling

juliet watching gus talk to pineapple the station cat in the corner of the bullpen: ???????

several cops having the all-important conversation of what to label him as. theres no snappy cat version of K9 they can use. K9 is supposed to sound like “canine” but there’s no letter to cover the fel in“feline”

some say F9 and some say L9 and a few say FL9 or just straight up FEL9

BY THE WAY!!!!! “Police cats are becoming an increasingly popular addition to law enforcement teams around the world. These feline officers are being trained to assist their human counterparts in various aspects of police work, from sniffing out drugs and explosives to providing comfort and emotional support to officers on duty” SND ALSO “Because they are uncommon, police cats receive a lot of press. Many show up regularly in media posts. If your local department has a police cat, don’t be surprised if you see stories about them on the news”

police cats are a real thing!! shawn is not an official police cat but he is at this point an unofficial one. on rare occasions he might even listen to an order or two (the station thinks he may have been specially trained by some probably-illegal group or smth, escaped, and decided to imprint on the station) (btw this is an actual issue with some police cats. as independent creatures theyre not as predictable as dogs and might not follow orders, which is an issue in high stakes situations n shit)

[lookingforariaa]

Attack On Titan: Workplace Romance AU ᝰ.ᐟ

ᯓ★ Y/N is a top gossip columnist at the magazine Quill, but her coworkers are convinced she’s hiding some juicy secret to always land on the front page. Little do they know, she’s secretly dating Eren Jaeger, the magazine’s annoyingly hot CEO. While Y/N works overtime to keep it under wraps, Eren thinks “discretion” means making everything a flirty game. With her coworkers watching her every move and Eren gleefully toeing the line, Y/N is starting to wonder—how long until the real gossip columnist gets out-scooped?

ceo!eren jaeger x employee!reader

You were typing away at your computer in your light pink office chair—one of those ultra-satisfying chairs that squeaked just enough to remind you it was doing its job, and made you feel like you were floating on a cloud of marshmallows.

A fluffy white pillow was wedged behind your back, offering that sweet, almost therapeutic support that made you feel like you were part-time journalist, part-time office chair connoisseur. Honestly, you’d never felt more at home in an office setting. Sure, your job was basically to stalk celebrities for a living, but at least you were doing it from the coziest nook in the entire building.

The gossip columnist team’s office? A Pinterest board of pastel-colored dreams—more comfy living room than corporate cubicle. No one else got to write gossip surrounded by throw pillows and candles.

You finished typing up your latest scoop—something about Aidan West, a popular actor known for his smoldering looks and slightly questionable life choices—who had been caught making out with his co-star in his car. While married.

Oh, and the car was parked on a busy street, practically begging for a photographer to snap the money shot. You decorated the column with pictures of the makeout sesh that were definitely taken by someone who had a clear view of everything.

You even included a particularly unflattering one of Aidan looking like he was mid-kiss and mid-crisis, and slapped a question at the end, as always, to leave the readers wondering: Is this a case of true love, or just another day of bad decisions in Hollywood?

You leaned back in your chair, swiping your fingers over the keys like an artist putting the finishing touches on their masterpiece. You took a moment to admire your work. Classic Y/N. Another gossip column ready to rock the world of the rich and famous.

Then, with a satisfying click, you sent it off to be published.

You could practically hear the storm brewing on the other end of the phone. Aidan’s publicist was likely already dialing the number of your office, getting ready to unleash a 20-minute rant about how this was an invasion of privacy, how his “personal life” was off-limits, blah blah blah. You knew the drill.

The angry, breathless phone call would come. The team would shout at you about boundaries—while ignoring the fact that Aidan was making out in broad daylight in a car that was parked on a main street like it was an undercover mission to make headlines.

Honestly, if you were trying that hard to keep a secret, maybe you should try, you know, hiding? In an alley? Under a blanket? Maybe next time, try not to let your tongue get tangled in your co-star’s while parked next to a paparazzi hotspot, Aidan.

"Done with your piece, Y/N?" Edith asked, leaning over her desk with a smile that could’ve melted an iceberg. You could tell she was genuinely fond of you.

And, honestly, who could blame her? You were the epitome of a stereotypical gossip columnist—pretty, thin, charming, with a smile that could light up a room (or a red carpet), and of course, your stories were always right there on the front page. If anyone deserved a "Most Likely to Ruin a Celebrity's Day" award, it was you, and Edith knew it.

"Yup, done," you replied, pushing your chair back a little and stretching, the smug satisfaction of a job well done settling in.

"Great, ah. I love you." Edith practically gushed, her voice syrupy sweet as she reached over to ruffle your hair. You couldn't help but laugh a little as her fingers tousled your perfectly styled locks. But you also secretly enjoyed the affection.

Edith was the head of the gossip team, a woman who could make or break a career with a single look. And she loved you. "Thanks, Edith," you said, running your hand through your hair after she pulled away. "Glad to have made your day."

"Oh, you did more than that," Edith said with a grin, eyes glinting as she glanced over at your computer screen. "You guys should learn from her," she continued, her voice raising just a touch to get the attention of the other three desks in the room.

The room was arranged in a square—two desks on one side, two on the other, facing each other like some kind of office showdown. Edith’s desk was at the head of the square.

You could feel your colleagues' eyes on you as Edith made her proclamation, and you almost wanted to laugh at the look of mixed jealousy and loathe on their faces. They'd always been jealous of your exclusives, and to be honest, you didn’t blame them. You were kind of a walking goldmine of celebrity scandals.

"She's the only one on my team that gets so many exclusives," Edith continued, practically glowing with pride. "Ugh, I’m so proud of you.

You could feel the weight of their envy. You could almost hear the mental sighs as they all shifted uncomfortably in their seats, trying not to look too sour. Of course, they didn’t know how much you enjoyed this kind of attention.

It was like a nice little bonus to your daily hustle. You put in the work—digging up dirt, charming sources, and cracking open secrets that others couldn’t touch—and now it was paying off.

"I’m just doing my job," you said, giving her a playful grin. "But thank you, Edith. It means a lot."

The other three glanced at each other, one of them named Ellie rolling their eyes dramatically. Edith caught it, though, and shot her a look that had her scrambling to pretend she was busy.

"You all could learn a thing or two." Edith added with a sigh, looking back at you with that fond gaze. Before getting up from her chair, Edith balanced a heavy stack of papers in her arms like a professional juggler. With one hand, she grasped the pile, and with the other, she pulled open the glass door to the office, the soft click of it echoing through the room.

"Where are you going?" Ellie called out, twirling her chair around to watch Edith head for the door. You could hear the annoyance in her voice, like she was still salty from Edith’s earlier praise of you.

"There's a board meeting with all the team leaders and the CEO. I'll be back in half an hour for lunch break," Edith said, her tone cheery. Ellie just nodded, though it was clear from the look on her face she was already over it.

As soon as Edith left the room, Ellie groaned audibly, rolling her chair back like it had a mind of its own and sliding it toward the desks on the other side of the room. Her desk was next to yours, and you both knew it was like the universe had conspired to make her loathe every second of it.

Honestly, it wasn't even a stretch to say that Ellie hated you. The three of them, Emma, Elena, and Ellie, had always been like this tight-knit little squad. You were the odd one out—invited to a few things just because they had to include you. But the underlying tension? You could cut it with a knife.

"Fuck, whenever she brings up the CEO's name… god," Ellie groaned from the other side, almost sounding like she was about to have a moment of religious revelation. "He's so hot, I can't even."

You could practically hear the eye roll from across the room, but you chose to ignore it, swiping at your phone mindlessly to pretend you're busy. You didn't need to give them the satisfaction of knowing you were paying attention.

"I know, right? God, one time I saw him walking down the halls... he's so gorgeous. Those emerald eyes," Emma chimed in, her voice all breathy and dreamy, probably twirling her blonde hair around her finger like she thought that made her more charming.

"I talked to him once! Even his voice is so soothing, and ughhhh!" Elena squealed from the far corner. You could imagine her fanning herself like she’d just encountered a literal Greek god in the flesh.

You couldn’t help but smile to yourself, feeling a bit smug as the conversation played out on the other side of the room. There was something oddly satisfying about hearing those women—who barely tolerated you—fawn over Eren. They were practically worshipping the ground he walked on, all while you sat there, silently relishing the fact that he belonged to you.

It was like some sort of secret victory, a quiet reminder of your position in this weird little office dynamic. You didn’t have to announce it to the world, but knowing that you were the one who had his attention—it made you feel like you had something they would never have. That kind of power? It was intoxicating.

You leaned back in your chair, a smug little grin pulling at your lips. How lucky you were. Not just because of the high-profile job you had, not just because of your talents and connections, but because Eren Jaeger—the CEO, the legend, the man with the emerald eyes—was obsessed with you.

He would go to the ends of the earth for you. Hell, he’d burn the entire world down just to catch a single glimpse of your face.

You almost laughed at the thought. The guy was so over-the-top obsessed when it came to you. It was a bit ridiculous, honestly. He would drop everything at the slightest hint that you needed him.

He was yours, body and soul, and you couldn’t help but feel proud about it. While they were dreaming about him, you were living the dream.

And that? That was a kind of power no one else could touch.

"Y/N," Edith called as she walked into the room, her grey hair pulled back in a neat bun, glasses perched on the bridge of her nose. Without even glancing at you, she pushed them up impatiently, the way she always did when she was busy flipping through some important document, her fingers sticky from licking them to turn the pages. "Eren's calling for you—something about the recent article you published."

"Oh, alright." You flashed a quick, mischievous smile at Ellie, who was practically scowling at the sight of you. The sour look on her face made you bite back a laugh—it was so satisfying to watch her stew in jealousy.

With a slight roll of your eyes, you grabbed your phone and headed for the door, walking with a confident swing in your step. Before exiting the room, you quickly applied a coat of lip gloss to make sure you looked perfect—you never knew when you'd need to throw a dazzling smile his way.

You could practically feel the eyes of your coworkers burning a hole in your back as you made your way to the elevator, stepping into the opulent space as the doors closed behind you. You pressed the button for the 15th floor, allowing the soft hum of the elevator to mask your thoughts as you prepared yourself for whatever Eren might have in store.

When the elevator doors opened, you stepped out into the familiar sleekness of his floor—everything about this place screamed power, prestige, and Eren Jaeger. You approached his office with purpose, walking past the impressive glass walls and knocking lightly on the door before entering.

Eren was standing by the floor-to-ceiling window, his back to you, looking out over the city with his hands in the pockets of his perfectly tailored suit. His hair was tied back into the usual bun, the sharp lines of his face softened by the glow of the afternoon sun.

You cleared your throat lightly, standing at the door, your lips pulling into a playful, innocent smile. "Hi, sir. You called for me?"

"Ah, yes. Yes, I did," Eren said with a smirk, playing along with the unspoken game you had both become experts in. His voice, low and smooth, gave you chills. "I needed your help with something, actually. Would you come here for a second?"

You grinned, not missing a beat. You walked over to his massive desk, gliding past it, the soft click of your heels the only sound in the room. You rounded it carefully, pausing just in front of him, where a series of sketches were laid out. They were potential logos for the new column that was set to launch in Quill.

You bent forward slightly, inspecting the designs, your fingers hovering over a few, teasing them with the thought of selecting the best one. Eren’s towering figure loomed behind you, the warmth of his presence unmistakable.

Then, his hand landed on the desk with a heavy thud—an action that immediately drew your attention. But the real shock came when his other hand slid down your waist, pulling you closer. He leaned down, his lips barely brushing the edge of your ear as his voice dropped to a whisper.

"Which one do you think looks the best?" Eren asked, his breath sending a shiver down your spine. The touch was gentle, but you could feel the heat radiating from him, pressing you against the hard edge of the desk.

You felt your breath hitch slightly as his proximity intensified. You smirked to yourself, trying to keep the situation light. "You needed my help with this?" You whispered back, keeping the playful tone in your voice, even as his fingers tightened around your waist.

"You couldn’t have figured this out yourself?" You chuckled softly, your hand lifting on its own accord to wrap around the side of his neck, fingers grazing his hair, pulling lightly at the ends. The movement pressed you closer, your back now flush against his chest, solid and unyielding.

Eren’s laugh rumbled in his chest, warm and dark, the kind of laugh that always seemed to promise something more. “Actually…” His voice was thick with amusement, as he leaned even closer, his breath skimming your ear, sending another shudder through you. “I needed help with something else…”

He swiftly turned you around, your breath hitching in anticipation as he lifted you effortlessly onto the desk, the cool surface contrasting with the heat radiating between you. His hands gripped your thighs, prying your legs open and positioning himself between them with an urgency that made your heart race.

His lips crashed against yours, a frenzied hunger igniting the moment. Soft sighs escaped you, merging with his groans.

It had been an agonizing week apart—a business trip that felt like an eternity. Each day without him had worn on you, but now, with his body so close, the need you’d tried to suppress surged to the surface. Your legs instinctively wrapped around his waist, pulling him deeper against you, coaxing him to close the distance that had felt insurmountable just moments ago.

His grip on your waist tightened, possessive yet electrifying, while the other hand tenderly caressed your cheek, grounding you amidst the rising tension.

“God, I missed you so much,” he breathed into the kiss, his voice thick with desire. The warmth of his breath fanned over your lips, sending shivers down your spine.

“I missed you too,” you gasped, the words barely escaping as he began to trail kisses down your neck, each touch igniting a fire beneath your skin. His hand, once resting on your cheek, now slid down your body, fingertips grazing over your curves before venturing beneath your mini skirt, teasingly caressing your inner thigh.

“Did you really have to go away for a whole week?” you whined, your voice a playful mix of frustration and longing as you pulled his head up gently, your foreheads meeting in a tender connection.

“Trust me, I was dying without you,” he admitted, his voice warm, laced with sincerity. He closed his eyes for a moment, relishing the closeness and the feel of your presence. “Everywhere I looked, I saw you. Your laugh, your smile—they haunted me every moment.”

You felt a flutter in your chest at his words, a rush of affection mingling with the lingering tension in the air. “You have no idea how much I counted the days,” you replied softly, your gaze locked onto his. The truth of your feelings hung heavily between you, the longing palpable as you both shared the weight of the past week apart.

He smiled, his expression was a mix of relief and adoration, and you simply couldn’t help but lean in closer, your lips just inches from his. “I’m so happy I’m with you now,” he whispered, his breath a warm caress against your skin.

With that, he leaned in, capturing your lips in a slow, deliberate kiss that deepened with every second. You could feel his passion envelop you, as if he were trying to pour a week’s worth of missing you into this single moment. His hands moved to the back of your head, fingers threading through your hair and pulling.

One of your hand went to the desk to support you and hold you up while the other went to grab at his forearm which was wrapped around your waist.

“Ah, Eren, I needed to ask you one thing—” Edith’s voice drifted into the room as she walked in, eyes still fixed on a stack of documents, completely oblivious to the scene unfolding before her.

Your heart dropped, the pulse in your ears drowning out everything else. Oh no. No, no, no, you thought, the thrill of your stolen moment vanishing in an instant. You felt the color drain from your face as you registered the look on Edith’s face.

“Oh my—” Edith froze, her mouth slightly open as she finally looked up from her papers and saw the two of you—very much entangled, with you perched on Eren’s desk, your face inches from his, his hand resting a little too intimately on your waist.

Her face went through a series of emotions—shock, realization, maybe even a little amusement—before she stammered, turning beet red. “I’m… so sorry… I’ll, um, leave,” she managed, holding up her papers in some vague, futile attempt to block her view as she quickly backed out.

The door closed with an audible click, leaving you both in stunned silence. You exchanged a wide-eyed look with Eren, who broke into a guilty, lopsided grin.

“Well…” he murmured, scratching the back of his neck. “So much for keeping secrets.”

Fuck.

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[ssruis]

Wrt the people talking about the new set as fan service: my initial reaction was also “oh cute” & moving on, but after carefully reading the full arguments of the people who found it distasteful, I agree with their points. I’d normally link or post screenshots of the points made, but since the Prsk fanbase apparently is jumping people over this on twt I don’t feel comfortable doing that. To summarize and add some of my own explanation:

> everything in gacha games is fan service, which doesn’t have to necessarily mean it’s sexual - ode for the pure of heart featuring rui/touya (popular with female audience) looking very princely was fan service. The white day knight/fantasy theming is fan service (popular & well loved aesthetic). Fantasia squad was fan service for the players who like the male characters, etc etc.

> I don’t feel like arguing about all of the cards, so I’ll just point out what bothers me about the most egregious example (Rin’s card)

When considering art, you have to consider the deliberate choices the artist made, and what messages they are trying to get across with the atmosphere they have created.

Why choose the maid aesthetic? Why make these cards a player pov? Why choose framing that (using the grid composition, contrast and lighting from the window, the way lines direct the eye) makes the points of interest and emphasis Rin’s face *and* butt? Why choose that pose, with Rin looking over her shoulder, with a surprised expression and prominent blush? Why is the posing reminiscent of art of vintage pin up girls (or any other similar art movement)?

It’s male gaze. The answer is male gaze.

The male gaze is often just associated with overt sexualization, but that’s an overly simplified definition. The male gaze can also be portraying women in positions of servitude (most often within the home), emphasizing body curves (even through clothes), voyeuristic povs, emphasizing cuteness/demure-ness/shyness, etc. It’s about the (assumed male) viewer having power over the female subject.

Rin is cleaning, the light from the window heavily highlights her butt, the framing of window itself specifically draws the eye from her head to her back to her butt using contrasting colors/light/point of interest, the parallel lines in the piece direct your eyes down her body (Japanese audience, reading image from right to left). If the emphasis was on the action she is doing, rather than her body, the light source and brightest colors would be on the other side of the image, the duster would be brighter, as would the objects/set pieces she’s interacting with.*

Sexualization/male gaze isn’t restricted to the very obvious “woman sexy posing in a bikini” image, and having that viewpoint will only serve to limit the ways you understand art and artist intention. It’s similar to taking “all art is political” to mean “all art is either republican or democrat” and responding “well that’s stupid and you’re stupid.” You’re missing the point.

I’m a little disappointed the knee jerk reaction here seems to be “you’re wrong and you’re actually a freak who sexualizes minors for pointing this out” here, especially because the point of calling this out is to say that it’s distasteful to do a card like this for a character who is, despite not having a canon age, pretty much portrayed as younger than the main cast (making her 15 or younger).

Nobody is saying “this set sucks you can’t like it if you like it you’re problematic and project sekai should be cancelled forever”, it’s just something to keep in mind. You don’t have to agree with the argument, but acting like anyone pointing this out is insane isn’t fair or justified.

> also just as a side note: maid cafés have a pretty long history of sexualization, with the emphasis/appeal of having power over the workers and them being your servant while dressed cute. I don’t entirely think this set was going for a maid café look, but I do think it’s something to be mindful of.

> *it’s a little hard to articulate/explain this, and my knowledge on how much the average person knows about stuff like this is skewed due to my own education in art/art history/design/etc. If you find this confusing, I’m willing to explain more in detail and specifically point out what I’m talking about.

> I have a different post on the taisho/daisho romance elements, which is an entirely different discussion, so I’m not bringing that up here.

[bird-in-the-space]

Echoes of the Unknown

You save Miko from a risky situation and end up losing your patience with her.

Warnings: violence, reader getting annoyed, Miko giving bad name ideas, killing a con, an outburst, some regrets, and making up.

Chapter 13

-------------------------------------

A few days have passed and you have started to get used to your new life. You worked on the hologram projector with Raf, making great progress on it. He taught you more tech stuff and even agreed to teach you a few cybertronian things. Miko started calling you two nerds when you were invested in your little project. When you were not working on the projector, you would be helping Ratchet in the sick bay. He showed you the ropes, and whenever he was done, you would help fix things or clean his tools.

Today, Emily had to go back home to check on things, so you were alone with the kids and the bots. It wasn’t too bad since you had time to get to know them better. 

With Ratchet’s permission to use his tools, you worked on making your prosthetic fingers. It was challenging but with the things you learned and the parts, you had an idea of how to create the joins and make it detachable as you doubted you could modify your own hand without causing any nerve damage. 

You adjusted the finger joints and the straps you used to attach the finger between your two main fingers. You placed the tool down and looked it over, testing its mobility and density. You then grabbed a box and tested how well it helped you hold it. 

“Hey, not bad,” Raf complimented as he watched from the side. 

“Yeah. I guess this makes holding things much easier now. Maybe I could try making a little finger as well,” you said. 

“Not a bad idea, then you five fingers again,” he said.

You then heard someone come from the entrance. It was Bulkhead as he came back from his drive with Miko. The energetic girl stepped out of the passenger seat, allowing the bot to transform into his robot form. 

“What’s up geeks? Got anything interesting going on?” she asked. 

“Nothing much. (Name) managed to make herself a new finger,” Raf said. 

“Cool. Hey, maybe you could make new weapons and stuff? Maybe you could make one of those wrist blades or brass knuckles,” she suggested, throwing punches in the air. “Oh! oh! maybe you could make a cannon to blast cons away,” she said. 

“I just made a new finger. I’m not a weapon engineer,” you shook your head. 

“Oh, come on. Have some fun little?” Miko pestered. 

“By the way, we should come up with a bot name for you,” she said. 

“What’s wrong with my current name?” you asked with a frown. 

“Nothing. It’s just it's a human name. You are a giant robot now. So how about you get a cool robot name!” Miko said.

You groaned as she had been at it for a few days now. It was constantly about being a cool robot and doing cybertronian stuff. You would be lying if you said that you didn’t find it a bit annoying by now. 

“How about… Skullcrusher?” 

“No,” you shook your head. 

“Mauveine,” 

“That’s a color,” you said. 

“Metallica,” she threw in 

“Isn’t that the name of that one metal band?” you frowned. 

“Oh, now I got it. Mirage,” she said. 

“I think I am going to stay with my current name,” you stated. 

“Oh, don’t be so boring,” Miko whined. 

“Sometimes boring is good enough. Deal with it,” you said, taking out your finger. 

A loud beeping came from the main computer. You looked over as Optimus and the other bots checked out what their computer found. 

“The cons are active,” Arcee said. 

“Could be a false alarm,” Bulkhead added. 

“Whatever it is. It is worth investigating. “ Optimus said. 

“Autobots. Transform and roll out,” he said as they opened the ground bridge. They transformed and drove into the green vortex. 

After the ground bridge closed, you tried to get back on your project, but then you noticed someone missing. 

“Where’s Miko?” you asked. 

Ratchet, Raf, and Jack looked around but the girl was nowhere to be seen. 

“She was just here a moment ago,” Jack said. 

You were then reminded of what Jack said about Miko joining the missions despite the dangers. She disappeared right after the bots left through the ground bridge. 

“You don’t think she went after the bots?” you asked, glancing toward the ground bridge. 

“Well, it would not be the first time,” Jack said. 

Ratchet groaned loudly before contacting Optimus and the other bots.

“Optimus. Miko disappeared right after you left. Did she follow you?” he asked. 

“Negative. We are currently engaging the decepticons,” Optimus said. 

“I have eyes on her. Miko! Get to cover!” Bulkhead yelled as you all heard blaster fire in the background. 

You felt worried for Miko’s sake. 

“Scrap! They sound too engaged to get Miko out of there,” Ratchet said. 

“What should we do?” Jack asked. 

You considered your options. Ratchet was pretty much needed at the base. Jack and Raf would be too at risk to go get her. The bots were engaging the enemy and it would be too risky just to wait and hope for the best. There was only one option. 

“I could go get her,” you stood up. 

“Absolutely not,” Ratchet said strictly. 

“I’m not gonna join the fight. I stay hidden, find Miko, and come back,” You explained. 

“Are you sure?” Raf asked. 

“We could wait here and hope nothing happens to her. Besides I’m a robot now, I have the least chance of getting hurt unlike Miko,” you answered. 

You all then looked at Ratchet. He groaned with a sigh. 

“Fine.” he opened the ground bridge. 

“But you better be quick and stay out of harm,” He said as you turned toward the ground bridge. 

“Be careful,” Raf said as you ran into the vortex. 

You jumped out of the ground bridge as it closed behind you. You quickly hid when you saw the bots fighting the cons. It was violent as punches and kicks were thrown at each other. You looked around for the girl. However, you couldn’t see her. 

“Bulkhead! Where’s Miko?!” you called out as he was the nearest. 

“I told her to hide over there!” he pointed at rocks before continuing the fight. 

You quickly sneaked toward the boulders where Miko should be and soon enough, saw her watching the fight. 

“Miko!” you called out. 

“Huh?” Miko looked toward you, but then one of those vehicons noticed her. Your eyes widened in panic. 

“Miko! Get down!” you yelled as you ran toward the vehicon and tackled him to the ground before he could grab the girl. Miko yelped then watched as you started wrestling with the con. 

The vehicon was stunned but struggled hard against you. You groaned as you tried to push him down. He then tried to shoot you with his blaster arm. You tried to push it away but when he fired, you were forced back to avoid getting shot. The vehicon then tried to get up. You tried to think something then remembered you shared a similar body, which meant you should have a blaster arm as well. 

“Come on…” you tried to think of your arm as a weapon, and then a click happened and your arm turned into a blaster. 

“(Name)!” Miko pointed at the vehicon as it prepared to shoot you. 

You aimed and a blast came out of your blaster arm. You were thrown back from the recoil, however, your shot struck the vehicon right in the core, causing it to fall and lay on the ground motionlessly with smoke rising out of it. 

You both stared at the dead con in stunned silence. Your arm turned back to normal and you released a heavy breath. 

“Dude! That was so cool!” Miko said beside you. You frowned and then grabbed her into your hands. 

You ran away from the battlefield, returning to the spot where you first arrived. 

“Ratchet! I got Miko! Bring us back!” you said through the com and he then opened the ground bridge again. You ran into the vortex, away from the battlefield. 

Back at the base, after the ground bridge closed behind you, you placed Miko back on her feet. 

“Are you okay?” Raf asked when he saw you rub your head. 

“I’m fine,” you uttered annoyed. 

“Dude! That was epic! You totally scrapped that con!” Miko said excitedly. 

“You are tougher than you look,” she said. 

You looked at her. “You got to be joking you could have gotten yourself killed!” You said. 

“Well, it’s a good thing you came. You make one awesome bot, and I got some sweet pictures” she said like what just happened wasn’t a big deal. Your patience finally ran out. You had enough of her antics. 

“Are you fucking shitting me right now?!” you snapped. 

“Oh oh,” Jack said, covering Raf’s ears. 

“We were on an active battlefield just now and all you cared about was getting some dumb photos? Do you think this is some kind of a game?” you asked with anger in your tone. 

“Relax. It’s alright now,” Miko said. 

“No! Miko! It’s not!” you stepped toward her, causing her to step back and look at you with a bewildered expression. 

“We could have gotten ourselves killed! I did not want to be there, but one more second, and you would have been a goner for good. No second chances. Like, come on Miko! That was an actual battle zone! You could have actually died there!” you yelled, pointing at the ground bridge from where you came. 

“I…I…” Miko stuttered under her words. 

“How about you actually think with your head once in a while instead of trying to get dumb photos?!” You asked. 

“Okay. Everyone calm down,” Ratchet tried to de-escalate as he stepped forward. 

“(Name). How about you go outside for a moment? Cool yourself down,” he said. 

“For the record, Miko. I find none of this cool. My human body is gone. I can never return to my human life, so how about you stop with the stupid name suggestions,” you marched out of the hangar while Miko looked after you with tears in her eyes. 

“That was… intense,” Jack said. 

“I… I didn’t mean to,” Miko sniffed. 

“Calm down, Miko. Give her some alone time. She’ll come around eventually,” Ratchet said before returning to the monitors. 

Miko dried her eyes and quietly walked to the yellow couch where she continued to sit in silence. Raf and Jack looked at her with worry but did not know if they should try to comfort her after that outburst. 

The bots soon returned to the base after dealing with the cons. Bulkhead quickly walked over to Miko after seeing her. 

“Miko. Are you alright? You didn’t get hurt, now did ya?” he asked. 

“I’m fine,” Miko uttered. Bulkhead immediately noticed the sullen look and tone in her voice. 

“Hey, Miko. What’s wrong? Did something happen?” he asked. 

“Let’s just say… when (Name) brought Miko back, she kinda lost her patience and had an outburst,” Raf explained. 

“Yeah, she did not like the experience and apparently there was a con she had to scrap to save Miko,” Jack said. "I guess she also got annoyed about being a bot," he added.  

“I didn’t mean to make her that upset,” Miko exclaimed. 

Bumblebee beeped something. 

“Understand that (Name) did not become this out of her choice and that her condition is irreversible, which means she can never return to the life she once knew,” Optimus said. 

“Meaning she can’t go home or do human things anymore,” Jack said. 

“Maybe she actually misses being a human,” Raf added. 

“Whatever the case, perhaps giving each other time to think will help you both resolve this issue,” Optimus stated. 

Arcee looked toward Miko before her thoughts came to you. 

At the top of the base, you were sitting at the edge of the cliff, gazing at the view after releasing a few angry tears and thinking the whole thing through. You felt regretful for cursing out on Miko like that. 

“Hey,” 

You looked behind you and saw Arcee walking toward you. 

“Ugh… hey,” you replied, slightly awkwardly.

“I heard you had a blowout with Miko after bringing her back,” she said. 

“Yeah. I lost my patience. I shouldn’t have done that,” you sighed, holding your knee as your other feet hung from the edge. 

“No. I get it. Miko does tend to get herself into dangerous situations,” Arcee said as she sat down beside you. 

“Yeah, but I still shouldn't have blown up on her like that. God. I’m so stupid. I said some pretty nasty stuff to her, “ you said. 

“Don’t beat yourself over that. Miko is just how she is even though she could be more considerate of her own safety, and it’s completely normal to feel the way you did after saving her from a con,” Arcee comforted.  

“I really didn’t think much. When I saw that con trying to grab her, I just ran and tackled the con to the ground,” you explained. 

“It was a close call and her being so careless about it kinda pissed me off,” you said. “Now she probably won’t talk to me after that whole episode,” You uttered sadly. 

“Don’t overthink it. Everyone can get frustrated at times and need to blow up steam. And Miko is just a kid. Kids tend to do reckless things without considering the consequences,” Arcee said. “I doubt she thinks badly of you. You came to make sure she would come back safely and fought a con. Bulkhead already appreciates you for it,” she said. 

You considered her words. “You’re right. But… I think I still need to make up to her in a way,” you said. 

Arcee smiled with a nod. “ You know, you might look like a con, but you’re definitely not one from the inside,” 

You chuckled as you two then gazed at the view before you. 

Back inside the base, you walked up to Miko as she was sketching on the couch. 

“Miko,” you said, catching her attention. 

“I just wanted to say I’m sorry for my outburst earlier. The thing is I’m scared by this whole alien war thing, and I was really worried when that con nearly got you,” you said. 

“I’m sorry too. I know I can get a bit ahead of myself. Thanks for coming to my rescue,” she said. 

“It’s fine. Also… I kinda miss being a human. As a robot, there are now some things I can’t do anymore. Like I can no longer eat my favorite food. I can’t drink any of my favorite drinks, not even something as bland as water. I can’t run my fingers through my hair, and I can barely feel the wind on my face. I can’t even take casual walks outside to clear my head. Those seem like small things, but after a long time, you can’t help but grow to miss them,” you explained. 

 “I— didn’t really think of it that way. I can’t imagine myself never being able to drink my favorite soda again, “ Miko said thoughtfully. 

“I know right? Energon doesn’t really taste much and now it’s the only thing I need to survive. Being a robot might have been cool if it was temporal. However, I’m stuck like this forever,” you said. 

“(Name). I’m sorry,” Miko said. 

“No. it’s okay. There are some positive perks in being a robot,” you said. 

“Like what?” she said curiously. 

“You do not need to worry about getting a driver’s license. You can pretty much now climb and jump from any high places that would have gravely injured you as a human. And… well, you no longer suffer from periods,” you said. 

“Oh yeah, you’re right,” Miko grinned. 

“Periods?” Bulkhead looked confused. 

“What I wanna say is… well… don’t stop being you, but maybe be a bit more considerate of your safety. I’m pretty sure none of us here wants to see you get hurt,” you said. 

“No promises,” Miko teased, making you tilt your head at her. “But I promise to try,” she said. 

You smiled and then glanced at her book, having an idea. 

“You know, Emily has been talking about getting a new look for me. Do you wanna help us out on that?” you asked. 

“Absolutely! I can come up with the most rad colors ever,” Miko said, taking out her pencil and began drawing. She rambled ideas while you just listened, nodding along as she came up with interesting color design ideas. 

[sleeperton]

Can i request art of medkit as a little genq? I saw that you take requests and also said about drawing him ageregressing!! Hope its okay to rq!!

Of course it's okay to request! That is the main reason why I made this account haha! Don't be shy...! ^^

Hope you don't mind it's of his old design, I quite like the simplicity of it, and the colors are pleasing to the eyes-- especially when you're drawing an agere drawing of him hahaha

Sorry for leaving you all in the dark for a while ^^;; Sometimes stuff gets in the way of doing fun stuff and it sucks, but you keep going...!! I had multiple sketches for age regressing medkit sitting on my device for a long time, however I didn't reaaaaally know how agere roblox art looks like... Since the characters are very blocky and not very humanoid-looking in their appearance, I wasn't sure if I should draw medkit's multiple fan-made humanoid designs or his canon, blocky Roblox appearance.

Well, you can see that I have decided what direction I have decided to go towards... Though I don't mind being requested to draw his fanmade humanoid designs ofc :P

While i did specify in a comment that I'd reopen requests around December, I thought, 'Well, I'm on a roll! Might as well let others request while I'm on a drawing spree!' So...

Requests are open! Read pinned posts for extra info!

[clouseplayssims]

So, sim holidays.

I sat down and really focused on my mega list of things to do and implement in Edirann, and one of the bigger chunks was a functional holiday system. I plan on the general holidays being based on a mix of real holidays and sims-canon holidays, which are below the cut, and I'll be using this mod as my baseline.

But it did make me remember that I'd like religion traits, potentially with holidays of their own. My question there would be: is it possible for a trait (item in inventory essentially) to trigger pop ups at all? Like "It's x, time to begin morning prayer." etc.

Anyway, time for my rough drafts for holidays!

WINTER ---The Purge First Day of Winter Celebrate in home.

Clean all objects, place brooms outside every door, reset fields for spring. Said to purify the home and keep Our Lady of the Glitch at bay. In the evening set lighted candles at the front door.

---Winterfest ? Celebrate in home.

Sims should decorate their home, put up a traditional Winterfest tree in their front yard, and have a holiday meal. The king provides 1 butcher parcel of duck to all indentured and peasant families.

---Snow Flake Day & Bonfire Night Last Day of Winter Celebrate in home, the fields, festival grounds, and feasting grounds.

Give gifts to friends, neighbors, and family - apples, wheat and oranges favored. The king will also provide gifts. Ice skating, snow activities. Followers of Zeus should make promises for accomplishments for the year to come. Bonfires in the fields. Toast tress and crops with spiced cider. Decorate the home with evergreen boughs. Hang mistletoe above main door - it will also be hung in public spaces. Chop down tree on land and burn in small ceremony (yule log) with the mantle decorated with evergreen and dusted with flour. Keep fire going for 2 days. Common to set out gold pillar candles, wreaths, holly, poinsettias. Feasting grounds serves all who attend a turkey dinner and dessert.

SPRING ---Feast of Fools First Day of Spring Celebrate in the festival grounds.

A child sim is randomly selected as King For A Day.

---Love Day Third Day of Spring Celebrate in the field, festival grounds, and feasting grounds.

Traditional day to celebrate courtship and romance, as well as fertility and the first bloom of spring crops. Sims should send love letters, go on dates, and kiss under the mistletoe. Dancing is common, and a lucky woman will be crowned the Queen of Love & Beauty and hand out prizes. It's good luck to gather flowers on this day.

*Followers of St. Persephone should visit the grounds in hopes of creating a Luck Baby.

*Followers of Mara often marry on this day or propose. A child born on this day is considered a blessing from Mara.

---Flower Day ? Celebrate in festival grounds and feasting grounds.

A celebration of fertility and motherhood. All ladies wear flower crowns and hunt for colorful eggs. Men are expected to try and catch a live rabbit to bring good luck to their homes, presenting the rabbit to a sweetheart is considered the highest of regard. Stay up until midnight dancing and drinking around the maypole. Sims should also wake early the next morning to watch the sun rise. ( Traditional foods of the season include leafy green vegetables, dairy foods, nuts such as pumpkin, sunflower and pine, flower dishes, sprouts. Herbs and flowers of the season include daffodil, jonquils, woodruff, violet, gorse, olive, peony, iris, narcissus and all other spring flowers.)

SUMMER

---Leisure Day ? Celebrate at home.

Sims are to do no work on this day. They should spend the day relaxing, swimming, or exploring the festival ground. Many games are played on this day and the king awards ribbons and prizes to the winners of multiples tournaments like log rolling and axe throwing.

---Stendarr & Artemis Festival ? Celebrate at home.

Sims should do their best to earn a skill point or learn something new. Acts of charity are encouraged. This is the day before the first harvest and it is tradition to bake barley loaf on this day to eat.

---Humble Day ? Celebrate in festival grounds and feasting grounds.

The bones of St. Humble are moved to the festival grounds and displayed where they can be touched for luck before being returned to the shrine. (The custom of placing a cabbage on the doorstep of girls who had behaved imprudently through the year was a more novel method of social control. Regardless of the care they may have undertaken with their flirtations and indiscretions, they were surely to be found out on Mayday.) Foods traditionally served at this time include apples, grapes, crab-apples, pears, grains, breads and berries. Herbs and flowers favoured for the celebration include all grains, heather, blackberries and sloe.

FALL ---Harvestfest ? Celebrate in home and in fields.

Farming sims should take in their first harvest on this date. Other sims can symbolicly harvest in the royal fields. Cook a large family meal that all sims sit down and eat together. Socialize with friends and family. ( The Druids call this celebration Mea'n Fo'mhair and honor the The Green Man, the God of the Forest, by offering ciders, wines, herbs and fertilizer to trees. Symbols of Mabon include wine, gourds, pine cones, acorns, grains, corn, apples, pomegranates, ivy vines, dried seeds, tobacco, and horns of plenty. Herbs and foods associated with Mabon include acorns, benzoin, ferns, grains, honeysuckle, marigold, milkweed, myrrh, passionflower, rose, sage, Solomon's seal, thistle, vegetables, breads, nuts, apples, pomegranates, potatoes, carrots, and onions. )

*Followers of Kynareth sacrifice a small animal to the goddess.

---Spooky Day ? Celebrate in the home, field, festival grounds, and feasting grounds.

Sims should put out treats for friends and neighbors, paint faces with skull paint, and honor their dead. ( Bonfires were lit and fortune-telling were popular activities. Mask wearing was also part of the celebrations. The festivities were similar to those of Carnival, just before Lent, though on a smaller scale. There was much feasting, drinking and playing of games, as well as story telling and sometimes, plays. Cock fights, pig baiting and sport events such as racing, leaping or wrestling were other favourite activities. Food was plentiful right after the harvest. Meat, from the autumn slaughter of those animals that it was not possible to house and feed over winter, could be salted or smoked to preserve it, but sausages and other foods made from offal would not last long. They had to be consumed fairly quickly before they spoiled. It also was the day that marked the end of old contracts. Hired help moved on to new positions and there were farewell and welcoming banquets for them and the new staff.)

*Followers of Kynareth sacrifice a small animal to the goddess.

---Festival of Talos ? Celebrate in the field, festival grounds, and feasting grounds.

A large tournament is held and the best swordsman, archer, and fighter are provided places of honor at the feast and prizes from the king. ( This feast marked the sowing of wheat, the brewing of ales for winter and the preparations for the winter season. The feast of St. Michael and All Angels or Michaelmas fell about the time of the autumnal equinox. His feast was celebrated with a traditional well-fattened goose which had fed well on the stubble of the fields after the harvest. In many places, there was also a tradition of special large loaves of bread.)

LOCATIONS Festival Grounds Fields Feasting Grounds Humble Shrine

[things-arent-what-they-seem66]

Charlie: So we have to contact heaven, but who do we talk to?

Adam: Sera.

He spoke the name as if it was made of battery acid, leaving a bitter taste in his mouth. To think that he once considered that woman a mother.

Lucifer: Cross that bridge when we get to it.

Everyone had their ideas for what the Hellborns should look like. Of course they would have human disguises on earth but it was still fun.

There were a few things that everyone could agree on: They would have the color pallet of imps, red skin, black markings and black and white horns only they would have long curled ones for women and short ones for men. The eyes would be red and yellow. Have the standard starting height of 5'5 and up. Since they were going to be from Pride that was their main sin. They would be compassionate like Charlie yet take no shit like Vaggie.

They all had training in therapy, addiction issues, how to deal with violence and have the ability to sense when a human is a threat to others at the hotel.

Lucifer: That should do it. But regardless of what heaven says we will do this. We don't need their permission this is just a formality.

Lowkey want an au where Adam has Alastors' powers.

The tentacles

The eyes

The changing size

The shadows

The sass

The deal making

Him owning Husk and Nifty

The musical numbers

The radio control

The tentacles- have I mentioned that before?

The rivalry with Lucifer

Maybe he replaces Alastor entirely. No Alastor. Only Adam. It's always been Adam.

Thanks for coming to my tedtalk.

Only Adam lol This is good! His Husk and Nifty could be Lute and Peter.

He doesn't have to smile all the time does he?

Yessss, and he plays rock instead of jazz lol And yes of course there is a rivalry lol

[t-u-i-t-c]

as much as i like mira's different outfits i do wish she'd wear the outfit she wears in the intial promotional materials and in merch. it's one of my favorite looks and if they're going to put her in it in promotions i'd like to see her wear it more in the show.

[feelo-fick]

...i promise i take him seriously i just keep finding shitposts that fit soooo well... i have folder with just shitposts that fit ominously well with him that i keep wanting to draw and then i never get to them HAHAHA

[basslinegrave]

[gallusrostromegalus]

Zommari Reraux is quietly terrified by Tousen.

Not that the man has ever threatened him. If anything, Tousen was consistently polite, if not outright Congenial with him and the other arrancar, whether they deserved it or not.

It's the eyes.

Zommari relies on his eyes- he has hundreds and hundreds of them, taking in the world around him from every angle, keeping him safe. More importantly, when his eyes take in the world, they take the world into his heart.

That's why he calls his resurrection ability Amor- for him, to see the world is to love it. He loves Las Noches, the way the light of the moon and stars outside and the artificial sun inside dance in it's shimmering halls. He loves Hueco Mundo, the sight of the vast horizon of the desert expanding the horizons of his heart. he loves everyone he sees- how they move, their colors, the sight of thier faces! Zommari wishes he could take them all- take everything! And keep it in his heart, where it's safe.

He's downright gregarious for an arrancar, following his colleagues and superiors around, watching them with adoration- with Amor. He makes a point of trying to look all of them in the eye at least once- to see into their souls, to feel the connection- to keep some part of them safe in his Amor. Just in case.

So the first time he looks into Tousen's eyes is something of a shock.

"...It doesn't cause me pain, if that's a consolation." Tousen speaks up after a too-long moment of silence from Zommari.

"I- I didn't mean to offend, Lord Tousen!" Zommari yelped, stumbling back to the other side of the lift from the underground laboritories of Las Noches to the top of the dome. "I was just- you don't act like you're blind?"

"On the contrary, by definition I do!" Tousen teased, dropping back to rest on the elevators railing, perfectly aware of where it was. "Should I be groping for objects I've misplaced? Constantly searching for the furniture or running into walls?"

"I- I'm sorry. I've. I've never met anyone like- well. Missing senses aren't exactly adaptive for Hollows." Zommari muttered. "...What's it like?"

"Dark!" Tousen nodded cheerfully.

Zommari stared blankly.

"...Or so I'm told, at any rate. It's not like I have anything to compare it to- I've been as I am for as long as I can remember." He shrugged, waving his elegant hand evocatively. "Don't pity me- I can't miss something I've never experienced."

"You don't find it frightening?" Zommari muttered.

"Mr. Rereaux, I live like this." He pouted, disappointed.

"No, I mean- I can't imagine not being able to take the world around me into my heart! The light is- Even to those who can see, I can't explain it!" Zommari sighed.

Tousen was silent for a long time, face turned so his neutral expression wasn't quite pointed at Zommari. When he did speak, his voice was soft, small.

"...Perhaps my heart is too full of grief to let any light in."

"What do you mean?" Zommari asked, the chill of dread creeping up his spine.

"Do you know what Bankai is?" Tousen asked, voice light and pleasant with menace.

"It's um. Like a second resurrection?" Zommari tried.

"Imagine if the you that is you and the you that is your resurrected form could build a new psychic ability together- the shape of that mutual creation between you and your soul is Bankai."

"...Oh. Huh." Zommari hummed, still trying to parse the first part of the sentence. "What form does yours take?"

"Mine is a Senseless Void!" Tousen laughed darkly, then pointed his face up at Zommari with a grin that carried a sharper edge than Hallibel's teeth.

"-And I'm using 'senseless' in the most literal meaning. Anyone within is not just blind to light and reiatsu, but they are deafened, can't smell or taste or touch- you can't even feel your own heart beat! The sensation is as close to being dead as one can get without actually shuffling off the mortal coil!" he laughed, delighting in laying out the horror of it like setting the main course of a shared meal.

Dozens of Zommari's eyes had opened up without his permission to stare at the shinigami in horror. "That sounds like being in Actual Hell."

"Really?" Tousen smiled as the lift finally reached the roof and the gate pinged open. "I find it quite soothing!"

Zommari was pretty sure he set a new personal record for his Sondido getting the hell out of that elevator.

AEIWAM Question: What do the various Espada Think of Tousen? Follow-up question, will they, the bunch of dumbasses that they are (because Aizen made them for loyalty, not thinking), declare him their unquestioned leader once Aizen, Gin and Urloquia fork off to see the cosmic taffy pull (also presuming that Barrigan winds up face down in a ditch per canon)?

Bless you for asking this, I needed something to chew on. I'm going to answer these one at a time because the post would be insanely long, and how the thought of him Before the Battle of Karakura Probably:

---

Aaroniero and Arruruerie are SURE they've met before, and that they owes the man a debt of gratitude.

It's possible, they suppose. They have consumed and absorbed the memories of so many hollows that maybe they remember the face from a hollow he killed.

At least, that's what they hope is going on.

But they have Nightmares. Not of being pursued by Shinigami but of being the Shinigami in hot pursuit. Dreams of walking through a city, surrounded by humans that adore them. Names and Faces- Rukia and her dipshit older brother, Jushiro with the nice couch they sometimes pass out on after long nights- if Jushiro's husband wasn't already there. ...Memories, of meeting each other, and falling in love. How it felt as natural to look up to her as it was to gaze at the moon. How waking up to him felt as natural as the dawn. Memories of being married by Captain Ukitake, after Tousen had done them the inexplicable favor of organizing the whole party and acquiring wedding rings. He loves organizing things for people. Ukitake had smiled. Especially weddings. I just hope it's not guilt from the one he didn't get to. His husband had frowned.

That's impossible, of course. They know who they are, how they arose from the vile muck in the shadowy pits of Hueco Mundo. They never stood in the sun one late afternoon, to marry, not with how it burns.

...and yet.

There's no harm in being polite, right? They don't mind locking Glottineria in it's scabbard with an audible click when he comes into the room, to affirm lack of hostilities. Or giving him the cup of tea Aizen gives everyone at his insufferable meetings afterwards- it's not like they can drink it! ...And if sometimes, when they've been working late in the lab studying the effects and causes of Hollowfication, when Tousen gets tired and starts to call them "Kaien" and "Miyako"-

-Well, what's the harm in answering in the voices he expects to hear?

[sheepydwagondraws]

trying to figure out how to them,,, I think im on to something

[wandixx]

Halloween dress-up, let's go!!!

Assignment: "Dress up as ghosts".

Status: Yes. They're ghosts. Just really different types of ghosts