#their relationship is more complicated than i can like

[favefandomimagines]

loml (r.c)

SEASON 4 PART 2 SPOILERS!!!!

Request: @motherlanaenthusiast “So what if we do a Rafe x Maybank!reader where like maybe she was in morocco but she wasn’t with JJ when he died cuz she was doing smthn else so like they all have to break the news and that happens and then when like after when they’re back at Kildare Rafe like gets deja vu from s1&2 him because he sees reader going kinda crazy”

Summary: Rafe is the only person to save Y/N from a downward spiral.

AN: I will NEVER forgive the writers for this lol I went on a tangent with this one

The sun was blistering and casting a golden hue over the winding alleyways in Morocco. Rafe Cameron and Y/N Maybank moved through the maze of alleyways, their steps quick and purposeful, yet filled with a tension that spoke of something much deeper than their immediate surroundings.

Y/N was JJ Maybank’s twin sister, a spitfire with a wild heart who had once been the center of Rafe’s secret world. The two had shared a tumultuous fling, a secret affair that had started four years ago under the cover of darkness and ended just as abruptly. It was a relationship neither had ever fully acknowledged. Rafe was a Kook, while Y/N, like her brother JJ, was a Pogue, tale as old as time.

The shop was quiet, the group off to Charleston to follow the next clue. Y/N stayed behind to wait for her brother after he had wandered off “running errands.” The bell above the door jingled, and the soft sound broke through the silence.

Y/N was leaning against the counter, staring at her phone screen, scrolling through all the unread text messages to her brother.

"How can I help you?" she asked absently, not looking up from her phone.

She looked up and her breath got caught in her throat, the smile on Rafe Cameron's face grating against the air. He stood at the entrance, hands tucked casually in his pockets, a smirk playing at the corners of his lips.

"What are you doing here?" she asked, keeping her tone even, though the familiar tension in her chest began to build. She’d never been able to shake the feeling of unease around him. Not since everything went down with Pope, the fight that ended whatever it was they had.

"Can't I just stop by and visit my local surf and bait shop?" Rafe said, taking a step inside, his eyes glinting mischievously.

Her eyes narrowed slightly. "You looking for Sarah?"

He shrugged nonchalantly. "Actually, yeah. I'm looking for Sarah."

She shook her head, setting the phone down with a soft click. "She doesn’t want to talk to you."

Rafe raised an eyebrow, the smirk still in place. "I think I can have a chat with my sister whenever I want."

"Not if she doesn't want to talk to you." Her words were firm, but there was a slight quiver in her voice that betrayed her more complicated feelings.

Rafe’s smirk didn’t falter as he took a few more steps forward, closing the distance between them. He placed his elbows on the counter, leaning in closer, the sudden proximity catching her off guard.

"I'm sorry about the drama at the beach the other day," he said, his voice lowering in an almost sincere tone. "With Ruthie and the turtles."

She didn’t respond right away, trying to keep her emotions in check. She could feel the weight of his words, but it didn’t change anything. Rafe was sorry—sorry for the mess he had created, maybe, but never for the things that had truly mattered.

"Don’t act like you care, Rafe," she replied, her voice steady despite the knot tightening in her stomach. "You only care about how things affect you. And I guess now Sofia."

He stared at her for a long moment, his gaze growing intense. The years of tension between them seemed to hang in the air, unresolved and unspoken. Then he said, his tone soft but firm, "We used to be so close, Y/N. What happened?"

She sucked in a breath, trying to push down the anger, the hurt, the past. "The drugs happened," she said slowly, her voice low. "Ward happened. Your anger happened."

His eyes darkened for a second, his jaw tightening. He opened his mouth to say something, but he closed it just as quickly. After a long, weighted silence, he took a half step back, his expression softening, just a little.

"I’m on your side, you know," he said quietly, the words almost a whisper, as though they were too important to rush. "I always have been."

The words hung between them, charged and heavy with meaning. She didn’t know what to say to that. She hadn’t known what to say to Rafe since the day he’d walked away, leaving everything torn apart in his wake.

Before she could respond, Rafe straightened, brushing his hand across his forehead as if clearing his thoughts. He turned toward the door, his back to her now. "I’ll be seeing you around," he muttered over his shoulder, the door swinging open as he left without another word.

Now, as they weaved through the ancient Moroccan city, they were older, scarred by the years of treasure hunts, betrayals, and broken friendships.

“Something doesn’t feel right,” Y/N said, stopping suddenly, her dark eyes scanning the shadowed alleyways. She had always been the one with the sixth sense, the one who could feel trouble like a storm on the horizon.

Rafe turned to her, his brow furrowed. “What do you mean?”

But before she could answer, they heard Kiara’s voice, shrill and desperate, cutting through the noise of the bustling market.

“Y/N! John B! Pope!”

Y/N’s heart seized in her chest, and without another word, she took off in the direction of Kiara's cries, Rafe hot on her heels. They rounded a corner and found Kiara kneeling on the cobblestones, her face pale and streaked with tears. And lying there, motionless, was JJ.

“No, no, no,” Y/N whispered, her voice breaking as she fell to her knees beside her brother. Her hands trembled as she reached out to touch JJ’s face, his skin already growing cold under her fingertips.

“JJ, please,” she begged, her voice cracking, tears streaming down her face. “You can’t leave me. You promised.” She cried.

But there was no response, no flicker of life in those familiar blue eyes. It felt like the world had been ripped out from under her, like the ground had opened up to swallow her whole. Rafe stood behind her, his face pale, his fists clenched at his sides.

The group stood stunned, no one wanting to be the one to move. But they were in a busy, bustling city with a dead body. People would ask questions. “W-We have to get him out of here.” John B stammered. He moved to reach for Y/N, attempting to pry her off of her brother’s body.

Y/N fought against him, muttering things like ‘I’m not leaving him’ or ‘he can’t be alone.’ Rafe takes over for John B and has to use his strength to pull her up to her feet. He held her in his arms, close to his chest to avoid having to see her two best friends moving her brother.

At that moment, all he could really do was hold her.

||

Months had passed since that horrible day in Morocco, but for Y/N, time had ceased to exist. She was back in Kildare, but it was as if she was still stuck in that dark alleyway, kneeling beside her brother’s lifeless body.

Sarah Cameron was heavily pregnant, as she prepared for the birth of her first child with John B. It was supposed to be a time of joy and new beginnings, but the shadow of JJ’s death loomed over them all.

Y/N had fallen into a downward spiral, her grief consuming her. She drank herself into oblivion every night, stumbling through the streets of Kildare like a ghost. She would disappear for days, only to be found passed out on the beach or in the hammock outside her house. The Pogues tried to help her, but she pushed them all away, lost in her own pain.

Sarah had told Rafe about Y/N, how she was drowning in guilt for not being there when JJ had died. The words had hit Rafe like a punch to the gut, reminding him of his own spiral years ago, before his father had dragged him into the hunt for the Royal Merchant’s gold.

He couldn’t let that happen to Y/N. He wouldn’t. He loved her even if he couldn’t admit it.

So he found himself standing on the porch of the Maybank house, staring at the peeling paint on the front door. John B’s van was parked out front, and Rafe assumed he was there trying to talk some sense into Y/N.

A part of him thought ‘oh John B is here, I can come back later.’ But he couldn’t walk away, not this time.He’s walked away from her too many times.

He knocked, the sound echoing in the stillness of the early afternoon. John B opened the door, his face drawn and tired. “Sarah’s not here.” He told Rafe. “I’m not here for Sarah. I’m here for Y/N.” Rafe answered.

“She’s not doing well, man,” John B said, his voice low. “We don’t know what else to do. I think... I think she feels guilty for not being with JJ when it happened.”

Rafe nodded, his jaw tightening. “Let me talk to her.”

John B hesitated but finally stepped aside, letting Rafe through. The house was quiet, a stark contrast to the chaos that had always surrounded JJ.

Rafe walked down the hall to Y/N’s bedroom, the same room he used to sneak into all those years ago. All of the memories came flooding back as he stopped in front of the door. Nights that ended tangled up in her sheets. Other nights where she just wanted to be held after a fight with her dad.

Rafe pushed the door open to find her cocooned under the comforter, a bottle of vodka sitting on her nightstand.

“JB, please go away,” she mumbled, her voice raw and hoarse. Rafe assumed from a mixture of alcohol and crying.

“Not John B,” Rafe said softly.

Y/N stiffened, slowly emerging from under the covers, moving to sit up against her headboard. Her eyes were bloodshot, her face pale and gaunt. She looked like a shadow of the girl he once knew.

“What are you doing here?” she asked, her voice barely more than a whisper.

“I’m worried about you,” Rafe said, moving to sit on the edge of the mattress.

“Apparently everyone is,” she muttered, her eyes flicking away from him.

There was a heavy silence, the kind that was filled with all the things they had left unsaid for so many years. Rafe took a deep breath, trying to find the right words.

“Y/N... I know what it’s like to lose yourself,” he began, his voice steady. “I know what it’s like to drown. I was there once, you know that. Hell, I’m still trying to crawl my way out.”

She looked at him, her eyes filling with tears. “He was always afraid to be alone, and I left him alone,” she choked out. “I should have been there. I should have protected him.”

Rafe’s heart broke at the raw pain in her voice. “You can’t blame yourself for what happened, Y/N. JJ wouldn’t want that.”

“How would you know?” she snapped, her voice rising. “You never cared about him. About me.”

The words were like a slap in the face, but Rafe took it, knowing she was lashing out from a place of deep hurt. “You’re right,” he said quietly. “I didn’t care about JJ, and I pushed everyone away. But I always cared about you. And I don’t want to lose you to this, Y/N. I can’t.”

“I’m not your responsibility, Rafe.” Y/N muttered. “No but you’re the person I love.” Rafe replied. “You can’t say things like that.” She practically snapped. “Why not? You used to beg me to tell you how I felt and I finally am. I’m sorry it came so late and it’s happening because of this but I’ll be damned if another person I love gets hurt because I didn’t do anything to stop it.” Rafe told her.

She stared at him, the anger draining from her eyes, leaving only exhaustion. “I don’t know how to come back from this,” she whispered.

“Let me help you,” Rafe said, his voice breaking. “Please. Let me be there for you. You don’t have to do this alone.”

There was a long pause, and then, almost imperceptibly, she nodded. It was a small gesture, but it was enough.

“I’ll try,” she said, her voice trembling. “I’ll try to get better.”

“And I’ll be here,” Rafe promised, reaching out to take her hand. “Through it all. I’m not going anywhere.”

||

A year had passed since that day in Morocco. The sun was shining over the Outer Banks, the salty breeze carrying the sound of laughter and the distant crash of waves. The Pogues had gathered for a special occasion, a day of celebration and new beginnings.

Sarah and John B’s son, Jackson, was turning one today, and they were throwing a beach party in his honor. Y/N stood on the edge of the gathering, watching as Sarah bounced her son on her hip, his tiny hands reaching for the birthday cake.

Y/N was sober, clear-eyed, and for the first time in a long time, she felt like she could breathe again. She had fought her way out of the darkness with Rafe by her side, and though the pain of losing her brother would never fully fade, she was learning to live with it.

Rafe approached her, a soft smile on his lips. “You doing okay?” he asked, his voice gentle.

She nodded, turning to look at him. “Yeah, I think I am.”

He wrapped his arm around her shoulders, pulling her close. “I’m proud of you,” he whispered. “For everything.”

She leaned into him, letting the warmth of his embrace chase away the lingering shadows. “Thank you,” she said softly. “For not giving up on me.”

Rafe smiled down at her before she moved up on her toes and kissed him sweetly. “I love you, Rafe.” She spoke quietly. “I love you too.” He replied.

They stood there together, watching as their friends celebrated a new chapter of their lives, a chapter filled with hope and healing.

For the first time in a long time, Y/N believed that maybe, just maybe, everything was going to be okay.

[jessica-problems]

Les Femmes Damnées: Fuck! Marry! Kill!

Invent a lesbian. Roll 4d6 or pick:

Invent 1-3 more. Relationships between every pair start with 1d6 passion and 1d6 trust. 

Each turn, roll 2d6 for each woman's behavior(see table). Pick who she impacts, adjust their relationship stats accordingly. (Or spend 1 trust to reroll.) Journal the results.

At 15+ Passion: If Trust is 0 or less: Murder Attempt. Whoever has more trusted allies survives & gets -2d6 trust with the other’s allies. If Trust is greater than 0: Marriage. When one cheats, she gets -1d6 trust with her wife. Play until everyone’s dead or married.

Author's Note: I'm really quite proud of this one. Earlier drafts were titled Bad Women Kissing Each Other, and I still can't decide which name I like better. "Invent a lesbian" is possibly my favorite way I have ever introduced the rules of a game. Game length does significantly increase as you add more lesbians. Each additional woman effectively doubles the amount of numbers to keep track of. In playtesting, we found that 3 lesbians was a good sweet spot. I had a whole lot of fun iterating on this idea, figuring out how to express complicated passions in such a tight word count. I'm actively choosing not to spend more time fine-tuning the resource economy. This was supposed to be a fun quick thing and I've already spent almost a week on it. I'm quite proud of how much storytelling I was able to pack into what is basically "roll on this table over and over again". If I had just a few hundred more words, I think I might be able to turn this into something really special.

I also want to thank several very helpful playtesters: Misty, Chills, Neither.nor and Crox, who all gave very good feedback and suggestions. Misty also came up with the *excellent* subtitle. It captures the entire arc of the game in three words.

Counting by hand, and the word count on google docs, both put this at exactly 200 words, including the charts. And I like to think this game uses every one of them to the fullest. The 200-word-rpg official counter puts this at 224 words. As far as I can tell, the difference is in how it divides up math expressions. You have my permission to archive this game offsite. Anyone who wants to also has my full permission to hack this, remix it, or do whatever they want with it. You could get a whole lot of mileage out of just changing the words in the first table.

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

[mya-valentine]

Can I request a fem! Reader x Kinich and ororon separate (can be headcannon or fic) at the hot springs please?

Headcanon: Going to the Hot Springs with Kinich and Ororon

A/N: Can't wait to pull for Ororon

Kinich

Kinich doesn’t make a big deal out of the trip, but he makes sure you have everything you need. If he sees you forgot a towel or water, he’ll place it beside you without a word, acting like it was just common sense.

Even in a relaxed setting, Kinich is vigilant. He’ll subtly position himself so he’s between you and any strangers at the springs, always keeping an eye out for anything that might disturb your peace.

When you express excitement about the springs, he smirks and raises an eyebrow. “You’re acting like it’s a life-changing experience,” he’ll say dryly, though his tone is softer than usual. His subtle smile lets you know he’s enjoying seeing you so relaxed.

Kinich isn’t the type to get too affectionate in public, but he’ll lean back in the water close to you, resting his arm along the side of the spring where you’re sitting. To anyone else, it might look casual, but to you, it feels like a reassuring, silent expression of affection.

If the water gets too hot or you look tired, Kinich suggests taking a break, his voice laced with a rare hint of concern. “Overdoing it isn’t relaxing,” he says plainly, but the careful look he gives you tells you he’s just looking out for you.

He appreciates the peace and quiet, and there’s something calming about simply sitting together in the hot water, watching the steam rise. Kinich finds these silent, tranquil moments to be the perfect way to share time with you.

Ororon

Ororon has an unusual relationship with comfort and peace due to his life’s challenges. When you suggest the hot springs, he’s hesitant, more out of unfamiliarity than disinterest. He’s a bit reserved, unsure if he can allow himself to relax, but he’s curious because it’s something that seems so natural to you.

While you settle into the hot water, he studies the surroundings and observes you quietly, intrigued by how easily you relax. His watchful eyes follow every small shift of the water, every bead of steam rising, as if he’s learning a new ritual.

Given his reserved nature, Ororon isn’t overtly affectionate, but he’s deeply attentive. He’ll find subtle ways to ensure you’re comfortable—quietly passing you water, adjusting your towel, so on and so forth (Granny Citlali raised him right 😌)

In the quiet, tranquil atmosphere, Ororon is more vulnerable than usual. He might quietly open up, sharing fragments of his past, his connection with the Wayob, or even his complicated sense of purpose. The calm of the hot springs helps him shed a bit of his guarded exterior, allowing glimpses into his inner world.

Even in such a relaxed setting, Ororon’s protective instincts linger. He keeps an eye on anyone who comes near and instinctively positions himself to subtly shield you. It’s his way of ensuring your peace and safety, a small part of his life mission to protect those who matter to him.

Ororon rarely expresses enjoyment openly, but the longer he spends with you in the warm water, the more he relaxes. He closes his eyes, a faint, peaceful smile appearing as he lets the warmth ease his tense muscles. He might murmur softly, almost to himself, “It’s… different. But… nice.”

.

.

.

Masterlist

[bonefall]

bones. bones they made moonpaw a schizophrenia and plurality stereotype. bones. bones help us

OH NO IS THAT WHY THERE'S 16 MESSAGES

I TURNED MY BACK FOR 5 MINUTES GREAT GOOGLY FUCKELING MOOGELY

I still have to finish reading Star (you have to forgive me for being a capital G Gamer who's been uber distracted) to gather together my final fair assessment, so I can start putting down the fragments for BB!ASC. But I WILL tell you this;

The whole Moonpaw Discourse from a couple of months ago really opened my eyes to just how pervasive intersexism and plurality stereotyping is, even in this space.

Not all of it is malice-- like many other cultural biases, people often just pick up negative stereotypes passively and don't realize they reflect poorly on real people. "Scary evil head voice" is one of them. Yes, intrusive thoughts exist (they are something I deal with), but it's about the snap, subconscious association between "voice in head" and "mental torment."

As the case and point; Look at how FAST the fandom conversation changed when the team first teased it. What was a fantastical, equal parts sincere love and horror exploration of shipping a cat with a magic pool morphed. Overnight, The Voice was an abusive thing, an expression of a dead baby who wanted to live, or a reincarnated monster, or another evil Ashfur-esque posession spirit.

Something bad, malicious, unwanted. By contrast, the voice of the moonpool was mostly portrayed as a supernatural yet good thing. Genuinely asking her for help.

(Part of me also ponders the religious angle of it. "Voices in my head" that come from God are generally much more socially acceptable than "Voices in my head" that come from the self. Regardless,)

So, as always, I Don't Rewrite Arcs Until They Are Done (I DRAU TAD, if you will), BUT... I know for certain that I will want to subvert this.

If Canon!Moonpaw must be a system, and we're all ready to buckle up and bunker down through how the Erins handle this one, then for BB!Moonpaw I'll try to do the same. But for my portrayal, I want to write her relationship with her headmate to be generally positive. Or at least more complicated and multifaceted.

One idea in particular I like is the thought that she absorbed a twin... but writing it as a chance the twin GETS to live, NOT a life denied. Death would have claimed them if they didn't become part of her. So, they love her-- of course they do. They're two souls with one heart.

The specifics will have to come with time. I need to see how her plurality impacts the plot, the overall story being told, plus wait to assess the criticisms that real systems and fusion chimeras in our fandom will have. But I can say with certainty that I would like to attempt my redux with the sad truth in mind that headmates in media are almost never approached as non-malicious. I'd like to do what I can to make a difference.

[leupagus]

On Taash

I think one reason people keep pretending that Taash's character is badly-written is because they remind them of what they were like as a young adult: blunt, convinced that they were always right (and everyone else was stupid), and flailing around for an identity that didn't hurt. That often makes for an unpleasant person to be around, and someone who at times is even unlikable. But we never see the beam in our own eye while discussing the splinter in someone else's, so I think there's a certain degree of "well I certainly wouldn't yell at my mom like that!" (You would, honey. You would.)

IMO, Taash is one of the best-written companions in Veilguard precisely because they are thoughtless and callous and blow up at people for no reason at times. They're trying to figure their shit out! They got voluntold to work with the Veilguard without any warning, under a leader who's a complete stranger and alongside people she's never met and often has fundamental conflicts with. They've got an extraordinarily complicated relationship with their mom, who gave up her entire life and culture and place in the world out of love for them, but who withholds approval in a way that so many of us can relate to. They're confronting the wrongness of their old gender expression (woman), then embracing a new one (nonbinary) almost as soon as they learn about it—which is how a LOT of identity works, remember? Remember learning the term "trans" or "bisexual" or "genderfluid" and thinking oh shit that's me? It's relatable, but it's still uncomfortable as hell. Considering all that Taash has on their plate, including hiding a fundamental aspect of who they are (their dragonbreath), it's a wonder they're as stable as they are.

As for the conversations about their identity that people are claiming are "cringe" or "unrealistic"—my babies, I have listened to more people talk through their gender and sexuality journeys than you've had hot dinners, and let me tell you they often sound a LOT like Taash. That's not a bad thing! But it's like learning a new language—or heck, joining a new fandom—where you use the unfamiliar terms in clumsy ways and want to talk about it all the time, even to people who aren't fluent. (Taash talks about other shit too; yes, a lot of their quests touch on their gender, but a lot of them don't and frankly expecting someone who's only just figured themselves out to not talk about it is...kind of cruel. Of course Taash isn't a real person, but man I hope you people complaining about how often you have to "deal with" Taash's gender conversations don't have any friends who have trusted you with those conversations.)

Taash is extraordinary in so many ways—the way they talk to Spite directly like a kid who needs firm boundaries; the possible romance they have with [spoiler]; the nuanced and emotional way they talk about dragons; the way they care for birds and refugees and anyone else in their orbit, if they're allowed to. They are one of my favorite companions (although right now it's kind of a seven-way race between all of them), and I have snort-laughed at more of their lines than any other companion by a country mile.

It's just a shame that so many people saw a reflection of the more grating parts of their own personality and so decided that Taash is badly-written, instead of considering the possibility that they are simply badly-heard.

[leo-artista]

There are some things I've been thinking about in regards to Stan and Ford and their relationship with guilt that I don't really know how to express so I'm just gonna ramble about it here bc I need to get this out of my head somehow

Okay, so, Stan's one defining trait is that he feels guilty All The Time about a lot of stuff, and it's kinda what motivates most of his actions. The whole reason he spent 30 years working on the portal is because he felt guilty about accidentaly shoving Ford into it, and you could even argue that it's what leads him to sacrifice himself in the finale (which is actually very depressing if you think about it for too long)

Meanwhile Ford is... a bit more complicated. He does feel guilty, especially about being the reason the portal was made. But I think he also tries to shove guilt and other feelings aside in pursuit of what he thinks is more important- achieving his goals, studying anomalies, stopping Bill, etc, and therefore he doesn't really leave a lot of space to actually feel or process it, and I think it's the reason he can come across as egotistical and uncaring a lot of times

So because of this, I like to think that after weirdmageddon happens and they reconcile, there's a bit of a role reversal between them- Stanley's more at peace with his mistakes now that he's been forgiven, and he's not feeling as much self-guilt as he did before (although it still hasn't gone away completely), but now the one who's forced to come to terms with his guilt for his actions that directly or indirectly hurt other people is Ford since he didn't do that before, because he was more focused on other things and wasn't very self aware. And maybe he struggles with it, trying to make up for not being the best brother/friend he could have been to the people he cares about, thinking of how many chances he had to change and be better but chose not to because he was too self centered- and I think if it came to that, it would be Stanley who would help keep him grounded and prevent his self-blaming from spiraling out of control, because he knows better than anyone the kind of road that line of thinking leads to

Idk man I just like imagining how they would cope with shit like that- Ford making an effort to be more sensible and empathetic to other people's feelings and trying harder to show how much he cares, Stanley learning to not beat himself for his own mistakes after seeing his brother do the same thing and helping Ford understand that not everything was his fault and that circumstances also played a part in how everything turned out- idk I just feel like it would be something interesting to explore

[mothiir]

writing proper fic still eluding me so here is a list of how i think the primarchs would respond to their sons trying to romance human women:

Sanguinius - he isn’t thrilled about the idea, not because he thinks that love and romance is a bad thing — quite the opposite — but because he knows the tragic fate many of his sons will suffer. What human woman can survive the tribulations of the red thirst? How many of his boys will end up tearful and repentant after their control slipped, and they hurt the human they love? Mortals are so fragile — it is better to act as their guardian than their lover. Still, if he were to find out that one of his sons was seeing a mortal, he would simply gently suggest that the son in question take every proper precaution — ultimately, the choice must belong to them.

Vulkan - yes! great idea! Please do have relationships with humans - have children, rear families. When the time comes for them to pass, mourn them, but celebrate the life you were blessed to share with them. You cannot call yourself the protectors of humanity if you do not partake in it. Salamanders live amongst their human families, and relish in the kinship and love this brings them. Vulkan has given away many a Salamander in marriage.

Ferrus Manus - sex is self-indulgent nonsense. Be better. He is not the sort of man to give his sons relationship advice — nor are they the type to ask it — so he never makes an official proclamation against having mortal lovers, because Iron Hands are far too sensible to even consider it (rumours that they replace their dicks with ceramite remain unaddressed).

Horus - The Luna Wolves are — uh — enthusiastic about their involvement with humanity. Unlike Vulkan, Horus discourages lengthy attachments — have a fling if you must, have several (don’t let those flings find out about each other), but don’t try and settle down. Luna Wolves are soldiers, designed to conquer distant stars in their father’s name. One day, they will be able to plant roots in rich earth, and rear sons of their own. But not now. Not yet.

Leman Russ — Humanity is a beautiful thing, and its daughters are more beautiful yet. Leman doesn’t begrudge his sons their dalliances, nor does he discourage them from wedding — he just asks that they remember that their first duty is to the Allfather, and the pack. As long as they don’t get any ideas about sneaking off somewhere to retire, everything is fine. Russ welcomes his son’s wives to his fires — and, if they’re amenable, to his furs.

Fulgrim — much like Sanguinius, Fulgrim has complicated feelings about human women. He’s been married four times, loved each wife dearly, and had to watch them die of one ailment or another. He wants to spare his sons the torment he felt, but he also doesn’t want to deny them the full range of human experience. He ends up encouraging them to cultivate an artistic appreciation for romance — a sort of courtly love, where they paint pictures of the woman they like, and write poetry, but never actually engage in anything too direct. If he keeps their love aesthetic and sterile and distant then maybe they can avoid the heart-deep pain that comes from watching your lover perish.

The Lion - are you kidding me? His sons don’t even want to admit that they know what a woman is, just in case he somehow takes it as an insult and they end up banished.

[gabessquishytum]

It’s been like. Five whole minutes since I’ve turned fun sex things into hurt/comfort. So. :)

human au, when Dream and Hob get together Hob thinks Dream has a run-of-the-mill oral fixation. He always seems to want to suck Hob’s cock, warm his cock In his mouth for ages, when they have sex he insists he wears some kind of gag.

The truth is though… it’s not that Dream doesn’t like those things, but that’s not why he does it. He’s just very insecure about any noise that could come out of his mouth.

People always tell him how awkward he is and that he can barely hold a normal conversation (he has no idea how he landed people-person, charismatic Hob) so he’s certain he’d fail at dirty talk. And his laugh is so ugly, surely any moans or noises he makes during sex would be equally awful. And of course, his worst nightmare is getting caught up in the moment and letting an “I love you” slip FAR too early in the relationship than is acceptable. There is simply no way anything good could come from his mouth (ever, but especially during sex) so he deals with it by keeping his mouth occupied.

I can’t decide how Hob figures it out- if he puts all the pieces together during sex or foreplay, or if it somehow comes out during a more domestic moment. Either way, he insists on ravishing Dream with his mouth free and uncovered so he can hear every lovely sound he makes (and prove that he loves his silly boyfriend no matter what).

-🦇

We love the hurt/comfort smut here!!!! Hell yeah!!!!

I have a certain idea about how Hob finds out about Dream’s whole complicated relationship with his own vocality. It all comes out when Dream, quite suddenly loses his voice altogether. He gets a little bout of laryngitis during flu season, and while he's not super sick, he also can't speak. He's reduced to texting and writing little notes while Hob fusses over him and makes him plenty of nice cups of tea.

During his illness, Dream is visited by his sibling Desire. Hob has never met them before, but honestly he's more focused on Dream than anything else. He has a vague notion that the two siblings don't exactly get on, however, and this becomes apparent when Desire makes a series of quips about what a relief it is to have Dream silenced. If only he would be quiet all the time! He's so much more bearable when he's not making any noise.

Hob clocks Dream’s face during this series of bad jokes and all he sees is... resignation. He realises that Dream believes Desire's cruel words. Everything starts to make sense.

After the laryngitis passes and bedroom activities are back on the menu, Hob cautiously broaches the fact that he really doesn't want Dream to be gagged this time. He doesn't want him to muffle his face in the pillow, either. He'd quite like to have some very boring and tender missionary sex, and he'd like to hear Dream’s voice and his noises the whole time.

Unfortunately for Dream he's in love, and he can't deny Hob anything, let alone something so sweet and pure. He's sure that Hob will be disgusted by his noises, but he agrees anyway. Maybe Hob will forgive him for being so loud, if he behaves himself well in other ways...

In reality Hob is the one making the most noise because he absolutely sobs his way through the sex. Hearing his sweet Dream's pleasure for the first time is so overwhelming and almost spiritual, he can't help but cry. There's a long way to go, but Hob is determined: he's going to make sure that Dream is never silenced again. Hob wants to hear everything that comes from his beloved's mouth - especially if its an "I love you!"

[ghsface]

Not sure if you are taking request but can we get an angst with Matt where like reader and him are dating for years but recently comments have been getting to her or people have been following her home and eventually she decideds to break up with Matt but Matt takes things to in his hands where he’s tells ppl to stop and they get back together?(Lol sorry if it didn’t make sense but thank you)

𝜗𝜚 new messege .ᐟ.ᐟ

Hey gorgeous, I really liked this idea, I hope you like it too.

You are the only thing I want - Matt Sturniolo

Sumary: You and Matt had a secret relationship and when you decide to make it public everything goes wrong...

Warnings: angst hate messages towards reader, this is just angst with a happy ending

A/n: Leave me ideas to write in my inbox because I'm running out of ideas. I'm sorry if something is misspelled or not understood. My first language is not English. By the way, what do you think of my new theme, in my opinion, it's very cute like the baby pink and light brown. 🩷🧸

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It had been exactly fourteen months since the first time you and Matt kissed. You hadn't imagined then how important he would become in your life, nor that being with him would be so complicated. Because, although you adored each other and the bond between you grew every day, that relationship had to be kept secret. It was a mutual decision, made for practical reasons. At first, the thrill of secrecy made everything more exciting. But now, you both felt exhausted.

You had spent too many nights talking secretly in the car, dates arranged down to the last detail so as not to be seen, or moments of solitude where, instead of shouting to the world how much you loved each other, you had to hide it like a forbidden secret. The situation was starting to weigh on you.

That night, you were on the couch at Matt's house. He was holding you, and your head was resting on his shoulder while you felt his fingers playing with the strands of your hair.

"Aren't you tired of this?" he asked quietly, breaking the silence.

You raised your head and looked at him, searching his eyes for what he really wanted to say.

"What are you talking about?"

"About having to hide… about not being able to tell anyone how amazing you are." Matt smiled, but his eyes reflected a sadness that you shared.

"Of course I'm tired. Sometimes I wish we could be a normal couple".

"Then let's do it", he suggested, giving your hand a squeeze. "Let's make it public. I don't care what others say. I want to be with you, and I want everyone to know it."

The idea made you feel butterflies in your stomach. The love you had for Matt was bigger than any fear, and the fact that he was willing to share your relationship with his fans made you feel special. You decided to announce it on social media.

When Matt uploaded the first photo of the two of you together, you felt a mix of excitement and nervousness. The image showed an intimate moment, a selfie of the two smiling on the beach, with the sunset in the background. The caption was simple but powerful: “Over a year together, and we’re just getting started.”

For the first few hours, the response was overwhelmingly positive. There were comments from fans congratulating and supporting them: “They look beautiful together,” “Finally someone makes Matt happy as he deserves,” “What a great couple they make!”

But over time, other types of messages began to appear. “Her? Is he really with her?”, “She’s not enough for him,” “She’s only with him for fame, I’m sure she’ll use him to become famous,” “Poor Matt, he deserves someone better.”

At first, you tried not to take them seriously. But every time you checked your phone, more of those comments appeared. There were people criticizing your appearance: “She’s too basic for someone like him,” “She’s not even pretty, how dare she date Matt?”, “Matt deserves someone more attractive.”

The words cut you deeply. You knew you shouldn’t let those comments affect you, but you couldn’t stop the doubts from starting to poison your mind. Every time you looked in the mirror, you started to see those flaws that others mentioned. Insecurity began to invade you in a way you hadn’t experienced before.

Matt tried to comfort you whenever he noticed you looking down. Sometimes, during the night, he would catch you reading the comments on your phone, and he would simply take the phone away from you and hold you, whispering that he loved you and that was all that mattered.

“You don’t need to listen to those people, babe,” he said, looking at you with a sincere expression. “They don’t know anything about you, they don’t know how amazing you are.”

The comments didn’t stop, though. Every day they became crueler and crueler. Rumors began to circulate suggesting that you were only with Matt to gain followers, or that you were using his fame to make yourself known. People commented on every aspect of your life, from how you dressed to how you looked without makeup. There were those who said things like, “It’s obvious that she dresses like that to get attention, can’t she dress up better?” or “She should thank Matt for giving her a chance, she’s just an ordinary girl.”

At some point, comments were no longer the only thing. People started following you home, taking photos of you without your permission, and even trying to get close to you to ask you invasive questions. You felt watched and judged at every turn, and little by little, you started to believe that you weren't enough, that maybe all those people were right.

The pressure began to be unbearable. Your self-esteem plummeted, and every time you looked in the mirror, you saw someone who, according to the world, wasn’t enough. Matt tried to cheer you up, to remind you how much he loved you, but you couldn’t stand it anymore.

One night, after one of your most difficult conversations, you asked him to meet you. Matt came over to your house, and as soon as you saw him, he knew something was wrong. He stared at you in silence as you searched for the words to say to him.

“Matt… I can’t do this anymore,” you whispered, your voice shaking.

“What are you saying?” he asked, frowning, clearly worried.

“I can’t be in this relationship anymore. The pressure, the comments… they’re tearing me apart. I can’t take it anymore.

Matt looked at you, unable to process what you were saying. He was trying to understand, but the pain in your eyes made it clear to him that you were really hurt.

“But… I love you, and I don’t care what other people think. They don’t understand what we have.”

“I know, Matt. I know you love me, but I can’t go on like this. I’m losing myself in all of this.” It's getting harder and harder to get up and pretend everything is okay.

You took a deep breath, trying to hold back your tears. “Matt… I can’t keep going like this. I can’t handle the pressure, the comments, the people following me everywhere. I feel like I’m losing myself, and I don’t want to drag you into this. I think… I think it’s best that we break up.”

The goodbye was hard and heartbreaking for both of us. In the days that followed, Matt stayed away from social media, not mentioning anything about what had happened. He isolated himself, trying to understand how the love of his life had to walk away because of the cruelty of others.

Weeks went by as you tried to get over the situation, even though you felt empty. However, one afternoon, while you were checking your social media, you noticed a post from Matt that surprised you.

It was a photo of you and him that Nick had taken, and the message was clear and direct: “I don't give a shit what others say about my girlfriend. I'm with her because I love her, and that's never going to change.”

Matt's public statement was not only a message to his fans, but a promise that he was willing to stand up for what they had. Feeling a torrent of emotions, you decided to call him. When he answered, his voice trembled with emotion.

"I can't go on without you" he said quietly, while you tried to hold back your tears.

"Me neither, Matt… I love you."

That night, they met again, and between tears and hugs, they knew that this time there would be nothing and no one that could separate.

⛧°。 ⋆༺ ✮ ༻⋆。 °⛧

your reblogs and replies are always appreciated dearly, and feel free to leave a request ✮

⤷ Tags... @matthewsroses @sophand4n4 @strnilolover @lolastrniolo

[louisferrignojr]

*deep breath*

the thing is. the fucking thing is.

it's not unrealistic for someone to not dig deeper into their queer identity beyond what they know to be true, which might be "yeah i might be attracted to people of the same gender but i dont have time to get into that right now 'cause life is complicated and i'm in a relationship/i'm not interested in dating right now anyway so what does it matter"

(same goes for figuring out your gender identity. exhibit A:

[image description: a tweet by shaka (@/ScaredAsian) that says, “im probably nonbinary but i have a job so idrc about that rn”. In plain text, it says, “I’m probably nonbinary but I have a job so I don’t really care about that right now.” /end id])

but this doesn't work for evan buckley

who had his little freakout on his first date with tommy and went to talk to his sister who literally told him "now you're more than an ally" and that maybe he's not sure of his feelings but he'll figure them out. (sidenote: she should have said identity instead of feelings. but whatever.)

who has been in a relationship with his boyfriend for six months

who has been known to go on research binges because he has a curious mind and loves learning. tommy's sarcastic "oh good, you found a substack" tells us everything we need to know, y'all.

who has at least one very close queer friend and co-worker, hen fucking wilson; and one friend/acquaintance who is a queer man (we don't know how much he sees josh outside of visiting maddie at dispatch, and like, that one time he hang out with him and maddie and chimney, so it's a little bit up to fanon to decide if they're friend-friends but at the end of the day it is a trusted person and an openly gay man. i mean, we saw how josh stood up for tommy, and schooled the fuck out of buck. finally, a conversation about being queer between two canonically queer characters! only took 8 seasons, huh! i digress.)

and have i mentioned he's been dating his boyfriend for six months? like, if he was ever to have a conversation about being queer... tommy is right there. tommy opened up about his own experience figuring out his sexuality and coming out on their very first date and moreover reassured buck it's okay if he's feeling a little tense about them being out on a date in a public place.

point being: there are people in his life who would be more than happy to talk to him about his newfound identity outside of his relationship with tommy.

taking all of these things into consideration: it's not only inconsistent with the character they have established, but the timeline of it is also really fucking messed up.

and more than that: any faith i may have had in this show to handle a delicate matter like a character exploring their newfound sexuality has flown out the window. they broke the audience's trust with 8x06. i'm not interested in seeing how they're going to move this story forward, because 8x06 was such a particular fuck up, beginning to end, wrt the bucktommy storyline.

and honestly? knowing the format 911 follows, as a network procedural: this is not the right medium to tell this story, at this point in the timeline, because it has become way more complicated than it would have been in s7, immediately following buck's bisexual awakening.

tldr: the premise is sound but the execution is so bad it's practically unsalvageable within the scope of the show (but very manageable in fanfiction, where you can dwell in the character's headspace and dig into what goes on beyond the things they say and do. godspeed, everyone <3)

partly inspired by @firehose118's tags on their post and partly like, being queer. source: dude trust me

[rist-ix]

This might be weird but bare with me: i saw some fanart of valtor and his mamma bears (I'm sorry), he was freshly made and a child still for some reason (idk if it's canon at this point that he was made in adult form or not buuuut) and so it's shown how they don't like him but at the next panel he wants their makeup so tharma and lysliss give him a makeover and at the end belladonna says i think we'll find a use for that pretty face. What i started thinking was if it's possible they used him as a pr0stitute at some point besides all the torture they put him through. My brain today is fixated on how much trauma or ptsd he could possibly have. Now that i write it i sense how weird this is but what do you think?

My friend my dude my brother in fandom, I am but a humble bacteria and u have given me the juiciest slimiest tastiest agar plate imaginable. Let’s get INTO THIS!

(For the record, this is purely fanon. I think I’ve alluded to this headcanon of mine in fics but I am well aware that I have little to no evidence from canon for these assumptions.)

ABSOLUTELY I think that Valtor was used for getting into royal's beds. Though I do think it would have been more complicated than simply “his moms are whoring him out cause they hate him and they want stuff from people” — and I think there are some FASCINATING implications that has for both Valtor's personality as a whole, and his relationship to sexuality and his own body.

First of all, the reason why I think you are correct is simple: he seems to be universally regarded as attractive in-universe, to the point of having even the Trix fawning over him, and he is consistently seen using charm and flattery to get others to do what he wants. If you wanted to expand on this in a darker and more mature setting, the logical conclusion would be that he'd use his body the same way. And I do think he would do that entirely of his own will by the way, no coercion necessary! Though there most certainly was coercion.

That ties a little bit into my view on the Ancient Coven's relationship to each other in general. While we do see Valtor and the Ancestresses at odds with each other in the finale (culminating in the Witches ‘disinheriting’ him and reverting him to his monster form), the fact that they seem to have worked successfully together for AT LEAST a good few decades implies they could be cordial when necessary. Plus, Valtor somewhat wistfully recalls working under them with Griffin, smirking and content in the flashback, makes me personally believe they were genuinely GOOD at cooperating too, instead of the Witches relying solely on tyranny. Don’t get me wrong: there is no way they were a happy family. I'm thinking more along the lines of them playacting as a very harmonious coven, doting creators and loyal creation, like a game that every one of them is in on — a performance, just for funsies, and because none of them want the outside world to see them as anything but perfectly aligned and ruthlessly efficient. All that while also having a sort of spiteful, vengeful arms race going on internally, with Valtor not-so-secretly trying to find ways to overthrow them, and them waiting for him to lean out of cover too far so they can gleefully, brutally remind him who's in charge.

There's a deep, deep, deeply rooted resentment Valtor seems to have for them, but they are also objectively the same: They both want power, they both want to control the Dimension, they both would do anything to accomplish that goal. So if there was a situation in which having someone charming on the inside would help them, I think both Valtor and the Witches would come to the conclusion that Valtor could do whatever necessary to accomplish that. Be it charm someone, poison someone, or sleep with someone in the hopes they might spill some secrets. I consider all four of them to be pretty pragmatic, I don’t think there would be any conflict or hesitation here — not at first.

Because while Valtor would certainly agree that that’s the best approach, and probably be more than willing to get out of their sight for a while and live it up in some palace or another, I do think it would chafe at him eventually. Whether he's using his body to fight people or seduce them is not all that different, both happens at their behest. He's always painfully aware that he is their tool — but I imagine it does get more pronounced with the latter. Especially over time. Your taste in people or attraction does not matter in combat, but certainly plays a role in sex. While Valtor certainly seems to enjoy putting on a show in combat, that is a power play, whereas having to play a long con, with himself so heavily involved no less, can start to feel humiliating, tiring, more like a loss of agency than a game of wits. I don’t think it’s the seduction itself that would bother him, but the clear knowledge that he's just following his creator's plans here, puppeteered even in this aspect of his life.

The result of that in the present day of the s3 era wouldn’t be sexual trauma per se, I would headcanon. Not in the ptsd sense at least. (Though I bet a good fic could convince me otherwise :D) I remain a firm believer that his trauma is purely about his lack of control over his physical form, and a revulsion towards his original body that borders on dysphoria. The sexual aspect of his utility to them would ADD to that, don’t get me wrong, but it wouldn’t be the main source.

It DOES influence him though.

I'm thinking mainly about Valtor's interactions with the Trix here. On multiple occasions he secretly witnesses how they argue or straight up brawl over who gets to have him. None of them even thinks about who he might have shown the most interest in, they treat this solely as a contest of strength, winner takes all. (I don’t think that’s them being rapey btw just to be clear. I see it speaks more to them being juvenile and deeply unserious about romantic relationships, like dogs chasing cars. They don’t care enough about people beyond the three of them to have any actual experience with romance: Darcy's fling with Riven was discarded INSTANTLY once the three had something better to entertain them — like world domination. If one of them had “won” only to get ignored or rejected, the other two would have laughed her out of the room and then they would have done it all over again the next day.) im getting distracted. What I meant to get to is that Valtor sees them acting like he's a prize to be won… and he does not react at all. The first time he finds it mildly entertaining, the next few times the bit seems to get old for him already. That’s it. He encourages their possessiveness of course! He clearly enjoys being feared, admired, or simply the center of attention, but being treated without regard for his own desires doesn’t really register as an insult to him. AND he's shown to be pretty unperturbed with Darcy getting into his space, and flirting rather aggressively with him.

And while that may seem anticlimactic after all that, I find that FASCINATING. (Not just because Winx Club consistently writes men — powerful men! — the way female characters would be treated in another show. An essay of its own!) A non-reaction is still a reaction, and Valtor's lack of irritation says a lot in my opinion. I think he has little to no real boundaries, at least outside of combat or with people that are allies/useful to him. By that I don’t mean he would reject someone's advances if he didn’t welcome them, but that he wouldn’t really remember that this is a point where people usually DECIDE whether they welcome the advances or not, u know what I mean? I think his entire sense of self is pretty nebulous to himself, and that his own body seems to him more like a commodity than, well, him. Which makes sense, doesn’t it? He is created as one thing, for one purpose, and then given another body, for another purpose. He prefers to be human, reviles the monstrous form, but has no control over which one he is at any given moment — the people who do could change their minds on a whim. It would make sense for him to feel somewhat alienated from his physical form, and therefore have little care for what happens to it. It would take him far longer to know his own reactions, and to realize whether he enjoys something or not.

I feel like I’ve only managed to put like, half of what's in my head into words here. The dysphoria thing alone feels like something that should be dissected on its own, but I’m dead tired and this post is already pretty long. I will say that I’m not 100% consistent in this headcanon, and depending on the fic I use some of this and some of that, but I do think it’s one of my most favorite reads on Valtor as a character. Thank you so much for this ask!!! I hope the answer is close to what you hoped for lol

[whosscruffylooking]

Open Arms Chapter One

steve harrington x fem!reader word count : 6k Rewrite/Character Insert of Stranger Things ~1984~ This chapter takes place during Season 2 Episodes 1-5

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Another day in Hawkins. Another day of high school. Another day stuck in the same small, sleepy town you’ve known for as long as you can remember. It feels like nothing ever changes here, like every day just blurs into the next, predictable and quiet.

Every day, you wake up wishing for some kind of miracle, something that could shake things up, make life a little less ordinary. Something that could turn your world… Upside Down.

“Y/N!” your mom calls out from the kitchen, “Is Steve giving you a ride today?”

You scoff, rolling your eyes. “Mom, seriously…when was the last time Steve drove me to school? He has a girlfriend to pick up now.”

Steve, your best friend since the first grade. To everyone else he was The Reigning King of Hawkins High. To you he was just the boy next door who reigns havoc on your life, makes everything a little more complicated whether you want it or not. 

Your mom hums thoughtfully. “Maybe it’s time you found yourself a boyfriend.”

“I’m perfectly fine, thanks.”

She gives a little shrug. “I’m just saying, wouldn’t it be nice to be taken out on a date once in a while?”

“Mom,” you sigh, “please take your matchmaking somewhere else.”

She’s not wrong, though. You haven’t let yourself even think about dating anyone else since the last “almost” with Steve. Around a year ago, he’d done something reckless enough to mess up things with Nancy, and she seemed to be getting closer to Jonathan Byers. You had just gotten out of a relationship yourself. 

It happens every time: he messes things up with a girl, or you’re fresh out of a breakup, and suddenly, like clockwork, you’re back in each other’s lives, circling each other. It’s as if you’re both bound to this endless cycle of almosts—falling together just to fall apart again. You know the game by heart, and you’re tired of it, tired of the late nights that never lead to anything real, the unspoken words that hang heavy in the air between you both. But still, you can’t seem to let go.

Nothing ever actually happens. You just end up crashing at each other’s houses, watching movies till you both fall asleep, or driving out to Lover’s Lake to stargaze and rant about your trainwreck love lives. But you both know what it is—and what it isn’t. The truth is, you’re bound by a history no one else could touch. Growing up together, you made the stupid decision of being a lot of each other’s firsts, and you’ve always been the one person who truly gets him. It’s a bond that runs deeper than most things in your life, yet it never seems to go anywhere beyond these stolen moments. And maybe that’s why it hurts the most—knowing he’s always right there but never fully yours.

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At school, you overhear the girls in the hallway whispering about the new guy in town. Though “guy” isn’t the word they use—they’re calling him a real man, with a muscle car to match and actual muscles to back it up. You’ve never been the type to shy away from guys, and you’ve certainly never had any trouble attracting attention. Still, something about the way they talk about him piques your curiosity, though you’d never admit it.

You notice the once-empty locker beside yours is finally in use, a few things tossed inside. You wonder briefly who claimed it. That curiosity doesn’t last long.

“Excuse me, gorgeous, but I think that’s my locker.”

You turn to find the living, breathing embodiment of the girls’ descriptions. Tall, sharp-jawed, with piercing blue eyes, and that effortless, cocky grin. You don’t even have to ask if it’s him.

“Oh—my bad,” you say, stepping aside.

“And what’s your name?” he asks, his smile unwavering.

Who does he remind you of?

“Y/N…” You try to pinpoint it, that nagging sense of familiarity.

He tosses his keys into the locker, eyes still fixed on yours, something almost playful in his gaze.

Then it hits you.

“I’m—”

“Knight Rider?” you say slyly, a smirk playing at your lips. He blushes just a little, caught off guard, and you savor the small victory.

“Well played,” he says, taking your hand into his for a confident but gentle shake.

“That’s just the beginning,” you respond, shutting your locker with a quiet click, eager to keep the mystery between you two alive.

“I hope so. I’m Billy by the way,” he replies, his voice softer now, still slightly in awe of you. There’s something in his eyes—a challenge. And you can tell, he’s baited.

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At lunch, you find yourself walking through the crowded cafeteria, scanning the room for a familiar face. As luck would have it, you bump into Nancy and Steve near the food line.

“Hey,” Steve greets, his voice laced with a hint of curiosity. “What did you think of the new guy? Total douche, right?”

You catch the look on his face, a mix of hope and something else you can’t quite place. It’s clear he’s fishing for your opinion, eager for you to agree with him.

You shrug, trying to keep your tone casual, though you can’t hide the small smirk tugging at your lips. “I mean…” Your voice comes out just a bit higher than usual, betraying your uncertainty. “He’s like the entire cast of The Outsiders wrapped up in one package.” You leave it at that, the playful jab hanging in the air between you three.

Nancy chuckles, gripping her tray closely as she looks between you and Steve. You take the opportunity to point at her, nodding toward Steve. “Looks like your girl might agree with me too.”

Nancy gasps and bursts into laughter. “I don’t know, I guess. He’s not really my type though.”

You smirk, not missing a beat. “That’s so funny, because I’m pretty sure I saw a David Hasselhoff photo in your locker just last week?”

Steve’s face falls slightly, and you catch the brief flash of disappointment in his eyes. “Oh please,” he says, his tone a bit too defensive, “he is not David Hasselhoff.”

“Knight Rider,” Nancy interjects, her eyes darting between you and Steve. You both freeze, caught off guard.

“What?” You ask, happy she sees the resemblance too.

Nancy looks back and forth between you two, realization dawning on her. “He has the car, the curls, and the mus—muscle car.”

You raise an eyebrow, teasing her. “You just said the car twice. Sure you didn’t mean another kind of muscle?”

Nancy giggles at your comment, but Steve pushes you playfully, though there’s a layer of something more in his touch—like he’s trying to keep things light but it doesn’t quite feel like it used to.

“Have I told you that I hate you?” Steve mutters under his breath, though it’s more playful than anything else.

You smile, your tone laced with the usual teasing. “All too often.”

But as you both lock eyes, something shifts. It’s not just a playful exchange anymore. The usual banter feels heavy now, the space between you both thick with unspoken words. Steve’s smile doesn’t quite reach his eyes, and you wonder if he’s feeling the same distance creeping between you two that you’ve been trying so hard to ignore. You quickly look away, forcing the feeling down as Nancy continues to laugh, unaware of the sudden tension lingering.

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You’re walking down the hall, a few steps ahead of Steve, the sounds of lockers slamming and voices all around you fading as the tension between you both hangs in the air. Every time you glance over your shoulder, his gaze is already on you—lingering, just a bit too long.

You both fall into an uneasy silence. It’s not the comfortable quiet you used to share, but something heavier. Something unspoken.

You stop for a moment, unsure of what to say. “I’ll see you in class,” you murmur, turning to leave.

But Steve’s voice stops you. “Hey,” he calls softly, his hand brushing yours as he steps into your path. His touch is warm, too warm for something so casual. His fingers linger for a split second before he pulls away, but the moment still sits between you, unresolved.

You look up, meeting his eyes. His usual cocky confidence is gone, replaced by something more vulnerable. It’s almost as if he’s waiting for you to say something, anything to break the silence.

“Steve…” You don’t know what you’re going to say. You want to say something that makes it all feel normal again, but the words feel stuck in your throat.

He opens his mouth, hesitates, then shuts it again. “Never mind.” The smile he forces doesn’t reach his eyes again. It’s strained, tight. And suddenly, you can’t look at him anymore.

Turning quickly, you walk past him, your heartbeat pounding in your ears.

From down the hall, Nancy watches the exchange, arms folded, leaning against the locker as she observes. There’s no jealousy in her gaze—she’s been there too. She knows the space between two people who care for each other but don’t know how to bridge it. She’s seen it with Jonathan, with the way they get tangled in unspoken words and moments that feel like too much, but too little at the same time. It’s just the way things go sometimes.

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*Flashback*

1 year ago

It’s a Friday afternoon, and the hallways of Hawkins High are quieter than usual. Most of the students have gone home, leaving the echoes of footsteps and lockers slamming shut. You and Steve are walking side by side, the familiar warmth of his presence at your side like it always has been—comforting, easy.

You laugh as Steve pulls an exaggerated face, trying to get you to laugh at his antics as he mimics one of the teachers. You roll your eyes, but you can’t help the smile spreading across your face.

“You’re such an idiot,” you tease, nudging him with your shoulder.

He bumps you back, almost knocking you into the lockers. “You love me for it,” he smirks, and there’s a hint of something else in his gaze, something unspoken that lingers between you, like a question neither of you has the courage to ask.

You roll your eyes again, but there’s no denying the way your heart skips. “Yeah, maybe,” you say, trying to brush it off. But you both know that maybe means something more.

You reach the end of the hallway, your steps slowing as the moment stretches, neither of you wanting to be the first to turn back, to end this rare, quiet time between just the two of you.

He glances over at you, his steps slowing, his voice quieter when he speaks again. “Hey, so… Bryan still around?”

You stop walking, surprised by the question, but it’s Steve, and it’s always been easy with him. “No,” you reply, shaking your head. “He’s out of the picture.”

Steve’s expression softens, a slight smile playing on his lips as if the weight of something between you two has been lifted. “Good. He never really seemed like the right guy for you.”

Your breath catches slightly at the unexpected warmth in his words, but you don’t let it show. “Yeah, well… sometimes you don’t really see things until it’s too late.”

Steve nods, looking down for a moment as if he’s trying to decide something. He looks back up at you, his usual carefree grin returning. “Well, if you’re not busy tonight, you wanna come over to my place? We can grab some takeout, watch movies… you know, normal hangout stuff.”

There’s something in his invitation that feels different this time, but you brush it off. It’s Steve. He always invites you over. You’ve done it a million times before—movies, pizza, talking about everything and nothing. It’s what you do.

“Yeah,” you agree, “sounds good.”

Steve’s eyes flicker down to your lips, then back to your eyes, his expression shifting. You feel your stomach flutter, the air between you thickening as the playful banter dies down.

You find yourself leaning in, just a bit, and you see Steve’s breath catch, the tip of his nose almost brushing yours.

But before you can get any closer, a loud bang from down the hall makes both of you snap apart like you’ve been caught.

You both step back, instantly awkward, eyes darting everywhere except at each other. The spell breaks, but the tension still lingers, heavy in the air. You glance at Steve, and his expression is unreadable—like he’s trying to hide something, or maybe it’s you who’s hiding it.

You break the silence first, a half-laugh escaping your lips. “Well… that was close.”

Steve rubs the back of his neck, looking embarrassed but also relieved. “Yeah, totally. We’re just—uh, messing around, right?”

You nod, trying to brush it off, but your heart is racing, and you know he feels it too. “Right. Just messing around.”

But neither of you says anything more. You both head in opposite directions down the hallway, still feeling the echo of what almost happened, both of you wondering if the other is thinking about it too.

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At last, it’s the day of the party. You’ve spent longer than you’d like to admit getting ready, but you’re finally happy with your look. Blue bell-bottom jeans, a tight orange top with a center zip that falls just below the line of modesty—it’s bold, but you feel good in it. Confident, even.

You arrive at the party, a mix of excitement and nerves swirling inside you. The music pulses through the house, and people are scattered, laughing and talking, their faces blurry in the haze of a dimly lit room. As much as you try to act like you don’t care, the anxiety creeps in. Funny how someone so confident can still feel out of place in a crowd.

You push through, trying to find your core group, but as you weave through the bodies, there’s really only one person you’re looking for. Steve. The one person who has always had a way of making you feel like you belong.

On your way through the crowd, you bump into Jonathan Byers. Another one of your longtime friends. You’ve all grown up together in Hawkins, so you’ve seen each other through the years—some friendships stronger than others, but still, it’s hard to forget those familiar faces.

“Jonathan!” you call out with a smile, pulling him into a quick hug. “Loving the look, very you.” You nod at his usual, low-key style—flannel and jeans. He’s always been the quiet, thoughtful one in the group, and you just want him to feel good about his understated vibe.

“I like… your shirt,” he says, his words trailing off awkwardly.

Well, at least your shirt is doing what you intended it to. Maybe just not with the target audience.

“Looking for Nancy?” you ask, hoping he’ll pick up the conversation.

“Yeah,” Jonathan responds, his hands shoved in his pockets. “I don’t really associate with anyone else here.”

You put on a mock-offended face, “Ouch.”

He immediately backpedals, realizing how it sounded. “I mean, you were gone for a while. We kinda lost touch.” His gaze drops a little, clearly uncomfortable, referring to the time when your parents separated again, and you spent some months with your mom in California. It had been a rough time for you, especially being away from Steve. You’re still not sure how you survived that.

“Well, I’m back now,” you say, brushing off the past. “Come on, join me. I’m on a mission to find Steve and Nancy.”

Jonathan nods, grateful for the company. “Alright, lead the way.”

And there he is, leaning against the wall by the kitchen, laughing at something someone said, a bottle of beer loosely held in his hand. He’s effortlessly cool as usual, but there’s something different tonight. Maybe it’s the way his eyes flicker over to Nancy every now and then, or the tightness in his posture that betrays the casual air he’s trying to maintain.

Nancy stands next to him, arms crossed, her jaw clenched in that familiar way when she’s upset—though it’s hard to say if it’s the alcohol or something else that’s fueling her frustration tonight. She’s leaning a little too heavily on the counter, her face flushed, the words she’s muttering barely audible over the noise of the party.

Steve’s smile is gone now, replaced by a more serious expression. He’s trying to keep things light, but it’s clear she’s not having it. 

As you and Jonathan walk toward the kitchen, you spot Steve and Nancy in their little world, tucked away by the counter. You can hear the edge in Nancy’s voice, even from a distance, though you can’t make out the words. Jonathan follows your gaze, his brow furrowing. You can’t blame him for looking the way he does—he’s been around long enough to know the dance between Steve and Nancy.

“Is she okay?” you ask, your voice quiet, though it feels more like an automatic question than one you really expect an answer to. You’ve seen enough of this cycle to know the routine.

Jonathan glances over, shaking his head just slightly. “I don’t think so,” he says, a rare seriousness in his tone. “But you know Nancy. She’ll push through.”

You feel the knot in your stomach tighten as you watch Steve’s stance shift, his body leaning toward Nancy as if trying to reach her without crowding her, trying to give her space but also not let her slip too far away. There’s something fragile in the air, something more than just the tension between them. It’s like Steve’s holding on by a thread, and maybe Nancy is, too, but neither of them wants to admit it.

“You should probably go talk to them,” Jonathan says, glancing at you. He doesn’t know what to say either, but it’s obvious that Steve’s been trying to manage things on his own. You could step in—or let him handle it.

You glance at Jonathan again, silently debating what to do. Jonathan nudges you gently with his elbow. “You good?” he asks. You nod, taking a step forward, your voice hesitant but warm. “Hey, guys, what’s going on?” you ask, trying to break through the tension without adding to it.

Nancy shoots you a sharp look before turning away, but Steve doesn’t seem to mind. He’s got that defeated, yet resigned, look on his face as he exhales deeply. He’s trying to hide it, but the frustration is written all over him.

“Just the usual,” Steve says with a small, forced smile, looking at you.

Nancy, still with her arms crossed, shoots you a look that says more than her words do. It’s not that she’s mad at you; it’s just that she doesn’t want to be the center of attention right now. She’s not ready to have the conversation.

Jonathan stands by you, hands in his pockets, waiting for you to say something. You don’t know what the right thing is. The silence in the room is thick now.

“I’m gonna go get another drink,” Nancy slurs, her words trailing off as she pushes past Steve, who’s still trying to calm her down.

“Please don’t,” Steve says, his voice low and frustrated, but he’s too late. He sighs and chases after her, leaving you standing alone for the moment.

Not long after, a voice you’re starting to recognize from the past few days calls out from behind you.

“So if I’m Knight Rider, then who does that make you?” Billy’s voice is smooth, cocky, and unmistakable. He’s standing just a few feet away now, that grin still plastered on his face.

You turn to meet his gaze, letting a playful smile tug at the corners of your lips. You raise an eyebrow, a silent challenge in your eyes. “You’ll have to learn more about me to find out.”

He steps a little closer, eyes narrowing with amusement. “When?”

The question hangs in the air, and for a split second, you feel that old rush of excitement—the thrill of the unknown. Remembering your mom’s less-than-subtle hints this morning, you decide to play along.

“How about Wednesday night? We can go see the new Terminator movie. You look like someone who appreciates a little Arnold Schwarzenegger,” you say, testing the waters, letting a hint of flirtation slip into your voice.

Billy doesn’t hesitate, that confident grin of his widening. “It’s a date. I’ll pick you up. And…I’ve been to the gym Arnold works out in.” 

You raise your hand to stop him, a slight smirk on your face. “Right…I’m sure you have. Also, I’ve seen how you drive your car. Maybe I’ll meet you there,” you tease, enjoying the playful banter.

He chuckles, stepping back, his eyes twinkling with a mischievous glint. “I’ll go nice and slow just for you.”

You can’t help but laugh at that, the tension between you both shifting into something lighter, something you haven’t felt in a while. But as you look past him, your eyes flicker briefly to Steve, catching him trying to pry the solo cup out of Nancy’s hand. Just as the music halts, that red solo cup and the red mystery punch within it spills all over Nancy’s white shirt. 

Her face is in complete disbelief, she sways back and forth her reaction clearly slowed down by her alcohol intake.

“Screw you.” 

Jonathan follows her quickly into the bathroom. 

“You know,” Billy starts again, “Rumor has it that you and Harrington have quite the colorful history? Why is it that you two aren’t prom king and queen this year?” 

Something in Billy’s tone instantly makes you second-guess your plans for Wednesday. His fading smirk tells you he’s noticed the flash of disdain on your face.

“What does it matter if you’re the one taking me on a date Wednesday?” you say, your voice edged with a warning. You’re feeling oddly protective over you and Harrington’s history, a past that’s none of Billy’s business.

Billy raises an eyebrow, caught off guard but intrigued. “Fair enough,” he replies, but the cocky glint in his eyes lingers, as if he’s still sizing up the situation.

Shortly after, you spot Steve storming out of the bathroom alone, Nancy nowhere in sight. His expression is tense as he heads straight for the drink station, a familiar frustration in his stride. You catch a glimpse of Jonathan making his way toward Nancy, so you turn to Billy with a polite excuse and make your way over to Steve.

“Hey, you don’t need to be drinking any more right now,” you say, noticing that Steve has downed two cups of punch in the short walk it took to reach him.

“I’ve got a pretty damn good reason to,” he mutters, his jaw tight as he opens a beer.

“Steve, you don’t have to tell me what happened, but at least think about the fact that you still have to drive home,” you warn, trying to keep your tone light.

He shrugs, avoiding your eyes. “You can drive me.”

“I never volunteered for that,” you reply, crossing your arms.

For a moment, he looks at you, really looks at you, and you can tell he’s realizing that things are different. You’re not just there to pick up his pieces anymore. You have your own life to live tonight—a party to enjoy, and maybe even boys to dance with. The weight of another round of Steve-and-Nancy drama? That’s not something you’re willing to carry this time.

“You’re right,” Steve says, setting the beer down with a sigh. “I’ll just go sit out on the porch and sober up a bit. Then I’ll head out. And I wanna make sure Nancy gets home safe.”

You give his arm a quick squeeze, silently admiring that, even in the middle of an argument, he’s still looking out for her. That is… until his gaze drifts to the front door, where he sees Jonathan helping a barely-standing Nancy out to his car.

Crap.

“Go sit on the porch. I’ll be right there,” you say quickly, hinting you’ll handle it. You rush outside to catch up with Jonathan. “You know how this looks, right?”

Jonathan gives a solemn nod. “She asked me.”

Nancy lifts her head slightly, her words slurred and muddled. “I don’t want… Steve to take me home. Not Steve. I want to see Barb’s parents. Take me to Barb’s house.”

You pause, taken aback. “Barb’s parents? Why do you want to see Barb’s parents right now?”

Jonathan stiffens, worry flickering in his eyes. “Uh, I really think I should get her home now. Maybe check on Steve too.”

Without another word, they’re off, leaving you standing in the night with a sense of unease. You know Barbara Holland was Nancy’s best friend, missing since last year. But why would she bring that up now? And why with such urgency?

You find Steve out back, leaning against the porch railing, eyes glazed with frustration and a hint of sadness.

“Steve…why would Nancy want to see Barb’s parents tonight?”

He shakes his head slowly, the alcohol clearly loosening his grip on restraint. “God, I wish I could tell you everything right now. It would make things so much easier. You’re my best friend. I tell you everything. But for the past year, I’ve been keeping so many secrets from you.”

A pit forms in your stomach. “What do you mean, Steve?”

He looks at you, eyes haunted, and whispers, “If I told you, you’d die.”

You laugh nervously, trying to shake the unease settling over you. “C’mon, it can’t be that serious.”

“There’s stuff going on around here that you have no clue about.” He reaches up, gently brushing a stray hair from your face, his fingers lingering a second longer than they should. Your heart skips, half hoping this is just the alcohol, half hoping it’s not. He always does this, walks that fine line.

His voice cracks slightly as he murmurs, “I just want to keep you safe.”

In that moment, you realize it’s not just words—it’s a plea, and you can feel the weight of something dark lurking just beyond his gaze, something he desperately wants to shield you from. 

You give Steve a gentle pinch, trying to ground him. “I’m safe, Steve. I’m right here, see?”

But he only shakes his head, eyes dark with something close to dread. “Here is where it’s least safe. Those things… they’re out there.”

A chill runs down your spine. “What things, Steve?” You search his face, recognizing the unmistakable truth behind his words.

He just looks away, jaw clenched. Instinctively, your mind flashes back to last year, the disappearances of Will Byers and Barb. Then Nancy and Jonathan, vanishing for days without a word. Everyone assumed Jonathan had to hold things together while Joyce spiraled, refusing to believe her son was dead. There was even a funeral, and she still wouldn’t admit it. Then, against all logic, Will came back with no real explanation.

You remember Steve acting strangely after everything went down. He kept trying to make peace with Jonathan over the fight they got into outside the movie theater, but he dodged every question you asked about the night he went to Jonathan’s house, laughing nervously or changing the subject so fast it left you spinning. Then there was the night you found a bat in the trunk of his car—nails hammered into it like some kind of makeshift weapon. When you questioned him, he just shrugged it off, calling it a “guy thing,” and you let it go, though every instinct told you there was more to the story.

Whenever you pushed for answers, Steve would wave it off, teasing you about reading too many mysteries and spending too much time theorizing. But seeing the fear in his eyes now, the weight he’s carrying, it hits you like a punch: you were right to question everything. And he knows it, too.

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You drive Steve’s car back to his house, figuring you’ll pick up your mom’s in the morning. One night won’t matter.

Helping him up to his room, you can’t shake the strange coincidences piling up around Hawkins.

“I missed this,” he mumbles, settling onto his bed.

“What?”

“You… in my room,” he says softly, grabbing your hand. “Stay tonight. Don’t leave.”

“You have a girlfriend, Steve. I don’t stay over when you have a girlfriend.”

He sighs, eyes full of something almost desperate. “What kind of girlfriend says she isn’t really in love with you?”

You freeze. “I’m sorry—what?”

“She said we’re just… acting like we’re in love,” he says, voice rough with frustration and something else.

You can see it—the hurt he’s tried to bury, the way he’s tried so hard to be enough for someone. To finally feel wanted.

His arms slip around your waist, his head resting against your stomach, and you feel his shoulders shake. Silent tears he doesn’t want you to see.

“Hey, hey… She was drunk, okay? Everyone says stupid things when they’re drunk. Talk to her tomorrow. It’ll be fine.”

“She meant it,” he whispers, his voice breaking.

You gently push him back onto the bed, pulling the covers over him. “You’ve got a long day tomorrow, Steve. Get some rest, and we’ll figure out the Nancy thing together.”

You hate to leave him like this, but you know it’s the right thing to do. So, once again, you walk away, leaving your best friend alone with his heartbreak and the last traces of alcohol on his breath. Another turn in the endless cycle that is your friendship—always there for him, even as it pulls you back into the same, unbroken loop.

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The next day, Billy and Steve square off on the basketball court, the air thick with tension. Billy’s been taunting him non-stop, poking at Steve’s so-called “King Steve” reputation like it’s a worn-out joke. But Steve keeps his cool, mostly.

Until Billy casually drops your name.

“So tell me, Harrington,” Billy sneers with a smirk, “what made you go for the Wheeler girl over Y/N?”

Steve feels the muscles in his jaw clench, but he doesn’t take the bait. He knows better than to react. But Billy’s not done. He moves closer, a low chuckle escaping as he continues, “I mean, the King and the Princess of Hawkins High—cute match and all. But damn, man, have you seen the hips on her? Perfect for holding onto. Word is you already took her for a test drive, too. So I gotta wonder… why didn’t you ever claim her? Or maybe you just weren’t man enough?”

Steve’s control snaps. He shoves Billy hard, fire in his eyes as he stands inches from him, fists clenched. “Say one more thing about her. I dare you.”

Billy laughs, clearly enjoying himself, but there’s an edge to Steve’s stance, a fierce protectiveness that makes even Billy pause. Steve glares, his voice low and dangerous. “Y/N’s worth more than someone like you will ever know. So keep her name out of your mouth, or you’ll regret it.”

Right on cue, Nancy’s soft voice cuts through the tension. “Steve?” She stands just a few feet away, looking pale and uneasy, clearly having seen the entire thing unfold.

Billy smirks, throwing a last taunt over his shoulder. “Good luck, Harrington.” He saunters off, leaving Steve standing there, fists still clenched, his heart pounding.

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“Y/N!” your mom calls from downstairs. “Steve is here!”

Steve coming through the front door? That’s unusual—he’s always climbed the vines up to your window. You quickly spray a bit of perfume, fix your hair, then catch yourself in the mirror. Why are you even putting in effort for him?

When you come down, your mom throws you an excited smile, her back to Steve so he can’t see. She’s still holding onto that hope she’s had since first grade that you and Steve would end up together.

And then there he is, standing in the entryway with a bouquet of sunflowers—your favorite. Your heart stumbles as you take in every inch of him. For a brief second, you let yourself imagine you’re the only girl he brings flowers to. But realistically, he’s probably just coming from Nancy’s or on his way there next.

He hands you the flowers, his gaze lingering. “Thank you for everything.”

“It’s no big deal,” you say, trying to steady your voice.

“Well, I should get going,” he says, and your heart sinks. That’s it? 

“But, uh, make sure to open your window. There’s a nice breeze out tonight,” he adds with a wink. You bite back a smile, catching on.

You say your goodbyes and dash up the stairs, ignoring your mom’s questions as Steve leaves. You open your window, sitting on your bed, waiting for him like you have a hundred times before. Somehow, after all these years, the excitement still feels brand new.

“Miss me?” He slips through the window, quietly so your mom doesn’t hear, and makes himself at home. He turns on your record player, the soft hum of music filling the room, then joins you on the bed.

He stares down at his hands. “I’m sorry for the position I put you in last night. It wasn’t fair, and you deserve better.”

You try to catch his gaze, but he’s clearly embarrassed. “That’s what best friends are for,” you say, hoping to ease his guilt.

You bite your tongue, unsure whether to bring up what he shared last night—but you’ve never hidden things from each other, and you don’t want to start now. “You told me about Nancy… how she said it felt like you were just acting in love.”

He sighs, defeated. “Yeah. I confronted her about it today. Asked if she could say she loved me, and she couldn’t.”

Your heart aches for him. “I’m sorry, Steve. Maybe she’s just… having a moment. A lot’s happened this year.”

The silence hangs between you for a moment, heavy with unsaid words.

“I’m gonna bring her flowers after this. I don’t think it’ll change anything, but she deserves an apology for everything I put her through,” he finally says, breaking the quiet. You smile, resting your hand on his knee. “I think that’s a good idea.”

He looks down at your hand on his knee, his fingers hovering for a moment before he covers it with his own. His expression softens, a hint of something he quickly tries to hide, but you can see it—a sadness mixed with a reluctant acceptance, like he knows exactly what all of this means.

He lets out a quiet sigh, staring at your intertwined hands. There’s a heaviness in his eyes. Like even if things with Nancy are ending, there’s something between you and him that’s never quite let go.

His fingers tighten around yours, just for a second, before he releases your hand and gives you a small, bittersweet smile.

“You should go,” you whisper. You don’t want him to. But he needs to. 

He reluctantly resigns himself.

“Can I come pick you up in an hour? Maybe we can go to the movies or something?”

You know you should say no, but you can’t. “If you and Nancy aren’t making out and making up within the next hour then yes, we can go to a movie.” 

He stares at you, and you can’t quite read him. You avert your gaze. 

“It’s so funny,” he speaks almost as if he can’t believe himself, “No matter what…or who…I always need you.” 

And with that he’s out the window and on his way to try and win back another woman.

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[unrealisticrae]

levi ackerman

like many others, i absolutely adore this man that is fiction, on screen and definitely not alive. thus here are some of my thought and headcanons about him. i would say Levi ackerman would a complicated lover. to fanfics who made him fall in two/three chapters, im baffled. i cannot see him as such to fall so fast. he's a very slow burn trope man, so slow you'd even question if their going to get together. He is not a bad boy/lustful man. Despite the many stories and how great he looks, that's my take. Yes, he's a man so i'd say after being further into a relationship, he'd learn. His love language would be interesting. Subtle acts of service with some harsh words at first. i can imagine him want reassurance and touch despite pushing it away for a bit. in public, i'd think he would dislike but also not care about PDA but he won't got out and do much to show that he has a lover. closer people would tell the difference in his gaze when he looks at his lover and others. perhaps small, lingering hand brushing or hooking his pinky with hers. more short conversations and quiet bickering than with others.

Levi learns the weirdest and smallest things about you. he's very observant. if he sees any bad habits, i'd imagine him subtly try and change you through actions or just be dead blunt with you. "Why are you sleeping late?" I got work... "Get your ass to sleep, you big panda." But he himself didn't go to sleep. so both did work together until one feel asleep and he just continues his work, occasionally glancing over to the sleeping one.

if canon verse, like many other authors, i agree that he would most likely tell the commander to switch his lover's position. if in the same squad, only small exchanges would be made. quiet 'are you okay' glances. a very devoted man indeed.

[darcytaylor]

I saw someone use occams razor to come to the conclusion that N is with JD and that L is with A. I think that it's a logical approach when speculating on things and now I have lost all hope in a lot of the theories. It makes me sad.

Applying Occam's Razor to relationships and dynamics that are already complicated doesn’t really work, especially with people (at least that is what I think). It can seem like it makes things clearer, but I think it can end up oversimplifying or misrepresenting what’s going on. Human connections are rarely that straightforward, especially in the public eye, where even the smallest interaction can be blown up and turned into something else entirely.

Do I think it makes sense in this situation that Nicola could be with JD and Luke could be with Antonia? Absolutely! But I also realize that I don’t know them, and people are more complicated than the simplest answer. (If you’ve read my post about my childhood, you’d understand a bit more why I can’t get behind Occam’s Razor when it comes to people.)

It’s totally understandable that people want to use logic to find patterns (I love logic and I love patterns), but when speculation becomes too simplistic - like jumping to conclusions based on a few moments - it misses the messier, more complex side of relationships. People are layered, and their connections don’t always fit neatly into a “logical” or "simple" box. So yeah, using Occam's Razor like this can be frustrating when they ignore all the nuances. Also, I'm pretty sure that when using Occam's Razor, just because you use the simplest explanation, doesn't invalidate all of the other ones. I think in this situation it's used incorrectly.

Relationships don’t really fit into the framework of a "model" in the way that scientific theories or explanations do - where Occam's Razor would work best. Occam's Razor suggests, when we have competing explanations, we should prefer the simplest one. But I think relationships are too complex for this approach to work effectively. Human interactions are layered with emotional, social, and psychological factors that don’t reduce neatly to "simplest" or "most probable." And then without knowing the individuals involved, our understanding is already compromised by layers of speculation and assumption.

At least you’re staying cautious and keeping an open mind. That shows you’re thinking critically, but not everything needs to fit the most “logical” or "simplest" narrative to be true.

[scaryanneee]

VEILPUNK 9:52 ⚡️

Narrative parallels between [and MAJOR SPOILERS for] Dragon Age: The Veilguard and Cyberpunk 2077

Wake up, Samurai, we have a Thedas to burn. Let’s play a game:

Meet [V]/[Rook]. She is living her life as a [nomad/streetkid/corpo]/[Dragon/Crow/Lord/Watcher/Warden] when circumstances (aka, some kind of fuck-up) lead her to begin a new adventure with her friend [Jackie Welles]/[Varric Tethras]. 

The pair embark on a mission that involves a history lesson about a mercurial and rebellious [rockerboy]/[ancient elven mage] who made a questionable choice [50]/[8000] years ago when he [detonated a nuclear bomb]/[created the Veil]. That decision had dire consequences, but was done with good intentions: to take down a corrupt and powerful group – the [Arasakas]/[Evanuris]. 

Anyway, the job that [V]/[Rook] is on goes really, really bad: needless to say, we won't be working with [Jackie]/[Varric] anymore. [V]/[Rook] finds herself injured but alive… and the previously mentioned grumpy old [rockerboy]/[elven god] is now living in her head, somehow?! 

[Jackie]/[Varric]’s fate is not the only consequence of [V]/[Rook]’s actions. In fact, the clock is ticking: if [V]/[Rook] does not find a way to fix her mistake soon, she faces certain death. Not to mention, she promised [Jackie]/[Varric] that she would take care of the [biochip]/[team] for him. 

As she works to undo what she has done, [V]/[Rook] either bonds with the [Johnny Silverhand]/[Solas] living in her head, or hates him, or something in between. There’s lots of snarky jabs traded between mind-resident and host, but also moments of genuine understanding that build over time. 

It is kind of weird walking around the world, though, because you see symbols of [Johnny]/[Solas]’s legacy in the form of [Samurai memorabilia]/[Fen’Harel statues] pretty much everywhere... anyway.

In an optional questline, [V]/[Rook] can watch some of [Johnny]/[Solas]’s memories. She learns that his [nuclear bomb]/[creating the Veil] was about more than just fighting [corpo]/[godly] corruption. It was also about avenging the death of a woman he cared for deeply: [Alt]/[Mythal], who was killed by the [Arasakas]/[Evanuris]. [Alt]/[Mythal] and [Johnny]/[Solas] may have had a complicated and at times turbulent relationship, but there was no doubt he loved her. There’s also no doubt that [Johnny]/[Solas] feels, in part, personally responsible for her death.

[V]/[Rook] also gets to meet some of [Johnny]/[Solas]’s old friends: [Kerry]/[Dorian] and [Nancy]/[Morrigan], who both worked alongside him in [Samurai]/[the Inquisition], and [Rogue]/[Inquisitor Lavellan], a highly competent woman who [Johnny]/[Solas] had a romantic relationship with at one point (and who [Johnny]/[Solas] regrets not having treated better). [V]/[Rook] also meets some of [Johnny]/[Solas]’s greatest enemies from his past – like [Adam Smasher]/[Elgar’nan] – and gets to make [Johnny]/[Solas] proud by kicking their asses on his behalf. 

Finally, at the very end of the game, [V]/[Rook] can choose to either redeem [Johnny]/[Solas] or condemn him. They can even get help from a version of [Alt]/[Mythal] to do so!

Roll credits.

This is all to say: I love both of these franchises very much and, so it is very delightful to find all of these parallels between them. To be very clear, this is not an accusation of stealing or anything – stories echo, history rhymes, etc. – just an affectionate observation.

BUT.

It also highlights, for me at least, a few things Cyberpunk did well that Veilguard would have benefitted from incorporating. Namely:

A prologue based on character origin, where Rook meets/bonds with Varric, like V does with Jackie

More interaction between Protagonist and Guy Living in the Protagonist’s Head

Deeper engagement with the universe’s lore, particularly the setting and its impact on our protagonist. Night City feels like another character in Cyberpunk in a way that Veilguard's Thedas really does not.

The protagonist having a smaller scale, more personal investment in the outcome of events – V’s race against the biochip is instantly understandable, and her tenacity and strong will to survive make her very easy to relate to and like. I never quite felt the same level of investment in Rook, and I think that’s in part because her fight against the gods is so enormous in scale that it feels quite impersonal at times. 

Story parallels aside, these two games are also both examples of games that were rushed through development and suffered for it. For Cyberpunk, that meant infamous technical failures; for Veilguard, that apparently means writing that is inconsistent at best and baffling at worst.

Fortunately, CD Projekt Red was able to add tons of post-release updates (and the excellent Phantom Liberty DLC) to Cyberpunk, that really helped it ultimately evolve into the game it was intended to be. 

Unfortunately, I think it is extremely unlikely that EA/Bioware will ever give Veilguard the same treatment.

But if I’m looking for something to hope for about this franchise (despite the long odds)... I think that would be it. 

Anyway, if you read this far: thanks, [chooms]/[lethallen]! 🖤

[tigerincahoots]

WAS THERE EVEN A BETTER PLACE TO CHECK A BONE THAN A GRAVEYARD? It was fun to flirt. Not that Kevin considered what he did flirting – since to him it was more like crossing t’s and dotting i’s in the process. Say things as they were, as he wanted for them to be – leaving very little to the imagination. He had no time to play those silly little games where one party would play coy and the other would pull the veil bit by bit. No one had time for that shit. Instead, it was much better to make his intentions clear from the get-go. No need to leave someone wondering whether or not he was interested. Others would get off with the anticipation of not knowing – but definitely not him.

IF HE WANTED TO FUCK SOMEONE, HE WOULD SAY IT. And he was making his intention of letting Henry know he was very much interested in boning him. Maybe there was a rule somewhere that co-workers probably shouldn’t get involved physically and emotionally – but whoever wrote those rules definitely didn’t have a boner for their co-worker. They were probably the ones wanting for something to happen and ended up denied. But the emotional aspect of the thing… he sort of understood. Once feelings were attained, thinking with a clear head was much more difficult. People would often prioritize the safety of the person they fancied rather than the goal of the mission. There was a reason why he had never been in a relationship before. Sex was easy. It wasn’t complicated.

EMOTIONS?

FUCK THAT.

”YOU LOOK CUTE WHEN YOU BLUSH.” He could see it. The shades of deep pink and red adorning Henry’s face – he probably wasn’t used to having things said so bluntly or maybe he was unlucky in the sex department. But then again, from what he had seen – that was definitely not the case. He was hot. Anyone with half a brain cell would see that. But rather than keeping things tame and proceeding with whatever Henry wanted to do – Kevin had to indulge himself in one last snippet. So he did approach his partner, lips dangerously close to the other detective’s ear as he inhaled his scent. His cologne, his natural smell. As he counted the fast heartbeats inside the detective’s chest within his mind. “Makes me want to fuck you even more once we are done being professional, Detective.”

AND WITH THAT, OFF THEY WENT. Kevin remained behind as he gave Henry the space and time needed, arms folding over his chest as he stayed nearby. He was curious about what Henry was about to do but his ears and other senses were still checking their surroundings. No unknown scents. No other heartbeats but the two of them. They were in the clear. At least, that was what he assumed until he heard Henry talking to someone who wasn’t there. Talking to himself…? No. Something shifted. The tiger caged in the darkest corners of his mind seemed rattled, almost like something was happening that neither of them could see. But Henry was talking to someone. Talking to whoever died? He was hearing him explain what happened, his attention focused on something that only he could see. On something that wasn’t there but also … was?

HE WAS A FUCKING MEDIUM. Kevin’s eyebrows arched upward with renovated interest. Not one of those fake-ass mediums that read your palm and said you’d marry rich or used tarot cards to predict the future. Not one of those pretenders to talk to those who had crossed the veil. Henry Quinn was the real fucking deal. “Uh.” Definitely not common knowledge but that would explain why all the spooky and weird cases would end up on his desk. And that also explained why Henry smelled human. Because he was human. His gifts and talents had not changed his nature. Just a… nice little bonus.

”YOU CAN TALK TO SPIRITS.” Whether or not Henry was expecting him to freak out was irrelevant. He had seen far worse shit than someone communing with the dead and learning what happened. It was unusual in his very own line of work but not something he hadn’t seen or heard about before. “You talked to the dead guy’s spirit to learn what happened and gave him peace, didn’t you?” Spiritualism was not his forte but Kevin had read about things before. It would never hurt to be prepared – even if bullets or feline agility would do nothing against a poltergeist or a ghost. “This explains why all the weird cases end up on your lap.” The corner of his lips turned up in a fraction of a smile. He really couldn’t judge a book by its cover, could he?

”HI HENRY, THE PSYCHIC MEDIUM.” He was still his partner as far as he was concerned. Who gave a fuck if he pulled a ghost whisperer like bloody Melinda Gordon from that TV show? “So, a wolf – uh? And not a normal one? Funny that.”

They won't bother you again. Honestly, Henry could kiss him right now. The sentiment was sweeter than his partner knew. If only he'd known someone like Kevin in high school, that's when he would have been broken and bothered by bullying. "I think you scared the shit out of them, yeah. Thanks, really." He didn't know what else to say, and he was sure Kevin would put him in a grave if Henry went with his impulse to hug him.

Then the tone quickly changed and Henry took a step back from his partner as he eyed him. He then gave Kevin a small, playful shove. "C'mon, knock it off already. You're embarrassing me." Henry broke the oddly intense eye contact. His cheeks burned, his ears tingled. "Not you looking at my bone in the graveyard. We've got work to do, remember?" He cleared his throat, if only Kevin would stop giving him that look. Henry was afraid to ask what was going to happen if they went out for dinner.

He wasn't a strong man when it came to sexual desire. He'd always wait until it was clear, of course, but when a sexy man wanted him, and Henry felt the same, the chances of him saying 'no' flew out the window. He was a slut deep inside, the part of him that lay dormant since his college years when he'd really upped his body count. If they flirted, and things escalated... working relationship be damned, Henry would get his and be on his knees where he felt most comfortable.

All of this was swirling around that head of his, but no, he wasn't erect. "It's just sweet of you, is all. Whether you meant it to be or not."

Henry gave himself a little shake in an attempt to clear his head of the impure thoughts.

"Alright, you can stay, I do trust you. God help me, I don't know why, but I do."

Henry turned away from Kevin and faced the open grave crime scene. He had his notebook ready, and closed two eyes to open three. Kevin wouldn't see much on his side, other than Henry in a blank stare with a slight sway. There was no guarantee he would spirit-write either, but he always made sure he was prepared. Kevin would also hear Henry talking.

Henry looked around the cemetery, at first not seeing anyone, but then seeing a tail sticking out from behind a tree. "Hello," Henry said softly, "I'm Henry."

The figure emerged from hiding, looking scared and confused in his werewolf costume. This was not a man, but a child, a teen, no more than 16. "Look man, the weed's not mine, ok? It was my friend's!"

He doesn't know he's dead, Henry thought, and felt the fear and sadness in his bones. "It's not the weed I'm here about."

For the next several minutes Henry explained what had happened. The boy cried, which led to Henry crying, though his face was blank for the most part. Then Henry asked the important questions; who did this? Where did they go? And how did it happen? Once a spirit became aware of their demise, they're energy shifted and things locked into place.

Henry ended his conversation by taking the boy's hand and holding it until he faded away. He was passing over, as was Henry's job to help with. Being stuck terrified in a graveyard was no way to spend eternity.

Henry slow blinked again and came back to his normal senses. He could feel a dull ache in his head and chest, heart and mind, as he always did. To Kevin this must have looked like a mime routine or some other crazy thing. Henry wiped at his eyes with the back of his hand.

He looked down at his notebook the words wolf and north printed there among a throng of black scribbles that looked insane. He handed the notebook to Kevin. "I've got a general location. And I think you were right." A slight pause, then, "I'm sorry if that freaked you out. Hi, I'm Henry and I'm a psychic medium. Nice to meet you."