#their personalities and arcs are about to be left in ruins

[everyryuujisuguro]

[suiana]

yandere! cheater and gn! reader who's in their villain arc...

you've suspected that something was up when your boyfriend started to get busy with his work, coming home late, hiding his phone from you...

of course you just wanted to give him the benefit of the doubt that he really was just stressed from his work. he was yourboyfriend after all. you had to trust him, didn't you?

well everything was shattered when you found one of his side chicks under your shared bed. she was naked, only wearing a pair of undies while holding in her pee.

"wtf why are you hiding under here?"

"your bf doesn't want u to know that he's cheating. told me that he'd kill me if i came out."

yeah, so the girl was an asshole to get with your man when she knew that he was in a relationship but at least she told it to your face straight up. also she pissed herself while getting out from the bed so there's that.

meanwhile, your boyfriend was sobbing and crying when he came home. you had found out of his side affairs, a side he never wanted you to find out about. to be honest, your boyfriend didn't know why he he got with others in the first place. he had everything he could ever want in you. you made him feel alive, all the good things you know. being with you was like a dream come true and he constantly felt like tearing out his skin from how happy you made him.

you were his god.

oh, yeah, thinking about it now that's probably it. he felt that you were too good for him and didn't want to taint you. which... was why he resorted to sleeping with others.

shitty move, yeah he knows. don't need to repeat it.

but you... why were you so forgiving? you welcomed him back with open arms, sobbed a little and told him how hurt you were! he thought you'd have up and left by now!

but you didn't.

he knew you were too good for him, he had to treat you better now. he just had to, this was obviously you giving him a second chance, right? oh he just loves you so much!

unfortunately for him, it wasn't a second chance. no, you were about to absolutely ruin this man.

it started with the small things. small rumours about him ranging from how he had a small dick to how he's a pushover... you needed to start your plan slow, you know. tear his reputation of a good and sensible man bit by bit. gotta build up that tension teehee >w<

then from the rumours, you started manipulating the people close to him. crocodile tears, white lies, and a whole pity party for yourself... telling his friends and family members how your boyfriend was an absolute shit of a boyfriend, how he didn't treat you right and how he was the worst an alive... well, it wasn't much of a lie. he did spoil you and treat you like a deity but if he really treasured you why would he cheat in the first place? there's no space left in your life to pity him.

the most important part was to constantly reassure him that you loved him and to make sure that he never finds out that you were the one ruining his life from behind the scenes. can't let him find out that his angel lover is the one that's bringing him to social death now!

by this stage, your boyfriend was completely dependent on you. everyone around him was looking at him like he was the absolute scum of the earth. where did the rumours come from? why was everyone avoiding him? he couldn't even go to work without his coworkers side-eyeing him like he grew an extra head! he's just lucky he didn't get fired-

oh and what do you know. he got fired.

he comes home crying, an absolute mess and a shell of the man that he used to be. what was once a confident and charming man is now a desperate and pathetic boyfailure.

"baby i got fired, i'm so sorry. i don't deserve to be with you."

his arms wrap aorund your legs, tears staining your pants as he seeks comfort from the only person still left by his side. yes, you're the only person left dying for. even his own parents desserted him, yet you stayed. he's so thankful-

"yeah, you're right. you don't deserve me."

it's like time stops the second the words fall from your lips. he slowly looks up at you, eyes widening in horror as his tears dry up. what? was he growing delusional? he must've heard you wrong. no way his beloved god just said that!

"haha... you're so sweet baby. joking around in a time like this-"

"i'm not joking. you don't deserve someone like me."

you slap his hands away, looking down at him as he remains on his knees on the floor. you had a smug smile, expression all cocky as you even started to laugh.

"haha! did you really think i wanted to stay with you? fuck no! i have standards okay? i really didn't want to stay with a cheater!"

your boyfriend didn't know what to think. what were you saying? he doesn't understand. is this a late april fools prank? the way his heart was clenching and the way he felt his face paled shows just how much he doesn't like your words.

"babe stop-"

"i hate you god damnit. i really thought you'd be the one for me but no! you just had to go ahead and cheat!"

but you didn't listen to him.

"let's break up."

oh yeah, you hear that? that's the sound of his heart shattering.

he quickly crawls over to you, face pale as he grips onto your pants tightly. his hands shook with each word he uttered, tone desperate as tears streamed down his cheeks once more.

he never thought he'd start begging for someone to stay when it was usually the opposite but... you were his god. the one he's devoted his entire life too.

so he'll gladly get on his hands and knees for you if he has too. you can't leave him. he doesn't want to be alone.

"please! forgive me! i know i did something wrong but i'm trying! you can't leave me too!"

he looks up at you, face completely flushed as he continues to turn himself into an even bigger pathetic mess. he doesn't care what he looks like now. he's practically lost everything. he has nothing left to lose.

"i promise i'll be better! i haven't cheated since you found out last time! d-doesn't that count for something?"

he gives you a shaky smile, as though that would convince you.

it wasn't.

in response to his words, you could only give a disgusted expression, kicking him away before walking past him to the front door. what a pathetic man he was.

"you know, you look best when you're like this."

you state, glancing at him with a smile before turning to leave his house. well, there's that. your plan was complete and your now-ex boyfriend was absolutely destroyed.

so why did it feel like... something bad was about to happen?

you quickly look back at him, keeping your cool and remaining nonchalant before you feel the blood drain from your face. your best friend?! where did they come from?! and the fact that your crazy ex was holding a knife to their neck-

"no... don't leave me... you can't leave... i have no one else but you..."

what were you supposed to do now that he was holding your best friend hostage?

[myheadphonesareneverloudenough]

me when i’m the audiences’ least favourite character and finally get my redemption arc only to be reduced to a stripper joke in the finale. and the woman i would give my life for disappears and i don’t spend any time looking for her, and only reference her once to make someone else happier about their life.

me when i’m a well loved character that audiences love because of my spontaneous acts of chaos and caring soul, only to be shoved aside and have my whole life ruined in the finale.

me when i’ve had so much taken away from me in my life that i had to resort to becoming the villain of my own story just to return to the people i love, only for my love interest which i fought so hard for to be left barely mentioned in the finale, and his absence doesn’t do anything to motivate my actions.

me when i spend years on self improvement before getting sucked back into my dark, self destructive ways and barely any of my so called family notices. and then my entire arc is left unnoticed and does absolutely nothing to my character development.

me when i spend my whole life trying to protect my family and have a clear set of priorities and passions, and then i throw that all away when i see a chance to get with my brother’s wife who’s physically 20 years older than i am.

me when i'm practically sacrificed because the girl i love is is the key to the end of the world, and all i do is turn into a hideous creature without any real sendoff or significant death scene.

me when i've been arguably the most significant character for the whole show just to get zero character development throughout the finale as i'm separated from the rest of the main cast.

me when i was introduced later in the show because of my vital importance to the plot, only to have my personality stripped from me so i can cheat on my fan favourite husband with his brother.

me when i'm a squid that swallows a girl and no one cares to explain why.

[twilightkitkat]

I think that when it comes to characterizing Worst Wolverine as opposed to his other variants, the most important thing to remember is that Worst Wolverine is tired.

Almost every version of Wolverine has experienced loss in some way. He's lost lovers, friends, and his memory from before the procedure that nailed adamantium to his bones. But normally, the story depicts him as being angry, lost, and confused. He's still in the stage of grief where he tries to seek answers, make it right, and enact vengeance. The grief is fresh, like an open wound that keeps being scratched open even when it tries to scab over.

Normally, Wolverine is still somewhat in shock, or the intense wave of emotions that follow. His story is about his immediate reaction to grief and his action to combat it. He follows his impulses—he gnashes and snarls and claws until he murders whichever villain took what mattered from him. And only then does he start to grieve. But the story cuts off just right as he begins to sort through the emotions, not when he's in the midst of it.

Worst Wolverine has already been angry. He's been lost. He's been confused. He lashed out against the world in a fit of impulsivity that cost the X-men their reputation. He already sought revenge against a world that murdered his family and he had to live with the aftermath. For over a decade.

His story didn't end when he avenged his family, nor did it begin again when a new distracting plotline started. No. He had to sit quietly with his grief. Learn to live with it.

He wasn't just a character built on intense, conflicting emotions, because he had to keep surviving even after they died out. He didn't just have to live through his immediate reaction to grief, but live through the solitude of waking up every uneventful day with nothing to live for.

Worst Wolverine is tired. Unlike his other versions, he didn't have anything left that tethered him to reality. He had to come to terms with the fact that he lost everyone before he even let them know how much he cared. He had to confront his own feigned indifference, his gruffness, and all of his flaws while knowing he could never go back and fix it. He had to live with his own spiraling mind, thinking over the what-ifs and the could-have-beens and the if-onlys.

And he eventually reached a state of complete apathy. Where his only solace was drinking enough to drown out the voices in his head, to blur the images seared into the backs of his eyelids. (But even that didn't help. Not really. Not when everyone looked at him with scorn and reminded him of what he'd done. What he'd lost. What he'd ruined.)

It was in this state of exhaustion that Wade found him. Not the first person to approach him (to hook up, to sneer at him, but always with an ulterior motive) but the first to want something more. And when Wade pointed his gun at him, he laughed. Death was just a daydream to him. Something he wanted but could never truly attain. (A mercy he didn't deserve.)

But he went with him. And eventually helped him save the world. The one "good" thing he feels like he's ever done. The one thing he didn't fuck up.

And Logan is still exhausted. It's in his bones. It's in the wrinkles around his eyes. It's in his posture. But Wade helped him push past that for the hope of something greater. His entire arc in the movie was working past the fact that he's exhausted and grieving to finally let someone reach him. Move him.

And it didn't go away completely. Not with how he resigned himself to a life of isolation even in a new universe with a fresh start. But Wade called out to him. Pulled him back. Looked at an exhausted old dog that couldn't learn new tricks and still wanted to take him home.

Logan is exhausted. But now he can curl up next to Wade on the couch with the warmth and weight of someone next to him and finally sleep without waking up to another nightmare.

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[rebo-chan]

Something I was thinking about lately is Tsuna's daddy issues. Specifically this frame.

Like that's such a loaded thing to think about. He's got so much resentment built up. Obviously, there's no direct connection to any of Tsuna's issues made but I think a few fun things can be said from this. In general, Tsuna clearly didn't have a father figure in his life which sorta results in him leaning on Reborn pretty often. Tsuna doesn't have a very stable self-esteem with him going from confident to "Aah, Gokuderas going to become disillusioned with me now that all my flaws have been pointed out." GOKUDERA. His FIRST SUBORDINATE. The guy who literally has been LOYAL FROM DAY ONE. Not that we consider them canon, but this happens also during the filler arcs where Daemon points out that Tsuna's not worth following to Gokudera and it seems to make Tsuna a little antsy. He DOES NOT THINK THE PEOPLE HE LOVES ARE GOING TO STAY WITH HIM, THIS IS LITERALLY RUINING MY LIFE. What Daddy Issues DO TO A MF. But that's a post for another day. But okay, back to Reborn, Reborn proves himself to be immovable from Tsuna's life. The story points out that Tsuna very much has two fathers. The one who won't leave and the one who is always gone. Tsuna really leans on Reborn throughout the series. "Reborn, what do I do?" Is a common thing he says, until Reborn is literally swept away from him against his will in Future arc where he's forced to think that he's half a person in Reborns absence. Meanwhile, we have Iemitsu who Tsuna has resentment built up towards, does not respect, and is forced to acknowledge in order to win his fight. Throughout the rainbow arc battle, they try to point out that Iemitsu is trying to teach Tsuna something here and unless I'm confused (someone feel free to tell me?) it's not really clear WHAT that is. And I've always thought that was neat, because it's obviously coming from Tsuna's inability to respect Iemitsu enough to want to learn anything from him. Yet when Reborn comes in, hell he doesn't even recognize him in his Adult form, but he politely listens and takes his advice seriously. In the grand scheme of the series, Reborn is a good teacher and father figure in his life. When Tsuna is made to feel like that he can't do anything in Reborn's absence during Future, Reborn takes a step back in that arc and lets him learn to survive without his guidance. (Notice how the training almost entirely disappears after Future.) He lets him learn how to be a person without him, only stepping in to help when Tsuna really needs it. When he's unable to light his flame, with Spanner, or when he's freaking out about the Irie reveal, the list really goes on. There's a scene I recall I believe when Yuni asks to join their group, Tsuna still turns to ask Reborn what to do, and Reborn redirects him by asking him what he wants to do. That it was his call as a boss. And Tsuna ends up making the decision to help her off his own accord.

It's with Reborn's guidance that Tsuna ends up learning to be his own person, it's this guidance that allows him to make the decision and gather everyone on his own accord when it was Reborn's turn to be shaky and give up. Where Tsuna tells him that he's got this under control, without his guidance. To just watch him. "you've always knew I could win before." It's this arc where Reborn's pride in Tsuna shines. Multiple times. "Surprise me again, Tsuna." And he does. It's in Reborn's second absence where Tsuna feels himself get shaky again, feels the old feelings of poor self image crop up, that Reborn comes back. Because Reborn is not Iemitsu, and he wasn't someone who left him in that house alone forever. Because he's still young and has much to learn before he's ready to do this on his own. It's at this he feels a little embarrassed about how glad he is that Reborn came back, but then recalls the "mean words" that Reborn said before leaving. It's here that Reborn tells him it's a good thing he hasn't changed much. Another sliver of guidance that Tsuna takes in from the figure in his life that won't leave him alone in that house.

[stardustizuku]

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.

[anarchy-and-piglins]

Tommy tries not to stay too long because Mareep gets sad when she's lonely.

She can't tell him this - she's a sheep and all. But she shows it in the way she nuzzles her gentle head into Tommy's chest when he returns, as if she's trying to push out all those sharp and bunched up feelings that get stuck there. They're not bad feelings though. Not good feelings either.

Just feelings. A lot of fucking feelings.

But Tommy likes visiting the cabin. Even back when, it always felt so far removed from everything else. So quiet, not always in the positive sense. He loved it and he hated it. That seems to sum up about everything he remembers from that time.

(He went in once, the first time he visited. Not anymore. Everything was covered in dust, hollow and empty, and Tommy couldn't breathe for reasons beyond the stifled air.)

Being there doesn't hurt the same.

Tommy still marvels at that. Yes, it still hurts and yes, it always will. But there's more than the hurt now. He remembers the laughter and the stupid jokes and the bench and Henry and man, does it feel as if he's aged a decade. He hasn't. He's young. And there's so much ahead of him.

Then the snow shifts behind him with the soft crunching of footsteps. He turns around, and a person Tommy has thought about pretty much every other day for the last eight months is standing against the treeline.

"Hullo," Technoblade says, as if they have seen each other yesterday. He looks a little less exhausted, and a little less jumpy than Tommy has ever seen him before. Tommy's hand curls around the handle of his sword and then relaxes.

"Hey," he says. Then he swallows. "I didn't know you still came around here."

"I don't," Techno says. "Just came to pick up some stuff I left behind."

"Yeah?"

Techno walks around him in a little arch, and in a way that keeps him facing Tommy at least from the side, never the back. Tommy hates that this is who they are now.

And then Techno scoffs lightly, kicking at some rocks Tommy had been piling into a tower once when he was deep in thought. "Bruh, you're not ruining my property value again, are you?"

Automatically, Tommy laughs. Bright and sudden, and sincere. "Wha- Fuck you, you just said you don't live here anymore."

"I could be on my landlord arc," Techno says dryly.

Tommy should leave it at that. The part deep inside him that still feels raw and scared - as if he's sixteen again and the ocean is endless before him - recoils at all of this. But Tommy knows that part of him can be wrong, sometimes, in how it reacts to things. In how it refuses to embrace change.

"What have you been doing?" he asks. Techno watches him for a moment, a little guarded. He shrugs.

"Farmin'," Techno answers after that small second of hesitation. "Hibernating. Just doing my own thing, away from everybody. I'm done being hounded by people." He brushes some hair from his face, longer now than when he was living on this server. Tommy doesn't think he has never seen Techno without fresh scars or bandaged knuckles. It suits him.

"Sounds nice," Tommy says. He thinks about his little cottage, and Tubbo's honey, and how he's been starting to grow his own flowers.

"It is," Techno agrees.

Tommy leaves quickly after that. But when he returns two days later, there is a glint of round netherite hanging from one of the fence post. A compass with an emerald inlaid in the back, that points to a place very far away.

Tommy doesn't think he's quite ready to follow it. But someday he will be.

[redphlox]

Shouto's ruined character arc in the epilogue

The epilogue’s toxicity-positivity message about smiling ruined Shouto’s characterization and undoes the growth and purpose of his arc because he’s not allowed to mourn the imminent death of his brother Touya.

Shouto partaking in these tone-deaf, festive activities with his friends in chapter 429 feels out of character, feels cheap and shallow, and is a slap in the face to his family. In the past Shouto declined school-related activities and prioritized spending time with his mom at the hospital. Now the narrative is trying to sell the idea that he would NOT spend every remaining minute alongside his family with his dying brother, who he has always wanted to know, the brother he practically begged to confront and said, "Our paths will cross whether you want them to or not" to. Shouto spent all this manga reconciling his feelings about his family and reconnecting to them to just... not be with them when they’re about to experience loss AGAIN? 

I'm not saying I want Shouto to be miserable, but realistically (since readers are so obsessed with realism in this superhero manga), he wouldn’t be wasting the limited time he has left with his brother by going to a farewell party, or any party. Damn, can the author let him mourn? Despite all the celebration the kids are doing, Shouto didn’t get a happy ending. While the rest of their community is rebuilding and making sense of what happened, the Todoroki family is still going through their crisis. It’s not over for them. At least let them cry.

This is a regression for Shouto’s character because the concept of allowing heroes to cry was first presented through Shouto, literally through his own words. The narrative then picks up this concept again during Ochako's speech at the UA shelter civilians, and then... Shouto isn't allowed to cry in the epilogue, and is forced to fake a smile so his friends don’t worry about him.

It’s not like Shouto has cried in this manga. He cried during the sports festival, during the Dabi reveal, and after Dabi escaped to Gunga to go after Endeavor because he knew this meant he had failed to reach his brother -- so no, it doesn’t make sense that he wouldn’t cry now. Instead, he's the one fake smiling, and only Ochako is allowed to be shown crying and being comforted. The double standard and retcon is astounding.

You can literally see the light not reaching his eyes in this panel from 425 when Deku asks if he’s okay. And yes, Shouto is prioritizing his family in this panel, but like I said, Touya doesn't have much time left... why waste it?

Shouto doesn’t want anyone to worry about him, so he’s putting on a brave face. And yet Deku and the other classmates reaching out to Ochako in 429 is selling the opposite message - don’t cry alone, let us be here for you, etc. Why isn’t Shouto granted the same support, especially from these classmates he claims are there for him?

If Horikoshi was aiming for a happy ending where people smile, then Touya’s grimdark, cruel, second and final death doesn't fit because Shouto has to mourn. You can't have both fake smiling and off-screen assumed mourning… it makes no sense for Shouto’s arc, or for the epilogue’s message about reaching out for help or to help. It doesn’t make sense in any context.

Shouto's characterization feels so off in this epilogue. He’s a shell of the person he was becoming. The story starts out by saying that this character is supposed to process the trauma of childhood and a dysfunctional family that he always wished was different, but now he has his found family in his classmates instead. And I'm not saying he can't have both - I'd say the support from his friends is imperative - but, it doesn't make sense that he has seemingly moved on because the fact is, his family situation was his entire start. 

It's not just Shouto that feels off, but his family too. Their once-considered-dead brother/son is alive, but now is dying in front of their eyes for real this time and they just… don’t try to spend as much time with him as possible? Even the sentiment that Shouto gave the family more time to talk falls empty because Touya can only endure a few minutes of conversation at a time, and it’s not like he’s slowly improving and that time will increase. It will only decrease. And yet, the family doesn’t seem too concerned or heartbroken that they’re witnessing someone they love die a second time, this time slowly. He can’t even communicate with them, and he’ll most likely have many things left unsaid when he dies.

The Todoroki family plot was set up to be about reconciliation, but they’re not reconnecting even with Touya’s upcoming death. This scene of Touya and the other siblings kicking a ball while Shoto looked on from the second story of the house begging his father to allow him to play with his siblings has been addressed like four times, and yet in the end he doesn’t get to spend happy moments with his siblings. His reward for his heroism is Touya’s slow march toward death and the knowledge that he has the same favorite food as the brother who his father neglected to death twice. 

Instead of being shown mourning or connecting, the family is acting cold and distant - only Natsuo is acting with a semblance of his normal self. I know some readers attribute the family’s aloofness to Japanese culture not being very affectionate or open with their emotions, but that doesn’t mean Japanese people are devoid of feelings. That’s so fucking racist. We’ve seen parents express love and concern for their children in this manga, and yet the Todoroki family continues to say “we’ll talk, we’ll talk” but we’ve never seen any follow-up. It’s ironic because Shouto’s whole mentality is “actions speak louder than words”.

For a family that became unstable because of misunderstandings about feeling loved and wanted, the family continues to feel devoid of caring. No one comforts Shouto, no one talks about how they feel except for Endeavor. Shouto isn’t allowed to grieve in front of his friends because Ochako takes priority because the narrative is pushing this toxic positivity message about smiling that works on the surface but fails to address any systemic changes. 

This ending doesn't fit the hopeful tone of Shouto's arc.

RIP Shouto’s arc. We loved you. 

[eternalgirlscout]

i think part of what's so important to me about the headcanon that shou has his mom in his life as a caretaker post-world domination arc is that it shows how wrong his dad was--not just that he was wrong for choosing to do the things he did, but that he was wrong about how much control he even had in the first place.

touichirou's overblown sense of self-importance made him believe that because his wife left him and he wasn't seeing shou continue to have a relationship with her, it must mean it wasn't happening. he thought he could exert total control over everyone in the world, but he wasn't even the only one with agency in his own family. he apologizes for leaving shou without anyone to take care of him when he turns himself in, but even that assumption gives him too much credit. he's not the most important person in the world. he couldn't manage to ruin everything despite his best efforts, and that's what lets the sense of closure/change in their relationship feel earned to me

[byerseason]

why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

[celuere]

Hii Alba! I've been reading your works, and they're all amazing! ❤️

Can I request an Arlecchino x Reader who is Pierro's adopted daughter? Maybe when Arlecchino became a harbinger and reader (they're the same age ofc) was her first (and maybe her only) friend there? And they grew up to become closer and closer? You can decide for the rest hihihi thank you! 🥰

Why Anon ofc, I‘m at your beck and call!!! I actually think that’s such a neat concept of getting to know her, like meeting Arle freshly after crucabenas assassination she is of course not the most extroverted person and it takes some time for her to start to open up to you AAAAAA I‘M SO GONNA GET TO WRITING THIS AND TY FOR YOUR KIND WORDS🫶

The Hearth is now extinguished.

Pairing: Arlecchino x fem!Reader

Context: As Pierro’s adoptive daughter you‘ve known the Knave for quite a few years now and you grew… close to her to say the least… always finding excuses to accompany your father to every possible Harbinger Meeting, to maybe even share the same mission locations together… and a bed on occasions. But little did you know, you sadly weren’t as sneaky as your father taught you to be.

Content: mutual pining, unspoken feelings, doomed yuri (my fav kind), suggestive (mentions of arle and reader being intimate, other than that sfwangst, pre-Fontaine arc, reader has a vision, ANGST.

I really hope I hit the nail on the head with the plot, let me know if you like it anon!<333

A/N: […] stands vor Your name! I‘m not a big fan of using Y/N as it lowkey ruins the sentence for me😭 I‘ve also been working on the second part of the Teased story, expect it to be a long one!

You remember the day just as clear as todays morning sky at which you’ve been staring up at for the past minutes. A soft breeze hit your face, brushing the strands of hair out of your face. You were a little nervous to say the least. You were waiting for somebody. Waiting for her so you can finally confess.

Waiting for her as your mind once again went back to the day you first met…

Blizzards have been raging in Snezhnaya lately as you stood next to the Jester, hands tucked tightly into the warmth of your coat. As Pierro‘s daughter, adoptive daughter to be more specific, you had certain duties. One of them was accompanying your father to appoint the next Fatui Harbinger.

The news about Crucabenas sudden death by the hands of one of her own children reached the Fatui HQ in the capital of the City of eternal winter a good four days ago. A 17 year old girl. Killing a Fatui Harbinger. Seventeen. The same age as you. To be honest you were by no means defenseless, being adopted by the first Fatui Harbinger himself came with a few perks, one of them being trained to perfection in almost every weapon category. It wasn’t uncommon either for your father to send you of to an assassination all by yourself at the ripe of age of 14 and being a Cryo Visionholder ever since your tenth birthday… well let’s just say that most high ranking officials weren’t a match for you. But thinking about even scratching La Signora, who was standing and waiting behind you… or just as much as breathe in the wrong direction of Capitano on your left… it wouldn’t came to you in your wildest dreams

So who exactly was that girl?

You were interrupted in your thoughts as the big wooden doors opened. Revealing a rather… small girl… even with the clacking sounds of heels against the polished marble floors, you could tell that she was around half a head smaller than you.

But her height wasn’t what caught your attention. Nor was it her white hair that‘s illuminated by the moon light shining down on her through the windows of the dome above her head.

Red.

It was the deep crimson x‘s adorning her pitch black eyes that you caught yourself staring at, the words coming out of your father‘s mouth completely drowned out as she strode up to the altar. Her face expressionless, almost cold in fact. Your breath got caught in your throat as she took notice of your staring, a tint of pink starting to form on your cheeks, you shifted slightly behind your father.

She was beautiful… not beautiful like Rosalyn… another kind…

And for the rest of the entirety of the meeting you couldn’t help but study her. Study the pretty earrings grazing her earlobes. How she didn’t even move a single inch once she came to a stop in front of you and Pierro. The soft eyebags underneath her eyes, probably the result of her hard training. But to your disappointment she didn’t even as much as looked into your direction ever since you made eye contact at the very beginning.

Arlecchino. That was the new name bestowed upon her. She inherited the title as Knave along with the House of the Hearth. Quite a lot for a seventeen year old girl, who just wanted to kill the monster that was called „Mother“ at the orphanage. Of course you knew Crucabena. And you knew Clervie, her late daughter. You knew she was a terrible person, someone who didn’t deserve the title „Mother“, how she treated her daughter and the other kids under her care, someone who hopefully is rotting in the depths of hell at this very moment.So you couldn’t help but feel anything else other than utmost sympathy for the girl in front of you.

You wanted… no. You had to befriend her. No questions asked.

So you secretly beamed in excitement when Pierro asked you to show her around Zapolyarny Palace and explain how things are operating from here on now. Stepping forward you revealed your hand from beneath the warmth of your coat and waited for her to take it.

„[…]. It‘s a pleasure to finally meet you.“, you hesitated before a soft smile tucked at the corner of your lips as you waited for her to shake your hand. And to be fair, it took her a few moments. She stared down at your hand for a while, as if she was debating something in her head. Then you finally noticed the movement underneath her coat before she revealed her own hand. And from there on you were mesmerized by her.

Pitch black hands along with dark-grey lines tracing the back of her hand before disappearing beneath her sleeves.

„It is rude to stare.“, to your surprise, her voice was deeper than expected.

„I…“, you quickly cleared your throat before taking her hand into yours, „of course, my sincere apologies…“. Goodness, her hand was soft. And she was even more prettier from this up close.

You heard Signora trying to hide a laugh behind her hand, along with Capitano clearing his throat, probably doing the same.

Insufferable old bags.

But little did you know, this handshake marked the start of an inseparable bond between the two of you. Of course, talking to Arlecchino at the beginning was… dreadful to put it mildly. Short answers. Never laughing. Always monotone in her voice. But you were never a girl who gave up so easily, you were quite the opposite. So you stayed strong, using every excuse under the sun to participate in ever meeting alongside your father, no matter how long it would take as long as you got to sit at the same table as her. Fortunately your efforts weren’t in vain because around four months after Arlecchino got appointed as Harbinger, she started to slowly get more comfortable around you. It started with small things. And I mean SMALL things, such as keeping the seat next to her free for you to sit down, accompanying you to take a walk through the capital city whenever she had a spare hour in her schedule, always staying by your side whenever a bigger event rolled around. She still didn’t talk much but you were satisfied with the progress nonetheless.

And after even more months, you could actually have a conversation with her. Turned out she hates the taste too flavorful foods, preferring more plain meals such as… raw meat on a toast along with some ketchup. It gagged you a little the first time she ordered it at a small restaurant she seemed to frequent, but you kept your mouth shut. She‘s just started to open up to you, making a remark in her taste in foods would only set you back in the progress you‘ve already made with her. You even accepted when she offered you a bite. And it tasted… strange. Not awful but also not exceptionally good either.

„You don’t like it?“, she brought up the the toast to her mouth before taking another bite herself as she studied the expressions on your face.

„It‘s… unique… I still prefer salted bacon on a toast instead…“, you washed down the weird taste with a few gulps of your water. As you did so, Arlecchino bent over the table to you, hand reaching out to your face. Your heart set out multiple beats as the butterflies in your stomach flared up.

What does she think she is doing?!

„Arle what-”, her hand gently touched your hair as she interrupted you while taking her hand back, „There was a spider in your hair.“. The small eight-legged animal crawling over her fingers as something akin to fascination washes over the Harbinger‘s face. This is your first time ever seeing something other than an indifferent facial expression on her.

„Oh…“, you leaned in closer to take a look at it, „are you fond of spiders…? You don’t seem scared to me like most people are…“, you could barely make the black spider out on her cursed hands.

„I had a pet spider when I was six years old. They’re easy to take care of. I like them.“, she set the small thing down on the windowsill next to your table. That statement somehow fit her so well. You couldn’t put your finger on why that was the case, but you were always happy to find out more about her.

By the time her 19th birthday rolled around you already taught her how to to braid the hair she‘s been growing out ever since her appointment as Knave. Your fingers delicately combing through her silky strand as you were sat behind her in front of a mirror. You were 18 at that time.

„It’s been getting in my way a lot lately. But I don’t want to cut it off again. I… like it more this way.“, her own crimson eyes skimming over a report from one of her subordinates as she enjoyed -yes. enjoyed.- your fingers running through her hair. Oddly enough it seemed to calm her down, causing her to lean more into your hands. Of course the sudden movement didn’t go unnoticed by you, but you didn’t comment on it. Knowing her, she would brush it off anyways.

„Good thing that you have me…“, you smiled at her through the mirror before you binded her together and set back. „There. All done. Do you like you it?“, you stood up from the floor to get something from your accessory box.

As you searched for a certain hair clip, Arlecchino looked at herself in the mirror, moving her head to the side to have a look at your handwork. „It‘s… simple. I think it suits me well. Thank you, […].“, her eyes landed on you as you walked back to her, a unique accessory in your hand.

„I‘ve had this clip ever since I was a small girl…“, you sat down next to her, revealing the metal thingy in your hand. At the first look it didn’t even seem like a hair clip. The curled up wings on each side looked more like something that belonged into a museum. „Let me put it in your hair really quick…“, you moved back behind her and took the tail back into your hand.

„You… really don’t have to. I‘m fine with this, I wouldn’t want you to give up something as beautiful as this hair clip for me.“, …what was that feeling stirring up inside her stomach…? It wasn’t quite new to her. She often feels like this whenever she‘s around you but she couldn’t exactly pinpoint it either. To be honest, she feels a lot of things whenever she is with you. Not that she would ever admit that of course. It wasn’t like this with Clervie, it was more… romantic…? Either way it confused her.

„Nonsense. I‘ve never worn this one in my entire life. It will only continue to collect dust here…“, you fixed the clip on her ponytail. „And it suits you way better than me anyways.“, you grabbed a smaller mirror from your bed behind you and held it up so Arlecchino could have a better look at her ponytail in the bigger mirror in front of you. „Much better, isn’t it?“

And from this day on, she wore that specific hair clip you’ve given her. At all times. Everyday. You actually never saw her with anything else keeping her hair together. It was always those metal wings adorning her white-red hair.

Time flew by faster than would’ve liked but over the months, years you grew… closer? That‘s a mild way to put it. There was something unique between the two of you. The way you‘d look at each other. The way Arlecchino would always be the first one to ask you for a dance at a formal event, one hand gently holding onto your waist, the other one cupping your hand as she led the both of your over the dance floor as the orchestra switched to a more… slower song.

The funny thing is… remember how she used to be half a head smaller than you about three years ago? About that… growth spurt seemed to hit her a bit late as you now had to lean your head back into your neck to maintain eye contact with her.

„Isn‘t your neck slowly starting to get stiff…?“, she bit her lower lip, the x‘s in her eyes shimmering from the chandelier light shining down at you two. She wore a tailored black-red suit that night, and you couldn’t help yourself but look her up and down multiple time for the duration of the evening.

„Shut it… your not that much taller than me.“, that was a blatant lie. She could easily rest your chin on top of your head. You both knew that. „My, my… feisty today, aren’t we?“, she let you spin around before pulling you closer to her chest again. In her eyes you were the most beautiful person to ever exist right now. The ballgown complimenting your body perfectly, your hair put up nicely, probably by yourself, which suited your face so well, it actually was hard for her to believe that someone could be so… so incredibly beautiful as you were…

It’s not like she would ever openly admit that.

Of course you noticed her shameless staring on that very same evening. How her eyes landed on your lips multiple times, often not adverting her gaze for a longer period of time. How she licked over her own whenever she took in your dress. You knew she wanted so say something. But you didn’t pressure her, it‘s Arlecchino after all.

You also remember how she pressed you up against the door of your sleeping chambers later that night. Left hand slipping underneath your dress as the other one undid your hair. Tongues intertwined while the hand that’s been sneaking up underneath your skirt grabbed onto your ass like you were hers to take. Hers to touch. Hers to kiss. She didn’t even let you break up your kiss when your mixed saliva was dripping out of the corner of your lips. She kissed you like it‘s all she ever yearned for. As if your lips might be the cure to the curse flowing through the blood in her veins.

But even after that night, neither of you dared to speak up on the feelings you had for each other. You just continued sharing a bed from time to time. Whispering sweet nothings into your ear as she made whine her name out in ecstasy. Her kisses tasting after something forbidden. Something addictive, it was getting unbearable for you to keep your mind at bay whenever she was near you in public. How your father didn’t notice it, you had no idea. But it was better this way.

The problem wasn’t Arlecchino‘s gender but rather her occupation. A Harbinger was strictly off of the table for you. That rule applied to every member of the Fatui. You didn’t even want to imagine how he would react.

But you weren’t surprised as Pierro was now standing before you. Not the woman, you‘ve been waiting for. His glare stirred up your anxiety, causing you to start fidgeting with your fingers.

„I… I can ex-", you immediately shut your mouth as your father raised his hand to silence you.

„That‘s enough. I thought I taught you better than this. The Knave? You are smarter than this, […]. I raised you to be smarter than this. I have observed the situation long enough to tell that you two have gotten emotionally attached to each other. Especially you.“, he put his hands behind back, shaking his head.

Silence. The wind now suddenly gone. It was quiet. Too quiet, in fact. Something was about to happen and you hated this knowledge. Hated how it made your stomach sink. Hated how it made your legs heavy.

„Arlecchino will be transferred back to her homeland, Fontaine, to get a hold of the Hydro Gnosis. She is probably already on her way there. For the complete duration of her stay, you are strictly prohibited to even set foot at Fontaine‘s Borders. I’ve already put you on the blacklist for operations regarding the Nation of Justice. I think, I don’t have to explain to you that letters are off the table, too?“, a punch to your stomach would’ve hurt less than this. Hollow. That would explain best whatever you felt at this very moment. You didn’t even had the chance to tell her your feelings. That you never want to be apart from her again. That you want to grow old with her, no matter what.

„Too shocked to answer, I see…“, he put his hand onto your back. Guiding you back to the city, ignoring the tears starting to taint your pretty face. You hated him in that very moment. Hated Hated. Hated. Hated. Hated. Hated. Hated. Hated.

Hated.

„While we are at it, the son of one of Pantalone’s most successful business partners recently asked me about you. A nice man, indeed. Intelligent, promis-”

„No.“, you halted in your tracks. It took every fiber in your body to not smash something in his face. You were seething with anger. And he only added more fuel to it on purpose.

„Hm… too bad, daughter. Let me know once you changed your mind.“.

As you trotted back to HQ you were a shell of yourself. The letter you prepared for her in advance along with a ring was burning a hole through your pocket.

——————————————————

Some angst for the soul. I‘m sorry I just saw the opportunity right in front of me and took it guys, please don’t bother sending in your therapy bills🙏🏼 anon I hope you liked this one and let me know your thoughts on this!

[catsvrsdogscatswin]

I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

[coffeegnomee]

Ok just caught up and like. What the fuck man. 

I literally all can do is just sit here and hope and pray that the old members stick it out and help the new members understand what lifesteal is actually about.

Because lifesteal has the reputation of being the lying and betraying and killing people server. 

But it is just Not That. Like obviously those things have happened on the server, fine. 

But lifesteal is far far far more about teammates. Believing that they will have your back. Working together to do cool shit. Trusting each other. 

It’s about commitment and honor and respect and working together on an interesting goal. 

It’s about not screwing over your teammates for a cheap moment that ruins the rest of your relationship on the server. (Mapicc showed this perfectly this week too! He ended the experiments because he’d rather have a teammate than execute a crazy emotional manipulation arc on Zam and really push him over the edge.) 

They sacrifice for each other. They protect each other. They pick each other up when they get killed by their enemies. They encourage them when they’re down. Help them be strong against their fears. Get each other gear and hearts and make sure they’re safe. Spend hours on each other’s arc together in vc all night. 

They lie to OTHERS for their team. They protect the wormhole for months even when they don’t want to or believe in it at all.

They do tiny little things that they know the other person will like just so they know they love them and appreciate them being on the team. They say it too, to each other’s faces. 

It’s about loving each other bro. There’s a massive fucking reason why there’s so much shipping fanart man. They fucking love each other platonically so damn much and so damn perfectly that you can make it romantic and it’s like not even like all that weird.

It makes me so fucking mad that you could boil down this beautiful server into lying and killing and go on it and be like, I heard princezam betrays every team he’s on obviously we should betray everyone and be on the lookout for every single person being a betrayer. 

Zam fucking lost his mind over betraying team awesome and eclipse. He AGONIZED for MONTHS before pulling the trigger for eclipse and he didn’t betray team awesome until after their massive arc together that he was completely loyal to, finished it out as a team, and only when they looked like they weren’t going to give up their unfair advantage did he seek to leave them. And he fought them and left.

The fucking respect he has for a team is insane.

And same goes for Bacon and Mapicc. 

as for others:

Ro only betrays if he gets a better offer (from mapicc) 

Leo betrays when it’s interesting for the story to have a juggernaut.

Spoke betrays only when he has his own bigger plan to execute that will create something interesting for the whole server to encounter. 

Clown only betrays when you go against his morals of creating content by chaos. 

I can’t even think of any notable betrayals from before s5. Most of the server does not betray ever. Most of the server never lies. 

They only lie and betray when it’s for the benefit of the content. 

And that’s what fucking makes me so upset about this. Bacon is doing this arc for the BETTERMENT of the server. He literally says he’s doing it to make other people’s lives on the sever more interesting. It ain’t even about him. He’s not even making a video about this. He just likes to do cool shit on the server because it’s fun to craft an overarching story for everyone to play into.

It’s never been about hearts man. 

The most valuable resource on the server is content. 

And Bacon understands this. In a way that quite possibly could make him a worldender like spoke and clown. He’s really getting into the role of strategizing fun things for the server to do for no other reason than someone has to do it and that it’s good for the server. 

But the new members just do not understand what “for content” means. They just kill randomly. They don’t defend each other. They don’t tell the other teammate to give the heart back bc it’s been proven enough that they’re innocent. They’re constantly suspicious and will only meet if there are no enemies online. 

It’s not about the hearts man. 

It’s about the team.

[kerink]

putting aside my issues with continuity (because i know there's a debate about what "continuity" means in wtnv) and putting aside my personal preferences, i'd like to talk about what's made me unhappy the last two seasons:

i think the story telling is bad

that's not to say brinknor aren't creative people and good writers, they are. that's why i listen to and enjoy the show. i've also read their more stand-alone and self-contained works, i know they are talented. this is not a dig on them or their abilities. if i didn't like them or their work i wouldn't bother with it

the main issue, for me, is that i think the last two seasons have been trying to cram in more ideas than the season length has air for, so we're not seeing the complete story. i think too much is being left intentionally vague for fans to play with in a way that doesn't work

year 10 ends with carlos becoming a night vale citizen and him reflecting on whether or not he's okay with that, whether or not he feels like he actually belongs here, despite that having been his main struggle while he was trapped in the dow. we saw that although carlos has committed to and prioritized night vale, and that was ostensibly enough for him to be accepted, he did not actually accept night vale back. we assumed that carlos' commitment to cecil over his work was him finally finding his place, but all it was was him finding his priorities. maybe it wasn't that night vale had rejected him, maybe it was that night vale was attempt to protect its voice, and only allowed carlos back once he agreed to love cecil like the town does

and then janet shows up. at the end of year 11, janet said that her primary motive for coming to night vale was to get back at carlos. we saw blake bullying carlos for having abandoned the university and how he's viewed as a disgrace. we saw the university staff threaten cecil. janet ruins the town that got carlos' name on the map. all of these events are congruous with the above struggle: does carlos belong in night vale or does he belong in the real world? is carlos a citizen or an interloper?

but that isn't the main struggle that plays out. other than what was stated above, and janet making a few backhanded remarks about carlos' bad science, there is zero evidence that janet's primary motive was to hurt carlos until she says so at the very end. in fact, at the beginning of the season, she stated that he primary motive was to make night vale normal. that's in line with her actions far more than hurting carlos is. hurting carlos feels like a bonus to what janet actually wants: to be in control and in charge. the majority of the season is spent antagonizing dana (which was narratively unsatisfying because it was a bland rehash of the a matter of blood arc, but i digress). carlos is not a participant in this story, he hides and he lets the city protect itself, he lets cecil take the heat for him

and when we step back and look at y11 in the context of the primary theme of y10's finale we learn the answer: carlos is an interloper

as soon as science becomes threatening again the town turns on him. they reject him, they strip him of his power, they judge cecil for being with him. the town did not accept carlos, they had a truce with him formed out of his marriage to cecil

y11 left a lot of questions unanswered: how long has carlos actually been gone? what contact did he have with the university after y1? who is still looking for him? what role does dr. kayyali and her search party have in this? was the glow cloud (all hail) the only perma-death?why did janet's explanation of the glow cloud (all hail) not kill its child too? why did the university have such a large staff? why did the entire staff turn on janet so easily and so quickly?

and narratively it feels unsatisfying because janet's stated motives were not in congruence with her actions. which fine. people lie. maybe janet was lying about what she wanted to prevent carlos from meddling. maybe she did want to ruin night vale for him but got distracted by the whole doubles thing so picked that up as a side project. maybe we only heard so much about what janet was doing to dana because cecil cares about dana and carlos asked cecil not to talk about the plan he was forming to defeat janet. i can accept all of that, i just wish we'd gotten a whiff of it instead of having it entirely being left to interpretation

so we leave y11 with questions about what the point of it all was when a) there was only 1 permanent consequence that we're aware of and b) it didn't provide us any new information. we got the most about carlos' backstory we've ever gotten, but that was really the only thing you could say came out of y11. and even learning that about carlos felt violating, felt inappropriate, furthered our question of who is carlos and what role does he have in town

and it seems like carlos felt it too, because he decides to go back to the dow. when he was there he gained wisdom about himself and who he was and what he wanted from life. he figured himself out and found his place in the night vale. after a year of having his status as professor robles of the university of what it is questioned and derided by janet and her team, and having his status as carlos the scientist hero of night vale scorned and rejected by the town, he wanted to return and gain clarity on how he picks up the pieces of himself

but that's not what happens either!

the boy shows up and the story becomes about him. we don't learn where the boy came from, how he appeared in night vale, why he's in night vale instead of desert bluffs, how the timeline supports there being two kevins when back in e106 and e209 the timeline made sure to kill the duplicate cecil. how did no one see that the boy looked like cecil? it could have been a fun reveal if everyone thought it was another little cecil (also playing into all the palmer childhood lore this season) only to bait and switch it being a young kevin. we don't learn why tamika specifically took over raising him or how carlos instinctively knew to keep the boy away from his family. we don't learn how the boy was rapidly aging while in night vale or what age he wound up stopping at when kevin took him away. we don't learn why mother lauren absorbed him instead of killing him outright, since she seemed more than happy to try to get rid of kevin. what happened to the boy's desire to be his own person and create his own timeline away from kevin's fate? isn't the finale a tragedy and not a happy ending? what did this season matter if everything he learned about himself and the world was erased? the boy does not get a full story because too much air was given to lauren and kevin

with lauren we don't learn how she re-made a name for herself in desert bluffs too, how she got in the smiling god's good graces, how she manifested the power she presented with in night vale, how her rise to power impacted kevin's control over dbt, what the state of dbt is after lauren left for night vale, what was her motivation for even coming to night vale, what did the night vale chapter of the joyous congregation think about this, did carlos' killing the centipede matter at all and does anyone care? lauren does not get a full story because too much air was given to kevin and the boy

with kevin we don't learn what becomes of his theocracy, what becomes of his control of the church, what did his speech on changing even mean and how does it impact things when he's choosing to create a time loop? when kevin said he was going to bring someone back with him, who was he talking about? where are charles and donovan and what do they think? why do kevin and carlos not interact even a single time? does the night vale chapter of the joyous congregation care that their prophet has returned and what does kevin's defending of night vale mean for their beliefs? kevin does not get a full story because too much air was given to the boy and lauren

some of these questions are nitpicks, some are good things to leave vague and up to the audience. the main issue here is that: 1) the boy does not get a beginning to his story, the middle of his story ultimately didn't matter because mother lauren erased it, and he has no true ending because we already know what that looks like and in its being a time loop it will never end; 2) lauren does not get a beginning or a middle to her story; and 3) kevin's motives are totally all over the place. does he want to change or is he still so afraid of losing control that being able to control his own terrible future brings him some kind of closure? why is the best he can offer the boy the same horrific life he's spent the last century trying to recover from?

and carlos does not get a story at all. none of this mattered. carlos wanted to go back to the dow but he never did, he never got the chance, we never saw what he did with the time that he had. is carlos doomed to living in this space of not knowing who he is or what his role is because he quite literally had to pull the plug on the one place that offered him a safe haven to explore himself?

in trying to tell the stories of 4 people, no one got a story at all

and that's what's really frustrating, it's just felt like the last two season's haven't mattered, moved along the primary story, or evolved any of the characters in satisfying ways

y1 carlos decided to stay in night vale; y2 strexcorp was defeated; y3 cecil freed himself from lot 37 and carlos confirmed his decision to stay in night vale; y4 night vale freed itself from the beagle puppy and hiram mcdaniels was brought to justice; y5 night vale fell apart and had to find a way to anchor itself in reality; y6 focused on resting after y5 and had the 2 and 3 parters, diving deeper into specific characters; y7 was about fixing time and the consequences of doing so; y8 was about the delta flight; y9 was about frank chen; y10 was another character-focused rest season concluding in carlos becoming a citizen; y11 was the university of what it is; and y12 was about the boy

other than y11 and y12, all the previous seasons had lasting consequences on the story at large. they had domino effects into how future seasons would be focused. the outcomes of those seasons had permanent changes on the town and its people. everything janet did was erased by carlos. everything the boy went through was erased by mother lauren. janet's season should have led carlos down a path of continued self-discovery and reinvention. the boy's season should have led kevin to further growth and change, and could have paralleled the palmer family story by showing how kevin was trying to overcome his own trauma and build a family with charles. maybe it's just too soon. frank chen was murdered in y1 and it wasn't until y9 that his story was resolved. maybe i'm just hyper critical and impatient

but i feel like a lot of people are noticing this trend and are speaking up about it. i was active in the fandom from 2012-2015, and then picked it up again in 2021. it wasn't until y11 that i felt that a season wasn't finished. other seasons had left me with questions, had left some loose ends, but i always felt satisfied with where we were at once the summer hiatus hit. i don't feel that way with y11 and y12, i've walked away from both now going "okay now what? so what? huh?"

i don't know. i'm kind of running out of steam for this post. the point i wanted to make is this: y11 and y12 have not had character motives that have strongly correlated to their subsequent actions; i don't feel like characters are being given complete stories with beginnings, middles, and ends; and they've both left me feeling like none of it ultimately mattered

anyway. that's my two cents.

[transient-winds]

HI YES HELLO I’M ALIVE and the yapping is back (it never left)!!

Just when the summer bbq is concluding. 🥹

Uhh looking back at this post, it’s highkey a sako character analysis post in disguise. Spoilers Ahead for Wind Breaker Chapters 160 & 161! (as promised with doodles)

This last panel with everyone toasting to each other feels like the end to the Summer BBQ event, at least to me. *shakes and wails off into the corner*

So many friendships being strengthened, healing/healed and being made in this one event is making my heart do somersaults. GAHHH!! I would’ve loved if we stayed in this wholesome moment a little longer if it is the last but oh well at least these recent two chapters have given me two things to brainrot about for a while. 🤧

Sako Kota and his relationships

Hooray!! We finally get to see the (much needed) closure of HiraSako’s *gestures wildly* everything, in that moment my spirit synced up with Inugami. 

I’m sure it doesn’t take a genius to point out Sako had an unhealthy dependency towards Hiragi from when they were kids up ‘til the Shishitoren arc. On the surface level, Sako’s reasons for getting back at him may seem very immature and they are but I also see where it stemmed from. Hiragi was essentially the first to take a chance on him when he was at his lowest and gave him a chance to better himself.   Hiragi to him was the pinnacle of strength and security, his guiding light (Chapter 15). He likely thought that even when things change, he would always be by his side because with him, he’s safe—with him, he’s strong. Stronger than he was before, someone who wouldn’t let bullies trample over him.

So when the latter told him he was following Ume and that he should follow his own path, which is normally very inspiring, Sako took it as abandonment. In his eyes, his pillar of strength was no longer holding up the weight of his (Hiragi’s) own roof but rather someone else’s (Umemiya’s’) and he was left in the ruins (dramatic ass analogy I know but it works).

“If Hiragi had been the source of his strength, then if he beats Hiragi that means he’s reclaiming that strength as his own right?” was what probably went through his head when he started picking fights and joined Shishitoren.

His reliance on Hiragi was still there but now it was twisted and he likely started hating himself for having been content with remaining a follower. If you asked my personal thoughts about this, I would say it was unfair. Not just for Hiragi bearing the weight of his unreasonable expectations, but also for Sako himself whose helplessness as a child manifested into the ugly beast that is emotional dependency. 

Deep down, he was still the same hurt child who couldn’t fight back against his bullies and needed someone to support him. When that support came and fell through, he thought defeating Hiragi was his way of proving to himself that he can stand on his own without relying on others. The point when things finally climaxed (aka the Hiragi vs Sako fight) was the moment when Sako had begun letting go of his heart demons. Turns out he just needed to have a talk or two with Hiragi. Communication and respect are the keys to any healthy relationship after all, even if said communication is thru fists but they are delinquents so ¯\_(ツ)_/¯. 

With that tangent on Sako’s previous ideologies out of the way, another thing I noticed in his official apology was that he called Inugami “kohai” and also like other things he said, but mainly that part. Maybe I’m reading into it or im late to the party, but me thinks he was somewhat of recluse in Shishitoren. Like sure, he wouldn’t be outright hostile but he wouldn’t be actively making friends either.

When Inugami first appeared and was very comfortable talking to him, it made me think “ah this is Sako’s new bestie when he came to Shishitoren, it’s good someone was there for him while he was gunning for Hiragi”.  But with this new context, in my head it makes sense if he only joined because he wanted revenge so he likely wouldn’t have reached out if he was so fixated on his goals. And with the whole uh pre-Shishitoren arc Choji and Togame thing going around, yeah I wouldn’t also be eager to make be friendly with them too. But somewhere along the way he got attached to them, he just didn’t realized it at the time.

After Bofurin bulldozes in with their life changing fists and kicks, Sako leaving wouldn’t have been a hard decision for him to make since (1) he’s got presumably no friends and (2) he wants to wallow in self pity alone for a good long while. Then comes crashing in sweet boy Inugami and honestly? I don’t blame Sako for spilling his entire backstory on the guy. I mean look at his face!! 

He’s Sako’s emotional support dog. 

Anyways, in my heart I’d like to believe Inugami was the second person to reach out to him. Offering him another chance to lean on support and start anew on learning to be okay with accepting a hand or two but not to the extreme. Trusting others and letting people in again, but also learning to trust in himself too.

And so far, things are going pretty well for him. Found family within Shishitoren, got someone who’s unafraid to keep him in check and repaired his relationship with Hiragi & his other childhood friends! Throwing all the confetti and sweets for him <3

HOO-WEE THAT WAS SO FUCKING LONG 😭😭 

I wanted to add more to this latter half of this discussion but the Sako-brainrot took over, so i’ll just briefly cover my thoughts on Sakura’s progress.

Two words: SAKURA’S GROWTH! 

HE IS BLOOMING IN THE SUMMER HEAT OF JULY, HE’S RADIANT AND HIS SKINS GLOWING AS HE SMILES, IM SMOTHERING HIM IN A PILE OF FLOWER BOUQUETS -*ahem*

Sakura really has come a really long way from the person he was 4 months ago and it’s a real tear-jerker. Even if he didn’t say it to their faces directly, he called his class his friends and he hangs out with the others (their allies) on his own whenever he has the time. Sakura’s getting comfortable with all of them and I cannot believe that after 160+ chapters this is the first canonical mention of the “stray cat” analogy. His first year and he already won the hearts of so many people, deserved really 🙌. 

Honorable mentions:

The Kanuma and Suo reunion I’ve been waiting for 👏👏. But it’s not enough,, so I’m gonna post a doodle of their mini interaction to satisfy my craving for enemies to friends and/or lovers suonuma 🏃🏃

!!Togame and Choji apologizing to Kaji!! I almost forgot Choji completely trashed him and other Furin students on his way to the school.  

This panel is my everything, it’s so sweet like y’ALL I’M HERE THINKING ABOUT WHO KNOWS HOW LONG YANAGIDA AND MATSUMOTO HAVEN’T SEEN AND TALKED TO THEIR CUTE KOHAI WHO FOLLOWED HIRAGI AROUND LIKE A DUCKLING. IM UGGHHH- *stumbles to the ground and wails pathetically*

Sugi? Sweet boy, what are you contemplating about 👀? If you asked me, I hope it’s about Sakura AND/OR will be relevant to the next arc of the series because my body is simultaneously ready and not ready for new antagonists.

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Once again singing my praises to Nii-sensei, their team and the official english translation staff. My head is constantly in a spin for these characters and their interactions with one another. And thank y’all for being patient with me for this post and for reading til the end.