#thehuescorporation

[elrefugiodelabuenamusica]

Rock The Boat (1974)

Artista: The Hues Corporation (Estados Unidos)

Álbum: Freedom for the Stallion

Año: 1973

Género: Disco, R&B, Soul

Compositor: Wally Holmes

Sello: RCA Records

Letra

So I'd like to know where, you got the notion Said I'd like to know where, you got the notion (To rock the boat), don't rock the boat baby, don't tip the boat over (Rock the boat), don't rock the boat baby (Rock the boat)

Ever since our voyage of love began Your touch has thrilled me like the rush of the wind And your arms have held me safe from a rolling sea There's always been a quiet place to harbor you and me

Our love is like a ship on the ocean We've been sailing with a cargo full of love and devotion So I'd like to know where, you got the notion Said I'd like to know where, you got the notion, don't rock the boat baby (Rock the boat), don't tip the boat over (Rock the boat), don't rock the boat baby (Rock the boat)

Up to now we sailed through every storm And I've always had your tender lips to keep me warm Oh, I need to have the strength that flows from you Don't let me drift away my dear, when love can see me through (Our love is like a ship on the ocean)

We've been sailing with a cargo full of love and devotion So I'd like to know where, you got the notion Said I'd like to know where, you got the notion So I'd like to know where, you got the notion Said I'd like to know where, you got the notion (To rock the boat), don't rock the boat baby (Rock the boat), don't tip the boat over (Rock the boat), don't rock the boat, baby (Rock the boat), don't tip the boat over

ooh-ooh (Rock the boat) rock on with you, baby (Rock the boat) rock on with you, baby (Rock the boat) rock on with you, baby (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat) (Rock the boat)

[doomonfilm]

ShudderWeen : Blacula (1972)

October is upon us, meaning that spooky season is in full effect.  Like clockwork, most people turn their attention towards the wonderful genre of horror films for the month-long march to Halloween, and while my month is jam packed with DJ gigs and my attempts to catch up on 2021 releases, I’m going to do my best to take part in the horror film indulgence.  Luckily for me and the legions of horror fans out there, Shudder has more movies than we could ever hope to watch in one month, hence the christening of this month as ShudderWeen for the DOOMonFILM faithful.  I popped open the app, and like a beam of light from heaven, the perfect film to set things off popped up for me : Blacula.

With horror already being a form of exploitation cinema in its own right, it is interesting to see it combined and infused with a heavy dosage of the Blaxploitation movement that was present at the time of release.  This mixture, specifically the choice of turning the Dracula legend on its head, creates a very interesting dynamic in terms of the sociological aspects of the film, chiefly in two realms : the symbolically elevated ‘class’ that Prince Mamuwalde receives via his transition to Blacula despite his already regal status, and the assumptions that Blacula’s victims are simply victims of standard issue Black crime.  As the story progresses and Dr. Gordon Thomas closes in on Blacula, these two ideas begin to clash in very uniquely symbolic ways that could not exist outside of the horror constructs the film thrives in.  The way that Blacula is able to thread his way through high society, build a relationship with Tina and essentially flaunt his existence in the face of Gordon Thomas has subtle underpinnings that match the way that pimps and drug pushers scoff at society and authority in other Blaxploitation films, though all of it is done very subversively and without the need for self-congratulatory measures or heavy-handed expositional dumps.

The mystery that surrounds Blacula serving as a “modern day” Dracula figure unintentionally opens the door for the Gordon Thomas character to lay down a strong foundation of an investigative detective movie, with each revelation and little bit of information parceled out serving as a way to push the narrative forward towards its inevitable climax.  This is intertwined with an interesting love story involving Vonetta McGee in the dual role Luva (Prince Mamuwalde’s former wife) and Tina (Blacula’s seemingly reincarnated Luva) that could easily come off as corny, but with the way that William Marshall elevates the status of Blacula with his performance, it actually becomes one of the strongest pillars holding the story up.  Perhaps it is this mixture of familiar elements existing within the structure of a traditional horror film that makes Blacula feel like a perfect balance of both genres while simultaneously feeling like it steps beyond the constraints of each.

Like most Blaxploitation films, the nostalgia is kicked into hyperdrive via the amazing costuming and hairstyles present within the film, as the color choices, tailored styles and natural hair exudes a wonderfully addictive air of freedom.  The score and soundtrack mixture is on point as well, with the Blacula-heavy scenes scored in the manner of an Argento film, while the soundtrack is heavy on funk and soul elements.  The locations also stand outk with Blacula’s dwelling having a timeless and regal feel that stands in contrast to the wonderfully dated locations of nightclubs, apartments and so on.  There are also some wonderful nods to Argento films in the lighting choices, especially the immaculate darkroom scene.

While there are memorable performances across the board, William Marshall leads the pack with a dignified and confident performance akin to that of Ron O’Neal’s attempts to bring a level of Shakespearean candor to Superfly.  Vonetta McGee offsets this lifted approach with a very grounded, sincere and tender performance, standing as one of the innocent and purest characters in the film.  Thalmus Rasulala matches Marshall’s dignity with determination and resolve in the face of the outrageous, standing as both a protector and investigator in his attempts to quell the bloodshed.  Denise Nicholas works as a sort of audience surrogate with her palatable fear and humanitarian desire to keep those she loves safe.  Elisha Cook, Jr. brings levity to the table as the disassociated, burnt out morgue attendant, while Ted Harris, Rick Metzler and Ketty Lester all serve us heavy laughs before dedicating themselves to monster performances.  Gordon Pinsent serves as the voice of opposition and disbelief, attempting to tow the line of law enforcement while finding it hard to beleve in the threat presented.  Appearances by Emily Yancy, Logan Field, Charles Macaulay, a hilarious Ji-Tu Cumbuka, Eric Brotherson and talented singers The Hues Corporation round things out.

I’m very excited to use ShudderWeen as an excuse to take a deep dive into Shudder’s amazingly curated horror catalog... maybe if I’m lucky, they’ll even sponsor these deep dives at some point down the road.  That being said, I am happy that Shudder has carried Blacula for such a long time, as I’ve only been aware of the film and seen clips, but never taken the time to actually watch it.  As a lover of Blaxploitation cinema, I find it interesting that Blacula has instantly vaulted itself into top five status for me, with the appreciation for Dracula’s lore, its Blaxploitation peers and its production merits all shining through brightly.

[sosi-collectables]

#thehuescorporation Love Corporation #funksoul #disco 1976 South Africa Pressing #vinyljunkie #vinylcollector #vinylcollection #vinylcommunity #vinylclub #vinylrecords #vinylgram #recordgram #lpgram #instavinyl #instarecords #instalp #recordsclub #recordcollection #recordcollector #lpcollection https://www.instagram.com/p/CNeBNSPMG2o/?igshid=10mtweaz7eqmf

[adrihelena]

🎂No dia 01 de Julho de 2011, estava eu pensando em uma maneira de compartilhar minha mudança de vida para hábitos mais saudáveis e então resolvi criar um blog. Simmmmmmm! E sem muita expectativa e pouco dominando os meios digitais naquela ocasião, comecei meu blog Vivendo a Vida Bem Feliz. Ele tinha um nome bem longo que encurtei ao longo desta trajetória. E sem querer querendo 😅 já se passaram 8 aninhos e é hora de soprar as velinhas! 🎂🎂Venha comemorar comigo os 8 ANOS do Vivendo Bem Feliz!!! ✅Link na descrição ou acesse http://bit.ly/8anosVivendoFeliz ✅A música da semana🎧🎼🎂 https://youtu.be/TdwUCgVQWRY #tardeboa #aniversario #aniversariodoblog #8anos #8anosdefelicidade #vivendobemfeliz #vidasaudavel #alimentacaosaudavel #alimentacaoequilibrada #musicas #poesia #frasesereflexões #rocktheboat #thehuescorporation #festa #comemoracao #viva 🎂❤️ https://www.instagram.com/p/BzYY6fHjOtt/?igshid=1fx1uxjt4zbvk

[records2]

・HUES CORPORATION / I'LL TAKE A MELODY JAPAN 7" 1975 ・ ・ ・ ・ ・nd0040 #thehuescorporation #vinylclub #vinyl #vinylcollector #vinylcollection #vinylcollectionpost #vinylporn #record #vinyljunkie #vinyloftheday #records #single #rarelps #music #recordcollector #recordcollection #rarerecords #45rpm #7inch #nowplaying #dj #japanvinyl #vinylrecords #japanese #picturesleeve #classicrock #instavinyl #vinylgeek #notindiscogs https://www.instagram.com/p/Bx7qDeLgPtG/?igshid=ssgw1rjw84qh

[josephfrady]

View this post on Instagram

A post shared by @quotes_in_movies

#blacula #1972 DIR #williamcrain CAST #thehuescorporation #horror #movie DP #johnmstephens (à Los Angeles, California) https://www.instagram.com/p/CAScYStomTo/?igshid=m0st2ofw3mis

[thefrogholler]

Happy Birthday H. Ann Kelley! – pop-soul singer – best known as part of the group – #TheHuesCorporation – number one 1974 hit – Rock The Boat – 4/24/1947

#musicalbirthdaynotes at TheFrogHoller.com

#HAnnKelley #thefrogholler The Hues Corporation

[jasoncoletta]

love + devotion

[thefrogholler]

Happy Birthday H. Ann Kelley! – pop-soul singer – best known as part of the group – #TheHuesCorporation – number one 1974 hit – Rock The Boat – 4/24/1947

#musicalbirthdaynotes #thefrogholler #AnnKelley

[thefrogholler]

HAPPY BIRTHDAY!

See more April 24th Musical Birthday Notes at TheFrogHoller.com

#BrandyPearce #OakRidgeBoys #RichardSterban #KellyClarkson #CCR #DougCosmoClifford #TheHuesCorporation #AnnKelly #singer #songwriter #musician #birthdays #thefrogholler