#the writers were insane for this actually
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ahamkara-apologist · 3 days ago
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100%. It's also worth noting that Eramis's grudge with the Traveler and her intent to destroy it wasn't even entirely irrational; she wanted it gone so that people's fates weren't dependent on the whims of gods. She wanted to level the playing fields, and while she was wrong in her assumption that it was the Traveler leaving that led to the destruction of Riis, she also...wasn't entirely wrong, either. Humanity is the only instance where the Traveler stayed and fought back, and we're the only species assailed by the Black Fleet that got to keep our homeworld as a result. We're not any more worthy than the other species that were eradicated we just happened to get lucky. Eramis (and the rest of the Eliksni) have every right to be furious at this, given the amount of horrors that they had to endure on the Drift to get to Sol- horrors that are so bad that in the opening mission of Revenant, Eramis uses the Drift the same way that we would use 'hell' when she roared "Stand before me if you dare! I'll send you back to the Drift again and again!"
Eramis's goal, while foolish, was still selfless, to an extent- it was to destroy the Traveler so that nobody could ever suffer from a second Whirlwind, which, despite everything, did include us as well. She's never liked humanity, much less the Young Wolf, but she's also never given off the vibe of her hatred for us being personal. She genuinely seemed to have thought that we were being treated like pawns by the Traveler in Beyond Light, and, as soon as she unthawed in Plunder and realized that she was the one being used as a pawn, she warmed up to the idea of double-crossing the Witness right quick. I don't remember exactly when she said it, but I do recall hearing her have dialogue where she was talking about how much she hates gods in general, not just the Traveler, and how she wants to be free of them- all of them. If that means giving over the reigns to House Light, then yes, she will do that. Not willingly, ofc, and she has every right to be suspicious about how well House Light will work bc they ARE under the yoke of the Last City, but a big chunk of why she saved Eido in Plunder is bc she sees the future in her (the rest of it was bc, despite her posturing, I don't believe that Eramis would ever be able to stand by and watch a young Eliksni die. She's too much of a mom for that).
And that leads into a whole other thing that people always seem to get wrong: Eramis did not have a choice when it came to firing the warsats. Yes, the Witness exploited her, yes it was preying upon her grief and fury and depression like it did for everyone else it talked to, but she also never had any other option but to fire those missiles, because it was standing right there, staring at her. If she refused, then she likely would have either been killed and/or she would have been horribly punished via more of her people being turned into Scorn and then sent to do it themselves (likely this, bc Eramis is suicidal and does not value her own life). It SEEMED like she did it for Riis, and she likely believed that to be the case, but there was never an option for her to back away, and even if she did, there was never an alternative to the Warsats being fired. People like to bitch about her being the cause of Rasputin's death all the time and it drives me insane bc it's just flat-out not true. Her seeing for her own eyes that it never would have worked anyways was also a key pivotal moment for her character, so like...yeah if Rasputin had to die in order for Eramis and the rest of the Eliksni to get an actual storyline then you bet your ass I'm sending that man to eeby deeby. But that's just a side bit from me being salty (for the record I loved Rasputin's character and was sad he died but also I think the writers got themselves stuck in a corner with the whole Xivu thing and him, and they managed to make his death feel narrative impactful, so. works for me). Eramis's whole stint under the Witness was one of punishment, and the way that the Witness punished her was by forcing her to stand by and watch as her House- full of the people that she swore to protect- got either turned into Wrathborn or Scorn. Mara Fucking Sov confirmed that for us. Eramis had almost no agency under the Witness, and what little she did have, she turned towards helping us, knowing that if she got caught, the consequences would be extreme.
Honestly, I think that the only thing she really did horribly wrong on a personal level was opening the vex portal on her own people, but even then, that could be argued to have been done under duress. Eramis opened the portal after we killed her council (specifically with the intention of destabilizing her btw, as we know that she makes horrible decisions when she doesn't have anyone else to talk her down), in a last-ditch effort to destroy the Young Wolf. I don't count anything that happened under the Witness because nothing she did then could really be considered her own actions/intent, and I think it's really telling that the second she's out from under the Witness's control, her first action was to try to go home to her wife and kids. And then, when the Scorn started threatening her people, she gave that up as well so that she could call the Vanguard to help them. The Vanguard. The people who specifically sent out a strike team to kill all of her friends and break her House. She did all of this knowing that they would capture her and very likely kill her (actually, she's fully under the assumption that we're going to kill her, if you listen to her yapping in her cell), but that didn't matter to her. She had to get her people to safety, and she knew she couldn't do so herself, so she did everything she can to prevent that, even though it meant putting her life and her pride on the line. Sure, she's been suicidally depressed since Plunder, but that doesn't diminish the sacrifice she made in the slightest
Eramis was never selfish. She's right up there with Misraaks in terms of being an extremely selfless, caring leader who'd do anything for her people. It's just that she's not being nice about it to coddle to human empathy, which, given the track record of horrible shit that we've done to her people, we really shouldn't expect from her anyways.
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I want everyone who continues to claim that Eramis was in line to be a disciple of the Witness to shut the fuck up and give me 500 dollars right the fuck now btw. These are not the words of someone who was en route to becoming a disciple, aka the most selfish entity of their entire race. These are the words of someone who genuinely does not think she has any worth left in her, but is still fighting because the alternative is that people she cares about will die. Literal opposite of selfishness right here
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papyrusgayfont · 1 year ago
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* the writers were kind of insane for this one actually
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gldnstrngs · 2 months ago
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can’t believe the first interaction between merlin and arthur includes “can you walk on your knees” and “would you like me to show you”
and then their second one includes “i could take you apart with one blow” and “i could take you apart with less than that”
not to mention that merlin was literally… flirting with arthur… “ooh what are you gonna do get your daddy’s men to protect you” and “how long have you been training to be a prat, my lord?” AND THE BOW???🤨🤨🤨
the director said cut and colin rlly heard serve caurnt!
AND TO TOP IT ALL OFF ARTHUR SAYS “there’s something about you, merlin”
im so Normal… i swear…
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butdaddyilovehimmm · 4 months ago
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SUITS 1.10
Can you believe this all happened in one ep...
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waterlinkedgirl · 12 days ago
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Musical Touken Ranbu: Michinooku ~ Hitotsu Hachisu (Michinooku ~ A Single Lotus)
Here we go! Only a few days after the archive release and toumyu's ninth anniversary (congratulations!)
Michioku, or Michihasu, is a myu I have many conflicting feelings about, both positive and negative. However, I do believe that with the right amount of care in the next Mika-related story myu, the negative can still be cleared. Plus, I'm glad about a lot of things being re-established. The writer does need to step up her game a little on the plot-writing side of things, as well as the understanding-and-respecting-past-myu side of things, but as long as she does, this can still be given a proper place within what was already established.
Keep in mind that these are only the subtitle files, timed and tled to the DMM senshuuraku and the bluray respectively. The archive version will have a talk at the start, so the starting times of the subs will have to be delayed accordingly.
You can find the subtitles and my TL notes document here!
#touken ranbu#toumyu#water's translations#michioku#michihasu#how do I put this#seeing as myu's director Kayano has said in an interview right before Michioku that Kogi and Mika have a special bond#different from other swords-- and then they try to speedrun *Tsuru* and Mika having a what feels like it was intended to be#even greater relationship using a song called Kage Futatsu where KOGI'S signature song from Utaawase was Futatsu no Kage???#I SINCERELY want to believe it's incompetence rather than the writer deliberately pulling the rug from under Kogi's feet#bc the alternative is just cruel#I don't particularly mind the relationship Mika and Tsuru have in this play but I feel that not for a moment Kogi and kara respectively#were considered in the writing#anyway my final verdict is that this myu is what too many people think tsuwa is: the divorce myu (between Mika and Tsuru this time)#in all cases I hope myu can bring Shirakawa Yuki in again like with Datemyu just to offload myu's already deathly busy writer (she's done#5 myus in a month before which is just insane) because I feel this just isn't sustainable with the amount of carefulness a long-running#franchise like myu demands and the *writing* quality (not the production quality AT ALL Michioku's is great) is suffering for it.#like sure Michioku is loaded with references but they're references that either don't serve *Michioku's own* plot or their treatment shows#a lack of understanding of the work it's referencing-- for example Kashuu calling upon atsu's “This is how the shinsengumi fights!” actuall#goes completely contrary to the lesson he's supposed to have learned from atsuibun: that swords aren't disposable and that he has duties as#both soldier (captain in atsu) and as COMRADE and he makes the (already highlighted in Michioku!) dumb decision of butting in without#thinking-- and with that framed against manba's breaking trauma as well! He's supposed to have learned to stay rational and consider both#duties yet here he is ---BECAUSE of the reference--- completely leaning on the pre-atsu-development side of the scale#as if Ishi's words went one ear in one ear out. And yes the scene by itself could've worked as a subversion to show Kashuu makes the#'irrational' decision against what Ishi taught him to consider precisely because he cares for the people he's protecting but there is NO#groundwork laid at all for that in the rest of Michioku! This is what I mean with the carelessness of the references and the lack of#consideration for what prior myus were trying to SAY and ACHIEVE which is insane because she was the lyricist for those#it's more a collage of feelings provided through a set of characters calling back to the scripts of prior myu rather than#a story that evokes feelings bc the humans in it walk forward and act upon-- interact with-- the scenery on the road as left by prior human
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vulpinesaint · 3 months ago
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back on the topic of eddie brock never being the first choice. crazy to me to think about the origin of the venom symbol which is that the symbiote Was With Spiderman First. the venom symbol is a slightly creepier version of the spiderman symbol with an extra bend in the legs cause it's the symbiote's best approximation of what it thought spiderman wanted. and when spiderman rejects the symbiote and venom shows up it's still the same suit just on a different person. the symbiote learned emotions from peter parker and it is angry and hurt at not being wanted but it stays in the form it thought he wanted... peter parker disarms eddie brock once by telling the symbiote that he wants it back and attacking once the symbiote starts to leave... eddie has such a hard time throughout the comics with the fact that the symbiote Will Leave Him if prompted by the right person. and be so honest. what would you do if you were eddie brock and no matter where you went or what you did there was a symbol that you were somebody else's second choice emblazoned across your chest
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pyunyrage · 4 months ago
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papabearbobbynash · 6 months ago
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So... no one is going to talk about how the line "I don't understand it, i understand too well, because right now the only thing holding me up right is rage" is also a callback to when Emmet died?
Because that woman spent years holding up until she finally catch her fiance's murderer, and now she is on a similar situation where she is feeling like losing her husband due a criminal intent... I mean, imagine how Athena must be feeling going through the same situation again and then upscale the pain with her probably believing she has fault at this (because she is obviously going after Amir first before finding out it's not him i hope)
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skysglcw · 3 months ago
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I’m not crazy (at least I think I’m not) but idk what you call a person who refuses to sleep even if it’s 5 in the morning and has done nothing but scroll through hundreds of posts of Blanche and Dorothy on Tumblr just to fangirl all over for them because you're too overwhelmed by their chemistry and the feeling just makes you hyped even more to the point where you can't sleep anymore because you're too excited although your eyes are burning from staring at the screen too long……
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yolowritter · 6 months ago
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In Defense of Gabriel Agreste
Oh dear Kwami, I can't believe I'm actually doing this... I can't believe that it feels necessary. Before we begin, I want to make a huge clarification. I am NOT supporting any of Gabriel's actions AT ALL, especially anything done in Season 5. That's abuse, that's child neglect, that's grounds for calling CPS. I will never excuse that kind of thing, and frankly this isn't what I'm here to talk about. I simply want to state my opinion on how canon has absolutely ruined Gabriel as a character, and give my own perspective on our local supervillain, including an understanding of his reasons and how Gabriel devolves the way he does in the actual show. This is a mixture of headcannons I've had that are somewhat supported by canon, and I hope you all enjoy my little analysis piece.
First off, let's kick things into high gear by discussing Gabriel's themes. From the get-go of Bubbler, it's blindingly obvious that he serves as the "strict parent" antagonist to Adrien's quest for freedom and self-expression. As an archetype, this works quite well in a lot of stories and media, so I was fine with it when I watched the episode. Through the rest of Season 1, we quickly come to realize that Adrien's mother (and Gabriel's wife) is "missing", due to some reason or the other. At this point some may suspect his relation to Hawkmoth, but there's no legitimate evidence to go off of so we put a pin on that. During Simon Says, specifically Chat Noir and Gabriel's little interaction, we get to see that Adrien does hold some repressed anger against Gabriel because of how overprotective the man is, and then comes the fond remark of Emilie's flair for dramatics. It's a line so many of us have discussed or used in fanworks, but rarely do I see people talk about how Gabriel delivers it. The usually stoic personification of dissapointment seems to finally have some emotion in his voice, for the first really important moment of his character. Combine this with the earlier talk between him and Ladybug, where he praises Adrien and seems genuinely proud of his son for keeping up with all the activities/modeling/etc. Therefore, we get a good general idea of who Gabriel Agreste actually is. A grieving father who has lost his partner to "mysterious circumstances", and is trying to protect his son from any kind of harm. Sure, he's going about it the wrong way and is definately overdoing it, but the act itself doesn't come from a place of malice. Keep this in mind as we move forward.
In Season 2, we start off with the episode Collector. And learn that Gabriel is Hawkmoth. Because of course he is, Adrien is one of the titular characters in the show, naturally the writers want to pull a Luke Skywalker at some point. "I am your father" and all that, we've seen it a million times before. Still, this brings up the question of why? Sure, Gabriel is an asshole. That's very obvious by this point, even though we don't have enough information to truly cast judgement on his reasoning for such behavior. But there's a significant gap between "overprotective single parent who stifles their child" and "local butterfly man who has beef with teenage superheroes". Therefore, this reveal immediately has alarm bells ringing as to what Gabriel's motive is. In a later episode, we have the Gorizilla Incident. And this is where he finally becomes a much more complex, much better character! Because Hawkmoth has captured Ladybug. She's right there, helpless, and all he has to do is either show up and steal her Miraculous, or just wait until she loses her transformation and then take the earrings. His arch nemesis, the person who has been preventing him from accomplishing whatever his goals are...is at his mercy. But...there's a problem. His son is also on the field of battle, and just jumped off a building. Wonderful! Without the slightest bit of hesitation, Gabriel releases Ladybug, therefore saving Adrien's life at the cost of the Miraculous. And much later, during Queen Wasp, Hawkmoth genuinely ponders if he's done more harm than good by trying to defeat the Heroes of Paris. (Side Note: I don't actually remember if we'd seen Emilie in the pod by this point, but whatever.) He would have quit, hung up the suit, and lived out his days as Gabriel Agreste. Miserably maybe, but he would have stuck to that choice. No more Hawkmoth. Until...he gets the chance to Akumatize a Miraculous Holder. And if you want to rewatch this scene, notice the mania in Gabriel's eyes. This extreme emotional reaction is the complete opposite of what we've seen from the man so far (dramatic monologues aside), and the chance at victory rips Gabriel's sanity away from him. Cue Queen Wasp, and later Scarlet Moth.
But I want to stick to this moment for a second. Queen Wasp takes place directly after Style Queen, in which Adrien gets turned into a gold statue. And sure, the show can tell us all it wants about how "he's been turned to dust" or some bs, but we all know Adrien is dead right now. And Gabriel knows it too. This is literally the reason why he tries to convince himself that he shouldn't be Hawkmoth anymore. Because he finally understands what kind of harm he's been doing. By this point it's like the 3rd time that Adrien is in immediate proximity to an Akuma and promptly gets bodied by said Villain, specifically because of Hawkmoth. I do not care what Season 5 says, Gabriel Agreste loved his son with every last shred in that broken, shattered fragment of a heart that was left after Emilie's death, and he shows it very clearly on multiple occassions. He even tries to connect with Adrien again, and has a genuine moment when they watch Emilie's movie together. Gabriel, for all his supervillainy and prancing about in a butterfly costume, seems to be healing throughout Season 2. So why does it only get worse from here?
Well...this is where my headcanons come in to fill the void. Obviously I could go on a tangent about the writers here, but I don't care enough to waste my breath on that again. Swiftly moving past that, I honestly think Gabriel suffers from Tunnel Vision during this show. And yeah that's not a "condition", but think about this for a second. Nooroo warns that there are terrible consequences for misusing a Miraculous in Origins, and the show...never follows up on this? Well, that's weird. Unless the consequences are mental. A deterioration of the self, in a way. Consider: a good portion of the fandom already talks about Gabriel and Hawkmoth/Shadowmoth/Monarch as different people sometimes. What if that's literal? What if that's the consequence? Gabriel was depressed, desperate and heartbroken after Emilie's demise, but according to a cutscene from Miraculous Rise of the Sphynx (and I swear to God why didn't they put this in the actual show???) Gabriel and Nathalie actually spent around a year looking for the Ladybug and Cat Miraculous before deciding to use the Butterfly. It was Gabriel's last resort. And look at how Hawkmoth acts in Season 1. He's...well, he's acting. Playing the role of a villain to lure them out and defeat them, knowing full-well (at least after Stoneheart) that Ladybug can fix pretty much anything he destroys if she wins, and he can just do the same if she's defeated. Gabriel has a safety net, he's acting the part of an evil villain, complete with dramatic monologues and "curse you Perry the Platypus" moments after ever defeat. Then in Season 2, he knows the jig is up. The stakes are too high and this Hawkmoth bs is hurting the one piece of Emilie that he has left...so Gabriel decides to quit.
And this is where the corruption comes in. During "Feast" in Season 3, Hawkmoth re-states his goal of "taking all the Miraculous!" Uh...hold on just a second. Didn't Gabriel only need the Ladybug and Cat? Yes, exactly. That's why the events of the show even happen to begin with. So why has it now changed to all the Miraculous, if the rest are useless in terms of bringing Emilie back? Well, Gabriel's thirst for power is slowly corrupting his mind. Hawkmoth is officially in control by this point, and it gets much, much worse from here. With Mayura at his side, Hawkmoth has a real person to care about, and take care of. Nathalie supports him, keeps Gabriel afloat in this ocean of despair that they're both slowly drowning in.
But what happens when Mayura can't be there anymore? What happens when Gabriel (now as Shadowmoth) spends hours upon hours inside that dark lair, deliberating his victory? It becomes his sole focus. What tiny specks of humanity were still left inside of this hollow shell called Gabriel Agreste have been devoured by a beast that hungers for only one thing. Power. Emilie is no longer loved by him, barely even remembered to begin with. Now instead of genuine heartbreak over his wife's loss, Shadowmoth is using her as an excuse to keep going. He rationilizes it all to himself, saying "this is for my family" and "they will understand" to hide from the very obvious fact that neither Emilie or Adrien would ever stand for this. His ambitions have stripped Gabriel of all sense and sanity, leaving behind a madman simply wearing his skin. The last time we ever see even a flicker of clarity in his head is during Glaciator 2.0, when Adrien is about to be Akumatized. But this is also the biggest indication that it's almost too late for Gabriel, because has to think about it. Sure, he doesn't actually Akumatize Adrien, but even since Chat Blanc it's become perfectly clear that he can and will go through with that to get an advantage over Ladybug. Here, Shadowmoth considered Akumatizing him anyway, even with just the usual chances of winning.
And in Ephemeral (I'm pretty sure, could be just before or after), Nooroo's worst fears have finally come to pass. Gabriel affirms that he wants to destroy the entire world using the Wish. And then re-shape it into one where he's the top dog, by extension making the Agrestes like the Supreme. Gabriel has gone completely off the rails by this point. I'd even argue that the person he was only a few months ago (don't get me started on that timeline btw) is dead. Gone, burried six feet under along with his wife, because Gabriel Agreste would never do something like this. Monarch just makes everything even worse, especially with Evolution. Just like Nathalie said, he had the perfect chance to warn his past self about the Peacock being broken. Step in the portal, detransform, explain that he's Gabriel, then tell them "hey so the recipe to fix it is on this page of the Grimoire, you need to do this before Emilie makes Adrien" and that's it. But he just ignores it completely because of his obsession, hence proving the point I'm trying to make.
To circle back to the beginning of this post, I am perfectly fine with how Gabriel's character devolves and spirals into madness across the show. It's a cool plotline, could have been really interesting if the writers bothered to explore it but even with only what we have, I'd say it adds a ton of depth to his character! Or...would, if they bothered to explain this! Like seriously, you can pretty easily infer than something of the sort is happening, especially in later seasons. Just give Nathalie or Nooroo one or two scenes where they are worried about Gabriel going insane! Especially Nooroo, give the poor guy a few lines trying to warn Shadowmoth like "Master, please! You need to think about what you're doing! Can't you see this isn't you anymore?" or something of the sort. Sure, it doesn't have to be so on the nose, but you get my point! Instead they did nothing with this amazing idea that's already there because they wrote it by accident! And guess what? Gabriel goes from a sympathetic villain in Season 2 to an utter maniac who locks his "beloved" son in an insane asylum during Season 5!
Like are you kidding me??? What alternate universe did I get dropped into where this is the "logical" followup to Hawkmoth's storyline? One of the only things Gabriel even had going for him in terms of complexity was his genuine love towards Adrien! And like I said, I'd be fine if this how they wanted to make things and play the "tragic villain consumed by a lust for power" card! For Nooroo's sake, it's dangling right in front of them like a carrot on a stick! But instead of making the slightest bit of effort and explain that this is happening, or that it's an intentional plotpoint for Gabriel's character, their innaction just reduces him to a one-dimensional "evil because he's the villain" cardboard cutout! Believe me, I love unapologetically evil characters, who do the worst things for funsies! But Gabriel Agreste can never be that type of bad guy because you set up an entire storyline about his poor wife who died because adoption is apparently illegal in this universe! Don't get me started on Emilie Agreste, she's getting a rant of her own soon enough! But come on, would it kill you to at least try and give your villains some depth???
Thomas, do you want me to have a stroke? An aneurysm? To keel over dead like Gabriel's character development? Should I maybe put a fridge in my basement for good measure? And do not talk to me about the "tell Adrien how good a father I was" bs the finale had in it! Just- just don't touch that with a ten foot pole! But...I will admit, there is a very interesting direction they can take Gabriel's character now that he's dead. Because sure, he's now a one-dimensional asshole that screamed in his basement a lot before beating up a cat(bug)girl and dropping dead, but hey! Gabriel Agreste can haunt the narrative now! Have Lila use reunion to talk to him! Have Marinette be tormented by the stupid promise she made! Have Adrien be conflicted over how Gabriel treated him! Give us an existential crisis because "the hero who defeted Monarch" doesn't match up with the abusive asshole Adrien has known for the past year! Gabriel Agreste's character has been utterly trainwrecked by the writers' refusal to explain anything about him beyond a superficial "boo hoo my wife keeled over". Yeah buddy, so what? You can at least be interesting about it!
Anyway, I'm going to go cool off and make another draft for how to fix this idiot's character development. Or you know, give him some in the first place because he's lost it all. I'll see you all soon with an "In offense to Emilie Agreste" post, but until then, Stay Miraculous everyone!
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eddiestattoos · 6 days ago
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Somebody call Abby and tell her her two firefighter boyfriends made out
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yellowocaballero · 5 months ago
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i'm gonna sound pedantic but like... it's not shodaime... it's shodai... "sho" isn't a number like ni, san, or yon; it means beginning/initial/primary (+ "dai" is generation, "me" is denoting numerical order)... "shodaime" is an abomination of a word equivalent to beginningth or initialth... 😭😭😭😭😭😭😭
I'm sorry you know enough Japanese that you're left fighting for your life against anime fandom-typical mangled fanon Japanese. My mostly monolingual ass is out here taking cues from every other writer in a demented game of illiterate telephone. Bear the burden of knowledge with pride, anon. I'll remain faithful to the language of Naruto fanfiction and continue to mangle the Japanese.
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thelivingautomaton · 1 year ago
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alright, since the Remedy brainworms got me I've been replaying Control, got to the AWE expansion last night and picking up on all the echoes/foreshadowing for Alan Wake 2 is making me go utterly bonkers, but like. has anyone picked up on or talked about how in all of Alan's Hotline messages to Jesse, when he's writing about her POV, he exclusively calls her 'Faden'
like, maybe it didn't poke my brain the first time I played it since he does the same thing when talking about Hartman, but coming from AW2 it's pretty jarring as a stylistic oddity...almost like there's a reason (in-universe and/or out-of-universe) that he doesn't call her 'Jesse'...almost like there's only one Faden in his story...
and given how in AW2 we also get some (quasi-) clarification regarding the limits of Alan's ability to "make stuff up" vs alter and rewrite "real-world" events that he sees in clairvoyant flashes...given the Night Springs screenplay pages you can find in AWE that parallels the FBC and the events of Control (i.e. a Director and a Scientist opening a portal to another dimension, finding an eldritch Entity, the Director trying to take its power for himself and then getting taken over before shooting himself)...given how literally all of the "dreams" Dylan tells Jesse about are descriptions/viewings of stuff that takes place on one level of reality or another ("I was the director and you were an intern"; "we were in a game, and it was a fucking boring game but you couldn't stop playing it"; Mister Door, and "a world with a writer writing about a cop, and another world where the writer was real"; a "musical" about Jesse), except, seemingly, the dream about "Jesse Dylan Faden"...
guys. are you picking up what I'm putting down here. guys. GUYS
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chansoooo1-blog · 10 months ago
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Carmy reassuring Sydney that he won't let her "melt" and then ending up getting stuck in a fucking freezer??
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byers-bowlcut · 2 years ago
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I will never ever get over the fact that season 3 spent time on the most useless plot/character moment ever: aka showing KAREN WHEELER so close to cheating on her partner that she does not romantically love, with WILLIAM HARGROVE- until she ultimately decides not to for the sake of her family. All while Mike is acting like this (see pictures) the whole season, to another........ William.
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sprolden · 1 year ago
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honestly another thing that makes tsc so fun is that there's so many implicit little worldbuilding rules going on that you're aware of as a reader but the moment a character states them out loud you go "Haha, What?" like jocelyn casually mentioning that shadowhunters love extremely intensely and that virtually all of them fall in love only once. girl I thought everyone just suffered from YA Protagonist Always Meets Their Soulmate At 16 Disease what do you MEAN that this is an actual Thing. and that thats the reason why your current husband spent 20 years pining over you because he was physically incapable of falling out of love. and that it took you 15 years to even think of the possibility of loving him back because your first husband turned out to be a genocidal maniac and you were like well thats it for me then no more romance too bad I wasted it on him! what do you MEAN
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