#the writers at the end write their entire adventure into a movie

[mortalmab]

Imagine a heist movie with me:

The WGA strike has been going on long enough that the writers are getting desperate but refuse to give in the the AMPTP. So the writers hatch a plan: they are going to rob Universal Studios, break into the Disney Vault, Netflix, Amazon, and all the players in the AMPTP and TAKE the money they are owed.

The problem is none of them have ever done something like this in real life. They have written heist movies but life ain’t like that. So they hire a couple of ex-convicts with a history of white collar crime and together they rob the various branches of the AMPTP tree, crippling them enough that they are forced to give in to the WGA demands.

The movie is called Prose and Cons

[comicaurora]

Hey red, what's your opinion on some modern writing that's very lamp shady? And do you have any advice on how to avoid "Well that just happened" dialogue?

It's an interesting question!

The thing is, lampshading exists for a reason, but it's not the reason it gets used a lot of the time. Writers might lampshade a narrative choice they're insecure about, while characters lampshade because the things they go through in a typical story are kind of bonkers, and we might expect them to notice. If a character signs on for a simple mercenary expedition and ends up discovering they're the long-lost prince of a kingdom they've never heard of, that's weird and they probably feel weird about it. If an ally is determined to 1v1 their super overpowered nemesis with no help from their friends, those friends might have opinions about how dumb that is.

This is a form of lampshading that doesn't break immersion because it's entirely in-character and doesn't lean on the fourth wall. There's a difference between a character noticing how weird their life is and a character pointing out how cliched a recent experience was. In the latter case, the character is treating their life like a story, and while it IS a story, they shouldn't know that.

There's a spectrum here, with "complete sincerity and taking every turn of the plot at face value" defining the 0-point and "complete self-aware uninvestment" at the far end, but healthy levels of lampshading live somewhere in the middle. Characters at the 0-point accepting everything that happens without question can feel just as weird as characters that won't stop pointing out the TVTropes entry they're currently living. It's about what it makes sense for the character to find disruptive or noteworthy. A hardened badass probably won't see the need to point out how bonkers a recent fight scene was, but a newcomer to the Cool Bombastic Adventure scene might be really excited when they pull off a cool special move and want to point it out.

I think this is why the recent D&D movie worked for a lot of people, because while the main characters all lampshade their lives to varying degrees, the way they do so makes sense for all of them. Edgin is a bard and storyteller so he has a slightly meta perspective on a lot of things, purposefully avoids playing along with certain narrative conventions and sometimes responds to other people's dialogue by critiquing their dialogue instead of just responding normally; Holga doesn't really care to understand how the world works and so keeps pointing out that they should just use magic to solve their problems, which is probably the most popular lampshade in the whole genre; Doric and Simon don't get a ton of time to shine character-wise, but they'll both occasionally poke holes in the pretense of the story they're in. The thing that makes this all work is Xenk, who plays absolutely every moment completely 100% straight and is entirely immersed in the objectively ridiculous setting of D&D. Same goes for most of the villains, except for Forge, who's probably the wackiest and most self-aware character in the entire movie, but in a way that makes him feel callous and disregarding of the people around him, like he's uninvested in the world not because he knows he's a fictional character but because he has too much money and power to care about anything. The ways each character does or does not lampshade their surroundings make sense for who they are as people and reinforce their characterization and place in the world instead of undermining it.

I recently watched a couple episodes of Stargate Atlantis and noticed something similar - the main character and, to a lesser extent, the rest of his associates from Earth have a tendency to make wry observations about his objectively bizarre life and the eccentricities of the people around him, which helps contrast against the extremely serious and businesslike Cool Space Warriors they keep accumulating, which helps make them feel (a) distinct from each other and (b) relatable considering all the weird stuff that happens. And the protagonist switches off the quips as soon as things start looking perilous for his team, so you never get the impression that they aren't invested in the story they're living, and as a result the various quips and lampshades come across more as a habit or a coping mechanism than a disruption to the narrative itself.

So basically I think you can get away with a lot of lampshades as long as the character doesn't feel like they know they're in a story.

[starsopinions]

The Minecraft movie........

I've been playing Minecraft for as long as I can remember. My brother and I would spend hours on Hypixel, our survival world, and building escape rooms for each other (the exit would no doubt be behind a painting). As a movie fanatic, a film about Minecraft sounds like such a fun concept with great potential yet from the look from the teaser trailer it seems like all that potential will remain unused.

Link to the trailer if you haven't seen it yet!

Plenty of people have already commented on how it looks, which let’s be frank, is terrible. This post, however, is not about the look but the story so here is a summary: The set design is quite nice except it does not look like any Minecraft biome. The people look extremely out of place, especially Steve who is supposed to be part of this world. Last but not least, there are moving, working windmills. Anyone who has played Minecraft will probably feel the same way about this, which is not happy. This is the main problem, the makers have maybe watched 1 Let’s Play. They don’t know the Minecraft experience. They haven’t played hardcore survival and felt the pain when you die because your elytra breaks, they have never gone mining at 2 am on a rainy night or have built a beautiful base they a proud of.

Which brings us to the soulless plot. For anyone unfamiliar, this is what Warner Bros. describes it as: “Four misfits—Garrett “The Garbage Man” Garrison, Henry, Natalie and Dawn—find themselves struggling with ordinary problems when they are suddenly pulled through a mysterious portal into the Overworld: a bizarre, cubic wonderland that thrives on imagination. To get back home, they’ll have to master this world (and protect it from evil things like Piglins and Zombies, too) while embarking on a magical quest with an unexpected, expert crafter, Steve. Together, their adventure will challenge all five to be bold and to reconnect with the qualities that make each of them uniquely creative…the very skills they need to thrive back in the real world.”

That made me throw up in my mouth a little. Minecraft is such a fun and unique game and this is what they come up with? Minecraft is a game about being creative and there are literally endless possibilities. This plot has nothing to do with the actual game and could be applied to any video game. Speaking of other games, it hasn’t escaped anyone’s notice that this is the exact plot of the movie Jumanji.

I’m secretly hoping they pull a Sonic and fix the movie at the last minute but I don’t think that is realistic. I don’t think all is lost though, Emma Myers (who plays Natalie) is, in my opinion, a great addition to the cast and is funny and talented. The rest of the cast isn’t much to write home about, unfortunately. As stated before, I do think the set has a cool look to it, it is just a shame that it doesn’t look like Minecraft.

Here is what I would do if I were in charge:

Firstly the whole cast is going. I would make it an animated film, Minecraft isn’t a realistic game and it doesn’t come across well in live-action. Steve and Alex would be the main characters.

The movie would have an entirely different plot and would either focus on Steve and Alex trying to defeat the Enderdragon for the first time, etc. (I think this is a bit basic but sometimes less is more)

Or it could be about the lore of the Enderdragon, Endermen, Ghasts, etc. and what happened to them and how they ended up where they are. There are so many theories about this online and it’s a side of that Minecraft hasn't been explored yet.

Another option could be about the villagers and pillagers. It would be cool to see more of their history and maybe Steve meddling to make peace or something in that direction. Think about how cool raids could be in movie form.

(see how I just thought of 3 way more original and fun plots off the top of my head when the writers couldn’t think of a singular one in months)-

A MUST for me is the classic Minecraft music. It should be in the trailer, in the movie, it should be everywhere. It is so nostalgic and everyone who has ever played Minecraft knows how iconic it is. (not saying it is not in the movie right now, I obviously haven’t seen it yet but wanted to include this point)

I think it could be cool if, for example, Steve would find a new biome or a new item and then we would get it in the game in an update. It would show a real connection between the movie and the game which is missing right now. (again not saying they won’t do this but I’m not getting my hopes up)

Besides all this, it would be amazing to see jokes and references to the actual game. Think forgetting to set your spawnpoint, inventory being full, etc.

And lastly, I NEED to see Minecraft YouTuber's references. I think they might do this, I’ve seen multiple YouTubers talk about the movie and I know Mumbo visited the set, so there is a possibility. Minecraft has one of the biggest YouTube communities, not referencing it would be a missed opportunity for sure.

I don’t think this movie will be especially bad, from the looks of it, it’s going to be a whole lot of meh. I do want to say that I have not seen the movie yet as it isn’t out yet, this means that a lot could still change (please please please). I will be in the cinema on April 4th with low expectations but high hopes, I have never wanted to be wrong more. Let me know what you think and thank you for reading all the way to the end <3

As always, this is MY opinion. Feel free to disagree but remember: It is a game about blocks, it's not that important (she says after ranting about it for like 2 hours lmao).

[goodomenscalendar]

What is this? | Submit your own event or tag us! | Be sure to click through to the original post for the latest updates! Last edited: October 12th.

Ending Events

Good Omens Holiday Exchange | Prompt Claims close Oct 4th

The Good Omens Holiday Exchange has operated every holiday season since 2005, so by now it's something we consider a fandom institution-- and you could be a part of it this year! Sign-ups are closed, but you can still claim a prompt to fill for someone else! - @goexchange-mods - Claims List -

GOAD Fall Ball Kink Thrall | 18+ | Sign-ups close Oct 31st

Autumnal kink roulette split into two sections. One 'edge' event taking place over a month of writing or drawing. One 'heat' sprint style event weekly on the sub (over the posting period). Prompts sent out November 1st! - @goodomensafterdark - Reddit -

Good Omens Fairy Tale Bang | Posting continues!

This is a Good Omens Mini Bang themed entirely around Fairy Tales! Writing your own or adapting a favorite! All versions of all Fairy Tales and Mythology are welcome! Featuring both SFW and NSFW content. - @fairytalegobang - AO3 Collection -

DIWS: Silver Screen Bang | Posting continues!

The Good Omens Silver Screen Bang brings writers and artists together to retell a movie through a Good Omens lens! AUs and fusions welcome! Featuring both SFW and NSFW content. - @do-it-with-style-events - Twitter - AO3 Collection -

Good Omens Theater Bang | Posting continues!

A Good Omens bang dedicated to theatrical plays and musicals! Featuring both SFW and NSFW content. - @gomens-theatre-bang - AO3 Collection -

Ongoing Events

Chill Omenstober | Runs all month!

A chill list of Good Omens themed October prompts filled with lots of break days. Feel free to use with any form of art! Good luck and have fun! - Prompt List -

Ineffable Kinktober | Runs all month!

A month-long prompt list full of truly Ineffable kinks! This isn't a challenge, do as many or as few as you are inspired to! - Prompt List - Twitter - AO3 Collection -

Inktober | Runs all month!

Classic Inktober: make a drawing in ink, and post it! Inktober is about growing and improving and forming positive habits, so the more you’re consistent the better. - Prompt List - Twitter - Reddit -

Whumptober | Runs all month!

Whumptober is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like! - @whumptober - AO3 Collection -

Upcoming Events

Thwarting Wiles Zine: Vol 2 | 18+ | Applications open Oct 5th

A bottom!Crowley Good Omens zine. This is an 18+ zine, so no minors will be accepted. - @thwartingwileszine - Twitter -

Ineffably Grey Zine | Pre-orders open Oct 18th

From the Grand Opening in 1898 to modern times, follow this Demon and his Angel on their adventures, and the routines that surely follow at a table for two for An Evening At the Ritz! All proceeds donated to The National Center for Transgender Equality. - @ineffablygrey - Twitter - Instagram - BigCartel -

The Ineffable Society: Langhorne, PA Meetup | October 19th

A free-to-attend Good Omens fandom meetup in the States. Just outside Philadelphia, PA. All ages welcome; under 18 must attend with guardian. Masks required in our Event spaces—help keep your fellow fans safe! - @theineffablesociety - Twitter -

Good Omens Spooky Bang | Posting begins Oct 28th

A spooky Good Omens bang to kick off the autumn season! Whether it's Aziraphale pumpkin-picking, a pumpkin spice latte coffee shop AU, or Hell hosting a Halloween bash, you're invited to the Spooky Bang! Featuring both SFW and NSFW content. - @spooky-bang-good-omens -

Ineffable Secret Angel Event | Sign-ups TBD

When you register for the event, you will be randomly assigned to another participant, who will not know they have been assigned to you. You will then create fanart or write a fanfiction for this person, which you will present to them as a winter gift! Join the Good Omens Reference Library Server to participate! - Info Post - Discord Server -

On The Horizon

Keep an eye out for these works-in-progress in the coming months!

Good Omens Frames | @gomensframes Good Omens Monster Bangers Bang | @gomonsterbangersbang

[ms-scarletwings]

A Messy, Sedulous Necropsy of Zib Membrane

That’s what we call him right? Not Invader Zib? Hell if I know, we’ll let the tags decide.

Whatever he is christened by his author, enemies, or fans, this titular villain of the Zimvoid is such a mind blaster to me. I wish we had more time with him within the comics. I wish he had been a concept explored in the show. I wish he had a movie. I am having fun with a little hyperbole here, but I truly do find him just as interesting and potentially pivotal of an antagonist as Tak was, if not even more.

Both, of course, were so badly underutilized for sake of the series status quo. To that, Zib was a much bigger threat than Tak, and especially to that of the comics’ own. He potentially changes everything, and somehow absolutely nothing by the end. The TV show always had a more overt tone of cruelty and the macabre floating about its themes. These print issues? I don’t dislike them. It’s still recognizably invader Zim, and the more the merrier, content-wise, but longtime fans can feel that there was this change of essence in the transition. More obviously, in the art, but more subtly, there was an audible softening of that bluntly darker, cynical tone the show was made iconic for. To put it very generally, they lean a little more into the whackiness of this world, there’s a lot more dark comedy to be found in what I’ve seen so far rather than in your face darkness, and in the absence of the ost and voice acting the show accustomed us to, the comics leave a lot more room to be read as you wile. To me, they’re goofier and more episodic in spirit.

This all is not a critique or rating on the comics.. It’s purely, I feel, why Zib stuck out to me all the more jarringly in his context. His reveal was a genuine twist that brought forth stakes higher than arguably any other threat in the entire franchise. He represents a plausible while horrifying prophecy of our main characters if only they made worse decisions. The most interesting of all, for every piece of amazing information he fed to us, he bred dozens more questions about everything than he answered, from Irken machinations, to his ambivalent backstory, to the secrets hidden by the sum of his parts.

Though he was left evidently alive at the end of his story, I don’t see any chance for him making a return, so he is memorialized as another defeated one-off the writers have brisked past and left behind for good. Therefore, I’m here today to take what we got and present it on the metaphorical autopsy table. I want to really pull apart why this character alone pulled me back into the TV series, really just flay open the bits I can’t get out of my own head and dig harder until we find something or we run out of threads to tug at. Starting with the one already hanging out of my mouth, but

• B.E.F

“Bad End Friend” is a term I learned the meaning of within the last 12 hours or so of writing this, and I’m exuberant over that discovery. It’s a niche trope i didn’t know ive been a giant fan of since I was a child. Summed up, fictional characters from beloved media, typically, animated child protagonists… given the worst case scenario treatment. Their “bad ending”, whether that means a corruption arc, demonic possession, a lovecraftIan tragedy… usually something that’s anywhere along the lines of a fate worse than death to a full villainous turnover. As a treat. The concept is strongly associated with fanworks and AUs of popular media, but just as often this is something that becomes explored in the source material as well. A couple great examples I know would probably be Ice Prince Finn from Adventure Time or what happens in Undertale when you decide you want to run the most depraved playthrough possible. From a more mature story, “Evil” Morty is another validly arguable sample.

Besides a bit of a fondness I got going for certain dark or spooky themes in general, what I REALLY love about canonical BEFs the most is their utility as characterization tools. They’re the “having your cake and eating it too” option! The perfect way for an author to explore certain things about any character without actually committing to well… a bad ending.

Almost always, they are necessarily hypothetical or reversible. If they’re not reversible, they go often hand-in-hand with a little universe tampering to make happen. Sometimes, this means the story goes the way of time travel and branching off butterfly effects. Sometimes it means confirming multiverse theory, which can be the same thing depending on your semantical position.

And Zib crossed off the BEF qualifications by far and away. His implications are extremely dark given any pause think about them, and he’s a living, disturbing tragedy in aftermath. If you want to view a rigamarole about that aspect of his characterization as he appeared in the comics, someone else long beat me to that and I’m enthusiastically recommending a peek at their own work. I’m thrilled to do so and build a little upon that with those extended what-if-wonders.

• Lessons From a Lost Episode

Elephant in the room I haven’t seen someone ask yet, uh..

By show rules, isn’t Zib supposed to be a clear case of the writers committing the sin of retcon? By show I’m including the unaired scripts, including “10 Minutes to Doom”. In that one we had what looked like the potential setup for a Zib case, and it was deconstructed across the whole episode.

In short recap, Dib learned the hard and reckless way about the true nature of what Irken PAKs actually are. This is not an inventory bag, it is not “gear”. It’s the actual Irken entity- at least, the primary component.

Detaching it from the organic shell essentially caused a temporary split into two instances of Zim, desperately trying to connect back together under threat of obliteration.

Like let me be very clear about this,

The PAK is an autonomous instance of Zim’s consciousness, and it’s the main one. We’ve seen it act to save his life when his body has been out cold or flatlined, and he doesn’t appear the least bit disoriented or confused once “he” wakes and jumps back into the action. There’s no known separate computer assistant AI or security autopilot in there. That code, that program, IS Zim. As Long as the PAK is active, he is capable of staying fully conscious and able to react to what’s happening around him, and that’s what we’ve been seeing, his own actions.

Zim proved me right when Virooz tried to replace him and detached the PAK. Take note of his phrasing after the chair event™.

“I” activated the protocol. Immediately after Virooz ran off with my shell.

“I” Voluntarily chose to do so.

I don’t remember it playing out like that in “10 Minutes to Doom”.

Attaching to a new host wasn’t the first reflex. Dib was not the least bit aware that that he has literally holding the actual Zim captive in sense, and the latter was fighting like a cornered animal to escape him. Failing that, alongside the distance between him and his original body growing fast, he made a last desperate gambit, and he willingly connected himself into Dib’s body.

I can see why he thought this was better than nothing, no matter how repulsive the notion might have been. If he couldn’t fend Dib off physically, he could incapacitate him in some fashion by trying to overtake his will. Maybe give the shell a better chance to catch up, maybe in the longshot hope of being able to pilot dib in order to become whole with the correct host again. And you can say he succeeded, at least in dominating bodily control away from Dib, but at the cost of his already tenuously held sanity. This could be because of the interference of Dib’s own mind still resisting to fully submit, or malfunctions because of the biological incompatibility; however, the thing that Dib mentally becomes is only the basic idea of what “Zim” is. Instead of remembering it needs to reunite with its shell ASAP, the PAK mistakes Dib’s body for its own and goes through the manic motions of following the Invader mission. And it does this, weirdly enough, with almost no regard for blowing its cover.

When things are set right again, Zim’s later words near the episode ending revealed that he knew that was an unsustainable state.

Such a risk was not just accounted for, he was actually banking on it if that clock had hit zero. If Zim had truly lost, if he was really doomed to meet his end on this nasty rock in the middle of Nowhere, Space, then by every damned circuit in his being, he was going to take down this insolent fool boy and as many other humans possible with him. A dying act of vengeful rage.

• The Exceptional… Exception

Now, wouldn’t all of this be the definitive reason for Zib’s existence to be an aberrant impossibility? Yes, but actually no. Fun thing about multiverses is if something doesn’t work in one setting, you can just tweak a few dials and suddenly you have a world where the impossible becomes possible. But that’s a pretty cheap answer, isn’t it? So, what exactly was that crucial difference?

What happened in Zib’s timeline that went down so, so divergently from the events of 10 Minutes to Doom?

Because the only one who was in any position to explain it for us was Zib himself, and he’s proven to be one of the most unreliable of narrators. It’s as @dana-chan-the-control-brain already spared no effort to demonstrate, when he does tell us something about his past, his story is pocked with contradicting half-truths or outright lies. Ergo it helps to break down each recount of events to pick out the real facts.

Version 1: This is an alternate version of dib who defeated his complementing Zim (logically sensible) and went on to achieve all of the success and respect he sought after in his timeline (absolute bullshit). He kind of gestures and only implies about what has happened to his body while explaining that he came to his current understanding of Irken technology by studying it through Zim’s lab (a partial truth). He lets slip in passing that he has in fact fused with the PAK in order to learn how to alter and reprogram its coding, lessons he has applied to Number 2 in order to have a brainwashed pawn (also apparently true).

Version 2, when cornered and red handed: This is an alternate version of Dib who managed to specifically stop Zim's mission (Again, makes sense) but somehow could not convince the world of his findings or his warnings about the Irken Armada (*VERY eyebrow raising). Frustrated with the people’s lack of cooperation, he decides he has no choice but to physically merge with Zim’s PAK post-mortem (concerning and evidently mostly accurate), dominate the Earth himself, and enslave humans to help him in his efforts (highly troubling and probably true). The construction of his EMP super-weapon is successful, but ultimately led to the creation of the Zimvoid when the device was field tested (self evident, absolutely horrifying).

You know what I noticed was missing from both of these accounts? Exactly how his Zim was defeated. Which honestly could have been some beyond useful wisdom to pass along to the main Dib??? More than anything else? I’m not going to fault our boy for not pressing that matter better under the awing circumstance; however, there’s an implication I’ve been reading between lines. 

When Zib mentions “defeating” his own Zim, he’s talking about something different than ours.

When our Dib has always talked about “defeating” Zim, he’s meant incapacitation and capture. Throughout the show he explicitly wants to present Zim before an audience alive and whole. Yeah, he fantasizes about other people torturing or disassembling him for study, but HIS role was supposed to be reaping the fame for an undeniable, ground-breaking discovery. Conspiracies and cryptids are all this kid breathes and lives by! And as long as pop culture has always been fascinated with the paranormal, and he has to know this full well, people keep bringing forward hoax after hoax after scam. I mean there’s a freaking current one or few still going IRL about this exact topic. Dib would want no room left for being dismissed as another one of those con artists. 

Nonetheless, I actually doubt this is the reason Zib couldn’t get through to the scientific community. A genuine alien lifeform, even a dead one, could still be confirmed by any basic medical examination. The world thinks Dib is too crazy to listen to, but his father is still Professor Membrane. In "10 Minutes to Doom" OUR Dib got as close as having Membrane literally analyzing a PAK, or at worst, preparing to. “Ultimate Dib” gets his hands on the same thing and pulls a move I’d expect from an HP Lovecraft Protagonist instead.

We’re assuming way too much to what these two Dibs have in common, because this ^^^ is really what made the Zimvoid an outlier in the multiverse. That world didn’t only have a very different, more threatening Zim from the main timeline, it had the Dib who proved even more formidable, cunning, and ruthless, even before the fusion. 

He didn’t obtain that PAK ala the “10 minutes to Doom” accident, it’s a personal trophy. This is extra strange remembering that capturing an Irken is realistically more easy than killing one. They’re seriously more tenacious than kudzu and will even fight back in PAK form alone. I’m convinced that whatever sort of final showdown made the Ultimate Dib the victor, there are two optional endings on the table.

Option 1: There was not a body even left intact enough to bring in to research. Maybe Dib’s fault, maybe an accident, maybe even Zim’s own luck running out and his incompetent antics finally swallowed him (and possibly GIR). This theory assumes that the PAK was the only sort of remains to come into Dib’s recovery/possession.

Option 2: Curiosity Killed the cat,

but satisfaction brought it back.

Or, the one I personally headcanon. Dib… all Dibs, I assume, don’t just hate the Irken species. They are mesmerized by them, and all that they represent from his perspective. Firstly, the epic villain he gets to roleplay nemesis to in order to feel his own worth and importance. Secondly, an unknown wonder from beyond the boundaries of the cosmos. He’s not really a ghost buster or a Men In Black agent at heart, but a scientist, like his father. Underneath his contempt for Zim’s plans to destroy the world is a genuine and appropriately childish awe for alien presence, especially for Zim’s technology. His silent, dopey smile when Tak’s ship ended up in his backyard said more than words ever will.. 

Earlier in the show, a great deal of Dib’s time and effort was spent on trying to infiltrate the lower levels of Zim’s base. Sneaking into the house was hard enough, but the computer security can’t be bypassed like the gnomes. Not even by Zim himself unless he really is all himself. Perhaps you’re starting to sniff where I’m going with this one when I refer back to “Bolognius Maximus”. I’ve another reference that’s a little more on the nose, and a lot more… dark.

Were an expired Irken husk before you, you too might take your victory and cash in then. Still, who knows what sudden impulse may run through the head of a less humble version of yourself, one some could call greedier, obsessive to a fault, a screw or two loose, yet, a hell of a smart cookie. Smart enough to see it for what it actually was, the keys to a whole world of discovery that went so many layers deeper than they could ever imagine. It’s possible the Ultimate Dib already learned beforehand the same hard lessons about the PAKs that our own did, and took that understanding toward not repeating the same mistake this time. What happened to Zim? I think he was murdered in cold blood, body, and entity. “10 Minutes to Doom” showed us a fight between 2 brains clinging to one body, struggling until one overpowered another, but that’s not what this is. Through whatever means of science were available to him, this Dib has probably tried to “disarm” the technology by either erasing Zim’s consciousness out of it altogether, or by forcing the autonomous code into a kind of dormancy. His intentions were to render it back to its basic hardware without losing its precious knowledge and usefulness, something like the brain-filled tank that was wired into Skrang’s head. Zim’s PAK doesn’t cling onto his body like a parasitic teratoma this time; it’s merged in a literal sense with his nervous and circulatory system. As well, he has fooled the device’s ability to detect and reject a foreign host shell, the exact same way he deceived the the base’s security AI. If an Irken biology is what these measures authorize to command them and their secrets, then he had the tools on hand to give them just that- in an atrocity I like to call

the darker harvest.

Within this theory, there is not as much room to wonder exactly what became of Zim’s organic remains. 

But where Dib fucked up was, for the second time, in his ignorance to the true nature of what he was even playing with. That was a mistake that even the mighty Elder Brains of Judgementia lost themselves to; How much more vulnerable was the weak, human mind? Though Zim can be devoured, he can never be digested. In that fact was born this aberration against nature, sanity, and humanity alike.

"Have you ever heard of insect politics? Neither have I. Insects… don't have politics. They're very… brutal. No compassion, no compromise. We can't trust the insect. I'd like to become the first… insect politician. Y'see, I'd like to, but… I'm afraid, uh… I'm saying… I'm saying I - I'm an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake." - Seth Brundle, The Fly, 1986

By fusing what is half-mad and what is utterly mad, neither being was cured, only assimilated into the birth of a new madness. The madness of the creature that snickers behind the curtain in the Zimvoid. I rightfully fear that lonesome thing, but not I think as much as I pity him.

• Dejavu, or Re:Plagarism

One more thing about the Zimvoid arc I find curious is the way it makes you question more and more just how much of the aberration is actually still Dib, and how much of it is Zim's infection haunting him. He does nothing with all of his intellect, his resources, and his time in the void doing anything but surrounding himself in everything he claims he despises. He decries alien tyranny in one breath while lording over a homemade, cruel dictatorship in another. He calls for eradication of the very race who's technology and physiology he has thoroughly appropriated. He laments feeling unable to protect the Earth from the Armada alone, yet sneers literally through Irken teeth to insult humans as inferior and of no value to him any longer. Our Dib spent the whole damn show longing for the support of other people, but Zib pushes away potential allies in his arrogance. His broken timeline never became a Dibvoid instead because while only half of his mind can't stand Irkens, both of the souls inside him remember that they loathe and look down upon a Dib, deep inside.

The corruption goes as far as even subverting his own creativity. None of Zib's plans are wholly original. His anti-Irken weapon was already a concept blueprinted inside of that PAK before the merge. Our Dib has several times shown a propensity for some DIY ingenuity, sometimes dipping a toe into the supernatural. Zib entirely calls upon, scavenges and regurgitates Irken designs with a few modifications or upgrades. The Dib Virus, I think is his most uninspired creation yet, for it's original form was always something inside of Zim, even if the latter himself was not aware of the fact. Like all else, it is a weapon he has plundered, customized, and turned around on everyone else for his own selfish ends. This brief point I will end on one  more reflection. The one kind of help Zim ever allowed at his side were the likes of GIR and his own creations. Unable to connect and cooperate with his peers and own kind, his ego preferred to be around those defective machines he related to- drones to be owned by him and always loyally at his beck and call. A slave to admire him unconditionally is the only companionship he's ever been willing to admit to desiring.

And what was Number 2's purpose again? What role exactly were the arena combatants auditioning for, when you think about it?

[aortaplatinum]

Why Sonic sucked in the first half of the 2010s

One thing I constantly see brought up in the constant Sonic discourse is the concept of the "Meta Era": the period of time in the 2010s when Sonic stories and the series presentation was the lightest and most shallow it had ever been. This era starts with Sonic Colors and ends with Sonic Forces, but doesn't count the failed Sonic BOOM sub-franchise experiment since that was done by entirely different teams compared to those who usually work on Sonic games. The "Meta Era" term seems to have been coined by J's Reviews on YouTube, and is characterized by fourth-wall-breaking, Marvel movie esque English scripts written by Ken Pontac and Warren Graff of Happy Tree Friends and MadWorld fame, along with strange characterization of the Sonic cast. But no one ever tries to look at WHY this happened. I'm splitting this post into two parts because 2010-2015 is very different from 2015-2020 in terms of why the games' stories and then the game[s] themselves sucked. So, the year is 2009. Sonic and the Black Knight has just released following last year's console entry of Sonic World Adventure [titled Sonic Unleashed outside of Japan], and both are torn to shreds by millennial games journalists who grew up with the SEGA Mega Drive/Genesis games, for having stories that are "too dark/edgy". That aspect paired with these games' mostly mediocre gameplay caused them to be branded as "shitty Sonic games" by journos and the general public for years, until they were re-examined by the Sonic community as a whole, who found the good in Unleashed and Black Knight's stories and stage design in the mid-late 2010s. But, SEGA had just recently financially recovered from the failure of the Saturn outside of Japan and the worldwide failure of the Dreamcast, having to be bought out by pachinko manufacturer Sammy Corporation in the early 2000s to avoid going bankrupt. And despite Sonic historically being the company's best-seller worldwide [with the exception of Japan, ironically], SEGA Sammy Holdings [referred to as SEGA] wanted Sonic to be as beloved as much as it could and to sell as much as it could. The series' lack of popularity in Japan has always caused it to be seen as a mascot cash cow by SEGA Japan, just a source of income. Meanwhile, the same publications who cringed at Sonic LAUDED SEGA's recently published PlatinumGames release, MadWorld, for its presentation and its comedy dialogue, and with this positive reception, SEGA had an idea; marry the praised daytime Sonic Unleashed gameplay, with the tone and comedy writing of MadWorld- complete with giving the English script those same writers. There's just one problem- MadWorld is an ultraviolent M-rated comic book style comedy, sharing similarities with the original The Mask comic series. So you can probably imagine what happened when these writers were tasked with creating English localized dialogue for kids' games.

It wasn't very good.

But, sales were up. REVIEW SCORES were up. And this lead to Sonic Generations, which refined the daytime boost gameplay of Unleashed and even used it's same game engine, while introducing the world to "Classic Sonic", a modern re-interpretation of what Sonic played and acted like in the Mega Drive games from the 90's. Gens went on to become one of the most beloved Sonic games of all time- and thankfully, since the game had nearly zero story, there wasn't much script there for Pontac and Graff to... alter.

But, seeing the praise Colors' tone was getting from the professional journalists who bashed the 2000s games, SEGA decided the next course of action was to reach out and work with more Western studios. End part 1.

[evelili]

I just finished your Magnum Opus, and it was super great. I especially loved the Pinkie chapter (which surprised me because she’s my least favorite character!). Anyway, do you have any mlp fic recommendations?

oh boy do i have a list for you, strap in!

if you read my magnum opus writeup, you may have seen i mentioned three authors that dragged me back into mlp. if you're interested in sciset (and what's probably the most popular eqg fic on the entire site), Long Road to Friendship by Albi is a longfic that started after the first eqg movie and is a rlly lighthearted read. i don't normally care for OCs but gosh if i dont accept Albi's version of trixie's parents as canon in my heart haha. if you're interested in pony adventure fic, i also rlly liked Sunset of Time, another rlly well done longfic ive carried in my brain since i first read it xd

the second author, Monochromatic, aka the raritwi authority aka someone who has a GREAT taste in editors, has written three of the most formative longfic ive ever read: The Enchanted Library, its sequel The Enchanted Kingdom, and Crimson Lips which i unfortunately can no longer link since she's taken it down, but i believe you can still buy physically through PFP if you wanted to take a gamble on it (it would be a very good gamble). apart from her longfic though i also adore some of her shorter works, including but not limited to The Choices We Make, a really interesting Pinkie study that's definitely shaped how i view her, Your Own Worst Enemy, which is just. peak rarity content, and Injuring Eternity, which while being one of her older works still has certain passages that wreck me emotionally on sight.

and the third author responsible for my magnum opus is the one and only Aragon, who i can not only recommend for his fics but ALSO for his blog posts and comics (see the comic index on his profile for links to all of them, as well as this amazing blogpost about his neighbour that is just peak comedy). he's also the writer responsible for the banger longfic Crime and Funishment which absolutely defined my writing aspirations for a few years and is the definition of comedy if you looked it up in my heart, as well as In Hindsight, yet another banger rarity fic, and Love Is In Doom which is just bloody, silly, stupid fun (and has sunset shimmer in it)

and then if we want to talk fics i love written by other authors, Sleepless Knights by r5h has my favourite brand of scitwi written right into the margins, Administrative Angel by horizon has one of the most amazing endings to an opening chapter ive ever read AND an amazing celestia, The Best Night Ever by Capn_Chryssalid is a fandom classic with a groundhog day twist on the gala episode from s1, Side by Side by Krickis is a feel-good rarijack oneshot w a focus on lgbt (specifically trans) themes, Wax Earplugs by Reedhoarse has a dysfunctional mess of an adagio dazzle that i adore, Merge Request by FanOfMostEverything has all the scitwi/midnight shenanigans you could ask for wrapped up in the relatable content of github hell, Guppy Love by PaulAsaran is a rarijack longfic with an incredibly realistic setting and an interpretation of mermaids that i love so much, Doused Flame by heartlessons has me handshaking on the "sopping wet pathetic relatable guy" flash sentry interpretation that won me over recently, 80 Days 'Til the World's Farthest Shore by Cynewulf feels like reading a professionally published short story (and i mean that in the best of ways, it's enthralling), and finally if you'll allow me to be self-centred a bit i also am very proud of my two oneshots Heartstrings and Something About Midnights if you wanted to check em out too xd

oops long post!! im not sorry for it, i hope you can find something in here that catches your fancy (or even all of it haha), there's soooo many incredible fics in the fandom it floors me every day that i can read all these incredible works for free!!!

[rhinocio]

ROTTMNT Fanfic Recommendations

Light

You Coveted This Prison by CaveDwellers (April / Donatello - Comedy / Character Study - WIP) THE April O'Neil character study. One part excruciating (for reader and supporting cast) slow burn romance, one part introspection on being true to oneself. Rated M but only for one chapter, which can be skipped. Riddled with laugh-out-loud comedy shenanigans and heartachingly tender intimacy. Hot takes all over the place because the author wrote this with very little fandom involvement, and intentionaly chose to be contrarian in as many ways as possible. April takes down her arch-rival! Raph locks her in a freezer! Casey Junior's keeping secrets! Donatello's wall of horrible fake sciencey souveniers keeps growing and it may or may not be a sign of affection -- he's going to crunch the numbers on that. An absolute blast of a fic, cannot recommend enough.

★

Tried To Grow Up Good by Sroloc_Elbisivni (No romantic focus - Character Study - Complete)

THE Casey Jones post-movie character study. Love is stored in the found family. Casey is an accidental felon. He and Cassandra are siblings now. Anatawa hitorijaNAI let's get the entire two timeline fam in here for a reunion so I can sob myself silly. Perfection. This author's constantly pumping out new fics, and often updating multiple at a time; I've read through and greatly enjoyed Tomato Maze (there is so much serotonin in the knowledge that these idiot turtle boys will do anything for watermelon), Sorrow Is An Autumn Heart (Leo/Usagi but make it a slowburn thriller-drama set in historical Japan), and The Passionate Pools of Salamandria (a post-movie Raph/Mona bodice-ripper with an amnesiac protagonist and a B-plot where the rest of the family fight space to find their missing brother). Honestly this author has the WILDEST takes and everything they write is fascinating.

★

Give Me Something That’ll Haunt Me When You’re Not Around by Taizi (Leonardo / Yuichi - Drama / Romance - Complete)

If you've decided you're finally gonna take a dive into the leosagi crossover ship and see what all the fuss is about, do it with this fic. The author has a strong grasp on how to make a character study about characters first and relationships second, and in doing so has crafted one of THE most tender romance stories I've ever read. Starts as a character study on Yuichi Usagi and the yokai perspective on the Kraang invasion, branches into an exploration of PTSD and what it means to recover, and ends with a friends-to-lovers quickburn that says, "because of you I'm learning to love myself." Leo gets a therapy dinosaur. Yuichi gets out of his head. The character nuance and showing-not-telling is godtier. Healing starts with telling the alien invaders to go fuck themselves. Do not pass this fic up, I promise you it's worth the read. It legitimately made me cry.

★

The Old College Try by Theashemarie (No romantic focus - Action / Drama - WIP)

Donatello cloaks himself human to go to college, and drags his twin brother along. This fic masquerades as a fun, comedy-heavy action adventure story, but under the surface is a really fascinating introspection on what it means to hide your true self in order to fit in. The queer subtext is off the charts! Leo babysits Baxter Stockboy. Mikey gets eaten by a bird. One of the grad certificates is definitely going to be made out to to the wrong Hamato entirely. This fic features an autistic writer writing an autistic character, and their personal experience shines through in the excellent way Donnie's awkwardness and affection are balanced. This author knows nuance; I also highly recommend The Hibernator (apocalyptic timeline and Raph's dead........ wink) and Very Thoughtful (a Donnie-centric low empathy study).

★

Aftermath by Bronte (No romantic focus - Drama - Complete)

The boys deal with the aftermath of the movie events in whatever ways they can. Donnie gets into pina coladas. Leo harasses his brother. Look at these disaster twins bonding! There's a flippancy to all the angst that keeps these lighthearted and love-focused without skipping the rough details. I'm literally never going to recover from the belly bongos scene and will probably end up making art about it. Fantastic read, made me viscerally emotional.

★

At The Bottom Of A Duck-Shaped Crater by CaveDwellers (April / Donatello - Drama / Comedy - Complete) One part worldbuilding for the apocalyptic timeline and one part heartfelt comedy from the perspective of Miyamoto Usagi. Leonardo adopts a babysitter. Casey Junior saves the war effort from collapsing under a dick-measuring competition. April may or may not be about to kill a man. CaveDwellers is among my favourite writers for several reasons, but this fic really highlights her strength in blending several different kinds of relationships in one story and building a plot that delivers achey-breaky sentiments without having to structure everything around romance. (We're also developing projects together; keep an eye out for the "next in series" button at the bottom of the AO3 page for soft apocalyptic stories of a similar nature!)

★

Superfight by Swordfright (No romantic focus - Drama / Comedy - Complete)

An easy-reading one shot! Leo comes to terms with being a teenager, Donnie calls his disability out for what it is, and everybody plays Superfight the card game. The author writes in a very Douglas Adams-y style, resulting in a wheezing-on-the-floor-funny reading experience. If you're burnt out on fandom angst and need a pick-me-up, this is 900% the fic for you. It got me cry-laughing with just the quick refresher glance I gave it to put this recommendation together.

★

Now That's What I Call A Vacation! by WayWardWatson (No romantic focus (?) - Adventure / Crossover - WIP)

This fic's a multi-feature! It's one part infodump about Japan's culture and tourist hotspots, one part study on what it means to cloak your identity to fit into the world, and one part surprise crossover with Usagi Yojimbo. I am OBSESSED with this author's takes on Splinter as a character; several chapters are dedicated to exploring his fixation on being "human again" and trying to juggle the life he once had as a star with the life he now has as a parent of mutants. Primarily this is a feel good adventure story about the Hamato brothers getting in touch with their heritage, but it comes in swinging with several different action/adventure plot points and drama beats to keep a reader invested. Legitimately have no idea where the author's taking things, which makes me all the more excited for the ride!

★

One Step Forward, Fall Forever Back by GriffinStone (No romantic focus - Action / Mystery - Complete)

This fic is one of those slight universe alteration stories that takes a one-off thought and runs with it: what if Casey Junior died on his way through the time rift, spawned into the past as a ghost, and Leo was the only person who could see him? Promise the execution is way less daunting than it sounds -- events move along at a breezy pace and characters never spend very long lamenting the whole dead boy situation. The final battle alone is so chocked full of found family ride-or-die energy between the two protagonists that it's worth the rest of the adventure playing out pretty similarly to the movie. Definitely a treat for those of you who are big on Leo-Casey interactions.

★

A Mixed Bag by MusingWordsmith (No romantic focus - Action / Comedy - WIP)

What if I told you there was a fic where the turtles of every major tv show TMNT iteration shonen anime-style battled their way through challenges in mixed teams of four in order to defeat a team of evil overlords who may or may not know what they're doing re: evillness? Trust me when I say this story is fun -- it blends comedy and drama flawlessly, and the author totally committed to the bit in keeping each version of the turtles loyal to the genre of their individual canons. The 1987 turtles are breaking the fourth wall. The Rise kids are absolute supersoliders. 2003 Michelangelo somehow ended up as the babysitter of his particular faction and is kind of having a crisis about it. I am so beyond impressed at how well this author distinguishes each character and keeps who's who from getting too confusing, which is a common issue in TMNT crossovers. Reading this fic feels like watching literally any version of the show as a kid on a Saturday morning. It is a blast.

Medium

Young Root, Old Rock by SiryyGrey (No romantic focus - Action / Thriller - WIP)  

Shortly after the Kraang invasion a mysterious file of an unreadable format shows up on Donnie's computer, and he's driven by an intense curiosity to decipher exactly what it is and means. This author goes HARD on creating tense, muscle-tensing atmosphere, which is balanced out by extremely tender character interaction. Casey knows something he's not letting on. Donnie makes himself a robo-brain. Leo blows up his brother. You ever wanted an adventure with the blorbos that was also an ARG? Cryptic messages are sprinkled throughout the chapters for readers to decipher. Mind the tags but absolutely do not pass this fic up!

★

No Rest For The Weary by Nekotsuki (No romantic focus - Action / Adventure - WIP)

Ever thought "hey what if the movie just kept going and we found out what happened to those other kraang"? Hello and let me introduce you to THE post-movie out of frying pan and into the fire fic. I have it on good authority that this author was a big name in the 2003 TMNT fic scene, and I suspect for good reason -- this story perfectly blends heart-pounding action with A+ belly laughs and solid found family energy. Donnie hacks cute animal emails and narcs on the enemy. April fights zombies back to back with Barold Draxum of downstairs neighbour fame. Raph gets tranquilizer-darted by his brother for being too emotional. 100/10 wild ride, cannot recommend highly enough.

★

I May Be Invisible, But I Still Look Good by Dandy (No romantic focus - Adventure / Thriller - WIP)

Several TMNT AU competitions have made this fic a household name, and for good reason -- the author's come onto the scene with a bold, fun plot premise: after a battle gone wrong, Leo finds himself alive but unable to be perceived via sight, sound, or touch. Naturally, his family assumes he's dead. While it starts on the angstier side, this story's got a lot of heart and shoves tenderness into every possible crevice; the longer it goes on, the more tears are swapped out for laughter, and anguished dialogue-heavy interaction trades place with high-octane action. Worth sticking with!

★

Creation, Haunted And Holy by Greenglowsgold (No romantic focus - Drama / Thriller - Complete)

I lied about the romance it's Donnie x Technodrome with a twist. This fic reads like fascinating poetry, and does right by its source material by taking one of the fandom's favourite angst catalysts and turning it into a demonstration of the strength of love. Looking for something wildly different? GGG's got you. Would also highly recommend their outside-POV slice of life fic Midtown Mutants!

Dark

The Lemonade Leak by TurtleSoupSwimmer (No romantic focus - Horror / Thriller - WIP)

How do you explain to your family that your twin brother's possessed when you have no evidence, aren't sure if said brother is still alive somewhere inside the zombie, and revealing you know something's wrong could get everybody killed? There is no describing how completely feral I've gone for this fic - the author's technique of starting chapters with small, raw, seemingly unrelated scenes that segue into the current plot and enhance the tone or underlying message of the story is just incredible. They've given the turtles a fascinating mutation feature that adds layers of intrigue to the plot. The character interaction is heckin' tender, we got a nice scoop of self-worth issues from Leo to deal with, and the scary scenes are grip-your-phone-and-stop-blinking scary. The author promises a happy ending but that doesn't make Lemonade Leak any less of an incredibly tense ride. This is a fic I jump on the second I get the AO3 email notification.

★

The Smoking Gun: A ROTTMNT Tactical AU by AlienMadame22 (Donatello / April - Action / Adventure - Complete)

Agent Bishop of the EPF stole four turtle mutants away from their father as children and raised them as militia; dad's gotten back in contact and intends to break them free. This author absolutely took off running with the tactical AU prompt that various visual artists started up, grabbed a handful of canon concepts to mess around with, and mcguyvered together a wild ride of a story that continues to catch me off guard. Strap in for a fic riddled with emotional complexity and character nuance, and come prepared to cry. Fear not the ship tag, as the fic is primarily non-romance-focused and the ship elements are handled in an interesting, convoluted way that works to further the plot and add comedic value. Smoking Gun is a refreshing new concept in a very busy fandom tag and I have been eating it up like candy.

★

The Dawning of the Hour (Series) by Faiakishi (No romantic focus - Horror / Drama - WIP)

Donnie is captured and brainwashed by a pre-Vegeta-arc'd Baron Draxum, who subsequently starts parenting the kid out of guilt while using his talents to fuel the canonical Mutate All Humans takeover plot. It's been often called the Donatello version of Like Father Like Son, but that does its storytelling a disservice - this series goes much deeper in the psychological and physical horror direction, has an underlying political intrigue plot, and spends a generous amount of time with the secondary cast (plus a few excellent OCs) in order to really ramp up the intensity of the premise's whole situation. The first story is very whump-heavy, but does a lot of setup for fic two: The Drax-Daddening, which gives Donnie a friend in Cassandra Jones and finds more space for affection and comedy. The author's ramped up the sources of conflict several times over in the first few chapters of the series' second fic, making rescue by the Hamato feel ever more impossible. Despite being a very complex and interesting read (grey-morality my beloved) I cannot stress enough how VERY not for kids this fic is, so proceed with extreme caution!

[zepskies]

Hey, Yep! Have you ever had writer's block? And if so, how did you break it?

Hey, Arty! 💜

Oh, definitely. 😅 No writer is safe from the dreaded state of "writer's block," but I do have some tactics I use to get through it...

5 Tips for Beating Writer's Block

Start plotting with an outline. ✍🏽

There are two kinds of writers, in my opinion:

Architects: writers who outline.

Adventurers: writers who freeform.

In most respects, I consider myself an Architect. My brain craves structure. So the way I beat writer's block while working on a project is by having a roadmap of what's going to happen next. That's thanks to my outline.

Even freeformers can develop some kind of pre-writing plan, whether that's creating a list of character bios, starting with the basic 3-Act triangle, or writing out a handful of bullet points to get you going.

For my personal process, I'll go from creating the basic premise/summary, to some loose bullet points of the story structure, to then fleshing out into full outlining of each chapter and scene, and finally drafting (and editing).

While I'm outlining, I'm also doing research and fact-checking as needed to get me through to the next scene and the next, until the end. My "roadmap" tends to be very detailed, so when I get to the drafting part, all I should have to reference is my outline.

Now, this doesn't mean that plot points won't change, or get switched around, or get chucked entirely. But if I have the blueprints of the house, I can change a window or a door, or even a whole support beam here and there, so to speak.

2. If I get stuck at any point during the outlining and/or drafting phase, I'll often go back and reread what I have already. 🧐

I'll edit and tweak as I do those readthroughs, whether it's my outline or drafted chapters. It freshens up the earlier scenes and plot points in my head.

In doing so, it'll hopefully unlock ways I can continue the later plot points, and even tie them back to things I'm setting up earlier in the narrative.

3. Revisit the thing that gave you inspiration in the first place! 🍿

Rewatch, reread, revisit the episode, movie, book, story, artwork that stroked your muse and had you daydreaming and brainstorming about the WIP you're working on. That can be a good way to revitalize you when you feel you're getting stuck on something in a plot point, or lacking motivation.

4. Create a music playlist. 🎶

I love doing this, especially for a series. I often create a playlist of songs that remind me of the setting, the characters, the overall story, or the romance I'm trying to create. Whether it's the words or the tone/rhythm that get me going, music inspires me greatly.

5. Go for a walk. ☀️

I walk for exercise, but it also gives me time to daydream and run through scenes in my head while vibing to my music (sometimes looking like a crazy person as I nod and make hand motions lmao).

This helps me clear my head, get some fresh air, then come back to my laptop with a little more pep in my brain, ready to pick up where I left off while writing. 👌🏽

Thank you so much for this question, @artyandink! (Sorry, meant to tag you when I originally posted.) I hope these ideas help you beat writer's block. 💕 Let me know if you have any additional questions!

[deancasbigbang]

Title: Michael Singer & the Heroic Happily Ever After

Author: darcydelaney

Artist: Marvfortytwo

Rating: Mature

Pairings: Dean/Castiel

Length: 27000

Warnings: No archive warnings apply

Tags: The Lost City movie AU, writer Castiel, cover model Dean, Castiel POV, thinly veiled bitterness over finale, there was only one hammock, happy ending

Posting Date: October 19, 2023

Summary: When struggling writer Castiel Novak’s father disappears, Castiel inherits his cult classic “Michael Singer” book series. Following a disastrous first panel of a new book tour with Dean Winchester, the series’ cover model (and big-time fan of both the books and, well, Castiel himself), Castiel decides that he’s going to end the series by killing off the title character, much to Dean’s dismay.  Shortly after said panel, Castiel is kidnapped by Arthur Ketch, who has discovered that Castiel’s father had been using real supernatural folklore in his book series, and wants Castiel to help him figure out the spell for eternal life by using his father’s work. Dean sets out on a mission to rescue Castiel, win his heart, and maybe even save his favorite book series in the process.

Excerpt: To Castiel’s surprise, he’s already got a few hundred followers. He taps over to the list of the four accounts he’s following: his agent, Angel of Thursday Publishing, what appears to be a bot devoted to posting snippets of his father’s previous books, and— “Dean Winchester, keep that wig on your head before I staple it there.” Castiel looks up to see the series’ cover model standing in the doorway of the hotel suite, dressed in well-fitting jeans—too well-fitting, if Castiel is being honest—and a forest green henley, a long blonde wig clutched in one hand. His breath catches in his throat. Castiel has to give Angel of Thursday credit: aside from his hair, Dean is a picture-perfect depiction of Michael Singer, the lead character in his Michael Singer series. Well, not really his, he supposes; it’s his father’s, but just like his beat-up gold Lincoln Continental, the ramshackle house that’s seen better days, and the frankly incredible amount of debt racked up from self-medication, takeout, and failed writing fellowship application fees, his father had passed it on to Castiel before promptly dropping off the face of the earth. Following the adventures of Michael through all things haunted and heroic as he fights against supernatural malpractice and devastation, Michael Singer began as a way for Castiel’s father to pass the time when Castiel was an infant. He’d pour himself a cup of coffee, plop Castiel down on his knee, and bounce him up and down as he wrote, all while simultaneously dragging Michael to hell and back—more often than not, literally. “It’s itchy and it makes me look like a fucking Hemsworth,” Dean grumbles, tossing the wig to the side and dropping down onto the couch in Castiel’s suite. “Hey, Cas.” “H-hello, Dean.” Dean looks at him, mouth twisted into a crooked little grin, and winks. “There’s nothing wrong with looking like a Hemsworth, sweetie,” Anael says. Castiel would never say it aloud, but Dean looks better than a Hemsworth, with or without the absurd wig he’s been forced to wear. In Castiel’s opinion, Dean’s always looked better than a Hemsworth, ever since he’d first been hired as the Michael Singer cover model.  With a jaw that has Castiel’s gut doing somersaults and strong, broad shoulders that pair perfectly with a slim waist, as well as striking green eyes that can convey entire sentences, if not paragraphs, in a single expression, Dean Winchester must have been born to one day grace the cover of supernatural romance novels. He fits right in among the dramatic, stock-photo backgrounds and large, golden typeset of the titles on each cover, but now that Castiel’s in charge of Michael and his looks, maybe he could throw Dean a metaphorical bone. Maybe he could make it canon that Michael gets a much more practical haircut for monster hunting; surely that would give Dean a break (and hopefully put Castiel in his good graces).

DCBB 2023 Posting Schedule

[adventurexheart]

Issues I had with Meiko's writing (coming from a former fan of Meiko)

One of the things I disliked while watching the Digimon Adventure Tri movies is that Meiko (the new character for the films) took WAY more focus than the original 8 Digidestined/chosen children. Unfortunately, as well as the burning answer on what happened to the Zero 2 kids (Daisuke/Davis, Miyako/Yolei, Ken, and Iori/Cody) by having Tri’s entire plot ignore their existence until the end of the movie series.

This could be my issue, but I dislike it when a character archetype is known for ONLY being shy. I am shy myself, so my problems don't come from just having that mere personality trait, but having that as a character's ONLY defining trait makes the character dull to watch.

Also, while watching the movies, Meiko felt like someone's fanfic oc AT TIMES when all the characters they interact with adore and love her very much, and she and her Digimon partner are extraordinary throughout the plot's run. There’s nothing wrong with characters that are often well-liked. Still, when it gets to a point where any criticism thrown at Meiko or the situation involving her Digimon occurs, she isn’t given the grace to defend herself. Instead, we have other characters speak up for her (ex: being when Mimi confronted Koushiro, who, although on his part, came off as being too harsh when telling Meiko he needed her intel on looking for the source of the virus affecting her Digimon). In Digimon Movie 2, we saw Mimi learning a lot from her friendship with Meiko (which was excellent). But it's a missed opportunity for Toei not to have the reverse happen and see Mimi's influence impact Meiko.

However, at the same time, why can’t Meiko (as someone who represented a lot of shy people) not be allowed to step outside the character mold that Toei made for her?

Again, when I first watched the Tri movies, I would have gotten defensive at the hate Meiko received because I assumed people were just hating her for her personality. Now, looking back at the movies, I understand some of the alarming issues with her writing.

I feel like she was only made as a character just so the writers could give Taichi a love interest and further establish that the 02 epilogue is still, in fact, canon. Even then, the two of them lacked any chemistry.

I should probably clarify that I don’t hate Meiko as a character, but what has done for her character through Tri. These are just a few critical things that I had about how the writers tried to make her feel more like a self-inserted character (at times) by having all the characters around her adore her and try to make the character lack flaws. They also made it feel like she was only introduced for romance.

I'll have a much different angle of this discussion with more about the difference in writing for what Toei has done to her versus the perception of the 02 kids later

[celaenaeiln]

I don't wanna complain about what other people love to them but I ended up reading New Order yesterday after seeing your recommendations and... Honestly, I didn't vibe with it and I wanted to see what you think? The entire premise seems flawed to use Dick of all people for (and his attitude through it is just... way beyond regular asshole Grayson), I'm tired of DC giving Kory children but taking her away from them, yet another "let's ruin Dick and Kory" adventure is going on and it's just... Rushed. Especially the ending where it pulls a teen movie that's like "DAVE ENDED UP MAJORING IN LAW AFTER HIGH SCHOOL AND BECAME A JUDGE" and seems to just skip over so, so much interesting stuff that way.

HOWEVER. I also want to say I can't entirely hate the comic because the dialogue is pretty solid at most points and Jake really is an amazing character with such a great heart. I honestly like him more than Jon Kent.

Valid!

Honestly I really loved the comic but a couple points you brought up are hitting me hard. The first being Kori. It's getting on my nerves how DC for some reason keeps breaking up Dick and Kori after they've been married and for what? I get why here but in Mar'i's comic? There's literally no reason!!

Secondly I don't believe Kori would just abandon her kid. She gave birth to him, she loves him. Why on earth would she just leave him? Maybe it's because it's DC and they really need to break up Dick and Kori because "dick and barbara are the dream team." Puh-lease.

However I did think it made sense for Dick to be at the center of it all. Dick has always been accepting of superpowers and he even said "I like a woman who break a battleship with her bare hands" when talking about Kori. Which says a lot about what he thinks. But I also believe he would he would eradicate them for one reason - superpowers killed Bruce. And he loves his father.

He also did it to save the world and it's unarguable that he did and the people loved him for it. He has the capability to both destroy the league and rebuild the world and this comic is just proving that which is why I don't think there's anything wrong with Dick.

As for his stubbornness, maybe! Honestly at this point I'll accept anything about any character unless it's wildly inaccurate. I don't know if Dick is a jerk or not because my impression of his jerk levels have been obliterated by the Cassandra Batgirl comics. After reading that literally everything else seems normal. I am struggling so hard to understand what's going on with Dick in those comics. Is it bad writing? Is it the writer? What was he facing during that time that made his act like that? What am I missing? I'm still reeling from that so I'm completely out of it lol. Still too flabbergasted to comprehend so you may be right but my mind has just accepted almost every version of Dick now as long as he stays true to his motivations and acts reasonably.

I really did like the ending but totally understand what you mean. I guess it's because the author didn't want to drag it out and turn it into a whole 500 issue comic so he skipped to the end.

I love, love, LOVE the comic for Jake! Jake and Dick's relationship?? I-I'm ENTHUSED!!! They have the best father and son relationship ever and I'm never getting over the two of them. I like him better than Jon too and Jon's amazing! Jake's just absolutely fantastic!! The best, best, BEST kid ever.

So generally I love the comic but my biggest point of contention is separating Dick and Kori for no reason. Also whatever's going on with Kate was far more distracting than Dick for me lol. But I liked the art and dialogue too and overall I really enjoyed it. Liking comics is just a matter of preference after all ;)

[waeirfaahl]

My thoughts about Judge Doom from "Who Framed Roger Rabbit" (1988)

"Who Framed Roger Rabbit" is one of my all time favourite movies since childhood, I would call it a perfect mix of comedy, satire, adventure, detective, drama, thriller and horror. And I want to discuss a little bit about the main antagonist, Judge Doom, who is the most sinister, unpredictable and mysterious character of the movie.

Yep, his skull cane already makes it eloquently clear which personality we will be dealing with.

He is the embodiment of Death. Cruel, unnatural and unfair death, not a force of nature. I'm so glad they aired Christopher Lloyd for this role instead of Tim Curry — Lloyd's performance is awesome in how terrifying his character is, and nobody would nail that aspect ever. Since his first introduction Doom gives that feeling of uncanny valley, when you see a human, but feel that there's something wrong with him, that it is not human, it is something that pretends to behave like a human, and this human shape is just a mask that hides something creepy and dangerous. Similar thing you usually feel toward clowns, for example. His movements are nearly robotic, his face has no natural and normal expressions the living human would make, and he never blinks in the entire movie. In Lloyd's performance it is a sinister and cold murderer in the clothes of a judge. Near the end, his transformation with revealing his toon nature is so scary also because of the contrasts — in human form he is really sinister, calm, cold and strict with tiny yet memorable sadistic outbursts, but as soon as there's no need to hide, he becomes this crazy, bloodthirsty and terrifying abomination.

As a kid, I wasn't scared so much at 1st watching the movie at night, my reaction was "Am I watching a kids movie or a horror movie now?", yet I enjoyed that. As an adult I respect the actor and filmmakers for great writing and performing and appreciate how masterfully they made the horror angle of the character and the story. I also wonder, who created him, and how Doom actually looked, because we see only these mad red eyes and yellow hand he can transform into everything. Plus, when the dip kills him, there's only yellow color, nothing else. Simply saying, Judge Doom is basically a shapeshifter, yet the yellow color is his true color, i.e. his true form. On another side, I'm very glad that the authors kept in mystery, what Doom really looked like and who he was, because that makes the fear of unknown stronger, as well as we fear him exactly because of unknown. Not to mention that, I think, no toon design would ever top over this horrifying human-toon we see near the end of the movie. If we are talking about the question "Who created Doom?", I have two assumptions that can be answers — Doom was created either by horror writer/artist (who can be a criminal and serial killer as well) or by other toons, who became criminals, that lead us to other two questions — what they used for bringing toons to life (what substance), and was Doom so evil since his "birth" or some circumstances and events made him what he is? I have some thoughts about this, but I will mention them a bit later.

I vaguely remember, people assumed that Doom's true form is this possum toon. I rewatched the movie, and it actually makes a lot of sense. Like, I noticed that the hat, the clothes, the color of hat and clothes are incresdibly similar to Doom's clothes, also the gun is the same to the one Doom uses (and the exact visual hint to it in the scene with Maroone's death), yet nobody talks about this character, as if he was forgotten and overshadowed by Roger and hence he doesn't exist anymore, but posters with him can be seen during the entire movie. Although it is unclear, whether his fur is yellow (it is more creamy, I guess, but it can be a simple lighting), but his eyes are exactly red, evil, with tiny shade of crazyness and have the same shape Judge Doom has. Possum toon apparently doesn't have teeth or has small sharp teeth usual for possums, Judge Doom has human dentures. Plus, for possum it makes sense to have a squeaky voice and to be fast and with great advantage to hide. So no wonder, why Eddy remembered only red eyes and squeaky voice. We have shapeshifting possum toon, who can take lots of various forms.

If it is Doom's true form, no wonder, why the authors kept it in mystery. Some yellow shapeshifter with diabolic red eyes and scary high-pitched voice, hiding under the mask of a pale and almost bold human in black (also scary looking) terrifies a lot. If they revealed this possum, audience wouldn't take it seriously anymore. So, about Judge Doom's background and motivation — he literally wanted to genocide all toons. At the same time he himself is a toon. So, why he wanted to do this? Maybe more sense for him to feel anger and wrath toward humans instead of own kind? I have two explanations to this: 1. Personal. The movie hints many details about Doom's past. He was a criminal, a gangster, who robbed a bank, murdered Eddy's brother, became the judge of Toontown, using manipulations, lie and money, and has weasel gangsters as his minions. Since Doom became a judge and has strong influence, he is very intelligent, calculating, cunning and experienced, so he was always a leader. The movie gives parallels with racism, where toons basically are oppressed by humans. Toons can't get serious jobs, they can only entertain humans as actors, singers and dancers, i.e. clowns and toys in fact, and humans mostly don't treat toons as equal living beings. So, toons, who don't want this humilation, basically become criminals. Simply saying, Judge Doom is a victim and a product of this injustice. Doom has self-hatred (or self-loath) issues, since instead of fighting for rights of toons he decided to become a human, an oppressor, the one who is higher than toons and free from restrictions in life, i.e. a human has a choice in how to make own destiny and fate in contrast to a toon (in Doom's eyes). At the same time, if Doom won, he still would feel empty, because humans wouldn't accept him as a human (or as a toon), as an equal anyway, he is an outcast for both two worlds. We have an internalized racism theme in the movie. If a society has injustice and is okay with it, it can birth the scariest and the most destructive monsters. In this case, it is good that Judge Doom is a shapeshifter with no true face — he is the symbol of this injustice and its consequences. 2. Pragmatic. In fact, Doom is the only being, who knows how to create the dip, the only what can kill a toon. If he genocided all toons, he'd stay the only toon in the world. Immortal, invincible, nothing can kill him, and since he is a shapeshifter, who can change form and voice and hide under a mask of a human, nobody would be able to find and reveal him, nobody would be able to catch and kill him. Nobody would ever have any idea of who he is. Nobody would ever know how to kill a toon. Nobody would ever know that there's a toon still exists. So Doom would be absolutely free for committing murders or becoming a politician and getting more and more influence and power, he would be the master of own life and fate and destiny. Nobody would ever stop that embodiment of madness and death.

That is a pure horror Eddy prevented to happen. Eddy not only avenged his brother, not only overcame his trauma and fear, he saved both toons and even the world.

[trainsinanime]

Everybody is posting their opinions about the interview about the Miraculous Ladybug season 5 finale, and I feel like I should as well, but I'm not sure I have much to say. There's just a few things that stick out to me:

First of, it's just very funny to me that the team started out with Bug Noire, and worked backwards from that, and that's why Adrien ended up in the isolation chamber. One of the most controversial things about the entire finale happened because Marinette wearing both Miraculous would be cool. That's just plain funny to me.

Second, I have not yet seen a better option for the finale. They did kind of write themselves into a corner there. The story is all about Marinette, but Adrien is the one to whom all the plot points attach. What do you do with that? Compare and contrast the movie, which I saw on the same day as the finale: It's all Marinette's story, until the big finale, where she just lays there and watches as Adrien and Gabriel resolve the main story by themselves. That option sucks, too. It's not terrible, but it's disappointing. I think all the arguments of Adrien can't be there because of Chat Blanc or Ephemeral are nonsense, even if they come from the show's head writers. But it's true that Adrien can't be there, because if he is, the story becomes about him instead of Marinette. If you know a fanfic that found a good way to resolve that, let me know!

As an aside: I know there are people who are disappointed that we didn't learn more about Emilie and the past of the adults, but I think that was never going to happen. I know I made a post about this years ago but I can't find it, but basically: Emilie was an interesting mystery for fans, but she was never relevant to the plot, least of all Marinette. This is the same kind of stuff as with the Marauders back in the days of the Harry Potter fandom, where a certain subset of fans went wild over all the hints. But those were never promises, they were just flavour, telling us the world is bigger and adventures have been going on since forever.

My final and most important point here is something quite different: I am grading Miraculous Ladybug on one hell of a curve. Have been doing that since the first episode I watched. I am willing to forgive most any jank in the storytelling if I get some cool and cute moments, and the show is full of those. So in that regard, the season 5 finale was no problem for me whatsoever. Yes, there is a lot of jank, but also a lot of cool stuff, and that makes me happy. There's a kung-fu crocodile! What more needs to be said?

(Aside: I know there are people who hate the kung-fu crocodile, and that the Couffaine boys are now mystical monks out of nowhere, with no explanation. I assume these people either hate fun or are arguing out of bad faith. If there's one thing in the finale that was obviously objectively 100% a good thing, it's that the crocodile knows Kung-Fu.)

Now, I'm not saying that you should grade the show on a curve, I'm just saying that I do. Yes, it's not entirely rational. Yes, there are plenty of shows out there, including shows aimed at similar age ranges, that don't require this. But if I didn't grade Miraculous Ladybug on a curve, if I didn't rate cute and fun and exciting over great interesting story, if I didn't separate the potential for fanfics from the actual way the stories are told, then I wouldn't be in the fandom to begin with. This is explicitly not a defence or apologia, it's just an explanation for why I have no trouble disregarding the janky parts. I know others disagree, or agree in principle but then some of the janky parts were just too bad for them and broke the spell, and that's valid.

But personally, I have no major problem with the season 5 finale. Yeah it was weird and quite a few decisions were stupid and didn't help any overall story. But I had fun, I'm looking forward to season 6 and I am going to write more fanfic. That's what matters to me.

[exhausted-eternally]

Fic Writer Interview

Saw Topsy did this and it looked like fun so now Imma pester y'all with one.

1. How many works do you have on AO3?

35, currently, and only 1 is for a fandom other than The Lego Movie lmao

2. What’s your total AO3 word count?

496,195 over the course of 6 years

3. What are your top 5 fics by kudos?

1- Reboot To be honest, I'm kind of baffled by this one. I started it just when covid was really starting to take off, lost where I was going with it before I was even halfway through writing it because I got SO swamped with work that writing was taken off the stove entirely for a while, and a lot of it was honestly just half-assed to get it finished but so many people LOVE it. I don't think I'll ever stop scratching my head about it, but at this point I've just accepted that it's my most popular fic ever. 2- Atonement Still ongoing and without a clear ending in mind yet. I had 2 ideas I was wanting to play with when I started it- wingfic, and house arrest. I've been having fun with it so far. 3- Prizes, Plunder, and Adventure This one was actually written based on a friend's doodles & half-finished ideas. I took them & ran with them as far as I could lol. I'm honestly happy that this one's in my top 5. 4- Hot Spring Another one that I'm kind of baffled by. It's a oneshot that's barely over 400 words. People like their coppernauts fluff, I guess lol 5- Time Travel Troubles This one was based on a prompt a friend gave me when I complained that I wanted so badly to write but had 0 ideas, lol. Of all my oneshots, I'm glad this one made it into my top 5.

4. Do you respond to comments? Why or why not?

Most of the time! Sometimes I can't think of a response though, and once I got overwhelmed with like 25 comments on one fic in one night from the same person so my brain kind of short-circuited lol. I definitely read and cherish every single one though.

5. What’s the fic you’ve written with the angstiest ending?

I don't really do angst tbh, so none of my fics really have angsty endings.

6. What’s the fic you’ve written with the happiest ending?

That's a tough one to pick, I always write happy endings. XD; I guess I'll go with Starting Over Again.

7. Do you write crossovers?

Sort of; honestly I think they'd qualify more as AUs than proper crossovers, but sometimes I just get bit by a bug to write all my favorite characters in some other media settings for shits & giggles. Murphy's Law (Skyrim), Space Shenanigans (Star Wars), The Stranger (Myst), Octan Nights (1001/Arabian Nights), and Hollow Heart (Beauty and the Beast)

8. Have you ever received hate on a fic?

Yeah, when I first started posting Murphy's Law on ff.net. Honestly it just made me laugh, it was so obviously some kid doing a shit job of being a troll.

9. Do you write smut? If so, what kind?

I tried once. It was SO awful that I ended up deleting it and swore off ever trying again.

10. Have you ever had a fic stolen?

Not to my knowledge.

11. Have you ever had a fic translated?

Nope. The fandom I'm in is pretty small so no one's bothered to translate any fics in it, at least as far as I know.

12. Have you ever co-written a fic before?

Oh, eons ago when I was still just a little baby birb. I wrote a pitiful attempt at an OoT fic with 2 of my cousins that never got far. All my works since have been solo.

13. What’s your all-time favorite ship?

Coppernauts. C:

14. What’s a WIP that you want to finish but don’t think you ever will?

Lord I have SO MANY. Think I'd pick Tech Support though (with a much better rewrite to boot, so no link for this one. If you want to read the atrocious original, you'll have to hunt it down yourself :P).

15. What are your writing strengths?

I'm told I'm pretty good with characterization. I'll choose to believe it. ;3

16. What are your writing weaknesses?

Describing literally anything. I am terrible for just... not doing it. Which is something I REALLY need to work on if I really want to reach my 300k goal with The Umiran Amulet.

17. What are your thoughts on writing dialogue in other languages in a fic?

There's only one language I can speak in any capacity, so I just stick with English. If it's something that's meant to be in another language, I just italicize it. Only every once in a blue moon will I use a word in another language, like if a character is swearing in their native tongue, and only if I'm absolutely 100% certain it's the right word.

18. What was the first fandom you wrote for?

Ocarina of Time. It was the fic I mentioned earlier that I wrote with my 2 cousins.

19. What’s a fandom/ship you haven’t written for yet but want to?

I don't really have any, at least at this time. I am very, VERY slow to move between fandoms & ships and am probably still going to be quite happily writing for TLM even when there's literally only 5 of us left lol.

20. What’s your favorite fic you’ve written?

I'd have to say The Atlantis Expedition, which was my first ever fic for the TLM fandom, and the first one I'd ever finished period. I have others that I love just as much, but this one will always have a special place in my heart.

[askthechronoverse]

8, 32, 33, 56

Do you prefer the beginning, middle, or end of a story?

The middle. Isn't the story all about the journey?

Name three of your favorite fanfic writers.

*claps* Yes. This will be fun.

It's hard to pick three. That's like picking my favorite cookie and I really like cookies. The Lego Movie fandom alone is full of some amazing talent.

Gotta go with @exhausted-eternally to start. If you aren't reading The Demon of Undar right now, you're missing out. I look forward to seeing a new chapter come up when it does. I need to know what's going on and the way they translated the characters into a fictional setting... oh my god, I could gush about that all day.

@unikittybeforethereign is an up and coming Unikitty writer but what you've got to be in the first chapter wondering why Richard is acting like he needs to go to a therapist yesterday? You're doing something right.

I'm just going to go into a completely different fandom for this last one because I never get the chance to talk about this type of thing. So one of my favorite games on the DS is a game that was published by Atlas called Contact. You can find yourself a copy, I recommend it. I'm not entirely sure how easy it is to find nowadays. It's a very meta-feeling game. Fantastic RPG. This fanfic? I haven't read too much else by this author, but they captured the feelings and emotions of what the player character and the hero of the story, Terry, would be feeling at the end of the game so well. I want to go into this person's other works because it's just that great.

If you're not on this list, ask me the question again. I will probably answer with different people because... I read so many talented writers. I'd be spending all evening if I listed every single writer I liked.

Do you want to be published some day?

Define that.

I do have a story in the latest Lego Movie fanzine (I'm sad it's ended, but all good things do). The Chronoverse is also part of Tern's TLM archive initiative. Both of those are physical. It's not with someone like Random House or one of those big names or under my government name, but the work is mine and can be read by others. Heck, AO3 and this blog can be considered an independent publication, just a digital one.

I did used to have dreams of being picked up by some large publisher. The current landscape of writing has had me rethink what it means to truly be published.

What’s something about your writing that you pride yourself on?

I've been told by at least two people I can write emotions really well. And I'm proud of that. I write horror. I write adventure stories and mysteries. All of those emotions to drive the story. It's a real attribute to be able to have you feel for the character in any of those situations.