#the world at night

[bookcoversonly]

Title: The World at Night | Author: Alan Furst | Publisher: Random House (2002)

[chloesimaginationthings]

Vanny love beating up fnaf (plush) babies

[valentinbelleyh505]

y'all can comment which character that is also a moon that i forgotten 😔

[dasketcherz]

it was a pretty cool dlc, i enjoyed it a lot

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[norvyarts]

the unholy offspring of lightning and death itself

[firefly464]

Is this anything

[zzarmor]

I have this headcanon where wings will outgrow baby furies for a couple weeks until the rest of their bodies catch up to them. They're pretty clumsy during this period of time, gotta get used to the weight of their new extensions😋.

[freitag1607]

1.05 / Battle of the Labyrinth

[muppetvision4d]

Sharp edges be dammed she needs a friend 😭

[silvereyedowl]

[source]

Geminid Meteor over Monument Valley

Credits: Wally Pacholka, TWAN

[eelo]

[chloesimaginationthings]

The day FNAF Charlie Emily was shut out..

[lemongrace]

by the shore

[essektheylyss]

I understand the impulse to clown on Essek for walking around in Vasselheim with his recognizable voice with the Bright Queen's spearhead commander, and of course we could turn to the metatextual elements (the necessity of signposting the world for players on the part of the GM, the ease of using a familiar ally to introduce a relevant NPC and new point of contact) to dismiss this if we wanted, but I think it's more interesting—and funnier, as you'll see—to imagine this as simply an extension of the laws and logic that dictate the Mighty Nein as a narrative entity.

Fundamentally, the Mighty Nein within their campaign pursue personal and collective agency, often at the expense or in denial of political power. Where they do interact with more political forms of power, they evade its grasp upon them, most notably in their interactions with the war, but also while they engage with the Cerberus Assembly, the Cobalt Soul, and even the Revelry. The way they pursue agency, on the other hand, has far more to do with their own support of one another and their own individual power, especially where there is magic involved, and manifests in having the freedom to move and act as they wish in the world.

The culmination of this, as we know, is the mechanical ability in their final battle against Lucien and the Somnovem to manipulate the terrain of the battle map to their advantage with only imagination. At the same time, Jester and Caduceus can both call in free favors from their gods, one of whom is unlimited by the Divine Gate and in fact is far more governed by fey logic. Fjord has made three different divine pacts and is virtually unrestricted by any of them. Caleb's hallmark is an almost infinitely malleable home that almost literally seems to operate as a hammerspace, with a pinnacle dedicated to the potentiality of the universe, the application of which is one of his signature spells—against all odds successful in his initial goal, no longer fueled by guilt and grief, of bending reality to his will. It's narratively and thematically cogent that this be the calling card of the party as a whole.

The Mighty Nein are, in effect, dictated by Looney Tunes logic, and nothing else. They have been so successful in their pursuit of their own freedom that they no longer abide by the cosmic laws of Exandria, let alone the laws of physics or sense. So yes, from an external point of view, it does look exceedingly foolish for Essek to be traipsing around in Vasselheim under the Bright Queen's nose, but it's far more entertaining to argue that being a member of the Mighty Nein in fact simply confers the capability of ignoring the laws of reality without consequence when it's narratively convenient, characteristically interesting—or just really fucking funny.

[ansonmountdaily]

Star Trek franchise wins the Peabody Institutional Award → June 9 2024

At the 84th Annual Peabody Awards, the Star Trek franchise received the Peabody Institutional Award which is given annually to recognize an organization or long-running television program that has made an indelible mark on the American broadcasting landscape.

Star Trek: Strange New Worlds cast members Anson Mount, Rebecca Romijn and Ethan Peck joined fellow Star Trek franchise actors and creatives on stage as executive producer Alex Kurtzman accepted the award.

Kurtzman spoke about the almost 60 year legacy of the franchise that has given hope to us all and that no matter who you are there is a place for you in the Star Trek family. He also recognized Bjo Trimble, who was in attendance, and was part of a successful "Save Star Trek" campaign in 1968, generally credited with allowing the series to run for a third season rather than being cancelled after two.

Also in attendance were Patrick Stewart, LeVar Burton, Scott Bakula, Jeri Ryan, Wilson Cruz, Doug Jones, Tawny Newsome, Sam Richardson, Akiva Goldsman, Henry Alonso Myers, Michelle Paradise, Olatunde Osunsanmi, Noga Landau, Jenny Lumet, Trevor Roth and J.J. Abrams.

Credit: StarTrek.com, speech clip