#the whole scene is amazing actually

[badninken]

One Piece boys meeting a ninja and being fucking Weird about it:

When the ninja says no:

When the ninja gives up and says yes:

The boys are not being normal about the ninja

[divineandmajesticinone]

4 MINUTES (2024) I EP 5 "How about this. How much do you want? Give me a number."

[linusbenjamin]

Prometheus stole fire from the gods and gave it to man. For this he was chained to a rock and tortured for eternity. Oppenheimer (2023) dir. Christopher Nolan

[somnimagus]

My page for @destinytriofanzine! I drew something about kids always dreaming of far off places

[id in alt!]

[bird-inacage]

Only Friends Episode 9 | Ray/Sand Kisses "I've never been so crazy for anyone."

What can I even say??! Their kisses this episode were absolutely heartachingly beautiful - raw, passionate, yearning, but also tender too. I have a tonne to say about THE SCENE. But one of my favourite kisses was actually Ray snuggling into Sand and pecking him on the cheek. It made my heart clench.

Khaotung and First absolutely went for it. If this is the 'steamiest NC scene' everyone was referring to, I see why.

[hilarioushilarity]

the fact that we had Karen angry at Hen for being absent from their kids' lives and that we had Eddie being angry with Buck for being absent from their kid's Chris' life makes me put my head in my hands and breathe deeply. Just a little.

[halfbaked00q]

aaand here are the ficbits I started coalescing based on my previous concept post -- as a reminder: 00Q are together, Q takes Bond for granted/accidentally hurts his feelings slash breaks his heart by being unintentionally hurtful and also unthinkingly dismissive of the thing they have going on between them. there is more to it but these are the parts that coalesced

(as it says in the tin these are more so like the... vibes-based pre-alpha demo drafts of a fic, as opposed to anything so respectable as an actual drabble or ficlet. and, as such, some parts may perhaps be a bit overworked, tenses are all over the place probably, punctuation is more abt the vibes than actual grammar tbh- but anyway please enjoy our featured program, hot off my notes app presses-)

///

===

They're walking and talking, and then suddenly, it's just him walking and them not talking. Too late, he realizes that the growing silence from beyond his elbow had gone quite still rather than companionable. Too late, he glances back around, just barely catching the tail end of…

…..

The thing is, even in hindsight, he’d be hard pressed to pinpoint what exactly he saw cross Bond's face… only that he was suddenly left feeling rather as if a door he hadn't even known was there had unceremoniously and quite ignominiously shuttered sharply in his face. /// [[only that he was suddenly rather left feeling as if he'd blithely walked into a door that materialized just to shutter quite ignominiously in his face.]?]

As it stands — and unfortunately far too late— as he desperately rolls back the last few moments to try to find- as it slowly, far to slowly, begins to dawn on him-

“007- Bond- wait, I,” was about all he managed to stammer out before Bond somehow manages to evaporate from sight, leaving him blinking at the afterimage of crisp suiting and unbreachable impassiveness.

Oh. Oh shit.

—

Eve took one look at him and immediately swept herself up from her desk and him away to - he paused to gather his bearings - what appeared to be an empty conference room.

“Well,” she said without preamble. “Out with it then.”

Q wrung his hands. “It's Bond,” he finally manages to get out. When is it not.

(maybe sth about a moment too long passed, then another, then another- and he admits. It's me, really, but it is also to do with Bond. / Eve is either not surprised or is waiting him out- no visible reactions one way or another yet)

////

I think he must have said something about anniversaries, and I joked back- or thought I was joking back- something about how he surely wouldn't be expected to keep track of all of his anniversaries like this, or else his rolodex would be fit to bursting. And then when I saw the expression on his face I hastened to reassure him that I certainly had no expectations on that front, ta very much. But it was entirely the wrong thing to say.

What he didn't - couldn't - confess to Eve was the way Bond had — oh, earnestly, seriously — brought up the subject of their upcoming anniversary, and how — yes, unintentional though it might have been, but nonetheless— absurdedly callous his casual dismissive burst of laughter must have been.

//

“…and speaking of, our anniversary is coming up too, you know.”

That accursed involuntary, misplaced, mocking peal of mirth. Then, worse- carelessly, unthinkingly- “Oh don't injure yourself on my account, I'm hardly expecting you to keep track of all of your little anniversaries from your various escapades, let alone ‘ours.’ Goodness, your little black book would be fit to bursting - well, even more so than it is now - if we're expecting you to note down anniversaries and nonesuch as well now.”

////

“Q,” Eve called after him. He paused and turned, saw her regarding him. “Be careful with him,” she finally said.

“You're the one who warned me off him in the first place!”

“Be that as it may, but., well. clearly James Bond deserves for you to take some care with him.” with his heart, goes unspoken, but certainly not unsaid

[booasaur]

The Trades - 1x05

[edsbacktattoo]

i’ve been thinking. when did it hit you that we weren’t being queerbaited with ofmd? which iconic moment made you realise “oh wait this is actually happening”?

[self-indulgent-paw-patrol]

Someone pointed out that the scene from the first movie where Ryder brings Chase back to where he found him to boost his confidence doesn't make any sense. At least on the scene where Ryder rescued Chase from the truck then say that He sees something heroic and braveness in Chase when he didn't really do much at all other than being scared. Like that scene should've been Chase confronting his fears by rescuing someone in danger.

Ah, THAT scene. I actually believe it MADE SENSE, so let me try to explain why they made it like that. Under the cut because it got kinda long too XD

First, let's take a look at the dialogue in that scene:

Ryder: I remember the first time I saw you. You were a tiny little pup, all alone in a big city. Chase: I know. You saw me and took pity on me. Ryder: Not at all. What I saw was a brave, heroic pup. Even though you were too small to look after yourself and you were up against all the scary things, you got back up and kept going. I didn't adopt you because I felt sorry for you. I chose you because you were the bravest pup I've ever seen.

Now let me just celebrate a moment here because HELL YES I'M DOING A LOT BETTER AT UNDERSTANDING DIALOGUES IN ENGLISH OMG I'M SO PROUD OF MYSELF RIGHT NOW THAT PART ABOUT BEING TOO SMALL TO LOOK AFTER HIMSELF HE SAID IT SO FAST AND STILL I UNDERSTOOD IT PERFECTLY IN THE FIRST ATTEMPT AAAAAAAAAAAAAAAA I'M SO HAPPY ok let's go

Now, it's time to break it down!

"I know. You saw me and took pity on me."

Here we see what has been Chase's point of view about that moment, which he believed in it all his life so far. He wholeheartedly believed that he was just an insignificant scared little puppy, worth nothing but pity. He was a nobody. He was nothing, and since then, up to now, he believes that it was Ryder who turned him into something, into the brave rescue pup he now is- or believed to be, until he's now back in the big city, feeling all his fears and trauma of being a nobody coming back up to swallow him whole, reminding him that he is nothing.

But then, Ryder tells Chase what was his OWN point of view of the whole thing, and what was his motivation to rescue and adopt Chase. First, let's see his point of view.

"What I saw was a brave, heroic pup. Even though you were too small to look after yourself and you were up against all the scary things, you got back up and kept going."

This is literally what Ryder saw. Chase was small, yeah. And instead of staying in a corner, of keeping quiet, or hiding somewhere, where he would be certainly safer, because he literally could NOT fend for himself... Chase was out there. In middle of the people, SO MUCH BIGGER than him. Risking being stepped on. Risking a car running over him. Risking an aggressive stray possibly finding and attacking him. He was out there, trying to move, trying to go - no matter where, he was on the move. He'd take a couple steps back to avoid being stepped on, and still press on to advance again, trying to cross the street.

He was afraid? Of course. Did it stop him? No.

THIS is the key for understanding Ryder's quote here. No matter how threatening things were for Chase, Ryder saw him out there, insisting, persisting, pressing on, even with all odds against him. Even if what moved him was the fear and uncertainty and confusion as to why his owners abandoned him there, Chase was NOT hiding away. He was trying for whatever, braving into the unknown, into the scary terrifying world of the big city. And it was traumatic, he was probably having a bad anxiety attack right there at that moment (note it's different than a panic attack, I explained a bit about it when I answered another ask earlier). But he was out there and not hiding.

While Chase saw himself as just a scared good-for-nothing baby, Ryder saw him as someone who didn't hide when faced with probably the scariest things ever in his life and facing it all alone. Which brings to the last part:

"I chose you because you were the bravest pup I've ever seen."

Not many puppies would do the same as Chase did, not in such conditions. "Oh but I've seen stray puppies following people and trying to play with them", yeah, same. I've had dozens of dogs in my life so far and all but one were strays I rescued from the street (or were born from said rescued strays). I've also seen tiny puppies trying to interact with people passing by. But in a crowded sidewalk? People walking nonstop, a wall of stomping feet not caring if you're in their way? With so many loud noises of people talking, cars driving by? Cell phones, cars honking, so many echoing steps. This is a complete nightmare to any puppy, they tend to cower in fear and wait for when the chaos is over or at least less chaotic until they venture out again.

This is the reason why Ryder saw Chase as the bravest pup ever. He was terrified, he was risking his life, but he was still out there.

Which contrasts with what has happened in the movie so far up to that point, if you think about it! Since Chase was taken back to the very city that left him traumatized as a puppy, his fears have been taking over stronger than ever and rendering him unable to keep going, much unlike what happened when he was a baby. And why's that so?

The answer is also simple, it's because since then, Chase's point of view was that it was Ryder who made him brave - he didn't believe he was already brave from the very beginning. He never thought of those moments as moments of bravery, like Ryder did. He thought of those moments as cowardice. These thoughts were what caused him to begin freezing and inducing him into this constant feeling of anxiety crisis and eventually leading to panic attacks, making him believe even more that he has always been nothing, and it's Ryder who made something else of him.

Chase never gave himself any credit for what he has become. For him, it has always been Ryder - and for Ryder, it has always been there with him from even before they first met. Chase just never associated it, until Ryder took him to that very place where they met and told him his own point of view, for the very first time, as apparently those two never addressed why Ryder adopted Chase ever before, which explains why Chase always held this belief that Ryder adopted him out of pity.

You see a scared puppy in the middle of a crosswalk, nearly being ran over by a car.

I see a brave little soul, pushing through against all odds and trying to get somewhere, anywhere, just for the sake of not standing still and waiting for who knows what, which might never even come.

And he fucking GOT somewhere and is indeed the bravest pup I've ever seen.

And he's not even my favorite pup XD

[blue-eli]

Ink October day 10: Overcall

To bid beyond or in excess of (a previous bid or player) in a game of cards.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[bluberimufim]

Sip of Snips - "edge"

Have I posted this particular snip before? Yes. And you're gonna see it again. Because this is my favourite scene in this WIP. From chapter 25 of "Black and White":

He was constantly haunted by images that took the place of ghosts. He saw the man in black and white. He saw Alphonse's body, eyes closed, as calm as if he were sleeping, making his red hair stand out like blood. He saw that form that had once been his son and no longer was. But the vision that tormented him the most was that of his grave. He couldn't seem to forget the letters of his name etched into the stone, just as they were etched into his mind, with sharp and precise edges, still not weathered by time. He never thought he'd see something like that in his lifetime. He never thought he'd see his son's name on that stone, the name he and Lucille had picked out with all the love and care in the world. He never thought that name would ever be used in this way. And that was one of the things that bothered him the most, besides his guilt: how wrong it all was.

I love this scene. I remember writing it and being on the verge of tears. It do be like that sometimes 😎

[stacy-fakename]

Rat Grinders:Don’t do anything to the Bad Kids until antagonized, and it’s later revealed that their bad actions were a result of being groomed by one of their teachers for years and then murdered and possessed.

Intrepid Heroes:Fuck you, sending you to hell and you can’t be revived.

[neptunesenceladus]

the marvels is officially the only movie ever. the director knew what they were doing with it and also every designer that worked on it deserves a kiss and a pay rise