#the whole lore on this seems muddied

[mrslittletall]

So, apparently in FF14, even if your character started with A Realm Reborn and never played through Legacy, they are STILL the Legacy character?! That doesn't work with my backstory for my WoL at all, so I am simply going to ignore that. The original WoL sadly didn't make it. They got lost in time. Only their spirit managed to travel through time.

[m1d-45]

Midas, i'm FREE!

Work has been EXHAUSTING since the last time we chatted on tumblr, but i think your request box is open, and i'm feeling a request of cuddling otters of fontaine with platonc/sisterly bond with Siegewinne!

OTTERS! I fucking LOVE those little guys they look so fluffy!

And Siegewinne is so adorable and has Wrio for a -cough Father/boss cough- so Yeah.

-🥘Stew

a wondrous earth

note: i definitely did not realize that you didn't mention sagau at midnight so. just pretend okay shhh

word count: 2k

-> warnings: nothing explicit but does take place post-fontaine AQ and kinda assumes you know the lore.. containes a few wink/nudge references at most.

-> gn reader (you/yours)

taglist: @samarill || @sarienic || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr || @ryuryuryuyurboat || @undrxtxd || @rainswept || @wanderersqt || @rozz-eokkk

< masterlist >

teyvat was beautiful. even through a screen, you could lose yourself wandering for hours, taking in the flowing rivers, delicate flowers, the way the clouds swept over the sky like they themselves were savoring the view. wildlife scattered the paths, butterflies in the air and birds chirping from every tree. sometimes you turned off the music and dialogue just to sit and bask in it.

it was no different now that you actually were in teyvat. if anything, the heightened detail only deepened your love for the sights. you could watch every feather shift, not limited by graphics and models, feeling the spray of saltwater across your skin. perhaps it was simply because fontaine was where you’d first awoken, but it would always hold a soft spot in your heart.

the city itself was stunning, with pristine white buildings that shined with even the slightest sun, the meka moving with fluid gears that barely whirred as they passed. coins littered the bottom of every fountain, the smell shifting from perfume to fried food to fresh fruit, tempting from their stall. you could have spent the entire day roaming its streets and only barely brush the surface of everything to see inside. flora, fauna, people and meka and melusines and you, the streets just populated enough to be welcoming without crossing into overwhelming.

it could be argued that its beauty was due to being the centerpiece of the nation. perhaps outside of its mother of pearl walls were ruined homes and muddied streets that would surely dim your favor, and perhaps that was why neuvillette was so gun-shy about recommending it to you. though he was very professional about it, you’d played enough of the archon quest to know that his insistence on tending to you personally was more out of worry than any sort of actual need. your years of amassed mora had found its way cleanly into your pocket upon arrival, and that combined with your knowledge of fontaine would certainly be enough on its own to find you a nice, cozy life, even without the whole “god of all” thing.

that seemed a bit too intimidating anyway. no, you were more interested in watching romaritime flowers bloom in the rain, and whatever other duties came of your title could wait. celestia had yet to come knocking and most of the higher officials seemed allergic to even thinking of suggesting something else to do, so your time was your own.

(while it was a bit funny, their want to help seemed to push the line of fervency. it was worrying, and another reason to spend some time out wandering on your own. they’d been through enough, and the last thing you wanted was to be another weight on furina’s shoulders.)

thankfully, fontaine was vast, and held no shortage of sight to see. with a bit of persuasion—read: barely hinting at it once while navia happened to be in the room—you were equipped with a travel bag and set off on your own, heading north. unfortunately, there was no way to cross to the other islands without taking the aquabus, and you did want to see the institute and the opera house for yourself.

fortunately, fontaine’s waters were fresh.. or, at least fresh enough that one could swim in it without a mask… or oxygen tank…

you’d figure it out. there was not a single chance that you wouldn’t at least try. even if you didn’t have whatever blessing that allowed the traveller and others to dive freely, the elements seemed to like you well enough, and who would pass up on the chance to see fontaine’s waters for themself anyway?

not you, certainly. you crouched in the shallows and cupped the waves in your hands, bringing it to your mouth and taking a cautious breath.

it felt, expectedly, perfectly fine. normal, even. you let the water fall, but didn’t exhale anything else but air. there was no pressure in your lungs, no burning need to cough, just an odd warmth that spread from your throat downwards. you didn’t know why—you’d somewhat assumed that vision wielders had some sort of internal “gills” that pushed out excess water—but shrugged it off, double-checking that your bag was safely stashed within a bush before wading deeper. the water was a bit cool, but not cold, welcoming you in like a freshly-made bed after a long day.

unsurprisingly, fontaine’s great lake was just as beautiful as the city. in the shallows alone, romaritime flowers gleamed, reflecting the light they absorbed from the sun over and over within their thin petals. fish in rainbows of colors flocked among the depths, rays of light reaching down and inviting you to follow.

the fish were mostly apathetic to your presence. they neither fled nor turned, just allowing you by as if you were one of them. the few meka were a bit more curious, coming up and bumping your hand to ask why you had descended with them. with a bit of coaxing, you let one of the smaller ones allow you to hold onto its fins, pulling you deeper still. crabs scuttled along the floor, stingrays following the dappled rays of light. even this far down, you could still see easily, watching algae sway and jellyfish bloom without error.

at some point, your meka stalled, lingering in space and turning around. its searchlight flicked over you and the sand, inching back the way you came. was this the edge of its patrol route? you waved it goodbye and it waited a moment more before finally moving away, slowly at first before returning to speed. there were probably others you could take back anyway… provided you remembered where you were anyway.

…that was a problem for later. you turned and swam, following the valley. it was getting a bit shallower, and the sun was beginning to dim, but your curiosity was not yet satisfied. you pushed, and continued. a deeper valley of the ocean came into view, a deep bowl marked by large columns of bare rock on the far side. there were more jellyfish around here, and a few stingrays with shining blue skin. you swam to some, curious, but as soon as you got close it turned and met you more than halfway, circling twice like a cat who’s owner had finally come home. you pet over its wings, the transparent blue layer making your fingers buzz. the ray pushed into your hand, and when it left for another cheerful circle, your palm was blue. despite the fact that you hadn’t felt tired or in any way abnormal since diving, the sight of the film over your hands settled confidence over your mind. whatever came, you’d be able to handle it.

why? you had no idea. was there really a way for you to to absorb xenochromatic abilities? was this even that anyway? who cared, really, if you weren’t hurt?

you pet the stingray again with your afflicted hand—not wanting to stain both, in case it was somehow something harmful—and look around the valley, soaking in the view. the sunlight had turned slightly amber, but it never hindered the sea’s beauty. pink and blue jellyfish, octopi shooting pearls of water back and forth. how, you had no idea, but you weren’t going to ask. not that they’d be able to answer, anyway.

tired out, the stingray settled by your side, tail loosely flicking to keep in place as the water shifted. despite the fact that it had definitely touched your skin elsewhere, only your hand remained blue. that cemented in your mind that this was one of the xenochromatic creatures, though to do so without the odd lasso was interesting.. then again, if you could make flames sway and wind pause, then who’s to say you couldn’t throw a few water blades?

the water hummed, something coarse brushing your other arm. you turned, but there was no other animal wondering about your presence. instead, after a brief moment, you recognized the figure swimming beside you as sigewinne, just not as you remembered her. she was really only recognizable through her antennae and bright red eyes, the bright nurse’s uniform of her standard model replaced by some sort of wetsuit and a thick belt around her waist. her heart-shaped purse was also replaced with a basket tucked into her elbow, but the lid over it was latched closed, preventing you from seeing inside. once she saw that she had your attention, she pointed up, and you followed her to the surface, albeit slowly. you didn’t really want to leave, and if she was anything like the others then she’d ask you to come into the fortress.

you surfaced beside her, taking a moment to adjust to the air, coughing twice while she pushed some hair from her eyes. it made sense she’d have an easier time adjusting, but you still felt a bit foolish. what happened to the whole “god of all” business?

“first water?” oh, that one was new. the others in the city tended to use titles related to justice. “may i ask what you’re doing out here so late?”

“i was just exploring, that’s all. what are you doing?”

she blinks, then pulls up her basket, undoing the latch and holding out. within, you can see some various plants, each wrapped and bundled tightly. “i was just collecting some herbs. most of the workers have retired and i’m not usually needed around this hour. are you cold at all?”

she looks genuinely worried, which makes you smile despite yourself. “no, i’m alright, thank you.”

if you were talking with anyone else, you’re certain they would have pushed. everyone in the city seemed hell-bent on making sure you never so much as caught sight of something imperfect.. but sigewinne just relaxes, nodding. “okay. if you’re looking for somewhere nice, may i suggest going east? there’s always otters there, even at this hour.”

otters. you’d almost forgotten about the star of the seas, so distracted by meka and your new powers. “that sounds lovely. would you mind showing me where?”

“of course!” she smiles and you swear you’ve never seen anyone happier, following her beneath the waves. fortunately, your abberant power faded when you surfaced, leaving you able to swim beside her without fear of acidentally triggering it. maybe you can ask about it later…

regardless, the trip is short. she takes you up into the shallows, onto a flatter plateau only about ten feet deep. true to her word, otters dot the surface, likely drawn by the plentiful clams in the sand. the few swimming about eagerly swim up to you, a sharp contrast to the other sealife. they nudge clams into your hand and curl eagerly into your hands, their fur soft and dense. they can hold their breath for longer than you’d think they’d be able to, letting you settle in the sand and pet them for as long as you wish. the water is brighter too, the edges of their fur catching the light.

with time, the sun will fall and your friends will tire, but it is still evening. you watch as sigewinne plays catch with an otter and its shell, smiling at the sight. it’s nice to be like this, tucked beneath the waves with someone who treats you almost comedically casually. maybe its due to her nature, maybe its because she’s a doctor, but that doesn’t really matter. you’re definitely going to savor time spent with someone so sweet.

[thecoolerliauditore]

I need your thoughts on Martyn.

Jesus Christ in heaven where to start.

I was planning to write massive essay posts about each of the winners sooner or later, I guess Martyn can skip the queue. As a treat.

BAD traffic series martyn analysis post don't read. LONG POST

note: rules I'm operating by are to keep the analysis primarily traffic-based (although this one's kind of an exception because. mr watcher lore) and I'm not rewatching entire POVs so stuff might be wrong so on so forth

Why is he... Like that?

So before I even start talking about 3L I feel the need to address Martyn's background first because, not unlike alot of the other members of the cast, Martyn's previously established relationships from series like Evo have a significant impact on how he behaves.

This is kind of difficult for me to talk about because it breaks my "no material outside of the traffic series" rule for these essays specifically, but I think it's honestly just more fun incorporating Martyn's off-series lore drops and such into his character instead of leaving them out.

So here's the basis I work from -- Martyn is the most unreliable narrator in a full cast of them. His lore is his character's version of events, not an unbiased retelling.

Whether the Watchers exist and whether they're the same entities present in Evo doesn't matter all that much, since all we know is that they are very real to Martyn, at least. Taking the lore as Martyn's POV also helps iron out some of the more awkward creases it creates when viewing the series as a whole (e.g. Grian's involvement with the Watchers surely means he would reference them himself, yet he doesn't) and lays the groundwork for some really interesting things about Martyn himself when you try to put the dots together on how he arrived at these conclusions. I'll be referencing these as they come up chronologically.

So, without over complicating things, here are the rules I'm playing by when it comes to pre-3L Martyn:

Evo did really happen with the same people, however the exact details are muddy.

Martyn knew Jimmy prior to the games and the two already had some sort of personal connection going in.

We're not trusting a word out of his mouth. Especially if he says them on stream. But we are going to acknowledge what those words are.

With those parameters set, let's move on:

Third Life, and the guy who gets a little too into it

Like Grian, Martyn immediately acclimates to the game's survival-based mechanics. Martyn spends a good chunk of the first session of 3L seemingly aimless, but he makes observations and choices throughout that show he has survival at the back of his mind (e.g. him quickly establishing an alliance with Grian and Bigb while sneakily putting them in his debt through the diamonds he finds early -- even if this doesn't end up paying off to anything).

Unlike Grian however, Martyn less desperately clings onto a need for an edge to survive and seems almost comfortable in playing the game. A running theme for him throughout all the seasons will be that he seems to feel most comfortable when he has some amount of unspoken power over others, whether that be something as silly as testing the waters with his creeper soundboard or later when he starts playing 4D chess with himself in regard to his loyalties.

"Power" might be not exactly the right word for what Martyn yearns for, but it's the best word I can find to really describe it. He's always the one with a card up his sleeve or a plan B or, arguably most importantly, the one with control over the situation and responsibility over his own and others' wellbeing.

In my mind, at least, I think it might be a consequence of Martyn actually being quite sensitive in terms of relationships and having this very deep-seeded need to protect his loved ones from harm but lacking the emotional intelligence necessary to allow himself to be vulnerable about those feelings and communicate properly. So instead he finds some way to protect himself emotionally (usually overdramatic and makes him way worse) and treats everyone including himself with a level of un-seriousness that alleviates the tension for him.

If I were to dig deeper into this specific point I must say Martyn seems to have chosen to perform a very specific breed of masculinity, with his constant agonizing need to protect and lead while not having to confront his own perceived weaknesses, and alot of his insecurities and frustrations come from being denied that husband-y role to play.

His interactions with Jimmy early on in 3L portray this side of him quite plainly. After seeing Scott hit him around at Renchanting, Martyn gets Jimmy alone and asks him if he's okay but after Jimmy dodges the question, Martyn quickly becomes frustrated and starts acting very overdramatic (e.g. threatening to cut Jimmy off, "I can't look at you", so on) even as Jimmy keeps insisting they keep talking.

In my humble opinion, it's clear to me from how he speaks to Jimmy in this scene and further on, and from his referencing of their Evo relationship, that this is these two's established dynamic - the way Martyn dramatizes everything feels almost as if he were making a joke of it, teasing Jimmy, almost akin to how an older sibling or very old friend would act. It's possible that Martyn didn't expect Jimmy to take any of his threats seriously (although he definitely was laying on the pressure to try and get him to agree in the moment) and that's why he's so taken aback when Jimmy does act almost afraid of him from this point forward.

Not once does Martyn ever verbalize his own feelings regarding the matter. He never says that he's scared or worried for Jimmy, or even makes any sort of subjective judgment on Scott's character for hitting Jimmy in the first place. He makes it all about Jimmy, never communicating *why* he is doing what he's doing which ends up giving off the impression he thinks he knows what's best for him, which of course never communicates to Jimmy that Martyn cares for or loves him and ends up pushing him away as a result.

Speaking of Scott, despite Martyn clearly not approving of the way he treats Jimmy (judging from the aforementioned conversation and his later lore streams where he essentially calls Scott and Jimmy's marriage a sham), he does not ever act antagonistically towards Scott. Which I think is indicative of another key trait of Martyn's - an almost uncanny ability to push aside his own feelings at least momentarily for the sake of the game.

Martyn does not speak badly to or about Scott. He even explores the nether with him very early on and the two literally joke about trapping the Flower Valley and killing Jimmy together.

I think there's an understanding and perhaps a level of respect, on Martyn's end, towards Scott. One of the first observations he makes about Scott's base, after all, is its defensive location and Scott, like Martyn, values his own competency and likes to pretend he's more emotionally unattached to his partner than he really is (the parallels between Martyn/Ren and Scott/Jimmy are even somewhat lampshaded by Martyn himself when he refers to them as "my red" (Ren) and "your red" (Jimmy) later).

It seems that Martyn doesn't dislike anything innate to Scott's nature, and even has love for his manipulative traits. If it were anyone other than Jimmy Scott was hitting, I'd argue, Martyn wouldn't have raised a fuss about it. Not to mention, there's also a sense of "keeping your enemies closer" when it comes to these two, as both seem acutely aware the other is useful on their side and a threat anywhere else.

I'd argue despite the fact he's able to push his dislike towards Scott aside, he definitely still feels spiteful towards him, as he ends up hunting him down pretty mercilessly come the end of the series (after Jimmy dies too - so perhaps there was also a level there of feeling the need to put up with Scott beforehand as he was Jimmy's only ally, but now that Jimmy's gone there isn't any need to be friendly with Scott anymore.)

Now onto the heavy-hitter Martyn 3L relationship - his dynamic with Ren.

I'll be honest I think most treebark shippers have summed up their relationship way better than I could. You could probably go into the tag and see thirty eight analysis posts more indepth and accurate than mine. However I will say that one thing I see rarely mentioned is this very obviously being Martyn's first time meeting Ren (I'm talking about characters here but here is your acknowledgement this is definitely a result of this literally being the case for the CCs).

He's not used to Ren's mannerisms -- during their first meeting, Ren says his usual "ex-squeeze me" (instead of "excuse me") and Martyn responds "no thankyou, I'm married". Not to get too into it as this is The Martyn Post but Ren's POV would imply the same since he sees Martyn's name in chat and he immediately starts theorizing about what kind of player he is.

I think Ren essentially being a stranger to Martyn at the start of the series makes it easier for him to act manipulatively and keep him at arm's length, as well as be in denial about the whole emotional attachment thing. For so much of their alliance during 3L Martyn is acting, performing to match Ren's vibes, except he's not.

^this quote and the concept of freudian slips informs like 88% of my worldview, if anyone's wondering why I'm. like that.

"The Hand" is very much not how Martyn naturally acts or behaves, down to the change in speaking patterns. It's a persona that I think both Ren and Martyn never take too seriously or mistake for Martyn's authentic self, but it's also something Martyn uses to express his innermost feelings he disallows himself from usually. Yes it's all silly even in-universe but I think there's something special about how he constantly expresses his devotion as The Hand, even if he's doing it with a layer of irony. Plus, I think it says something that, jumping later in the timeline, his flashbacks in LimLife are much more true to the character of The Hand than Martyn himself.

This section is already long enough but I do have to mention Bigb, Grian and Scar or I'll explode.

Earlier on, I touched on Martyn giving Grian and Bigb diamond swords early and it being an attempt to leverage an alliance between them. This I admit might be a slight reach however the reason I say that is Martyn continues to pursue Bigb and Grian as allies throughout the season.

Bigb is cut and dry enough, he ends up floating around the outside of Dogwarts as a not-quite-member after the siege in which pretty much half the sever were antagonized by Grian and Scar. I'm probably not the person to thoroughly dissect Martyn/Bigb but there's something interesting there about how alot of people tend to have this general fondness towards Bigb and Martyn is no exception.

As for Grian, Martyn acknowledges that Grian is responsible for the siege, possible moreso than Scar, but keeps questioning how "gone" he is, worded as if he believes Scar is manipulating him. I've seen people compare this to how he acts towards Jimmy and Scott which I can definitely see the throughline. However, I think while both are an example of Martyn's protector/saviour complex, they are innately different due to Martyn's relationships with both the perceived victim and captor in each case.

Despite Grian also being an ex-Evo member, Martyn does not act towards him with the same familiarity he does with Jimmy. He also brings up Grian's welfare with Bigb and not Grian himself, with Bigb being the other person involved in their earlier established sword alliance. To me, it feels as if Martyn is more testing the waters for if he can still get Grian on his side than out of any genuine concern for Grian, although it is possible he's projecting some of those leftover feelings regarding Jimmy's situations onto Grian and Scar.

The other reason is, I think, Martyn might genuinely be afraid of Scar himself and villainizing him as a result. Everytime Scar shows up in Martyn's POV he's paired with tense music and sporadic editing that makes him appear more unhinged. Martyn has also said on tumblr he found Scar intimidating at the time, which is of course a dubiously canon source but I find it applicable enough.

It makes sense, too. When you compare Martyn's treatment of Scar vs his treatment of Scott. These are both people he has recognized as real threats and he assumes both are manipulating their respective partners, but while he remains friendly (at least outwardly) towards Scott he's constantly wary of Scar, drawing weapons on him pretty much on sight even before the siege.

I think Martyn fears Scar because he doesn't understand Scar. Scott is someone like him who he knows the inner workings of, or at least that's what he believes, so while he doesn't care for him he doesn't feel a need to keep him away. Martyn always assumes a level of coordinated malice from Scar that is more than often either completely unfounded or a result of something originating from Grian (my favourite example of this is, right before the siege, Scar wanders over with his bee on a lead and Martyn starts yelling "he's got a bee! what does that mean?!" as if expecting the bee has some pvp reason behind it. when scar just wanted to have a bee).

That isn't to say that Scar isn't malicious - Martyn is right like 90% of the time that Scar's not-so-subtle friendly hellos have some sinister plan behind them, but he doesn't ever truly get that Scar isn't the evil mastermind he thinks he is.

I'd argue this fear is what also makes Martyn not pick up on the fact that Grian is the more manipulative one out of the two - something that even Scott seems aware of - because he never spends enough time with them on friendly terms to be aware of that dynamic.

Last Life AKA big brother syndrome in full blast

Okay that was a long ass section sorry lmao have to establish everything there. Everything from here on is gonna be a lot cleaner I swear.

The Southlanders could honestly have their own ultra-long post about how they're the perfect disaster team-up lord of the flies esque situation the series has to offer.

Impulse, Grian and Martyn are all similar in that they understand they have to play the game a certain way through keeping their loyalties dubious while Mumbo, as a newcomer, is extremely naive and goes along with whatever the more assertive members of the group say. And Jimmy is Jimmy.

Martyn takes on a leadership role within the group, being the one to constantly spearhead their humour and come up with new often disruptive plans (usually targetting Scott because he totally isn't spiteful still, albeit in a very playful way). After Joel traps their base with tnt minecarts, Martyn is the one to keep everyone else back and disarm them, a huge contrast to 3L's siege.

Their group embraces the rules of the game - if you turn red, as Grian does early on, you are kicked out from the group as a threat. There's this sinking feeling throughout all their spyglass shenanigans and life-trade trust exercises that this is still an alliance in a death game and if you prove yourself to be a detriment, you will be kicked out.

It's no wonder than why Jimmy, who gets his usual bottom of the barrel treatment, tries to run away with Martyn's life during one of their trust exercises. He's been shown at this point he can't fully trust the Southlanders to protect him forever -- how could he, when Martyn, again, never slips in any sign of affection between the teasing?

To Martyn, however, this is a betrayal of his trust. His plea to Jimmy to return sounds a lot like their conversation back in 3L on the snowy mountain regarding Jimmy and Scott, except this time Jimmy accepts Martyn's offer and Martyn tells him he was lying, calling him an idiot for believing him in the first place. This is probably the harshest Martyn acts towards Jimmy in the series, but it's worth mentioning that to Martyn the timeline of events goes he offers Jimmy his protection and alliance--> Jimmy refuses--> Jimmy dies (which Martyn probably sees at least partially due to said refusal) --> he gets Jimmy back and does everything in his power to keep him safe --> Jimmy does the equivalent of *killing him* and tries to get away with it.

Martyn still obviously cares about Jimmy despite being upset at him, as after his usual dramatics and declaring a trial for Jimmy in which each of the Southlanders vote on his fate, Martyn still votes to keep Jimmy in the group (again, something Jimmy is never made aware of).

Possibly partially because of the Jimmy incident and the overall dog-eat-dog culture of the Southlanders, Martyn does to them what he never managed with Dogwarts - betrayal. At least, on some level.

Ironically, it's Ren he betrays them for, forming the Shadow Alliance and even giving the life Jimmy had attempted to steal from him to Ren instead. My read of this has always been that it supported Martyn truly being happy enough for Jimmy or someone else to have his extra life, but Jimmy's act of betraying him itself being what hurt him.

I think now's a good time to start mentioning the Watcher Lore, as here is where it starts kicking into gear. Martyn's claims of emotional bonds not carrying over from previous seasons is not only a very natural progression from his emotional distancing in a coping mechanism sense, but also enables him to betray Ren too later on and not have to confront the guilt that comes with that when he tries to lead him into a tnt trap in the final 1v1v1v1. However, he still cheers for Ren as a ghost and even says that he would be happy to see Ren win, indicating he really does not hold any malice towards him.

I've seen people make jokes about the watcher lore being Martyn schizoposting and I'm sure I've made similar jokes in the past but. Speaking very genuinely here Martyn's questionable sanity is a big part of his character to me.

His Episode 8 of LL literally begins with him acting out the usual running joke of him stealing Mumbo's intro, except Mumbo and Jimmy are dead at this point and he is doing their voices and talking to himself. When the illusion is broken, he panics and the video immediately cuts to him running around obviously distressed with a disembodied voice demanding things from him.

I'm obviously not authorized to diagnose every single one of Martyn's many mental illnesses, but I think mentally breaking down in a timeloop death game is a fairly average thing to happen to someone, and Martyn might be especially susceptible due to his aforementioned need for power and responsibility in every relationship (i.e. I'd like to think he feels some helplessness/guilt over Jimmy and Mumbo's deaths, leading to this sequence).

Not to mention, someone who is emotionally vulnerable coming up with a nebulous Group of Evil People who are the source of all the bad things in a helpless situation of violence is. Something that happens historically quite alot. To try and find reason in the madness is just a human instinct, I think.

One thing I feel like I should mention is his "marriage" with Mumbo which. I honestly don't see as anything more than a gag. Not that Martyn isn't a massive hypocrite but "marrying" Mumbo would be very much contradict what he has to say about Scott/Jimmy's situation. I do think he cares for Mumbo and potentially Mumbo's naivete served as incentive for Martyn to put on the usual assertive/provider role but I don't think there's much more than that (no hate to the shippers, tho, if they knew eachother for like a week longer they would've kissed)

Double Life. Oh no

Double Life Martyn is one of my favourite POVs in the series because it is. Hilarious. Unfortunately.

To start off, he is one of the players who almost immediately accepts the soulbound system as romantic and his views on Cleo/Scott's relationship are heavily based on that (I love that one clip where he mocks them in front of Jimmy).

Him acting flabbergasted at Cleo rejecting him despite pretty much having no relationship with her prior to this season is a really funny contrast to Scott and Pearl, especially when he continues pursuing her like they're recently divorced and Cleo's just like. rolling her eyes. It's all very performative on Martyn's end and why I mentioned his sense of masculinity at the start, because in theme with DL being The Feminism Season TM this is when it comes full throttle in display with the way he treats Cleo.

Martyn keeps referring to himself as a "provider" and refers to Cleo's relationship with Scott as "childish" -- Martyn trying to win over Scott's partner to his side, assuming he knows best for the partner and calling their relationship a sham? Does any of this sound familiar?

Cleo is not like Jimmy, however, and is very clear to Martyn in terms of what she wants from him - which is an apology, no diamond swords or heart-shaped houses, but Martyn in all his emotional denseness can't understand this and keeps assuming there must be some hidden strings attached.

I couldn't find the original meme I had in mind but these are within the same genre. The one I remember had captioned something like "dads don't say "i love you" but they will buy ten boxes worth of the fruit they overheard you say you liked once", which pretty much sums up Martyn's emotional intelligence to me. He would much rather give you way too much of something he thinks you need (e.g. with Jimmy the playful teasing, with Cleo the acts of service) than just say "I love you".

Cleo's blunt honesty serves as a stark contrast to Jimmy and brings something out of Martyn that we rarely ever see -- a genuine, vulnerable interaction in which he has to admit he's hurt. Cleo immediately denies him the role of rescuer he wants to play by telling him directly that she, not Scott, was the one who came up with the idea of teaming up and even gets Martyn to verbalize he's hurt by their actions and cares for her.

Once that illusion is shattered for Martyn and Cleo even admits she's acting manipulatively towards Scott, Martyn realises he and Cleo are more alike than he initially assumed and that he doesn't need to take care of her like he always tries to with his relationships. Ironically, the one relationship he has that is born almost entirely out of government mandated performative romance, is the one that gets him to examine how he views people especially his romantic interests the most.

This is, of course, all said with the fact that following this very heartfelt moment, the next time he speaks to Cleo he pushes her off a fucking cliff and kills her in mind. And the fact that he was very much beating the shit out of her and even called their relationship "toxic" himself early on in the season.

It's kind of hard to gauge Cleo and Martyn's relationship from this point forward but Martyn definitely chills on the namecalling and cooperates with Scott and Cleo for the main part going forward.

I think it's also worth mentioning that, despite Scott once again being the object of his spite, Martyn is once again friendly with Scott all season. When he catches Cleo and Scott mid-axe crit, it's Cleo he starts hitting and not Scott, despite them both being responsible. Behind his back, Martyn will claim Scott is "ruining" Cleo but to his face Martyn is always respectful. He actually even calls Scott "pretty"/"hot" in the last episode, which has some implications I'll talk about more in the Limlife section.

Martyn, like everyone else, is weird about Pearl. Uniquely in his case, Pearl isn't a witch nor demoness, but rather a non-factor he seems to have had written off and her triumph in the end comes as a shock to his system.

He dismisses her concerns over and over in the first episode as they are exploring together and, instead of seeing her as a natural source of allyship, doesn't value her enough to keep her around as an alliance even after Scott and Cleo dump them. In his heart to heart with Cleo, he even very randomly speaks badly of her, although he immediately seems to feel a bit of guilt over it.

He never seems to view Pearl through a sympathetic lens despite the two being in the same circumstance and, again in the same conversation with Cleo, they both agree that she could act as essentially a pawn (an "extra healthbar") for them like Cleo uses Scott.

I feel the need to clarify that while, yes I do believe Martyn is Weird About Women, I also do think he's honestly above average and sees them more as people than some other men in the series (note: my standards are not very high)

He sees most people as nothings that can be manipulated or competition that also can be manipulated, it just so happens that all the women in the series so far land squarely in the former and it took Cleo saying to his face "I'm taking advantage of Scott" for him to realise she wasn't a victim. However, even afterwards, he never treats her with the same competitiveness he has for people like Scott and Scar (albeit it makes enough sense in this season since she's attached to his healthbar, but this remains the same for future seasons). And as a reminder, he holds respect for those he deems as threats, which might have something to do with why he feels comfortable hitting Cleo but not Scott.

As for Ren and the Broken Hearts Club, they didn't get a lot of time together this season since both were preoccupied with their own soulmate dramas and being awful to Pearl but what we do see of them ranges from heartwarmingly nostalgic to a little bit hollow. Martyn saying to Pearl that they're the same at this point doesn't really read to me as him being truly sympathetic since this is post the "you should go use pearl as your second hp bar" conversation and Ren is way too busy to deal with the emotional turmoil of what's going on between himself and Bigb to really pay attention to Martyn.

Ren is still very kind to Martyn, especially considering the last time he saw him in LL Martyn was trying to kill him, but there's an emotional gap between the two that's very noticeable at least to me when compared to 3L and LL.

I think Martyn, at this point, convinced of his own "emotional bonds don't carry over seasons" logic, might be a bit too comfortable on relying on Ren. In both DL and LL he runs to Ren when his current alliance gets shaky and Ren is a source of definite comfort for him (as he said so himself on stream). Ren, as a source of comfort, is not a threat to Martyn aka not someone he needs to keep tabs so when said source of comfort falls through the gaps, you get:

Limited Life. The one where he compares himself to Joffrey from GOT

I don't think I have much to say about LimLife Martyn that hasn't already been said.

I will say I don't necessarily think Majorwood is purely his rebound relationship from Ren, the Mean Gills forming is very much not OOC for either Scott or Martyn (this is pretty much how they acted with eachother at the start of 3L) and their resulting give and take coworker-esque dynamic is a very natural place for them to end up from their previous interactions. Scott, like Martyn, tries to shed his emotional attachments with each new season so they are, in a very literal sense, making eachother worse by reinforcing that habit by normalizing it to eachother.

However, the parallels to their respective 3L partnerships I can't blame people for pointing out, right down to Martyn killing both Ren and Scott in the seaons he was teamed with them and the latter being happy about it.

I think it's time to say what I've been implying with Scott and Martyn throughout this whole thing and that is that they are eachother's ideal ally. They are both aware of the game, play the game, emotionally distant, manipulative and make themselves suffer more for that mindset. I don't think there was ever a moment in their allyship where either assumed the other wasn't going to stab them in the back later, despite the mutual respect they have being very real.

Martyn spends a lot of time this season just wandering around talking to various people, alot like how he acted in 3L before he and Ren became an official thing. It's almost as if, without Ren there, he loses his default go-to guy and is once again sizing up the competition around him.

The one exception I would say would be his interactions with Cleo, who he seems genuinely friendly with, even offering himself up as a "godfather" for the Clockers before the whole server became some form of extended family. You'd think this alliance would also have some basis in the ever present Scott/Cleo alliance but Scott's constant sacrifices for the Clockers are never discussed between him and Martyn, in fact the two of them rarely talk about anything ever past base-building and dolphin-wrangling, and the Clockers seem to treat them as two seperate entities rather than an alliance (e.g. Bdubs seems almost entitled to Scott's life after a certain point, but none of them ever even consider asking Martyn for time).

That, and of course the fact that Martyn kills Scott very unsympathetically towards the end, really point me in the "Martyn is still spiteful towards Scott" direction -- after all, alliance or no alliance, I don't think Martyn would want to be in the conversation with Scott where he tells him about his "love you back" exchange with Jimmy. Martyn certainly respects Scott, loves Scott I'd even say, but I don't know if he actually likes Scott.

I think it's also interesting that it's this season where Martyn's Watcher Lore interludes make a return, just in time for his source of comfort (Ren) to be missing.

Re: the watcher lore the comment Martyn makes about swapping out souls of players who are too "damaged" is very in line with his DL seeing women (and "weaker" men like Jimmy, Mumbo and, of course, Ren) as default victims as, knowingly or not, he implies through this that all the women in the series have souls too weak to withstand the horrors. This also in turn implies that he himself is not broken, which I think he'd like to believe.

Secret Life. It's happy again :D oh wait no

Secret Life starts with Martyn kissing Jimmy. I feel like we moved on from this way too fast in general I mean on the cheek or not he did kiss him he did literally kiss him.

I'll be honest I think the Big Dogs POV is the one I'm least familiar with out of all of these but from what I do remember it's very nice to see Martyn and Jimmy settling back into what seems like their Evo dynamic or even their pre-horrors LL dynamic.

Unfortunately Jimmy is not Cleo and thus cannot get Martyn to be the slightest bit vulnerable, so their dynamic remains stagnant and neither acknowledge the awkwardness that still resides between them.

Jimmy is at least very clearly holding onto some discomforts, judging by his behaviour late in the series when he acts aggressively towards Pearl and celebrates Lizzie dying. He even chases Scott down with a sword on horseback earlier on and, very early in one of Pearl's episodes, he quickly switches between sounding sad and angry.

It's clear to me at least SL Jimmy has reached some sort of breaking point, and this never gets acknowledged by Martyn (I like to think he just lacks the EQ to deal with it). This all cascades into Jimmy attempting to kill Martyn and running away before dying.

SL Martyn feels almost like, to me, the 3L Martyn who successfully convinced Jimmy to team with him and the disaster that comes with that. Martyn certainly has continued to be his survivalist self, not trusting outsiders to the point where when the Wither/Warden combo is unleashed, he immediately assumes they're picking off reds and goes to hide.

Weirdly enough, his protective tendencies towards Jimmy are pretty much gone. It's almost as if when he doesn't see an active threat (e.g. Scott) he assumes things must be good enough and leaves it at that, which also implies he can't comprehend that He might be detrimental to Jimmy himself.

Obligatory. Yes he still misses Ren. Him literally basing his alliance concept off of dogs is. hilarious. I'm so sorry babygirl.

Real Life is, again, non-canon to me but turns up the "dad who buys you 45 mandarins" energy to 11 with him being Ren and Skizz's pseudo-dad. I love Ren having a crisis about his own RP btw it's the funniest thing and he does it like. Everytime.

Uh yeah I hope that's long enough

[melmedardasworld]

Thoughts on the latest hot take going around surrounding Ambessa? People claiming that she's either a sociopath or psychopath?

I think.......people don't seem to understand how much of Ambessa's actions are driven by pure fear. Fear of losing everything she worked for. Fear of dying. Fear of losing her family. But of course she can't show that fear for any reason because it'll be seen as a sign of weakness. And as a leader, you can't afford to be seen as weak. So she keeps her fear within and hardens her exterior.

But obviously,that hardness can't fly when you're raising kids, especially when you have one like Mel who's naturally empathic and quite sensitive (even in utero). Maybe Kino and her stepfather was able to step in and bolster her emotionally and affectionately where Ambessa couldn't (or wasn't able to) and that's why she's so attached to them both. The mention of Kino's death was enough to stop Mel in her tracks outright.

Ambessa couldn't seem to understand why Mel is the way she is, so she tried to remake her in her image. Then when that didn't work,she sent her to Piltover in an attempt to maintain her hard front (thus the whole "you weakened me" conversation). She saw a younger, "weaker" version of herself in Mel and couldn't bear it, so she did what she does best and pushed her aside.

Hi anon, so awesome question/remark and love your insights and sorry it took me so long to answer this.

I haven’t seen this take go around personally, but it’s an interesting question. I’ll try to break some of my points down. Also, I am no LoL expert, but I’ve been slowly getting into the lore, places, characters, factions etc and try to see things from the ‘POV’ of the characters and how that would form their different worldview and that’s what I tried to do with Ambessa.

Ambessa embodies complexity where she walks a fine line between a merciless ruler and a deeply flawed but protective and narcissistic mother.

The term "psychopath" often describes someone with antisocial personality disorder (ASPD). Key traits include manipulativeness, impulsivity, lack of empathy, and failure to conform to societal norms. Ambessa certainly exhibits some of these traits—especially her manipulative tendencies and ruthless pragmatism—BUT the context of her culture, the Noxian one, it muddies the waters.

Ambessa’s aggressive and warlike nature is culturally appropriate for Noxus, where strength, cunning, and survival dominate societal values. She was introduced her to death and war at a young age, preparing her to thrive in a brutal world. As a result, what might seem psychopathic elsewhere is normalized within her context.

Manipulation vs Empathy

Ambessa’s relationship with Mel, challenges the idea that she lacks empathy. There are many key moments where she does show genuine care, even if it is in her own way and it doesn’t make it psychopathic or sociopathic, I feel. Now how that translates and shaped Mel is whole other discussion and a can of worms.

1. Ambessa says she cast Mel out because she "couldn’t endure the look in [her] eyes" when making harsh decisions—a clear sign of emotional vulnerability. But a lot of it also has to do with Mel’s hidden powers and the BR going after her.

2. S2, Ambessa prioritizes Mel’s safety above all, a stark contrast to her calculated, militaristic demeanor.

These actions imply that Ambessa feels deeply for her daughter but struggles to balance love with Noxian ideals of strength and control.

Love and Power

Does Ambessa love Mel, or is she merely using her for power? This duality defines much of her arc. While her actions sometimes appear transactional (e.g., viewing Mel as an important asset for the Hextech and successfully influencing/ manipulating Jayce), her emotional reactions—especially moments of visible pain and hesitation when she tells Mel why she left her and also in S2, the revelation of what happened to Kino her ‘sweetness’, when facing the Black Rose—show that her (motherly) love is genuine and powerful, albeit twisted and pragmatic at times by her Noxian upbringing. She keeps Mel away from it all even if she pushes her away and family means EVERYTHING to Ambessa, but she’ll also do everything to keep her family intact and protected. Even more fiercely after Kino’s death.

My answer:

While Ambessa exhibits traits that explain what ASPD is—manipulativeness, control, and strategic deceit—in my opinion she doesn’t meet the criteria:

Empathy: Ambessa shows a fierce (struggling) emotional depth, especially regarding her children.

Impulsivity: She is highly calculated, planning wars and manipulations with precision.

Emotional Control: While she thrives in war, personal losses (Rictus’s death for example) deeply affect her, showing emotional vulnerability.

Rather than a psychopath, Ambessa might be better described as a character with narcissistic tendencies shaped by her harsh environment and the culture she grew up in, which is Noxus and soooo different from Piltover.

A Legacy of Duality

Ambessa’s arc concludes with her acknowledgment of Mel as both "fox" and "wolf"—a blend of cunning and strength that defines survival in their world. Even in her dying words, Ambessa’s pride in Mel’s growth underlines her complex humanity.

Ambessa’s story is not one of psychopathy but of survival, legacy, and the blurred lines between love and control. A Legacy of Duality

[thefinnishcap]

I love how much from what we’ve seen, echoes of wisdom feels like it’s going back to the era of game boy Zelda. I don’t really know how to explain it. There’s a certain… mischievousness that the game boy games have, and this one has it too.

It also reminds me of them because there’s this laissez faire attitude that the game boy games had when it came to the direction of the series, they didn’t give a flying fuck about continuity, or the lore (cause it didn’t really exist at the time, and still doesn’t imo). Echoes feels like it’s really returning to that attitude towards the lore. totk and botw also did, much to the chagrin of Zelda “theorists”.

Echoes seems to yet again be muddying the water on what the triforce is and how it functions. The triforce’s specific function and how it works has literally never been as consistent as people like to pretend it is. But this game seems to be doing something pretty drastic with it. Now there’s a fairy? Are they like an avatar of the triforce, maybe the triforce itself? And the rod that they give Zelda, creates duplicates of things? I mean, technically the triforce could be used to duplicate something (in some games), but that just seems like a very out of “character” thing for it to do. I also think that tears of the kingdom heavily fucked with the way the triforce works despite many people believing it’s not in the game (I believe it is, it’s just different), but that is a whole other thing.

While I’ve been a bit disappointed with some of the decisions when it comes to game design in recent entries. I really love the energy Nintendo has had towards the timeline lately. They tried to make an official timeline and confine themselves to it because fans wouldn’t stop whining about wanting one, and then they realized they hated the way it restricted them. So they released botw as a huge middle finger to the timeline, and totk as an even fucking bigger one. Zelda has always been and will always be a series about mythology. Just like with any real world mythology, there should never be an “official”timeline, you can’t make a clear timeline out of a bunch of disparate stories that have been passed down for generations by word of mouth. I love hypothesizing about a possible order for the games, I think that’s fun, but that’s all it should ever be. Timeline discussion was a lot more fun when people were open to other possibilities for the order.

Wow that sure was a tangent that I’ve went on, thanks for listening to this idiot who’s very autistic about Zelda ramble for a bit.

[yolowritter]

A Perspective on Miquella the Kind

"Miquella the Kind...is a monster." Those are some of the first words uttered by Sir Ansbach once the Empyrean's Great Rune is shattered, and the charm placed upon his followers in the Lands of Shadow is lifted. But...are they actually true? With all the new information we have about Miquella in the Shadow of the Erdtree DLC, it's worth to re-examine all we know about his character. Naturally, a huge part of the community is budy combing every nook and cranny for more lore on this Demigod. And...others are displeased with the new information given, or more specifically, what Miquella's plan is revealed to be at the DLC's end. So today, I want to take a closer look at Miquella as a character, his followers, and of course, the overarching plot which the Tarnished becomes involved in after slaying Radahn and Mohg. As an aside, we really owe the Lord of Blood an apology as a community. Nevermind the murders and cult sacrifices, Mohg managed to beat the allegations! Anyway, I do intend to also give my own interpretation in regards to the more...questionable things in the new Lore, so let's get right to it!

Firstly, it's worth establishing a baseline for who Miquella is as a person. As we all know, he is the son of Queen Marika and King Consort Radagon, as well as brother to Malenia. As a side note, the whole "Miquella divested himself of Saint Trina" situation most likely explains how this family dynamic would be possible, but that's another post altogether. Marika's...questionable marriage choices aside, Miquella has always been described as a kind, gentle soul. In some ways, his narrative place in Shadow of the Erdtree serves as a foil to Marika herself. Where his mother schemes and conceals the truth, Miquella is extremely upfront about his goals. Make the world a kinder, gentler place. And honestly? I believe him. I fully believe that Miquella, having grown up next to his cursed sister and seeing the Golden Order unable to do anything for Malenia, wished for nothing more but to better the world. And after realizing the Order wasn't working, I've no doubt he went on to discover the many, many attrocities committed against those of the Crucible, like the Misbegotten for example. However...this is where things get a little muddy, in terms of morality that is.

Remember that Miquella is basically a God. He is one of the few who can succeed Marika in a new Age. But...he doesn't seem like a fighter to me. He isn't one, which is where Radahn comes in. Now, forgive the aside, but we need to have a chat about what exactly "Consort" means as a word. Yes, it's typically used in the context of marriage, but from the original Latin meaning (I'm no expert here, feel free to correct me), a consort is someone with whom an individual shares a destiny. Miquella himself talks a little about this, both in the fight against Promised Consort Radahn, and if the Tarnished is charmed by his Circlet. Yes, that's the thing he uses to hypnotize people, it's in the item description. We understand the concept of a consort as the more modern interprepation of a romantic partner, a spouse of some kind. However, Elden Ring doesn't work by the same rules. Yes, it can mean spouse, given that Ranni welcomes the Tarnished as one and grants the Dark Moon Greatsword as a wedding gift, but it doesn't have to.

Unfortunately, I think the community is falling into the same pitfall we did with Mohg's wording of his own desires to become Miquella's consort. Unlike Ranni, neither situation here necessitates romantic feelings, and frankly I don't believe they exist here. Miquella was fascinated by Radahn's strength and kindness, and believed his brother would be an excellent person to share the remainder of his plans for a New Age with. And Radahn was, objectively speaking. He's hailed as a hero from everyone who knows him, even Ansbach treats him with great respect should you summon him for the final battle. I think the Vow made between Radahn and Miquella happened before the Shattering, and was something along the lines of Radahn helping Miquella make the world a better, kinder place. It's something the Red Lion would absolutely want, since despite his element being war, we get many accounts of him being an honorable, good man. It would make sense why Radahn at first agreed with Miquella, so let's see why Malenia even needed to go and do what she did in the first place. Why did Radahn not hold up his end of the deal?

To put it blunty, it's because he's a Golden Order fanboy. I'm still not entirely sure how Messmer ties into this from a timeline perspective, but Radahn grew up with his older half-brother (presumably before the Holy War against the Hornsent), his father Radagon, and Lord Godfrey as his primary male role models. Even if Godfrey had been exiled by that point, the evidence of his crusades was memorialized in song for Radahn to be inspired by. Of course he believed the Golden Order to be righteous and good, and wanted to uphold the honorable values he was raised on. Considering his own character, I'm quite confident in speculating that Radahn saw the Order's faults, and probably agreed with Miquella that there was a distance between the stories he grew up on and reality. So naturally, upon seeing his younger half-sibling try to fix things, Radahn quite possibly supported the idea.

Where I think the divide happened...was Miquella's method of problem-solving. As I said before, I've no doubt that he is as Kind as they say; it's just that Miquella envisioned a world without violence and had the power of make it so. His broken Great Rune holds the power to resist charms, so it's pretty reasonable to assume that the whole thing once held the power to perhaps inflict them. Miquella later replaced it with the Circlet he now wears, but still. He was strong enough to evoke a cult following from most of those who laid eyes on either of his forms. Again, I firmly believe he was doing good here, as both himself and as Saint Trina. From Miquella's point of view, he is helping. He grants the restless a peaceful sleep, he gives a home to the outcasts, he protects the Albinaurics, etc. That's why so many people wanted to follow him. What interests me is that Miquella seems to be a classic case of the road to Hell is paved with good intentions.

He undoubtebly, truly wants to make a kind and gentle world, but has little qualms about forcing people to stop fighting. As Leda tells the Tarnished when asked about Hornsent, she explicitly states that without Miquella's charm, he would be attacking her and the others right now. Yes, it is arguably better for people to not fight to the death, but Miquella enforces this "good" thing in the wrong ways. Everywhere in the Lands of Shadow, we can see something similar. Sir Ansbach for example explains that Mohg himself got charmed, and that upon trying to rescue his Lord, Miquella brainwashed him as well. And he only sounds upset about it after the charm is broken. This gives us a very interesting character, since Miquella is technically correct in what he states. Should his Age of Compassion come to pass, there won't be any more War, or violence, or destructive conflict. However, taking away people's free will is arguably worse. So, what happened? Why does there seem to be a difference between the morally grey (but with good deeds to his name) Miquella, and the more extremist version we battle in Enir-Ilim?

Well...I think Miquella's Crosses hold the answer. At every site, he "divests himself" of something. It's clearly stated that he had doubts, he second-guessed if this was the right thing to do. He had moral qualms, but forced himself to leave them all behind. And there is one more thing he abandoned. Saint Trina. I believe this is why he seems so jarringly different to what we know about him. Because Saint Trina is his love and compassion. Every genuine feeling that Miquella held was left behind to make space for the more nebulous "Greater Good" of his new age...and evidently, very little that made Miquella himself even exists anymore. Despite the radiant light at the Gate of Divinity, his demeanor seems cold and calculated, much more akin to how I and many others might characterize Queen Marika. In attempting to ascend to Godhood, Miquella ironically became what he sought to destroy.

That's why there's such a difference between the Miquella we hear about in the main game, who does seem to be using his powers yes, but for a good cause...and the DLC version of Miquella, who is abusing his charms. Ever since entering the Lands of Shadow after he cocooned himself, Miquella has slowly divested himself of everything except the greater goal. Godhood is all that's left of him by the time we arrive at Enir-Ilim, which is why Saint Trina begs us to kill him. Miquella has already killed himself in a way, and all that's left is a brilliant yet hollow shell. The genuine warmth and compassion he once held for the Lands Between and their people are void, leaving behind only the unfeeling rays of pure gold, much like the ever-present Erdtree. He seeks to supplant Marika's Age...and then install himself as a God, just like his mother. I'm sure that he did have genuine kindness in his heart, but now...there isn't any left within him. That's why he's enforcing his will upon Moore, Ansbach, Freya, Thiollier and Hornsent. Because he's become just like Marika.

It's unfortunate, and a brilliant tale a self destruction that if correctly decoded shows how masterful Fromsoft is at this kind of storytelling. Now, I'm not claiming to be completely correct in this interpretation, since this is just my personal viewpoint of how and why things played out this way in the DLC. Feel free to drop your thoughts below, I'm more than happy to open up a disccussion about Miquella! Anyway, if you'll all excuse me, I need to go replay Shadow of the Erdtree. I'll see you all soon, but until then, Stay Tarnished everyone!

[bleue-flora]

It's very interesting... how despite efforts to remain an objective overseer of the whole story, it seems the point of view of the streamer always seems to taint the facts. It's like the foundational lore streams are muddied in the innate bias of the streamer's character and no matter how much comparison to the wider picture or other characters, their perception still colors the truth.

For example, why is it that we believe Dream in the second to last finale stream? We know he's a liar. We know the things he's lied about and why. We know he put's on a show before, specifically for Tommy and Tubbo. And yet, we believe him? We believe them. They reveal that the disc finale was all staged, in a sinisterly over the top room. And we believe every word they say. They make fun of clingy duo like a couple of movie bad guys, malicious cackle and all. And yet, still we believe them. In the very next stream, we see Dream's motivation change, like we knew it would, and yet we still believe what they said before, even when we now know part of it wasn't real. That's not to say everything they say is a lie, we know for sure some of it is true. Still, every convincing lie is born of some form of truth and we know Dream uses this method of lying. We have every reason to doubt anything they say to anyone but eachother because we know they play their parts just like their enemies designate them. And yet, we still believe them. Why?

Maybe because clingy duo does.

And because they believe it's fact, it becomes fact to the viewer.

Not to say it isn't, or that there isn't truth in it, or that anyone is wrong for taking what they said and making assumptions, or that their assumptions are wrong... But I had someone tell me recently about how some of the Enderboo community dismissed the brainwash comment as a lie because it didn't align with Ranboo lore and ever since then, I realized you know it would be reasonable to say they lied, which begs the question, what else did they lie or exaggerate or give partial truth about?...

[arcadia-of-pluto]

{I HAVE SO MANY THOUGHTS HELP + a sneak peek of my rafayel one-shot at the end}

Hey guys! Another random update, but not really a story update or anything. (Also sorry if I'm tagging my shit wrong, I'm still v new to posting on here—)

So I've come up with another banger idea for 'Twist of Fate' and I'm so upset that I can't even talk about it because it gives heavy spoilers for the whole story itself. But I swear it's a good idea. Since LADS isn't close to being completed, I've made so many embellishments to the story itself.

I guess it won't be a spoiler to say Astra plays a major part. I mean, he is a god after all. He's not prevalent in any other myths besides Zayne's but, again, he's a god. I think he'd be in every single timeline. Especially if he's known as a god on Philos and worshipped there. There's two other characters who play a big role, but you'd never be able to guess who! It just makes me so excited to finally get to that point in my writing that I almost want to rush to it– but I know I can't for the integrity of the story.

Just know that some of the things I write aren't actually in the games themselves; Like Lily and Violet actually having names, Sylus having specifically named flowers in the vase at his home, and other stuff like that. Because that kind of stuff will be happening more in the future and I'd hate for people to get confused and mistake it for actually being in the game itself.

To say something without it being a spoiler, there's some twists and turns coming up but also– how do you guys feel about the name Alexzanderus? It has no meaning, I just want to use it but I'm not sure if it works? It has a meaning within it, if you look in-between the lines, but I'm worried the name is kind of muddy and ugly. It seems pretty enough to me and it seems like it would be an old name. But I'd love to know if you could guess my meaning behind the name! It's got my own lore implications wrapped up in it.

And also, how do you guys feel about making your own religion—

By that I mean, gods and goddesses. I mean we already have Astra, who I'm saying is the god of destiny and divinity (destiny and fate ofc since Zayne was his foreseer). What's one or two more going to hurt, am I right? But yeah, isn't it sort of weird that Astra isn't specifically said to be the god of anything? I tried looking it up and found nothing so I just made up my own idea for it.

I also can't wait to post chapters fifteen and sixteen because that's when the real fun starts happening (not smutty fun but–). I really hope I'm not hyping this up so much only for yall to hate it

'Twist of Fate' aside, I guess I could also post a sneak peak of my Rafayel tropes one-shot!

"Ludus Love", excerpt

Word count; 275

Your life was always monotonous and unchangeable. You stayed in the same neatly decorated and ornate room; a room that felt more like a prison rather than your own personal hide-away from the world. Your only forms of solace being an elderly clergy member named Josephine, and the books you would get your maids and knights to procure for you. 

You were a princess, but only by name. You did not get the royal treatment, fancy dresses and extravagant balls. Instead, your purpose was to act as the pure and kind princess of the Philos empire, the one with a heart of gold…and that damn heart of yours was the only reason you were in this mess in the first place. 

You were originally an orphan. You had no memory of having parents, you had to have them at some point in your life. Your earliest memory was of you waking up on a blistering hot day in the shade of an alleyway. Clasped between your tiny little hands was a black Calla lily. As you grew older, you'd learn that this specific lily meant rebirth and the beginning of a transformative journey– but, on the same day you woke up, people dressed in purple and black came up to you to offer you a deal. Allow yourself to be adopted by the royal family, act as the princess of Philos, and you'll be able to live a comfortable life. Though, they didn't tell you what exactly they needed you for until much later. 

Your heart.

No, they didn't want to cut it out of you. Its power could only work with a vessel, after all.

Also I'm trying so hard to work this ^ in with my Rafayel one-shot 😭 I think I can manage it, but it's so hard to come up with a reason to hate Rafayel or fight with him. Besides maybe not understanding his joking and sarcastic nature, and getting pissed off at him; when in reality, he's just joking around and doesn't mean any of it.

[royrockstone]

treat it as a prompt to spread your food motifs thoughts, would love to hear some (especially after finale)

ty for askinggg <333

4x10, as told through food:

Caribbean Air Clear was a big win for caroline ed truthers. caroline’s food stuff has always been a stand-in for her failure to parent— she is either resentful of having to, or unable to, nourish them; she gives food in paltry amounts because that’s how she parcels out affection. and the kids find what she does give them inedible. at the Peter Munion Pitch Dinner, she announces that the portions are going to be small, and the only thing that looks like palatable food in her kitchen (the cheese) is reserved for peter— a person she actually chose to put in her life and seems to be happy with.

in contrast to logan, who tested and punished them around food, i read caroline’s inability to nourish them as more unintentional— she just can’t do it because she feels so much bitterness about her family. i also think there’s gender stuff in there— she's not Womanly bc she can’t cook (or, more likely, have someone else cook) properly, she’s like if the wire mother didn’t even give milk. in some ways, she’s sort of girlish rather than womanly (expressing in chiantishire that she wants to like have fun and drink and fuck and gossip rather than settle into being an older woman who’s best days are behind her. and she gets along best with her girliest kid, roman.) it always makes me feel crazyinsane that the one moment In The Light that roman seems to have gotten is laughing with logan about caroline’s inability to feed them (“three muddy trout for six and fill up on mustard”) those kids had no chance to be fed emotionally or physically lol </3 

meal fit for a king! lets talk about it. it is, first of all and foremost, sweet! it’s a time when food is being used playfully and you’re expected to eat rather than expected to abstain. but theres also such a dark side to it imo, as with all affection for the roys. 1. shiv spits in the blender (in a mirror of when she spit in kens notebook in s3) which is meant to be at least a little bit degrading 2. the whole point is kind of degrading (the name sounds like something logan would do — see boar on the floor, dinner for winners and mole in the hole from the script books) make kendall eat something disgusting, not as a test per se, but as a way of humbling him just a little. food is still lowkey a weapon even when it’s sweet and silly. (also theres some kendall jesus motif— roman crowns him but in a way that’s mocking etc) 3. it’s sweet specifically because the foods are a) unwanted— the roy kids have been starved, of affection and literally of food, and they’re making something genuinely nice with scraps and b) not luxurious— it’s not ortolan or kendalls endive salad, it’s bread ends and cocoa powder. 

there was an interesting moment that mirrored my 4x08 food lore thoughts— ken offers roman rum punch when he’s still trying to woo his board vote against shiv, and roman ignores the punch, pours himself a shot, then grabs a beer. kendall is the one who locked him in a cage and made him eat cake, he’s the reason they had to eat roast chicken, roman experiences his brother as always trying to subordinate him by controlling what he consumes (which is obv a corollary to trying to control him in business.)

on the less thematic/more personally self-serving ed headcanon side of things, nothing has contradicted my hc that roman hasn’t eaten solid food since logan died. all he does is lick Peter’s Special Cheese, drink coffee (sleep deprivation won succession, actually), and drink alcohol. we see roman eat cake at connors rehearsal dinner, pre-logan death and during what he thought was a secure time in the sibling alliance, then never again. his habit of snacking on little bits of fruit and desserts has totally disappeared. tho it's not shown, i could see him eating the night of the election when he realized he won at something and was expecting to crush it at the funeral the next day. if hes becoming logan, hes allowed to eat. but the second he flames out at the funeral and realizes he is, in fact, still a dead man walking, he’d go back to not eating. trying to please the dad in his head, or to express his essential deadness/emptiness without his dad. 

ofc, we don't rlly see the other siblings eat, either (i have laser-focused Roman ED vision so something might have slipped past me. does shiv taste the breakfast tom brings her?) notably, no one ate at the Funeral Planning Committee breakfast, they don’t eat at the tailgate im p sure, i don’t think anyone touched the food at the Munion Pitch Dinner. (tbh concerned for shiv’s fetus re: having adequate calories.) i think part of it is grief and part of it is collective family Disorder and part of it is the good old competitive strong dog weak dog stuff.

i made a joke that roman is going to end up like caroline, but i kind of meant it? i can see him having no food in his house, cocktail in hand, snugly burying himself some place out of the way and fucking around with mild self-destruction for the rest of his life. (altho rather than a failhusband i think he’d try to replace logan yet again and end up with a partner who was pretty brutish or domineering) 

ty again!

[callmegaith]

Oh... I saw a post on Reddit about some fans feeling like Rusty Lake is losing its plot with the last few games and it hurt to read cuz it made me realize... Yeah... Kinda. At first I thought "I just didn't care much about the last 2 games cuz they're about the Vanderbooms who I don't really give much of a crap about." But resurrecting characters like Albert out of nowhere and shit is like... Ugh. We didn't need him to come back his story ended fine in Roots. There are other characters who deserved more lore exploration. I'm biased clearly but literally been waiting so long for Mr. rabbit lore that sometimes feels is never gonna come and I'll forever be wondering why he did what he did. How he got there. And what happened to him or where he is now. And the whole two rabbits mystery yada yada yada. Literally one of the most mysterious characters. Seemed to have a plan and his own story happening in the background of Hotel and Birthday..... And then he's just never brought up again except in Dale's memories.

I miss the story being revolved around Dale and his journey to the lake... He's been stuck in that fucking elevator for ages now and I want the story to progress past that. I know they probably are trying to tie loose ends before they progress to that point but sometimes in efforts to do that, they're just muddying an already complicated plot more than it should be.

Like brotha I went on hiatus from the games for a couple of years and came back AND HES STILL IN THE FUCKING ELEVATOR AND LIKE 3 OTHER GAMES CAME OUT AT THAT TIME. The white door was pretty cool I liked the focus on Bob who had little lore before

The past within tho it has a cool concept is when things just started falling apart

I'm stuck hyperfixating on the games up to paradox cuz thats the golden age for the games for me. Everything after Paradox was just... Meh

People might disagree and that's fine. But something is starting to feel different and wrong about the games and I hope I HOPE the next game puts things back on track.

[felikatze]

yall know i take heroes for a grain of salt unless it suits my agenda,,, but man brave robin's forging bonds is all over the place

namely in how the whole grima thing is handled

it swings HEAVILY in favor of the "grima is possessing robin" angle yet it ALSO ties grima's awakening explicitly to robin's emotions, which, why would that matter if he's possessed?

the phrase "blood of the fell dragon" comes up a lot. also iirc first time a grima calls robin a vessel? grima sure doesn't in awakening itself (fp notwithstanding), and also only female grima does it??? either by intent or happenstance it seems that f grima is gunning for the possession angle where as m grima is more on the emotions angle

like there's dissonance going on about the plain text of the conversation ("grima will take control of robin") and the themes of the conversation ("this can be averted if robin maintains hope, and even the grimas could become robin again if they find it")

ok let me just. compile.

obligatory disclaimer: i am in HUGE favor of the reincarnation angle and vocal disliker of the vessel angle but only my fellow grima stans know that and i cant expect everyone to have in depth knowledge of my grima takes. i am gonna Try to be a lil objective here

tldr intsys needs to stop being apolitical and just PICK A SIDE within the grima trenches already. add to this the timeline confusion of depths of despair, yeah, Grima in heroes is very muddy.

ok so i took a whole BUNCH of screenshots and they're all in german because (points at map of where i live) but that tends to follow english closely. expect minor translation differences ofc

C Support

This one is pretty plain in just the grimas waltzing up to robin going "hey grima is gonna possess you one day lmao. get scared"

Choice quotes from this one:

1. Robin: W-who are you? No, oh no... Could you be what becomes of me under the fell dragon's influence?

2. F Grima: Know your place, mortal. You are nothing more than Grima's vessel.

Yah. I can argue abt the validity of heroes lore all I like but within the convo itself this is just plain text.

B Support

So this is where the first doubts creep in. F Grima continues her spiel about Robin saying that "Grima's blood flows in those veins without a doubt." I wont reiterate every single time someone does this bcuz Image Limit, but it is primarily F Grima and Brave Robin.

1. M Grima: The knowledge of what you really are will haunt you forever.

2. F Grima: That is all we had to say to you. Take our words to heart... other Robin.

Here we get into my preferred angle. Not only is M Grima saying that being Grima is Robin's true nature, but F Grima directly acknowledges that she and M Grima are both also Robin, which is an odd choice if it's just Grima possessing Robin speaking. Cuz then the person speaking would not, in fact, be Robin.

Then, when the two Grimas are alone and giggling at their rehearsed performance, F Grima says this:

1. F Grima: Maybe the created discomfort will be enough to awaken the Fell Dragon.

2. F Grima: Maybe soon, monstrous flowers of ruin will bloom from the sown doubt.

So this is getting into the logistics of how Grima will awaken (inevitably, of course /s). In Awakening itself, a read of Robin as the vessel would have you believe only the rite at the Dragon's Table is necessary to do so. Here, however, F Grima says it's Robin's despair that will cause Grima's return, which she has already sown the seeds for.

In fact, causing Robin to doubt himself to sooner awaken Grima is explicitly what the two Grimas approached him for. This is their goal! But why would that even be necessary if all that was needed was for Validar to brainwash Robin and drag them to the Table? No despair needed! Robin's emotional state is irrelevant in that scenario.

You can argue of course that emotional weakness would make it easier for Grima to take control of Robin,,, but that never comes up. It's always Robin loses hope = Grima awakens.

A Support

Here, Brave Robin mentions being of Grima's blood a whopping three times in a row before Chrom can cut in. The Grimas words weigh on his mind and he's looking for reassurance from his boyfriend.

Brave Robin: The blood of the Fell Dragon could awaken within me one day... Doesn't that scare you?

Chrom's response here is notable. (Images cut for the damn 10 image limit on mobile)

Chrom: The day could come, where I, too, fall prey to my own despair. But even then I'm sure that I wouldn't stray from the right path with you by my side.

Again, Grima is not framed as a possessive force, but as Robin's own despair and hopelessness. Chrom would have no ground to compare the two if the former was the case. How would you even compare your own depression with your friend being taken over by a hostile spirit?

This is the dissonance I was talking about.

S Support

Robin, emboldened by Chrom's support, confronts the two Grimas.

F Grima: As long as you live, the Fell Dragon can take possession of you at any moment.

Robin says he has the blood of the demon dragon with the weird as hell "those veins" line. Who says that??? Did yall forget possessive pronouns exist. Just say "my veins" dear boy

anyway.

Robin: It's true that the blood of the Fell Dragon runs through these veins. But that circumstance only calls for more discipline on my part.

Robin: The knowledge of my nature only makes me more determined to never betray my allies' trust.

Here we have both in the same speech! Here, whether he succumbs to Grima is entirely put on Robin and Robin's determination. As well, he says that it's "his nature." Like yeah, this could mean "his nature as Grima's vessel", but that would be a weird use of the word nature (in the meaning of personality and disposition).

Like, again, the focus is on Grima as a result of Robin's emotional state. The two are directly tied and correlating.

To end of, shrortly beforr the Grimas leave, Robin says to them

"Maybe you can escape the Fell Dragon's fangs and walk your own path one day."

Like yeah the literal meaning is again "maybe the robins can be saved from grima" but it can also be taken in a metaphorical sense of "maybe the robins can free themselves from the role of grima."

i'm just generally befuddled. i do like the thematic thread of "robin will never become grima if he keeps hope." but the possession stuff is so entirely literal. but then why - god i already said this.

Grima loving hours incoming! Feel free to skip i just love them.

The one upside for this, for my terminal Grima brainrot - Grima's motivations in this are so tasty to chew on. I mentioned before, the Grimas approach Robin with the intent of making him despair in the face of his inevitable destiny. But Robin doesn't, refutes them - he says that if he changed, so could they.

This is fascinating, cuz I think brave Robin terrifies them for this exact reason. He's just oblivious, he's the one who'll change, just see - yet he doesn't. He is the living proof destiny can change. Here we see again, Grima as hopelessness. They need destiny to be inevitable. Because then it's not a choice to be hopeless anymore. Things couldn't have gone better. What if Robin's bonds weren't meaningless trifles, though? It's a challenge to everything the Grimas had to accept.

But look around. This is Askr. People meet other versions of themselves by the dozen - with different fates and circumstances.

Grimas' reason to speak to Robin really just seems scared of change. The final take away from the S support for Robin is that maybe they can change too, after all. Grima is terrified of change! Of hope! Of becoming Robin again! Because then what was it all for? Why did they have to suffer so much? Isn't it unfair? Isn't the thought that you could've gotten luckier unbearable? Grima is my sopping wet meow meow, if you couldn't tell.

Grima fan hours over, back to complaining.

another layer of confusion for the setting of this is is... when is this robin from, exactly?

so brave robin is said to be the tactician of the "newly crowned" exalt, matching legendary chrom's time period. This gives us precisely two options, each with their own issues:

This Robin is from the two year timeskip after chapter 12, where Chrom assumes the throne after Emmeryn's death.

This Robin is from a post canon ending wherein Chrom becomes exalt for realsies (likely only viable for a Chrom ending).

The issue with the first one is: Robin wouldn't know that he's fellblood at this point? He starts suspecting it in chapter 13, obviously because the grimleal hierophant has his exact name and face, as well as Validar's attempt at telepathy. He'd have to be from after the timeskip if that is the case.

Of course, he could be hearing this for the first time from the Grimas. In that case, his reaction is extraordinarily mild. And his first words to them are "Could you be what becomes of me under the fell dragon's influence?" If he's hearing this for the first time, what a wild conclusion that is to make. Again, he'd have no clue he's fellblood, that this is even a scenario that could happen at all.

The issue with the second option is that Robin... would have nothing to be afraid of? He would have already confronted the self that became Grima and defeated it. At which point this whole forging bonds becomes an entirely redundant character arc that really would just be inferior to the equivalent moment in Awakening itself. Robin cites himself as proof that the Grimas could change, indicating a post-canon mindset, but then, why do their words initially get to him so much?

I don't think he'd just be second act Robin either - Chrom would've already been Exalt for two years at that point, which makes the "newly-crowned" comment odd.

All around I'm.. mildy disappointed with this one. As stated just now, it's a redundant arc that doesn't show us anything new about Robin.

Looking at Soren's - that one really took advantage of the Heroes setting to display Soren's growth as a character. The interactions between him and Ranulf were great and funny, and the way he opens up to his younger self shows that Ike's kindness affected him.

Corrin also got great moments with Gullveig. It was amazing to see a post-revelations Corrin who succeeded in ending a war through communication, and how she carries it forward into solving conflicts now, no matter how dire, by extending compassion to the summoned Gullveig. I haven't finished her own storyline yet, but I already liked seeing her interact with Azura and Lilith.

By comparison, this is a scenario that literally already happens in the game itself. It elaborates more on Grima as a metaphor for hopelessness, yet muddles the logistics of it by not committing to either option to what Grima is in relation to Robin.

All around. Love Brave Robin! Great outfit! He's very cute! Another win for gay marriage! His forging bonds? Mehhhh.

Despite the ongoing discussion of "What timeline even IS this??", at least Depths of Despair gave us something new in a bad timeline chrobin dynamic. this is heroes goddammit. get crazy with it.

i would literally kill for robin-idunn interaction you would not believe. could you imagine brave robin and spring idunn interacting,,,, i am crying just thinking about it.

FEH has done a great deal to really uplift Grima as a character and add more depth to what the game gave us, both in backstory crumbs and the motivation department, so seeing them fumble the bag here is just disappointing. Can they get their own lore together already?

[lrgoescrazy]

Hello again, I’ve “finished” that drawing I asked you about a while ago! I think I’ll add some lettering to the bottom and make the green-lighted lady’s arms larger, but aside from that, what do you think I should revise? I also wanted to add a glitch effect to the characters at the top (for lore reasons), but I can’t tell if it looks horrible or not. I also am a bit worried about compositional readability.

Please let me know what you think! If context helps, this is a project which will be included in my school portfolio. Thank you for answering my ask before also ☺️

the glitch effect is cool, but id stick to red, white, and blue for the colours of the glitch, as the green looks out of place and muddy. the characters at the top are also very dark and at first glance I didn't see them at all. if they are meant to be hidden that's fine, but I just want to let you know they aren't very visible, so if that's not your intention id make them brighter or the lighting on them stronger.

the shading looks great for most of the characters but I cant understand where the light source is coming from for the yellow character on the right (not the one in the middle). the shading is also very soft, which for some surfaces makes sense, but in this drawing, everything is shaded very softly with an airbrush. id include some more hard edges in shading since those are important, especially in the face. there should definitely be harder shadows/highlights on the noses too. the hair needs harder highlights especially, all of the hair here looks very soft like a pillow, and not shiny like hair actually is. darker skin is also more reflective and has more contrasted shading, but in this art piece the lighter skin and the darker skin are shaded the same.

the strong coloured highlights really swallow up the colours of the characters clothes and skin, which is why I prefer to use multiply and overlay blend modes, since it retains the colour underneath all the shading.

if I blur my eyes and look at the drawing as a whole, the lightest and most eye-catching part of the drawing is in the middle with the white character, but it seems the characters in the very front should be more emphasised. so i'd say to make the bottom of the image even brighter, simply an overlay layer with a white airbrush can brighten it up, also putting the overlay over the characters at the very top can make them brighter, its a very easy fix.

the pink and light blue character's skintones are looking rather grey, a little bit more orange/red can help with this. i would say the grey character's skin also looks grey, but that's their colour so I'm not sure if that's intentional.

also I'm not sure if the white text is important, but I do want to point out that I have no clue what it says, I can't read it. (I see starry mask on the left, but what does it say on the right? I'm seeing "cplouge") also this is optional but I really like to do it and it adds a lot of life to art, just adding a small white highlight in the eyes

hope i helped!

[blazehedgehog]

As an outsider looking in, it seems to me that up to adventure 2 there was actually atleast a vague direction of the story and plot of Sonic, with the first one introducing the franchise, then sloy adding tails, then by third there is the whole mural that gets brought up in adventure with more echidna lore, ending with Sonic realising he was the ultimate lifeform and stopping and redeeming Eggmans bad past and with the working together maybe being an oportunity for Eggman to start reforming himself instead of trying to destroy the world again like his grandfather tried.

But after, all the game storys (or what I heard and saw in youtube clips) seem to just be one of things and gimmicks that just dont really stick, especially since Unleashed wich if I am correct just threw another world ending thing into the lore that came out of nowhere and was forgoten after only for the next games to do the same.

ldk maybe Im totally wrong, thats why Im asking a Sonic expert

From my perspective, there was no definitive "lore" in Sonic until Sonic 3. I'm sure Sonic 1 and 2 had ideas and a direction they were aiming for, a concept they were forming, but Sonic 3 established a lot of key ideas that reverberated for a long time: the existence of a master emerald, the purpose of the master emerald, and the keepers of the master emerald.

Sonic 1 was just, like, "Here's what we settled on for who Sonic is and some of the rules of his world." A first draft.

Sonic 2 says "Here's all the ideas we had in Sonic 1, but they're bigger, better, and more cohesive now."

Sonic 3 & Knuckles is when it starts to feel like A Story. The Japanese manual opens with Sonic recalling the legend of a lost civilization and their downfall. We start getting cutscenes that tie in to that intro. It references events (really, the only one) from the previous game.

Sonic Adventure doubles down on all of that. It is deeply entwined in its narrative. Over an hour of fully voiced cutscenes. Explores the dangling plot threads established by Sonic 3. References multiple past games.

Sonic Adventure 2 is a little more oblique and you have to read between the lines a lot more, but it still connects to Sonic Adventure and the overall lore that had been established in 1994.

From there, Sonic games started trying to move on, and things became a lot more disjointed. Heroes and Shadow tried to connect to Sonic Adventure 2, but those waters became muddied very quickly thanks to poor characterization and rushed storytelling. Sonic 06 wanted to balance being a soft reboot with picking up with the story of Shadow the Hedgehog.

And from Sonic Unleashed onwards, Sonic games basically became self-contained until basically Sonic Frontiers.

Though I'm sure some nitpicky pedant will tell me about how Sonic Forces and Sonic Generations were full of ton of references to this and that and whatever as if I don't already know that, completely not understanding the concept of summary and generalization.

[nellie-elizabeth]

Doctor Who: The Legend of Ruby Sunday (14x07)

This is an undeniably excellent season of this show, wow!

Cons:

So, the big thing is, I don't know who Sutekh is within the lore of this show. I went and did a google, and he's a figure who appeared in one episode and then a bunch of tie-in stuff. There was a lot about this "reveal" that was effective, and I'm not saying knowing the deep lore is a requirement to get the significance of the twist, but it's like... I don't know. Ideally, you spend all season with the mystery of this recurring woman, and you hear people talking about "The One Who Waits," and then the moment of truth hits and you go "oh shit! I can't believe it was [blank] the whole time!" Sutekh could have been "Bob the Scary Demon Man" and it would have made no difference to me or, I would wager, to the majority of the audience.

I also think I could have used a bit more buildup of "The One Who Waits" just as a concept. Could have used one or two additional drops of that phrase. There's something a little clunky about the reveal being a god of Death, because it's like... hmm. Isn't the saying "time waits for no man," like, Death is going to get you, you can't run from it? So the idea of a death god "waiting" and then deciding to "stop waiting" is a little off for me. My favorite depictions of Death in fiction are always Death as Inevitability. Not cruel, not actively violent, just... it's coming for us all. This dude by contrast seems to be more of a god of destruction, an active force that wants to kill the universe. I'm down for it, I'm just saying maybe the "waiting" aspect is a little muddy.

Also, the creepy old lady neighbor being some sort of messenger for the coming of Sutekh was cool, but I could have used another cut back to her just to make sure Grandma Sunday is okay, or to give us a tease of what might need to happen to keep her safe next episode? It felt weird to include that little sinister bit and then not really revisit it.

Pros:

I say all of that, and I mean it, but at the same time I was wicked impressed with this episode's ability to build and hold tension, to tie me into the emotional reality of the Doctor and Ruby and feel the pain and fear through their lens, even when I didn't get the larger reference from the show's lore. I think the real showcase of this episode, the scene I'm going to carry with me, is the scene in the time window. It's a long, long scene, and very slow, with a lot of the Doctor and Ruby just standing and watching, and not a lot happening. And yet somehow I was holding my breath, filled with the tension and the desperation of the moment, the whole way through. When the hooded figure, ostensibly Ruby's mother, turned and pointed, I honestly gasped. And when the UNIT member's voice started speaking, talking about being lost and being in hell... goosebumps.

I also want to say how good it was to see Kate, and Rose, and Mel, and just spend time with this oddball UNIT crew. There's this interesting sense whenever we're with Kate, like, "oh, everything's going to be okay now." And it's a fun reciprocity between viewer and characters, because you also get the sense that Kate feels that way about having the Doctor near. We can take comfort from UNIT, and UNIT takes comfort from the Doctor. I liked the little twelve-year-old genius boy and the other characters we got to spend some time with; there's this real sense of a lived reality going on when we're not here to observe it; they're on about their business all the time, keeping a lookout for inexplicable danger. That's also what makes it so sinister and thrilling when you realize the danger is right there in the room with them. The Doctor brought it with him, totally by accident, leaving his TARDIS behind to set off the trap.

There are two identity-based mysteries going on in this episode. One is Ruby's mother, and the other is Susan, the Doctor's granddaughter. Are we going to get to see a glimpse of Ruby's mum? Will the great mystery be unveiled? Is this woman actually the Doctor's relative? Are we going to see him face his past and reunite with her?

And the answer to both of these questions seems to be: nope! Not yet, anyway. Just you wait! There's a delicious frustration to this episode, where you think what we're building to might be the answer to what the heck is happening with Ruby, but it's not. There's a connection there, but it still feels elusive, the real truths just out of our reach. I believe that Ruby is not returning as a companion for another season, so ostensibly whatever answers we're going to get about her, we'll get next week? I hope she gets the answers and the peace she's looking for. I still want to know what creepy old-lady-Ruby was whispering to everyone that made them run away back in "73 Yards."

Once again Ncuti Gatwa's performance was outstanding. I loved seeing him interacting with Kate and Mel, these people who have known the Doctor for so long and through so many different iterations. His contained pain and doubt about Susan, and that moment of heartbreak when he shakes her hand and looks her in the eye and can't feel the recognition that would prove who she is... that was really moving. And then also his care and compassion for Ruby, holding her through her grief about not being able to find answers about her mom! And then the fear and horror on his face as the truth of his foe comes clear to him at last. Despite my complaints above about this reveal not really having prior meaning to me as a viewer, I am convinced to feel a great amount of horror by the strength of the Doctor's reaction alone. That's impressive!

One last note, I'll say that Doctor Who isn't known for its top-notch SFX even in this new age of Disney money, but I always appreciate the creativity of how they choose to do things visually. The memory effects in the time window had this strange mix of VHS static and then a genuine horror element to it, where it felt like everything was happening on a predestined loop but you were also ready for the hooded figure to turn and see the Doctor and Ruby at any moment. It felt so nebulous and unspecific in a really neat way. And then the Sutekh effect at the end, looming over the TARDIS - I mean, it's kind of cartoony and a bit unconvincing but I honestly really liked the way it looked, that big scary mouth, the glowing red eyes, the whiskers and the ears... and then the effects on Harriet and Susan too, they looked so creepy and scary and I didn't want them to touch the Doctor or our other good guys!

So yeah, that's what I've got for this one. I do wish I could have somehow been clued in to the full lore so that the big reveal would feel like a genuine revelation. But even with that significant disadvantage built into the structure of the story, this was a great installment of the show and I eagerly await part two!

8/10

[thisworldisablackhole]

The Lord of the Rings The War of the Rohirrim

🌕🌕🌑🌑🌑

The War of the Rohirrim sounded like such a good concept — pick some random tidbit of lore from the LotR universe and make an animated film about it. What could go wrong? I've always had fond memories of the original animated LotR films from the 70s, so this idea immediately hit me with a wave of nostalgia. Unfortunately, this film was a pretty big disappointment. I already had low expectations due to the already negative Rotten Tomatoes score, but I was expecting my deep rooted love for LotR would take the brunt of any shortcomings, and to a degree it did.

I definitely think this is worth a watch, I just would avoid seeing it in theaters. Pirate it or wait 'til it lands on streaming services. The story was surprisingly dry, which I almost appreciated. They could have gone full on Marvel with this, but they showed some restraint, despite it still having a few tired LotR clichés shoehorned into it (oh no another dramatic slow-mo death scene in the heat of battle, but don't worry cause the guys on horses come down from the hill and save the day again!) There were a few scenes in here that seemed to exist only to fill time so that they could sell this as a feature film. Now that I think of it, it probably could have made a killer 30 minute short. Unfortunately the characters had almost zero depth and I failed to connect with any of them, so the stakes just felt really low the whole time. It sucks because this was the first piece of LotR cinema featuring a woman as the main protagonist, and they failed to give her a fleshed out personality, along with everyone else.

The mix of art styles also screamed of laziness to me, like they purposely cut costs and resources to pump this thing out as fast as possible. The characters were all decently drawn, but all the environments and backgrounds were muddy, grainy CGI "sets" that didn't match the foreground at all. There were also some laughably bad effects, like when one of those gigantic elephants crashed through a gate and the animation for the wood breaking to pieces looked like it was thrown together by an intern who just figured out a new trick in Blender. This whole thing just reeks of a low effort cash grab, but at the same time, it's hard to hate it. It's more Lord of the Rings material. If you're obsessed with the lore and just want a fun animated movie set in a familiar world, then you'll get something out of this. I just wish they tried harder to make it good.

[imsosocold]

Toh fanatics: Omg our show is so good and it subverts the shitty tropes our show is better than other shows our main character is better then other main characters she is not mary sue

Their show: Main character gets power from literal god, lives with decendant of woman that caused main angatonist to do what he does, also she lives with literal jesus christ of this world, befriends the strongest kids from school that overpowered people who did magic for their whole life, befriends main villains "nerfew" that is connected to main lore, gets powers from a literal god AGAIN, gets everything she wanted at the end and loses nothing

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Main antagonist is the biggest dissapointment in the show. Creator of the show didn't gaf about him and decided to make fun of him and forget about his complex themes and upbringing and his relationship with his brother. Fandom hates Belos too which kinda makes me think Dana just did what fans wanted. Show is made worse by having a mid villain which also made a finale mid which made the show mid in retrospective. Antagonist and protagonists connection is erased for a cheap animeass powerup scene from the god himself

Agree with most of these points. While it is incredibly convenient for Luz to stay with someone potentially connected to Evelyn but I don’t think that’s necessarily a narrative flaw? I find it narratively poignant that like her ancestor Eda is accepting of humans on an Isles that scorns anyone that has weak/no magic, especially since Eda lost her own magic. What I get from that potential connection is much more important to me than any issues with “convenience.” I was fine with King being a Titan too, the way he was discovered didn’t make it seem too convoluted but realizing just how essential he and his father turned out to be muddied this. Also I think Belos was designed to be hated. Conceptually and symbolically he’s meant to be the representation of all corrupt systems that discriminate against minority groups. The amount of hatred felt towards him by the fandom is understandable especially in the currentt climate. He was also supposedly based on some of Dana’s bigoted relatives ( I don’t have a direct source for this though) so it makes sense she’d find it hard to sympathize with him. But I think Belos can exist as an concept/symbol without dismissing the fascinating aspects of his actual character which very much highlight the human element of corrupt systems, specifically who make up them and who get caught into a cycle of continuation. If it’s true that Philip was once an outcast and discriminated against himself, him joining the system that hurt him and turning on those who are in positions similar to him makes the situation ever so layered and tragic. A great cautionary tale overall. Thanks for your ask anon.