#the whole game is more compelling than we expected

[memorys-skyscraper]

twitter has finally started serving me yakuza tweets, and one of them included this image, which is apparently from the online card game spinoff (???)

this is so funny to me, majima really says "oh shit my bad" and immediately gives up, we love a "crazy" rival who can still read the room

[curlicuecal]

playing science telephone

Hi folks. Let's play a fun game today called "unravelling bad science communication back to its source."

Journey with me.

Saw a comment going around on a tumblr thread that "sometimes the life expectancy of autism is cited in the 30s"

That number seemed..... strange. The commenter DID go on to say that that was "situational on people being awful and not… anything autism actually does", but you know what? Still a strange number. I feel compelled to fact check.

Quick Google "autism life expectancy" pulls up quite a few websites bandying around the number 39. Which is ~technically~ within the 30s, but already higher than the tumblr factoid would suggest. But, guess what. This number still sounds strange to me.

Most of the websites presenting this factoid present themselves as official autism resources and organizations (for parents, etc), and most of them vaguely wave towards "studies."

Ex: "Above And Beyond Therapy" has a whole article on "Does Autism Affect Life Expectancy" and states:

The link implies that it will take you to the "research studies" being referenced, but it in fact takes you to another random autism resource group called.... Songbird Care?

And on that website we find the factoid again:

Ooh, look. Now they've added the word "some". The average lifespan for SOME autistic people. Which the next group erased from the fact. The message shifts further.

And we have slightly more information about the study! (Which has also shifted from "studies" to a singular "study"). And we have another link!

Wonderfully, this link actually takes us to the actual peer-reviewed 2020 study being discussed. [x]

And here, just by reading the abstract, we find the most important information of all.

This study followed a cohort of adolescent and adult autistic people across a 20 year time period. Within that time period, 6.4% of the cohort died. Within that 6.4%, the average age of death was 39 years.

So this number is VERY MUCH not the average age of death for autistic people, or even the average age of death for the cohort of autistic people in that study. It is the average age of death IF you died young and within the 20 year period of the study (n=26), and also we don't even know the average starting age of participants without digging into earlier papers, except that it was 10 or older. (If you're curious, the researchers in the study suggested reduced self-sufficiency to be among the biggest risk factors for the early mortality group.)

But the number in the study has been removed from it's context, gradually modified and spread around the web, and modified some more, until it is pretty much a nonsense number that everyone is citing from everyone else.

There ARE two other numbers that pop up semi-frequently:

One cites the life expectancy at 58. I will leave finding the context for that number as an exercise for the audience, since none of the places I saw it gave a direct citation for where they were getting it.

And then, probably the best and most relevant number floating around out there (and the least frequently cited) draws from a 2023 study of over 17,000 UK people with an autism diagnosis, across 30 years. [x] This study estimated life expectancies between 70 and 77 years, varying with sex and presence/absence of a learning disability. (As compared to the UK 80-83 average for the population as a whole.)

This is a set of numbers that makes way more sense and is backed by way better data, but isn't quite as snappy a soundbite to pass around the internet. I'm gonna pass it around anyway, because I feel bad about how many scared internet people I stumbled across while doing this search.

People on quora like "I'm autistic, can I live past 38"-- honey, YES. omg.

---

tl;dr, when someone gives you a number out of context, consider that the context is probably important

also, make an amateur fact checker's life easier and CITE YOUR SOURCES

[valehour]

I swear to god if I read one more "Messmer/Marika did nothing wrong" post I'm gonna fucking lose it.

Guys, Gals, Nonbinary Pals etc.

Be fucking serious.

it's somewhat obvious that Marika's people's oppression, and the subsequent domination of the social order was inspired by christianity's oppression and then rise to power within the roman empire- going on to be the dominant religious order which, in turn, persecutes religious minorities. Like. that's only just subtext by tooth and nail. It does not at all justify either religious regime's atrocities. It is Exceedingly obvious the game expects you to understand that, to quote Leda "They [the hornsent] were never saints, they were just on the losing side of a war". this line, alongside the black knight helmet, and the crusade insignia Expects us to understand that maybe the whole "Marika ordering a crusade to genocide a people in the name of revenge" is wrong, actually.

As for Messmer, he is indeed a victim of Marika, like most of the demigods. it's just that he's also (arguably Firstly) a willing collaborator in these atrocities, he's not an innocent uwu snake sadboy.

If we are forced to compel a singular unnuanced 1 dimensional archetype onto Messmer, the game expects us to understand that it's "Demon King". he's doing Authurian Romance Villain shit as filtered through the lens of dark fantasy. it's not a coincidence that most of the information about him comes from other people about how much he's personally destroyed their lives. He lives in a castle called the "Shadow Keep" for god's sake, his soldiers torment the people and we, adventuring wanderers and followers of grace/Miquella fight and defeat him, which, were this a traditional story ultimately lets us access Enir-ilim and fix things. That were this a tradiitonal story, then defeating the "Demon King" sets the land back to right by enshrining the True, Good King (or god, such as Miquella is, in this case).

The fact it doesn't is the complication to this otherwise simple story- the fact that Messmer is also a victim of Marika's pursuit of revenge is important nuance, and adds to the tragedy of this story- simply killing The Bad Guy In Charge doesn't fundamentally fix things. It's that complication that makes them so deeply fixating as people. But there is a mountain of difference between "I find Messmer's tragedy Sympathetic and Compelling (and thus want to fuck him)" and "Messmer did nothing wrong". You do not get the title "The Impaler" by being innocent.

you are, in fact, allowed to be horny for the snakeboi or for Marika without actively ignoring the realities of their casual brutality. Actively making a pair of complicated, messy, tragic characters into something simple and easily digestible for maximising fuckability is not a sign of like, actually liking them. Love your genocidal warmongers as they brutally murder civilians or like, admit you don't actually like them, you like the flanderised imaginary version of them- an attraction no more substantive than the kind of R34 art that gives Ranni tits and hips broad enough to change her aspect ratio, instead of her cool weird fucked up doll body. You Cowards.

[lurkingshan]

Japanese QL Corner

We've suddenly got an abundance of shows with dark themes and adult vibes, with a bit of a mixed bag on their execution. These are available for weekly streaming on Gaga unless otherwise noted.

Smells Like Green Spirit

A fan subber came through and we are now able to watch this show on a slight delay from the airing in Japan. This first episode was great, but be warned that this is not a light watch. This show is less a full blown romance and more of a queer coming of age story with a rather bleak worldview that will likely include a romance subplot. Our story centers on Mishima, a young person who is questioning their gender and just trying to live while being constantly targeted by school bullies. The bullying in this show is graphic and violent and Mishima has already been assaulted and targeted by creeps in the first episode, so take care and ask for content warnings if you need them. I have read the manga so I'm aware of what's in store--if you would like to know what to expect before watching, feel free to ask.

Happy of the End

CWs: Assault, attempted murder, blood, death, forced fellatio/rape (against a main character, graphically depicted more than once), revenge porn, sexual coercion and exploitation, stabbing, suicide attempt, suicide, violence

We have arrived at the end of this story, and it did not quite come together for me. I liked a lot of what it was doing; the relationship between Chihiro and Haoren giving them both a reason to persist despite their general apathy toward survival was compelling, and the actors gave strong performances in some very difficult scenes. I thought the show had a strong sense of style and tone, as well. But for me, it crossed the line into over the top trauma porn one too many times, seeming to revel in making the characters suffer and piling on unnecessary traumas that were depicted quite graphically, making the show deeply unpleasant to watch. And in the end, it suddenly veered into a happy ending that felt like a mismatch for the rest of the story, which was achieved via a time skip and Chihiro and Haoren healing offscreen despite their circumstances only getting worse over the course of the show. @bengiyo laid out why that ending felt like the show pulling its punches, and I agree. I can appreciate a story that has an established bleak worldview telling us about a specific time in these characters' lives where they mattered to each other, but slapping that unearned epilogue on it just makes the whole thing feel like torture porn followed by cheap consolation. It didn't feel honest. I don’t recommend watching this one unless you are pretty comfortable with gratuitous sexual violence.

Love is Like a Poison

We’re zipping along nicely, with this week’s episode mostly focused on the case that Haruto helped Shiba win. That courtroom scene was wild. I’m intrigued by all the advances and the early confession from Haruto, because as we and Shiba well know, the man is a con. What’s his angle, and why does he think romancing Shiba is the way to get it? Whatever he’s after, I think Shiba should give in because look at him!

Chaser Game W 2

This week we met Itsuki’s first love Yoreum, who is now a famous Korean idol and still hung up on her from back when she did a homestay with Itsuki’s family. She did a livestream from Itsuki’s cafe in the special spot where Itsuki and Fuyu like to canoodle; jealousy and dramatics ensued. Then suddenly we were doing an elevator rescue? Idek. I’m rooting for the new girl to break this couple up to be honest.

[unironicallytes]

HELLO EVERYONE I HAVE SOME THINGS TO SAY ABOUT ASTRID!!!

(Discussion and sharing of thoughts encouraged even if they're opposing viewpoints, please join me in the sandbox)

In working on Dear Brother's timeline, I've been revisiting a lot of the canon even around the Skyrim era, and I find Astrid so much more compelling and sympathetic nowadays. I used to dislike her a lot, because I was coming fresh off of Oblivion and also hadn't deep-fried my brain in lore yet. I was playing the Skyrim DBh with @orfeoarte last night and we got to talking about her again, specifically about how she's probably having a crisis of faith during the game.

Like, in thinking about the entire Dark Brotherhood questline from Astrid's perspective ... she's the matron of the last Sanctuary. They haven't had a Listener since 4E188 - that's 14 whole years without a religious leader, organizational leader, or any of the Black Hand for that matter. (As far as I can tell, Rasha sounded like a Speaker from Cheydinhal, and he lasted until 4E189 according to Cicero's journals.)

Basically, up until this point, Falkreath stayed functional due to Astrid's leadership alone, and Astrid herself went through that bearing the knowledge that their gods had probably abandoned them. That's a lot to deal with. Imagine the absolute inner turmoil of turning your back on the Brotherhood's religion, because there's no point in holding to a spiritual leader that refuses to lead. Maybe Astrid had spent a few of those 14 years mourning, wondering why she'd received no guidance; but eventually, she had to amputate that part of herself and move on because no one else was going to do it for her. She would've needed to focus on the survival of the order that was left, rather than cling to the ashes of the one that was dead and gone. Besides, the latter seems to have collapsed in on itself because the Hand couldn't even agree on how to move forward, so why would she follow their lead?

All that being said, 14 years pass, Astrid keeps it together, keeps the last remaining family together ... then suddenly out of fucking nowhere, Cicero shows up with the Night Mother herself, spouting the old ways. A bit jarring, a bit poor taste - it's not his fault, he has no idea what this Sanctuary might have been through. He hasn't interacted with family members at all for these 14 years, and he probably expected them to be exactly as he remembered them. And then, barely any time into Cicero's arrival, the Night Mother finally chooses someone, and it's Astrid's newest recruit.

Like, how dare she, after all these years of abandonment? Wouldn't that infuriate you? In Astrid's eyes, the Night Mother hasn't done shit for her. No wonder Astrid's immediate reaction and tone is basically "are you fucking kidding me" followed by "I need time to process this." It makes a lot of sense that she resists the return to tradition, both from a leadership level and from a personal level. No wonder she shatters through Tenet 1 in front of Cicero and everyone, no wonder she tries to get you removed from the equation, too.

Extremely interesting character right there!!! I am spinning her on the microwave plate-- ..... ....... ah, well, uh. I suppose the Penitus Oculatus did that already, poor choice of words.

[placeholder-mcd]

(Obligatory "I sound like I'm speaking objectively from authority but this is just my opinion and it's okay for you to like media I dislike for whatever reasons you may have")

Okay so like. while "the minecraft move trailer is so bad that it makes minecraft story mode look good in comparison" is both true and funny, can we please not start pretending that story mode is a well-crafted piece of media. as someone who has played through it multiple times (first when it originally came out and I was 12 and thought it was awesome, then later as an interactive Netflix experience with friends for so-bad-it's-good reasons) I feel pretty qualified to say it blows

Like, yes. There are so many things that MCSM got right that the movie apparently got wrong. But, like, they're all extremely common-sense things to get right -- like having the whole thing be animated, and maintaining a visual style that feels consistent with minecraft, and spending time with individual aspects of the minecraft experience that have their own communities (like redstone contraptions). that sense seems a little less common now that the movie trailer exists, but still, these are all bare minimum expectations of a piece of narrative-driven media set in Minecraft.

MCSM still completely fails, however, to have any compelling characters (RIP Reuben you were just as annoying as everyone else) or non-grating dialogue. The universe they depict isn't even well thought out! Like, okay, example:

Right off the bat, they make a big decision about how they're going to handle MCSM: they are not telling a story about people playing Minecraft the video game, but are instead depicting a universe where Minecraft is inhabited by a civilization of NPCs that have identical abilities to a player (aside from like, pausing the game or changing settings or what have you). This, in itself, is not a bad decision, but it puts the writers in a position where they need to conceptualize what is effectively a Minecraft AU. You're not playing survival mode or creative mode, you're playing Story mode. In this AU, humans exist in the minecraft world and have for a long time (centuries, at least?), they've built cities, they have language, etc. Imagine you're Jesse. Imagine you've grown up inside of Minecraft. Everyone is playing on hardcore, there is no respawning, and you live in a world filled with strange and dangerous creatures that seem hell-bent on killing you. Why the Fuck does anyone go out at night. Why isn't literally everyone combat-trained. Why is Jesse acting like he's never seen a Creeper before. Why is Petra the only member of the main party who knows how to craft a pickaxe.

At the build competition, the party is surprised that the reigning building team has a beacon. But nobody takes a second to actually investigate what that means. Did their team intentionally spawn and defeat a Wither? Doesn't that make them more badass and legendary than the order of the stone? Is there a black market for nether stars? (I think Petra is probably the one who gave them the beacon since she also trades Ivan a Wither skull. But like. Why isn't literally anyone else just going and doing what Petra does. Why aren't they impressed)

Ivan having access to a Command Block is also insane. Like, it has potential to be an extremely cool choice -- did Ivan find a way to break the fourth wall? Did he find an exploit in Minecrafts code that allowed him to obtain this? The command block has the power to just generate resources out of thin air. Ivan could actually use it to become a god and give himself creative mode. But okay, we can assume that the command block is just... Different, in the AU. Fine. It's a computing center / power core for the Wither Storm. Sure

But, like. I, even as an 11 year old, knew everything there was to know about minecraft when I played story mode (and, unlike the Movie, MCSM was actually attempting to appeal to the existing fanbase), so watching these characters who have lived for DECADES within the Minecraft universe just. Be helpless and completely clueless as to how the universe works? It makes me hate like all of them. I don't care about Jesse or Gabriel and if I actually had the freedom to perform the basic actions I could perform in Minecraft -- mining, building, and crafting -- I could use my game knowledge to pretty swiftly end the entire conflict at like any point in the story. And I'm not very good at video games. But I would expect a character who's been LIVING IN THE MINECRAFT WORLD TO BE ABLE TO DO THAT. BECAUSE THEY'D BE BETTER AT MINECRAFT THAN ANY OF US.

The whole thing is a contrived and buggy mess that feels like it was written by a Hollywood CEO who watched someone play the game for 30 minutes, looked up some basic information like how to beat the game and whether there's any in-game lore, and then riffed on that until a script outline was finished. The programmers, visual artists, and composers clearly did a ton of work to make MCSM feel like minecraft. And they did a good job -- clearly, a much better job than the Movie is going to do. But that doesn't change the fact that the Story -- the focal element advertised in the title -- completely misses the fucking mark and centers around a group of characters who are largely incompetent and stupid in an unfunny and uninteresting way. MCSM was a shitty cashgrab by telltale games and I am not apologizing to it.

[chronologically-challenged]

Everything around the Isabeau confession is so well written.

Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.

And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"

Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.

The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.

And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.

(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).

Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!

Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...

Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.

Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.

In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.

(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).

[otherworldseekers]

I've seen so many people express disinterest in Dawntrail by saying something along the lines of "there's nothing in it for me". And I'm going to be honest, I don't really understand this sentiment.

When I began playing ARR, I didn't know anything about the world or the people or the characters or why my own character should care about any of it. I was set down in an unfamiliar world and expected to just walk around doing generic quests waiting for something interesting to happen to my character. With Dawntrail, the WoL is a well established character with a characteristic love of travel, discovery, and the world and people at large. The WoL is traveling with well known companions, and has clear goals to pursue while getting to explore a whole new continent. Comparatively, there is far more "in it for us" in DT than there was at the beginning of ARR. (Unless you played 1.0, but the majority of players have not.)

You never have investment at the beginning of a story, whether it's a game or book or movie or anything else. You become invested over the course of the story, as you learn more about the world and characters. Going into Dawntrail, we have the advantage, first, of knowing that the devs have an excellent track record of creating complex characters, fascinating worlds and compelling stories. And second, we have the advantage of having been shown a great deal of the world we are about to enter.

Personally, I have found all of the images and information about Tural hint at some amazing worldbuilding. It's a completely different kind of place from what we're used to and I find that very exciting. I love diverse regions and intricate cultures and getting to explore them in game. If you don't... well I have to wonder why you're playing this game.

Similarly, if you've developed your WoL to be someone contradictory to their canon characterization, someone who doesn't like to travel and experience new places and people and who would not be interested in Wuk Lamat and Krile's goals... Well, it's kind of on you if you don't feel there's anything "in it for you" in this expansion. Because it's clearly been purposefully crafted to appeal to the canon WoL, the one that SE is telling their story about.

And while I completely understand the desire to develop characters that deviate from the msq and experience the world of FFXIV in other ways, I don't quite understand playing the game but not wanting to experience the story as the devs have made it. You can so easily do both.

Getting to experience the devs' story, to explore their world and meet their characters, is always what's most exciting to me about new expansions. I can enjoy the story for what it is and then decide how I want to apply it to my WoL's development. And I appreciate how much work they put into creating this experience for me and the fact that they do encourage us to create alongside them.

Of course, it's not wrong to feel that there's "nothing in it for you" in this new expansion. But they've been very clear about the fact that this is the beginning of a new story full of unfamiliar elements. So I'm just not sure what some people expected.

[liillyliilly]

His Diary

akaashi keiji x reader words; 10082 synopsis; For Akaashi Keiji, love meant letting someone know him better than he knew himself. It also meant being okay with letting her read his diary.

She decided that this was her new favorite book. It had all the right amounts of everything in it, drama, romance, depression, self-loathing. The journal she found was likely never written to be read. The journal he lost, the journal that Akaashi Keiji misplaced on a train going home from his editing job, he never expected to become a crux in his journey to love.

In all honesty, she didn’t even know it was a journal. It just seemed to be an episodic novel with a unique font, something along the vein of The Perks of Being A Wallflower. She only ever knew the leather-bound pages as a novel with no name. The author used a first-person perspective when writing and told the story of a young volleyball player who wanted desperately to find a passion, so he surrounded himself with others who had passion. What he seemed to enjoy more than playing the sport was writing though.

The author of the untitled book loved to read because the way he wrote made everything else she had read pale in comparison to the inky brilliance. He had captured teenager-dom with such sleight of hand that she believed his writing was made of magic and fairy dust. The story made her cry, made her groan, and made her feel second-hand embarrassment to an extreme she thought wasn’t possible.

When she read the first chapter, she realized she ought to pace her reading, because there were only so many entries. And she had no way of contacting or looking up the author, there was no information of who the author was on the back of the book. There was a Fukurodani Sticker, a school she remembers from her own time at a high school nearby, they were known for their volleyball skills and prowess, so she assumed maybe the author had some lived experience when it came to volleyball. Maybe that was a hobby aside from being a writer of such compelling stories.

She carried it everywhere from the day she picked it up on the floor of the train, it was always in her backpack, purse, and suitcase. She never left it alone, it had become a part of her. She felt like somehow this author reached into her heart and left fingerprints of his making into permanent fixtures of her anatomical structure. DATE: XX-XX-2013 TITLE: Alethiology; The Study of Truth

Today I realized that maybe I am all that I will be. My capacity has limits in comparison to others. A friend of a friend told me that their volleyball captain made a speech once, not to the whole team, just talking with buddies. His speech, or at least the parts I remember from it, was devastating. He said something like guys like Atsumu and all those geniuses, do things on a scale of 1-20, whereas normal guys like me do things on a scale of 1-10. Or maybe they have a denser more compact 1-10. And if 1-20 doesn’t work out, they try things from A to Z.

I’ve never thought of things like that. There’s always been a straightforward path for me, whereas, in comparison to Bokuto, he seems to have a much longer and more complex route ahead of him. Am I all that I will be? Is there a way for the normal guy to switch from 1-10 and try 1-20?

We have another game soon, maybe I can control more than I expect. Is flight into this world of geniuses possible? I can only control myself and my thoughts, but maybe there are external factors that contribute to my role on this team. My role in life as well.

Bokuto is asking for me, I need to go. Hope I can write again soon, but with all the games we’ll be playing I’m doubtful I can write with actual thoughts and not just tallies and plays from the games.

- A.K.

“I mean, who thinks of things like that Miwa?” She sits in the styling chair, getting a refresher on her hair. Miwa snips away lightly, inspecting each strand with duty and consideration for the entire look.

“Your author crush does.” Miwa brushes away some hair from Y/N’s shoulders, tidying up the apron wrapped around her.

She just rolls her eyes at Miwa’s comment. Flipping to the page in the book, tracing a finger over the deep black gel pen markings. Numbers and dashes and names of high schools against Fukurodani tell the story of the adventure at Tokyo’s national volleyball tournament from way back in 2013. She had barely started her second year of middle school in 2013, ripely being 14 years old.

Miwa and her sip some freshly made smoothies of Miwa’s creation, sitting at a table in the window of the entrance to the salon. Miwa bounces her foot that’s crossed over her leg and she pours over the entry once again. It was becoming addicting to choose one entry to re-read until she ingrained the stylistic choices into a deep long-term memory.

At that same moment, Bokuto Koutarou and his best friend Akaashi Keiji walk past Miwa’s Salon, attempting to plan a group hangout to celebrate Bokuto joining the MSBY Black Jackals team.

“I’ll need to make sure Konoha comes, and that he brings that cute friend of his for you,” Bokuto wiggles his eyebrows repeatedly, and Akaashi shoves him lightly on the shoulder.

“Konoha is dating that cute girl he brings around.” Akaashi clarifies. Bokuto looks stunned, but then he remembers them making out on his couch during movie night that one time.

Akaashi looks around the street for a moment, peeking into the windows and observing the various occupants. When he sees his journal, the one that’s been missing for a little over a year, he just has to get it back.

When Akaashi pulls Bokuto into the hair salon, and barely below a scream says, “You stole my journal!” pointing at the girl who was indeed holding his journal from high school, Bokuto feels like his head was put through a blender. There were three very distinct things occurring at that moment. A pretty girl was shoving a book into her bag looking very defensive, Akaashi was trying to take the aforementioned girl’s bag from her, and a girl who he assumed was the pretty girl’s friend had a pair of scissors pointing at Bokuto by the throat.

Akaashi was still trying to pull the bag away, the pretty girl was looking extremely scared, and the scissors girl had opened and closed them one too many times for Bokuto’s comfort.

“Listen, I think we should all just take a moment to pause.” Bokuto held his hands up, shuffling to outturn his pockets in a show of lack of violent intentions. The black-haired girl puts the scissors back into her half apron that’s around her waist and then folds her arms.

Bokuto then pries Akaashi away from the pretty girl who was now clutching her bag against her chest and sniffling a little. Akaashi did feel bad that he made such a bad first impression, but he swore she had his journal. His embarrassing high school journal, the same journal that had cataloged many things he wished he never had recorded down on paper.

Bokuto pushes Akaashi’s head down, forcing him into a deep bow. Bokuto follows suit and also bows.

“I’m sorry for, uh, trying to steal your bag. But I think you may have a book, that isn’t a book at all, but rather my journal.” Akaashi is now sitting at the table in the window, Bokuto, the black-haired girl, and the pretty girl also sitting with him.

Outside the evening had quickly set in, with the orange and pink colors racing to get to the skyline. The blue began to fade into a deep dark navy color. And the lights on the streets began to flicker on. The lights on the outside of the salon began to twinkle from the setting they had been placed on, fairy lights luring those with a need for a haircut into the salon.

Bokuto had his head on his hand, staring intensely at the girl who had taken Akaashi’s journal, sighing slightly at the way her lips pouted and shined from her lip gloss. The girl with the scissors had brought out two more glasses of thick smoothie.

She pulled out the journal from her Doughnut Macaroon-style crossbody bag and slid it over to Akaashi. Akaashi flipped through the pages, immediately recognizing it as his. His face goes red and he readjusts his glasses, and she realizes that this must be his journal. He even goes straight to the back cover and smiles at the sticker she had grown to love to trace with her pinkie when reading.

“I’m not done with it yet, so, I really do hate to say this, but you can’t have it back until I finish it.” She takes the book back and tucks it into her bag again. Akaashi looks dumbfounded, eyebrows raised and lips pursed into a line.

“You’re just going to keep private property? Even though you know it’s mine?” What a dauntless woman she was, to show what Akaashi considered to be audacity with the whole journal situation.

Bokuto chimes in at this point, “Akaashi, I think we should just let the pretty girl keep your little diary.” Bokuto then starts nodding his head up and down to try and get agreement from Akaashi. Akaashi scoffs.

“Okay, so it’s settled, my cutie of a best friend will keep the journal until she finishes it, we’ll get your numbers and she can contact y’all when she finishes the journal, and I get to cut both of y’all’s hair because honestly, it’s atrocious.” Leave it to Miwa to consolidate a plan in a matter of moments.

Miwa touched the spiky salt and pepper hair that Bokuto had, and Miwa’s expression turned sour when she felt the amount of gel on top of his head, then Miwa pulled out a photo of Yuki Ishikawa in a two-block cut and explained what color of black dye Miwa will use for Bokuto. For Akaashi, Miwa just did a trim and tidied up his sides to bring them slightly tighter into his face.

While annoyed, Akaashi does give her his number, along with his name, and Bokuto does the same with much more enthusiasm. After the haircuts are finished, Akaashi tries to pull Bokuto away from the salon, but Bokuto keeps doing the ‘call me later’ signal with his hand and blowing a kiss to her wistfully. She just waves to the both of them while Miwa giggles behind her dye-stained glove. DATE: XX-XX-13 TITLE: Meraki; Putting A Piece of Yourself Into Your Passion

I am the protagonist of the world. We lost but I am still alive, we lost but I loved the game. I came to the realization that it doesn’t matter if you are the best character, the most complex, or the most ‘genius’ of them all. It doesn’t matter because I am the protagonist. I can be the hero of my own story without ever having won first place in a big-name tournament.

Bokuto is graduating, and I’ll still be here, which is disappointing. He’s my best friend I think. Even if he’s the most annoying ass I’ve ever met, he’s still my best friend and I would never trade him for any other person in the entire world. Together we are the protagonists of the world.

Second place is just as accoladed as first place. If I wasn’t who I am, then maybe I would’ve gotten mad. The first-place winner is a rich school, they’ve been a powerhouse for decades at this point, and this win is just another notch on the belt. If I wasn’t who I am, especially after this tournament, maybe I would’ve gotten frustrated at myself for not doing enough. For not being a setter like Kageyama. Or a setter like Oikawa. That doesn’t matter though, I am a setter. I’ve worked hard to get where I am. But a human mind will always wonder why. And sometimes it's just because you’re unlucky.

Kenma told me about his loss to Karasuno, his sweaty hands made the ball slip in the final point. He laughed about it, he said that that was the best game of volleyball he’s ever played. When Kenma told Kuroo thanks for teaching him volleyball, I cried, but not as much as Kuroo did. They remind me of why I went to Fukurodani. I saw Bokuto’s passion for the sport. His passion encouraged mine, and look where we got to. We because the victors at the end of the war.

Mom made katsu chicken for dinner, I did some homework, and I had to put away my volleyball uniform for next year. I practiced in my backyard, alternating between overhead and underhand passes, seeing how long I could go without dropping the ball. Dad called me into the house for ice cream after thirty minutes elapsed.

I called Bokuto tonight before I went to bed. Told him that he’s my best friend and that I love volleyball. Bokuto agreed.

- A.K.

She was crying, and so she held the book out in front of her, resting it on her blanket. She finally had some faces to match with the words she was reading, and it all felt much too real. Bokuto did seem like the type of person to adopt and bring a person like Akaashi into his fold. But the way that Akaashi genuinely admired and appreciated his best friend was unparalleled and she felt like he would understand the exact way she felt about her best friend, Miwa.

Miwa and her met when she was fresh out of college. She hadn’t an idea of what to do in her life, while Miwa seemed to have her passion set out in front of her with her hair and makeup salon. When she got a haircut from Miwa and started ranting about her life, Miwa just told her to slow everything down. Take a gap year from life and just be a human. So, she picked up shifts at Miwa’s salon and moved in with her.

The best friends slowly became business partners as well, and an expansion to the salon was added, a small specialty bookshop that she ran, while Miwa continued to do hairstyling. Their customers were dedicated and loved to support their business. Branding remained solely under Miwa’s name, but she became everything else to the brand as well, the little addition that made the salon extra special.

When she started to cough a little from the way her heart was beating erratically from crying about Akaashi’s diary, she had to get out of bed and get a glass of water. Akaashi’s number was resting on her kitchen table. Miwa was watching some rom-com in the living room of their shared apartment. She brushed pasted the kitchen and sat next to Miwa.

“A good chapter?” Miwa threw a piece of popcorn into her mouth.

“He’s devastating. Who writes like they feel every emotion entirely?” She started crying again and Miwa laughed a little before rubbing her best friend’s back.

“You could always call him and tell him he’s a good writer if you need to talk about it. Sure it’s unconventional, but maybe he has more insights that you can cry to.” She grabbed a pillow and started hitting Miwa with it.

She did take Akaashi’s number into her room on her way back to bed though. Leaving the series of digits on her bedside table, she re-read the passage and cried again. She thinks she knows him better than most, but they aren’t even friends.

Since realizing he’s a person, and that Akaashi lived this story in the book. The story of his life recorded in his journal, she starts to wonder about what happened to him after he stopped writing in the diary. But she hasn’t finished the story yet, so she’ll have to see what happens next. Again, trying to pace herself, she puts the book away until tomorrow when she can read a little more.

Akaashi sits in his office, he’s still there and it’s much later than the clock would like to admit. The clock wondered if Akaashi would ever go home. But there he was, reviewing the different styles of manga serializations Udai Tenma wanted to try out for his next series. His haircut makes him feel a little colder because now the air can hit right behind his ear instead of being covered with his hair. He puts on a beanie to fight the chill.

When it gets too late at night, his mind tends to wander slightly. Just barely drifting out of his control, like the way a lily pad will drift to the center of a pond when the stem at the base of the connection is severed. He can’t dive into the pond to bring his thoughts back into his hands.

He thinks about her. The girl with his journal. The journal was a cheap 2,500 yen book, but he liked the paper, it was a cold press thicker GSM than most other paper forms. Gel inks went on smoothly to the paper, letting him get more words across by the second than if he was writing with a ballpoint. He remembers that from when he used to write in the journal in high school.

Throwing himself into the back of his seat, he rubs his face, his glasses almost falling off from how he runs his hands up from his chin to his forehead. Setting the glasses on his desk, he spins his chair a little. The clock screams at him, he takes the message from his dedicated clock and grabs his messenger bag.

On the train, he thinks about her again. Instead of getting irritated at how Bokuto essentially gave his journal away to a stranger again, he wonders what her thoughts are. Was his writing any good to warrant such a committed reader? Did she like his journal only because it was funny to read what his dramatic high school self wrote about?

He cringes thinking about all the potential things he wrote down. There’s no direct recollection of what he wrote down exactly, but he knows vaguely what was on his mind when he was writing. His ego, his insecurities, his favorite things. Lots about volleyball, Bokuto, and books. Once he wrote about his thoughts on sex, which is embarrassing for him that a grown woman is reading his teenage idealizations of intimacy.

It could be considered something unique to read. Akaashi settled into the belief that she was merely reading his journal because it was something different than typical books that were being published. Although, why she was reading his journal instead of a Haruki Murakami book was beyond him. Nothing beats his favorite literary giant.

Setting his bag on the coat hanger stand, and shrugging out of his long pea coat. He heats some stovetop ramen while listening to Bokuto talk over the phone, he was ranting about the same girl that Akaashi had had on his mind.

“Oh and those eyes of hers. Did you see them?” Of course, Akaashi saw them, they were big, bright, and astute. Akaashi hums in response, and Bokuto continues barreling through his late-night thoughts.

“I think we should invite her to my party. You know, the one to celebrate my big accomplishment.” In a different apartment, Bokuto spins a volleyball on his finger, but he keeps dropping it so he ends up just repeatedly tossing it into the air so he can satiate the desire to feel his fingers on the ball.

“Yeah, how about no.”

Bokuto asks why not, almost in a whining tone.

“Did you forget she has my journal still?” Akaashi put his bowl in the sink, putting on rubber gloves as he started to wash out the dish and then put it on the drying rack. He decided to finish all his dishes right now anyway since he still had the gloves on.

“Your diary can’t be that juicy, you didn’t do anything too dramatic in high school. Plus I know you wanna see her again too. Don’t pretend like you don’t have a piqued interest. Also, did I use piqued right?”

“You used it right, yes.”

He eventually agreed to let Bokuto invite her to the small get-together. Akaashi didn’t know why Bokuto kept referring to it as a party.

A week later, Akaashi realized that maybe Bokuto kept calling it a party because it had shifted from a friends-only gathering to a huge party at the park. Some other Fukurodani alumni helped to set up decorations in the central gazebo and make banners to hang all over the pavilion. Akaashi was mixing the punch at a table, while Konoha asked what he had been up to lately.

Kuroo and Kenma brought huge gifts for Bokuto, a PlayStation from Kenma, and a packet of potential sponsorship deals from Kuroo.

When she finally made her way to the pavilion with a small brown package, Akaashi couldn't care less about the party. She was wearing a tight-fitting black shirt with a tiered white and gold skirt, and her shoes were a pair of sneakers, but the whole outfit made Akaashi concede to Bokuto’s claim of her being “drool-worthy”. He had to remember that this was the same woman who had his diary. The whole conflict between physical attraction and mental frustration made for an entirely convoluted reaction to her presence.

She bows politely to Bokuto when he goes over to her, offering the gift with both hands, only then did Akaashi wonder how old she must have been. Bokuto had been talking to her more than him, and Bokuto had mentioned that she was a second-year middle schooler when Bokuto was in his third year. Akaashi did some mental math and realized that he, himself, must have been around three to four years older than her.

Akaashi forced himself to ignore the idea of a cute younger girlfriend that started to pester him in the back of his mind. He wanted his journal back, and that’s all this relationship was to him, a mutual exchange of her reading and then him eventually getting back his property. But with the way she had done her hair, Akaashi had a hard time focusing solely on wanting his diary returned.

She was glad that Bokuto appreciated the gift, she hadn’t known him longer than a week or so, and she had gone with a safe gift based on what she knew about him and why this party was even being thrown. She got him a wearable jump monitor that her dad had bought a month ago but never used, she was grateful for having a father who never threw things away. She also included some stickers that she had bought from a small sticker shop online, and some that she had made using Miwa’s craft supplies.

When the excitement of her being at the park died down, she made her way to a table, with a small plate of desserts. She observed how everyone interacted with each other, almost as if they had been friends since the dawn of time, and she believed that that very well might have been the case.

Akaashi stalked her from afar. He appreciated that she was similar to him in a way that mattered to him, she was a watcher. She would assess what was going on, who would talk to who, and how they would nonverbally communicate as well. He got so engrossed in watching her that he neglected to observe the others as well.

Specifically, Konoha, Washio, and Komi had grabbed a water cooler and had the full intention of dumping the water on Akaashi. It was payback for declining their invitations to various other parties from the last year. So there he was, not only soaked through with water but revealed from his vantage point unmistakably indicating to her that he must have been watching her. She laughed a little at the antics but then brought over a small cloth she had in her crossbody bag.

His white shirt was completely transparent, and his brown slacks had turned from a regular light brown into a dark musty brown. The only way to resolve the issue in her mind was to start dabbing at his chest with her handkerchief.

“I see that your friends have a peculiar method of exacting humor.” Her handkerchief eventually was too soaked through that she was just touching his chest with a cloth that had performed osmosis and was now at equilibrium with the water on his shirt.

“Yep.”

“Look, there’s a hoodie in my car, I know we aren’t too close, but it’s probably better to wear my oversized hoodie than to have your whole torso on display for the rest of the night.” She shoves her thumb in the direction of her car.

After making their way to her car, she digs through the trunk and pulls out a grey hoodie with the words ‘Miwa’s Salon’ embroidered on the back. He tugs at the back of his shirt to take it off and she widens her eyes before turning around. The hoodie is comfortable, with a soft fleece on the inside, and it smelt like lychee, vanilla, and surprisingly chocolate marshmallows. It smells like her and he wonders if he could have the scent bottled and then sprayed all over his house.

Suddenly he’s tugging at the collar of the hoodie and swallowing thickly, looking around at anything but her figure in front of him.

“We should probably get heading back to everyone now that you’ve changed.” She goes to start walking to the gazebo, but Akaashi’s words stop her.

“How well do you know me?” She tilted her head and said something about not following along with what he was saying, so he continued, “Well, you’re reading a part of me, you know with my journal, my internal thoughts and hopes and dreams and all that. So, how well do you know me?”

She timidly bites down on her bottom lip, formulating a response. But Akaashi surmises that she must not really care much for the conversation, so he, unfortunately, starts to run his mouth and the words just spiral out.

“You know, it doesn’t matter, to you, it’s just a story about a teenage boy who played volleyball. It’s silly to assume you’d try and actually-”

She cuts in, “I know you’re a considerate person. And it's not just about the volleyball stuff, it's about you, finding yourself to some degree. I know you are polite. I know you’re allergic to beating around the bush, you’re direct and blunt. I know that you can overthink too much.”

Akaashi repeatedly adjusted his glasses, and she stepped just a little bit closer to him, folding her hands behind her back and leaning in slightly so she didn’t have to talk as loudly.

“You also have a bad habit of thinking you can control more than you can, one of the interesting things in your journal is how you jump back and forth between knowing what you can control and then inflating from stress and thinking you can micromanage the entire world. You said you can control the court, but in reality, that’s your worldview. You conclude you can control the entire world sometimes.”

He regrets starting the conversation because this revelation of how much she knew about him exposes him. Akaashi didn’t know how to continue with the gap in knowledge between the two of them.

He only knew she was younger than him, she was incredibly perceptive, and she smelled so freaking good he just wanted to shove her into the backseat of her car and kiss her. Akaashi’s thoughts could not have been his own at this point, he was going crazy. He must have gotten sick from the cold water being dumped on him he speculates.

When they get back to the gazebo, Akaashi thanks Bokuto for the party and heads home. She stays at the party, talking to a select few people and wondering what exactly she said that scared Akaashi off so quickly.

Sitting in the tub, Akaashi rests his head against the shower wall and lets the hot water filter his congestion that didn’t exist. His hand twitched over to his phone, which was on the toilet seat playing some piano music that he hoped would alleviate all his bad habits. He wonders if she will text him soon. If she would text him ever. He felt like he was younger, it was ridiculous that one person would have such an effect on him to this degree.

After the party, she sits with Miwa, disclosing everything that happened at the party.

“And then he just ran off?” She nods at Miwa repeating what she just said. “Girlie, you gave him an in-depth review of his personality and you’re shocked that he ran away? Sometimes you can be too judicious for your own good.”

“Should I text him an apology?”

“Are you sorry for anything?” Miwa rolled her eyes, hating when she got like this. Miwa never allowed her to apologize for things that didn’t need to be apologized for.

“No.” She rubs her arm and chews the inside of her cheek.

“I think you think he’s hot, I mean, you understand this man on a deeper level that he now grasps, and you said he had the chest and torso of some kind of slutty librarian/gym rat agglomeration.” Miwa takes a bobby pin out of her hair and runs a hand through her bob cut, “If it was me, I would send him a picture of the journal and ask for nudes, or else the book gets it.”

She hits Miwa with a pillow, and Miwa realizes she really should throw the pillows away or else getting hit with them would be a very painful recurrence.

Miwa goes to sleep, but she stays up just a little later. Eyeing Akaashi’s number that lay painfully glaring at her. She decides to read more of his diary instead of texting him. DATE: XX-XX-13 TITLE: Weltschmerz; Sadness When The World Isn’t As It Should Be

Summer sucks. Bokuto has a training thing for some team he wants to be a part of in the future. All my friends that were third years are essentially gone, actually out and living life, and I’m stuck here. At least there’s only one more year left of high school. And then I can go and work for a literary magazine.

I miss people. Despite their failings, I do need people in my life.

You can only play so much volleyball in a day by yourself before your motivation is gone by the third week of playing alone.

It’s times like these that make me think about the future. I don’t spend much time with girls per se, but they are pretty and nice. Our manager is a girl, but she has a boyfriend. She’s chill.

Sometimes, when I feel like something is wrong, I turn to the idea of love. I’ll admit that I love a few things in life, but that’s only because I think love is something truly special that you can’t just fling around. I ‘like’ things more often than I ‘love’ them. Volleyball, my best friend, my family, books, and writing.

Will I know when I’ve found the love of my life? My parents said they knew they loved each other from the first moment they met. Will I feel like that too? Will I know it’s love? How can a feeling be recognized as a specific feeling? How do I know what anger feels like, besides that heat and pressure and red hot sun? How do I know what sadness feels like, besides water, coldness, and finishing a run? Would love have those distinct colors and associations? Or would love just become the person I love?

I don’t believe in soulmates. Definitely not. I think people are infinitely compatible, and it all depends on our ability to communicate and agree to grow with a person for the rest of our lives. I believe we make our own soulmates, through sharing experiences and agreeing to be ourselves no matter what. I told my mom this and she just smiled at me like I still had a lot of life left to live.

But don’t I have enough experience to know what I want? Or at least to formulate my own opinions and beliefs? I may be 17 but I am not an idiot.

Or did my mom’s look of a wistful future just mean that when I fall in love I’ll know it and I’ll look back to these words and think I’m completely ridiculous?

Dad made spaghetti for dinner. It was gross so we ended up having to order udon from the place I like instead.

We watched a movie Mom wanted to show me, the title was something like Wildly Wealthy Westerners or something. It was just about rich people from America and Canada, plus a subplot of romance between a basic guy and this rich heiress girl who just couldn’t be together because of rich people's reasons. It was silly but the music was good. The ending kiss scene was hot, he shoved her into the backseat of his jeep and I swear I heard Mom sigh.

- A.K.

She didn’t expect him to text her on Monday of the following week, asking if they could meet for tea at a place near his work during his lunch break. She surprised herself by agreeing to it, and then by cheekily calling it a date.

Akaashi shoved his phone into Udai’s face, “What does this mean?”

Udai pushed his bangs back and inspected the text messages on Akaashi’s phone. “I think it means she agreed to go on the date you asked her on?”

“But I didn’t ask her on a date?”

“Oh, but you definitely did. Oh and tea? What dork takes a girl for tea on a first date?” Udai pushed Akaashi’s phone away and clicked his tongue against the roof of his mouth. Then Udai’s face breaks into a blinding grin, “Is this your little diary thief? And the one who gave you the sweater at Bo’s party? Oh, it is isn’t it, do you have a picture of her?”

Akaashi briefly flashed a photo Bokuto had taken with her in Udai’s direction.

“DAMN! I need me my own diary thief,” Udai raised his eyebrows and started laughing a little, and then he ruffled his hair and used his fingers to zoom into her face, slowly, he started moving down the picture to her body. Akaashi pulled his phone back before Udai got too far down.

The clock on Akaashi’s desk wanted him to leave for an early lunch and by an early lunch, an hour early. So there he sat at the small cafe on the corner by his office building, rubbing his sweaty hands against the legs of his pants, waiting for her. She was five minutes early and was surprised to see him already at a table, so she decided to have a little fun.

Since his back was turned, she went up to him and tapped his shoulder, when he turned around she let out a small “Boo!” and put her hands up into an imitation of claws, trying her best to seem scary. He just thought she was adorable. He motioned for her to sit down.

Resting her crossbody bag against the back of the chair, she took a seat. Akaashi was able to wave down a waiter, who gave them a single menu to look over.

“What kind of tea do you like?” She asked, using her pointer finger to scan through the options the cafe had available.

“I like black tea, and sometimes chamomile tea.” He asked her for her favorite type, and she told him. He tried to commit her favorite to memory as quickly as possible.

Eventually, they had their tea, and the silence started to set in. Between sips, Akaashi would try to figure out how to say what he wanted to say. But he thought it was all too bold. So he told her a little about his life, his work, and his friends and she did the same, returning statements in a unique fashion about her life. Her word choice was special, calculated even. She was like him in another way that mattered, a calculated, intentional way of speaking.

She could always make him yearn to be a little more considerate of his words. Until she managed to pry them out of him.

“So why am I here?” She stirs a little more sugar into her tea, then pauses from drinking her tea to take a sip of her water.

“I want one of your journals.”

She laughs before realizing he’s entirely serious, “How do you even know that I have any journals to lend to you? For all you know, I could be living a journal-less life.” She waves her small stirring spoon around, before putting it into her mouth.

“I can’t explain it, but I know you have journals. Only someone with a journal of their own would be so obsessed with another’s.” Akaashi takes the spoon from her mouth and uses it to stir some sugar into his tea. Her mouth gapes for a moment while he smirks, looking right into her intelligent eyes.

The next day they have tea again, and she gives him one of her journals from high school.

“Don’t read it all in one go.” She pauses, “I don’t write nearly as well as you do, so don’t scrutinize my words the way you do all your mangakas’ words.”

Akaashi nods.

He read it all in one night. He calls her in the middle of said night.

“Who the hell is this Ito kid? When did you and he start talking? Just outta nowhere he pops up at the end of your last entry. Where’s the careful recollection of all your interactions with him?” Akaashi is exasperated, running his hand through his hair. He disagreed with what she said about her writing.

She was compelling and interesting, and she most definitely had his heart. Her high school experience had been so different from his, and she seemed to be much more optimistic about life than he was. Despite her calling him a realist, he believed that in comparison to her, he was a total pessimist.

She explained to him about Ito, and that he was a short-lived crush she had had at the end of her second year in high school. Akaashi was glad when she said she didn’t even talk to him anymore. Based on the way she had written about him, Akaashi thought that Ito would be the love of her life, and Akaashi was slowly realizing maybe his heart was in the process of making her the love of his life.

“When do I get the next journal?” Akaashi wanted to keep talking to her despite the lateness of the hour.

“You don’t. I told you to pace yourself, I only have one of yours so you’re only getting one of mine.” She was lying on her stomach on her bed, slightly kicking her feet while talking to Akaashi.

Akaashi groans but tells her he’ll return the journal next week when he can have another long lunch break. She says she’ll be there.

Akaashi recalls when he remembered his diary was lost.

It had been a long day at work, and he wanted nothing more than to go home. His mom hadn’t remembered his apartment address, so she sent one of his old journals to his work office. He put it into his satchel and made his way home.

On the train, there had been a slight jostling. And Akaashi hadn’t noticed the journal falling out of his bag and under his seat.

When he exited the train, she had gotten onto it. She sat down in the same seat he had. Right when Akaashi started walking to the stairs to exit the station, she reached down under the seat to stow away her bag, only to be met with a rough material. And for a moment, if they had just turned around, their eyes would’ve met right as the train pulled away.

When he finally got home, he unpacked his bag, looking to put away his journal safely into a box with other memorabilia from high school. When he dumped his bag upside down, shaking everything out, he just couldn’t find his journal. When going home from work the next day, he had asked all the employees if they had seen a leatherbound notebook. None turned up.

If there ever was a moment that could’ve changed the future, that was what it would’ve been. If the train hadn’t jostled. If Akaashi Keiji hadn’t been tired from work and forgot to check for the journal on his way out of the station. If she hadn’t sat right where he had been sitting, and most definitely, if she didn’t love a good book, then it all would’ve turned out differently.

But that’s not the story that’s being told. The story being told is of Akaashi Keiji realizing that to love someone, you have to accept that they may know you better than you know yourself.

It had been six months, and she was close to finishing the journal. Somedays she didn’t read at all, others she read three entries and wanted to binge the rest of the diary.

They went for tea every single week. Sometimes twice. Then other times, he would take her around Tokyo to go exploring. They went to every museum, every library, every cafe that specialized in tea. He figured that they ought to be on an even playing field when it came to how well they knew each other, so instead of getting more journals from her, they traded lists of their top one hundred favorite books.

She had put three Haruki Murakami books on her list and Akaashi wanted to hold her face in his hands and kiss her.

But they were just friends. Friends who knew each other better than Akaashi was comfortable with. She knew what he would order before he said it, and he knew what she was going to comment before she stated it. When she asked him about his experience with failure, he knew that she had gotten in too deep.

She knew more about him than he expected her to, she knew all about the silly things that rattled around in his brain, and although it had been a journal from high school, he knew that people stayed pretty similar throughout life. So when she looked at him, she didn’t just see professional editor Akaashi Keiji, she saw a teenager who wondered what place he had in the world as well. She saw him as acne-ridden and languid with life. He wanted to control her perspective of him and he couldn’t do that now, because she had the key to his past and the map of his future.

So he tried to put some space between them. Just in case. Maybe it was a horrible tendency to overthink, no, he knew it was his horrible overthinking tendency. There were so many ways their relationship could go. He could completely crush her, to be completely crushed himself in turn.

Walking the edge of a knife with her. Balancing on the blade of friendship, if he fell onto one side, with no cuts, then they could have a happy relationship. If he cut himself on that blade, then the worst-case scenario would be that she realizes she doesn’t like him back and then there’s just someone who knows him too well out in the world.

When he hadn’t texted her in four weeks and her messages were left on read, she decided to finish the journal and be done with it. Their time as friends was short-lived she thought. She thought there may have been something more for the pair of them. And suddenly all the depressing love songs became about him. Which made her resentful, because who ruins ‘Iris’ by The Goo Goo Dolls like that for someone? DATE: XX-XX-14 TITLE: Quatervois; A Crossroads

I graduated today. I went through that book of fancy words Mom gave me and stumbled across this one. Quatervois, a crossroads. Does this count as a crossroads?

The magazine I want to work for said I could have an internship while I attend college. An internship in the manga editing department. Was I not good enough for the literature department? Is it because of my age? I think my essay and grades were good enough to at least qualify me for a chance to interview in that department. But they only let me interview for the editing department.

Does that make me a career failure? I like the magazine, but I’m not sold on the department they want me to go into.

Washio called me to congratulate me, he said that I was finally crossing over into the real world. I’m pretty sure I’ve been living in the real world for as long as I’ve been alive, but Washio made it seem like things would be so different for me. I digress.

When nothing seems straightforward, and you come to a fork in the road and you have two options that you can’t see down, how do you choose which road to go down? The one lined with flowers, or the one with a dirt path that could eventually have something more alluring at the end.

- A.K.

On the penultimate page of the journal was a glued-down picture of Akaashi wearing his graduation suit, and holding his graduation scroll, his parents stood on either side of him grinning proudly at their only child. Maybe she should’ve checked the book from the last page and then started reading the front. But she didn’t want spoilers, that’s why she never checked the second to last page.

She texted Akaashi and said she finished the journal and was ready to return it. When he didn’t respond, but had read the message, she texted Bokuto asking for some clarification. She asked if Akaashi had said anything about her that would’ve indicated why he was mad. Bokuto just said that Akaashi wasn’t mad at all. So now she was confused. If he wasn’t upset, then why was he ignoring her?

Instead of going to their tea place, she goes to his office during lunch. She scans the buttons, looking for his department.

“Hey diary thief, whatcha doing here?” A shorter guy with shaggy black hair and a hoodie with a denim jacket over it comes around to her and presses the elevator button.

“Are you going to the Manga Editing Department?” She checked before entering the elevator with the shaggy-haired guy, who had introduced himself as Udai Tenma, but she could just call him Tenma. He confirms and then doubly checks her identity as the same person Akaashi had been talking about and spending all his lunch breaks with.

“It’s funny that you know about the journal, I came here to return it finally. Probably much to Akaashi’s delight.” She adjusts her bag across her shoulders, giving a short sigh.

“No, Akaashi loves that you have his journal. At first, he was a little annoyed, but now it’s kinda like you have a little piece of him all the time. I told him just to get you a necklace with his name on it, but noooooo Udai I can’t do that because I’d essentially be confessing if I did something like that.” Udai did a brilliant imitation of Akaashi, even going as far as to push his shoulders back to make him seem taller and with a broader build.

Udai turned slowly to face her, eyes wide and jaw dropped, “Please pretend I don’t exist, I never said anything about Akaashi’s undying love,” He froze, “Also ignore what I just said.”

Udai got out of the elevator on the floor below the editing department. She could hear him start to criticize himself and say he owes Akaashi so many more favors and solids now.

She walked through the office, lightly admiring all the manga panels, all the stories that had come out of this building astounded her, it had been a while since she last read a manga, so she considered picking one up on her way out. Maybe she’d read the one written by Udai.

Then she sees him. Akaashi, with a pencil in one hand and an eraser in the other. His head is moving slightly, due to the music playing through his headphones she assumes. He fidgets in his chair, wiggling the seat around. Despite being angry at him, he was still adorable when he was engrossed in his work.

“You’re being childish.” She handed Akaashi the journal. Akaashi had to take off his headphones when he saw that his journal was being thrust into his face, he dropped his pencil and turned around only to be met with her. Even though she seemed to be upset with him, she still looked beautiful.

Akaashi looked confused, so she clarified, “Ghosting? Really? You could have just said you didn’t want to be friends.” Her tone is sharp and penetrating.

It wasn’t the being friends part, it was the part where he wanted her to be entirely his. An overwhelming desire to attach her to him in all senses. He swallows and takes the journal back. He wants to ask what her thoughts were, and what she came to understand about him. Yet, he knew she was upset with him. He would be upset with her too if she did what he had done.

He had completely blown his chance, hadn’t he? The one woman who had read the teenage journal and still wanted to be friends. Maybe her knowing more about him wouldn’t be too bad at all, maybe that’s exactly what he needed.

“I don’t want to be friends.” She starts to sniffle, she quickly runs the sleeve of her shirt onto her eyes. Akaashi rushed the next part out, “I can’t be just friends with you I’m afraid. I think I want more.”

She blinks rapidly before regaining composure and putting her hand on his shoulder. “I think you need to sort out your feelings. Because if you really wanted more, you wouldn’t have treated me like I was disposable. You wouldn’t have ignored me. So, figure it out, and let me know what the result is. You know where to find me.”

She rubs her thumb on his cheek in a parting gesture. He remembers when she did that for the first time, around three months ago. They were at a library he had found in a far corner of Tokyo, and he was talking about a book that Udai hadn’t understood at all, which made him irate that Udai could skim over such an important story. They were in their little section, with dim lights and a stack of books they wanted to talk about.

As he was waving his hands around, trying to show her the pages and lines he was referencing in the book, when she reached over and brushed her thumb against his cheek, the rest of her fingers resting along his jaw and lower cheek. Her palm barely contacts his chin.

“You had a little mark there. But I think it’s just a cute little freckle, it won’t wipe off.” She brushes against his skin again, and when the mark doesn’t disappear, she leans back into her chair, waiting for Akaashi to begin again. When he starts talking again about the book, he keeps stumbling and stuttering over his words.

She gave a small wave before leaving his office space. Akaashi's co-workers just turned their heads to watch her exit, heads sticking out of cubicles, and then in a blink, they all turned to face Akaashi with disappointed faces, shaking their heads and clicking their tongues. Then, they went back to work and Akaashi was sitting at his desk with his journal brazenly staring at him.

He had one chance to make it right. So he set aside Udai’s manga draft, knowing he could go through it in less than an hour, and he picked up his pencil, writing one more entry in his journal.

He can only wait a week before giving it to her when he shows up to her apartment unannounced. Miwa opens the door and rolls her eyes, but letting him in.

“I gotta run and get some new specialty scissors. I’m not afraid to use them in an unintended use if I get back and she’s crying.” Miwa motions her fingers from her eyes to his. Akaashi gives her a thumbs up.

When she comes out of her room, she inspects him on the couch, he’s holding his journal.

“Read the last page for me. It’s an extended edition.” He jokes somewhat. She sits next to him and reads his ‘extended edition’. DATE: XX-XX-XX TITLE: Micawber; An Eternal Optimist

I was stupid. Believe me, I know I was a whole idiot and a half.

Here’s to giving up realism and embracing optimism.

You knew who I was before I knew you. I was scared that you would know too much. That’s hilarious, right? I wanted you to know me, and yet there I was completely afraid to let you get too close, but you were already close. It’s not just what words were contained here, although I re-read my journal and there are definitely some things I should’ve self-censored.

You were what made the entire difference. Your ability to perceive me as a whole rather than a sum of my parts was the distinction that was made.

With you, I truly am a protagonist. Not a side character anymore, but the main character who shares the limelight with his love interest. Although, I have a distinct feeling that you may be more of a main character than me. But, I know you’d say you digress.

In your journal, you mentioned once how you believed that a good story can compel you to be changed. How characters drive a real tangible change in a person. Did I do that for you? At least a little bit? I know I was changed when I read your story, I realized that maybe I liked you a little more than just liking you.

Please don’t think I am mean. I was cruel, rude, and inconsiderate to you. Ghosting for more than a month because I was worried is likely going down in my personal history as the worst thing I’ve ever done to you. But I’m dedicated to never doing anything bad to you ever again. I’ll never hurt you, and I’ll never lie.

I’m optimistic that you like me a little. Maybe even a little more than like.

So, tell me why I still feel worried. Is this feeling even worried? Or is this what love feels like? The desperation to not hurt you in any way. The pang of knowing that I am myself with you. And, yes, the physical magnetism that makes me feel just a little more like a teenager when I am with you.

I think this feeling is love. I just think it’s so overwhelming that I ended up making it into a negative emotion instead of what it is.

I’m sorry. Forgive me or I really won’t know what to do with all these feelings that flit around in my heart for you.

I love you.

- Yours, Akaashi Keiji

She knew he was watching her. She had her nose in his journal, reading what he had written for her.

“Can you get me a tissue?” Akaashi handed her one. He was ready to say his goodbyes.

When she closes the journal, he looks at her with curious eyes. She smiles.

“Best book ever.”

He grabs her by the back of her head and kisses her. She held his face in her hands, tilting her head slightly and he hummed into her mouth. His nose was cold on her face, but the warmth of his mouth contrasted with the frostiness. His other hand grips her hip, trying to pull her closer to him. Despite them being already so close, he wanted her to envelop him.

Then he was pressing her down onto her couch, both hands on her hips. When she wrapped a leg around his waist he thought his heart was going to jump out of his chest. Her head was on the arm of the couch, and he had moved from her mouth to the side of her face to her neck, to right above her bra, leaving a trail of his making. He was glad she was wearing a low-cut top because it made it easier for him to pull the shirt down so he could reach more of her skin.

In contrast to him, she felt soft and pliable. She also felt wholly his in this moment.

Her hands were in his hair, pulling the strands in a mellow methodology, not wanting to hurt him almost. She wanted his hair just a little longer, but the short hair tickled her neck, so she was happy with the length it was currently.

The top of her chest was creamy and supple. He let his tongue brush out once, twice, before going back up to kiss her again. He licked at her bottom lip, and she opened her mouth just enough for him to run his tongue into it for a moment, before biting at her bottom lip in thanks.

“You taste like sugar.” He was hot in the face and had some hair sticking to his forehead. She pushed his bangs back tenderly, his chest was still rapidly moving up and down trying to catch his breath. He went in for another kiss, still short of breath, so she had to intervene.

“Slow down loverboy, you need to breathe, or else you can’t keep going.” She laughs a little and he can feel the way her body carries the laugh from her chest to her stomach. She moves in close to his ear, “And that would be a zero-sum game for us both.”

He nods, and she draws his head down to rest on her chest.

“Is this better or worse than that fantasy you had about making out with a girl in the backseat of a car?” She recalls one of his entries from his journal.

He rubs his face against her, inhaling deeply. “This is way better. But we’re still gonna kiss in the back of my jeep, and soon at that.”

She hums a little in response.

The next year, Akaashi and her moved in together, Miwa was glad because now she could finally walk around her apartment without clothes on (despite her doing that when they were roommates anyway). Bokuto was glad to see that Akaashi finally had someone to read his confusing books and that he didn’t have to read another one ever again. Udai would occasionally make a joke about if it didn’t work out with Akaashi she had a place in his awaiting arms. Akaashi threatened to work for another manga magazine and Udai would be stuck using only Grammarly. That usually shut Udai up pretty quickly.

They both kept detailed journals. And when they finished them, they would let the other read them. Akaashi let her read all his past journals as well, and she let him read her diaries.

Maybe love isn’t what you expected at first, maybe it's not even a feeling you want to feel at that moment, or for that person. But love works out for the best in the end. Whether that’s with a best friend, a lover, a child, or even a book.

For Akaashi Keiji, love meant letting someone know him better than he knew himself. It also meant being okay with letting her read his diary.

[greyborn2]

Elisif headcanons now! (friendly tone ofc <3) Why do you think she would be a good marriage candidate? I'm curious :)

Yesssss!!! Okay - so this boils down to two categories. Personal interest in it, and underrated narrative JUICE. Starting with the former because its easier to begin with. So Elisif is just... she's neat. She's simultaneously one of the most politically important people in skyrim while also being COMPLETELY overshadowed by the men around her (Nobody talks about her, really, they talk of Torygg. The civil war isnt her vs ulfric, its TULLIUS vs ulfric. Her own decisions in court the first time we even see her are seemingly overruled on a dime by her own court, by Falk.). Its like she's this big thing of incredible importance and is constantly hidden away both in narrative and in game. But despite that, if you actually sneak in a bit, ignore all the big figures standing in front of her and propping themselves up on top of her, she has a surprising amount of meat to her.

Most of the Jarls are like... a few word summary at best. Greedy idiot boy, honourable honorman, paranoid bigot, old seer, etc etc etc. You get an initial impression of them and thats kinda it. Ulfric has a lot more, obviously, because he's a major character but it would *SEEM* that Elisif should be on the lower end of content. It takes so much to seek her out in her overshadowed little corner after all, but she has so so so much surprising stuff around her. The necromancer potema plot revolves around her, a whole big dialogue tree that isnt super common to see for a jarl, some touching personal quests that go into detail about how she saw her late husband. Its just all super compelling to me to have a character that, despite being so important, is *soooo* hidden away actually have some meat to her. Plus she's just a nice person!!! ANYWAYS!! PART 2!! The JUICE!!

For starters, I think, there should just be more opportunities for the dragonborn to play the political game if they want. Beyond just choosing a side in a war or ticking off their 'thane of everywhere' list, actually getting in on climbing the ladder and enmeshing oneself with the politics of the land they're in. BUT BUT... same can be said for Ulfric. Absolutely true. I do think he should also be a marriage candidate. BUT...

I think Elisif PARTICULARLY makes sense as a marriage opportunity that isn't one you seek out, but one that is put forward to the player. Specifically with an Imperial victory in the civil war.

The war is won. Alduin MAY or MAY NOT be slain. But either way, no matter what, at this point the dragonborn is a war hero, a champion of the people, and decorated imperial legate. And this would be fucking FRIGHTNING, I think, to the politicians back in Cyrodiil. There's a *history* of war hero dragonborns, popular with the people, turning on their commanders and declaring themselves emperor afterall. Oh boy is there a precedent. Suddenly they're the big figure in a war that was supposed to be Tullius' duty and they might start sweating in their boots a little.

SO... after the war is won... the legion starts... pushing. Just a little. A few letters, a few comments, that the dragonborn should maybe marry Elisif. Become High King by marriage. Lock them in and satisfy the war hero with a political title off in the ass end of the empire before they turn their gaze toward a ruby throne. Don't give them time to think on it. Ooooh look tasty treat right here shhhh dont think yes you did very good dragonborn yes yes be high king.

I think from there it could go one of three ways;

1) Last Dragonborn marries Elisif but with her actually agreeing to the union (after completing her personal quests) and she FINALLY steps out of the shadows. Rather than the expected you using her for power, she uses YOU for power. You allow yourself to be the thing she props herself up on and finally really starts coming into public view. Maybe to the nervousness of the Empire as she's a less eager puppet then they might have thought, now.

2) Last Dragonborn falls right into the trap the empire placed. You didnt do the quests for Elisif, she remains in the shadows, there's a loveless marriage and you get to be satisfied with a big title that hopefully keeps you occupied.

3) Last Dragonborn refuses all of this. Things seem to proceed as they do in canon but... well... maybe you notice a few more non-DB assassins using imperial weapons attacking you on the road then you did before. Curious.

[queen-schadenfreude]

now that I've finished datv.. i have some first pass thoughts

spolers below

first of all why is this game trying so hard to rehabilitate in-universe controversial aspects? I mean like. Slavery in Tevinter. It's swept under the rug with a few lukewarm platitudes and codices about how it's being addressed off-screen. Previous games have established how horrific it is, but the tevinter we see in veilguard doesn't reflect that at all. it feels dismissive of a lot of major setting and character development. Same with the antivan crows! they were described as a brutal, cruel organization but now they're the underdog protectors? Sure, there was family drama and a few mentions of how cut-throat things HAD been before, but we don't get to *see* any of that. illario was weak as an example of this bc he was the only thing to be shown as bad. There's no tangible impact.

it seems like a feeble attempt to make sure the players understand that the writers do not condone the unsavory aspects of the setting and characters, while making everything a Teachable Moment. honestly half of the game felt like a psa on extremely basic ethics, like surface-level shit children already know.

on top of that, idk why the game is trying so hard to therapize the player via companions' emotional journeys. The extremely basic and direct "your feelings matter and it's okay to feel your feelings! " scenarios were so repetitive and cringe. Sesame street level bullshit. am i crazy for expecting a more mature and nuanced approach to emotional struggle??? I swear previous games were better at this

also fuck all of southern thedas, it's cooked. hope yall didn't care!

Anyway.

ive only played through Neve's romance and i chose her bc she talks and acts like an adult and not a flustered teenager like harding, or a quirky mpdg like bellara. I liked it, it was fine. no strong feelings about it tho.

I didnt consider Taash as a romance option bc they act like a petulant child most of the time and that's just not fun for me.. and I don't love that Taash seems more like a prop for Gender Ideology 101 rather than being a fully complex character who is working through a gender identity crisis. I am not trans and cannot fully speak to this but as someone who knows more than the absolute basics of gender ideology, their story felt patronizing.

the boys are... fine, I guess. I wrecked treviso so I think i got locked out of some Lucanis stuff but his possession just isn't as compelling as previous characters who have been possessed. Davrin is fine, inoffensive. Emmerich is funny I do like him, Manfred is delightful.

I played as an elf bc I hoped it'd be extra relevant to the story, what with the Big Bad(s) being evanuris. it didn't matter at all. the crossroads doesn't even look different for an elf character like it did in Trespasser.

I expected everything to drive torward making Solas out to being a Good Guy Actually, and it kind of did. but super aggravating for have phantom varric to say that after being actually murdered by him like damn!! you are just gonna let that guy walk all over you bc yall were friends for a short while a decade ago. Where was that sympathy for Anders??

varric being a figment of rook's imagination the whole time was a fun reveal, tho.

siiigghhh. but listen. there were things I liked about the game, too. the gameplay is fun. the environments are GORGEOUS. the characters look good, i think the art style is fine actually. the character creator is great (except those qunari fiveheads RIP)

a lot of the banter and jokes did genuinely make me laugh, and i did like exploring maps and interacting with the new companions generally.

I havent given a lot of thought to it but I think a lot of the plot-related issues i have could've been solved by just setting the game like, 100 years in the future. All of the questionable and unsavory aspects of the cultures the game tries SO hard to diminish and write off would've had time to be organically rectified in-universe. I guess.

well. whatever.

[sophie-hatter-jenkins]

The Interrogation

A microfic written for Day 2 of Jily Week 2024, run by the very lovely @sunshinemarauder and @kay-elle-cee, and inspired by the theme Partners in Crime - the dynamic duo, side by side.

634 words

Rated G

Auror James Potter is on the case, with a little help from his wife.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

James Potter, Deputy Head Auror, pulled the chair away from the table, twisted it round and sat astride it. He leaned forward on the back support of his chair as he stared into the face of the suspect opposite. 

Oh yes, he thought to himself. This one’s guilty. I can see it all over his face. 

He’d built up an instinct for it, over the years. Not for nothing did he have the best clear-up rate in the department for the past three years running. Every single nerve in his body was telling him he’d got his man.

“So,” he began. “You know why we want to talk to you, right?”

“Umm…” stammered the suspect. “No?”

“Hmm,” James cocked his head on one side. “Sure about that?”

The suspect fidgeted awkwardly in his seat. “Yeah.”

“And yet, the evidence is there. Right in front of you,” Lily interjected, from where she was seated to his right. She gestured at Exhibit A on the table between them. “Are you sure there isn’t something you want to tell us?”

She’d been quiet up to this point, content to let him lead. As ever, she’d timed her intervention perfectly. James suppressed a smile. He didn’t get to work with his wife like this very often. It simply wasn’t necessary, which was obviously a good thing, but on the odd occasion where they did need to team up, it was such a pleasure - she always knew exactly what to say,and exactly when to say it.

“N—no.” The suspect’s eyes darted all around the room, looking anywhere and everywhere other than at James or Lily. Eventually, he settled on examining his fingernails.

He’s tougher to crack than I expected, thought James. I’m going to have to play my trump card. “The trouble is, we have compelling evidence that proves it was you.”

“But I didn’t!” His voice was so anguished that James’s heart cracked just a little, even though he knew it was all an act - it had to be.

Lily leaned forward, resting her elbows. Her expression was gentle, but her voice was firm. “Harry, love. We know it was you. You’ve got chocolate icing smeared all round your mouth.”

Seven-year-old Harry’s green eyes widened, and his chocolatey mouth opened and closed as he searched for some other explanation. His gaze settled on Exhibit A, the birthday cake with two prominent finger swipes through the frosting, then his shoulders slumped as he realised the game was up. Once the confession started, the words just came tumbling out of him.

“I’m sorry Mummy. And Daddy. I knew it was naughty but Uncle Sirius’s cake just looked so good. I thought no one would notice if I just tried a little bit of the icing. And then I didn’t own up because I didn’t want to get into trouble.” 

The whole scene was very familiar to James, mostly because he’d been caught with his fingers in the cake (literally and metaphorically) more than a few times by his own parents. Everyone said how alike he and Harry were, and though James couldn’t usually see it himself,  just a moment, he could really believe it. As he looked at his son, swinging his legs back and forth while he awaited his punishment, James realised that his eyes, so like Lily's, were filled with tears, and his heart completely melted. 

“It’s okay, Harry,” he reassured him. “You’re right, the cake does look really good. Why don’t we all have a slice now, and you can help me make Uncle Sirius another one this afternoon.”

Harry’s face lit up, and James couldn’t help beaming back at him. “Yay!”

“But Harry?” added Lily. Her face was stern, but her own green eyes had a fond twinkle. 

“Yes, Mummy?”

“Next time - just ask first!”

[tumblezwei]

I am a Ruan Mei defender, not because I think she's a blameless misunderstood character, but bc I am very afraid of people interpreting her terrible actions as bad writing bc "the game still expects us to like her" or overexaggerating her bad traits in order to make Dr. Ratio look better by comparison.

And that's not to say I think Ratio is a "bad" guy either, I think the whole point of introducing him alongside Ruan Mei was to highlight how different the Genius Society operates compared to "normal" academics. Ratio's over the top arrogance makes him off-putting at first, but his genuine desire to spread knowledge to everyone who wants to learn it is the perfect contrast to the obsession and selfishness of the Genius Society, who only ever care about fulfilling their own desires without concern for those below them. Even Screwllum, the member who seems the most sociable and friendly, let Ratio carry on with his antics on the space station just to see what would happen, even though it put the Trailblazer in danger and threatened the whole facility.

So that is to say, Ruan Mei is like that on purpose. We aren't supposed to see her drugging us and sending us after an incomplete Emanator of Propagation and be confused as to how she's a "goody guy." She isn't. None of the members of the Genius Society are "good" people just bc we're allied with them. Herta uses Traliblazer as a guinea pig for the Simulated Universe after all, and we now know that as long as it's something he's curious about, Screwllum won't interfere to protect us even when he's already figured out the solution to the problem we're facing.

But I also want to do a little apologism for Ruan Mei bc sometimes the accusations I see lobbed at her is a bit much. Like, yeah, she drugged us, but it was a temporary inhibitor that literally only stopped us from giving people information about Ruan Mei. And she didn't do it just to fuck with us? Ruan Mei is incredibly aware of how emotionally detached she is and knows it's almost impossible for her to understand the affection given to her by her creations. She doesn't drug us out of some evil desire to control information, she does it bc she knows her time on the space station is temporary and wants to avoid leaving behind any memories of her being there. That doesn't make it okay and it's still presented alongside everything else she does that's uncaring towards TB and her creations, but it makes it a little more complicated than just "she's an unfeeling sociopath that would happily watch us die." It's bad, but it's also one of Ruan Mei's weird and not good ways of showing consideration.

It's interesting, is what I'm saying. It's compelling. And I don't really dig how it she gets reduced to a two-bit manipulator.

I'm a bit of a stickler for this particular thing bc it's something I truly adore about HSR's writing, and also something I see as one of the game's core themes. There is no clear divide between "good" guys and "bad" guys. The Genius Society is full of emotionally constipated weirdos who wouldn't pay a single bit of attention to us if we weren't interesting to them, but they're also important allies to the Express. The Stelleron Hunters are our biggest opposition and wreak havoc on whatever planet they enter, but we know that their goals somewhat align with our own and unless you go out of your way to be mean to her with every dialogue option, it's pretty obvious that Kafka is someone Trailblazer loves.

And even Cocolia, someone who almost destroyed the last remnants of civilization on her own planet, gets treated with sympathy. Bronya is allowed to mourn her mother and still see her as an aspirational figure, all the while Serval is allowed to break off ties with her and definitively move on from her past.

It's a theme that carries over to a lot of HSR's important side quests too, where often you're expected to choose between two options that both have some pretty heavy downsides no matter what. You have your own moral compass, and along the way the choices may seem crystal clear, but it's never so black and white as you predict. It's a game about decisions, about making your own way in life and learning about the different worldviews of those you meet. Good or bad, helpful or hurtful, it's not always so obvious as "this person did something bad to me, now I will forever dislike them."

"When there is the chance to make a choice, make one that you know you won't regret," "explore, understand, establish, and connect," "the Express welcomes everyone" etc etc

[subzeroparade]

lore question: do you think laurence had good intentions when he brought the old blood to yharnam, or do you think it was entirely out of self interest?

I think, like with any compelling/relatable character, it's a mix of both. 

(Caveat: the way I describe Laurence’s character here is mostly based on how I write him, since it requires the most engagement with lore while being thoughtful enough to build and shape a believable person with a compelling arc). 

I think there’s a significant degree of sincerity and good intentions that drive him to bring the old blood to Yharnam. Based on the info we get in-game, the scourge does not manifest immediately, and the effects of the old blood are real and miraculous. (He also benefits personally from the effects of the blood in my headcanon, so in a sense he sees himself as proof, and denial of that is unjust and frustrating). He seems to believe it’s worth abandoning a career/life at Byrgenwerth and drawing the ire of his mentor to bring this into the world. But surely there’s bit of ego there too, a bit of “if you won’t do it, then I will.” Part of the way I interpret Laurence is through personal experience - I left academia right when my career should have kicked off. So when write him, I write from that point of view of realising now that I’ve left, I need to do something to prove myself - to prove this wasn’t a waste. I think the old blood is the ideal vehicle for personal ambition, too. It’s for the good of the people, but also his own reputation, his own need to be important, to have done something worthwhile, to prove Byrgenwerth wrong.  Most of us who were at one time deeply entrenched in academia (professionally) can have a hard time seeing past it, and use it to measure our worth. When you leave, unless you have another kind of identity to latch on to, it’s easy to become unmoored. 

But I’d argue the way he went about it - via the Church and the acquisition of political power, and the kind of Foucauldian control of the definition of healing and normalcy vs insight and/or madness, for example - all these are obviously coloured by a kind of pragmatic cruelty. I don’t think any of Laurence’s bad or heartless decisions (the ashen plague if you attribute it to the Church, or the horrors of the Orphanage) are couched in wanton cruelty - wanton cruelty is usually not very smart. They are strategic sacrifices he thinks are justified in the pursuit of his goals. I imagine when everything is going well it's easy to point to the blood’s benefits and say they outweigh the cost. But upon the emergence of the scourge I think he would find greater need to justify himself, rationalise his actions, even the worst ones, by the notion that if we can just fix the blood, get ascension to work properly, this will have been worth it. Rather than back off, he doubles down. To do otherwise would be to admit failure. To admit that the whole enterprise, and everything that props it up, is worth nothing.

Someone left a comment on my work once describing Laurence as “cruel in a way you'd not expect” which I really like. I think he’s much more interesting without this dichotomy of blatantly tyrannical vs entirely good-intentioned. It’s a question of circumstance, of which buttons can be pushed and which sacrifices can be made, and how to weigh the value of whole city, or a single person, against the goal of ascension/a cure for the scourge. 

It’s also why I love thinking about the period where he starts to lose his grip on the situation, and begin to change; and why I write the Moon Deal going down as it did - another thing, perhaps the most critical one, that he thought he’d have control over - and instead that spirals out of his grasp, too, and he loses the thing he never really wanted to sacrifice in the first place. The shock of it, for a character so in control of the narrative, is irresistible.  anyway tldr I forgive him like the French forgive Napoleon. Ty for the ask! Here's a little recent holyvicar doodle.

[yourqueenb]

As a continuation of this ask that I responded to, all the things I mentioned are just parts of the overall issue I have with Blades…. which is that, in the grand scheme of things, I feel like MC is simply a plot device for the other characters rather than a fully developed character who has a fully developed and satisfying arc herself. It’s clear that Nia’s is the story the writers really wanted to tell considering how intertwined her characterization/development and the overall world building are. They basically even admitted as much.

So my question is why not just make her the MC if that’s really what you wanted on the not so down low? They still could’ve incorporated the skill mechanic. Why create a whole player character just to have us running to solve everyone else’s problems/support them while acting like everything that happens to us exists inside of a vacuum in the meantime? So far, all we’ve really been doing in this book is reporting where the group needs to go, telling them what to do, having heart to hearts with them when they need help moving to the next stage of their development, and then being spoonfed information through the lore tablets, which are apparently more for the players’ benefit than MC’s since they barely affect how we respond in game anyway. I’m fine with being the leader or the glue that holds everyone together, but to me it’s unsatisfying that that’s all we are as the main character.

We somehow become more competent due to the skill mechanic but no less clueless at the same time. We have all this terrible shit happen to us, but are only offered a few lines’ description of how that’s affected us. And then the rest of the attention goes to setting up the light vs. shadow conflict and our friends, who get to have personal and compelling conflicts of their own. I mean I feel like MC is more of an emotional support animal to them than an actual person with dreams, feelings, and a (minimal) background. Imo the only character who’s getting shafted almost as much as us is Imtura.

And all of this might make it sound like I hate Blades, but it’s quite the contrary actually. It’s still one of my favorite series and has a lot of fun moments and lovable characters. But I think at this point, its flaws have become too large for me to ignore. So that’s still affecting my enjoyment a bit and probably the reason why I’m so upset with how certain things are being handled. Of course I’m aware that Blades isn’t the only book that has some of these issues though. I think it’s just a little more disappointing because I expected more

[the-cat-and-the-birdie]

Unpopular Opinion that may get me cancelled:

This may sound ridiculous but I genuinely don't ship MJ and Peter. Like there's no iteration of them that ignites any type of emotion within me whatsoever.

If I'm being completely honest. It's like "Yes, heterosexual white couple with a woman basically written to be your perfect match from day one, with no sort of later internal conflict or growth at it's basis, yes, give us nothing and argue about the same thing for 50 years"

Every MJ and Peter scene I've seen in my life I've watched like

Completely emotionless and unmoved. There is no conflict to me. We know they end up together. It's been 70 years. The end.

MAYBE MCU Michelle and Peter from the MCU but even then that's like one specific scene from Far From Home.

But even in ITSV the whole time I was straight faced cause like....

Yeah, they get back together. Of course they do. And if they don't even better for me.

I am a Felicia Hardy supremacist. No offense to MJ but give me a strong sexual assault survivor who is wholy independent, has her own moral code and goals, and is openly ready to deal with conflict between her and Peter even if they still love each other.

Like.. enough of the 'gf sitting at home worried about her superhero bf'. I want the story where the bf is the one worried about his gf doing crazy superhero shit (Peter and Felicia)

Like you can't tell me you be watching MJ Peter scenes not knowing what's gonna happen or what they're gonna say or do they second the scene starts.

It's the same every time. Even if they try and throw in a little conflict it still ends the same.

YEAH and I'm counting NWH because we know we're gonna see Michelle again. The very obviously set up that she remembers Peter so,

When I'm watching Felicia and Peter - talking the video game - I genuinely don't know what's going to happen, what Felicia's angle is, or how they're going to express their emotions to each other.

There's conflict that actually develops over time and effects their relationship on a deep level for years in the comics.

They write MJ to be perfect for Peter, so every argument or breakup they have is contrived or forced as hell (One More Day). And they expect me to be on the edge of my seat.

At least TASM went for Gwen.

No shade to people who ship them though and I mean that.

It's just- It's just not for me. I need some conflict and growth here.

I will always ship Peter and Felicia first.

On the basis that their differening moral codes but willingness to see the other side while not compromising their morals plus them not falling into traditional relationship labels is just more compelling to me

Seeing a SA survivor taking back her power by becoming a vigilante, finally growing to trust a man who's face she hasn't even seen, and then coming to terms with who he is under the mask, as well as questioning her moral code of stealing - to be that's way more interesting than whatever the hell him and MJ got going on back at home.

I love MayDay tho.

This is one opinion from me you ain't gonna change. I ain't gonna argue about it. This was a Felicia x Peter blog before it was a Hobie one. Bring out the casket I'mma drop dead on this hill