#the way you can’t look to the comments of any post about a tragedy without seeing a complete lack of humanity displayed

[rigginsstreet]

I bring a real “no person is above me and no person is beneath me so I practice empathy and compassion for everyone” vibe to the function that not many people enjoy

[mirageofadesert]

On a heartless path of his own: A character study of Tantai Jin from TTEOTM

aka: an excuse to talk about Tantai Jin, as well as Luo Yunxi's acting, excessively

For some reason all media in these posts were taken down due to acopy right claim. You can still see them on reddit!

Born into tragedy, living out someone else's script, destined to suffer all the hardships of humanity, only to rise above it all and ascend to godhood - Tantai Jin's journey is one of epic proportions. It's a story of struggling to control your own destiny, learning to love and grow, but ultimately sacrificing everything for the greater good. And while the story is larger than life, Luo Yunxi's excellent acting grounds it in humanity - drawing the audience into the tragedy that is the life and death of Tantai Jin, Ye Xiwu's husband.

The empowerment of embracing powerlessness

“Dignity? It means nothing to me. For me, personally, this bowl of rice matters more. I can’t survive without food. But I had had dignity would have died long ago.” (TTJ in E02)

As a devil's fetus, Tantai Jin is born without love strings and therefore without the ability to process emotions. This is exacerbated by the loveless and harsh conditions in which he grows up. Struggling to survive from an early age, Tantai Jin lacks any form of control or agency in his own life. The audience pities him, easily excusing his psychotic tendencies on the unfortunate circumstances of his life. And while this is true to an extent, in the context of Till The End Of The Moon's literary and poetic approach to storytelling, I would argue that he is also a "Kunstfigur" - a symbol of humanity, rather than the representation of a real person.

In this sense, Tantai Jin is a stylistic device to tell a story about humanity and fate. The term "Kunstfigur" comes from German literature and theater, and describes a character who stands at a certain distance from reality, i.e. reflects it in some way. Tantai Jin did not become evil, he was born with something evil. The people around him abused him, not just because it's human nature to do so, but because they noticed that there was something wrong with him, something unsettling. We see this best in his two maids who witnessed his birth and childhood. The actions of all these characters are not meant to be realistic, they are a comment on the reality of humanity. This is what makes Till The End Of The Moon such a compelling (and controversial) drama.

What makes Tantai Jin's suffering so special is that even when he reaches a new low, he never seems truly weak. There is so much emotion in his expression that even when he is deliberately schools his face to look indifferent, you can always see a hint of underlying emotion, often some kind of deviance, burning in his eyes.

Saving face, avoiding humiliation and embarrassment are powerful incentives for behavior. Pride or ego make us try to avoid these negative experiences. But what if these negative experiences determined our entire lives? Tantai Jin fears neither humiliation nor belittlement, only hunger and betrayal. He has not only become accustomed to them, he is unable to process them properly. More than that, he has understood how accepting humiliation can be empowering in itself. There is power in being seen as weak. There is power in making others think they have power over you. There is power in letting go of pride. There is power in not fighting back, in not giving others the satisfaction of seeing you struggle and suffer. And it's not just that he lacks the threads of love and doesn't understand human emotion. It's the way he accepts his fate that makes him feel powerful.

This is unique for a character in fiction. Such a role is usually reserved for the court jester or a concubine. Tantai Jin is neither. I think what makes these characters so different is also Luo Yunxi's subtle but excellent acting skills. He is able to portray weakness without ever feeling weak. His approach to acting allows him to express many complex emotions in every single scene. It's not just in his facial expressions, but also in the way he immerses himself in a character, studying it beforehand and pushing himself to his physical limits when necessary. I don't think many actors would be able to create such a convincing character as Tantai Jin.

This last scene is fascinating not only because of the excellent acting, which makes the special effects seem almost real because of the convincing way Luo Yunxi interacts with them. It's also interesting for other reasons: After Tantai Jin feels real (magical) power the first few times, it's implied that he will succumb to it, become hungry and greedy for more - but he never does. These episodes (e.g. the nightmare demon and the crow attack during the wedding) are meant to give the audience a glimpse of a possible future in which Tantai Jin becomes fully evil, which never materialises. When Tantai Jin comes to power, he's nothing like the Devil God.

He does feed excessively on demons, but this is either never shown on screen or presented as a necessity of war. He gains his throne not in a great battle, but through small acts of power rather than great ones - fending off rodents, sharing soup with the court officials, showing humility and wit with the scholars, and making positive changes to social policy so that his people don't have to suffer hunger and hardship as they once did. On the battlefield, Tantai Jin's power is great, and no opponent stands a chance against him. But being a king is not just about the power of one man - it's about the lives of the soldiers he leads, the lives of his people, the safety of his tribe and the happiness of the woman he loves.

Setting on a path of love

“The immortals say, body, heart, and mind are three different parts. When the three parts are unified, the internal elixir is formed. Empty thy heart to unite soul and character. Calm thy body to silent energy and mood. Steady thy mind then all three merge into one. Destroy your desire for romantic love, and then you can understand the universe and all lives. This is the one and only way of the Hearless Way. (LSS in E06)

At the beginning of the story, Tantai Jin is on the opposite path to the Heartless Way. He has no real desire for romantic love, until Li Susu as Ye Xiwu awakens those feelings. Moreover, her kindness takes root in his heart and begins to blossom. Quite literally, as you can see in the scene below:

Through Li Susu's acts of care and love, as well as her determination to protect his life, Tantai Jin slowly falls in love with her. Even without her, he was never cold-hearted. He was compassionate towards animals, never unnecessarily cruel - at least not on purpose or before he was pushed too far. So his newfound ability to process emotions and experience love is not limited to Li Susu/Ye Xiwu.

He shows it to his mother's tribe, in his negotiating skills with Ye Quingyu, in his relationships with Pianran and Nian Baiyu, and in his ability to lead a country. He is a natural leader and a good ruler. Tantai Jin proves to be tenacious and hardworking, loyal, intelligent and even dignified.

in certain mannerisms, or in the elaborate way Tantai Jin dresses now that he has access to proper clothing. Or in the way he personally leads his army, just as Mingye did. (Mingye's influence may be most visible when Tantai Jin becomes Cang Jiumin). It may even have influenced his views on Ye Bingchang. Most importantly, however, is his shared experience of the tragic but deep love between Mingye and Sangjiu. He slowly begins to face and accept his feelings for Ye Xiwu and tries to win her over - while still learning to process feelings of love, jealousy and rejection. His love for Ye Xiwu becomes obsessive and suffocating. His insecurity and jealousy become blinding to a degree that costs Xian Lin his life and Ye Xiwu her freedom.

The battle for Tantai Jin's heart has always been both emotional and magical, as the evil bone resides within it, leaving Li Susu no choice but to pierce it with nails manifested from the love the same heart felt for her.

After Ye Xiwu's death and sacrifice, Tantai Jin loses his mind in grief. His morbid obsession with Ye Xiwu leads him to hold onto her corpse, and later drives him to take his own life in an attempt to be reunited. After failing, Tantai Jin spends the next 500 years single-mindedly searching for his beloved's soul, experiencing excruciating pain on a daily basis. The tragedy of this event is that he is searching for the wrong soul. He still doesn't know when someone else took over Ye Xiwu's body, or what the flashback Ye Xiwu showed him in her last moment really means.

His love for Ye Xiwu has blinded him to everyone around him: His friends, his subordinates, and his people. He no longer cares about anything but his dead wife, not even his own life.

The Heartless Way

There is a misconception about the Heartless Way, especially among international audiences who lack cultural context. It's rooted in Buddhist and Daoist ideas that "heaven and earth are heartless" or "heaven and earth are not partial". What this means is that the Heartless Way is not devoid of emotion, it's quite the opposite: It is about overcoming personal attachments so that one can love and have deep compassion for every living being. It's about equality, not putting one life above another. The idea of the Way itself is probably linked to the concept of wuxin, which is achieved when a person's mind is free from thoughts of anger, fear or ego during combat or everyday life.

While it is Li Susu, who has decided to peruse this way in order to seal the evil bone within her body, I think Tantai Jin has, unbeknownst to him, set on the same path – and even if it’s just within the meta story-telling of the drama.

As Cang Jiumin, Tantai Jin’s love grows. At first, he is still focused on reviving his long death wife and therefore tries to stay in the Xiaoyao sect. However, his time there has subtle but far-reaching consequences. The first task, Cang Jiumin is entrusted with, is to help an old, blind woman trapped by her inability to accept the death of her only son. For this mission, he is given a sword by his master:

This sword is called South Branch. Forged by my Master when he was still alive. It was transformed from plum blossoms. It has the heart of spring and the soul of the frost. It carries no killing intent. If you see the world with kindness, you’ll have no obsession and see true freedom. I’ll give it to you as a witness. When you can awaken it, you can understand it. (E30, Master Zhao You to TTJ)

Tantai Jin witnesses how obsession, even when it's the all-consuming love of a mother, can destroy a person. The old women's story mirrors Tantai Jin's own inability to come to terms with Ye Xiu's death. He tells the women about his beloved wife and how she taught him to be a good person, something he is no longer sure he is. His need for Ye Xiwu was inherently selfish, and he never really thought about what she would have wanted. When the old women ask him if he would turn into an evil person to get his wife back, he briefly considers the possibility of using the power of the Devil God, but decides against it because it's not what Ye Xiwu would have wanted. In the end, Tantai Jin uses a lie to redeem the old woman. He, who never had a mother, embraces her as she dies in his arms. When he returns to his master, something has been set in motion: Tantai Jin lets go of his obsessive love for Ye Xiwu.

Most of the following scenes in the third arc, which are not directly related to the rebirth of the Devil God or Li Susu, are related to this theme. For example, the secret technique of the Xiaoyao sect, the Xiaoyao Swordplay, requires him to "follow and practise his heart". From this point on, Cang Jiumin gains power through diligent practice and kindness. Tantai Jin's ability to love begins to grow, soon encompassing his master and sect brothers. Another example is that the symbolism of food, which had always been a symbol of his relationship with Li Susu, is now used in relation to his sect brothers and master. Tantai Ji begins to care more and more about other people's lives, as shown when he tries to protect everyone in Jiang from Si Ying and Jing Mie (even a tyrant like Cen Mi).

When he transforms the Heart Guard Scale, he has a vision, an epiphany. He sees all the important people from his past living happily in another reality. I'm still not quite sure what it means. But in that moment he understands that he doesn't have to fear the power of the Devil God, that he is in control of his fate.

Having all the power, while having none

Tantai Jin started out with no power, control or agency over his life. He has gained all of this only to reach a point where none of it matters, none of it is enough. He is powerless against his destiny to become the Devil God, but that doesn't stop him. He goes from accepting his fate as a hostage prince to fighting fate itself.

He attempts to trick the Devil God and his minions before using the Xiaoyao Sect's Incarnation-Abandoning Array to trap and kill their army. This technique requires him to sacrifice his own life - and he is willing to do so:

So he gives in and surrenders to fate and the unimaginable powers of the Devil God he once feared. This leads him to face the echo/essence of the Ancient Devil God in a battle for dominance. It's here that he finally realises that he has always been surrounded by love and kindness. He acknowledges the love of his parents, his maids, his subordinates, his sect and his friends, and most of all, Li Susu. She taught him to love and to feel emotions, breaking through the darkness that was his life under the thumb of the Devil God. It is this realisation that leads him not only to fully embrace his fate, but also to ascend to godhood.

However, even with the power of the Devil God and his own godly powers, he is still powerless when it comes to the most important thing: stopping the activated All-in-Distress Way from destroying the three realms and the living beings within them. All his powers are pretty much useless. Tantai Jin has gone from being powerless to having all the power imaginable, and it's still not enough. There is only one way to save the world, and that is for Li Susu herself to ascend to godhood, kill him and thus destroy the All-in-Distress Way.

Therefore, Tantai Jin sees no choice but to free Li Susu from her romantic love for him, so that she can attain the Heartless Way. In doing so, he reinforces his own by embarking on a Heartless Way of his own. As previously quoted, "Heaven and Earth are heartless", and in this sense Tantai Jin is trying to be partial to her pain. And even though we know he's not, he's still trying to sacrifice his love and his remaining obsession for the sake of everyone, for the greater good. Not only does he have to destroy Li Susu's love for him, he has to kill his own by acting against his own desires. This is the heartless way.

In these scenes, the two newly ascended gods are in Tantai Jin's mind and heart. We have already seen these inner places symbolised by space and sky. It visualises how Tantai Jin has achieved inner peace, embraced by light and tranquillity.

I think that even as gods, Tantai Jin and Li Susu were still deeply in love, but they don't put each other above anyone else. In a final sacrifice, Tantai Jin rejects Li Susu's wish to be reincarnated together, destroying his immortal essence and thus himself for eternity (or so it seems).

In this post, I tried to approach Tantai Jin as a character in TTEOTM through two theme present in the story: The metaphor of the Heartless Way and motive of embracing power and powerlessness. Tantai Jin’s hero's story has led him from being without power and agency, a mere pawn of more powerful men and gods, to gain power and love before losing it. He was born without love, appearing heartless, only to gain the ability to feel emotion before having his heart broken (literally). Eventually, he gives up his worldly obsessions, emotions and ego, while developing a deep compassion for every living creature. In the end, his ultimate power lies in his sacrifice and his ability to love.

We have reached the end of this post. I warned you that it was going to be excessive… if you've made it this far, thank you for your time and patience! I hope I haven't made too many spelling mistakes! I originally wanted to highlight more of Luo Yunxi's acting, but I ran out of space. I think I will make a separate post about that.

I would like to thank my Twitter friend ~NPY~, with whom I have been discussing this show for weeks now, and who has helped me with many of these thoughts and ideas. Also a shout out to the reddit user who explained the misunderstanding of the "heartless" path!

[carmenized-onions]

This is actually my first time ever commenting without being anon …. And I thought I would do that to wish you the HAPPIEST OF BIRTHDAYS!!! I hope you took the time to enjoy the day before your inbox gets flooded from your newest chapter. I’m currently holding off reading it to write you and read the posts from the previous chapter to prepare. When I tell you I have been refreshing your account religiously, awaiting any and all updates….it was looking a little embarrassing for me there. So glad you’re back again so let’s get into it.

-I saw a comment on how your story is better than the show in a sense. 1000% agree. You have a way of writing all the right things to get us attached (and even a little heart broken)to the characters and storyline while giving us hope that good things can and should still be able to happen for them. Regardless of how they see themselves and the situation(we love an unreliable narrator). Idk if this would make sense to anyone but me, but in my mind this story is a Shakespeare sonnet to the show’s Greek tragedy. Sometimes I think about things that I would have liked to see different in stories I read. Didn’t happen once in any of your chapters so far. Everything seems so perfectly balanced.

-I also pretend Tony is just off screen in the show. Don’t worry guys. She’s just on another job. Girls gotta pay rent���

- I love the relationship between Tony and Syd omg. Peak female friendship between these two, but wouldn’t be mad if it was more than that…we are severely lacking in Syd stories across all platforms. Enough has been said in other comments about Tony’s relationship with Carmy, but this dynamic with Syd really made me think. Do I want to be her or do I want to be with her?? 👀Mhm mhm I’m gonna let that one simmer on the back burner for a bit. Moving on…

- Speaking of relationships. Tony and Richie. Wow. Just wow. I think the scene of him being a bit protective with the gross chef and him thinking Carmy would be all over it if he would just listen to why Richie thought he was a creep, shows how protective he can be. Our boy did not want to let that behavior slide. Then the heart to heart in the parking lot. I was in tears. Full on ugly sobbing. I had to pause and put the phone down….then read it over to really process it. It hit so close to home for me and truly gave me chills. It was such powerful writing in the way it felt so real to both of them and so accurate to how they would feel. If only one relationship can survive, I petition it to be these two. Friends (cousins) for life.

- You’re the closest we’re getting to justice for the Uncle Lee shit and i love you for it. It felt therapeutic 😌

-Also, LOVED the small character of Union Guy who shouted when people got annoyed at the bar staff getting a break. Very much made me think of that Saul Goodman video “Did you know you have rights? Well the constitution says you do.” It truly is the little pieces of comedic writing that make this story incredible.😭

- Obviously, the main event is Tony and Carmy. I love their dynamic and the way they flow so organically with each other in the story. I look forward to these two every week. It truly feels like before when everyone had cable and you waited all week to sit down and watch an episode of your favorite show. Nothing I say can do justice to your writing of these characters. Chefs kiss😘🤌

With all that being said, I’m sorry this was sooo long. I truly could talk about this story for hours. It can be very difficult for me to stay engaged in stories, but you’re easily one of my favorite writers I’ve ever read. I can’t wait to go read the next chapter and see what you do next. And again Happy Birthday!

THAT MEANS THE WORLD THAT YOU’D COME OFF ANON, WHAT A SWEETIE!! My actual birthday was pretty Mid, alas, jobs. But the weekend was delightful, so thank you!! The chapter I dropped on my birthday was Two Steps Back, right? I can’t remember the concept of time anymore. Regardless, I don’t remember seeing you in my inbox about it, I would LOVE TO HEAR YOUR THOUGHTS ON IT!! No pressure though, also you fully may well be in my inbox and have already yapped about it— I’m terrible at reading. 

Ah, what a fuckin knife to the heart (in a good way, yknow? Like a sordid French romance knife to the heart). Greek Tragedy v Shakespeare Sonnet— That honestly helps my brain so much, because everytime I think about S3 I go FUCK I DIDN’T PREDICT RIGHT— And that’s just cause they wanted to go down the alley of We’re at Rock Bottom and we’re going to Dig Even Lower and that’s the tragedy— And I went for We’re at Rock Bottom and we’re going to Desperately Try To Claw Out and that’s the tragedy. 

Neither of them are bad ways of writing!!! So thank you for reminding me of that. Do I kinda prefer my way? Yeaahhhh… No one tell Matty!! No one tell, okay!!! Unless it means you can get me a job then yeah tell Matty!! I want an Emmy, baby, get me in that Writer’s Room!! Anyways, thank you for saying so— The balance comes from going to school to write and also from being a freak— Here, let me show you:

Ignore the birthday list i had a picnic and a beyblade tournament it was really fun also i lost neverTHELESS!! My notes app looks like this. There’s more but they’re for Chapter 14/15 so I cannot show, but yeah basically if you think I’m balanced, it’s because I’m. wired in a weird way. constantly re-reading and editing and revising and dying. call me carmen's menu cause baby i'm FUCKIN CHAOS

TONY’S JUST AT THE VIP BAR IN S3 GUYS OKAY SHE’S JUST OFF SCREEEENNN— Sigh, I really do hope Syd gets a good fuckin girlfriend (platonic or romantic) next season she is just,, she needs someone other than this fuckin’ family because they are making my poor baby TWEAK out here. I’m still noodling with how I will do a quick lil SquidInk spinoff. I feel like I can’t just do alternate timeline series, because it would be a lot of the same happening just with Syd and no familial trauma, but like,,, a cute little one off, I do have an idea for. So we shall leave it on the back burner for neeeoww. 

UGLY SOBBING??!?!?! FOR MMEEEE??!?!?!? ooooOOHFDGH— Thank you and I’m sorry, I’m so sorry but also thank you— Yknow? 

With all the growth Richie’s had, with his light bit of misogyny from S1, I knew the one thing that he absolutely carried with them from point A to B was be protective, be a gentleman— And so to see Carmen not act like he did— Bro became full girl dad. FULL girl dad moment. 

Can I also take a moment to admit something? I have been waiting a long time to do the parking lot scene, but I had pictured the parking lot scene way long ago, when I was considering writing a Richie fic! I did not think it was going to end up here until like chapter 3? 

The reason Richie and Chip became such close characters was truly born out of me not wanting to write Y/N, and so I wrote in Cousin and gave Richie the history of knowing the nickname Chip— Because originally, I’d thought Chip and Mikey would be very separate from the Beef. But I wanted cousin!! So their closeness was born, and now they’re literally my favourite dynamic in the series. Funny how that works.

I had to beat uncle lee’s ass on camera. I really cannot STAND that motherfucker and it is also SO FUNNY that in the immediate next note to reference Saul Goodman who is Uncle Lee— But yes that is absolutely what i was going for. That union scene in my head was originally going to be so much longer for literally no reason, and because there was no reason for it I cut it down, but it’s those MOMENTS THAT I LOVE TO WRITTEE BABBYYY

THANK YOU FOR SITTIN DOWN AND READING EVERY WEEK AWWEE— I wish The Bear was a weekly release honestly, I feel like it’d be so much fun that way cause what, right now we’d still be yelling about episode seven or eight by now? Ah. Love love love. My hopes are that I can get Ch 14’s draft done today and hopefully have something up in the middle of this week, but we will fucking SEE WON’T WE?

It was SUCH a pleasure to read your thoughts, and it really does mean the world to hear you’re so engaged and fuckin NEVER APOLOGIZE FOR GOING LONG!! It’s MY job to be brief (and I’m bad at it), you yap all you want. As a little gift, here is a tentative meme that I made in advance for the next chapter. The title is still pending changes, but right now Chapter 14 is called The Cat. Will this change? Probably, we’ll see. Everyone tell me if you hate The Cat.

what does it all meaaann?? theorize at your leisure SEE YOU SOME TIME THIS WEEK HOPEFULLY LOVE YOU !! also THANK YOU TO EVERYONE WHOS GIVEN ME FUCKING MONEY YOU'RE ALL CRAZY!!!

[vikingsvices]

This writing has been percolating in my head for a while. Ever since I read a status update that someone posted that said that we don’t do enough to teach Dominants how to protect themselves. I agree with that.

But its hard to write on this subject without seeming like I’m negating others people’s experiences or tragedies. Because I can name a laundry list of shit that’s been done to me throughout my life including SA, catfishing, having mine and other’s sexual health put at risk, being lied to and threatened with physical violence and other shitty behavior just brought about by being in relationships. And yet, that is pretty incomparable to the harm others suffer at the hands of people they trust.

But I don’t want to take this to negative places. I appreciate comments. If you twist my words I’m going to block you and that’s my only warning.

1.Learn to say no. What? Of course Dominants can say no. That’s stupid. Yeah, we all can say no. But we don’t say it enough. IF we say it, people get pissed and start manipulating situations sometimes. I know I sometimes fear no for that very reason.

The catfishing example above, I told someone no and they completely lost it on me.

Someone attractive wants to do something, a lot of Dominants jump at the chance. We don’t examine if its wise (I won’t use SSC or any other acronym here). We also don’t want to let our partners down. If you date, you are aware that there are people lined up for about a mile behind you, ready to take your spot if you don’t perform. And people aren’t afraid to let you know about it sometimes either.

Bottom line. When someone asks for you to do something to them. Its worth a second thought. Its worth asking if they are prepared for the consequences. Its worth asking if you have the skill to do it well. Its worth asking if you even want to do it. Consent is actually not enough. Because if you look at all the bad tattoos out there, you realize people will consent to many things they will regret later.

This also goes for partner matches. People will get very upset when you tell them you don’t think you would be a good match for them. Because you require different things. A negotiation that ends in people walking away is still a successful negotiation.

2.Text is king. Ever play the telephone game? You can see how unreliable the memory is to spoken word. And don’t even get me started on Snapchat. I have lost many potentials because I would not negotiate on snapchat. And text has saved my ass so many times. If anything it was a deterrent at least. But it goes way beyond this. Human memory is bad period. Before a scene, I like to go back over the texts to make sure I’m not confusing things. To make sure I have a good picture. I mean the benefit to having a list of hard limits vs. a memory of maybe what they are when you were told. Every rule someone agrees to. Its right there in the text. Its worth it.

3.Ask questions. As a Dominant we are expected to be all knowing - omniscient even. I remember a conversation with a potential partner who told me she liked to be whipped. So I was describing whipping and she said “you are doing it wrong and that’s not the right tool”. I could have just shut up and when we played, pulled out a whip and went to work. But I asked her to clarify. “Jesus, you don’t know what a whip is?”, she said. So I walked my happy ass to my rope room and snapped a picture of my whip collection. Well to her, those were not whips. Whips were a stick with a piece of leather on the end. Some dumbass had told her a crop was a whip and that was the extent of the thought that was put into that by both of them. We didn’t end up playing because if you can’t help me play with you safely, I don’t want any part in that. But I can’t emphasize enough, the importance of asking questions even when you think they may make you look silly.

4.Vet your submissives. This may seem dumb. Why should we vet a submissive? Its true, that a submissive is less likely to do something physical to you. But there are other ways you can be hurt. Now, I have been vocal about hating the term vetting. So use whatever term you like, but check them out. I have a laundry list of questions that I ask new submissives and they are wildly different from what one might ask a Dominant. And some of those questions are controversial (why I won’t list them here - don’t ask). I find that a lot of submissives/bottoms that don’t vet you or check you are usually the ones who definitely don’t want you to vet them. They will jump to anything with you right away. See item #1. There’s a reason people rush things. With that, my final entry...

5.Go slow. I don’t know a Dominant of any gender who really really understands how to be patient. We are used to getting what we want, when we want it. That’s a bad position to be in at times. Not only are you going to have to require yourself to be and to go slow, you are going to have to slow others down at times. I admit that I am not always good at going slow. I get excited and impatient. But I’ve learned from every encounter where I tried to go fast and the realization of what I was missing hit me in the face like a brick. You will be asked to collar and put ownership on someone before you are ready. You will be asked to commit and make things official. You will be asked to play in ways you might not be prepared to. You will feel like you either do these things or risk losing them. You have to be the brakes. You have to slow the car down. If you are truly Dominant or in control, things will go at your pace and that pace should be one that is cognizant and careful of the feelings and safety of ALL participants.

Overall, this is not a comprehensive list. Its just a few things I’ve learned (and keep relearning) about doing what we do and how to do it a bit safer and more responsibly for my own peace of mind as well as others.

[drawingconclusions]

ARTIFICIAL INTELLIGENCE & TIK TOK LEGISLATION OVERREACH

I usually try waiting until after a mass shooting investigation has progressed further before commenting on such tragedies. But some of the things I've seen in the news need to be addressed upfront. And you can thank the recent antics of the local police helicopter for my upcoming post addressing what our society has degenerated into.

ARTIFICIAL INTELLIGENCE - However, before moving on, let me touch briefly on the subject of Artificial Intelligence (AI). I've already written about this to some extent in another forum, but just yesterday I saw a report on The National Desk stating that AI has the potential to replace a size-able number of jobs in the coming years. I only saw the stats in passing, so I won't try to quote any figures here. However, the numbers contradict what some have been saying about AI in the past few months, proudly exclaiming that its introduction to society will create more jobs! I didn't buy into that line then, and I still don't today. In my other article I admonished developers & venture capitalists, etc., to consider the potentially disastrous economic & cultural consequences for a society when mass layoffs ensue as a result of jobs being outsourced to AI software. And yet, I don't think many are giving heed to this advice given by myself & others before me. It's interesting what overwhelming greed will drive a person or a company to pursue, even at the risk of destabilizing an entire economy.

But then greed isn't the only motivating factor in the mix, is it? It's quite intriguing how a number of the AI ventures that have exploded in the past year specifically seek to replace some of our human intellectual processes. We have AI that can write essays for students and others that attempt to provide news for us. And while there are various forms of art (some that solely entertain or provide a visual escape), some of the deepest kinds of art ask questions of society and makes individuals re-think the morality or efficiency of government, large organizations, or other aspects of culture. And yet the latest AI seems to intend to replace creative thinking with soulless output from lifeless software. Almost as if the organizations behind AI want the software to serve as a substitute for our creative expression and rigorous thought processes in the very near future. Do they seek to effect a mindless, shallow people that can't think for themselves or question those in authority?

If you look at the work of creative geniuses such as George Lucas or Gene Roddenberry, you'll notice that although their proposed applications of AI were somewhat limited, their use of such machine assistance extended mostly to areas that humans themselves couldn't hope to master. (…Such as expertly familiarizing themselves with thousands of interstellar dialects & languages or having the ability to auto-pilot an entire space vessel in a heartbeat.) The AI in these cases was not used to supplant human jobs or replace human reasoning. I realize these are TV and movie references, but perhaps we would be wise to consider the appropriate & relevant lessons, lest we become a society subservient to robots, and of course, our pet cats. In the meantime, I again call for legislation addressing the use of AI in our society, and I also call for financial renumeration for all those artists whose work was used to train AI software without permission.

TIK TOK LEGISLATION - I've already rambled long enough when my whole point of writing today was addressing the mass shooting in Nashville, TN this past Monday. Apparently, I won't get to the specifics of one of the pieces of legislation that's supposedly meant to deal with banning TikTok. I heard a report that the two Senators who crafted it (one Democrat and one Republican) apparently wrote it in an ambiguous way that could give the government more powers in prosecuting individuals or companies who have any kind of connection with certain foreign entities. Since we've long become a global economy and many businesses deal with foreign countries on an almost daily basis (not to mention the fact that some software & apps are developed overseas in a number of countries), we can't have over-broad legislation that's meant to stifle business or prosecute innocent individuals. If your intent is to ban TikTok, then say so. Otherwise, don't enact laws that will give the deep state more powers to harass or surveil Americans. This is all I have time for today, so if anyone's concerned about aspects of this legislation, contact your Senators and members of Congress and have them explain what it's really about.

Again, I've taken too much time on this, and I'll do my best to keep the next two posts succinct.

[wilwheaton]

the scorpion doesn’t care who it stings

I posted this on my Facebook four days ago, and it seems to have taken on a life of its own for a minute.

I thought I’d repost it, here:

I can not fathom the emptiness, the insecurity, the insatiable need for attention and validation, the staggering arrogance, the malevolence and total void of human experience that is Elon Musk.

He's the richest man on the planet. You can't go anywhere or do anything without interacting with something he's part of in some way. There are literal millions of people who uncritically worship him, in spite of overwhelming evidence that he's a douchebag. Some number of them will come after me, as they come after anyone who points at their naked emperor. They'll spend entire days going after me and people like me, slavishly serving a man who does not even know they exist. They are his army of fools, uncritically serving his every whim. And it still isn't enough.

He can have any material thing he wants, and he will *never* be happy or satisfied. He has no real friends. Every single person around him is either a viper, a parasite, or both.

So what does he do? He bullies and threatens and harasses and trolls and behaves like the weak, scared, insecure child he has always been. That's a tragedy for him, but it's dangerous for us. He doesn't care what he destroys or who he hurts as he chases this existential thing he cannot ever have.

You know the saying "hurt people hurt people"? He's a hurt person who is hurting our society, making people I care about less safe. The consequences of this one man's midlife crisis are global, and that terrifies me.

In a comment, about an hour later, I added:

You know what's really interesting is the tiny number of people who are attacking and harassing me are either typical right wing idiots who all spew the same garbage from behind their wraparound sunglasses, or these weird nerds who are DESPERATE to justify how toxic and cruel and destructive Elon Musk is. Like, nerds, listen to Old Man Wheaton, please. 

Don't hitch your wagon to Elon Musk. There are countless people who are amazing and genuinely good, who do all the things we wish we could do. Stop defending this piece of shit who would push you into a volcano without even learning your name, if it would save him half a second on his way to his next shitpost on $8Chan (formerly known as Twitter).He doesn't stand up to anyone. He doesn't stand up FOR anyone. He is not your champion. He's angry and chaotic and destructive, and you have to understand that the scorpion doesn't care who it stings.

Finally, I want to add two things: 1) It’s interesting to me that a lot of the people who came to my post to be dicks used a lot of MAGA language. It reminds me of this thing my friend says about concerts: the audience looks like the band. Of course there’s substantial overlap between the angry, hateful, terrified, cowards who support Trump and the same who Stan Elon Musk, and it’s real interesting to see it in action.

2) I haven’t used Twitter for years. I quit before it was popular (lol) because it was better for my mental health. I logged in once when my book was published, and I deleted all my tweets when he announced he was buying Twitter. When he took over and immediately amplified a conspiracy theorist, I made my account private. In a perfect world, I would delete my account entirely. But I have to keep it for reasons I hope I don’t have to explain. After I posted this on Facebook, it made its way around Twitter (still is, four days later, which is ... a thing that is happening) and when people went to look at my account, they saw that it was closed. As much of a fucking manbaby Elon Musk clearly is, he didn’t do anything to my account. In fact, the only reason he even knows I exist (if he does) is through a vanity search of his name. I locked my account on my own, and so should you.

I am only on:

Tumblr

Facebook (itswilwheaton)

Instagram (itswilwheaton)

and my blog that I’ve been neglecting for too long at wilwheaton.net.

I’ve had a Reddit account since 2006, predating user-created subs! I’m u/wil there.

Okay that’s all. Thanks for listening. Please choose to be kind.

[ah-ga-seven]

No More Pain | Jung Jaehyun

Pairing: Jung Jaehyun x Fem!reader 

Synopsis: The lingering wounds of your miscarriage have reopened. Now that you are broken up, an unforseen change in Jaehyun’s life has brought him back to your doorstep. Will he be able to fix you this time? Or will he fail just the same as before?

Genre: Angst, One Shot. 

Warnings: mentions of the reader having a miscarriage, depression, alcohol addiction and heartbreak.

Word Count: 2.8k

A/N: Probably one of the heaviest angsts I’ve written. I know the subject is rough but the idea came from a dream so I just had to write it down.

This was a different kind of pang to your heart.

You’ve had your fair share of tragedies, heartbreaks and disappointments, but this…

This feeling was nothing like anything you’ve ever felt before and quite frankly, you wouldn’t wish this upon your greatest enemy.  

It was a Thursday night, one like many where you decided to stay in and recharge from a busy day at your demanding job.

You were seated on your couch with a hot cup of tea as you mindlessly scrolled through your Instagram feed. Completely wrapped in the warmth of your favorite fleece blanket. But even the thick fluffy material couldn’t protect you from the cold shivers that ran down your spine.

You blankly stare at the post your best friend forwarded to you via dm and stiffened.  

Memories of the night you miscarried 4 months into your pregnancy flood back to you as you stare at his comment.

You remembered how broken he looked when the doctor couldn’t find the baby's heartbeat anymore.  

You remembered how he held you as you cried in his arms, promising that he’d love you just the same as he tried to console you to his best ability while suffering himself.

You remembered the pain and the relief of having Jaehyun by your side through it all. Glad that even though your life was about to change forever, he’d be the one constant thing you could rely on.

You remembered all of these moments like they happened yesterday, wishing future you could mentally prepare past you for what was going to be the hardest time in your life.  

The man who swore never to leave you did just that, and not even 6 months into his new relationship, your biggest insecurity was made into a reality.  

He had moved on for good, and even though you have no ill feelings towards him, you can’t help but feel anger over sadness right now.  

It was that easy to replace you. And that easy for him to find someone that could give him what you couldn’t.

Even though your miscarriage wasn’t the direct cause of why he left, the effects of the incidence on your mental health dragged him down with you. So both of you felt it’d be better to part ways for the sake of not wanting to hate or resent each other in the end.  

But God…you hated and resented him now more than ever.  

It didn’t matter to you that both of you started to date new people, because a part of you always held on to the fact that you’d somehow find your way back to each other, though the probability of that ever happening again turned to ash.

Your miscarriage broke you.  

No appetite for weeks, no motivation to get yourself out of bed and no cure for the monsters in your head who told you that Jaehyun was only sticking around out of pity for your broken state.

That same insecurity is what drove him into the arms of the women he told you not to worry about, and now they’re having a fucking child together.  

Knowing that that should’ve been you was a thought that was just too much to bear right now. You suddenly feel sick to your stomach, tears prickling your eyes as you rub the spot on your belly where the mini bump used to be 8 months ago.

You were finally doing better, thriving in your job and social life. Meeting new people and dating a few loose ends here and there, but you can already feel yourself spiraling back into old depressional habits as you stare at the picture once more.  

You pettily decide to like it, hoping it would spark interest from none other than your ex, and much to your surprise, it did.

Not even 20 minutes later your phone started to buzz on the counter as you poured yourself a glass of wine. You mindlessly retrieve it, expecting it to be your best friend but when you see his name as you take a sip you almost choke.

Is he serious?

You try to come up with what to say for the next 3 to 5 minutes but nothing in your head seems to translate your exact feelings to your fingertips.

You sigh in agony while leaning over on your kitchen counter with your phone still in your hands, reading his messages over and over again. You subconsciously start to bite your lip in deep thought, getting startled by your ringtone as your phone starts to ring in your grasp.

“Fuck,” you mumble to yourself, taking a big chug of the alcoholic beverage in front of you, putting on the bravest face and straightest posture to make yourself feel better before accepting the call.  

You knew you didn’t have to answer, but you were dying to hear what he had to say under these circumstances.  

“Y/N? Is that you?” His voice was unchanged. You didn’t know why, but you expected him to sound different, be different. Yet the same worry he’s always had for you was evident in his tone this time as well.

You clear your throat to avoid a voice crack and sigh. “Congratulations,” you tried to sound as genuine as you could, but you knew you sounded like shit.  

You start to play with the ends of your hair out of anxious anticipation, waiting for him to respond on the other end of the line.  

“I meant to tell you,” he starts. “I just…I didn’t know how and Chaeyoung suddenly uploaded the picture and-”

“Jae…please spare me the details,” you interrupt him. Saying his name like you used to felt like speaking a foreign language. He stayed quiet upon hearing your voice again and let out a frustrated sigh.

“Do you still live in the same apartment in Itaewon?” he suddenly asks, immediately alerting you to stand up straight because he could only be asking for one reason and one reason only.

“Y-yes.”

“Good, I’m on my way.”

Just like that, he hung up and just like that your heart rate starts to race uncontrollably.  

You down the remnants of your wine glass and hope he’s isn’t too close because your place looked far from neat. For the next 15 minutes, you run around, shoving things into random cabinets. Whether those items belonged there or not was the least of your concern and just as you fluff the last pillow on your couch, your doorbell rings.

You take a deep breath, calming your nerves as you walk up to your front door, taking it off the lock before you open it with a dramatic swing.

There he was. Jung Jaehyun.

As beautiful and put together as he always looked, no matter the circumstance. You forget how to breathe when you lay eyes on him and gulp. It’s actually him.

His big dark orbs widened as he laid eyes on you after months of not seeing you. His facial expression softened, slowly parting his lips to speak but you beat him to it when you broke out of your trance.  

“What are you doing here?” your shoulders fall as you look into his eyes for answers. The same eyes that once looked at you with so much love and adoration, but right now his pupils were stressfully darting back and forth, trying to read you like he used to be able to but he had no idea what you were feeling right now.

“Because I feel like shit y/n. Please let me in and let me explain,” he pleaded with a defeated tone.

You scoff, rolling your eyes. “What is there to explain? You knocked up your girlfriend and finally got what you wanted. Why bother coming here? To rub it into my face?”  

Your plan of staying calm and collected went completely out the window just now and you could tell by the shock on his face that he did not expect you to be angry with him.

He took a step forward, backing you into your own hallway. His height towered over you when you stepped back and without looking back he closed the door behind him.

“Y/n. I would never purposely do that to you. Ever.” You ignore his statement, narrowing your eyes at him.

“I don’t remember inviting you in Jaehyun. Does she even know you’re here?”

You hold your ground, crossing your arms over your chest as you wait for him to counter your attack, but he simply shook his head. Knowing damn well that you’re acting tough just so you won’t get emotional.  

As he’s scanning the premises, his eyes linger on the red wine bottle on your kitchen counter and with a look of utter disbelief, he averts his attention back on you.

“You’re drinking again?” he asks with an almost condescending tone.  

“Did you come here to practice your parenting skills because no thanks Jae, please leave,” you bite back as coldly as you could, but he wasn’t having it.

“That shit almost killed you and you’re just casually drinking again?” He runs his hand through his locks out of pure frustration, not knowing what to do with the misplaced feeling of still caring for you just the same, while also knowing he has no business to tell you how to live your life.

The truth is, Jaehyun had no idea what he was doing here. Everything about the situation felt wrong and he couldn’t lie to himself any longer. Ever since Chaeyoung told him she was pregnant; he couldn’t be fully happy about it. He couldn’t commit to fatherhood knowing how much it broke your relationship. How much it broke the women he loved most to this day.

“A little red wine didn’t hurt anyone,” you mumble under your breath and that comment alone send Jaehyun’s emotions into overdrive, unable to hide his disappointment and worry for you any longer.

“IT HURT YOU Y/N. DAMN IT!” He raised his voice at you as he roughly grabbed your arm to make you look at him, which is the last thing you expected. He wasn’t mad at you. He was mad at himself. Mad at the fact that he wasn’t there when you needed him most and mad at the fact that this is what your lives had come to.

You might have previously dealt with your pain by drinking, and you might have mindlessly mixed your anti-depressants with your drink once, which…just might have earned you a trip to the hospital, but that was your lowest low and you made sure it’d never happen again.

You beat your demons by yourself when he had already moved on, so he had no place to waltz back into your life when he felt like it, just to judge you.

You’re absolutely fuming by now because of that same reason and much to your dismay you feel new tears well up in your eyes.  

“NO, YOU HURT ME!” you yell back at him as you smack his chest, the salty droplets streaming down your face as you kept hitting his chest to make him feel your pain. “YOU LEFT ME.”

Your knees got weak and you knew you looked absolutely pathetic as you crouched down in front of him. Shock took over his features as he got down on his own knees just as quickly, pulling you into the comfort of his arms. The warmth that you used to call home and the warmth that always seemed to calm you down engulfed you completely, a feeling your favorite fleece blanket from before could hardly imitate.  

He patted your head with assuring strokes, whispering sweet nothings to you as he held you on the floor of your apartment. Letting you sob the pain away in his black shirt. “Shhh, it’s okay…” he kissed the top of your head, caressing your cheek as he wiped away your tears.

You calmed down slowly, ignoring the suffocating ache in your head and heart while he made you feel safe and sound like he always did. You sat there like that for God knows how long, letting your minds go into overdrive as silence comforted the both of you.  

Ironically enough, this scenery was the exact same as the one in the hospital 8 months ago. You cried in his arms just like this when you had lost your child, but now you were crying because you had lost him. For good now.  

“I would never purposely plan to have a baby this quickly y/n, you have to believe me. Chae was on birth control but it just…happened,” he whispers, finally breaking the agonizing silence.

You stay quiet, closing your eyes to the sound of his low voice, letting his words register. “I was going to tell you. I was planning to ask you out for a coffee but as soon as she passed her first trimester, she was just so excited and made the announcement…it was just bad timing.”

“All of this is bad timing,” you mumble, which made him nod in agreement. He sighed into your hair as he continued to explain. “Y/n, I’d be lying if I said I didn’t care for you anymore. I wish things were different, but they simply aren’t and I’m sorry.”

You sniff, dabbing your tears and your nose with the sleeves of your blouse before looking up at him through your lashes.

“You don’t have to apologize for moving on and being happy Jaehyun. It’s all I ever wanted for you.” You wipe the single tear that remained on the corner of his eye, not having realized that he shed a few tears himself too.

He leaned into your touch as he looked into your eyes before closing them, leaning his forehead onto yours while taking a deep breath.  

“I just want you to be ok.” He says suppressing a sob. “I can’t live this picture-perfect life knowing that you’re in pain y/n. It makes no sense; you deserve so much more it’s not fair.”  

Your lip starts to quiver as his words hit you, and you build up the courage to look at him again.  

He stared at you longingly and lovingly for the first time since forever and you knew a mistake was about to be made when he inched his face closer to you, but it was too late.

His lips made contact with yours and you completely gave in. Letting him lead you into a slow yet passionate kiss that took both of your breaths away.  Before things could get more heated, you realize what was happening and froze.

You take a hold of his wrists as you pull away, your eyes staring into his equally electrified ones as you recompose yourselves.

“I-I’m sorry,” he started. “I should’ve never confused you like that. Fuck. What the fuck am I doing.” He covers his mouth as he got up. Frustrated with his own behavior, he digs his fingernails into the palms of his hands to suppress the urge to swing at your door or any other object in sight for that matter.

You get up just as quickly as well. Straightening out your clothes before shaking off the nerves of what just happened.  

You take a deep breath followed by a shaky exhale as you opened your front door, turning around on your heels to look at an equally distressed Jaehyun.

He was about to speak; about to confess that he still loved you, but you stopped him by raising your hand, motioning for him to keep whatever he was about to say to himself.

Your eyes find his own and you take one last glance at the man that was supposed to be the pillar to your family. The man you used to call yours, and the man that you had hoped to still have a future with, despite everything.  

But you knew better.

You knew what was right and you knew what you had to do before things would start to spiral out of control again.

You stepped aside so he could pass by you, trying to avoid eye contact all while you could still feel his burning stare lingering on your fragile state.

You swallow harshly, licking your lips before you spoke as clearly and steadily as you could.

“For the sake of your family, please leave Jae…and never come back.”  

[thehiddenmemoryuniverse]

Lucifer Ending: Tragedy and Contradiction

Okay, so I tried really hard to resist the urge to post anything about it, and I even held out for over a week trying to process/calm my feelings about the ending to Lucifer. I’ve tried, I really have, but the more I try, the more I CANNOT rationalize that ending. As you may have guessed, I absolutely hated the ending, and I just really, really, have to get my feelings out about it. If you liked the ending (I really wish I could be you!!), you may want to skip reading any further (I recommend you do, in fact). 

Ultimately, regardless of the details, that ending for Chloe/Lucifer is just way too heartbreakingly tragic and sad, however, this is made all the more unbearable because none of it makes ANY damn sense.  

I’m just going to start by pasting a bunch of quotes first:

2x05

Lucifer: I refuse to believe that. There is always another way.

Mum: If anyone can find it, it's you.

2x02 Chloe: “Doing what's best for your child, it doesn't always make them happy.”

3x16

Cain: But you're the Devil, you always keep your word.

Lucifer: I do. So I hope you understand how difficult a decision this was. And yet, oddly, the easiest I've ever made.

6x01

Lucifer: I love you, Chloe Decker. I'd do anything for you. Except give you up. Give us up.

6x09

Lucifer: I need you to know that if there is any choice to be had at all, I will always... choose us.

6x07

Rory: You make choices, Mom. If I told you what they are, you wouldn't really be making them any more.

Yeah. Not going to comment further on these right now. 

Nor am I going to even get into the whole fate vs free will. Regardless of your views on that debate, why on earth a show about free will spends its final season spotlighting the widespread, controversial debate of fate vs free will by introducing a time loop plot, I’ll never understand. 

But even if we forget the numerous issues/contradictions with that (and the ridiculous irony of Rory’s quote shown above), and accept that Lucifer and Chloe chose this, I honestly feel like screaming because WHY??? Why on earth would they EVER want to chose this? 

I know the 2 reasons given, the reasons everyone is speaking up with, the reasons expanded on at length in fanfiction, and I’ve tried really, REALLY hard to rationalize them in my head, tried to enjoy the sweet moments fanfic writers are trying to make of it, but I cannot. Because it doesn’t make any damn sense whatsoever to me.

Reason # 1: Lucifer never would’ve realized his ‘calling’ to help tortured souls in Hell.  

Right. First of all, if it really is his ‘calling’ he would figure it out eventually because that’s what a bloody calling is. I mean really. Not to mention there was plenty of evidence that he was figuring it out already, and him figuring it out after actually helping people in hell (Jimmy, Dan, Mr. Said out bitch), makes way more sense than stopping someone from making the mistake of killing someone else.

And second, even if we accept the argument that he wouldn’t find his calling, we are then saying that he chose his ‘calling’ over his own family, the people he loves most of all? That’s beyond awful to me. And pretty much destroys all of the growth and beauty and love and development across the series. A complete contradiction to even earlier in series 6. See above quotes. Lucifer tells Chloe he’d do anything for her, except give her up, give them up. He tells her if there’s ever any choice to be had he would chose them (his family). So, what the heck? Which leads me to reason 2, and beware with continuing because this is UNBEARABLY frustrating to me so I may get a bit heated. I just can’t. I can’t understand this.  Reason #2: They did it for their daughter, because she asked them to, because she didn’t want them to change her, because she’s happy with who she is, etc, etc..

This is the most widely accepted reason, the most referenced in fanfic, that it’s so beautiful because Lucifer and Chloe sacrificed everything for their daughter because they loved her so much.

I’m sorry, I really am, I tried so hard to make sense of this but it makes the least sense to me of all. 

Why on EARTH is Rory growing up without her father better for her? Why on earth would Lucifer, of all people, knowing the pain it causes, ever chose that for his daughter?

This is not sacrificing for their daughter, this is sacrificing for NOTHING at all. This is doing the ABSOLUTE worst for their daughter, all because she asked them to?

And her asking them to in the first place makes no sense either. Why on earth would Rory ASK for it after all the pain it caused her? Earlier she told Lucifer and Chloe that him leaving ‘ruined her life’, and now all of a sudden she’s happy with it? After seeing and reading how much Lucifer and Chloe loved each other she wants to separate them? After saying she now loves Lucifer too she wants to do that to him? And you can’t tell me it’s her being selfless because she thinks he won’t find his ‘calling’ otherwise, because even if he doesn’t (which he would for reasons above), then again we are saying they are choosing a ‘calling’ over family, over those they love most. Or, even worse, Rory, is choosing FOR HIM and ROBBING him of his choice to chose his family over his ‘calling’. 

No matter what way you spin it, it is just all kinds of wrong and messed up, and does not showcase the love the characters have for each other, nor the freedom of choice.

There’s nothing beautiful about any of this to me. It’s just plain awful and cruel for NO REASON. 

Yes, I know I’m missing one popular theme with all of this, and I might just hate this one most of all: That even though Rory suffered it made her stronger, she’s proud of who she is, and they don’t want to change her, don’t want to ‘kill’ this version of Rory who grew up without her dad. 

No. Just no. This pains me immensely. So we’re saying that she’s a better person having grown up without a Dad than she would’ve been growing up with a complete, loving family? That people who grow up with loving families can’t be as strong and proud of who they are? WTF? 

Sure, we as people are only strong in life when we need to be but that doesn’t mean that someone who grew up more fortunate doesn’t still have the capacity for that strength (or that they don’t suffer in other ways).

Yeah, it’s beautiful when you grew up abandoned and were able to eventually overcome it, but in reality you’ll always be scarred to some degree, and you certainly would have been less messed up, happier if you hadn’t.

Changing the time loop so that Rory could grow up with her father in her life wouldn’t ‘kill’ her. Fundamentally she’d still be the same, still would have grown up with her ‘kickass’ mom. All the good parts would still be there. There would just be even more good and much less of the bad.

How on earth would Chloe and Lucifer not want to chose that?

There is no way anyone can ever convince me that you come out better growing up abandoned by your father than you would have if he hadn’t. Just no.

We are strong and proud to overcome something only when WE HAVE NO CHOICE. CHOOSING to suffer just to show how great you are afterward for overcoming it when you could have chosen NOT to suffer at all, is just the most ridiculous thing I’ve ever heard. 

It reminds me of a quote from one of my childhood movies, the original “Lion King.’ Little Simba tells his dad he went looking for danger to show that he’s brave, and his dad answers, “I’m only brave when I have to be.” 

So.  Circling back. Ignoring the debate on whether or not there was even a choice given (fate vs free will and ridiculous time loops). Ignoring that Lucifer likely (and should have) been able to find his ‘calling’ anyway. 

Then, in summary, we are left with Lucifer (and Chloe) ‘choosing’ for Lucifer to leave them for Hell, abandoning them both (and Trixie) because either

1) Lucifer’s calling is more important than being with his family

2) Rory wants to suffer, to let her parents suffer an unimaginable amount of pain, just to show that she comes out better for it, even when she can choose not to suffer at all. And Chloe and Lucifer are both in agreement that this is best for them and their daughter. 

What. The. Hell???!!

I’m sorry, but there’s no rationale for this. None. At. All. 

I’ll be the first to admit that I would never be happy with such a devastatingly heartbreaking ending no matter what the reasons, but, HOLY HELL, can they at least have had it make even the smallest amount of SENSE?! 

It’s just angst for the sake of angst, and I especially did not expect this from this show. It was always a show not to be taken too seriously, not to overthink and just have fun with, and that’s what made it work for me. But then they decide it’s a good idea to 1) throw in a time loop plot when time loops in fiction is pretty much the definition of serious complexity and making viewers overthink. And 2) have it end with such a tragic and sad ending that makes no sense. I am so sick and tired of the trend now days that shows can’t have happy endings.

(Edit: Now look what happened. I’ve gone and made another rant: https://thehiddenmemoryuniverse.tumblr.com/post/663357629901438976/lucifer-morningstars-broken-journey)

[completeoveranalysis]

~

Warning! This post contains spoilers up to chapter 170 of Tsubasa (and Chapter 71 of xxxHolic). Please skip this if you have not read that far.

Please also make no comments about what happens after that point in either manga.

~

OK SO HERE IS SPOOKY KUROFAI MARRIAGE PORTRAIT

The splash text reads: Shed blood and tears, without forgetting them, turn them into an existence.

Here is a link to my original post if you need the full context.

But here is the thing I said that just made me want to scream here in 2021, specifically in regards to that splash text:

"Incredibly motivating. It’s like the optimistic view of how things are when things are tough. The tough times are unavoidable a lot of the time, but you can and will get through them. You just have to make the choice to pick up the pieces and use them to construct a new future - which is never easy, but it’s the only way forward. For the dads, it’s both their past and their future. Kurogane has already gone through this; his life shattered and he used the pieces to forge a new identity and found new things to live for. For Fai, this is something he still needs to work on. He’s so used to running from his tragedy that he hasn’t yet figured out who he is beyond it. The “without forgetting them” is sort of a call out for him in that respect. You can’t grow by pretending they didn’t happen, or by pretending you’re a different person. Once he’s faced the pain and accepted that he’s alive and can continue living in a way that can make himself and others happy, then he’ll finally be moving forward."

IN WHICH.

LIKE.

I have no idea how anyone even reads this liveblog armed with knowledge of what happens next because APPARENTLY I JUST SAY THINGS that are VASTLY UNJUST and now I wilt away with the memory of what I thought of Fai back then.

I don't mean to give myself any undue credit here - I predicted none of Fai’s backstory. I had something completely different in mind when writing this, entirely based around the knowledge of Fai fleeing from Ashura with no context whatsoever about who Fai really was.

When you know where Fai came from? Oh my god.

Oh my god.

The words just toss my intended meaning out the window and dance around with the actual truth right in your face. Especially the “pretending you’re a different person” bit - I could never have predicted that Fai was using his brother’s namesake both as a way to eliminate himself from the world and to devote his life towards resurrecting his brother in his place. But HOT DAMN do these words ice skate in all the correct patterns without any knowledge of what the heck they could possibly mean in the end.

Also I'm in physical pain from the phrase: “without forgetting them” is sort of a call out for him in that respect." I know that past!me was thinking purely about Fai running away from confrontation with Ashura and pretending that he was fine and that everything was fine and that he could stay away from it all as long as possible. Things I did not know: That Fai's memories had been deliberately changed by two separate people to control the direction of his life. "Without forgetting them" is NOT a callout for Fai - Fai had no choice in that whatsoever (but they could still be a callout for ME for forgetting any of this plotline had ever happened oh my god). Fai was only ever running from Ashura with good intentions (ie, to NOT murder someone), and there was no way he could have known that his past had been rewritten to such a massive degree that it shaped the core of his personality for his entire life. And just as the splash text implies, it's only when he gets the CORRECT memories back that he can use them to forge a healthier and more accurate life moving forward.

A call out for Fai. Imagine. Past!me has so much to answer for.

I also want to revisit the bit where I said “once he’s faced the pain and accepted that he’s alive he can continue living in a way that can make himself and others happy, then he’ll finally be moving forward”, because this comes off entirely flippant now that I’m looking back on it.

My expectation for Fai’s potential trauma was somehow barely a tenth of what it really was in the end. And like, the idea I was getting at? Technically correct! But also only correct on the surface level. Fai didn’t need to just “confront his problems”. He needed to be completely stripped of the version of himself he had constructed from his false memories, worn down to the very core through reliving the worst parts of his life - and then shown how he was wrong about them. He was lied to his entire life, and so the goals he based his life around were aimed toward an abstracted version of reality. He was never going to be able to resurrect his brother, but he never could have known that without knowing that Ashura and Evil Wolverine had manipulated him and his memories every step of the way.

It's only when he can decipher this for himself that he can course correct - and it was only in taking the Original Fai completely out of the equation that Our Fai could finally begin to comprehend the idea of living for himself, and others, instead for fixing a mistake he never actually made in the first place.

So, yeah. “Once he’s faced the pain (of his past) and accepted that HE’S alive (and he’s allowed to be, because he never killed his brother) he can continue living in a way that can make himself and others happy” IS ACTUALLY ACCIDENTALLY CORRECT IN THE END.

I also want to point out that in the initial liveblog I never really discussed how Fai’s expression was relevant to this image, because I didn’t know exactly.

He’s smiling.

It's a small, gentle smile, but CLAMP really draw attention to it with the way he's looking off centre. Kurogane looks directly at the camera, but he's off centre - Fai is in the middle of the frame and he's vaguely looking elsewhere, head tilted in the wrong direction, as if he were looking towards Kurogane but seeing something else entirely.

The image itself was part of a series of splash pages where CLAMP were depicting the current state of the relationships between all of the main cast throughout the Infinity Arc (and it was glorious) and while I absolutely caught the fact that the relationship between Fai and Kurogane was intimate but strained, I didn’t know the context of Fai’s smile. His backstory shows us that Fai smiles as a way to make other people happy, because deep down he thinks this is the only possible value he can bring them - a smile is his only way of improving the world for the people around him, and his smile is the only thing he’s worth.

Here in the image Fai is partially draped over Kurogane but his distant look shows that he isn’t fully committed to the scenario - because before Seresu he could never be. As much as he liked Kurogane and allowed himself to get close to him, it was always always with the intention of him trading his life away for his brother’s at the end of the day. This is what caused the tension between them in the first place - when Kurogane made choices in Fai’s stead to keep him alive (in Acid Tokyo), he threatened Fai’s chance to trade his life for his brother’s, and so Fai distanced himself from Kurogane. Even if they fixed what they had between them, anything he had going with Kurogane could only ever be temporary until Fai could trade places with the real Fai.

And so Fai smiles - because any happiness he can give Kurogane and the others is all he’ll ever be worth. It's a temporary happiness that was never supposed to last or even exist in the first place.

And it’s not until we get OUT of Seresu that Fai finally has the opportunity to build himself from the ground up and start living for himself. For his own happiness and those around him.

And finally commit to the idea of being able to (and being WORTHY OF) making Kurogane happy in the long term.

Which is where we then get the punching scene in Nihon. And it’s perfect.

But OH BOY did past!me say some things that sounded correct but were utterly and completely wrong at every level.

[stxleslyds]

LET’S TALK ABOUT BATMAN AND ROBIN #20 (2011).

And the issues that followed that story (Batman and Robin vol.2 #34-37)

DC and the fandom really let Bruce get away with what he did to Jason in that issue. DC because they had Jason go back to Bruce a few issues later to finish their story and the fandom because this moment in comics isn’t talked about enough which has led people to believe that the the concept of “batfamily” as it is in fandom belongs in canon.

This type of moments in stories should make a bigger impact on comic relationships and fandom’s perception of said relationships. From where I am standing Bruce’s actions in that issue are right on the edge of unforgivable and they could have used them as a key moment for Jason to finally move on from all Bat related bullshit without thinking that he had to stay and finish the job (of getting Damian back).

Making Jason move on so easily from that situation really makes it look like if Batman is physically, emotionally, or mentally abusive to his children then it’s not that much of a big deal, it’s just a subplot to a bigger story.

And that is something that happens repeatedly in current comics and it’s disgusting.

Anyway, now that I am done with my rambling, I will start talking about the issues that I mentioned.

Batman and Robin (2011) #20 – Written by Peter Tomasi.

For a little context, this issue is set after Damian’s death and Bruce is looking for ways to resurrect him.

And in this particular issue of this run, Batman recruits Jason Todd between the events of RHatO vol. 1 #18 and #19, that’s why in the cover of the issue the name of the run is changed to ‘Batman and Red Hood’.

A bit more context is that in issue #18 Jason finally recovers from the injuries that he got when the trap that Joker had put on his helmet detonated, and Jason was also having an existential crisis after the Joker convinced him that he was always present in Jason’s life and that he shaped the man that Jason had become (If you want to read more about that and the times' Joker has played with Jason’s mind, I have this post in which I talk all about that).

Good, now I can finally talk about this hellish issue.

Bruce asks for Jason’s help because he wants to take down some marksmen and women that are based in Ethiopia that might or might not have been the same people who took on the job of looking for Damian when his mother had put a bounty on his head.

One would imagine that Bruce calling Jason for this job means that he would let Jason kill some people, bounty-hunters that are money-driven enough to kill children seem to be the kind of people Jason would have in his black list, but Jason is smart and he knows that Batman won’t let him kill so he asks why is Bruce asking him of all people to join him on this mission, Batman replies with “Because I am seeing red”.

If you, like me, don’t understand why Batman would ask the Red Hood to stop him from killing some very shady people then don’t worry, Batman was lying, he didn’t ask Jason to go with him to beat some bounty-hunters, he has ulterior motives.

I will give it to Tomasi, he wrote Jason as the smart cookie that he is because Jason doesn’t stop picking up on the weird technicalities of the mission, and I will go as far as to say that Jason never truly believed that Bruce was being honest about the true nature of their mission. Smart Chonky, I miss you and love you.

Once they get to Ethiopia Bruce starts setting the rules of engagement (don’t shoot to kill, only hands, knees, and elbows), and off they go. Bruce even makes a comment about how it “feels like old times” and Jason is all happy and warm that Bruce invited him to beat some baddies and he also brings up the fact that Bruce stayed by his side while he was recovering from his injuries, very lovely stuff that will soon mean nothing (and that should have meant nothing because Bruce and his lies had resulted in Joker knowing all of their secret identities and messing with all of them in horrible ways, but the Bat can get away with that too).

Here is part of Bruce’s speech about trust and his lies, “You don’t ever need to thank me, Red Hood, for a family always looks out for each other” to which Jason says, “Yeah but a family also needs to earn each other’s trust” and Bruce continues his speech with, “comes a time when having to keep earning someone’s trust stops and you hope the people you’ve put your faith in will always have your back no matter what”.

Batman, everyone, master detective and master manipulator.

As Batman is talking manipulating Jason he beats every bounty hunter almost effortlessly because he had brought some bat-gadgets that were going to make the fight really easy. And as the fight is over in what looks like a minute Batman and Red Hood get on the Batmobile ready to leave Ethiopia… or not.

Jason is very aware that Batman didn’t need him for that so-called mission so he starts to ask more and more firmly about the real reason as to why Batman brought him to this place.

Batman brought Jason back to Ethiopia, but most importantly back to the Magdala Valley because he wants to see if Jason going back to the place where he died will make him remember how he was resurrected.

Yep, talk about having messed-up parents. Bruce is positively the worst at this moment, but it gets worse.

Jason is rightfully pissed off, he says, “You lied to me, this wasn’t about taking down those mercenaries. You wanted to bring me here, to the worst place in the world and here I was starting to believe all your crap about trust and faith...”

To which Bruce says, “I thought bringing you here could jog your memory, maybe retrieve a detail buried deep in your subconscious that could help piece together how you came back to life so I…”

And my man Jason really continues his thought process only to later tell him how much of a piece of shit he truly is (I love this Chonky, go Jason show this man that he ain’t shit).

“…could apply it to getting Damian back. Yeah, I get it. Did it ever occur to you I might like keeping whatever the hell happened to me buried deep? If you cared about me, you wouldn’t want me to dredge up the one thing I’ve been trying to forget. I don’t want to remember the most horrific day of my life all right? You may like wallowing in your tragedies, Bruce, but I’m done looking back!”

Jason, bravo, tell him exactly how you feel! Any sort of good human being would surely accept that they crossed a massive line and that they should ask for forgiveness next, right?... Right?

No. And that’s because Bruce is a horrible human being, I am sorry but it had to be said, this man has zero empathy for Jason and he proves it when he says the following.

“If you cared about me and what I’ve lost, you’d want to dredge this up! Don’t you see, there is a chance you can help me erase one of the worst days of MY life, Jason! You can give me the greatest gift of all and help me figure out how to bring my son back”

Fuck Bruce Wayne. This man has no right whatsoever to talk this way to Jason, no matter how you see this situation, the whole thing is fucked up. Bruce puts his needs above Jason’s feelings and he diminishes Jason’s position as his son because Bruce only refers to Damian as his son. This whole thing is incredibly nasty.

Here we should have had the point of no return for Jason and Bruce’s relationship, although if you are like me, you might think that the point of no return happened way back in Batman (1940) #650 when Bruce decided that saving the Joker by throwing a batarang at Jason’s neck (how did he know that Jason would survive that, I have no idea, maybe Bruce can see the future) was a better option compared to Jason finally killing the clown. Because that’s the thing, Jason was going to kill the clown but Bruce didn’t let him because he didn’t want more blood in Jason’s hands, I laugh until this day about how stupid Bruce’s thinking was there.

Anyway, the point I was trying to make is that Jason should have said bye-bye to Batman and all related Batman crap from this moment on. It would have been perfect but DC can’t help themselves and Lobdell’s self-insert-Jason really wants to be part of this amazing family so, no luck for Jason or us.

If you have read my latest post about Joker getting under Jason’s skin or read issue #18 of RHatO you know the context of what Jason says next.

“Yeah, and how about me? How about the gift of not knowing that the Joker manipulated my entire life, huh? The clown tainted everything, the good, the bad, hell my life’s even been tainted by you!”

Yup, Jason was going through it, and he had talked about these feelings with Bruce previously in issue #17 of RHatO, he had asked Bruce if he thought that Joker had created him and Bruce said, “No Jason, He didn’t make you, I never did either. You made you” and Jason was extremely thankful for that. And now, here we are, these feelings are being brought up again but in a very different situation.

Them arguing becomes a physical fight and after Jason asks Bruce “why are you making me stand in the exact same spot he beat me to death?” He replies this “Because I want to watch Damian grow up damn it! Damian earned that right! And I want to give it to him!”

This conversation only gets worse and Bruce’s most horrible side comes to light, like, I understand that Bruce wants Damian to be alive and all that but he is saying all the wrong stuff to Jason. I feel like as the reader I am being told that Bruce values Damian more than he ever did Jason because he is willing to put Jason through his own personal hell for Damian but refuses to see the reasons as to why Jason doesn’t want to do it. Bruce is being incredibly selfish and he is not caring enough about Jason to notice that he is hurting him. He even doesn’t notice after Jason says, “I was ready to stand by your side and you’ve thrown it all away!”

It is incredibly sad but it's also a bit of a look into what Bruce will do to Dick in Nightwing vol. 3 #30. It has the exact same vibe in both issues, Bruce going completely berserk on his children and telling them that he “trained them to be better”.

This issue ends with Jason punching Bruce several times and Bruce taunting Jason by telling him that he might as well continue because he is “still standing”. The levels of manipulation that Bruce had going on here weren’t as high as the ones in Nightwing #30 but he sure was a little bitch every step of the way.

Jason, being smart, doesn’t take the bait and tells Bruce that he is leaving and he is taking the car.

Wouldn’t this have been an amazing moment for Jason to finally rid himself of all Batman-related events and bullshit? How did DC miss this amazing opportunity to make Jason Todd/Red Hood a character that can stand on his own and with his own rules?

The potential that was wasted when they made Jason go back to Bruce and help him get Damian back in issues 33 to 37 of this same run is immeasurable. And just like Joker being able to get under Jason’s skin, him going back to Bruce and the “family” for plot purposes harmed Jason’s characterization greatly.

Batman and Robin (2011) #34-37 – Written by Peter Tomasi.

Whatever kind of respect I held for Tomasi because of the way he wrote Jason in #20 is now gone. Issues 34 to 37 have Jason fighting alongside Batman and him being all buddy-buddy with him.

Now, let me make something clear, Bruce wanting to bring Damian back to life/from Apokolips is absolutely fine with me, a father fighting for his son’s life can always make a good story, the thing is that at this point in time not only the events of Batman and Robin #20 have happened but so have the events of Nightwing #30.

So, Bruce going through all of this for one of his kids (that keeps being brought up as if he were his only son) after he emotionally manipulated Jason and Dick makes this story very bitter.

But I understand what DC is doing, you know? Here is how they manage to make this story as bitter-sweet as possible. In issue 34 of this run, Dick shows up in his Spyral get-up and offers his help in getting Damian back, because the kid meant a lot to him but Bruce can’t have Dick helping him out along with Barbara and Tim because Bruce has everyone convinced that Dick is dead. So, DC was like “here is this big brain idea, let’s have Jason, Barbara, and Tim helping Bruce get Damian back”. And that’s exactly what they did.

They dragged Jason back to Batman-related crap after he was manipulated, insulted, and punched by the man that is supposed to be his father. And this issue is also happening after Jason had such an immense existential crisis that he decided to have his memory wiped so he could cleanse himself on any doubt that the Joker had manipulated his free will.

How on earth are we supposed to believe that Jason is dumb enough to go back to Batman after all that? Does DC and its writers read their own material? Do they check if the characters that they are planning on using have contradicting narratives?

It’s so messy, the opportunity that DC, Tynion, Tomasi, and Lobdell got to make Jason his own man and his own character was completely wasted, just for a Batman event!

And it isn’t like Jason’s participation in getting Damian back was crucial, it really wasn’t, if I am planning on taking a team of heroes to Apokolips for a rescue mission, Jason, Barbara and Tim wouldn’t be my first options. Jason was put in that book only so they could have someone making snarky comments and for Jason to be like “Bruce we are family, we will always have each other’s backs” I mean, who is Jason supposed to be, Dom Toretto?

Here are some of the moments that seemed the most out of touch for Jason in these issues.

Batman and Robin #34

In issue 34 Bruce gives a long speech about him not wanting to hide things anymore from them (like he did during the events of Death of the Family) and that he wants a new start because they “have been broken long enough” so from that moment forward “good or bad, the truth rules”.

The audacity of this man, my god, how dense can Bruce be? “we’ve been broken long enough”? YOU have broken your relationship with these people time and time again! As you are standing there talking about the truth you are hiding the fact that Dick is alive and well somewhere far away because YOU sent him on a very dangerous mission after he died and you manipulated him.

THE AUDACITY OF THIS PIECE OF SHIT! Am I becoming an anti-Batman blog? I think I am and quite honestly, I am having the time of my life. Fuck this guy.

But back to the issue, after Bruce says that the truth is all that goes now, Barbara basically says that she doesn’t believe him, that all it takes for Bruce to go back to lying is “another situation that justifies you going dark on us in more ways than one” HA! You go, girl! But he is already hiding something from all of you.

Jason being himself supplies a situation like the ones where Batman lies to them in order to get them to work for him, he says, “or bringing me to Magdala Valley on a sightseeing trip to reminisce about the good old days of crowbars and explosions”, ah yes, sure, Bruce did all that back in issue 20 and now it is brought up as an afterthought… how wonderful.

Bruce, of course, lies to their faces when he says “I promise that nothing gets held back. We speak our mind no matter what the cost” to which Jason says “Unconditional truth now and forever, Bruce, otherwise this is all a load of crap”.

AND IT IS! IT IS ALL A LOAD OF CRAP CHONKY! RUN, RUN LIKE THE WIND!

Man, what a mess, poor Dick. He had to wait there and watch his father lie his ass off. And he really wanted to help Bruce get Damian back. Even after Bruce told Dick (as well as Barbara, Tim, and Jason) that he had to go to Apokolips alone Dick still helped Bruce in other ways, Dick really is the MVP, what a man, I love him so much!

(I really needed to show my love for Dick right then and there, sometimes you just have to do it. Dick Grayson is, after all, the greatest comic character to have ever been created).

Batman and Robin #36

First of all, seeing Jason and Barbara wearing the Robin symbol really makes me laugh. It’s just weird to see Barbara wear it, it almost feels like it’s something that shouldn’t have happened and in Jason’s case, well, the last time he wore it he died and it’s kinda funny to see beefy and tall Red Hood wearing a Robin symbol, it’s just funny not a critique.

What I am going to critique from this issue is that after they (Jason, Barbara, and Tim) go to Apokolips and find Bruce they say, “You’re here in this hellish place for your son, Bruce” and Jason continues that with, “And we’re here for you”.

Ah, the irony. Of all people, having Jason say that to Bruce is wild. This man has done nothing for Jason and here Jason is, in Apokolips, of all places, to help a man that does not deserve it. This is proof that Jason is a good man but its also proof that he is an idiot in the New 52, I am sorry but come on, writing Jason this way after what Bruce did to him in issue 20 seems like DC is confirming the fact that even though Batman does the most horrible stuff to his kids, he can still get away with it because his kids still love him all the same.

I understand, loving your parents when they are flawed but Bruce had been written at this time like an abusive father, and he was written like that towards Jason and Dick, so it is not a good look. Bruce saying that he promises that he won’t do it anymore isn’t enough DC, make the man pay for being that way, make his kids stay away from him for a while (or forever).

And here is the other thing, I say that Bruce is Jason and Dick’s father but DC doesn’t, they only acknowledge Damian as Bruce’s son and they do it because the New 52 timeline is non-existent. After all, they deleted a lot of history from these characters, I think it’s fair to assume that Bruce never adopted Dick or Jason and that both of them were Robin for a very short time. What I am trying to say with this is that not only is Bruce getting away with being abusive but he is also getting away with being an abusive father. Because Bruce is their father, at least I see it that way, he isn’t just his friend/mentor/tutor he is their father. He used to be before New 52 and that’s not something that we as the readers are ready or want to let go of.

All in all, Jason didn’t do much in these issues thus confirming (to me, at least) that the only reason he was invited to the party was because they couldn’t use Dick. And that’s an insult to Jason’s character, it would have been better if Jason didn’t appear in this story and he actually had the chance to do something else, like go back to being the proper Red Hood, an anti-hero that does what Batman won’t do for Gotham and its people.

[wasbangtanhome]

late, late, late | KSJ

banner made by bangtanhome! (me)

Summary: Is he late? Yes. Were you mad? Yes. Was it a special day? Yes, yes, yes! You had everything prepared and you just wanted your boyfriend to come home. Now.

Pairing: Office worker!Kim Seokjin x F(Reader) | also kind of dom!Jin

Warning: 18+. Smut in the form of: pwp, provocative dress, unprotected sex (wrap it before you tap it hehe), oral sex (M receiving), fingering, use of the word "slut", cumming inside, impact play (ass and pussy). also he used the L word.

Word Count: 4.4k

Author's note: Short and sweet to start off my journey here on tumblr!! I hope you enjoy it and to please please let me know about any improvements. I worked really hard on it! Also my first smut fic! Also, also, there are not a lot of pet names ever since I saw the post about what Namjoon, Jungkook, Jimin, and Jin would call their lover. I got super sappy.

From the kitchen window, you have a clear view of the entrance leading to your apartment that you share with your boyfriend. The sun has set and it's well past dinner time but you have yet to see his face walking up the steps, blowing a kiss at your general direction.

You chew the inside of your cheek. He's late, you thought, peering out the window for the nth time while drying the dishes. You can't help but worry. Seokjin usually calls if he picked up an extra shift, but your phone has yet to move.

Today marks a year of the two of you living together. The year hasn't treated you kindly. A while back, your company had some budget cuts. Your department was abolished and unlike the lucky coworkers that were transferred, you were a part of the handful that received severance pay.

You figured going back to work would be easy, especially with your qualifications. However, you have yet to get a call from any of the places you applied to. With you unable to work, you spend your days maintaining the apartment. Your boyfriend, his smile ever present, told you he would just have to take more shifts.

‘You know, ______, housework is really hard to do,’ he remarked. ‘Besides, I make more than enough money to support us both.’

You smiled at your boyfriend then. It was true, there wasn’t really a need for you to go to work. You eased up on your stress over not finding work and dutifully cleaned the apartment.

You trudged your way to the entrance of the apartment. Head resting on the front door before unlocking it with your key. Seokjin was drinking tea by the window sill, looking as ethereal as ever. He noticed you had entered the apartment, smiling lovingly at you.

Before he had a chance to say hello, you broke the news about what happened during work. Instantly, your boyfriend came towards you, his smile faltering as he saw the state you were in. The fatigue in your bones left you slumped on the ground.

Seokjin did not say a word, opted to close and lock the door behind you before sinking to his knees to meet you at eye level.

‘Hey,’ he murmured softly. ‘It’s going to be okay.’

He nudged your shoulder and you fell to his embrace. This was the straw that broke the camel’s back. You whimper softly as you seize his dress shirt, hot tears falling on his dress shirt, turning the color a shade darker than it was. Your knuckles turned white as your chest rose and fell rapidly, ragged breathing moaning the loss. And yet, your Seokjin rubbed circles on your back soothingly, hugging you tightly, not saying a word.

‘Sorry,’ you remembered mumbling as the coil in your stomach loosened.

‘Don’t be sorry, _____, there’s no reason for you too,’ he whispered back.

Silence fell before he piped up. ‘What do you call a bike that can’t stand on its own?’ he waggled his eyebrows when you looked at him, confused at what he’s saying. It took you a good moment to know that he was joking.

‘Two-tired!’ he exclaimed, laughing at his own joke. You smiled at your lover and before long, laughed along with him; his joy infecting your sadness.

He took out his handkerchief, wiping the streaks of tears away and giving it to you. At his gesture, you snickered before dissolving once more into tears. He had fretted then, worried that he had done something wrong.

‘I’m so lucky,’ you mumbled in tears. ‘Lucky to have you as my boyfriend, Kim Seokjin.’

He smiled softly at your comment, proceeded to pull you in his lap. ‘So, what do you want to do now?’

‘Easy,’ you sniffled, plastering a smile on your face. ‘We order fried chicken and drink!’

Seokjin had looked at you funny, surprised to hear you crave alcohol. Your smile was infectious and he ruffled your hair to agree. ‘That’s my girl!’ he exclaimed. ‘Let’s find you an even better paying job, okay?’

He was so enthusiastic, making the tragedy that happened to you that day seem so… trivial. You got drunk that night, your body not used to the alcohol.

You smile softly at the memory that happened after, your boyfriend’s hair stuck to his face, panting heavily as you came all over him. You try to push the memory away, focusing instead on your task at hand, but the damage was done- you're wet.

You chew on your bottom lip, hands traveling lower, touching your folds.

I’ll just start without him.Something nagged at your brain, and as your fingers sought out your clit, you realize how unsatisfying it would be without your boyfriend coaxing orgasm after orgasm from you.

You moan, anticipation and desperation threatening to consume you. Distracting yourself, you went through your mental checklist again. Skimpy apron? Check. Food? It’s cold because it’s been in the fridge, but check. The line that you’ve been practicing for the past few months to win over your boyfriend? Check, check, and check.

You glance again and the parking lot was empty now, its residents taking space in their respective homes. No sign of Seokjin.

You huff, grabbing your phone and pressing the on power roughly, almost causing it to clatter on the ground. Almost. Your screen flickers on and you see an image of him smiling back at you. You stuck your tongue out at his face, and punched a string of numbers you know by heart.

The line rang for a long time. You were about to let it go to voicemail. At the last second, you hear a tired voice answer you.

“Darling?” Seokjin’s voice was gruff and sleepy. You can make a mental image of him running a hand through his hair. He sounded distracted, probably looking at his spreadsheets as the numbers start to blur together.

"Hi," you try cheerfully, clearing your throat, hoping he can’t hear the anticipation across the phone. You cradle the device between your ear and your shoulder before brushing lint from your apron. "Are you coming home soon?"

Seokjin looked at his watch, knowing something was clearly bothering you. Looking at the time, he scrambled to his feet: 19:32.

"Wh-Wha--?" came the stunned response. You hear Seokjin push his chair back and the familiar beep of his computer turning off. You laugh quietly as you hear doors slam and his voice echoing in the staircase.

"Oh, _____, I'm so sorry. I had no idea what time it was," he pants, high on adrenaline trying to get home as soon as possible.

"I'm so sorry, ______. I'll be home soon. You can start eating without me, okay?"

You feel a grin paint your face, relief that he was at work. "I'm okay! You must be hungry, love. Just glad you're finally coming home. I can't wait to see you. Drive safe!" you exclaim hurriedly, knowing he won’t want to call when he’s driving.

He murmured a confirmation and you ended the call. Seokjin may be late but there’s still cause for celebration. Settling the butterflies in your stomach, you open the fridge door to take out the food you had prepared earlier, heating them up.

You finally see a familiar figure run from his parking space. His dress shirt untucked and he stopped for only a moment to blow a kiss towards you. His hair clung to his scalp, his tie was loose, and his eyes shining with adoration. You waved back quickly before seeing him disappear into the building.

Seokjin expected you to be angry, ready to apologize for coming home so late. At the very least, he expected a hug, you seemed happy enough, asking how his day was in the office. What he didn’t expect was you in an apron… wearing nothing else. His eyes roamed your body, stunned at the lack of clothes, briefcase dropping heavily on the floor.

"Are you going to close the door?" he heard you ask.

Never taking his eyes off of you, he closed and locked the door, sliding out of his work shoes. Like a deer caught in headlights, you can’t help but wonder what would happen if you approached him.

You hear him gasp as you get closer, his face incredulous. You pressed your chest towards his, relishing in his ears turning red.

"Now,” you smirk and grab a hold of his tie. “Would you like to start with dinner,"-- you croon as you fling it behind you.

"-a bath,” you say seductively as you open the first couple of buttons of his dress shirt. “-or me?" you finish, dress shirt completely unbuttoned as you watch his delicious figure.

You don't often see your boyfriend at a loss for words. But this... this was something else. Seokjin opened and closed his mouth, blinking rapidly. You hid your smile behind closed lips, enjoying the fact you’re making him squirm.

"What did you make for dinner?" he stammered, forcing a chuckle.

You waved at the table. "The works, japchae, fried chicken, corn, kimchi… You know, our favourites."

"Huh..." he managed, swallowing. Seokjin knew how hungry he was when he left the office, but he couldn't seem to focus on the steaming delicacies on the table. He turned his gaze back to you, slowly closing the distance between your lips.

"Good answer," you murmur.

"Didn't know it was a test," he whispered, dipping his head back down, claiming your soft lips once more.

You smiled into the kiss, content that he was finally home. His hands stopped trembling as it snaked lower. One hand circled your waist, the other trailing soft circles on your back. You shivered at his delicate touch, arching your back into his hand to feel more.

Seokjin seemed to understand your signal and lifted you up, making your way through the living room to reach your bed. Once you landed with a soft plop, he continued the kiss. Heat was rising to his cheeks as he fully shrugged his dress shirt off, returning shortly to connect his lips to yours.

"Jin, I can't see... it's too dark in here," you whined, feeling your skin burn where he touched your body.

You did not receive an immediate response from your beloved, only hearing the thud of a belt on the floor and you hoped his pants came off with it.

"I think it's the perfect amount of light to make you squirm," he whispers. You feel the mattress sink with his weight and the heated kiss resumes, your hands flying to tug at his hair with urgency. You start to feel feverish from the kiss, trying desperately to connect your hips to something so you can feel the first waves of pleasure. You’ve been waiting for such a long time.

He smiles at your impatience and starts tweaking your clothed nipple. "Off..." you whined, wanting the apron gone.

Seokjin slipped the shoulder straps down. You arch your back and he untied the ribbon holding everything together easily. He threw it over his shoulder and finally, his large palms directly touched your tits. He sucked on a nipple while his hands were busy, roaming every inch of your body. You moaned underneath him, thrusting your chest upwards to give him more access.

"Mmm..." you sigh as his hand travelled south and pressed onto your clit.

"You're so wet already," he released your nipple, chuckling darkly. "Have you been waiting all day? Did you want to be fucked that badly?"

You winced at his words. He continued circling your clit, waiting patiently for your answer. "Well?"

"Yes, darling," you pant out. "I have been waiting all day for you! Ah- and you were late," you whined pathetically.

He chuckled again, muttering apologies under his breath while he continues to play with your clit, your nipple back in his mouth. You knew you were going to get a real apology after you're done, but this was enough.

You felt his finger enter your pussy, testing out to see how tight you were. Your eyelids fluttered shut as he added another finger, eliciting a moan from you.

"Yeah? You like that?" came the breathy response.

Your head spun as he curled his fingers at the sensitive bundle of nerves. His thumb pressed and circled on your clit, his pace getting faster and his thrusts getting deeper.

"Jin, I'm close," you squeak out, squirming at his unrelenting force. Your high was right there, waiting for your undoing. But your boyfriend had other plans and his thrusts stopped completely before you came.

You whined, your hands tugging at his hair dangerously. Frustration swept overr your face as it turned even more crimson than his ears. "J-Jin..." you grumble weakly, catching your breath. Your cunt squeezed at nothing when he removed his fingers completely.

"Wanted to feel you cum on my dick," was his simple response.

In the fog of your pleasure, you weren't aware of his veiny cock rapidly growing harder, tip already leaking precum. You stared, dazed as he pumped his length. You also had other plans when you moved to the floor.

You licked a stripe down from the tip to the base, earning a hiss from your boyfriend. His eyes fluttering shut when you look up, his cock slowly disappearing into your mouth.

You suck lightly at first, taking care that your teeth don't make contact with his sensitive member and begin bobbing to a rhythm. He groaned as you stuffed your mouth with his cock, hands grabbing fistfuls of your hair.

"Ah- ________, ah-, can I move?" he huffed out, unable to form sentences without groans.

You moaned to signal your affirmation and he used your hair as leverage to pull you closer to the base. You struggled and gagged, feeling so fucking full. You whimper as he held you there, his head falling back with a groan.

Seokjin snapped his hips, thrusting deeper into your throat. The sensation made you moan, tears blurring your vision. He picked up the pace when he saw you, loves the view of you struggling with his cock in your mouth.

He loved to ruin you, would never admit that out loud, but seeing his lover whimper and sob because he was too big made him moan. Seokjin was holding your head in place, letting his hips do all the work. You groaned out, the vibrations on his cock almost sent him over the edge.

You knew he was close. In ragged breaths, he was saying how beautiful you were, how well you were taking his cock, how amazing you felt, and all the sweet nothings you often hear. However, when his thrusts turned messy, an indication that he was close, you shifted backwards and his beautiful cock fell out of your mouth.

"Fuck!" he cursed loudly, careening forward. He held your head in place for balance, not wanting to fall, worried he hurt you somehow. However, he was greeted with a teasing grin. "Payback, love," was all you said smugly.

You knew you shouldn’t have pushed his buttons that way. But you couldn't help it, knowing the wonderful outcome that awaits you.

He growled, anger flaring with every second that passed since you denied his release. "Bed. Now,” he muttered under his breath. You obliged at his command, though you did it slowly, never taking your eyes of him

This side of Seokjin rarely comes out to play. He was always worried he'd hurt you.

‘Yeah, that's the point,’ you snorted, recalling the memory of explaining what you wanted like he was 5.

Even still, this was a welcomed surprise. You made a mental note of how you pushed his buttons that day, hoping to recreate it in future events.

You were about to sit on the bed when you turned around, climbing on all fours instead, excited about what he would do to you.

“That’s not what I asked you to do, slut” he chuckled, waiting for you to get settled. You teased your ass, moving it closer towards his dick before pulling back.

You didn't anticipate the first slap, the sound of his palm hitting your skin filling the room. You moaned, wiggling your ass towards his face, eyes shining bright with lust.

"Ah- you like being spanked, huh?” Seokjin said, scratching his chin. “Who knew you'd this much of a slut."

You moaned at the word, loving when he said such mean things to you. Your knees buckled when the next smack wasn’t on your ass. He clicked his tongue as he watched your juices flow out from having your cunt smacked. Seokjin reached gingerly towards your clit, teasing it to ease the pain.

"Oh?" he said simply before smacking you again, this time back at your ass. He alternated between slapping your ass and your sopping cunt, the uncertainty of where the next pain would land causing you to see stars.

You whimpered and whined underneath him. Fully lying on your stomach, your ass no longer in the air. You held a pillow, moaning into it, praying the neighbors wouldn't complain about the noise. "J-Jin... please fuck me."

"Huh, I didn’t know this one could beg," he chuckled. The thought of him being with another slut left a twinge in your chest, but that jealousy subsided when he slapped you hard this time, snapping your mind from your thoughts. There was some shuffling behind you and you felt the tip of his cock on your entrance, Seokjin coating his erection with your juices.

"Shit- it's so slippery..." he said mockingly, "slipping" past your cunt. "I can't seem to get it in."

His teasing left you desperate, clinging so hard on to the pillow that your knuckles started to turn white. And just as you felt the anticipation was too much, Seokjin thrusted into you fully, his girth entering you all at once, not caring that you usually needed time to adjust to his cock.

Seokjin dragged you closer towards him, your legs off the bed. He held your neck down with his arm and thrusted hard into your cunt. Before long, you begged silently as your high approaches, hoping that this time your boyfriend would let you cum.

"Baby, I- I'm close."

"Are you now, sweetheart?" You nodded and whimpered at his question. Your voice was getting higher, moans filling your small bedroom.

And he stopped again.

You buried your face in the pillow to scream. You were so agonizingly close and he denied you just like that. Tears fall out of your eyes now, you hiccup and sob, glaring daggers at him.

Normal Seokjin would've scooped you into his arms, a myriad of apologies would spill from his mouth.

But not this time. Instead, he grabbed your hips with his muscular arms before flipping you over so you lay flat on the bed. His cock went back inside, thrusting slowly while he spun circles on your sensitive folds.

"Please-" You breathe in deep, trying to stabilize your hiccups.

"One more for me?" he asked. His voice low and husky.

You start shaking your head, pleading, no- you couldn’t do it again. You were begging him to let you cum. He continued his shallow thrusts and his attention on your clit. You sigh underneath him, overstimulated beyond belief.

"One more," he insisted and leaned close to your ear. "For one whole year of living together." He nibbled on the shell before moving down to your neck. "Please?" You moan when he sucked on the delicate flesh.

You melted into his embrace and nod. "One more."

Perhaps you should've considered longer. Perhaps it was your lust-addled brain that made you say yes. Perhaps you should not have fallen for his devilish charm. But it’s all too late now as he lay on the bed, and you climbed over him.

"Mmph..." you moan, throwing your head back while you grind your pussy on his cock. You snuck a glance below only to find seeing your boyfriend drowning in pleasure.

You leaned forward and bumped your forehead with his. Seokjin's eyes open gently. He pants quietly as he cups your face, gently stroking it with his thumb. An angelic smile spreads upon his face, love and affection in his eyes. You whined as you continue riding him, trying to chase your own high while helping him with his, picking up the pace.

You were still moving a bit too slowly for his liking so he thrusted his hips to match your movements. It sent shivers down your spine and you moan deliciously.

"Baby, I can't- ah- Jin..." you pant, bouncing and grinding on his cock, just then realizing how close you actually were. You expected the stop, but it didn't make it any easier. Your boyfriend stopped his movements and held your hips firm, causing your body to convulse.

Seokjin sat up quickly, hugging and kissing your face profusely. "You did such a good job, ______." he said, his apologies in the form of kisses. He tucked a stray hair behind your ear. "You were so pretty bouncing on my cock like that."

You sigh and smiled weakly at him, "Can I rest?" you asked meekly.

You hear him genuinely laugh. His friends always said that his laugh sounded like windshield wipers. But to you, it sounded like wind chimes dancing in the summer.

Seokjin grabbed you and laid you down on the bed gently. He turned to his side and stroked your hair. You faced him, a content smile on your face as you also stroke his cheek.

"I love you."

The sudden confession made you halt. You knew Seokjin meant it. However, he does not say I love you very often. He shows his love with physical touch and "have you eaten?" questions that make you feel so happy he cared. But hearing him say he loved you almost made you cry. Almost. You had enough tears for the day.

"I love you too, darling."

You scoot closer to kiss him, tongue asking permission to enter. He groans when they collide. Your spare hand moved down and stroked his softening cock gently but he sprung up instantly.

"I kinda blue-balled you, sorry," you broke the kiss sheepishly. Seokjin just chuckled and continued the kiss, moving on top of you.

“Are you okay for more?” he asked, back to his usual self.

You nodded enthusiastically.

His cock slid in effortlessly, your pussy already wet and stretched out enough to take him in without any discomfort. Pleasure caused your body to groan. You wanted so badly to come.

He held up both your legs and toyed with your clit. He was able to thrust easily into you. He started out slow, making sure that you were actually okay before it turned manic, his cock going in and out of you with such force.

You whined when his thumb pushed harder on your clit, feeling your walls clench at his huge dick.

His cock going deeper and deeper inside you combined with him touching your clit was all it took. You were suddenly right there, at the edge of pleasure before you snap. You yell his name, your voice getting increasingly higher. You look at him with desperate eyes.

"Cum on my cock, ____," he groaned, marveling at how tight you were getting.

He kept the pace and soon, you were moaning his name, your juices creaming his cock. You loved being filled. You were so full as your walls clenched around him.

A few more hard thrusts and he joined you in pleasure. "Ah- _____," he moaned out as your walls were painted white. You winced when you thought Seokjin was going to fall on top of you, though he caught himself at the last second.

He slid out of you with a hiss and ran to get a towel to clean you up. After he was done, the towel was placed in the laundry basket, along with all the clothes that were discarded from the floor. You roll your eyes, knowing how neat your boyfriend was.

He plopped right next to you and you cuddled closer, throwing an arm over his muscled abdomen.

"Hi," he sighed out in bliss, tucking another strand of hair behind your ear. "Happy one year anniversary of living together, my dear."

His head dipped towards your and you both nuzzle your nose at each other. "Happy one year, Jin."

"So," he started, clearing his throat. "I can tell you liked getting spanked. Push my buttons some more and maybe it'll happen more often," he laughed at his own comment., waggling his eyebrows at your direction.

This time, it was you who were at a loss for words. You shook your head, rolling your eyes before snuggling so close to him. You found the perfect spot on his chest, as always, pulling the blankets towards the both of you.

He removed himself from underneath you and stared seriously into your eyes. "I know I don't say it enough,"-- you smiled as you notice his ears turning red again-- "but I meant what I said. I do, love you, ____." He held your gaze and you found the strength to sit up slightly to kiss him.

"I know, Jin. This was enough. You are enough."

You've never seen him so giddy and he kissed your forehead again, finally settling down.

"Good night, Kim Seokjin. I’ll clean the food in the morning," you say drowsily.

"Don’t worry, let me get it. Good night, soon-to-be Kim _____," he whispered. You heard the comment but you were tired to ask what he meant. In the morning, you thought to yourself. I'll deal with that in the morning.

When you finally slept, soft snores filling the room, Seokjin got up, carefully detangling him from your arms. You protest slightly but rolled over, not waking up. He padded softly to the kitchen to put the food away. Washing his hands, he looked to the bedroom once more to make sure you were indeed asleep, before opening his briefcase.

Inside, there was a small blue box and Seokjin opened it gingerly, fearing the worst. He sighed in relief as the band reflected a light coming from outside, still intact even though he dropped it earlier. He closed the small box and placed it back in his briefcase.

Seokjin came back to the room to find you had gotten up, hands rubbing your eyes. “Where did you go?”

“Bathroom and grabbed a glass of water,” he lied casually, praying that you didn’t see anything, his heart hammering in his chest.

You mumbled something and he sighed in relief, putting on a pair of boxers before snuggling you close, kissing your forehead.

All characters depicted in this fic are 18+ and fictional.

Any resemblance is just a work of fiction.

All rights © bangtanhome.tumblr.com

Posted on 04.13.2021 at 11:11am GMT+7.

[makeste]

regarding Best Jeanist, Dabi, and all of that

@kaleswagdragon​ I hope you don’t mind me posting this comment and my response as its own post, seeing as it quickly got out of hand and sort of morphed into a whole entire essay.

anyway, so! you say that it’s a mischaracterization, but it’s really not, though. I mean, props for bringing up the cultural context of Japan, in which the honne-tatemae culture of covering up anything that might lead to any sort of conflict -- even if it means harming an innocent victim in the process -- is a very real issue. so given that, I understand why so many people are interpreting Jeanist’s statement in a “how dare you bring this family shame to light” sort of way. and Caleb’s “dirty laundry” translation doesn’t help, given the “we’re more embarrassed than actually concerned about this” feel of that particular phrase, which he apparently chose just because of the clothing pun without really giving much thought to any other implications.

but in the actual Japanese, the meaning/context is somewhat different. here’s a link to a twitter thread clarifying the original spoiler translation, and breaking down the actual Japanese dialogue.

I think the meaning here is very clearly “you waited until the public’s faith in heroes was already wavering to bring this down on them as a final blow.” if he was simply criticizing Dabi for publicizing the Todoroki family drama, he would have stopped with that first sentence. the two sentences afterward (“you waited until everyone’s faith in heroes was wavering, when the damage would be too great to handle”) make it clear that what he’s actually calling Dabi out for is the way that he basically weaponizes his story into the perfect political tool to finally take down the heroes. which is an observation that we as the readers can verify for ourselves as being true. look at how he so carefully edited the footage of Twice’s death. look at the contrast between the way he acts in the video, compared with the homicidal glee we see from the actual Dabi in real time.

Jeanist is notably the only one who is able to get the same perspective as the readers here, since he’s the only person who’s physically present in Jakku with the real Dabi, but is also able to hear the video being broadcast. meaning that he’s able to hear both video!Dabi’s calm, prerecorded “I’m just a concerned citizen trying to look out for a society being taken advantage of by the ones charged with protecting it” speech, and actual!Dabi’s “hahaha fuck you Endeavor I’m bringing the whole country down even as we speak, well anyway time to kill you all” reality. he alone can see that stark contrast between the concerned whistleblower act Dabi is putting onscreen, versus his true attitude of “I don’t actually give a fuck, I just want to eradicate the heroes and make my dad suffer.” basically, Jeanist is the only one who can see that juxtaposition, and see Dabi’s reveal for what it really is, seeing as Dabi literally spelled it out for Endeavor and the others. and so he’s calling him out on that.

and he’s not wrong to do so. it’s clear that a lot of fans vehemently disagree with this, but being an abuse survivor doesn’t excuse you from having the same obligation as every other human being on the planet to try your best to be a decent person, which at minimum means not going out of your way to hurt other people. I say this as someone who’s experienced abuse, which shouldn’t need to be a disclaimer honestly, but I guess that’s how it is these days. anyways, though, I have, and I know a lot of other people who have as well. it’s a terrible, awful, exceptionally shitty thing to experience, and it affects everyone in different ways. and every single person who goes through something like that deserves help and support and time to heal, and it’s a tragedy and an injustice that Dabi, from what we have seen, never got any of that.

but that doesn’t excuse him from still being held to the same basic standard of “hurting other people is shitty” as everyone else. it doesn’t mean he gets a free pass. it doesn’t mean that anyone who says “hey, Dabi using his trauma as an excuse to murder people is kind of fucked up” is an abuse apologist. and it doesn’t mean Horikoshi is an abuse apologist for writing him that way, for that matter, because guess what? sometimes people who are abused grow up to become abusers. that’s just a fucked-up thing that happens sometimes. and pretending like it doesn’t is ironically not all that different from that whole “sweeping things under the rug” concept you mentioned earlier. it does happen, and I think it’s important to acknowledge that, because acknowledging it is one of the necessary steps to take in fixing it.

this attitude of “if someone was abused they should be absolved of responsibility for their actions” that I’ve seen in some posts is taking the concept of “abuse often has a profound impact on people’s mental health, and that should be taken into consideration before judging them too harshly for behavior that they can’t always necessarily control”, and twisting it into this nice little loophole that people can use to duck accountability whenever it’s convenient. but being abused doesn’t give you the right to abuse other people, is my point. nothing gives somebody the right to do that.

and Dabi is hurting other people. he waited ten years to tell his story specifically because he wanted to use it to make others suffer. and, putting aside the part where he’s trying to engineer the downfall of society as a precursor to the mass destruction he and his pals have planned, he also broadcast the story nationwide without the consent of the other abused parties involved. which I’m not saying he didn’t have the right to do, mind you, because it’s his story as well as theirs, and he has the right to tell it. and the right to make his abuser’s crimes as public as he wants, if that’s what he decides. but it also ignores the question of what his mother and siblings might want, and the fact is that they’re also survivors, and so in theory should have the same right as Dabi to choose their own healing process, and decide exactly how they want their abuser, who like so many abusers is also a close family member, to be held accountable. anyway, but all of that is obviously very, very complicated and I don’t think there’s a clear right or wrong side as far as this part of it all. it’s not a situation where everyone can be happy, which unfortunately is often how it goes.

anyway, I’ve kind of meandered pretty far from my original point now, so my bad. my points are, basically,

(a) I think the linked explanation does show that Jeanist is chiding Dabi for using his trauma in this specifically scheming and destructive way, as opposed to saying “shame on you for not being a good little victim and staying quiet”, which would be a ridiculous thing for Horikoshi, who’s explored the topic of abuse more thoughtfully than any other mangaka I’ve read, to randomly have one of his protagonists say.

and (b) the people calling Dabi out on his shit aren’t all smug victim-blamers who have no sympathy for what he has been through. the latter point (and a lot of this post, actually) isn’t particularly directed at you btw; it’s more of just a general statement brought on by some of the discussion that’s been going on these past few days.

anyways, I actually like that the fandom is talking about all of this! I just think it’s a very complex subject, and an even more complex situation currently in the manga. and ideally, people would try to acknowledge that complexity when discussing it, rather than simply picking a side and doubling down on it no matter what, or shooting down the whole thing as problematic writing just because isn’t a neat and tidy situation where you can simply say “oh, person A is right and person B is wrong, that’s it, end of story.” it’s not, unfortunately. it’s a messy clusterfuck of a topic that’s only going to get messier as this plot continues, so hopefully we can all just sort of brace ourselves for that lol. this is really just the tip of the iceberg, I think.

[mittensmorgul]

So for the most part, I outright reject the finale. But I do think, in light of the whole "Jimmy was supposed to be in the bar, and Dean was disappointed by that because his perfect heaven would have Cas in it" just makes me all the more convinced that the final episode was some kind of djinn dream. Like.... There's no other explanation in my opinion. If Dean's perfect heaven was supposed to have Cas, and he tragically gets faked out by Jimmy (????? Why tf would jimmy be there anyway), it just proves that it's not ACTUALLY heaven. That, along with he El Sol beer he's drinking is all the evidence I need. I think after 15x19, Dean and Sam got whammied by some monster, and are stuck in a hallucination, and that's what we're seeing. (My headcanon is that it's actually The Empty doing it, because it knows if it doesn't keep Dean and Sam occupied and spinning in circles, they'll invade the Empty to save Cas. So its trying to prevent that) :)

Hello, anon friendo! I am gonna start by offering the socially distanced version of a high five, because yeah... There is just so much to unpack here, and you provided such a succinct and all-encompassing series of statements to start from. Thank you!

*flings open array of questionable suitcases*

First off, Congrats on having rejected the finale. I know a lot of folks are still struggling with that one, for many reasons. But you have hit upon so many of the points I’ve been trying to make about the finale since it aired. I’d just like to start with some of the assumptions I’ve heard from folks about the finale that make it impossible for me to consider it fully honestly canon. Because so much about it just makes no goshdang sense... like... not at all...

One of the biggest issues I have surrounding the reception of the finale in parts of fandom is that it portrayed a “happy ending.” The show itself spent the entire final season telling us that a gravestone marked Winchester was not and never would be a happy ending (thank you Becky Rosen-- words I never thought I’d say, but honestly and most sincerely meant). Let’s break this down a bit.

Starting from the assumption that “heaven was fixed” so that characters could have true free will there, making it satisfying in any way that Dean died so young and never got to truly experience happiness during life, I would like anyone who has adopted this attitude to then explain Kansas the band. I mean... explain that in any satisfactory canon-compliant way. (hint: you can’t. it makes zero sense in canon, if heaven is truly reformed and “happy” with everyone in possession of free will.)

Which brings me to Misha’s comments about Jimmy being in the Roadhouse. Why, if heaven were truly fixed, would Jimmy ever in a bazillion years attend a party for Dean Winchester? If Heaven were truly a “happy” ending for Dean, why introduce this element of eternal tragedy and heartbreak to his heaven experience? Why taunt him with the eternal loss of Cas-- even if you don’t think he reciprocated Cas’s romantic feelings, he was canonically the best friend Dean ever had, and being forced to exist forever in a place where he had everyone else he ever cared for except for Cas? Is frankly horrific.

How the actual fuck is that a happy ending, in any sense of the word?

How is this the sort of heaven that Dean would’ve made for himself before it was “fixed?” At least in the memorex heaven, he could’ve lived in oblivious peace with Cas, even if it was always just his own memories and not ~actually Cas~. I honestly think that would’ve been happier than the abject tragedy of what we did get, and what we would’ve gotten had the original script played out.

All of this kind of makes me wonder if they ever even actually defeated Chuck. Like... it feels more like Dean got pulled into the Empty at that moment with Cas and Billie, and everything else after that point was the Empty’s endless experience of sorrow and despair we knew it subject its charges to. So that’s one potential for what could’ve actually happened. I mean, everything about the finale was sorrow and despair, you know? Dean didn’t even get to enjoy his pie at a pie festival because Sam smashed in in his face. How is any of it happy, in any way?

Because if that was actually heaven, there wasn’t actually any free will (because why tf would Kansas the band have chosen to put on that concert? why tf would Jimmy have been there, just to torment Dean with the taunt of Cas returning to him only to have that hope snatched away again? It’s cruel. It’s, in fact, a source of intense despair).

The djinn theory could also work, and I’ve read some excellent fix-it fic using that as a premise. But that doesn’t really explain what happened to Jack (and Amara, since she was in there with them) after hoovering up Chuck’s power, you know? I think the simplest explanations in canon are that Chuck actually won via the unified power of Light and Dark being transferred into Jack and effectively using him as a vessel. With Sam and Dean convinced they’d won, they effectively stopped resisting Chuck’s story for them, and using Jack’s understanding of humanity and the Winchesters specifically, Chuck finally was able to implement a version of his story that the Winchesters would just waltz into without thinking it was supernaturally influenced at all. Going bigger and bigger with monsters and cosmic troubles hadn’t worked, but going so small Sam and Dean would barely even notice the influence-- even with the incongruous reappearance of a vampire that appeared in their lives once, for like two whole minutes 15 years ago, and an unsolved case from the journal from more than 30 years ago that John had never even linked to vampires at all.

At this point, I need to mention that I’m watching 10.23 as I type this up. An episode in which we confront the Mark, along with Death, and Dean’s despair, where he learns a version of the truth (but by no means the full truth, or even accurate truth in some respects) about Chuck’s Story, Amara/The Darkness, etc. That would unfold more fully over the next five seasons. And what was the case Dean took in this episode? Vampires. LOLOL omg this show is nothing if not horrifically consistent, yes?

So because of this, I went haring off through my own blog looking for a post I made a long time ago about the symbolism of how various monsters are used on this show (because again, consistency). I got sidetracked by other posts in my monsters tag, including this from after 15.09 aired, which feels particularly awfully relevant. This was my reaction to Chuck’s Story he showed Sam in that episode, about what the future would look like should he successfully trap Chuck with a Mark, and which... yeah is basically exactly thematically consistent with what we saw in the finale, right down to a cheesy twist on vampires. Read the whole post right here, but this is the part that reached up and punched me in the face:

this is how Dean personally reacts when he loses Cas. We know how he reacts when he loses anyone else– think about what he did when Charlie died. He went on a murder rampage against the Stynes for killing her. When Mary died he broke some furniture and went full bore toward both resurrecting her and stopping Jack. But without Cas, Dean loses the will to fight. Sam has… always been different. He referenced Jess in 15.04 to remind us of how he was after she died in the pilot episode. Just like John, he picked up the revenge mission and ran with it. But for Dean, Cas is different. Without Cas… Dean gives up.

Because... Dean gave up. Sure, he and Sam weren’t overrun by vampires in the end. Chuck knew they’d never stop fighting the monsters, one way or another. The only way to get Dean to give up is something Chuck hadn’t quite figured out yet... maybe not until after 15.17, after confronting Cas in the hallway of the bunker, after absorbing Amara’s power, knowledge, and perspective on Dean.

Chuck needed Dean to give up, and honestly? Pushing Billie to clear him off the table and send him (and Cas, that pesky angel who never did what he was told) to the Empty would’ve been a direct way to deal with that... pretty much akin to having one sibling locked in a cage forever, yes?

Also, still looking through my monsters tag, I’m reminded of 14.15, and still cannot differentiate the version of Heaven in 15.20 from what was done to the people of that town. This... is not... paradise. This is actively what Dean has been insisting is the OPPOSITE of paradise since like… 4.22… No ending where Dean was a “Stepford bitch in paradise” ever had the possibility of being “happy,” at the core of things, and this “fixed” version of Heaven just doesn’t hold up to any degree of inspection. Something is seriously wrong here. https://mittensmorgul.tumblr.com/post/183465650390/so-can-we-talk-about-this-monster-of-the-week-for

And since I was unable to find the post I wrote who knows how long ago about Monsters and how they’re symbolically used on Supernatural to represent larger themes in the episode, I’ll just attempt to sum up what Vampires have been used for. Revenge. Vampires are always, in some way connected to themes of revenge.

(and hooray, I found at least a post adjacent to the one I’ve spent the last four hours trying to find... https://mittensmorgul.tumblr.com/post/187207052080/i-obviously-did-not-think-this-through, where I mention that shapeshifters are about revealing hidden truths (mostly about Dean since most shapeshifters are connected to Dean), zombies are about grief and the inability to move past it.)

So why... why at the end of their road is the monster that comes after them-- literally FOR REVENGE for something that had never been blamed on Sam or Dean to begin with, from season 1, directly connected to John’s revenge mission and the first time they learned about the Colt AND the first time they learned in canon that Vampires were even real... like... this feels very specifically like some kind of layers-of-meta levels of shade on them, you know? Vampires are for revenge, so what vengeance exactly is being visited upon Sam and Dean in this episode? If not Chuck’s entire story for them itself?

So yeah, 100% agree, something is incredibly rotten in the finale. And I am sick to effing death of people trying to convince us that anything about this was “good” or “happy” or “satisfying” in any way. Or even “how it was always supposed to end” with Dean dead bloody, as if the entire back half of the series hadn’t been suggesting that a true win was the subversion of all of Chuck’s story for them, and Dean finally being able to have his chosen family all alive, happy, and chilling on a beach somewhere watching the sunset. Nothing will ever convince me that the ending portrayed in 15.20 wasn’t exactly how Chuck thought he “won,” rendering it entirely irrelevant to the rest of canon, unless all of canon was ultimately the tragedy we’d been encouraged to believe would be firmly defeated in the end.

Folks, you can’t have it both ways. 

[maxwell-grant]

Any thoughts on Darkman, the Liam Neeson movie? I heard it was originally going to be a Shadow movie.

I love Darkman very much, but I've realized recently that this love comes with some pretty bittersweet feelings at the story behind it.

Michael Uslan: I was going to produce a Shadow feature film with Sam Raimi, but Sam got consumed by back-to-back movies and we ran out of time. We were headed in a good, period piece direction and managed to do so without relying on yet another bout with Shiwan Khan. I later had another major director passionate to do The Shadow, but a person at the company wanted to do a modern day TV series instead, which ultimately did not go... - comment saved from a post in The Shadow Knows Facebook group

For those of you who only now got into The Shadow or don't remember, for much of the early 00s, when The Shadow basically had no current projects and Conde Nast was taking down webpages and fan content left and right, the only things that kept this "fandom" alive were occasional fanfics (many of which are gone now), and the dim light in the horizon that was the rumors that Sam Raimi was finally going to make his Shadow film. Dig back on The Wayback Machine for Shadow web page and you're gonna see this as consistently the only thing they had to look forward to in regards to the character. These rumors floated around for over a decade, at one point Tarantino was even supposed to direct it, but he confirmed in 2013 that it wasn't going to happen. At least, not with him at the helm.

The project has been dead for a while now, and Conde Nast seems to be shuffling around plans for the character, and I deleted my Facebook months ago so I haven't kept up with any news, although it seems the James Patterson novel wasn't received too well, so I'm not sure what other plans they have in the pipeline.

Back in the 1970s, after the release of Richard Donner's Superman and in line with The Shadow's pop culture resurgence, thanks to the paperback reprints and the 70s DC run, there were plans to make a Shadow feature film, and there were quite a handful of scripts being tossed around for the following years (Will Murray states most of them were horrible), several names attached to the project at one point or another. The plans died down a bit following Gibson's death and only really picked up again after the 90s, and of course we all know that the 1994 movie came out with spectacularly bad timing. From what I recall, it seems Sam Raimi wanted to make his Shadow film in the 80s, was unable to secure the rights, and then just made his own version, which would go on to be his first major motion picture.

Even after making Darkman, Sam Raimi still wanted to make The Shadow. I guess that's ultimately the bittersweet part for me. I imagine the current state of Shadow media would be significantly better if Sam Raimi, who was a fan of the character and the pulp version (and even knows of The Shadow's connection to Houdini and stage magic), got to make his Shadow film, years before Blood & Judgment, years before Burton's Batman made it impossible for a Shadow film not to be compared to it, in a time period where it wouldn't have had to compete with The Lion King and The Mask for box office. And second, I have been drawing up my plans for Shadow projects for, what, 5 years now? And I have just barely got my foot off the door as a filmmaker. Sam Raimi had a decade-long career as a cult filmmaker before he got turned down, and decades later, after becoming a household name in charge of Marvel's biggest icon, the project still fell through. It doesn't exactly get my hopes up, y'know.

I love Darkman, it's the best Shadow film that doesn't technically star the real Shadow, and it works pretty well on it's own regardless of that association, but I do get pretty sad looking at it from the outside, because I just can't help but think on what it could have been.

In some aspects I do think the film benefits from not being about The Shadow proper, because it means Raimi got the freedom to do whatever the hell he wanted. The character of Darkman already existed separately from Sam Raimi's plans for a Shadow film, already carrying off the Phantom / Universal Monster influence, and what Raimi did was basically combine the two ideas together.

He took the basic iconography of The Shadow, a terrifying urban crimefighter in coat and slouch hat, and add in other Shadow traits like his mastery of disguise, his disfigurement, and that wonderful scene where he's invisibly running circles around a panicky triggerman while laughing maniacally, a moment which definitely feels like Raimi taking a second to indulge himself to do what you can call The Classic Shadow Scene with a character he's, for the most part, succesfully convinced us (and Conde Nast's lawyers, most importantly) isn't supposed to be The Shadow.

But then he filters these through his own influences and style to make him a new character, so instead of a mysterious mastermind with lots of resources and a enigmatic background, instead he's a disfigured and psychotic scientist with a vengeance against those who made him that way. He's like Night Raven, in the sense that he's built off traits that The Shadow has, but develops them differently to the point he stands on his own as a character. It's The Shadow combined with The Phantom of the Opera, filtered through a 1930s Universal Horror lens, played for greater tragedy and a dash of Evil Dead 2 wackyness.

He hides away in trashed up ruins and bickers with a cat, he has fits of rage that make him endanger innocents, he has a doomed love affair, and sometimes he gets so batshit he gives us hilarious moments like "TAKE THE FUCKING ELEPHANT" and "SEE THE DANCING FREAK! PAY - FIVE - BUCKS! TO SEE THE DANCING FREAK!". Moments that really show why he was such a good fit for Spider-Man despite the liberties he took with the source material.

I think the big thing that helps to make Darkman works as a property in it's own right is also that, ultimately, these influences are ultimately at the forefront of it, and the core of it works on it's own. Darkman is a believable, engaging character in his own right, one who tells a story that would be more at odds with The Shadow proper. 

In some aspects, Darkman tries to be The Shadow, he is forced to become The Shadow by literally picking the clothes off a dumpster after he escapes the hospital, and it's a miserable, wretched existence, in a way rather befitting his status as a legally safe knock-off. He is a creature of nightmare who lost his face and takes on a dozen others to fight crime by turning terror against them, except he is still just a man in the end, and no man was ever supposed to live like this.

Raimi was also inspired by the Universal horror films of the 1930s and 1940s because "they made me fear the hideous nature of the hero and at the same time drew me to him. I went back to that idea of the man who is noble and turns into a monster".

He originally wrote a 30-page short story, titled "The Darkman", and then developed into a 40-page treatment. At this point, according to Raimi, "it became the story of a man who had lost his face and had to take on other faces, a man who battled criminals using this power"

A non-superpowered man who, here, is a hideous thing who fights crime. As he became that hideous thing, it became more like The Phantom of the Opera, the creature who wants the girl but who was too much of a beast to have her

I decided to explore a man's soul. In the beginning, a sympathetic, sincere man. In the middle, a vengeful man committing heinous acts against his enemies. And in the end, a man full of self-hatred for what he's become, who must drift off into the night, into a world apart from everyone he knows and all the things he loves.

For the role, Raimi was looking for someone who could suggest "a monster with the soul of a man"

It's the fact that Darkman is ultimately played for vulnerability and tragedy that really sets him apart. While I wouldn't go far enough to say The Shadow is a man with the soul of a monster, still, the difference in presentation is still there when it comes to these two. The Shadow is The Other, Darkman is You. Darkman is the victim of extraordinary circumstance that affects his life, The Shadow is the extraordinary circumstance that affects the lives of others. People react to The Shadow, Darkman reacts to people (and rather poorly).

One is the man who takes off his skin (or yours, staring back at you) to reveal the weird creature of the night ready to prowl and pounce and cackle at those who think they hold power over it's domain, and the other is the monster who falls apart bit by bit until you are left staring at the broken man within who has no choice but to be something he was never supposed to be.

The Shadow is The Master of Darkness. Darkman weaponizes the dark, but in the end, he's still just a man, lost within it. Not everyone can be The Shadow, and you would most likely turn into Darkman if you tried.

[jasontoddiefor]

Title: would you be so kind Ship: obikin Second: Ten years ago, Obi-Wan Kenobi met Anakin Skywalker, a charming young mage from Naboo, but as fate willed, they could not be together. A decade and thousands dead later, Alderaan’s High Court Sorcerer meets a Forger and his excited apprentice. AN: I forgot to post this on tumblr apparently, but here’s the first chapter of my second long WIP I am working on!

Then

The ship was crammed, filled to the brim with people clinging to one another, staring either at the home they’d lost or the home they hoped to be sailing to. Hundreds of ships had left Dromund Kaas already, carrying refugees across the ocean to safer harbors. The tension was high and sharp enough to cut as they sailed away from the doomed country and only relaxed when the pressure of the country’s shields finally left their shoulders.

“An awful sight, isn’t it?”

Anakin startled, instinctually pulled his coat around himself. Were he in a better shape, he would have lashed out immediately, winds, bindings, blood—

But the power flowing through his veins was too constricted, caged like a wild beast. Instead, Anakin just turned to look at the person who’d addressed him. An old woman with snow-white markings and long lekku stared at the dying country just as he had moments before, grief and resignation painting a sorrowful picture. “I never thought I’d leave this place. Did you?”

Wordlessly, Anakin shook his head. No, he certainly hadn’t thought he’d ever leave this place again. He’d been ready to be buried under the ashes of marble altars, not see this new dawn.

“I was born here, married too. All my children were born within the boundaries of this country and perhaps that is the reason they all left,” the woman continued. “I am glad that they weren’t here. If I think about what could have happened to them were they anywhere near the capital… I apologize; I hope you don’t mind my rambling. You looked like you needed company. Are you traveling to Naboo?”

He opened his mouth to reply, to give an affirmation, but stopped. He hadn’t quite thought where he’d go, except as far away from this place as he could. Naboo was certainly an option; Padmé would be glad to see him, he was sure. She’d take him in without asking a single question and defend him against the storms that were sure to come.

But Padmé was his friend and Anakin couldn’t allow her to shoulder his burden.

“No,” Anakin heard himself saying. “I’m not traveling to Naboo.”

“They are quite defenseless right now, yes, you are right. The fact that it’s the first stop of this ship is tempting enough for most to disregard what troubles might find them there.” The woman nodded in understanding. “I’ll be going to Alderaan myself. My eldest lives there, and in a country as strong as that, a tragedy like this can’t strike.”

She turned to look at the remains of Dromund Kaas again. The coastline used to be covered by beautiful large trees; his Master used to tell him how vital they were for its defense.

Now there was nothing but ash and darkness. Even here on the outskirts, where it had taken the longest for the remains of the catastrophe to reach, nobody was safe from it. Dromund Kaas had been in a pitiful state after the last war, which had made it an easy place to hideaway in. Alderaan might be stronger, the blooming center of magical education, but Anakin doubted they’d be able to defend against an attack like this. Nothing could save them from an attack such as this.

But Alderaan’s distance to this cesspit of disease was enough to provide a different kind of security.

Thousands of refugees would search for safety there, and Queen Breha was as cunning as she was kind. No one would be turned away and Anakin could slip in just right with them.

“I’m going to Alderaan as well,” Anakin replied.

The woman looked him over, then she beamed as if she were a young child and not already among the older members of her species.

Her smile was the first Anakin had seen in weeks. “Looks like we’ll be traveling companions then! You must tell me your name, young friend. I’m Raya Tano.”

She held out her hand and Anakin awkwardly shook it with his own left.

“My name is—”

Now

“Anakin Skywalker! Your automaton is ruining my kitchen!”

Sighing, Anakin let the spell sink back into the metal and settle into it. So much for working on his commissions today. A quick glance around the workshop told him that it was not one of his automatons running wild. Artoo was currently charging up and Threepio was keeping himself busy cleaning up. All the other small automatons Anakin crafted when he was bored were either asleep and charging or hurrying around the workshop, washing up the floors and putting away the tools Anakin had been using.

Anakin tugged off his gloves and threw them to a tiny and eager little automaton before picking up his softer everyday gloves. The leather was still quite resistant and had more runes stitched into it than most people dared to weave into one cloth, but they were nowhere near as excellently crafted as his work gloves. The dragonhide gloves were worth a fortune and so they never left his workshop unless Anakin had to. Anakin watched the little automaton put the gloves in their usual compartment until he could hear the click reassuring that the lock was in place. At first, that had only been a measure against thieves as he hadn’t had much to his name, but by now, it was a habit.

And it discouraged Ahsoka from stealing them for her own projects.

Anakin walked out of his workshop and crossed the courtyard to the small cottage he called his home, finding a kitchen in disarray, Raya standing on a chair with a small red automaton attempting to clean the floors.

“Look what a mess it’s making!” Raya said accusingly. “Instead of polishing my floors, it’s dirtying them!”

“I can see that,” Anakin hummed. He waited until the small automaton had reached his feet, then he bent down and pressed his hand flat on its small back, stopping it. Ahsoka’s handiwork was getting better; this little guy had kept moving for a while despite her absence. Anakin had no idea what the formal apprenticeship for forgers entailed, when they ought to hit what milestone, but he was willing to bet that Ahsoka was years ahead of her peers. Her spells were strong, her rune work fantastic, and very few actual weaknesses were left to explore in her automatons.

But Anakin was still a Master and Ahsoka only an Apprentice. Her work was not yet good enough to keep out foreign interference. Without much thought, he deactivated the automaton completely.

“This was your granddaughter’s handiwork,” Anakin commented. “She’s improving in leaps and bounds.”

Raya huffed and stepped from her chair. “I’m glad to hear that, but weren’t you meant to teach her control?”

“I am,” Anakin said, the argument an old and fond one. They returned to it frequently, mostly to annoy the young Apprentice. “And were she still as much of a mess as three years ago, she hardly would be able to craft such a fine automaton. Can’t do anything about her manners.”

Especially since she’d become a teenager. Anakin didn’t remember being as much of a pain as Ahsoka could be.

“And here I was thinking Masters were supposed to teach their Apprentices a medium of decorum.”

Anakin snorted. “Yeah, well, that’s what she has you for, doesn’t she?”

Raya’s expression softened. “That she does.”

Anakin sometimes wondered how Raya managed to stay so kind and calm when the world had taken so much from her. Her husband, country, her children— and yet she still stood straight, caring for the fellow traveler she’d never allowed to leave and the granddaughter that had been dumped on her with just a warning for Ahsoka’s generally explosive tendencies.

“Where is Ahsoka anyway?” Anakin asked, looking around the kitchen as if she would jump out in the open any moment. “I sent her on an errand earlier this morning, but she hasn’t returned yet.”

Unfortunately, Raya couldn’t tell him either. “I have no idea where that girl is running around—”

“Anakin!”

Speak of the dark and it shall appear. The door was thrown open and Ahsoka rushed inside, tracking even more dirt all over the floor, causing Raya to throw up her arms in defeat in a way Anakin knew meant Ahsoka would be left with all her favorite chores for the next week.

“Welcome back, Ahsoka,” Anakin said. “You’re late.”

“Yes, yes,” Ahsoka replied and rolled her eyes, obviously disinterested in what he had to say. “I got all you asked for and ordered the new metals, but look at this!”

Ahsoka raised her hand, revealing a ripped-off poster. It was tasteful in design, fine cursive writing on light blues, gold ornaments in the corners and, of course, the royal crest right in the middle of it.

Her Majesty the Queen of the Kingdom of Alderaan, Breha Organa, invites all Alderaani Practitioners of the Mythic Arts to attend the festivities in the capital of Aldera—

“Absolutely not,” Anakin said before he could even read the rest of the text. “We’re not going to Aldera to some festival.”

“Why not?” Ahsoka shot back. “It’s no summit, but it would at least be something.”

Her bitterness did not go unnoticed. Ahsoka had begged for months to attend this year’s summit. Every five, all magic practitioners gathered on Tython to exchange notes on their craft and pretend they were not also discussing the politics of their respective countries, forging alliances and the like. Anakin hadn’t been to the last summit, it having been just after Dromund Kaas, and the one before were tainted by the memories that followed, no matter how sweet the time had been. Ahsoka, of course, had begged to attend this year’s one, but it would only be foolish and reckless. He couldn’t just walk into the biggest gathering of mages in the whole continent and expect to get out of it without anyone realizing who he was, asking questions, concluding what he’d done.

Anakin had too much to hide, too much to lose, and he wasn’t going to risk his little Apprentice for it.

Not that Ahsoka knew any of that and wasn’t in the least satisfied with Anakin’s reply and immediately made her displeasure known.

“What would you even want to see there?” Anakin asked, trying to downplay how entertaining such an event was. “It’ll just be all the posh court sorcerers showing off with their fancy focusing crystals. It’s utterly boring and uncreative.”

“Like you wouldn’t use a focusing crystal if you had one,” Ahsoka muttered, arms crossed. “It’s just— there’s nobody else around here who can do magic. And all you ever do is work on machines.”

“Which requires a lot of concentration as it’s not just the manipulation of one aspect, but—”

“—but many, yes, yes, I know the speech,” Ahsoka said and dutifully listed all elements that went into their craft. There was a reason why not many forgers existed. Most mages lacked the talent, patience, and education to learn this craft, or were just plain afraid that they’d permanently damage their ability to use magic at all.

And with the speed technology was evolving and magic weaponized to terrifying new heights, not too many people still had use for forgers. Where two-hundred-years ago, you wouldn’t have gone out to hunt a dragon with a simple sword, but only with one crafted by a Master forger, nowadays you didn’t necessarily need one. Battle magic was on the rise again, especially with more and more countries growing uneasy, peace treaties falling apart. Combined with the threats from the northern continents, it was no wonder people cared less and less about expensive forgers when they could mass-produce and enchant simpler items.

“I just hoped you’d allow at least this,” Ahsoka finished. Her shoulders dropped. “Should have known better. I’ll go finish my readings.”

Ahsoka turned around, her shoulders still hanging, her head low.

Damn it.

Anakin knew that she was doing it on purpose. His Apprentice was cunning and had learned how to play into his every weakness. Slowly she marched into the direction of the door, dragging her feet behind her for effect and dramatics.

Raya raised a brow at him. She usually stayed out of Ahsoka’s tutelage, knowing next to nothing about magic herself, but even with his past being little more than a mystery to her, she could read him better than anyone else.

“Urgh, fine,” Anakin heard himself say. “Fine, we can go to the festival.”

Ahsoka turned around quicker than light and jumped up. “Yes!”

“But that means you’re not going to bring up the summit again!”

“Yes! Of course!” A moment later, Anakin had an armful of an apprentice. “Thank you so much, Master, you’re the best!”

Once she let go of him, she went to hug Raya and hug even her dirty automaton to her chest, still radiating happiness. “I need to go pack my bags immediately!”

“The festival is not for another week—”

Ahsoka obviously didn’t care. So caught up in her joy, she rushed upstairs, heading to her room to start packing. It shouldn’t surprise Anakin that she was so motivated. Ahsoka was a person who thrived on interaction, being surrounded by other people. While the people of their village were friendly, none of them were mages or even just sensitive to magic. It was one of the reasons Anakin had decided to stay without too much fight. But growing up so far removed from other mages had made Ahsoka twice as curious to meet others.

The thought made his stomach churn. He’d have to give Ahsoka formal lessons about their trade now, just if somebody asked questions that were too pointed. She’d also need a bit of the know-how on how you usually interacted with other mages and which pretentious bastards to call sorcerers before they threw a hissy fit. All these capital folks were much too sensitive about terminology after all. Anakin had never bothered to tell her the differences before, but Ahsoka would kill him if she accidentally embarrassed herself because he hadn’t seen it fit to instruct her properly. Forget teaching Ahsoka how to improve her automaton, the next week would be full of etiquette lessons. Skies, there’d be people trying to steal their spellwork too. Had he even mentioned that kind of theft before? Anakin honestly couldn’t recall.

“Already regretting it?” Raya asked, her voice just a touch amused.

“Just a bit,” Anakin replied.

“It’ll be good for her,” Raya said, convinced and confident enough for the both of them. “And good for you as well. I’ve known you for years now and you’ve never even brought a friend over. I’m not going to be young forever, you know. I do expect to be introduced to your future spouse at some point.”

“And this is my cue to go packing as well,” Anakin announced and followed Ahsoka up the stairs with Raya’s laughter following him.

He had no intention of being with anyone, ever, unless he could find glamours that held up even when majorly distracted. On his way up the stairs, Anakin caught a look of himself in the window, saw black vines curling around his neck, inviting someone to take a closer look.

It was better this way.

[becomewings]

The Most Beautiful Moment in Life <I’M FINE>

     BTS Universe Story Highlights, pt. 1 / 4

» pt. 2

Introduction

BTS Universe Story, a mobile game published by Netmarble, was released on September 24, 2020. While the majority of the app is essentially a sandbox and engine for users to create their own interactive stories, it also includes official and canon BU content. The first eight segments were introduced between the release date and December 2020, gathered under the title The Most Beautiful Moment in Life <I’M FINE>.

“I’m Fine” is half of the I’m Fine/Save Me ambigram introduced in the Love Yourself era. Notably, all of the BU content available in the game so far falls between events of the webtoon Save Me (also called HYYH0 in its logo) and The Notes 1—chronologically, that is, while bearing in mind that time resets to the morning of 11 April Year 22 whenever SeokJin fails to avert a tragedy among his six friends. I want to assure anyone who is unable to play the game that you are not missing any new, major plot beats from the overall BU narrative. Instead, the stories provide more insight into the motivations and consequences of SeokJin’s decisions in the earlier time loops, as well as more depth to individual characters and their circumstances.

The goal of this guide is to summarize each of the eight stories and highlight noteworthy details, especially if they are not yet present in other BU media. Within each story (which I often refer to as an arc, due to their character-focused nature), episodes must be played successively, but the stories themselves can be played in any order. I will present them over a series of posts in the order they are listed under the <I’M FINE> heading. The Prologue and NamJoon’s arc are free to play; the rest are paid content. Please note that due to the app’s Terms & Conditions, I will not include in-game footage here. The images in this guide are sourced from the official trailers/videos and the live action MVs as appropriate.

Content warning: contains references to death, suicide, suicidal ideation, child abuse, domestic violence, blood, homicide, depression, trauma, PTSD

This guide contains major spoilers and includes references to other BU media

Do not repost, copy, or quote without permission

Game Mechanic

Before diving into the summaries, I would like to address the primary mechanic of the game: the user’s control of character choices at designated moments in the stories. It’s a primary marketing point that the player can influence the progression of the narrative, with a frequent in-app tip also declaring, “stories’ endings can vary depending on your choices.” The latter is not strictly true—and it cannot be true due to the structure of the game. Choices are presented within most (not all) episodes, but each episode is an isolated unit: episode 2 provides the same content regardless of what you choose in episode 1. Since the consequences of your decisions are not cumulative, each episode reaches the same ending, and each decision inevitably rejoins the “main” story path (effectively reducing the script size).

So what is the point of this mechanic? While the system is not nearly as complex as what major platform titles are capable of nowadays (I suspect due in large part to the story creation portion of the game), it does foster a sense of interaction with the narrative that isn’t present in static visual media like comics or film. The episodes with choices also have incentive for replay to discover the impact of changing a character’s dialogue or action. Sometimes the differences between the outcomes are inconsequential, but other times you unearth new details, interactions, or memories that are missing in the other path.

I say this partially in reaction to all of the comments and tweets I read for the game trailers and even Smeraldo Book twitter’s choose-your-own-adventure style teasers with The Notes 2 excerpts released last summer. Many users expressed excitement, through words or memes, about finally being able to give the boys the happy ending they deserved. I don’t fault anyone for wanting that happy ending—I wish for it, too. But no matter what the rather overzealous marketing has claimed, I don’t believe that the canon ending of BU is ever meant to be in the audience’s control. But I do feel that this mechanism fits the BU narrative. It echoes the “countless loops” SeokJin has experienced in an effort to save his friends, the choices he must make at every crossroad, and the butterfly effect those actions have on all of their lives. I think it is reasonable to interpret the simple branching paths in the game as alternatives SeokJin has explored across multiple loops in his struggle to find the “right” way forward. I’d love to hear if you have theories of your own!

Prologue

The prologue is a brief episode introducing SeokJin’s repeated struggle and failure to save his friends. He wakes up yet again in his bed on 11 April Year 22, the beginning of the time loop. After reflecting on the tragedies that keep befalling the others, SeokJin realizes that he has only tried to fix the problems he can see. He wonders: “Have I tried to understand the root of my friends’ misfortunes? How much do I really know about my friends? Maybe I was never brave enough to confront their real scars and the worlds they’ve been living in. But I need to do it. Because it may be the key to saving them all.”

How to Offer a Hand

In this story, SeokJin attempts to prevent NamJoon’s arrest after he gets in a fight with a rude customer at Naeri Gas Station, his place of work. The first episode opens on the night of 11 April Year 22 with NamJoon curling his fists, glaring as crumpled bills lie untouched on the pavement. (The money looks similar to the shot from the I Need U MV.) SeokJin reaches for his shoulder, but NamJoon shrugs him off and strides away to punch the customer who deliberately dropped the bills for him to pick up. The gas station owner runs over at the customer’s furious shouts and orders NamJoon to apologize. He refuses, and police officers soon arrive and charge him with assault. No one listens to SeokJin’s protests that the customer started it first. The man sneers as NamJoon enters the police car. “Do you even have money for a settlement? Hey, you’re done for.” NamJoon is sentenced to prison again, and SeokJin hears glass shattering before the loop resets.

Rising from his bed on the morning of 11 April, SeokJin reflects on his failed efforts so far. He has hit the customer’s car, called for NamJoon in the middle of the incident, and stopped the fight himself, the latter of which caused his friends to avoid him later. The fight has even escalated; the details are unspecified, but the audience is provided an ominous shot of SeokJin speaking to a police officer alone at the scene. NamJoon is not the kind of person who would normally respond to that kind of provocation with his fists. SeokJin realizes that he cannot merely stop the fight but must discover and fix the true cause of it.

With this in mind, SeokJin heads to Naeri Gas Station during the day and tries to engage NamJoon. This is their first time meeting since they both returned to Songju, although SeokJin has experienced it in many loops already. “It’s been a while,” he greets (as he does at the end of the Blood Sweat & Tears Japanese version MV). Before SeokJin can dig deeper in their conversation, NamJoon is called away by his boss. SeokJin enters the small employee break room which serves as NamJoon’s living space when he’s not at the container, hoping to find some clues about his friend’s life. SeokJin locates something bundled in newspapers. If the player chooses to open it, he sees a strange shard of glass inside that may belong to a car or motorcycle headlight. He continues on, finding the book Cosmos by Carl Sagan and a notebook. SeokJin hesitates over the invasion of privacy but decides to read it since he needs all the information that he can gather. The journal entries detail NamJoon’s daily life since returning to Songju: his work at the gas station isn’t too bad despite the occasional rude customer; he purchased a book and hopes to get more in the future; he picked up a second job at a wedding hall to help catch up on bills; his brother NamHyeon got in trouble again, leading to more expenses; and his dad’s health has worsened, with hospital bills after an emergency surgery rising to levels that the family cannot afford. SeokJin knew that NamJoon was the de facto head of household due to his father’s illness but was unaware that it was to this degree. He feels sorry for NamJoon yet is also impressed by his maturity, for NamJoon never writes how difficult his situation is.

NamJoon arrives and asks what SeokJin is doing in the room. If the player chooses to answer “reading” instead of “just sitting there,” SeokJin privately observes that the conversation flows more easily when they talk about books. NamJoon says he must leave and declines when SeokJin offers to wait for him there. SeokJin knocks over a pile of books along with money and receipts as he stands. He thinks it is unusual that NamJoon picks up the books before the money. The books seem to be more than a hobby to NamJoon, holding special meaning. Walking to his car, SeokJin wonders if it is pride or determination not to falter that keeps NamJoon from journaling his grievances. He realizes that money is a constant source of frustration and misery to NamJoon, and that’s why he can’t stomach being insulted over the customer’s dropped money. SeokJin’s new plan is to prevent NamJoon from picking up the money. He also calls Palgok County Hospital and offers to pay the patient bill for NamJoon’s father. Anticipating that NamJoon will be angry if he finds out, SeokJin says the payer is Songho Foundation.

That night, SeokJin returns to the gas station with the excuse that he forgot to fill up earlier. The luxury car arrives with a honk, and NamJoon hurries over to assist. He shakes with anger when the customer drops the money on the ground. “Why aren’t you picking it up? You don’t want it? What’s with that look? Pretty arrogant for a part-timer, aren’t you?” goads the customer. SeokJin intervenes. Whether the player chooses to have him advise NamJoon not to pick it up or to order the customer to pick it up himself, the end result is the same. SeokJin asks the customer, “Why are you harassing a pitiful part-timer?” The customer drives away, and something about NamJoon seems off. His face is expressionless, not mad or humiliated. “SeokJin, you…” He stops. “Never mind. Thank you for your help.” The words sound difficult for him to speak.

SeokJin believes that he has saved NamJoon, although this ending feels sloppy. He continues on in the loop to rescue JungKook and later YoonGi, but uneasiness plagues him. Though he meant to help NamJoon with his actions, SeokJin wonders if he hurt him instead. On 5 May Year 22, he returns to the gas station and follows NamJoon when he leaves work early. NamJoon enters a bookstore, and SeokJin sneaks in after him to watch from afar. He overhears employees talking about NamJoon, worrying that he might dirty the pages of the book he’s perusing. NamJoon is too absorbed in the book to notice one of them calling for his attention. SeokJin recalls a memory from their school days when he found NamJoon reading alone in their classroom hideout: he asked why NamJoon read so diligently, and his friend explained that he found it comforting to empty his thoughts of everything else while focused on the book. In the present, SeokJin wonders how he forgot how much books mean to NamJoon. He sacrifices some of his food and transportation budget to afford them, but they enable him “to endure the weight of the world he’s forced to bear on his shoulders.” After realizing this, SeokJin wants to apologize for carelessly sympathizing with the reality that NamJoon has weathered alone.

The next episode is from NamJoon’s perspective, revealing his excitement over being able to purchase a book for the first time in two months. He wants to buy two but can only afford one. The employee at the register sighs and asks why he leafed through a book he wasn’t going to buy. NamJoon apologizes, and she mutters, “So dirty.” He notices his reflection, clothes worn and smelling of gasoline, and realizes she’s talking about him, not the book. He tries to shake off these depressing thoughts, but he is still not accustomed to this treatment despite experiencing it regularly at work. As NamJoon begins to exit the store, the security alarm goes off. The employees demand to check his bag despite his insistence that he didn’t steal anything. Their certainty of his theft angers him. NamJoon allows them to look through his bag, and they are suspicious of the like-new book in it which he brought from home. One begins to call the police until SeokJin appears, vouching for NamJoon by saying he saw everything. The employees accept that the alarm malfunctioned and excuse their suspicions as a mistake.

Outside, SeokJin asks NamJoon if he is all right. NamJoon is thankful but wonders how SeokJin materialized right when he needed him. “How’d you find me here?” he asks aloud. SeokJin explains that he happened to notice him while walking through the neighborhood. NamJoon wonders if it’s because they said goodbye on a weird note last time. He thanks him and turns to leave. SeokJin calls after him. “I’m sorry. I wanted to apologize. I didn’t mean to upset you that day at the gas station. It was a mistake to have called you pitiful. If my rash actions hurt you, I’m really sorry.” NamJoon accepts his apology, believing it to be sincere, and says that things would have turned out a lot worse if SeokJin had not intervened. Thunder rolls overhead, and NamJoon uses the impending rain as his excuse to depart. He declines SeokJin’s offer of a ride and runs home, feeling his friend’s eyes on him.

Before he can settle down to read at home, NamJoon receives a call from his cheerful mother. She thanks him for paying off the entire hospital bill. NamJoon is perplexed and asks what’s on the receipt, since he didn’t pay it. His mother wants to leave it be, but he insists that they investigate so they don’t get in trouble or sued. She reads that the Songho Foundation is credited as the payer. NamJoon calls the hospital, introducing himself as the guardian for Kim YoungMin, but they can’t transfer him to the administrative department at this time. Disappointed, he looks up the foundation’s website, unable to recall why it sounds familiar. He wonders why a scholarship foundation in the city would get involved with him. Spotting photos of a recent launch ceremony on the site, he recognizes a few people: Songju High School’s principal, the familiar-looking face of the foundation’s chairman, and SeokJin. First, NamJoon forces a laugh, and then it’s difficult for him to breathe. He thinks that SeokJin really had pitied him at that moment. The only thing keeping NamJoon going is the idea of getting through life on his own strength. Why does he have to live like this?

The last episode opens on 5 May back in SeokJin’s perspective. He is confident now that he has saved NamJoon, although it occurs to him that a better alternative may have been to simply pick up the money himself instead of stepping forward. (This decision is enacted in a later loop and depicted in the Euphoria MV.) While reflecting on what comes next to save his other friends, he receives a text from NamJoon. “What’s your account number? I’ll pay you back for the hospital bills. I don’t need your help. I’ll handle my concerns on my own.” Heart sinking, SeokJin wonders how he found out. With a sense of foreboding, he tries calling NamJoon, but no one answers. SeokJin texts him back, pretending that he doesn’t understand, and tells NamJoon to call him. SeokJin’s second attempt connects while he’s gathering his car keys to visit the container. “That’s enough. Just send the account number over text,” NamJoon instructs. SeokJin coaxes him to talk for a moment, and NamJoon asks flatly, “Are you going to apologize again?” SeokJin attempts to salvage the situation, but his friend turns cold when he insists that NamJoon is misunderstanding and that he just wanted to help. “So, why? Why are you helping me?! Yeah, you’re always a good person. You’ve done nothing wrong and I’m the one misunderstanding.” SeokJin apologizes again. NamJoon refuses his request to meet in person. “No, I thought maybe there was a reason for everything you did… But I guess I misconstrued it. I’ll pay you back, so I’d prefer if you stopped contacting me.” Long after the call ends, SeokJin stands holding his phone, feeling that the glass is going to break at any moment. He wants to believe that it’s not over, but hope is slipping through his fingertips.

The episode finishes in NamJoon’s perspective. On 8 May and 9 May, he accepts part-time delivery work and reflects on his three jobs. Whenever he thinks he’s at his breaking point, he focuses on his new goal of returning SeokJin’s money. On 10 May, NamJoon wakes up to his buzzing phone and is called in to work. On a scooter, he passes by a bus stop and notices graffiti. (This is the same bus stop, with matching graffiti, that appears in the Highlight Reel.) Mesmerized, he wonders if it’s TaeHyung’s. As soon as NamJoon looks up, the scooter’s brake fails, and he crashes. The shattered glass on the cold pavement reminds him of the headlight shard and the kid who looked like TaeHyung. (So the piece of glass SeokJin saw in April was really a memento NamJoon retrieved from the scene of the crash in the mountain town, where the delivery boy whom he privately called TaeHyung died. This event is described in NamJoon’s 17 December Year 21 entry in The Notes 1.) NamJoon’s vision grows blurry, and the distant sound of an ambulance doesn’t come any closer.

The arc concludes there, but it obviously marks another reset for SeokJin. It is interesting to note that in this failed loop, NamJoon suffers the same fate that he narrowly avoided in the snowy mountain town before returning to Songju.

Please stay tuned for the next Highlights post featuring JungKook and YoonGi!