#the way this song is such a banger and for WHAT

[yuamusuzuran]

Damn.... so, Sinsmas and final episode of Helluva S2 is out AND I HAVE A LOT OF THOUGHTS!

But most importantly, I wanna talk about Via!

Even though this episode was packed with a bit of everything and I loved every second of it, I couldn't help but focus on Via-Stolas plot the most.

But before I dive deeper, let me say this:

Even though their final moment was painful, especially for Stolas, it represents a significant change and possible start of progress in their relationship.

Aside from her song being an absolute 2000-s teen rock banger, Via doing a repraise on Stolas' lullaby was so impactful, mostly because she's telling herself and us as audience that she has grown up a lot and is seeing things from different perspective.

And even though she's still very much hurt that Stolas chose Blitz over her, the conflict in her feelings is so well-portrayed in my opinion, especially when she asks these two questions:

During her song and while looking through her dad's stuff, she had many realizations. Realized her dad was struggling a lot, to the point he was taking anti-depressants on the daily, but we still see how young she is and how important her dad's attention still is to her.

So, now we have this 17-year old who had realized her father stayed in an loveless marriage because of her and does feel some sort of relief about him finally "doing what he wants"....

But she's also hurt that her dad still, in her opinion, didn't consider her important enough to choose "her over Blitz".

These are heavy and conflicting feeling she's dealing with, guilt over "holding Stolas down" while also being angry and disappointed that she wasn't "important enough to him to stay by her side"

However, I will remain adamant about one thing:

Via does not, or will ever, hate Stolas.

She is very disappointed, hurt and angry, and has every right to be, but her perspective is slowly changing. She is still a very young girl who needs support and love of her parents, but is slowly realizing how strong she is on her own, just as her dad was telling her in his lullaby.

We have a lot to go through with these two in the next 30 episodes of the show.

Octavia still doesn't have the full picture nor does she realize the full scale of Stella's abusw towards Stolas, which I think will change her opinion even more. But developing her arc to forgive him will take a long, long time. Because, when a parent hurts you or disappoints you, its a wound that doesn't heal easily.

As for Stolas, he still has to come to terms about how much his life has changed. All of his buried emotions, good and bad, are coming out, and he still has a long way to go in his healing and acceptance of who he really is and wants to be.

But the most important thing for him is to realize that Via doesn't actually hate him.

Boy.... this show is amazing. Loved every second of this episode and this whole situation and setup for season 3 will pick my brain until the next full episode comes out.

Happy holidays everyone, and merry Sinsmas!

[lulu-spooks]

I’ve been trying to get into Hozier lately, and seeing as you seem to be the resident expert on him, what songs would you recommend starting with?

(I know his more popular ones obviously, like Take me to church, Too sweet, and Nobody’s soldier, but I want to know about some of his secret bangers)

EEEEEEEE!!!! You’re in for a treat!

And thank you for the acknowledgment of resident expert, I have 10 years experience in hozier listening and I don’t play about it.

So the thing about hozier is that I truly believe he has a no skip discography on all of his solo works. And pretty much all of his collabs are also bangers (with the possible exception of tell it to my heart. Don’t start there)

Ok so from his first album I want to highlight a few tracks, Jackie and Wilson, from Eden, work song, like real people do, and to be alone. They are all sonically very similar (as are most of the tracks on the first album) but they all sound totally different. The instrumentation stays the same for most of the tracks but I am literally incapable of mixing them up. They all have unique sounds while still remaining cohesive in the context of the album. Expect great guitar and vocals, very little to no synths, funky beats (including some fairly cool time signatures). Excellent lyrics, definitely worth reading along. Especially cherry wine which at first glance sounds like the most beautiful love song but if you read along you’ll see how violent it is.

Wasteland baby is the second album. Standout tracks for me are Nina cried power, dinner and diatribes, would that I, shrike, be, and the title track wasteland baby. This one is definitely the sexiest album. Expect much more exploration into bluesy tunes and sound effects, the beats are getting even funkier, the lyrics are catastrophic and feature a lot of references to Greek mythology. This is the kind of album that you sit at the end of the world and listen to while everything falls apart. Wasteland baby the song epitomises this. It’s the conflict between standing up and fighting the broken systems that oppress people vs the need to give up and wash your hands of everything. Admitting we tried our best and it wasn’t enough. At least I have you. The deluxe tracks for this one are some of his best work on this project so check out why would you be loved, nfwmb and moments silence too.

Unreal unearth. This one is my favourite and my being has been altered by this album in ways I can’t even describe. Every song is a grade A hit. It’s actually my favourite album of all time I think. Honestly everything on this one is worth listening to but at some point once you’ve listened to all of the tracks individually, I cannot reccomend enough that you sit down and listen to the whole thing in order. No pauses. The whole thing with this album is that it’s a journey into the underworld inspired by Dante’s inferno. Each song occupies a different circle of hell and discusses topics surrounding the cardinal sins that are punished in each circle. It’s worth searching uk which sings belong in which circle. I wouldn’t go so far as to say it’s a concept album but it uses the story as a great jumping point for exploring moral, political and religious topics that are not discussed in the original cantos. This album is a masterpiece and I could literally write about it for hours but my thumbs are already falling off so I’ll keep it quick. Standout tracks are Francesca, first time, eat your young, abstract psychopomp, who we are, unknown nth, all things end, first light, de selby part 1 and butchered tongue. If you want the more explicitly political tracks choose eat your young and butchered tongue and READ ALONG. I could write fucking essays just on eat your young. This album was also written in the context of covid 19 and the lockdown and songs like all things end really make a heartbreaking but uplifting anthem for this period in time. The general sound of the album is very different to the two preceding albums. Expect much more manipulation of vocals and distortion of instruments. Expect more instruments. Expect full orchestra and stripped back guitar. Expect drums that sound like thunder and lightning. And for gods sake read along with this one. Cuz it’s fucking fantastic lyric writing and a lot of it can be missed in his pronunciation. When Andrew learns to annunciate it is OVER for us all.

Extended songs from unreal unearth are numerous and you’ve said you’ve heard nobodies soldier (also very political) and too sweet. I’d also recommend wildflower and barley for a soft lockdown summer feeling tinged with hopelessness, empire now as an anthem for Irish liberation and how much it was fucking worth it despite the troubles that followed and that you are for the most year inducing love song also within the context if lockdown. Just see “that I’d be anyway that you are” which will I’m sure soon be written on my body in tattoo ink. Through the flood acts as the introduction to the full album experience, hymn to Virgil is the last one.

Anyway have fun I tried not to write a fucking essay but I did. For unreal unearth in particular I have read no less than 5 books to examine source materials for his lyricism. I also learned a fuck ton about production to understand how he gets the sounds he does in his music. All to say this guys music is my whole life. And it can be hard to tone it down. If it all sounds confusing I’m sorry I’ve been writing this for like 40 minutes and I just did a full day in the recording studio and my brain is fried and my fingers are dead and I need to sleep, where I will probably listen to ‘to someone from a warm climate’ to sleep. Bye :P

[sakuraluck]

when they took out the instruments, i just knew we were never going to recover

[cosmosnout]

From here, I can tell you Thank you (for loving me)

Link to a TikTok with the song in the background!

[nmzuka]

"Holy be thy words, Dangling swords above the herds"

A piece inspired by Vulture by Bear Ghost

[pasta-pardner]

spotify | john marston's revenge quest, set to music from 1960s spaghetti westerns.

Fun detail: the opening cutscene for Red Dead Revolver (2004) features an instrumental version of "His Name Is King". The lyrical version is oddly fitting for John, given that it's a song about seeking vengeance for a dead brother.

[dakbees]

LUCY ♥ 빌런 Villain (2024)

[art--harridan]

[Image description: A digital drawing based on Pedro from the film Arrebato. At the bottom of the piece, there's a close-up drawing of Pedro's eyes staring listlessly into the distance, face upturned. The skin around his eyes is red and blotchy. This drawing melds into another drawing of Pedro. He's sitting on a bed and tightly clutching a cluster of grapes close to his face. His mouth is pinching together and a liquid strand falls all, implying that he's eating one. He's looking straight ahead with wide, wild eyes. One of his legs is pulled up in front of him so his arm rests on his knee. To the left, there's a circle that shows Pedro asleep in his bed, bathed in blue light. It looks like a lens, and is coupled with a red light above it, as if a camera. Other circles in the piece are randomly coloured red, specifically Pedro's right eye on the top drawing, one of the grapes in the cluster, and the highlight in his left eye on the bottom drawing. The lineart is a dark blue and alternates between stark shadows and scratchy shading. The background is a bright teal, which contrasts against the more sallow colours used for colouring Pedro.]

Inktober - Day 26 (Camera)

Film - Arrebato (Iván Zuleta, 1979)

[akai-anna]

Round 8

Round: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

[jacarandaaaas]

from doing my mirabel analysis I’ve come to the conclusion “the family madrigal” song does an incredible job at setting up the world as well as mirabels character and deserves more credit

[hopeinthebox]

tagged by the exceptional @cordiallyfuturedwight and @cosmicdreamgrl thanks ever so much my loves <33

now tagging some heroes @aprylynn @thvinyl @visionsofgideontheninth @hoseeok @btscontentenjoyer @jihopesjoint @monismochi @raplinenthusiasts <333 and everyone else

[synthshenanigans]

This song is such a vibe I'm losing it i love being 50% more fruity

[getosugurusbangs]

what if i said i actually love too weird to live, too rare to die and think it’s underrated. what then.

[bittersweetstargazer]

me looking at other people's choices of music being like "oh yeah that's a good song. oh what I listen to? nothing really, mostly imagine dragons" while also trying to hide my 5 kpop playlists, my two cavetown playlists, the 2 steven universe playlists I listen to, that one vtuber a mutual got me into, the barbie soundtrack, anime openings, and the "txt bangers for alpha males" I have liked in my library.

[skitskatdacat63]

Lone Ranger Gunslinger! Fernando (context)

[wavesoutbeingtossed]

Feeling bold enough to say thanks to @taylortruther’s anon answers today that I’m kind of glad the muse question is so murky/questionable/mixed/however you want to put it on TTPD if it makes listeners understand that Taylor is a storyteller first and foremost and the narratives she tells in her music don’t need to be literal or linear or obvious for the songs to be powerful and meaningful.

The events may or may not always be truthful* but the emotions always are and that’s what matters. It is art, not a deposition, and for that we should all be grateful that she can paint a picture so beautifully.