#the thing with asking questions like this about comics

[gremlinmodetweeker]

König at Parent Teacher Conferences

König is normally pretty used to intimidating people and putting those around him on edge. He tends to wear a balaclava in public to hide his heavy scarring, but he wonders how useful this is because it seems to make people just as worried. At the very least, they only seem to stare because of his height, not his face.

Unfortunately, there are some places where wearing a balaclava is inappropriate, and so he has to take it off. He usually knows the places, but one place he wasn't prepared to take off his mask was in front of his son's teacher.

Mrs. Coetzee's a good teacher, all things considered. She's not perfect, but she encourages his eldest son's interests and is always happy to provide plenty of updates to home. In all honesty, König thinks you should've gone to the parent-teacher conference and not him, but you insisted that you meet the old South African woman, telling him that Mrs. Coetzee was nice and friendly. You hadn't thought about the mask issue until he'd left, and by then you figured König could manage on his own.

When König first entered the room, Mrs. Coetzee had been stunned. She knew his kids were big, so she expected a larger father but she wasn't quite prepared for König having to duck under the door frame. In fact, she wasn't prepared for someone of his size at all. Her entire room was built for smaller children, not for giant military men. She was genuinely worried he'd break the chair he sat on when they sat across from each other.

König looked so out of place it was comical. If Mrs. Coetzee weren't so caught off guard she might have laughed herself. She wasn't laughing when König finally took off his mask.

She was obviously not prepared for König's face.

Mrs. Coetzee has met many people from all different backgrounds. She's used to seeing all sorts of people. She still struggles sometimes to place her students' faces to their parents'. With König, she feels like she's seeing a horrific future version of the young son. It's terrifying to see König's son all grown up with horrific war scars decorating his face. For a moment, Mrs. Coetzee can't help but stare in horror. She's not thinking that König looks ugly, she just can't help but think that this grizzled man was once an innocent little boy.

Mrs. Coetzee quickly clears her throat and goes through all the questions, but König is notably laconic. He's difficult to read. She's used to children being open and friendly, nothing like this veteran. She heard that König had been in the military, but nothing prepared her for this.

As the interview goes on, König gets notably more nervous. He tries to pay attention to what the little teacher is saying, but he can't help but notice her staring. He feels horrible about it. There's nothing he can do but endure, endure, endure. He just wants this over with, but she keeps asking more and more questions and he feels his resolve slowly breaking.

Once they're finally over, Mrs. Coetzee guides him to the door and waves him off with warm goodbyes. Mr. Henker is certainly no conversationalist, but he's friendly enough to get by.

Once König is long gone, Mrs. Coetzee goes and takes a seat at her desk and hangs her head in her hands. Suddenly, all the stories of the young Henker's father being a monster make so much more sense.

[stinkrat-aleks]

Only if you want to! but would love to hear your thoughts about telepaths/psionics bias within the in-universe mutant community. I've always liked seeing Erik's particular dilemma explored in fanworks since in the movies we got to see his relationship with different telepaths, but I always like seeing it explored more generally too. so I guess I was wondering if you'd explored/thought about these bits of canon too, and of course, no worries if not!

Hello!! Sorry it took me so long to reply to this, I was thinking my answer over and all the stuff I wanted to say (/overthinker).

I think a LOT about psionphobia (or whatever the term would be called) in-universe. Especially because to me, mutations are symbolic for disabilities and different neurotypes. The term “neurodivergent” describes people whose brain differences affect how their brain works…and to me, that means all telepaths are inherently neurodivergent.

Now I see Charles as autistic, but even if he WASN'T autistic, that means his psychic powers affect the way he perceives social situations, information, etc.

And so, when I see in-universe characters (like XMFC Raven) tell Charles to stay out of their minds—while I understand the desire for privacy—it feels ableist to me. I'd understand if Raven asked Charles to keep out of her more private thoughts, but to keep out of her mind in general feels almost like asking an autistic person to stop stimming when they're around you.

Like, that's just the way Charles is. He probably overhears people's thoughts and feelings at a surface level at all times, without the intention of delving deeper.

This artist does a REALLY pretty comic depicting this and it's 1000% how I headcanon Charles' telepathy now, please go read and reblog the full thing if you haven't already:

Artist: yancant on tumblr

I also think just because Charles CAN intrude on people's innermost secrets, doesn't mean he necessarily WILL. Like, lots of people drive a car. Anyone could technically plow that car into a crowd of people. But most other people assume they won't. So we don't freak out when we see cars. Ya know.

With that logic it feels unfair to assume Charles is going to do bad things with his telepathy simply because he can. ALL humans are capable of bad things! Why is he being singled out for the way he thinks.

Re:Erik, he is the only one who seems to understand this. Him inviting Charles to be in his head (in fanworks but also XMFC) shows that he is not only tolerating Charles' mutation but EMBRACING it. (We all know he has a telepathy kink but that's something different okay.) To use the neurodivergent metaphor, he's telling Charles it's okay to unmask around him.

Like obviously this scene is very emotional for Erik, and Charles is definitely too caught up in his savior complex to take notice of his own emotions, but imagine!! Feeling that welcomed in someone else's mind for the first time!! And them not pushing you out or getting angry for touching a sensitive memory!

I have no idea any of that makes sense or if I'm grasping for straws but that's my overall take on it.

ANYWAYS…so that's my overall take on it. In terms of the soccer AU I'm currently working on..I have other thoughts and some of it will be addressed in futuer chapters (I'm gonna try to upload today). So we'll see. Sorry if this completely didn't answer your question LMFAO.

[starrysharks]

STARRYSHARKS FAQ: 2!

this FAQ will go over some of the questions about my process that i get in my askbox. some disclaimers:

ANYONE who asks any questions that have been answered in either FAQ will be ignored.

PLEASE don't take this FAQ as gospel or assume that it's viable art advice. it is not. i am not a professional, i am a teenager who draws in her free time and therefore many of these answers will involve things that break common "laws" of art, logic, and anatomy. this is just how i personally go about my illustrations. please also don't take me or any individual artist as your sole inspiration, you will not get anywhere believe me. art is like a balanced diet. if you eat sweets all the time, you'll get sick - but if you only eat veggies and healthy food, you'll get bored. try to take inspiration from a vast range of artists, even those you don't think you'd really enjoy. and most importantly, LEARN THE FUNDEMENTALS OF ART!!!! even just a little bit of knowledge can go a long way, regardless of how simple or realistic you want your artstyle to be. refusing to learn fundamentals had my art looking janky for years.

ok enough waffle let's get started!

Q: HOW DO YOU DRAW FACES?

A: it depends.

there's lots of things you can do to a face to make it unique. the starting point is the facial features themselves - eyes, eyebrows, nose, mouth... if they're the same for every character with the only uniqueness being in eyecolor or something like that, you get same face syndrome.

so, take your characters and apply some diverse facial features. certain facial features have certain character connotations too. like downturned eyes implying a laid-back or tired character, or a 3-shaped mouth implying a catty character, something like that.

but, for me, facial diversity isn't enough. it's not like you go out and everyone has the same head shape. so, i tend to try and get creative with face shape, and depending on how thin or wide the shape is, you can move around the facial features too.

these examples are a little shitty but that's because i put them together in 10 minutes. you can see the effect in my actual characters, who have more effort put into them, and how no character looks alike.

other than that, i tend to try and give every character a different eye shape and pupil "type" - so while krankenstein and romèo might have simple black dot eyes, octavia and vivica have large multicolor anime esque eyes, onion has cartoony circle eyes, and so on. if you just switch things around enough, even characters with similar face shapes will look unique. and even if they don't, doppelgangers do exist in real life.

Q: HOW DO YOU DRAW HANDS?

A: once again it depends. some characters have regular shaped hands while some have really tiny hands that only have 3-4 fingers instead of 5. usually my larger characters will have smaller hands but that isn't always the case.

but for the standard hand, i tend to have a line between the palm/base and the fingers. and then i um...add the fingers i guess😭 there's usually a lot of abstraction when it comes to hands for me, because i'm not the best at drawing them. usually either the last three fingers or the middle two will be connected as well depending on the pose.

Q: HOW DO YOU DRAW FURRIES?

A: i don't really know myself. i still don't know how to draw most furry species especially canines, god i hate canines!!! well not really, i can just never draw their snouts. really i draw furries like i would human, just with larger thighs and further back lower legs. and fur too. i like to exaggerate the nails too. and of course add fur, usually at the joints.

Q: HOW DO YOU DO LINEART?

A: i draw over the sketch. i do the sketch in thin, low opacity lineart, and go over it in varying thickness based on the perspective/desired look to get that comic book varied thickness look. the eraser will be your best friend more than the pen here, cuz there's a lot of cleaning up with both the sketch and the final lineart to have everything looking sharp.

Q: CAN YOU GIVE A STEP BY STEP GUIDE OF HOW TO DO YOUR STYLE?

A: no and i will never be able to. there is no formula to my style, i break every rule i make for myself. i barely follow any of the answers i write in these QNAs. they are not rules or steps but rather just me explaining my habits in art. i never have a checklist when i draw, i just do these things intuitively based on years of drawing. this might sound like some stuck up "it comes naturally" thing but trust me IT DOES NOT COME NATURALLY!!! these habits are born from over a decade of drawing. and besides, like i said before, with how varied i try to make my character designs any step by step would never be universal to my style. i'm really sorry but that's the truth. either way i hope this QNA helps.

[ammifanart]

Requests open again! Updates

Im opening up requests again since I got em down to 50! I had to delete a few because either they were not appropriate or just questions Im not really sure I could answer.

Yanno sometimes it's just like hm. I don't know I never thought about this question and Im not sure I want to, yanno?

But yeah! Feel free to go back into my inbox and ask for things you want. I have to try and make shorter comics, but I get in the habit of making things at least like 18 "panels" to have the characters breathe. But I have two wips for comics sketched out which are over on patreon now.

It's just refining them now but their so long omfg.

I will try get some shorter comics in here, but atm depression and such has hit me very hard due to people online being terrible people (an inevitablity on the internet) So I am trying to make a backlog up until the end of the month.

I also am stressed out due to needing to work and earn money this month to pay mah bills as per usual. (This shit is always a struggle for me, but I tend to manage. I just have to work super hard to cover it all and it stresses me out a lot)

Anyway! More to come, gonna try stay positive! This blog really makes me happy so thank you guys for the support.

[thenationofzaun]

It's after 1:32:00. Here's what she says:

"For me personally it was a moment to be like, oh we can actually kind of reclaim this trauma for Vi. We can help her heal in a lot of ways because I think that was for us something that Vi's arc really did for her, like I've mentioned that we wanted Vi to be able to ask who she was if she had no one left to protect and that meant Vi saying what does Vi want instead of what does Vi do for other people, and sort of one way to do that was for me was getting to sort of process that trauma and reclaim it for herself and work through it and now be able to move forward from it in a healthier happy way."

Incredibly bizarre for a number of reasons. Firstly, the only trauma she talks about is Vi feeling like she has to protect and do things for other people. And the "reclamation" in question is Vi finally being able to choose something for herself, in this case, eating Caitlyn out in the prison cell. Not once does this writer mention the trauma of, you know, being jailed as a teenager then enduring almost a decade of abuse, beatings, solitary confinement, and the grief of thinking her whole family dead. It's like this massive and torturous part of Vi's life that should realistically have a huge impact on her character doesn't even cross her mind. You have a character who endured teenage years in a comically evil prison. And when it's time to write a scene with her in a prison cell, a sex scene at that, the only trauma you feel it pertinent to dissect is a nebulous feeling of obligation? And not the borderline child torture?

There is also no mention of Caitlyn assaulting Vi in S2 episode 3. A rich Piltovian cop beating Vi, who suffered physical abuse at the hands of cops her entire life. This is another trauma that is never mentioned by this writer. Does being in a prison cell stir up any nasty memories of being beaten by wardens as a teenager for Vi? Did getting beaten by Caitlyn stir up those memories? Why, in a scene where she stands with Caitlyn in a prison cell, is none of this brought up? Did this truly not even cross the writers' mind? Or did they think it wasn't that important or significant to Vi's character?

Second, she says that Vi in this moment chooses something for herself instead of doing something for other people because she feels she has no one left to protect. Is she forgetting that this scene takes place directly after her little sister confesses suicidal thoughts to her? Even if Vi didn't pick up on the blatant suicidal implications in Jinx's words (she's not the brightest character after all), she still feels like she doesn't have to protect her clearly grieving and mentally unstable sister who ran off barefoot, unarmed and alone, in a city teeming with armed enforcers? Okay fine, I guess Vi really doesn't care about Jinx nor does she think much of Isha's death.

But then there's the entire idea of this "protect people" trauma being such a big deal for Vi's character arc. So we're supposed to find it empowering when she stops protecting her family and chooses intimacy with Caitlyn. Yet in the show, does this really land? In Season 1 Act 1, Vi definitely tried her best to protect Powder, Mylo, and Claggor. A significant moment was the ending of episode 2, when Vi turns herself in to the enforcers to protect her loved ones and the undercity at large from Piltover's crackdown. A truly selfless, brave, and protective act. But post Act 1, her protective nature is focused entirely on Caitlyn.

In Season 1 Act 2, her stated goal is to save her sister from Silco. Yet she agrees to aid an enforcer to hunt down her sister and is actually very helpful the entire time. She never even tries to hinder or redirect Caitlyn from finding Jinx, even though her Act 1 self was constantly hindering enforcers from getting to Powder. She reveals the name "Jinx" to Caitlyn, then leads her directly to Jinx without considering the consequences. In Act 3, she leaves Ekko to fight Jinx to the death, choosing to protect Caitlyn instead of either of her little siblings. Later, she gives up the name Jinx to the Council. Then she goes on a rampage on Silco's soldiers without ever looking for Ekko or Jinx to see if they survived the bridge fight. So protecting them clearly wasn't on her list of priorities. The next time she protects someone in Season 1, it's again Caitlyn, during the dinner party. Post Act 1, there is never any significant moment of Vi protecting anyone other than Caitlyn in Season 1.

In Season 2 she joins the enforcers for Caitlyn, gasses Zaun with Caitlyn, lets Caitlyn take multiple kill shots at Jinx. Again, she never looks for or even thinks of Ekko. She doesn't do anything to protect the Firelights. She does protect Isha and by extension Jinx. But again, this is after allowing multiple kill shot attempts at Jinx and gassing Zaun. Sure, she states out loud that she thinks the Grey was protecting the people of Zaun, but the narrative itself calls her out via Jinx. So we're not supposed to agree with Vi's assessment that the Grey was protective, are we? In Act 2 we see her protective nature towards her family return when she protects Jinx and Isha from Warwick. (Fun fact: in the leaks she says "he's gonna kill us" before charging at Warwick. In the actual episode she says "he's gonna kill you." Presumably they changed the line to be a bit more selfless). Then she also protects Vander, and later when Isha explodes she protects Jinx from the blast.

But these moments pale in comparison to how much she protects and does things for Caitlyn throughout both seasons. If you keep track of every protective/selfless action Vi takes throughout her run on Arcane, Caitlyn takes the cake as the recipient. At times she either passively doesn't do anything to protect Jinx, Ekko, the Firelights, and Zaunites in general. At other times she is actively the one causing harm to Jinx and Zaunites. So this supposedly profound moment where she "breaks free" of the burden of protecting everyone and chooses to be intimate with Caitlyn........... just falls flat. Because it's just more of the same of what she's already been choosing to do for the last season and a half. This isn't a huge turning point for her character. She's doing the same thing she's been doing for most of her screentime. Choosing Caitlyn over her family.

It was just so baffling hearing this take from this writer because it's so incongruent with what's actually onscreen. There are many moments in the show where it really feels like the story in the writers' heads and the story we all watched don't add up. And many, many moments where it seems the writers don't really grasp the disturbing gravity of some of the things they wrote into the show. Like Vi's time in prison or her being hit by Caitlyn. It's like they sprinkled those things in for spicy drama with no thought to how they would impact Vi as a person. Very shallow and bizarre writing choices.

An Arcane writer saying Vi had sex with Caitlyn in a dank prison cell to "reclaim her trauma"

[murkystarlight]

MCSM BTS AU

Have I ever talked about this here? I have mentioned it on the conffesiton blog- anyways. I saw the Behind The Scenes thing on yt(plus the Netflix version) and thought it would be fun. Random thing I left in my draft(brain) for a year, here we go!

1. Lukas losing his hat so many times that the crew changed his design(yup. Dis the one I talked about on the confession blog)

2. Jesse(let's say fem) in a interview and the reporter asks if she is aware of the ships the fandom talks about

2-1. Jesse responding with "they're really nice and sweet. Some are them just hilarious for.. different reasons. Cause some of them are so right and some of them are so wrong"

3. The 'characters' the 'actors' play will apply to probably the famous and popular ships.

3-1. Some of the 'actors' themselves could be a couple. But those couples are like... the not really popular ships?

4. Reporter asks (almost)everyone "who makes the most bloopers?" And the answer is Jesse.

4-1. "Which one?" And they bring up a chalk board where they're keeping track of each of the Jesse's and how many times they messed up during a scene.

4-2. "Okay.. then other than Jesse. Who messes up the most?" Everyone else thinks and says "Petra" and she comes up on screen in her defense (I think she would mess up her lines a lot for some reason)(also- probably because she appears on screen a lot)

5. Most of the actors are in their twenties or thirties. Rarely has some that are in their four-fifties

5-1. Most of the time uses CG or makeup to make actors look older or younger

6. Six different actors playing six different Jesse's. The other six are there too.

7. I would very much like to make a comic but I got no art skills. Or the skills to write. Guess I gotta work on that-

8. I don't know how much of a sensitive subject this will be. But I would want to make a small episode about Ivor relating to how Paul Reubens has passed. Of course. Respectively. If that is okay

9. This is just a draft. Not making anything serious out of it(i think. I might. I could....) and I am aware that a lot of people have similar things too. But I just wanted to write it out in my own way?? So... yes.

Thank you for reading. Feel free to ask questions

[snakes-in-mirrors]

Hello, first I want to say, I love your style! And also, I keep seeing your oc art and I got very curious about them. I saw a an ask about mirror thing and things about spoilers so um, is there a comic or something like this? Where can I learn more about them?

Hey there and thank you! I'm so happy that our characters have sparked your interest and desire to learn more! At the moment, the most information you can find is only on this blog. We don't have a specific project yet (like a comic or something), but I have collected illustrations, bits of lore, small comics and answers to questions here! In the future, there will be more here, but for now, this is all we have. ^^

[zahri-melitor]

I actually was thinking the other day that it was about time I saw another "how many comics have you read" poll go around the community, as it had been several thousand comics since the last time I answered one.

...I was hoping for one with more reasonable bins though.

I've made this point before but say JUST reading Batfam post-Crisis 1991-2011 gets you 700 if you read mainline Nightwing, Robin, Birds of Prey, Batgirl, Batman & Robin, and their associated annuals, event comics and extras.

[ayamari-no-goshi]

This is an interesting panel when it comes to trying to figure out Jason and his motivations.

Leading up to this, Jason, who had originally had a set of rules regarding who he’d kill, had purposely thrown it aside to coax Bruce into action. Bruce had become too conflicted regarding how to handle stopping Jason and froze, so Jason purposely became more of a villain.

Now, we see this. Jason is actively trying to lead Bruce to the Joker to ask his question and get his answer, but Bruce is distracted by what’s going on in Bludhaven. This won’t do, so Jason is purposely taunting him to make sure Bruce stays focused on him.

Then we get to the famous scene where Jason demands Bruce to choose between him and the Joker. And Bruce chooses the Joker. This was everything Jason was striving for since he started his training after his dip in the Pit.

But something not enough people pay attention to is that Jason didn’t expect to live through everything. He was fully prepared to die, and in all honesty, probably wanted to. We’ve seen again and again in the comics that Jason believes he was better off staying dead. In that moment in UtRH, nothing mattered more to him than continuing with his plan and getting that answer before taking out the Joker and himself. And ending his suffering.

Yet, the first person he turns to after the events of UtRH (it’s like a year later) is Dick. And even though Jason is absolutely shit at trying to express it, he was testing the waters to see if Dick possibly still saw them as family (per the telegram given at the end of Brothers in Blood). Which seems very contradictory with Jason’s actions in that arc because that’s when Jason was impersonating Nightwing and killing people.

One of the most interesting things about Jason, in my opinion, is how contradictory his actions are towards his family. The man can act as if they mean nothing, put them in death traps (specifically before N52), but he’ll then turn around and help them out if they’re nearby and in danger. He also deeply wants love, but no longer knows how to ask for or express it.

I don’t think this helped explain anything, but these are things I’ve noticed about him during this period.

til that slade bombing bludhaven happens at the same time jason and bruce are duking it out in the under the red hood storyline and they see it happening.

in other news, jason peter todd is a raging asshole omg what a JERK THAT’S YOUR BROTHER?!???

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[farahfriday]

[lord farquaad pointing and laughing meme] the british man has fallen for the american imperialist propaganda!

ghost image credit to yumethefrostypanda

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[muppenthings]

An event that took place in mid 1700's. Gorm was summoned by the islander's ship as usual, but things took an unexpected turn. After this he didn't return to the surface for hundreds of years. Never understanding why they acted like that.

[skizwillsuffice]

I’ve noticed something bout my style and I’m not bout to change it

[hewmitcwaft]

HEY! HEY!!!!!!!!!!!!! TELL ME ABOUT PIXANDRIA!! DO U HAVE ANY BRAIN THOUGHTS ABOUT THE ANTHILL?!

OH BOY DO I !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[bacchuschucklefuck]

since more of like the class swap etc started going up every once in a while there will be a question in my inbox that would take me literally multiple comics' worth of art to answer adequately lol. and I don't wanna do that under an ask I want that to have its own space! so if I don't answer ur question know that it's probably that^ above there and not that I think ur question sucks