"Kuina's death is ridiculous" yes! That's the point! You do realize that falling down the stairs is a way of showing Zoro how fragile human lives are, right? You are aware that the point of Kuina's character is the unfairness of the world towards women in comparison to the privileges men have, like living in itself and fulfilling their dreams, right? You know that Kuina's death is "ridiculous and dumb" because it's meant to show that even the strongest person Zoro knew could die from something so little, right? You understand that the value Zoro gives to life is fucking immense, right? Right?? You realize Zoro can't seek revenge because nobody took her away from him and now the only thing he can do is become the world's greatest swordsman to avenge her death, right? You get that Zoro's character is an atheist because he doesn't believe in anyone and he can only rely on himself when it comes to Kuina's sudden death, right? You are aware that sometimes people die in the simplest of ways and that doesn't make them weak because death doesn't discriminate, right? You know that all of these things are what make Zoro's character so interesting and important, right? Right??? You know, right?
Well, of course you fucking don't because if you knew you wouldn't be saying her death is ridiculous <3
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
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It would be nice to read a post at least once where someone doesn't he/him or good boy a butch.
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Got my copy of the first volume of “The guy she was interested in wasn’t a guy at all” 😭💕😭💕 so happy to have this in my hands!
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There needs to be a scientific study done on how Rockstar Games' Arthur Morgan is able to provoke the most earth shattering emotions I didn't even know I had in me
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gojo, akemi, and sachiro all snuggled together in one giant bed, with sachi nestled close to auntie ‘kemi who’s softly singing him to sleep, while dada satoru watches them both, holding them in his arms and feeling this warmth in his heart at the sight of their bond >>>
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I'm fascinated by the ways in which the things a creator is good at making don't necessarily line up with the kind of art that they respect or even enjoy.
This has haunted me ever since I saw a Youtube video about the downfall of The Band Perry, a country band that I had liked until their music got weird and they kind of fell off the face of the earth. Well, it turns out that they tried to reinvent their image and their style of music several times before the band finally fell apart. When they started, they had this weird Southern Gothic homeschooler style that really worked for them and was reasonably popular, but then they tried to switch to a cooler type of pop music--a style they supposedly admired and enjoyed--and it just did not work at all. They failed because they chased what they wanted to make instead of sticking with the style that they were good at.
It's a tension that's present in all creative work. At one point does "going outside the box" go too far? Can one be happy making good work even if it's not the kind of stuff they like or admire? Are the techniques and styles that are most appealing to us appealing because they're things that we can't create ourselves? As in, our minds don't work that way, so seeing these things from other creators is exciting, but the fact that our minds don't work that way is exactly why we can't imitate those things. Where's the line between creative integrity--pushing yourself to make better things--and pride--wanting to make something more prestigious and impressive instead of humbly making the type of art you're best suited to make? Can one even clearly see what they're best at making, and appreciate the good that's there rather than chasing after styles and techniques that seem better? There are no solid answers, which is why I'm going to be endlessly thinking about this.
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They are everything to me
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I wanted to rec this for a while. This is the most amazing humans are space orcs story I've ever read. It's called, "In Search of Home".
It's an original work so there's no fandom you need to know to read it, it's over 362,000 words, which is more than decently long, and has an ongoing sequel that's surpassed the word count of the first story (we love getting closure 💞). It has a happy ending (not a spoiler, it says in the tags) so don't worry about your heart breaking too much.
I'm rereading the first story and I feel kind of cool knowing the alien words.
I cried reading it, I laughed, I felt victorious. I love it so much and want more people to know it exists because original works aren't as popular on ao3.
Mind the tags!
Link: https://archiveofourown.org/works/43547319
Summary:
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Previous // Next
Wren: What’s that one?
Ivan: You tell me…
Wren: An octopoop.
Ivan: [snorts] Close enough.
Wren: That one’s weird.
Ivan: That ain’t a tattoo, it’s a scar.
Wren: From what?
Ivan: Ohh, I don’t remember now-.. prolly chickenpox or somethin’.
Wren: [giggles] I gave Ava chickenpox.
…
Jude: It’s like she doesn’t even listen to me sometimes, n’ her stupid boyfriend doesn’t help.
[Robin clung to his pool noodle, ears ringing painfully. He knew too much already; he didn’t want to know more but it was impossible to tune out-.. like being forced to watch a gruesome car crash]
Jude: Who wants to go to some snooty grammar school, anyway? There’s even a test to get i-.. hey, are you okay?
Robin: Uh y-yeah, I’m fine…
Jude: Maybe we should get out, you don’t look so good.
[Collective noises of disgust – frantic splashing]
Oscar: It’s a rite of passage to hurl in a public swimming pool, bud.. don’t worry about it.
[Robin trudged after his father, hot with embarrassment. Disjointed memories weren’t quite enough to paint the entire picture of Oscar and Ivan’s past, but he’d seen enough to know it was bad-.. very bad]
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“She’s tolerable, but not handsome enough to tempt me”😤😤😤
(Regency AU with Eloise and Sebastian inspired by my slow trek through Bridgerton these days & @bassicallymaestra ‘s AMAZING regency inspired art😮💨😇🙏)
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When I try to convince people to listen to tma I feel like a real estate agent trying to sell a house, but since the fandom is the magnus archives it immediately makes me think about our dear real estate agent Helen Richardson. Which distracts me and completely derailing my sales pitch (which she’d probably like, being of the spiral after all)
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Gangle: *sobbing* I’ve done so many terrible things!
Gangle: *still sobbing* Like touching myself and lying to the police!
Zooble: …And dismembering a body?
Gangle: Well, we all did that, so…
Ragatha: …
Ragatha: It’s alright gangle..?
Jax: Don’t comfort her, she’s fuckin weird.
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