#the show is a gift that keeps on giving

[oeuvrinarydurian]

Inspired by the albums created by @too-antigonish and @astridcontramundum, I present to you, what I believe is our first TELEVISION SITCOM COOKBOOK.

That’s right. Now you can relive the laughter at home, fixin’ up your favorite recipes as seen on that beloved Endeavour spinoff…

“The Even Odder Couple!”

Starring Morse, Strange and featuring guest appearances by Fancy and Cousin Carol, you’ll find such treasured favorites as: 

“Shepherd’s Pie in the Oven”

“Beans in the Pan”

“Nice Bit of Haddock”

“Poached Egg, Bit of Pepper”

“Tea’s In the Pot/I Think I’ll Have Coffee”

“Egg Fried Rice”

“Aspirin’s In the Cabinet”

Not to mention everyone’s favorite…

“It’s Bitter, Not Lager”.

PLUS…two secret family recipes, never before shared: “Mrs. Thursday’s Lovely Carrots” and “Jim’s Very Special Pickled Mackerel.”

And much more!

As a bonus: if you order in the next five minutes, we’ll throw in a copy of

“Strange Cooks Solo: Oberon Prince For You At Home”

Call NOW! Operators are standing by.



[firelise]

obsessed that iwtv has introduced the concept of vampires as inherently ipad babies

[freightertonowhere]

my favorite part of ezra and ahsoka's reunion was the implicit 'oh hey the last time i saw you, i pulled you through a time portal to save you from your evil former master and then you stopped me from breaking the space-time continuum by teaching me a lesson about death and sacrifice before the embodiment of darkness shot blue flames at us through another time portal, causing us to separate back into our own points in time but it's okay bc you said you'd come find me and oh yeah your owl friend who's the metaphorical and/or literal goddess of the light was there too.'

[coldzonkprofessorturtle]

An Affair to Remember

Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.

Deep dive below and also thank you gif makers for your work 🙏🏽

(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)

So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.

Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.

When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.

At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.

Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.

Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.

As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.

Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.

From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).

They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.

As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.

The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.

They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,

"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."

For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.

So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.

Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.

So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.

They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?

If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.

I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.

It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.

[monstermoviedean]

if cas made a friendship bracelet for dean he would put it on and literally never take it off. frayed, stained, faded, falling apart. doesn't matter. still on.

[mortalfortaxpurposes]

JOE JOINED IN FOR THE HEAVEN IOWA MOMENT

[respectthepetty]

Yuan sat across the hall in his room to confess to Qian that he almost died.

I wanted Qian to close the distance, and the long trailer told me . . .

That Yuan is wearing the same shirt in both pictures with the bruises.

Qian left the door open!

And Yuan is coming in!

[chronicowboy]

2015 - 2024

[impala124]

On the surface, this looks like Haruto shading Ryoma for his fighting skills or the lack thereof. It could just be that, but what if it wasn't about fighting off the men but fighting off love that they are talking about?

Ryoma coming into the warehouse and embodying the fighter pose, even though he has no clue as to how to fight, is all false bravado on his part. In reality, he has no defence against anyone loving him.

Let's talk about the confession scene -

Haruto, who never saw himself as having any inherent worth other than the skills he possesses

Ryo, who is written off by people as unfeeling and closed off

to Haruto telling him that he adores him, flaws and all

God, they really are perfect for each other!!! One of the best confessions I've come across all year. So raw and honest.

Also, can someone please gif the scene where Haruto excitedly gets into the bed after Ryo invites him? If it already exists, please tag me. Thank you!

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[asmodeauxx]

they gift and he keeps, as cruel as he may be,, (wip)

[xofeno]

Promo Pics / FBI: International → episode: 4.05, "The Future's Looking Bright" → airdate: Tuesday, November 19, 2024 ↓ description ↓

When an American man is kidnapped in Warsaw alongside a Ukrainian woman he met on a dating site, the Fly Team heads to Poland to track down the mastermind behind the site.

source: paramountpressexpress.com

[bhaalsdeepbat]

Hellspawn idea that hit me like a religious vision

Astarion can't stop thinking of the color of this flower Karlach found during one of the more idyllic moments of traveling to Baldur's Gate, and it should have been such an inconsequential moment. It was just a flower. But the delight burning in the embers of her mirthful eyes just sticks with him. And it's mostly annoying how happy she is about everything, but he also can't hold it against her when she, too, is adjusting to sudden, newfound freedom, and hers is much more limited than his.

And it isn't even a romantic moment or anything, right? Karlach just sees it on the edge of where the last bit of life was able to grow between the Shadow Curse and the land beyond it. She's STOKED. Bellowing in that way she does about this flower. She just takes a moment to enjoy it, then moves on. Doesn't pick it. Doesn't touch it. Just moves on with her day.

but this moment sticks with him and he thinks about it when they're curled together under the stars that night, his body fitting against the curve of hers, his cold weight soaking up every bit of warmth her overheated body will give him, and her arms are SO strong, but so gentle in the way she holds him.

The immortal forced to reckon with mortality bc this woman, who truly believe deserves a much better lot in life, only has a finite amount of time to appreciate the flowers and the sunrise and just. everything.

He'll still be able to live his life from the shadows and find beauty in the darkness, but Karlach?

He can see her death coming on the horizon and there's so much he actually wants to do, now that they're trying to make things real. and he just. is feeling the pressure bc he did waste time trying to get Karlach into a position to protect him and he'll forever feel bad about it (but not say anything bc that's his burden to carry).

So the immortal keeps thinking about this flower and what Karlach would look like adorned in beautifully crafted items accented in blue: gilded chains and cuffs adorning her hair and horns, sturdy leather dyed and stamped, fine silk embroidered with expensive floss, of all the nice things he wishes she could experience - because he promised her new experiences once they returned - and just.

When everyone's sleeping, he just spends that time sneakily embroidering this doublet he stole from a vendor the moment they entered the city. He's working against time, too, cus this is a gift he HAS to give her before her time is up. So, his skilled fingers move quickly, embroidering this black doublet with the most beautiful embroidery done mostly in blue, but accented with red, orange, and yellow.

He's almost done when Karlach tells him one night that she thinks she doesn't have much longer. Her heart is in overdrive and she can feel her body beginning to give out, to fail her when freedom was so close she could taste it. and it isn't fair. Astarion is SO angry at the world and at the Gods because he FINALLY has someone and. Time is running out. he feels even more powerless here because it really is just up to Karlach and whether she wants to keep going or not. He tries to talk to her about it, but usually they just end up fighting because they're both stubborn.

So, he avoids the conversation, mostly. Just tries to pretend the end isn't peeking over the horizon.

He doesn't give her the doublet right away. He doesn't want that finality, to give it to her and to know this may very well be the last time he gets to give her something he put his time into for her like this. and he has other gifts for her. a new owlbear to go with clive (even if he thinks that's juvenile, but he's not going to judge....well. he will, but not as much as if it were Gale who still had his stuffies). but he just. cannot bring himself give her this doublet bc he knows it's the first and last time she'll be adorned in something that he put together for her. the embroidered doublet is his labor of love, and the man does NOT like to labor.

embroidering isn't even necessarily his favorite thing to do, it's just one of his skills he actually has. he lacks self-confidence when it comes to what qualities he thinks he has that make him worthy of a relationship, but he can make sure his partners' clothes are mended and presentable.

When he finally gives it to her, it's after they take down Gortash. Karlach spends that very night alone, and Astarion cannot take it. He hasn't spent a single night away from Karlach since before they arrived at the Shadow-Cursed Lands, and now they're literally counting the days until they're taken from one another. He's big mad, seething, but very respectful to her bc he understands. he's not mat at HER, he's mad at everyone that took everything they could from her.

That's the first night he actually sits down and starts coming up with a plan. And it's a genuinely good one, but it's the first good one he's had in almost two-centuries. This is when he comes up with how he wants to convince Karlach to let him go to Avernus with her. He's not ready to let go and he is willing to murder his way through the Hells with her if he gets to see her smile about inconsequential things again.

He gives her the doublet the night before they plan to head for the Morphic Pool. They know it may be their last night together, so after a group meal, when everyone is winding down to turn in for the night, they make their way up to the roof of the tavern. They sit beneath the stars, side by side, but they're just sitting and refusing to look at one another.

Karlach is unusually still and silent. She's exhausted. Astarion swears she had his undead heart beating again, but seeing her like that had it stop cold in his chest. He tries to break the silence, to cut off his own thoughts so he doesn't spiral into despair thinking of the unknown, but just ends up reaching out to take her hand.

She's hot to the touch. He can feel that her temperature IS increasing and just. imagining what she's feeling and how she's been pent up this entire trip. like no fucking release from the pressure of this shitty heart that only does its job in the right environment.

She's the one who breaks it first. to thank him for his company. to tell him that he was a little fucking SHIT when she first met him, but she always could see something good behind the veneer of mischief hiding the fear in his piercing eyes. but she loves him and she's so, so happy to have been given a chance to love someone, to touch them freely, to feel loved in return. it was something she was missing in the last 10 years of the loneliness of being simple cannon fodder in an endless war.

and she doesn't want to talk abt this. she had been avoiding it, took him on their date to pretend like he wasn't doomed to be left alone in his eternity. And neither of them even MENTION the elephant in the room. like they're both talking circles around what's going to happen, but they're being honest about the feelings they have for one another. like the only thing they even voice concern for is not being able to take out the Absolute.

Under the stars, accompanied by declarations of love spilling from their lips, Astarion produces the doublet. Karlach is just ecstatic that she received a gift, but when she realizes HE embroidered it, she's just kinda like.

This is. the most beautiful gift i've ever received, fangs.

and her calloused fingers, fingers that had seen more war and death than anyone her age should have to, gently touch the floss, follow the design, and she realizes the particular shades of orange, red, and yellow are in her eyes, in her body, in her chest, all complimented by the blue thread he used as the main color of the design.

It's a design made of the sun, moon, and stars, trailing up the front, across the broad shoulders, and down the back yoke.

she's his sun. She's the gentle warmth of the sun's rays comforting him when he would rather recede to the shadows and fall back on old habits. she's his moon and his stars, his guiding light when everything seems like it may crash down and suffocate him. She's everything good in this world if you look for it. She's proof that you can be put through shit and still come out a decent person.

Karlach does cry, but it's nothing dramatic. It's a few tears, her own stomach and chest twisting with an overwhelming sense of loss and yearning; the loss of time when her light inevitably extinguishes and a deep yearning to stay. it's in direct opposition to her desire to die in the place she loves simply so she can keep living this life with the man she loves.

She puts the doublet on, wearing it that night while he cuddled against her side. They held each other beneath the stars, until it was time for Karlach to get some rest for the upcoming battle. Astarion spends that entire night just watching her, playing with her hair, getting every last touch he can, then makes a vow that he WILL save Karlach, just as she saved him.

[accio-victuuri]

black and white are neutral colors, not complex but full of emotion. Forget the past and live in every moment. ( wang yibo for harper’s bazaar january issue behind the scenes ) 🤍

[majorbaby]

way to go, trap

[mizgnomer]

More Staged 3 Behind-the-Scenes Photos (Part Two)

See also [ Part One ] [ Part Three ] and [ Staged 3 Promo Photos ]

…with special thanks to the Instagram and social media accounts of Georgia Tennant, Anna Lundberg, Simon Evans, Lucy Eaton and more