#the shadow essays

[tryingonametaphor]

Why Will Byers?

An analysis and theory on why Henry/Vecna targeted Will first in season 1 and his plans for Will in season 5

‼️Contains The First Shadow (TFS) spoilers so please proceed with caution.‼️

This is going to be a little long but I’ve tried to give as much context as I can without actually being able to show snippets from the stage play. This is my interpretation of everything that went down as a member of the audience and not as someone who has read up any theories about TFS before. To understand why Henry took Will first in 1983, we have to start with -

Henry and Joyce

From all the times I’ve watched TFS, the one thing that has stuck with me is the final conversation Henry has with Joyce. It’s just before his last confrontation with Patty Newby and before he joins Brenner for good. Joyce is the last person (who doesn’t know about Henry’s powers) that he canonically talks to.

Throughout the entire play Joyce, Hopper, and Bob are investigating the animals dying at the hands of Henry and come to the conclusion that Victor Creel has been the one doing the killing. They get so close to solving the case. In her last conversation with Henry, Joyce tries to comfort him by saying that Victor will pay for his crimes - which makes Henry laugh because she’s so close yet so far from the truth. He gets a little frustrated and says something along the lines of “You don’t get it. But someday you will.” (edit 28/9: the exact dialogue is [Henry: you’re too nice. that is how they’ll get you. you have to learn to do anything you can to protect the ones you love] [Joyce: I don’t understand.] [Henry: You will.]) The next time we see Henry make a reappearance in Joyce’s life is during -

The Vanishing of Will Byers

Will is taken into the Upside Down (UD) by Henry. It’s not even a question anymore. All of the context clues from 1x1 lead us to believe that Will’s kidnapping was not by a demogorgon. Will - a 12 year old - miraculously survives a week in the upside down with no food or water. Will is even around the demogorgon a few times in the Upside Down. (Joyce communicating with Will through the lights and then the demogorgon coming after her immediately).

Barb dies the night she is taken but Will stays alive and also somehow manages to talk to Joyce through the wall. Joyce is led exactly to where Will was held at the end of s1 and he makes it out alive. It’s almost as if Henry knew all along that Joyce was the most capable of never giving up on finding her son. Like Henry took Will Byers because he was Joyce’s son. And like he was giving her just enough to know that Will was alive. Even when Joyce and Hopper find him at the end in a state of near death, he’s not injured by a creature. He was being prepared for the next stage of Vecna’s plan -

The Possession of Will Byers

The origins of Henry’s powers happen as such - As a kid, he is transported into the UD (originally coined Dimension X by the government) for a few hours because he touched something he wasn’t meant to touch. During his time in there, he came in contact with the Mind Flayer (MF). According to TFS this is the point in his life when he started getting “corrupted”. Brenner’s dad - who was one of the first people to enter dimension X - had mutated blood after but no powers. Henry was the first person to come in contact with the MF and it’s highly likely he got his powers because of this (This would also track considering how most of the party has been in the UD now but show no signs of having powers). The MF controls Henry for the rest of TFS and Henry grows more power hungry the more he kills.

In S2, Henry presumably sends the MF after Will - who has now had a year to heal from the events of 1983. Will is the only other person in all of ST to have had direct contact with the MF and survived it. Henry didn’t hesitate to kill Billy in S3, but he always gives everyone just enough to keep Will safe. Will himself tells Owens in S2 that the MF wants to kill everyone except him. Will once again survives the entire ordeal and is given a “break” for the next 2 seasons. Except I don’t believe he’s been just given a break. I think Will is -

Henry’s Sleeper Agent.

Ready to awaken in s5. I undoubtedly think that Will is going to have powers. And I don’t think they’re going to be the same as Henry and El. El and the other lab kids get their powers directly from Henry. Will’s powers will be directly from the MF like Henry. I believe this has been Henry’s plan all along and it’s further affirmed by what he tells Will in the recent VR game. That Will will be the key to Henry being able to infiltrate his friends’ minds. Jamie Campbell-Bower also mentioned during the S4 press that to get in character, he set up a display with all of Henry’s victims and targets’ faces on his wall(?), and Will was in the center.

Henry is going to use his connection with Will sneakily and midway through S5 he’s going to awaken Will’s powers (maybe in ep4 - which is said to be titled ‘Sorcerer’ and has young Will in it). Henry is going to try and manipulate his way into making an ally out of Will, and it’s not going to work because -

Will is the Perfect Character Foil.

Will is everything Henry could have been if he had a better support system. He is the perfect character foil. Unlike Henry, Will has a mother who loves him unconditionally and more importantly, believes him. Unlike Henry, the person who Will loves the most (the Patty to Will’s Henry: Mike) is going to love him back and stay by his side all season. No one is going to force them to be apart the way Henry was told to stay away from Patty. Will is not going to be easily swayed even though Henry has spent years crafting him into the perfect soldier. Sure, Henry has seen him heartbroken and sad, but that comes nowhere near to the amount of love and support Will is going to get from his people next season. And they’re going to quite literally defeat Vecna with the power of love and friendship. After that, Will Byers is getting the happy ending that Henry could have gotten.

[alsoknownasallison]

james somerton aka plagiarism georg

[pesky--dust]

[cookies-in-chees]

“Wow Hbomber guy is really fucking up James Somerton- AND HERE COMES TODD IN THR SHADOWS WITH THE STEEL CHAIR

[frodopotter7]

I am sad, that all this passion and in all this great times of film making it has come to this. All that we get is reproductions of a reproduction and another merchandise series. If a film maker dares to make something unique and extraordinary, it is taken away too soon immediately. I feel like those big streaming platforms and the average viewer never sees the amount of poor and talented souls who suffer from that.

[uhbasicallyjustmilex]

i’m sorry but alex’s reaction to being shown a compilation of nude men and half-clothed male athletes on a french talk show is quite simply one of the best things i’ve ever witnessed

[maybeelse]

The Problem of Witches

"What is true power" is supposed to be one of those deep, philosophical questions with no real answer. It—and the thought experiments which grow on it like clinging weeds—are meant to become a mirror to the speaker's biases, to reveal how they think about the world. Let that be so.

To my mind, the answer is simple: true power is control of the context in which the world is understood. It is the ability to say "this is what the world is", and be heard.

It is intoxicating, and dangerous, and many-layered.

Seen through the fantastical lenses of works like This Is How You Lose The Time War and The Book of the War it is conflicting frameworks of the Commandant and the Garden or the Great Houses' anchoring of the thread (the creation of history with themselves at the center). It is the pinions which Exordia's Khai place in their subjects' souls, narrative prisons that make the Khai's success inevitable; it's Elden Ring's outer gods struggling for control of what the world will become.

In the real world it's the narratives which bind our comprehension of what the world could be, and what it is; and it's the processes which led to their current state. It's all of the choices that constrain the space of what's possible.

Perhaps this is an unsatisfying answer. Perhaps it is trite. Perhaps I'm just vaguely waving my hands and going "society's the real power, man! It's everything around us!" So be it.

In my own stories, there is magic: the ability to change parts of the world. Sometimes this is fundamentally altering part of the world (sunlight is a honey-thick liquid, that drips and stains and smells of sweet rot); more often it's changing the way something works (as long as you remember to chant these words once a day, your body will become soft and plump) or what part of the setting is like (things around the graveyard doll get spooky and sepulchral).

That's not an exhaustive list, by the way.

And then, there are witches, and the problems they create.

By the time a witchling becomes a small-witch, their existence has already begun to distort the world. Rules stop applying, or get more complex, or more conditional. There are loopholes.

Put too many small-witches in close proximity, and weird stuff happens. Things skew and break; points of disagreement or conflict gather narrative weight. There is always potential for escalation.

And then there are true witches. "A skin worn by a fragment of the Unreal", I said. "The hollow left behind by a hidden heart. Someday a sparrow will wear down the mountains which stand beyond the world and they will watch, uncaring." And then, lest I be misread, "their presence leaks into the world, corrupts narratives, stains souls. They become undeniable. Some call this a curse."

By their mere existence, they shape the world.

I've been grappling with the consequences of that ever since I started writing about them.

Because—think about it. What does that do to a world? What happens?

My forever-unfinished map of the City of Corrade shows that city as a series of thin bubbles, with buildings and forests and suns clinging to their pastel surfaces. Setting cast as a series of moods, as layers, as abstract bubbles of influence; a city seen through the lens of subway trains, connected-yet-disconnected. In many respects this is a concession to my writing; landmarks recur, and moods, but everything around them (and their relationships to each other) shift as easily as a dream's psychogeography.

That, then, is what happens to the people and places within a true witch's influence. They exist within her context, within her understanding of what the world is. In Corrade, capitalism only exists in the city's Downtown, whose striving spires cling tight to the Astral Witch's midnight observatory; the waves of gentrification and decay which lap at the city's client suburbs flow from the blended presence of several lesser true witches. Crossroads Station, HER orbital citadel, a relic of a long-ended war still ringed watchful angels, exists only because of the power slowly leaching from HER still-warm corpse.

And at their feet the lesser creatures squabble and struggle and try to thrive. Some become witches; most do not.

I grew up across the bay from San Francisco, all those years ago, and perhaps that tells you something of why I understand geography in terms of the great powers that affect it, of the titans whose movements shake the world and the fungal outgrowths of the lesser powers which serve their whims. Today I regard them as pathetic, all those child-kings clawing at the edges, desperate for more, for the glory of their unfinished apotheosis, for a final escape from reality's laws and constraints—but that's part of my witches, too. Abusers are fundamentally pathetic; powers grow so tangled in the context they create that they can never break free. They choke and die on their own success, still unsatisfied, still wanting more.

That hunger is all they are.

[razzek]

One thing that's starting to really get to me with the James Somerton stuff is a real strong undercurrent of disdain toward his fans. And yeah, I was one of them. A good scam artist isn't as easy to spot as y'all seem to think. You forget that you have all the information right now. Two days ago most of you had never heard of him and it would have kept going. Anyone can fall for a scam, nobody is immune. I would love to have had whatever resources you guys think we all should magically know about so I could have kept my sad $5 a month I really needed but thought was going to something worthwhile. Some of us can only devote so much energy into things and when you have no idea whatsoever that something is amiss of course you're not going to go digging for sources, why would you when everything is fine as far as you know? I really wish I could have seen the dissenting opinions on him but for many, many reasons that aren't just that the dissenting voices weren't widely circulating at the time all I had was the thought every now and again that "huh that doesn't seem right" and then go on with my day. And I think that happened to a lot of us. So yeah. Say what you gotta say about Somerton, he has more than earned it with the damage he's caused, but maybe don't shit so hard on his former fans because that is going to be you someday with something, it happens to everyone sooner or later.

[groovyfrog420]

SV Redeemed AU

INTRODUCTION / DISCLAIMER

First things first, these designs for Shadow Milk and Pure Vanilla are FAR into the future. Quite literally end game phase of the story, the “they grow old together and live happily ever after”. There's a long way to get there, and while I will write some of my thoughts about their journey, I'm a shitty writer. There's no single thought-out plot, it's just bits and pieces of my thoughts in one place. 

I don't think I'd be making a tag or naming this AU anything specific. I'm still calling it an AU because there is a bit of canon divergence, but I don’t have a start-to-finish story. (EDIT: wellp that lasted long. new name is #False-Truth AU because I like the oxymoron. I still don't think I'll do much - maybe a few short comics, which you'll be able to find under that tag on my profile)

Keep in mind that these are just my own interpretations, if you imagine these cookies acting differently, that's ok! This is just my own made-up alternate version

LONG POST UNDER THE CUT - don't say I didn't warn ya

I’ve tried to divide it into sections, so if you are looking for just smth specific / only care about one of the characters, you can skip right to it!

Prepare for the ramblings. 

PURE VANILLA'S DESIGN 

more relaxed now - doesn’t need to keep up perfect appearances and the image of a hero, so he can lay back a bit more. (messier, less perfectly styled hair - more like his younger years. comfier clothes.) 

focusing on herbology - with less power now (why explained below) and trying to not overwork himself, he’s taken to different healing methods, as well as taking on gardening as a hobby

slightly more open eyes - (heavily elaborated on bellow) 

different staff - due to being able to use his own eyes more now, as well as staying more on the low, he’d decided to retire the famous staff. Since it’s a flower, it was planted somewhere and allowed to blossom and grow freely - fitting symbolism for a new beginning, I think. The lantern light glowing blue makes it easier on his eyes.

PV STORY BITS 

In this AU Shadow Milk and Pure Vanilla retire together. I think PV would still like to teach, but would focus more on the medical and practical side of things, like herbs and healing practices. (He’ll leave telling tales about the past  to Shadow Milk, though he might throw in his own comments from time to time…) He mostly offers advice and shares every-day methods for protection of different kinds with those who ask, but may take on an apprentice or few to fully pass down his healing knowledge to. He uses magic sparingly now. 

This way with not focusing on a variety of subjects and many, many students, he’s able to rest more and doesn’t have to split himself between multiple worries. He can focus properly and give his students more individual attention, to make sure his knowledge will be retained for the future. 

Eyes

(don't jump me pls read the footnote) 

I've decided to take the closed/covered eyes motif PV has in a bit more symbolic way *. I want to interpret it as PV being blind (=ignorant) to the world around him, choosing to see the world and his own actions in an idealized light, and to look away from anything that doesn't fit that idea. Light sensitivity would be very ironic yet fitting - since his own powers are very light-based, by using them to help others he’d be blindinding/hurting himself in the process... 

Over time, he realizes how futile it is. Even if he turns his eyes away from the wrongdoing in the world, from his own mistakes and imperfections, they will still continue to happen. He begins to understand that he has to accept that neither he nor the world is perfect, to stop wallowing over the past and start fixing the present. To keep moving forward and keep working on himself, not hide his imperfections under literal and figurative wraps. 

With the help of Shadow Milk, he begins to open his eyes more and more and accept the real truth, no matter how imperfect it is. 

*I’m not sure how confirmed it was in canon that he’s blind (from what I’ve seen it was mostly implied, but still). I'm not erasing that - for the sake of this AU, I'd like to say that he has partial issues with sight (including the mentioned light sensitivity), but now he learns to accommodate them rather than ignore them and hurt himself more for the sake of others. No, he doesn't magically gain full sight now, but he's more comfortable, healthier, and more honest about the world around him with all of its imperfections. 

Burnout

I believe SM and PV complete each other so perfectly because they can help each other grow in areas where the other is lacking/struggling. With PV, I’d like to focus on burnout, false ideas, and how the pressure he’s constantly under has affected him. He was very much just a normal guy before receiving his Soul Jam. Years beyond a normal cookie’s lifespan of hard work and trying to be the perfect leader, to always ensure the happiness of all his people (whether that be as king or otherwise) are bound to take a toll on anyone. Obviously he'd never admit that, always putting everyone else before his own needs, and he’d likely run himself into the grave. That's where I think Shadow Milk would be helpful - he’d make him realize how unsustainable what he’s doing really is. He wasn’t built for handling immense power for all of eternity, he’s just a single cookie and whether he likes it or not, he can’t save everyone or make every single one of his people happy... Being selfish isn’t entirely wrong, sometimes might even be necessary. 

Onto the idea of false truth - Pure Vanilla has a very idealized view of a lot of things and people. He’s trying to see everyone in the best light, but he also holds a high standard for himself - that he must be the ideal, shining and caring hero and a beacon of perfection . Shadow Milk is likely to pick that image apart - probably not in the kindest way, saying that in trying to be perfectly selfless, PV is putting himself on the pedestal above everyone else while still being just a single cookie with limited capabilities. He’d likely call this image egoistical, and while PV would argue that he’s doing it for the good of others (he is helping after all, right?), Shadow Milk wouldn’t be entirely wrong - this way of thinking, that he’s the one who must take care of everyone else, is harmful for both him and the ones he’s trying to protect. 

Shadow Milk would show him that truth is relative, that “pure truth” doesn’t exist, for anyone could interpret it differently. That PV isn’t (and doesn't have to be) the perfect blameless hero. That his people aren’t as good or pure as he’d like to give them credit for, but neither are they helpless. 

Shadow Milk metaphorically and literally helps him open his eyes - he slowly learns to lay back, to accept the reality and “truth”, whatever it may be, and is no longer blinding and burning himself out by trying to help everyone at once. With a new mindset and outlook of the world, he can allow himself to retire, and leave a calmer, out-of-the-spotlight life. 

Retirement

Ok, controversial idea, but I think the ancients will have to one day retire and pass down their SoulJams. Yes, I played Cookie Odyssey, I know how important it is to them, but hear me out. As I said above (which is shown in the game btw, but correct me if I'm wrong), they were just normal cookies before taking on the roles of the Ancient Heros. Cookies with high achievements, yes, but still. They aren’t The Beasts, baked specifically for the purpose of handling the Soul Jams, and even then, The Beasts weren’t perfect. I’m not saying they’re bound to get corrupted like their predecessors did, but I am saying that this role is bound to take a toll on them. Not even just from the perspective of power, even just handling so many responsibilities with running their kingdoms is going to be extremely draining mentally. (Physically likely too, even if they’re said to stay “always young” thanks to the Soul Jams - many stories teach that you can’t mess with nature and that nothing lasts forever...)

I don’t know who they’d pass the Soul Jams along too - whether that’d be Gingerbrave and his friends, or a new batch of heroes, that is to be decided. The point is, they have served their purpose, they have (from the perspective of this AU) defeated Dark Enchantress, and deserve to now leave the rest of  their lives in peace.

SHADOW MILK'S DESIGN 

“mellowed out” a bit - continues to be eccentric and dramatic, but less manic

still unsettling - most level-headed cookies upon meeting him immediately get a feeling that there's something.. off about him, even if they can't put their finger on it. (I purposefully left some of his corrupted design elements or callbacks to them, like the marking over his eye, for that reason) 

vibrant, colorful, very extra in both behavior and looks, everything he does he does with drama and flourish 

quiets down when out of the eyes of the public, or alone with Pure Vanilla 

peacock elements - fitting for someone with such a vibrant personality. also the eye connection is perfect - if you look closely at the feather he's wearing, you might even notice a familiar symbol in its “eye”

a playful bard - (elaborated heavily bellow) - an identity allows him to enjoy his favorite activities, while also being a slight callback to his academic past 

SM STORY BITS

The bard 

While spending more time with Pure Vanilla, PV encouraged him to pursue his creative interests. Partly to have smth to get SM’s mind off of causing chaos, and partly because they let him indulge and express himself without causing any serious damage. Now he’s joined PV in retirement, though still not fully stepping down from the stage.

Being a bard allows Shadow Milk to indulge in everything he likes most: being the center of attention, dramatics, theatrics, mischief, a tasteful dose of lies and half-truths, but also, in a way, calling back to his past self: for while a lot of his stories are made-up tales, he can also share the history of Earthbread that he’s witnessed. Yes, he may do so through over-dramatic performances or behind caricatural characters, but every tale holds a grain of truth, does it not? Whether his audience chooses to believe him or not is their choice to make.

Referencing the fact that a big part of human history survived through word of mouth, and how storytellers play an important role in preserving it, I think it’s only fitting to make him a bard.

About visual choices

I made his redeemed design less chaotic and asymmetrical, but still vibrant and based mostly on his current color palette, rather than the one from Blueberry Academy. That's because while he may be rediscovering his interests from the past, he’s not the person he was before corruption and never will be again. Instead, he too is learning to rediscover the world in a new light, with a new identity. 

Visually I’ve tried to keep some elements from his current design, if slightly toned down: a wide collar, puffy sleeves, a flowy cape. Elements of his corruption are also still there: different colored sclera (= his one eye being black), the sharp teeth. He may have settled down and calmed down slightly, but he remains as playful as ever :)) 

He still causes local chaos once in a while or resorts to pranking unsuspecting cookies nearby (the slight charring at the bottom of PV’s robe is a result of one of such pranks getting out of hand), and PV has accepted that he'll never be a calm, put-together cookie he once might have been. However, SM's learned to not be a danger to others for the sake of the one he cares about the most, and that's enough for the both of them. 

And that's all for now! If you've managed to get this far, thank you SO much for your patience, I hope you've enjoyed my thoughts and brainworms <3

[antaripirate]

everyone shut up i’m busy thinking about lila lying awake on the spire thinking about kell

meanwhile he’s sitting in his old ass chair back in london thinking about her. pair of fucking idiots.

[5h0w1sh]

Cowboy AU! Designs

[akabaka-dev]

I wrote a short essay on SFL themes for an application thing, and it'd be a shame if this thing never sees the light of day. Hope y'all find it interesting!

💜💚💜💚💜💚

Sucker for Love: Date to Die For follows Stardust, a Black asexual lesbian, as she returns to her hometown to investigate her parents' disappearance. She finds the town has been taken captive by bloodthirsty cultists of the eldritch goddess Black Goat of The Woods, Rhok'zan. Stardust now must fight for her life with the help of Rhok'zan, whose cult has now turned against her in their lust-driven madness. Stardust is immune to Rhok'zan's aura which drives people mad with lust, making her the only person who can stop the cult. In her journey to escape, Stardust's optimism and empathy save them both.

Sucker for Love: Date to Die For is a adaption of "The Shadow over Innsmouth" and reclaimation of H.P. Lovecraft's character, Shub-Niggurath. In Lovecraft's stories, she functions as a veiled representation of Lovecraft's fear that minorities may outpopulate white people. She appears as a perverse, monstrous deity who continually births horrifying pitch-black young, who consume non-believers with the intention of taking over the whole world. In the game, Shub-Niggurath's monstrous qualities are subverted in Rhok'zan as positive traits. Malevolence becomes maternal doting and warmth; a desire to consume and destroy becomes a desire to bless all living-beings, give them long-life, and heal their wounds.

Similarly, "The Shadow over Innsmouth" depicts a man who finds himself trapped in an unwelcoming town where its inhabitants have been attacked and forced to breed with Deep Ones. Their rumored hybrid offspring appear human before slowly turning into Deep Ones. The inhabitants' suspicious and hateful eyes follow him everywhere; there is no safe place to hide or help coming. The story themes reflect Lovecraft's fear of the unknown, trying to replicate the feeling of being white and traveling through a minority ghetto. Sucker for Love: Date to Die flips the script by reimagining that fear through the Black lense of sundown towns- places dominated by white people who use all the systems tipped in their favor to exclude people of color through threats and violence. Through Stardust's eyes, players experience the consuming sense of total vulnerability as a minority. Stardust lacks the cultists' distinctive "Sacremencho Stare", so she is instantly idetified as an other. There is no place to run, no police, no disguse; not even her childhood home is safe. The systems that should to protect Stardust are instead used to exert control.

Sucker for Love: Date to Die For offers a fresh perspective on cosmic horror from the lived Black experience. Stardust’s journey challenges entrenched systems of control with empathy and optimism, reinterpreting Lovecraft’s fear of the unknown and highlighting the power of compassion in overcoming adversity.

[blurredblu]

A spoiler-heavy essay I wrote after going through Shadow's story in Sonic X Shadow Generations.

Thank you @siggiedraws and AdriWindGB for helping me with this mammoth piece!

[ineffably-human]

Nandor's better to Guillermo than I remember from my initial watch. It's still regressive (and it was starting to head that way in 4x10 too, so maybe this just continues from there), he still has times he's thoughtless and dismissive. But he's the one advocating the others listen, and that they do nice things for Guillermo. He's noticed something is wrong just like Laszlo, he just comes to a different conclusion. He listens to an offhand remark from Guillermo that wasn't even directed at him, just to get him a present.

Any shittiness he's engaging in comes from the very idea of Guillermo being a vampire. (The way Nandor brings that up to the others almost feels like he's been floating the idea in his head, which is a whole other thing; I'll see if I'm right with more episodes I guess and we'll take it at face value for now.) And aside from not wanting that to happen because it would change things, maybe lead to Guillermo leaving, etc it's laughable to him right now for the same reasons it would have been laughable to him in season 1 or 2. Guillermo is a little more assertive than in those years, but he's completely returned to the familiar role. He's reacting to Nandor with fear, more than he did even then.

Guillermo's big attitude change came with being a slayer, and now he seems to have forgotten that completely to the point that he doesn't even consider it as one of the reasons the transformation hasn't worked. He wasn't ready, he was in pain, this isn't how he imagined it (insert @cookinguptales's excellent meta on how it's all a big metaphor for virginity loss). And right now he doesn't know what his body is doing, and he's walking around consumed with guilt and imposter syndrome. Becoming a vampire is making him forget other real, important parts of who he is.

I think it's very easy for the vampires to regress - because of time, stagnation, etc - to an earlier point. Guillermo's regression is just as rapid-fire but it's from trauma. His intense desire to not want to talk about it, to wait over two weeks before the camera crew wears him down enough. To try and describe the turning as sexier and more intense and life-changing than it was, only to be jump-scared by Nandor and reminded that what he did was a (fully justified) betrayal. Has he forgotten that if Nandor really did want to kill him, Guillermo's kicked his ass without his now-perfect vision, and has killed dozens of vampires at a time? Or is the thought of hurting Nandor and fracturing that relationship the thing that hurts far worse here?

I'm a little insane about how, while in the process of going behind Nandor's back, while he's right about to get the thing he's ostensibly attached to Nandor for, he's insisting that Nandor will eventually do right by him and really truly cares about him. So much that Derek again asks Guillermo if he's sure about this.

Even more than the love search stuff Nandor dealt with over two seasons, all of this seems tailor-made to address the big unspoken questions of their relationship. What does Guillermo hope to gain as a vampire? How much of that involves his feelings for Nandor? What matters most to Nandor when it's Guillermo vs his own pride, especially if there were a real threat of losing him? Can they actually find their way to eternity together, and what does that look like when they do?

Which is to say, it's absolutely happening this season. And shit's going to get insane on the way.

[lovelyartisan]

Just as the dust was settling from the smoldering crater that was Hbomb's video essay,

I WAS NOT PREPARED FOR TODD IN THE SHADOWS WITH A STEEL CHAIR!

[nordiccowgirl]

A small thing from the Sonic trailer that I love is how Shadow fights. This is something that I've REALLY started focusing on since Sonic Prime, so I'm going to try to talk about it like I'm not just losing my mind lol.

I noticed in Sonic Prime that they put effort into making Shadow and Sonic look different while fighting. It honestly took until I wrote this whole essay that I never published about Shadow's air shoes and how he clearly uses them to boost his strength - hence why his most well known fighting move in the roundhouse kick. With the air shoes behind it and his natural, unnatural strength, the roundhouse kick would/should KO basically every standard enemy he would come across.

Shadow is a very physical fighter in Sonic Prime.

Yeah, Sonic uses force when destroying robots and things, too, but he clearly relies on his speed and spindash more to propel him through enemies rather than just obliterate them. I noticed this a lot in Sonic Prime and I LOVED it.

I love this move to differentiate them more - I don't think they've really done that in the games since Shadow the Hedgehog (2006) tbh and it was definitely a bummer to get through the Shadow levels in Sonic Forces and basically feel like it was just a Shadow skin over a Sonic level. I really hope that Generations has some Shadow combat abilities and not JUST the Doom Powers lol.

Which leads me to the Sonic 3 Trailer, as all things do today.

Shadow's scenes are very physical in the Sonic 3 trailer. The very first thing he does is bust out of the containment unit (alas I couldn't find a gif of it lol).

And then he goes into the roundhouse kicks (thank you Shadow 2005) and, as I stated above, those kicks pack a PUNCH.

Those soldiers are FLYING across the room lol.

Then there's everything from the First Encounter, starting with snapping Knuckles' wrist like kindling and ending with him rocketing Sonic into the ground in a chokehold.

Again - using his shoes to his advantage in fighting. I love to see it!!

Shadow moves fast and brutally and it takes a lot for Sonic to deal with him. Even in Sonic Prime, when they're not trying to kill each other, fighting Shadow in S1 before the Shatter took all of Sonic's attention. Once Shadow focuses on destroying Sonic in the movie, I expect a LOT of super intense fight scenes like the one we saw in the trailer.

Even Shadows movement in the movie is more physical. Sonic always makes running look effortless:

While Shadow looks like he's putting strength behind his skating:

They did this in Prime, too:

I really hope that we get to see even more of this distinction between the two and if the rumors of more spinoffs are true, I would love to see something like Sonic Prime where they get to work together using their differences, like how they've really pushed the differences between Sonic and Knuckles.

I'm deeply in love with the Paramount Sonic Team and I honestly haven't felt like they've missed (yes, I even loved the Knuckles show). I'm so happy to see all of these parallels in the trailer and I can't WAIT to see how it all comes together in the movie!