#the series had a TV budget so that

[pedanticat]

As I re-watch volume 7 of RWBY, it reminds me of my biggest "issue" with RWBY. Mainly that I wish we had more RWBY. Volume 7 is a pretty solid season with it being structured very well. But a lot of the plot threads and characters introduced could have been explored more if we had more episodes or perhaps even another volume set in Atlas.

[mariocki]

Honor Blackman guest stars as art expert Syd Lewis in Saber of London: Deep in the Heart of Chelsea (1.3, NBC, 1957)

[spockvarietyhour]

Yeah that sure is Joe Walsh there in the Robocop: The Series end credits

[jamezvaldes]

okay i'm trying to catch up on casualty properly, (stopped watching in late 2019 to early 2020 and gotta catch up to roughly mid 2023), and i stopped watching since i was always working on a Saturday and not because i didn't like the show. i loved it and still do despite my numerous issues with it. and lbr it is so easy to see how far the show has dropped off. i'm watching s34 opener rn and how the production has fallen. like we don't get those big set pieces anymore and it has made the show so much weaker as a result.

[arlothinkstoomuch]

Spoiler alert, doesn't fill the hole, still haunted by the want for versailles s4

Part of me wants to watch the new Canal+ Marie Antoinette series because it’s made by the same people who made Versailles. Part of me really doesn’t want to because I’ll spend most of the time lamenting that it’s not season 4 of Versailles lmao

[vintagegeekculture]

The Hall of Amazing Men: Branscombe Richmond

A new admission to the Hall of Amazing Men, Branscombe Richmond is best known for being an actor where he played Lorenzo Lamas’s friend, the Lando Calrissian-like sharpie Dallas Sixkiller, or as Moki, the smartmouth Hawaiian friend of Magnum, P.I. But behind the camera, as a tough as nails stunt coordinator and stuntman, Branscombe Richmond created and developed nearly all the eccentric and eye catching events in the TV series American Gladiators: Atlasphere (the one where people roll around in giant balls), Powerball (done simply because they needed a sport that could be created cheaply because they ran out of money for development) and all the various ones where musclemen shoot tennis balls at people, and where you have to avoid muscular women by jumping on a bungee cord. I don’t think it would be inaccurate to say that with his development (on a really thin budget, no less) of memorable, eye catching sports and events that, with his stunt training he knew could be done safely enough so that even kinda-sporty housewives from Illinois could do them without injury, Branscombe Richmond created American Gladiators. He turned an idea into a realized, practical show that can be done – I don’t think it is inaccurate at all to call him the uncredited creator of American Gladiators.

In his career as a stuntman, Branscombe Richmond, meanwhile, is another one of those faces that shows up over and over playing evil henchmen, members of motorcycle gangs in rough biker bars the hero brawls with karate (if there’s ever a rough scummy biker bar out there, you can bet Branscomb Richmond is in it), and hordes of nunchaku wielding ninja, to the point where if you are, like me, an 80s-90s action aficionado, his face makes you go “oh, hey…it’s that guy!” Can you really call yourself an action fan if you don’t start identifying “your” evil henchman? His IMDB page is mostly roles that are named “Gunman In Jeep,” "Biker #2," and "Terrifying Clown."  

If there is a Evil Henchman Hall of Fame, Brandscomb is there alongside the great Al Leung. You can spot his face as a henchman in Never Too Young to Die (with John Stamos), Action Jackson, Batman Returns, the Hidden, Iron Eagle III: Aces High (objectively the best one as it had Ms. Olympia Rachel McLish), and Star Trek III, where he was a Klingon henchman to Christopher Lloyd who almost got disintegrated and had to feed his disgusting slimy monster dog-salamander. It's comforting to know the profession of henching is alive and well 300 years in the future.

On television, Brandscomb Richmond was on every single cool show from the 80s: Tales of the Gold Monkey, TJ Hooker, Manimal, Airwolf, Knight Rider, Baywatch, and many times attempted to kill the A-Team, especially from motorcycles. Like Chiba, another stuntman-actor, Branscombe Richmond specialized in motorcycle stunts, and he was admitted to the Motorcycle Hall of Fame in 2003. He is, to this day, the guest of honor at whatever motorcycle rally your embarrassing hick uncle attends. I have no evidence for this, but I have long suspected that the reason Richmond was hired to be Dallas Sixkiller in Renegade with Lorenzo Lamas was so they could get his unpaid advice on motorcycle stunts (much like how I have always suspected Warner Brothers hired Ben Affleck as Batman as a "backdoor" way to ask him to direct).

He also played the older brother of the Rock in the Scorpion King, which is an interesting choice because despite getting roles as American Indians (and being beloved in the American Indian community, who, as a whole, deeply love characters who are smartmouth, wiseass sharpies/scammers who get one over on everyone), Brandscome Richmond is in fact, like the Rock, of Hawaiian origin. His first major role in television, that of Moki in Magnum PI, was in fact Hawaiian.

Why are there so many Pacific Islanders in stuntman careers, MMA, and professional wrestling? The answer is surprisingly pedestrian. It’s because Pacific Islanders are a sizable ethnic population in Los Angeles, where movies and television are made, so if you need someone in L.A. that are tough as nails and can take a hit, a Samoan or Hawaiian is a good choice.

Happily, Branscombe Richmond is alive and well, mostly retired as a traditionally large Hawaiian family patriarch. He does occasional voice work, as Gibraltar in Apex Legends, a character physically based on him as well. I imagine he is relieved to be working in showbiz and no longer risking brain damage to do it.

[crimson-and-clover-1717]

When I watched OFMD this year, I literally knew three things:

It was called Our Flag Means Death

It was a pirate comedy

It had been cancelled

I didn’t know Rhys Darby (‘that Murray bloke from Conchords’) or Con O’Neill (‘the weird guy from Chernobyl’) were in it until they came on screen. And please don’t stab in me in the face, but I had never heard of Taika Waititi. I’m very much not the target market for this show. Although I will say I think it’s universal in its exploration of the human condition. So if you’re human, the show is for you.

I knew nothing about budget cuts, editing decisions, or even at this point any circumstances around why it had been cancelled. I had not an inkling it was a romance. I had no notion it was going to overtake my life to such an extent.

I watched one episode a night for 18 nights (I know, I know… I binge-watched it immediately afterwards over two days, and haven’t stopped since). I also had no-one to talk to about the show as I watched the 18 episodes. No-one I knew had ever heard of it. I really was a blank canvas.

And this is what I thought. Other than finding Calypso’s Birthday a little uncomfortable on first watch (and that’s largely because I find torture, even the OFMD variety, difficult to engage with - I always skip the opening of 206 now), I saw no difference between the seasons in terms of artistic merit. It’s possible that because I didn’t experience an 18-month hiatus, and build up my own version of what season 2 should be in my head, I didn’t have any expectations to be knocked down. I just engaged with what they asked me to watch.

I fell in love with this show at ‘My name’s Stede. I’ll be your robber here today.’ I fell in love with Stede Bonnet when he did his little Scrappy Doo air-punch in episode two.

With regard to season two, The Innkeeper affected me so much I honestly think it altered my brain at a structural level. More so than The Chain sequence which is when I think this show started affecting my brain chemistry.

I also loved the development of Stede and Ed outside of their personas. The couch scene in Fun and Games made me believe in them as a couple in ways I hadn’t quite in season one because they were growing and being real with each other. I thought their arguments were so well-written. Man on Fire has one of the most authentic representations of couple miscommunication I have ever seen on tv. And I think Mermen is really good in doing what it needed to do, and did it well. How do you end a tv series that gives a satisfactorily emotional ending, but doesn’t give away everything in case there’s another season?

Ed’s journey in particular just ripped my heart out and then glued it back together. And seeing Stede continue to develop his very nonlinear understanding of the power of his earnestness and gnc self, whilst still sometimes wrestling with notions of traditional masculinity… I needed to grow a second heart.

When I learned of the financial and time constraints later on, I was shocked they had achieved such a high standard of tv.

Imagine my shock when I discovered the Canyon…

It’s fine if you don’t like season 2, or season 1, or OFMD at all for that matter. But if you want me to say season 2 isn’t any good, or as good as season 1, then you want me to say something that I have never felt to be true. When you experience it holistically like I did, it all hangs together beautifully.

[neil-gaiman]

hi neil :) i'm kind of curious about something

is it common practice for companies to commission (is that the word?) scripts for shows before deciding if they'll be renewed or not? and if so, is there any specific reasons why? i can kind of guess like... to get a head start on production, or to see if it's something they think will sell maybe? i've just never heard of this happening before and it struck me as very interesting!

It happens most of the time. Greenlighting a TV series (or a movie) is expensive. Commissioning someone to write scripts before you press that green light button is much much cheaper.

I wrote the scripts for Season 1 not being certain that there would even be a TV series.

In theory (had there not been a 5 month long writers strike) about the time that Amazon got to make their decisions they would also have had first draft scripts for the whole season that they would have used to Budget the season and plan the future with.

[itstatartdump]

So like most people on here I had been watching Watcher since they started their channel, and like most others I was surprised/concerned at the announcement that they're starting a streaming service. After checking out the site and looking close at their YouTube, this feels destined to fail.

I'll go through my thoughts.

They don't currently post enough to justify the paywall

Over the past year, they have posted between 4 to 9 videos a month. That is a decent amount for most YouTube channels, but for a streaming service that is way to low. For $5.99 a month, getting only 4 episodes is not a good deal when other services give you more for less.

What makes this problem worse it that...

They only produce one show at a time

Whenever Watcher releases a shows, they only have that show running. During a series of Mystery Files, they only upload Mystery Files. During a series of Too Many Spirits, they only upload Too Many Spirits. Now this isn't the case all the time, when they have smaller productions they usually release a similar size production along with it.

If we go back to the issue of only getting 4 episodes, this means that you can be paying $5.99 a month to access 4 episodes of a show that you don't enjoy.

These two issues would be less detrimental if it wasn't for the fact that...

They backpedalled removing their YouTube back catalogue

Lets be real, not only were they originally going to remove their YouTube content, It was the only way I could see this being worth the price.

Yes, they say that they aren't removing it, but if you read the full article it say's that "The company originally told Variety that Watcher would eventually remove all of its videos from YouTube".

Their original plan WAS to make all their content exclusive to streaming, the problem was that everyone new this was a scummy idea and they gaslit their audience into thinking they weren't doing that. But that now leaves them with a streaming service where all they offer is 4 episodes of a show per month and a back catalogue that is free on a more well known platform.

The big question I have is...

How are they going to make more content

This is something that I feel should be addressed, they are a small production studio who are trying to "creating television-caliber, unscripted series in the digital space" (direct quote from their YouTube Description). They need more content per month to make this service worth while, how are they going to do that?

Will they push out multiple small budget, easy to film, YouTube like content that bring up the overall upload count which may cause them and their employees to crunch and burn out.

Or are they going to produce several higher budget, TV-calibre shows that would each be more expensive than they can afford to make.

Not sure if this was coherent but thanks for reading anyway.

(sidenote)

While I agree that Steven is getting a huge bulk of the anger that should also be applied to Shane and Ryan, I also have to acknowledge that the first announced show after saying they need money being his travel show is not helping.

[linghxr]

Why you should watch 乘风破浪 and 披荆斩棘 to learn Chinese

What are these shows?

Both 披荆斩棘 and 乘风破浪 follow the same basic format: 30+ celebrity contestants, mostly actors and singers ages 30+, form teams and compete in singing and dancing over several rounds. Viewers vote on their favorite performances and contestants, and 1-3 contestants are eliminated each round. The top contestants form a temporary "group" and appear on a follow-up reality show.

Why you should watch

1. Exposure to different accents

Contestants come from all over the Chinese-speaking world: Dongbei, Sichuan, Taiwan, Hong Kong, and even Malaysia. I can personally say that watching these shows has vastly improved my ability to understand the Hong Kong Mandarin accent.

2. Pop culture knowledge

Because the contestants are celebrities, you'll be introduced to dozens of famous actors, singers, etc. Also, you'll hear the many iconic songs that they cover. I've impressed several native speakers with my with knowledge of pop culture and music.

3. Branch out to new media

These shows serve as a gateway to Chinese music, movies, and TV. if you really like the contestants who are actors, you can check out their shows and movies. If you enjoy a certain song or like a contestant who's a singer, you can explore more music.

4. Casual and formal registers

You’ll get to hear casual, unscripted speech while watching the behind-the-scenes and rehearsal clips. But you’ll also get to hear more formal speech when they’re announcing rules and also from the MC who hosts the actual live performances.

5. Incredible talent

Also, you should watch for the awesome performances and general fun. I love seeing the contestants' friendships, and I’m also obsessed with the amazing sets. There are some incredibly talented performers on these shows, and I love getting to see them shine.

Where to watch

All seasons are free to watch on YouTube! Sometimes clips may be muted or missing, probably due to YouTube's restrictions. But the vast, vast majority is available, and when a clip is missing, you can usually do a separate search and find it. I also pay for a Mango TV subscription, which is $1.99 USD/month.

乘风破浪 full episode playlist links:

乘风破浪的姐姐1

乘风破浪的姐姐2

乘风破浪3

乘风2023

乘风2024

披荆斩棘 full episode playlist links:

披荆斩棘的哥哥1

披荆斩棘2

披荆斩棘3

披荆斩棘4

To help you get started, below is a YouTube playlist of my some of my favorite performances (5 per season, except for the most recent season of each). Cause why not! Also, below the cut I'll put more details along with direct links to my favorite performances.

And if you're a fellow fan emotionally preparing for the 披荆斩棘4 finale 🥲, feel free to message me and commiserate!

See similar posts: I watched all the Chinese idol survival shows so you don’t have to (but you should anyway) Tips for finding Chinese-language media you like

Sisters Who Make Waves

Chinese title: 乘风破浪的姐姐 (S1-2) / 乘风破浪 (S3) / 乘风 (S4-5) English title: Sisters Who Make Waves (S1-3) / Ride the Wind (S4-5) *I call it Sisters for short

This series is the original, having started in 2020. The focus was on female empowerment, particularly of women 30+. A lot of the celebrities had slowed down in their careers, and the show served as their reintroduction to audiences. While female empowerment is still a theme today, I do feel it has lessened in prominence.

Season 1

The original, iconic season. You can tell they had a limited budget and not a ton of space, but it doesn't detract at all thanks to the incredible talent and energy of the contestants. And they had no idea what a phenomenon the show was going to be! Many of my most rewatched performances come from the season.

得不到的爱情

大碗宽面

相爱后动物感伤

FLOW

新物种

Season 2

This season has a special place in my heart as the first one I watched! It's the only one I've seen twice (when it originally aired and rewatched with friends). Compared to season 1, you can definitely tell they had a bigger budget and started to refine the format. Also, some of my all-time favorite contestants are from this season.

现在不跳舞要干嘛

归零

快乐宝贝

给自己的歌

我

Season 3

This season was the first with the show's "modern" and fully-developed format, which remains to this day. For example, they started to include more complex sets and recruited more diverse contestants, such as dancers, an athlete, etc. Also, my favorite performance of the entire series, 雾里, is from this season.

雾里

梦中人

山海

孤独颂歌

有吗炒面

Season 4

This season was the first time I felt there wasn’t improvement over the previous season. I think the stage design took a step backward, and I didn't love the international focus. It was hard to identify my favorite performances because I didn't feel strongly about many. That being said, my friends and I still enjoyed this season.

从头

千里万里

下个，路口，见

归途有风

I'm Not Yours

Season 5

Though this season has already ended, I'm not done yet. I watch with friends, so we move at a slower pace. So far, it seems largely in line with season 4. I'll update this post after we finish.

Call Me By Fire

Chinese title: 披荆斩棘的哥哥 (S1) / 披荆斩棘 (S2-3) English title: Call Me By Fire *I call it Brothers as a nickname

A show about female empowerment gets a male spin off? Out of skepticism, I did not plan to check out this show when it premiered in 2021 (after Sisters S2). But at some point I changed my mind, mostly because I had to run out of other shows. Little did I know I would arguably become a more devoted fan of this show than the original!

Season 1

This season had too many iconic performances to count, and in particular, the Hong Kong contestants really took the world by storm. Due to scandals, they edited out 2 contestants (Huo Zun and Li Yundi), which admittedly does make for an awkward viewing experience at times, but you should totally watch anyway.

凄美地

MMA

飞云之下

达拉崩吧

如果还有明天

Season 2

Looking back, season 2 did not have as many stand out performances as season 1, but it does boast my favorite performances of the entire series, 新地球. It also features a fantastic group of contestants, probably my favorite overall cohort of the show.

新地球

袖手旁观

私人生活

理想

凤毛麟角

Season 3

This was the first season to air after I started watching, though I didn't watch it live because I was still on season 2. While it's probably impossible to top the iconic status of season 1, I think season 3 was an improvement over season 2 in terms of memorable performances. We also got the iconic 0713 (2007快乐男声全国13强) contestants.

行走的鱼

爱人错过

Joker

走麦田

有没有一首歌会让你想起我

Season 4

This season is sadly coming to an end, although I have not started the finale yet. I'll start this weekend and update this post in the future after I've had some time to gather my thoughts.

Now I have to go finish 披荆斩棘4 episode 11 so I can watch the finale. Bye!!!

[supernovafics]

series masterlist | last part — next part

pairing: modern!college!steve harrington x fem!reader, bestfriend!eddie munson x fem!reader

word count: 2.9k words

warnings: explicit language, nothing else really?

summary: your life goes back to normal— how things were before you knew steve— and it’s fine (or at least that’s what you keep telling yourself)

CHAPTER SIXTEEN | ❝𝒇𝒓𝒂𝒈𝒎𝒆𝒏𝒕𝒔 𝒐𝒇 𝒕𝒊𝒎𝒆❞

Spring Semester 2017

“This is how villain origin stories are born,” Robin said with a loud sigh as she closed her laptop for the time being. “Apartment hunting. Why does this suck so much?”

“Because everything’s severely out of our price range,” You responded, looking up from your own laptop. “Also, there are barely any three-bedroom options.”

“And the ones that are available and in our budget are very shitty,” Vickie added and you nodded in agreement.

The three of you were sitting on the carpeted floor in your dorm room. Living together for the next school year had been jokingly and playfully talked about in the very early stages of your friendship with Robin, but then as the months passed, it settled into an idea that actually became serious; mainly because of how much sense it made. And then Robin introduced you to Vickie and another friendship, and roommate, was born. 

Eddie was also set as a fourth roommate for a bit, but then he told you that he and Chrissy decided to live together for junior year, so it became settled that it would only be you, Robin, and Vickie. Which sounded great, and you were already excited about it since you hated living alone, but the apartment-hunting part quickly proved to be a lot more of a nuisance than any of you had expected.

“Fuck it, let’s just do a four-bedroom, then,” Robin said, shrugging. “There are a bunch more options for those, anyway. Like, the one I showed you guys yesterday. That place was perfect.”

“Did I miss the moment when our fourth roommate magically appeared?” Vickie asked, a playful smile on her face. 

“We can easily find someone else in one of those, like, Facebook group things.”

“That’s honestly not a bad idea,” You responded, already going to pull up Facebook on your laptop. 

Robin smiled. “Thank you. I always have great ideas.”

Vickie gave her a look. “Do I need to mention the ‘donating blood to get concert ticket money’ idea you had a week ago?” 

“No, that’s okay. We don’t need to discuss that low point.” 

You were the one who showed them Talia’s posting on one of the “searching for roommates” groups. She seemed nice and interesting and both Robin and Vickie thought so too. The three of you put together a quick message— briefly introducing yourselves and that you were looking for a fourth roommate— and sent it.

“Okay, fourth roommate, check,” Robin said once you pressed send. “Now, we have to get the place that I showed you guys yesterday.”

You laughed a little. “Let’s wait until she actually says something, Rob.”  

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

Spring Semester 2018

Initially, it felt equivalent to a family meeting. Well, more so what you imagined a family meeting would be like because the four of you never actually had to have one before. 

But then, it actually felt like you were giving some sort of speech or presentation because of the setup. Robin, Vickie, and Talia were on the couch and you were standing in front of the TV and explaining everything to them. 

You kept in most of the details— you and Steve agreeing to fake date, your feelings for Eddie being the reason behind it all, and how it was only meant to go until Spring Break. 

Aside from the fact that they all seemed shocked to learn that you had feelings for Eddie, their collective thought was that the entire relationship between you and Steve had seemed so real.

“We were just really good at faking,” Was your response to Vickie specifically saying how cute you two had looked together; especially during the one reality TV night where Steve came over and picked the show.

You remembered that night pretty well, but you didn’t remember any specific moments where you had felt as if you and he had to “play up” the relationship or lay the PDA on thick since Eddie wasn’t around that night, so you weren’t sure how that moment was considered a definingly cute one for the two of you. 

“Were you good at faking or was it not really fake?” Robin asked, giving you a certain look. 

“Definitely fake,” You didn’t hesitate to answer because you deliberately didn’t want to think about her question too deeply. “We’re not even really friends, and he just went on a date last night. Hence the Eddie punch.”

Eddie was still sleeping in your bed. When you got back from Steve’s place, you weren’t in the mood to wake him up or tell him to shift over and make room for you, so you spent the night on the couch. 

“Damn, it kinda sucks that we’re never gonna see him again. He was the only one that liked when I made the pumpkin cheesecake cookies,” Talia said.

Vickie laughed a bit. “The only reason we don’t like it is because that's clearly a Fall cookie, Tal, and it's Spring right now.” She then looked as if she thought of something. “Hey, but at least you won’t have to get stuck on a team with Eddie for game night anymore. We’re back to individual stuff or you being the referee.”

Talia smiled. “Thank you for reminding me.”

“Wait, that just made me remember something,” Robin started. “Guys, I need you to please hear me out on this one,” She paused for what seemed like dramatic effect. “I think it's time to bring back Monopoly.”

There was a collective groan that immediately filled the air upon hearing her suggestion. Monopoly was a near friendship-ending game for you all, and it was only meant to be played on the rarest of occasions; which actually meant never. 

You sat down on the small loveseat then, glad that the subject had been shifted and that your speech, mixed with a Q&A, was over. “Robin, why do you wanna ruin all of our friendships?”

She quickly shook her head. “Come on, it’s been months. We’re all much more mature and reasonable adults, and I doubt we’ll have any arguments like last time.” 

Before any of you could respond with any sort of rebuttal, your bedroom door opened and out walked a tired looking Eddie. 

“Somehow, I heard the mention of Monopoly and I’m here to immediately veto that suggestion.” 

Robin rolled her eyes at him. “Go back to sleep, Munson.”

The game night conversation continued, and from there, things were normal. And you didn’t mind the normalcy that your life settled back into over the next few days and then weeks— even though, at one point, the thought of it bothered you and you had missed a lot of the things that came along with fake dating Steve. Now you knew there was no point in missing any of it; in fact, it felt kind of dumb to. 

Your classes got more and more intense during the entire month of April, so there wasn’t that much time to think about Steve or wonder what he was up to. However, the moments you did think of him surprisingly hit hard. 

When you all ended up playing Monopoly at game night, after Robin’s many begs and pleads, you thought about Steve and how different things would’ve been if he was there. You imagined him as a pretty competitive Monopoly player, and felt almost certain that he would’ve either had the biggest rivalry with Robin or formed some sort of alliance with her; she was the one that actually ended up winning after an intense and exhausting seven hours of playing that night. You wished that he could’ve been there. 

And then there were the reminders of him that were left around— his t-shirt that you’d never gotten around to giving back to him, his sunglasses that you didn’t realize you’d stolen until you were finally finishing unpacking your stuff from the Mexico trip, and the bear that he got you for Valentine’s Day that you refused to ever get rid of, but you eventually stuffed Hartford away in your closet instead of leaving him on your desk to make things feel easier. 

Anytime one of those moments happened where you randomly thought about him, you immediately reminded yourself of the rule and simply buried yourself further in whatever school assignment you needed to focus on, or made abrupt plans with Eddie, Robin, Vickie, or Talia. 

It was late in the month when Talia wanted to set you up with a guy from one of her classes, who she claimed would be “perfect for you.” Initially, you were hesitant— more so leaning toward no than yes— but he had the Talia stamp of approval, so you let it happen. She gave him your number and there were a handful of text messages shared between you two that led to a museum date a week later. 

It wasn’t terrible. But, your heart wasn’t in it at all, and neither was your head most of the time. And by the end of it, more specifically as you were in the elevator headed back up to your apartment, you realized that you probably wouldn’t see him again. 

When you walked into the apartment, you spotted Talia in the kitchen and the entire apartment smelled amazing; which, of course, didn’t surprise you at all.

“Hey, what are you making?” You asked as you pulled off your jacket and hung it on one of the empty hooks next to the door. 

“I got bored, so I decided to do a quick roasted chicken. It’s in the oven now,” She said, shrugging as if that was entirely normal. It would never not amuse you how her boredom would always spur on elaborate meals. “So, how was the date?”

“It was fine. Good, actually,” You answered after the briefest moment of hesitation. “He was pretty cool and we had a lot in common and stuff. But, I don’t know… It just didn’t feel right, I guess. My head was in a different place a lot of the time. Thinking about other stuff.”

“About Steve?”

Hearing her say that, surprised you. “What? No. I haven’t talked to him in like a month.” 

She gave you a quick shrug. “That doesn’t mean that you can’t think about him.” 

“I guess that’s true, but I haven’t really thought about him,” You said. It was a small lie that you were okay with telling because you didn’t want to admit or even ponder what it meant that you did think about and were so easily reminded of him sometimes. 

“I’m kind of surprised that you two aren’t friends or something,” She told you as she went to grab something from the fridge. “I don’t think I could do a whole fake dating thing with someone and not, at least, be friends with them after it.”

You leaned back against the counter. “We came up with a bunch of rules when we started it, and that was one of them.”

“To not be friends after?”

“Not exactly that, but pretty much, yeah. The rule was to go our separate ways once the fake dating was done,” You shrugged. “Becoming friends was the last thing on both of our minds when we came up with that since we were basically strangers at the beginning of this. And when we were ending things, we both knew that it would be impossible to be friends after because of all of the lies that started this.” 

She looked at you then. “But we all know the truth now, though. So you two could be friends and none of us would question it.” 

Talia’s words made complete sense and they were something that you should’ve realized and thought about a lot earlier than this moment. You were quiet for what felt like forever because you didn’t know what to say in response. Your immediate reaction was to still say no, you couldn’t be friends with him, but if she followed up and asked why, you knew that you wouldn’t have an answer. 

When the oven started beeping, it felt like a very “saved by the bell” kind of moment. Talia pulled out the chicken from the oven and let the conversation shift from there. “You got back from your date just in time, by the way. You wanna try this?” 

“Of course, I’ll never turn down anything you make.”

You went to your room first to change out of your date outfit and put on some pajamas instead and then you joined Talia back in the kitchen. The chicken was quite literally perfect, which didn’t surprise you, and you retreated to your room for the night after you finished eating, while Talia put on a documentary that she had to watch for one of her psychology classes. 

As much as you tried to focus on anything else as you lay in your bed, you inadvertently spent the rest of the night thinking about Steve— it was too hard not to. 

You thought about every moment that you had been reminded of him over the past month— how it hadn’t felt like much at first, but when you thought about it all at once, it was a lot. You also thought about what Talia said and why you and he weren’t friends even though it was pretty obvious that you should be— what else could explain why you both had prolonged and dragged out the conversation in his car the night you two “broke up”? Neither of you had wanted to let the inevitable happen. 

All of this was about more than just following the rule to you. Of course, it was about more than just that. 

Deep down you knew exactly why you couldn’t listen to what Talia said— why you couldn’t text him, go to his place, or do anything else to lean into that short-lived friendship you two had that you actually had a feeling was still there— but right then you refused to admit it. 

Instead, you grabbed your phone and put on a random podcast just so you could use the noise to drown out your thoughts and force yourself to fall asleep.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

It wasn’t until a few days before finals that you thought about Steve again. It was kind of hard not to because you ran right into him— or more so tripped over him. 

The campus library during the week before finals week was probably one of the worst places to be, but you were in a last-second search for a book that you needed to do an essay on and you refused to buy it online because, for some reason, it was way too expensive.

Your eyes were trained solely on the spines of books as you searched for the one in particular when you tripped over something in the middle of the aisle. It wasn’t a full-on fall, just a very awkward stumble, but it somehow felt just as embarrassing. 

You let out an abrupt yelp in the middle of your stumble and heard a voice before you even got to see what caused you to trip. “Oh, fuck, I’m sorry.” 

You recognized Steve’s voice immediately and it sent a surprised jolt through you as you turned to look at him. He was leaned back against the long bookshelf with his legs stretched out and there was a textbook opened in his lap. He must’ve just been sleeping because you saw him rub his eyes and let out a quick yawn.

He looked up at you as he crossed his legs under him instead of having them stretched out in the aisle. He seemed as if he was surprised to see you too, but from the look on his face, you could tell that he saw it as a good surprise; you weren’t sure if you could say the same just yet. “Shit, now I feel worse knowing that I just did that to you.”

That got the smallest smile out of you. “Yes, you should feel a thousand times worse for almost ending my life.”

“I’m sorry.” 

“Why are you sleeping here?” You asked. Both of you were keeping your voices low because you were on one of the quieter floors of the library. 

He shook his head. “I’m not sleeping. I was taking a break from studying for a test and just resting my eyes for a second.” 

“So sleeping?”

“A very brief nap,” He corrected.

“Ah, okay, got it,” You nodded, words coming out completely sarcastic. “Sorry for interrupting your very brief nap then.”

“Sorry for almost killing you.”

“Thank you.”

You knew that you should’ve let the brief conversation end there. You should’ve looked away from him then and continued searching for the book you needed to find. But, you didn’t. 

Instead, after the briefest moment of lingering silence between you two, you sat down across from Steve. The book and the essay that you needed to work on became the farthest things from your mind for the time being.

You didn’t have the strongest grasp on what you were doing right then and why you were doing any of it, but you decided not to question it. Instead, you simply did what felt good in the moment. 

You leaned back against the bookshelf opposite Steve and crossed your legs as well. “Hi.” 

He gave you a questioning look at first— maybe he was also expecting the conversation to end in that previous spot; like it would’ve with any other two people who weren’t really friends that had just randomly bumped into each other. 

But then, he was smiling, a genuine Steve Harrington smile that felt really nice to see. “Hey.” 

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。

a/n: ….. i'm sorry for the cliffhanger !!!!

next part!

taglist (lmk if you want to be added or taken off<333); @eddiernunson , @loulouloueh , @the-aster , @blckburd , @totally-bogus-timelady , @yujyujj , @irhdifartzamfyaa , @mochminnie , @munsonssweets , @blckbrrybasket , @xprloki , @definitionwanderlust , @dwcode , @sun-fiower-seed , @keerysfolklore , @damon-loves-pie , @lodeddiperrodrick , @bisexual-and-intellectual , @munsonburn3r , @negomi123 , @khena , @facexthexsunshine , @seatbacksandtraytables , @suckerfordylansstuff

(if your user is crossed out it means i can’t tag you</3)

[mariocki]

Shadows of Fear: Repent at Leisure (1.5, Thames, 1971)

"Poor Robert. Do you remember what the doctor said? He'd never seen such an advanced cirrhosis in someone so young. He had a liver like a Strasbourg goose."

"Occupational hazard."

"How'd you think that made me feel? It isn't very flattering for a wife to play second fiddle to a wine list."

"I'm sure it was no reflection on you."

"All the same. I hardly changed the pattern of his life, did I?"

"No... but you're asking Harry to make fantastic adjustments. From galley to, uh, captain's table."

"You're a terrible snob, Peter."

"Oh, I am. So are you, my pet. That's what frightens me."

[mementomoriwithacherryontop]

Thoughtful and heartfelt article written by Lacy Baugher about the cancellation of Dead Boy Detectives, and why the decision just doesn’t make sense for Netflix.

I could literally quote the whole thing. Instead, I’ll leave you with these three (lengthy) quotes and encourage you to read the article in its entirety. And you totally should. It’s worth the read.

Quotes Below:

“On paper, the Dead Boy Detectives has all the ingredients to succeed. Its cast is charming; its vibes are fun and accessible. It features a genuine connection to an established and successful genre property, but not one so deep that new viewers would find themselves overwhelmed by lore. Perhaps most importantly, it has so, so much heart.”

“The pieces were in place for the series to run multiple seasons with rich character dynamics between the core quartet and a template that allowed for all sorts of adventures for the living and the dead. If this had been a show introduced during the heyday of The CW, it probably would have run for the better part of a decade. Alas, that's almost never a possibility in today's streaming landscape. Even the most successful series tend to come with a built-in expiration date. (Five years, max.)

Netflix has something of a history when it comes to cutting promising genre shows off at the knees. In recent years it has unceremoniously dumped all sorts of series, from fantasy (Shadow and Bone, Warrior Nun), and supernatural (Lockwood and Co., First Kill, The Midnight Club) to sci-fi (The OA, 1899). Dead Boy Detectives is certainly joining a good company. But the fact that its main characters were part of the same universe as The Sandman makes the show's cancellation even more galling. What streamer doesn't want a franchise to call its own? The Sandman is still one of the most popular comic series ever, and Netflix is currently gearing up to drop the second season of its successful TV adaptation.”

“That Dead Boy Detectives wasn't given more time to build an audience — or a bigger promotional budget to let viewers know of its existence — feels particularly criminal because Sandman's second season would have almost certainly given the drama a needed awareness boost.”

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[curio-queries]

ARE YOU SURE?!

Production Notes from eps 1 & 2

At this time, I'm not planning to do full response posts for these episodes. Maybe once I'm done with my Run BTS series but for now here's some production thoughts.

My initial thoughts are they've done an excellent job of merging the concepts for Bon Voyage and In The Soop while also adjusting for a reduction of members from seven to two.

To really understand this though, let's talk about some of the logistical requirements and goals of the previous shows for comparison.

Logistical Assumptions

So I think y'all do realize that there is SOME amount of planning that has to happen for a show like this to be made but honestly...the way some of you talk, it's like you think this footage just magically appears in front of an editor, capturing whatever the members happened to wander into. These aren't self-recorded vlogs. This is a full production with a crew, a budget, and a deliverable requirement; just like any other TV show.

One of the cutest moments for me was at the brewery when JM was teasing JK about a summary of what the show about. I KNOW this was the 5 second explanation that both of them would have had to say/hear dozens of times while pitching the show. That's what's so endearing about the way JM says it and JKs reaction.

They also know that statements like that, captured during filming often end up in promos. All the members are very aware as they're being filmed what footage ends up being used. We've heard them time and time again, 'please use this as the thumbnail', 'please keep this in', etc.

Jimin has always been the most vocal about questioning if the content works for their intended purpose. How many times have we heard him say 'can this even be used?' or 'this will be cut'. Usually it sounds to me like he's aware the footage they're getting in the moment doesn't align with the predetermined plan. But as is common with the footage we getnof the members, even though it wasn't according to plan, doesn't mean it's not releaseable.

The main point of JMs AYS concerns being his sickness. I'm sure he thought the show was in jeopardy of not fulfilling their deliverable requirements since it would be difficult to completely edit out. There is a legitimate concern that if they aren't able provide the agreed-upon footage, the show would never air. I'll talk more about this in my section on the edit.

For now, here's a list of SOME of the basics that have to be managed for y'all to keep in mind when consuming any kind of produced content.

Camera management: How many and what kinds of cameras need to be brought along? Are there special operators required like a drone operator. How often is the footage saved. How is it backed up? When and where are batteries charged? Who locations require early access so the crew can place stationary cameras prior to the member's arrival.

Sound management: Someone is making sure the microphones are charged, and capturing correctly. Being mic'd up is one of the easiest indicators of when the show is actively being filmed or not.

Security: this is BTS. The members didn't go anywhere without a security consultation and discussion of requirements.

Crew management: These are people that have to have places to eat, sleep, and have time off as well. They don't just vanish into thin air as soon as their job is done.

Location approval and tax requirements: Every country in the world has different regulations, incentives, and permits to be managed. The US varies these laws state-by-state.

Budget: Businesses don't stay in business by not managing the finances. We can talk more about this if anyone's interested but there are definitely some interesting points with how much on-screen time we got over the years regarding members' spending on the shows.

There's more but let's leave it at the for the moment and talk more about why I think this show was such a good blend of Bon Voyage and In The Soop from a production standpoint.

What was the initial goal of Bon Voyage?

I believe it was to promote the band and the members to viewers by giving us access to what it would be like to travel to various destinations around the globe. They knew the episodes still needed a catalyst though so there were various preplanned activities and games to motivate the editorial narrative.

BV1 was very experimental as they were obviously managing the challenges of such a production. There was a heavy emphasis on trying to make the members seem like regular ppl and seeing how they would tackle the problems many of us face with travel, chiefly budgetary and managing how to feed all of the travelers with strict spending limits.

BV2 completely game-ified the concept with the mini challenges and breaking everyone into different groups. It's very clear that this is not the strategy they preferred as BV3 was much lighter on the control. There were still some structured activities and events but the members were experienced enough to bring forth some of these moments themselves during the shoot rather than as a completely planned itinerary.

BV4 was a continuation of this with us also getting footage of the members being included in the event planning as well. I'm not saying they didn't have input in the planning of the previous seasons but by this point, production knew the members understood the requirements of a successful show as well as many of the necessary logistics. But it was still a travel show with some key events to fuel the storytelling.

How about In The Soop?

Enter pandemic. They obviously still wanted to do another show once they worked out what was permissible to film at the time. But now the changing of locations would not be a part of the engine. How were they going to ensure they still had a viable show? They did put in place a semblance of their previous formula with that silly daily schedule (that was ignored nearly to the point of being completely edited out) and a couple of events like the 94s mountain hike and vhope's car drive. But overall, they realized they had to rely purely on the members to find story moments and insure they were captured. Their trust was rewarded though and ITS1 was a hit.

Now ITS2 is a more interesting case. I do believe it may have started with the same intent as season 1, but it must not have been long in the pre-planning stage before a new goal was added: controlled access of a BTS tourism destination. I'm sure I'll go further into this topic whenever I do finally make posts on this series, but it's very plain to even the casual fan that the ITS2 location was a planned financial investment.

Enough about the location though, what were the filming objectives? Honestly? Not much. The members were clearly ready for a break and were mired in the uncertainties of the time period. Balancing the focus of the english-solo-songs era with the preparations for ch.2 solo activities resulted in an odd lack of direction for the members, which is evident in the show. Yes, there are great moments and segments but there's no progression and very little footage of all the members all together except during certain meals.

But ITS2 is still hailed as enough of a success that there was justification to add to the franchise with Tae's friendship installment.

But what does all this mean for Are You Sure?

We'd heard from many of the members during ch.2 that they would like to continue Bon Voyage so it honestly wasn't surprising that we'd eventually get another travel show featuring our beloved BTS members. Early in episode 1 of AYS, Jungkook says he's never traveled so loosely before. However this show was justified, it definitely wasn't planned to be another hyper-detailed barrage of JM & JK going from activity-to-activity like early BV but it also couldn't be as aimless as ITS. For as long as the conversation was surrounding the name of the show, we never hear them suggest Bon Voyage 5 because AYS was never intended to be another installment of that series.

This is why I said AYS is a perfect mesh of the two kinds of shows. Granted, the first episodes definitely had some unexpected obstacles due to the unexpected health concerns but I think the production team managed it well. Although, I'm convinced there's at least one activity they did have planned that had to get scrapped to let our poor guys rest and recuperate. I also wouldn't be surprised if by the time they started filming in the US, they hadn't locked another destination and schedule with how unsure JM & JK are when talking about the scope of the show. (And I hope we get some update on the poor motorcycle, I want to know how it got where it needed to be from the rainy grocery parking lot).

The Edit

The overall tone of the show is very lighthearted. Kind of surprisingly so for me. It's not the vibe I would have necessarily expected but it's one of the points that leads me to say they have merged BV and ITS so wonderfully.

A major aspect of BTS's content is usually the chaos and shenanigans the surround the members. Now much of that is emphasized in the context of one of these shows but I honestly wouldn't have been surprised if the edit had tried to make up for the lowered member count. Instead, it's a very laid-back edit. The quality and tone of the on-screen captions was world's different from some of the BV seasons (thank goodness!)

Now, about Jimin's illness. There's a reason why the coverage is cut the way it was to only bring us in on the story once both JM and JK started talking about it lightheartedly. If we'd had all of that footage chronologically, we also would have had building tension throughout the day's activities. But this way, we're able to enjoy the show per the original pitch as much as possible.

This show would have been planned during the time when the members were under heavy scrutiny for how successful they'd be as individuals and how their content will be received without the full seven members. Again, the way some of y'all talk about these shows, it's like you don't realize that the members are aware of how this content is structured. They are. They absolutely are.

Also, a big part of greenlighting AYS would have been a discussion of how it could be made with just 2 of the 7 members. JM and JK would have to take on a lot more of the burden since there wouldn't be other member to cut to. The solo vlogs we got at the beginning of ch.2 absolutely would have been used as a proof of concept. There are easy comparisons to make between JKs camping vlog and the camping scenes we got in these first AYS episodes.

Another key justification of the show could have been as promotional material for the current musical releases. While they did highlight quite a bit of both JK and JM's work in these episodes, the narrative definitely wasn't tilted in the direction of promotion. I love that because it's absolutely not what I would have expected.

What am I looking forward to for the remainder of AYS?

From a production standpoint, I'm already curious about the following:

Will there be any tonal shift? Specifically now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

What are your thoughts on the production of AYS so far?

Editing to add a link to my post on episode 3. Surprisingly I had a lot more to say!

Are You Sure?! Production notes from ep 3.

And there has been even more to say so here's a MasterList link

Are You Sure?! MasterList

[yumeka-sxf]

Thoughts on Spy x Family CODE: White

My thoughts on CODE: White will likely be different from most people since I knew pretty much the entire plot beforehand. I'm a spoiler fiend when it comes to my hyperfixations like SxF, so I read the novelization of the movie back in January and kept up on all the promotional videos and images that were released. But when it was finally time to see the movie for myself, did that ruin my enjoyment? Not at all. For me, it actually made me enjoy it more because 1) I knew what to expect so I wasn't disappointed, and 2) I found myself looking forward to seeing all the scenes I only read about or saw short clips of.

With that said, yes, I enjoyed the movie so much! If you're a Spy x Family fan, or even just a casual enjoyer of the series, it's a ton of fun. It has all the elements we love about the series: clever humor, sweet family moments, and spy action/drama. And because it's a movie, we get to see all of this with a movie animation budget instead of a TV series budget, which is another plus!

One thing to keep in mind with these original, stand-alone anime films based on series is that they're meant for a more general crowd than just fans of the series. Since theaters attract a wider audience than late-night TV and online manga chapters, movies like this serve as a means to introduce the series to people who may only have a vague idea of what it's about. That's why these movies contain a storyline that can fit mostly anywhere in the series chronology and don't have anything canon-altering.

CODE: White is an interesting mix of plots that, for the most part, blend together well. There's the main plot that continues throughout, which is saving Operation Strix by having Anya learn how to make the meremere for the cooking contest, but then there's the Yor jealousy plot B which is resolved in the first half, but is then replaced by the next "plot B" in the latter half of the movie, which is saving Anya from the military.

A lot of people didn't like the "Yor gets jealous" subplot when it was first revealed before the movie even came out, since it seemed to be a rehash of her being jealous about Fiona. I personally didn't have a problem with this since I don't think it's unreasonable for her to get jealous a second time, especially when she thinks she sees Loid doing something extreme like kissing another woman (as opposed to just talking). But the way it was resolved could have been a bit better in my opinion. The ferris wheel scene in the movie very much mirrored the bar scene from the series, but the reason the latter is so effective is because we get to hear Loid's inner thoughts during it; we know he's going full Twilight-mode and isn't being sincere, and that's why Yor kicks him. But then at the park, he talks to her much more genuinely and they work things out. But in the ferris wheel scene, we don't get to hear his inner thoughts so we don't get any indication as to whether his repeating of the marriage vows, etc, is him being sincere or not. Then she smacks him, they insist they aren't fighting when Anya brings it up, and that's the end of it.

I do like the fact that Anya reads their minds and seems happy with what she "hears" in their heads, but I still think the subplot would have felt more complete if it ended after Yor realized her mistake rather than have Loid do the ambiguous Romeo act again. Or it could have been brought up one more time later in the movie, for example, Yor apologizes for hitting him, he talks to her more sincerely, etc. If you're gonna rehash the bar scene, at least rehash the scene that brought it closure, which is the park bench scene. Again, I'm totally fine with the jealously subplot overall, just thought it could have been wrapped up a bit better.

Other than that, there were just a few little issues I had, like how was Anya able to afford what was probably an expensive liquor? (was she really packing that much dough in her little bag? She went straight from the bedroom out the window so it's not like she "borrowed" any money from Loid). Also seemed weird that she didn't pick up on Yor's infidelity worries until last minute. A few things stretched the line of believability a bit far too, like Loid's ability to make perfect masks so quickly, and Anya just happening to hit her head on the button that conveniently opened all the windows on the bridge. Also something here and there that didn't align with the manga, like Yor not having any reaction to sharing a room with Loid, whereas she has a totally different reaction to this in chapter 94. Maybe a bit more resolution for the fates of the villains too. I guess Luca and Dmitri survived the crash, but what about Snidel? Did Loid actually kill him or just knock him out? And if it's the latter, Snidel seems like the type who would want to get revenge. A quick cameo of what happened to them in the end would have been nice.

Speaking of the villains, normally I wouldn't like the fact that they're pretty one-dimensional and not that interesting, but for a movie like this where most people just want to see the Forgers being themselves in fun and exciting scenarios, taking time away from that to make more developed villains who likely won't be seen again in the franchise, would have not been the best choice, lol.

But even though I had some criticisms of the movie, all of them are minor and not enough to overshadow everything else that was enjoyable about it. Besides all the humor, of which there was plenty, there were so many cute "awww" family moments that perhaps didn't lend anything to the plot, but were still important to establish the characters and their relationships, and thus make us care about what happens to them. Like the scene of Anya, Yor, and Bond playing at the hotel...it could have been skipped without anything seeming out of place, but it reveals so much about the characters without being blatant about it: how Yor wants to please Anya despite being a bit embarrassed at first to take part in her game, and then how Anya's eyes light up with happiness when Yor starts playing with her...for a series like SxF that's character-driven rather than plot-driven, scenes like this are so important and I'm glad the film creators realized this too!

There were also so many cute, subtle scenes as well, like when Loid and Yor smile at each other after chiding Anya, as if they're happy to share this moment of exhausting yet satisfying parenting; when Anya reads Loid's mind after he saves her but doesn't reveal what he's actually thinking yet we can imagine what it is based on her expression; Loid showing feelings of comradery with the restaurant owner because their pasts are so similar; Anya quietly and sadly hugging Bond in the bedroom; and in the ferris wheel after Yor feels so embarrassed about misunderstanding what happened with Loid and the woman but then can't help but smile with motherly love when she sees Anya waving at her...the movie is filled with moments like this that are like little love letters to fans who know the true heart of SxF isn't so much the action and spy drama as it is the family relationships.

And of course, as I mentioned before, the animation of the movie is fantastic! Not just the action scenes, which are great by the way, especially Yor's fight with Type F, but the character expressions as well. Anya's always had the most varied and hilarious faces of all the characters, but the movie goes even harder with her expressions, especially when she has to hold in her stool! Her faces were making me both cringe and laugh at the same time! The animators did such a good job making me feel sorry for her but also laugh at her.

I'm not a fan of potty humor, but I was confident SxF would make it funny, and I was right! The poop god sequence in particular was as equally cringe as it was hilarious!

To conclude, CODE: White is a must-see for anyone who likes or loves Spy x Family. I can't say it's a cinematic masterpiece or anything, but for what it's supposed to be - a fun and enjoyable film for those who like the series, it definitely delivers! Can't wait to see it at least two more times during its showing in the US...and more times in the future!