#the right way to offer a sacrifice to the river god
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Five Love Languages of Danmei: Cooking Bracket
["Anti-Propaganda" that attacks other characters is NOT allowed. Please only give reasons to vote FOR a character/ship.]
Bingqiu from The Scum Villainās Self-Saving System
Characters: Luo Binghe and Shen Qingqiu (Shen Yuan)Ā
One of Luo Bingheās main hooks as a stallion novel protagonist (that gets him a giant harem) is his cooking. Itās so delicious Shen Qingqiu, who wants to avoid āwife plots,ā canāt help but have him cook for him.Ā
Submission:
Luo Binghe's love language is literally cooking! He starts making Shen Qingqiu's meals as a teenager, then makes him three meals a day for the 5 years Shen Qingqiu is dead, and ofc cooks for him regularly after they get together. Binghe's congee might as well be a symbol of their love at this point!
Liu Qi and Bai Chuan from The Right Way to Offer a Sacrifice to The River God
Submission:Ā
Liu Qi x Bai Chuan is a "masterful cook x ultimate foodie" couple. Not only is Liu Qi an amazing cook, his cooking is actually what first draws Bai Chuan to him.Ā To quote: "Not long later, Liu Qi served up two dishes of home-cooked food. Tomatoes and scrambled egg, vegetables stir-fried with smoked meat, and a large bowl of fish soup."Ā And then, a few paragraphs later: "Liu Wi once again entered the kitchen and made two bowls of noodles, added in two eggs, and topped it with a few slices of cooked beef."Ā And then: "Liu Qi rolled his eyes at Bai Chuan's antics and asked, 'What do you still want to eat? Want me to add in another dish of fried prawns?'"Ā Ā And so on. Bai Chuan, being the river god, brings in all the seafood they want for Li Qi to cook: "With a shake of his sleeves, a heap of seafood that could be found in the river came out from his sleeves, making pitter-patter sounds when they landed on the floor as they were still alive and jumping around energetically. Frantically, Liu Qi called out for him to stop so he could use a small basin to pick up the prawns. The remaining fish and crabs were stored in a bamboo basket for their next meal."Ā Ā Even better, they split the chores! Bai Chuan uses his river god-powers to act as a magical dishwasher after Liu Qi's done cooking. Peak domestic. What harmony.
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#bingqiu#svsss#mxtx#liu qi x bai chuan#the right way to offer a sacrifice to the river god#polls#danmei#danmei love languages tournament#danmei cooking bracket#danmei cooking bracket round 3#queue#long post
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Villain: Jysh'parun, Outergod of Unwelcoming Earth
As distant and ancient as a mountain, as scornful as an axebitten tree
Many philosophies debate and negotiate the relation of mortals to their environment. Some see nature as a thing to be tamed in the name of survival, domesticated, exploited. Others proffer a more symbiotic path, a holistic system to be protected and stewarded.
Beyond these there are the ravings of those claimed by Jysh'parun, who claim that mortals have no right to exist at all, and survive merely by the beneficence of the trees and stones. While all but the most foolish agree that heed must be paid to nature, none but those under the unwelcoming earths dominion would think that there is some geological-feudal hierarchy to which we must all submit.
This then is the paradox of the Unbowing Mountain: a god that claims the worship of things that do not traditionally think, but views nature through a distinctly mortal lens of domination and hierarchy. It's an absurdity bordering on being a joke, atleast until Jysh'parun's influence washes over the land and the forest marches off to war while the rivers start demanding tribute.
Adventure Hooks:
Having come into possession of a disused tract of land, a young farming couple were picking the stones from their new field in preparation for planting when they came across the petrified remains of some indescribable horror. Resembling nothing so much as a horse sized mandrake-root with teeth, they've reached out to neighbours, the sheriff, even the local wizard looking for advice about what to do... only to wake up one morning and find the thing gone. Theft or reanimation are both equally alarming possibilities, and the whole region has been on edge since.
Having been thought dead for years after being lost in a winter storm, a dwarven cartographer descends from the mountains claiming to be their mouthpiece and demanding sacrifices in their name. Her words at first go unheeded, at least until the glacial rivers begin to run with noxious acid, transforming back only when something living is thrown in. Farms and villages are drying out and grisly offerings of livestock now fail to meet her standards she claims the mountains will only be satisfied when the people of the realm throw their rulers in and swear fealty to the peaks on high.
The king's palace is in chaos after a coup took place in the royal gardens, specifically when the great tree that shaded his majesty's favourite thinking bench stabbed him in the back with one of it's branches and then skampered off to replant itself on the throne with the crown in tow. Before Anyone knew what was happening, greenery had overtaken the palace locking most outside while trapping certain vital hostages inside.
Inspirations: Something that's all too often lost in the "madness and tentacles" misinterpretation of eldritch horror is that much of the genre is spun off from the particular phobias of HP lovecraft. When we use the iconography without understanding the anxieties behind it, we risk creating a shallow B movie version of the horror we want our audience to feel.
To write good horror then, we need to draw off fears we understand, and with Jysh'parun I wanted to tap into climate anxiety in a way I don't think I've seen before. We've all resigned ourselves to the fact that climate change is happening, with the understanding that its being driven by the bullheaded egos and greed of people who are so powerful their perspective on life bears no resemblance to anything we could possibly conceive of. Translate their willingness to let us suffer for the sake of profit into a psudo historical fantasy context and you get the Unwelcoming Earth: widening sinkholes that demand tolls from passersby while an approaching tsunami proclaims the divine right of kings. It's not only absurd it's fundamentally idiotic but that it doesn't mean it won't destroy you and everyone you know.
Worshippers: Delusional druids and geomancers. Goliaths and dwarvenkind who get too into being "children of the mountain". Sentient trees, Living crystals, and other elemental entities who seek to put themselves "above" other forms of life. Corrupted primoridals.
Signs: Aberrations that resemble roots or stone spontaneously emerging from nature, acid flowing from normally clear running springs, statues of lordly alien figures carved from erosion, not tools. Proclimations in an unknowable script engraved deep under the earth or on monumental scale.
Symbols: A glyph resembling a mountain range or branches of a tree in the shape of a crown.
Titles: The Unbowing Mountain, The Insuperable, King of all Corners,
Artsource
#outergod#lovecraftian#deity#divinity: earth#divinity: disaster#disaster#field#mountain#highlands#encounter mountain#encounter highlands#Jysh'parun
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I am so not interested in philosophy. Every time my husband starts in on some topic from his undergrad degree Iām always like āhmmmmmm sounds like a bunch of navel-gazing bullshitā and this is why heās the lawyer and Iām the doctor.
āAre people good or badā both. Itās always both. Iām good in that I decided to be good. Iām bad in that I have explicit non-sexual fantasies about jamming shards of broken glass under Mitch McConnellās fingernails. Iām good in that I love making my friends and loved ones happy. Iām bad in that when I get physically inconvenienced in any way Iām not far from vehicular homicide. Iām good in that I am deeply affected by the suffering of my patients. Iām bad in that I would 100% have gone into weapons research if anyone had offered me the chance. Humans are deeply complex and that fact is paradoxically simple. Bam! Philosophy achieved.
Itās so pointless to beat yourself up for not being perfect right out of the womb. (Or ever.) Good god. Meet some actual children. Think back to the days of Barbie sacrifices on altars to horrifying gods. Weāre complicated and thatās okay! And none of us HAVE to be Catholic, or Mormon, or any other religion that teaches fundamental guilt. Get yourself some deprogramming. As a treat.
I suppose itās important for some people, somewhere, to be philosophers, but I have no more interest in listening to their conversations than I do in listening to fly fishers. Equally irrelevant to me. When I talk about my own morality, both what seems innate and what is obviously constructed, Iām not judging myself for it; I donāt need to be reassured. (People seem hellbent on reassuring me.) Iām watching the river go by. As Frost said, what the river says is what I say.
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"Happy 100th Anniversary" - Oisin's Platinum Jacket Vignette P3
OisĆn: [Weāve come across a classic- the demi-god hero trying to reach out for the soul of his lover in the rivers of the Underworld.]
Riddle: If I remember correctly, when he removed his hands from the water, his hands had aged tremendously. Served him rightļæ½ļæ½ consequences for breaking the rules.Ā
OisĆn: [You mean the properties of the river?]
Riddle: I suppose if you want to call it that. The dead cannot co-exist with the living. Those were the rules as depicted in the historical accounts and legends.Ā
OisĆn: [>w>]
Riddle: ā¦I donāt like that look. What are you thinking? Youāre not going to try and disagree with me, are you?
OisĆn: [No, noļæ½ļæ½ļæ½ Itās just got me wondering.]
Riddle: ā¦what about?
OisĆn: [Has there ever been something or someone in your life that you cared enough about that you would be willing to break or even defy the rules just to take care of them or have them in your life?]
Riddle, looking perplexed: What does that have to do with anything?
OisĆn: [Well, thatās what this painting is depicting. The hero loved the maiden so much that he was willing to break the rules and plunge into the river of spirits to save her.]
OisĆn: [Sure, he broke the rules. But he accepted the consequences because her life mattered more.]
Riddle: ā¦I suppose when you put it that way, it does make him sound more heroic, doesnāt it? Or perhaps foolish might be a better word.
OisĆn: [Perhaps, but I think it's possible for any person - human, fae, doesnāt matter- to care so profoundly that they are willing to stare the rules - even Death herself- in the face and say āSo what?ā]
Riddle: ā¦Iām not sure I agree with that. I certainly wouldnāt.
OisĆn: [...]
OisĆn: [Call it a hunch, but Iām not sure I believe you. Thereās really no one you care enough about that you would be willing to break the rules and accept the verdict? No one at all?]
Riddle: Iā wellā¦ I-... I suppose you could say that I have done that before. But that was years agoā
OisĆn: [-And you donāt think it would happen again?]
Riddle: ā¦I suppose it could. My dormmates have really pushed me since the Unbirthday Party to loosen up.
OisĆn: [And you struggle with that?]
Riddle: More than Iād care to admit, but I amā¦ willing to try if it means my time with my friends is fruitful.
OisĆn: [UwU Told you so.]
Riddle: Oh, buzz off!
OisĆn: [If it came down to it, you would break the rules~]
Riddle: I said Iād be more lenient, not that Iād stare Death in the face and say āDo your worst!ā
OisĆn: [lol thatās fair. And in your defense-]
Riddle: Not that I need one.
OisĆn: [-no one walks away from meeting Death and comes out the same person, totally unscathed and unchanged. And few are bold enough to stand down against her and refute her claims on their life.]
Riddle: Bold is too generous a word, frankly. Most people arenāt impulsive or rash enough to make such a foolish decision.
OisĆn: [Maybeā¦ and yet, there are those who are willing to abandon those fears, abandon reason, or even abandon everything they own if it means walking away from that chance in triumph. Many who are willing to sacrifice themselves, to offer up the only power and control they believe they have in their heart of hearts if only once more they could witness a glimpse of the unyielding joy and hold onto even a fraction of the warmth of their cherished oneās embrace.]
OisĆn: [The fear of fleeting memory, that you might one day forget the sound of their laugh, the gleam in their eyes, the beat of their heartā¦ It's an incredibly powerful fear. One that will drive even the most cowardly men to madness, and the bravest to their early demise.]
Riddle: ā¦if I might be bold for a moment- you seem to really be enjoying this line of conversation. I donāt think Iāve ever seen you so enthusiasticā¦ I never imagined you would be someone to wax poetics like that.
OisĆn: [^///^; uhā¦ blame Rook?]
Riddle, squinting: uh huh. Sure.
ā¦
Riddle: Well, if youāll excuse me, I have places to be, and punctuality is key. I appreciate you taking the time to chat with me. I rather enjoyed it.
OisĆn: [No problem, really! Thanks for walking with me.]
OisĆn: [...there was another exhibit I wanted to see. It should be coming up soon.]
OisĆn: [Aha!! OwO Found it]
OisĆn: [Moments before his demise, the bumbling school teacher dances the night away with the woman of his dreams.]
OisĆn: [Amazing how easy it is to lower your guard when you're in the presence of someone who you care so much about, even if the presence of Death lurks behind every corner.]
OisĆn: [Only Death herself knows when she will call for you. And you will lose so much when the time comes for me to escort you there.]
~~~
Part 1
Part 2
Tag list: @ramshacklerumble @rainesol @elenauaurs @starry-night-rose @boopshoops
@cyanide-latte @blithesharem @theleechyskrunkly @thehollowwriter @inmateofthemind
@lumdays @the-trinket-witch @twstinginthewind
Lmk if you want added/removed
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ššš«šš”š¦šš§šš¬ ššā ššš„š²š«š¢šš§ ššØšš¬ & ššØšššš¬š¬šš¬
STICKY NOTE *š§§āā§ All the originals Gods are mine, which are Belyx, Melyx, Narrax, Valyx, Torghos, Tyxes, Verraxes and Vormion. Please be respectful and do not steal these names, as it took me a lot of time to find and create theses names (with the help of this Reddit post)
THE SERIE MENU. + French Ver. + Archive Of Our Own. + THE GUILD OF DRAGONLINGS SERVER. + Playlist. āā§Ā
š.š ššš š
ššššššš š
ššššš. ā°ā§āĖļ½„ the primary deities of the valyrian pantheon.
š¦¹. VORMIONā God of Consolation, of Protection and Honesty. Husband of Shrykos. š¦¹. BALERIONā God of Death, of Doom and Gardien of the Souls. Brother of Morghul. š¦¹. CARAXESā God of Envy, of Chaos, of Misfortune and of Vengeance. Brother of Meraxes. š¦¹. VERMAXā God of Health, of Youth, of Glory and of Abundance. Son of Syrax. š¦¹. ARRAXā God of Hope, of Charity, of Luck and of the Sun. Son of Syrax. Husband of Belys. š¦¹. MORGHULā God of Judgment, of Justice, of Honor and Winter, brother of Balerion. š¦¹. MERAXESā Goddess of Mercy, of Loyalty and of Triumph. Sister of Caraxes. š¦¹. BELYSā Goddess of Miracles, of the Stars and the Moon. One of the Three Wielders Of Fate. Weaver of The Yesterdays. Servant of Tessarion. Wife of Arrax. š¦¹. TESSARIONā Goddess of Oracles, of Prophecies and of Destiny. š¦¹. NARRAXā God of Prosperity, of Blessings and Fortune. One of the Three Wielders Of Fate. Weaver of The Todays. Servant of Tessarion. Husband of Terrax. Father of Verraxes. š¦¹. VERMITHORā God of Thunder, of Storms and of Heavens. Son of Vhagar. š¦¹. SYRAXā Goddess of Virtues, of Matrimony, of Fertility and of Love. Mother of Vermax, Arrax and Tyraxes. š¦¹. VHAGARā Goddess of War, of Valor, of Strategy and of Victory. Mother of Vermithor. š¦¹. MELYXā Goddess of Wisdom, of Mercy and Clairvoyance. One of the Three Wielders Of Fate. Weaver of The Tomorrows. Servant of Tessarion. Twin of Valyx. š.šš ššš šššššš ššššššš. ā°ā§āĖļ½„ a few of the lesser deities of the pantheon.
š¦¹. VERRAXESā God of Chivalry, of Bravery and of Summer. Son of Terrax and Narrax. š¦¹. SHRYKOSā Goddess of Harvest, of Hunt and Dawn, wife of Vormion. š¦¹. TERRAXā Goddess of Mead, of Pleasure, of Peace and of Autumn. Sister of Urrax. Wife of Narrax. Mother of Verraxes. š¦¹. TYRAXESā God of Mountains, of Valleys, of Meadows, of Fields, of Forests, of Winds and of Dusk. Son of Syrax. š¦¹. VALYXā Goddess of Poetry, of Chants, of Riddles and of Music. Twin of Melyx. š¦¹. TORGHOSā God of Resurrection, of Funerals, of Death, of Hells, Judge of the Souls and Gardien of The Fourteen Flames. Servant of Balerion. š¦¹. TYXESā God of Rituals, of Prayers, of Offerings and of Sacrifices. Servant of Balerion. š¦¹. MELEYSā Goddess of Rivers, of Oceans, of Rains and of Spring. š¦¹. URRAXā God of Volcanoes, of Fire, of Magma, of the Hearth, of Warmth and of Growth. Brother of Terrax.
Ā©TheThyri. All rights content belong to @thethyri. Do not repost, translate or plagiarize my works in any way or on any other platform without my permission. Gifs rightfully belongs to @daenerys-stormbornā.Ā
#ĖĖĖ ā the meads.š·#ĖĖĖ ā the green dragon and the black wyvern. š#house of the dragon fic#hotd fic#house of the dragon fanfic#hotd fanfic#house of the dragon fanfiction#hotd fanfiction#valyrian gods#valyrian goddesses#the fourteen flames
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The Promise of Eternal Oblivion
Chapters: 1/1 Fandom:Ā Hades (Supergiant Games Video Games) Rating: General Audiences Warnings: Creator Chose Not To Use Archive Warnings Relationships: MelinoĆ« & Odysseus (Hades Video Game) Characters: MelinoĆ« (Hades Video Game), Odysseus (Hades Video Game), Achilles (Hades Video Game) Additional Tags: Post-Canon, Written During Hades II (Supergiant Video Game) Early Access, Hurt No Comfort, Angst, Night Terrors, Nightmares, Father-Daughter Relationship, Father Figures, Ambiguous/Open Ending, Post-Traumatic Stress Disorder - PTSD, ody can no longer run from his past, POV Odysseus (Hades Video Game), References to Ancient Greek Religion & Lore Word count: 6,868 Summary:
The Lethe, the famous river of oblivion, is a tempting option.
Read on AO3 or below!
Allās said and done, at last. Chronos has been cut into pieces once more and hidden in the darkest corners of the Earth and the Underworld by all the gods who fought against him. The feasts have been thrown, both down in the House of Hades and high up on Olympus to celebrate the victory that has restored the once lost peace and balance in the world. Itās currently being rebuilt and reborn, now with Demeterās and Persephoneās great aid. So is the House of Hades.
The shades are taking care of everything, with Dusa and Zagreus being in charge of the design choices. The latter wouldnāt be in that position if it hadnāt been for his motherās power to convince the rightful lord of the house that it was a good idea.
Melinoƫ has also been offered to share the job with her brother and the maid but she politely declined, as she usually does. She prefers to continue acquainting herself with everyone around here and becoming more knowledgeable when it comes to what is where in her old-new home.
She isnāt the only one who was encouraged to stay at the House of Hades or return to it.
Hypnos did it without hesitation. So did Skelly.
Nemesis refused.
Hecate chose to stay at the Crossroads, for it had always been and would always be her home. Apart from that, she wants everyone to have that sort of safe haven ready in case anything went wrong once again.
Moros would follow MelinoĆ« wherever sheād go and reside. That earned the House another child of Nyx.
Then, there was Odysseus, who had to consider all pros and cons of staying at the House of Hades or claiming his spot in Elysium. Certain that heād have few to no things to do there, he accepted the invitation. Sentiments similar to Morosā might have also affected his decision. However, Odysseus would follow the goddess to the edge of the world for reasons different from those of Doomās.
It did sound great at the start, it really did. A change of scenery was meant to do good, especially when moving from the middle of magic woods to a house. One that belongs to none other than the God of the Dead, the King of the Underworld, at that!
And maybe it was a bit vain of Odysseus to be thinking such things but heād once lived in a luxurious place like this. Heād owned it. Heād been a king.
That part is, however, a far cry from who he is now.
He does have responsibilities but theyāre not overbearing. Heās not a ruler of men anymore. Not in the mortal sense, at least. Heās still a tactician, though. That particular trait got him a task, for the fulfilment of which heād have to use his experience and knowledge to invent new ways of preventing the Shades from leaving the Underworld.
The task never ends, obviously, but Odysseus doesnāt really mind. Heās got a purpose, so heās not sitting idly, spending his every waking hour thinking about his past. The scrolls of plans and maps always lying on his private desk efficiently pull his thoughts away from the heartwrenching things heād done when heād been alive. The gut-churning war crimes or sacrifices made that wouldāve ended badly no matter what heād done.
When the war against Chronos was being waged, the duties heād perform for Hecate and MelinoĆ« kept the intrusive thoughts at bay in a similar manner to how his current job is doing it. The difference is that the constant fighting was much more consuming. There never was a real break from anything. Now there are. Even Shades arenāt able to work all the time.
Odysseus desperately clings to the most recent plans that heās been working on, even while leaving his private chamber, granting himself one of these breaks. Heās almost afraid to let the thoughts about his best blueprints go for fear of spiralling down a breakdown filled with guilt and hundreds of āwhat ifs.ā
He would be so successful at that if he hadnāt exited that room.
The spell is broken once he steps out of there. Thereās no going back now, although he wishes he still had that boldness in himself, so that heād just turn around and crawl back into the safety of his own four walls.
Itās not MelinoĆ« whoās making him want to return to the blessed solitude, no. Itās the cries that he hears and blood that he sees that make him want to do that. Itās memories of the āgreat war of Iliumā, as Moros once dubbed it, that feel like crashing against a stone wall. The memories evoked by the sheer sight of Achilles. And Odysseus hasnāt even heard him speak today yet! Now, that is a new record for him.
āWe, umā¦ donāt talk about me and bows,ā MelinoĆ« says, laughing a bit nervously. āIsnāt that right, Od?ā
āAh, the bows!ā he replies cheerfully, not to infect the goddess with his sour mood. As he approaches them, he continues, āthe Nightmare Goddess here has many talents and the bows seem to be her only weakness.ā
āYouāre much too kind.ā MelinoĆ« rolls her eyes.
āIt canāt be that bad, lass. Come on, letās see what we can do about that.ā
MelinoĆ« doesnāt see the way Odysseusā eyelid twitches at what Achilles has just offered. The man in question does.
āIām not sure, sir. I always shoot everything but the target!ā
āYour brother used to do the same thing. I managed to teach him, so I dare say I can manage to teach you too. Surely, it canāt be impossible for some of us, at least.ā
The only reason why Odysseus holds back whatever snarky comment heās got ready is MelinoĆ«ās chuckle. He canāt bring himself to ruining her moment of amusement.
āWhy donāt you join us, Od?ā she asks as if nothing happened. As if Odysseus isnāt gritting his teeth so hard, that theyād shatter were he not a Shade.
āI might as well.ā He smiles his usual smirk at MelinoĆ« but drops it once sheās not looking at him anymore. Instead, he looks Achilles right in the eye and says, āwatch out for your heel.ā
Odysseus would really like to be happy for MelinoĆ« and maybe he is. He surely is proud that sheās actually trying to learn how to use a bow properly but heās so mad at himself for not having taught her himself. The worst thing is that he doesnāt know what heās been doing wrong this whole time. The bow just didnāt work out a couple of times and they abandoned the idea. And now sheās picking it up in no time!
And itās thanks to Achilles at that, out of all people!
Ridiculous is what this is.
As if to add insult to injury, Odysseus has been suffering from nightmares recently.
Itās not that he didnāt have them earlier, back when the war against Chronos was still on. He did have them but they contained much different things. In those days, heād dream about losing a lot. Heād dream about losing the afterlife he had at the hands of the Titan. Heād dream about losing the Crossroads and everything that he and the rest of their inhabitants stood for. And heād dream about losing MelinoĆ«.
Such nightmares had Odysseus wake up with cold sweat running down his spine.
Now that the dangers are gone, his mortal past is catching up with him. Itās also getting progressively worse, for he soon canāt remember a night without a nightmare. He thinks about telling the goddess about it, wondering if she could help cease the images and noises of bloody battles and the terrible events that happened during his 10-year-long journey home.
The arduous way back has a lot to offer in the nightmare department. So does the war. Every night, itās as if his mindās casting lots as to what kind of suffering itāll inflict upon itself.
There is something that tops everything, though.
The memory of dropping that infant from the wall.
That horrifying and infamous moment looms large over Odysseusā dreams. If he happens to have it appear in his sleep, the rest of the night becomes restless. It makes him sick to the stomach no matter how many times heās relived those dreaded seconds inside of his own head.
Giving him sleepless nights is one thing. One day, he goes to walk around the House of Hades and lands on the top of the high walls that surround the place. Everything is perfectly fine until he looks over the edge at the floor all the way down at the bottom of the wall. His head starts spinning immediately and thereās suddenly no air left in his lungs (as if he needed it), and his throatās all dry. His knees almost give out and he has to stumble backwards and sit down.
Breathing, albeit unnecessary, seems impossible for a good while and the tactician feels like heās about to pass out, his chest painfully tight. Luckily, though with tears welled up in his eyes, he manages to calm down, one palm on his breast, the other trembling.
Heās visibly shook even by the time he comes back to the main halls of the House. He needs the safety of his chamber, even though heās not high up on the wall anymore.
āOdysseus!ā MelinoĆ«ās voice pulls him out of his head and he stops, and turns around to face the goddess. āI thought you were ignoring me.ā
WHAT?!
āMe? Never!ā he announces quickly, confidently, gesturing with his hand in the air. āI could be working on the most time-consuming plans but Iād never purposefully ignore you, Goddess.ā
When heās done talking, his hand stays in the air for a while and MelinoĆ«ās face gets shrouded in concern.
āYouāre trembling, Od. Whatās going on?ā
Odysseus looks at her and then at his hand, and he quickly shoves it downwards, focused on not letting his faƧade break.
āNothing. Nothing at all.ā
MelinoĆ« folds her arms. āI donāt believe you.ā
Thereās a sudden urge to tell her that one thing heās never told her. The one that haunts him in his worst nightmares and the one that broke him down back up on that wall.
āIā¦ā he tries, he really, really tries, and MelinoĆ« knows it. She hears the way that one syllable wavers. But he canāt let it out. Not now. Not here in the hall. āI havenāt been sleeping too well, Goddess. You see, now that the future is not that uncertain anymore, all the tensions from the not-so-recent times seem to be catching up with me and thus affecting the quality of my sleep. This shall pass soon enough, though.ā
A half-lie. Not bad.
But MelinoĆ« furrows her brows nonetheless. Ā She still accepts that explanation and doesnāt pry further. Odysseus couldnāt be more relieved.
āIf you say so. But if thereās anything troubling you, just tell me, alright, Od?ā
Thereās so much genuine care in her tone and the way sheās gazing at him that he knows he canāt tell her that itās his nightmares that make him look like one of the undead from Ephyra back in the day. Not when sheās caring so much.
What would he even tell her? You donāt go to the Goddess of Nightmares and forbid her from giving you nightmares. That sounds highly disrespectful at the very least.
The nightmares donāt pass.
In addition, immersing himself in work and blueprints doesnāt help as well as it used to. Even receiving compliments from the Lord of the House or his son doesnāt aid Odysseusā situation much.
The problem is that he doesnāt have anything to look forward to. While alive, reuniting with his family had been his driving force. Not too long ago, ending the war with Chronos was the ultimate goal that he and everyone around him shared. Now, making it more impossible for a simple Shade to leave the Underworld is a dead end job.
Then, a very foolish idea appears in his head. One of the worst he could have ever had ā reopening old wounds is never a smart idea.
So, even though heās made peace with his wife and son after they all died, heās started considering finding and seeing them again, all the while hoping that they are still able to recognise him after all this time. After all, the Lethe, the famous river of oblivion, is a tempting option.
Indeed, he hasnāt seen his first own family since that day. But although they parted in a friendly way, without arguments or resentment, Odysseus has been yearning for seeing his loved ones anyway. Heās never really come to terms with them having gone their separate paths. Maybe itās selfish of him but letting go of people one loves so much is not a simple thing to do.
Odysseus knows itās not going to end well but he commits to the idea anyway. Anything to sleep through the whole night and stop experiencing the war and his journey home every day, every moment heās not too busy with whatever is on his hands.
But he canāt just go to Elysium straight away. Wandering pointlessly around that place in search for his family rubs him the wrong way, so he has to ask someone for help. It wonāt be Hades, no. Heās dealt with his brothers before and heās not going to tempt fate anymore. Or ever again, for that matter. But he can ask MelinoĆ«. She should be able to help, especially now that sheās already spent some time in the Underworld and in the House.
Thus, Odysseus seizes the first best opportunity at making such an inquiry to the goddess when he happens to stumble across her in the garden she shares with her mother now. And since old habits die hard, the tactician often tends to the garden, for which both the Princess and the Queen are always grateful.
āOh, hi, Od! Iāve just finished here,ā MelinoĆ« says, standing up and brushing the dirt off of her hands. āIāll leave some patches for you next time.ā
āItās your garden, Goddess, and you donāt have to remember to leave it for me to care for anymore. Those days are long gone.ā
āItās still our garden. Itāll always be. But,ā she sighs, āyou havenāt come here to talk about our plants, have you?ā
āIn fact, Iā¦ Iād like to ask for a favour, if thatās not a problem.ā
MelinoĆ« looks at him incredulously, folding her arms. āOf course, itās not. What can I do for you?ā
āLetās suppose I were to visit Elysium. And look for my wife and son.ā Odysseus notices how MelinoĆ«ās face lights up, so he continues before she can start. āIs there any way to know if theyād stillā¦ remember me?ā
His voice breaks a little at the end there and he wishes it didnāt. The goddess doesnāt let him dwell on that for too long, though.
āThe Shades in the Administrative Chamber will know. Or theyāll know which scroll we should read to learn what we want to know. O-Or what you want to know! Itās your private matter, after all.ā
āWell, Iād be honoured if the Princess of the Underworld herself decided to accompany me to both the Chamber and the Elysian Fields,ā he claims in a warm tone, one thatād convince anyone to do whatever he pleases.
He also bows his head and MelinoĆ« canāt say no to it all. Not that she was ever planning to.
āLetās go then!ā
The Shades in the Administrative Chamber willingly help out the two after given enough information on the souls in Elysium theyāre meaning to find. While theyāre waiting for the right scroll to be obtained, MelinoĆ« gifts Odysseus with a hopeful smile and a bright look and it does fuel his beatless heart with the happy kind of anticipation.
Soon, MelinoĆ« receives the scroll and hands it to her friend. An aura full of gleeful energy surrounds him because he doesnāt want to think of the tens of reasons why his family may have already chosen to drink the waters of the Lethe. And all those reasons would be equally sensible.
Odysseus finds the correct line and his enthusiasm is gone in an instant. He lets out a long exhale and gives the scroll back to Melinoƫ who also reads the bad news. She then watches him turn his back to her and run his hand down his face. She returns the scroll to the Shades of the Chamber and walks over to Odysseus to lay a hand on his shoulder. He slouches slightly.
āDo you still wish to see them, Od? Itās not a problem for me to find them, even if they donātā¦ As long as youāre still willing to go,ā she offers gently, kindly.
āAye, Goddess,ā he says lifelessly.
The majority of their walk to Elysium is shrouded in silence. MelinoĆ« isnāt too surprised, considering the information that the scrolls contained. Odysseus is visibly tense and nervous, something he rarely allows himself to show. In fact, MelinoĆ« canāt tell if sheās seen him this restless around anyone but herself.
She stops at one point and Odysseus follows. He looks at her and then to the front. A while ago, he was too preoccupied with his own thoughts to notice two Shades a couple of steps before them, floating above the green meadows.
Odysseus glances at Melinoƫ again, his expression screaming confusion and disbelief.
āIām sorry, Od,ā MelinoĆ« says quietly and watches him turn his gaze back at the pair of Shades. āI assume that they didnāt look like this the last time you saw themā¦ did they?ā
āNo, Goddess,ā he replies curtly. āThey wereā¦ more whole, if thatās how I can put it. They looked more like I still do. Why has this happened?ā
āThereās two reasons for that. The more forgotten the Shades become, the less they look as they used to, back when they were alive or when they arrived in the Underworld. Then, if they have no purpose, no duties that bind them or keep them motivated, they turn into those trusty green Shades. The latter is connected to drinking from the Lethe. After that, all theyāve ever known are these Fields,ā MelinoĆ« explains calmly, sensing how gloomās gripping her friendās dead heart.
āNo sorrows or pain?ā
āNone.ā
A shaky exhale leaves Odysseusā mouth. Itās filled with some relief, though, and MelinoĆ« hears that. It makes her feel a bit better about him and what heās got himself into seeing.
āThatās why they have no motivation. This ever-present bliss of Elysium is what rids them of it. They have everything they could ever want, so why pursue something else?ā the goddess adds.
āWill they stay in thisā¦ form forever?ā Odysseus asks with the last embers of hope that he could dig out from his despondent self.
MelinoĆ« hesitates, aware of how the Shade next to her is hanging on the edge of a breakdown by a thread. But he asks, so she canāt let his question stay unanswered.
āThey wonāt.ā Straight to the point. āTheyāll fade away, eventually, and their life energy will return to Primordial Chaos. Their essence will never cease to exist. But they wonāt be reborn as the same persons.ā
Heaviness fills her own heart as she hangs her head and stares at the green grass before her.
As soon as Melinoƫ hears Odysseus sniffle, she has to squeeze her eyes shut, so as not to let tears fall from them. Her own breathing wavers and she focuses on steadying it back to its natural pattern but still registers the air around her moving and the sound of the Shade next to her plopping down onto the ground.
Glassy-eyed, the goddess utterly pities Odysseus, the sorry sight he is right now. Hoping itāll be at least a bit of comfort, MelinoĆ« sits down next to him and lifts her hand to lay it on his back. She rubs at it carefully and then his whole frame shakes as he does his best to mute the sob that breaks from his chest. Heās got his eyes covered by a hand that he propped on his knee but MelinoĆ« knows theyāre at least as teary as hers.
āWhen they do fade away, they donāt even notice it. Nothingās ever going to hurt them again,ā MelinoĆ« states reassuringly.
Sheās met with silence, which Odysseus breaks after a while. āThey drank from the Lethe right after we went our separate ways.ā
So he read that entry in the scroll too.
A tear rolls down MelinoĆ«ās cheek, hearing a weep rip itself from deep within his soul.
Odysseus doesnāt speak of his family ever again. He also doesnāt mention the encounter in Elysium and neither does MelinoĆ«, for which heās utterly grateful.
Days go by as they always do in the House of Hades again. Thereās plans lying in front of the tacticianās eyes for most of the time, as he constantly draws his attention away from how his son and wife decided to forget about everything so quicklyā¦ But he doesnāt blame them, he canāt blame them. In fact, he thinks it was the most reasonable thing for them to do. Theyād suffered enough once and they deserved to be free from those days.
The reality of it hurts Odysseus anyway. It always will.
Itās also yet another thing thatās going to be haunting him, weighing him down. He hates himself for dreaming not only about his mortal days but now also about that blasted stroll to Elysium.
Odysseus wakes up in the middle of every night. The nightmares seem to never be leaving him and he thinks heās growing used to being torn away from his sleep while yelling and sweating cold beads along his spine. Thatās when he knows that itās no use going back to sleep because heās not going to doze off again for another two or three hours.
So he revisits his newest plans and ideas, sitting at his desk with the chamber being illuminated only by a single torch hung up on the wall, next to him. In the dim light, Odysseus studies the blueprints, pondering over any possible changes or improvements. There is one concept that involves a wall and heās feeling brave to assess it one night.
He digs it out from the pile of scrolls that he decided he would deal with later and spreads it across the desk. Holding the two sides down with his hands, he peers over it and an unpleasant sensation washes over him. He tries to weather it by swallowing and releasing a long exhale but it looks like itās not going to be enough in the long run.
Thereās that feeling of something clutching at his chest again and Odysseus blinks and attempts to compose himself because itās nothing more but a scroll! A Great Tactician canāt be scared of scrolls, itās absurd!
But itās true.
Odysseus rips the plan into shreds.
Some other day, Odysseus wakes up with a thought of telling MelinoĆ« about the most gruesome crime he committed during the war. Heās determined enough to do it as soon as possible before the courage leaves him and heās left with that burden all alone again. He needs to share it with someone. He needs to finally feel better, lighter, and this must be the reason why heās been coping so poorly lately.
If the goddess is not in her chamber, she is at the training grounds. Courtesy to Hecate, said training grounds look just like the ones back at the Crossroads. MelinoĆ« wouldnāt stand it if they were different from what sheās used to.
So Odysseus heads exactly there but the closer he gets, the more familiar swooshes slicing the air he can hear. Curious and watchful, he peeks inside from the outside of the area and notices the goddess practising her archery skills. It brings a smile onto his face that disappears from there once he lays his eyes on Achilles whoās apparently still there to supervise MelinoĆ«ās progress.
The tacticianās eyes grow cold at the sight and his fists clench tightly when MelinoĆ«ās hit the mark and runs to Achilles to hug him, beaming with happiness and pride. Oh, sheād be a joy to look at if he werenāt there with her. Teaching her. Telling her how to shoot. Praising her for her first ever successful shot. Being there to witness it. Being there to laugh with her and return her embrace.
Odysseus should be there, not him.
When he storms off, all enraged and gritting his teeth, heās got no chance of hearing how much MelinoĆ« wishes he saw her do that and that her new goal is to better herself at archery even more and then show him how much sheās learnt.
The decision takes him a while to make.
Wanting to smooth out the process, Odysseus lists down all the advantages and disadvantages, both for him and for the residents of the House of Hades who are the most dear to him. Or one resident.
Itās rather sad to admit that the scale tips in favour of resolving to do the deed and finally be truly free. Free from worries and sorrows, and pain, and nightmares.
Odysseus knows itāll terribly hurt MelinoĆ« but he canāt go on like this anymore. Heās been trying to fight all those intrusive thoughts and remedy his terrible dreams and painful memories but nothingās helped. Each day and each sleepless night are only making him more and more hopeless and desperate for a moment of respite. And the promise of eternal oblivion is something heās found himself yearning for for the last couple of months or maybe even years.
The man of duty he is, the tactician doesnāt just leave. He makes an effort to inform everyone in the House about his decision and heās relieved to hear their responses. The ones heās talked to understand him but theyāre upset anyhow. Maybe except for one figure who understands but is not too distraught. Odysseus is not too baffled by that, either.
He hasnāt told one particular goddess yet, though. And he doesnāt want to discuss this specific matter when he passes her in the halls. Instead, he asks her if she could visit him when sheās done with whatever business she has to attend to.
Odysseus also hasnāt told her about the infant yet. He doesnāt think about the possible repercussions. Heāll cross that bridge when he comes to it.
And itās going to happen sooner than heād like. It almost seems as if MelinoĆ« resigned from doing whatever it was that she was planning on, and came straight to Odysseus. He shouldnāt be surprised ā itās not the first time such a thingās occurred.
MelinoĆ« is perplexed immediately after entering the room and having the door closed behind her. With a puzzled look, she follows Odysseus and takes a seat on a chair opposite him. She searches his face for any indications regarding the matters he wants to tackle but finds nothing but deep concern andā¦ shame?
āSomething isnāt right, is it? It canāt be, look at yourself, Od. Is it connected with something or someone around the House?ā
āNo, Goddess. It, ermā¦ involves my mortal days.ā
He swallows and exhales. Then, he drops it, looking Melinoƫ straight in the eye.
Her mouth falls slightly open as she hears what heād done. There is clear shock in her expression but then the goddess furrows her brows and purses her lips as if sheās pondering over something important or serious. It puzzles Odysseus, for he was expecting her toā¦ to do what? Sheās a goddess, she could know a thing or two about sacrifices that have to be made sometimes.
Will she understand, then?
āWhy havenāt you told me about it before?ā she asks carefully, quirking an eyebrow up.
Odysseusā eyes widen.
āWell, Iā¦ā Heās at a loss for words ā something that never happens to him. āIāve told you all about my greatest deeds and I suppose I was worried about you changing the view you had of me.ā
āYouāve told me about theā¦ less great deeds too. I see why killing a mortal child can be something that leaves a mark on a man but gods arenāt the purest beings, either. Iām sure you know that. And I think I can imagine what it means to be made to choose while being pressed by a god.ā
MelinoĆ« sends him a little smile which he returns, remembering how she mentioned being forced to make such decisions during her nightly ventures to Erebus or Ephyra. But then Odysseus also looks at her in a way that she canāt quite read.
I see why killing a mortal child can be something that leaves a mark on a man.
Does she now? She said it with something akin to lightness in her tone. Odysseus can no longer hide his own incredulity.
āThat moment is still haunting me, Goddess,ā he admits wearily. āEvery day and every night.ā
Silence.
āIām so tired ofāā
The tactician doesnāt let his voice falter any further, so he just shuts up. Tears well up in his eyes and he hates it. Averting his gaze, he blinks the tears away but itās to no avail especially now that MelinoĆ«ās got up to come closer and crouch in front of him. She cups his face to wipe the tears away and then grabs his hands with hers and squeezes soothingly.
āI need to rest, Goddess,ā Odysseus gasps out. āIām afraid I wonāt be able to stand all these thoughts and memories for much longer. You see, after you defeated that old bastard for good, I was looking forward to whatever it was that the Fates had in store for me. For us all.ā
āBut?ā
āBut the optimism died out sooner than I wouldāve preferred.ā
He tells her about his dreams and his nightmares. He tells her how the latter are only getting worse and worse, never asking MelinoĆ« to change anything about that. Even the sheer fact that heās telling her that the night terrors are constantly rendering him terrified and exhausted is something he never assumed he would be so open about to the Nightmare Goddess.
Odysseus talks about the walls he can no longer wander atop of. He talks about the torn plans and ideas that he had to forget because they included either constructing walls or getting onto the already existing ones.
And then, he speaks about the utter disenchantment that he was met with when he read the scroll about Penelope and Telemachus.
MelinoĆ«ās radiating with genuine pity and itās only making Odysseus feel worse. Her mood is visibly plummeting and itās all his fault. But he canāt keep it all bottled up anymore. He has to let it out, so that sheāll understand why he finally wants to forget everything and claim his spot in Elysium.
āOd?ā
His expectant look is enough for Melinoƫ to go on.
āIām not making you feel any better when I practise using the bow with Achilles, am I?ā
The question quickly pulls Odysseus out of his torpor. He takes a sharp inhale and stands up, pulling MelinoĆ« up too. She doesnāt even notice when he embraces her and draws her close to his front.
āThe last thing I want is you blaming yourself for that, Goddess. Or for anything that concerns me, for that matter. Itās him Iām mad at, not you,ā he says firmly and feels MelinoĆ« release a breath that she was holding.
āAre you sure? I can talk to him if youād like me to,ā the goddess offers, shrugging. Not a big deal.
āNo.ā Odysseus then lets her go and wavery words leave his lungs. āIt wonāt change anything. Iāve made my decision.ā
āWhat decision?ā
Revealing the news causes MelinoĆ« to burst out crying and bury her face in Odysseusā shoulder. Heās there to hold her while sheās shivering, hidden in his arms, clutching the fabric of his cloak. She keeps telling him that she understands but her weeping seems to be implying something else. Itās as if she wants to tell him that everything can be mended, as if that ideaās ready at the tip of her tongue, but such a proposition never makes it past MelinoĆ«ās lips. Theyāre both perfectly aware of how stubborn he is. Sheās taken it after him.
He explains to her why the Lethe is the only solution to the hardships he faces every day. He once again mentions the things heās already mentioned ā his past now going hand in hand with him ā and MelinoĆ« is truly listening, absorbing and analysing the information, in-between the sobbing.
Odysseus feared sheād start questioning him and convincing him not to do what heās yearning to do. But she doesnāt.
To Odysseusā amazement, she calms down as he keeps talking to her, rubbing her back in a comforting manner. Only then does the goddess truly start to realise the severity of the horrors heās got to endure daily and nightly.
āGoddess, youāre the last one to hear it all from me becauseā¦ Iād be honoured if you accompanied me to Elysium,ā he adds in a hushed way.
āDo you want to go already?ā MelinoĆ« mutters gloomily.
āIāll wait if you need a moment.ā
āThanks, Od.ā
āTake your time.ā
Itās MelinoĆ« who starts talking about the pleasant memories of the past she shares with Odysseus. After all, if this is the last time sheās talking to him while he still recognises her, she may as well use it to reminisce, so that they donāt part in melancholy. Not that Odysseus would remember that for too long once theyāre off to their own, separate fates.
The goddessā heart sings when she mentions all the times she played hide and seek with Hecate and Odysseus would help little MelinoĆ« find the Titaness. Theyād all always laugh the alleged cheating off later. MelinoĆ« also played the game only with him from time to time and once found, heād chase her around the Crossroads, purposefully failing to catch her, only to make her smile.
Heās cherished MelinoĆ«ās laughter since the first time he heard it. There was a time when the little goddess didnāt have many reasons to laugh, for nightmares tormented her and she woke up crying in her tent. And Odysseus was always there first, ready to console her and talk flowery words about his own past, prattling on about the challenges heād faced during the war or his long journey home.
And Melinoƫ would always fall asleep, listening to his calming voice.
Just as sheās doing now as he ends one of his monologues with a joyous chuckle. It then fades away when the bank of the Lethe appears in the distance before them. They fall silent and the audible sigh that Odysseus makes has MelinoĆ«ās heart sink. They donāt stall, however, and steadily reach the river, stopping a couple of steps away from its gently flowing waters embraced in veil-like mist.
The sight is beautiful. Breathtaking.
āI guess our journey ends here. Thank you, Odysseus. For everything. We wouldnāt have any of this if it hadnāt been for you,ā MelinoĆ« utters, her words shaky, as sheās stood in front of him, looking into his tired but pleased eyes.
āLikewise, Goddess. I must admit I never expected the afterlife to be this eventful.ā
āBut now itās time to rest. You deserve it, Od. Weāve got our share of it already, so now itās your turn. Go and enjoy it. Be truly free from all that haunts you.ā She smiles but her lips tremble.
MelinoĆ« canāt stop her teeth from clattering, yet somehow manages not to let tears fall from her glassy eyes. She sniffles and puts on a brave face. She shakes her head and then throws her arms around Odysseusā neck, pulling herself close to him, so that he can embrace her too. He holds her tightly, as if he were to never let go for fear of losing what they have, the bond theyāve forged over the years that Odysseus has always been too cowardly to name or call out loud.
He almost says it then. Almost, since the words die in his throat and all he does is clear it, emotions overwhelming him.
MelinoĆ« sniffles again and soon releases Odysseus from her arms. She then wipes her eyes and tells him that sheās alright. He rubs her arm comfortingly and the goddess mourns the moment he stops and turns around, unable to look at her.
Heās breaking her heart and his own in two at the same time. He knows it but he also knows that this memory, this sentiment will be erased in a moment. Heāll feel no more pain and heāll finally be free.
Thatās what heās craving, so he doesnāt waste more time and walks away from MelinoĆ«. Sheās following him with her gaze, which is boring a hole in the back of Odysseusā head and he almost canāt resist whipping back around and returning to her.
In fact, itās when he hears her choke on a sob that his resolve breaks.
Odysseus has the goddess pressed to his chest in no time. Sheās not holding back now, crying into the fabric of his clothes, gripping them in her hands not to let him go to that blasted river.
āItās no use crying over an old bastard like me, Goddess,ā he says gently, his own voice shaking.
āH-how am I supposed not to?ā MelinoĆ« hiccups and continues, muttering the words into Odysseusā front. āAfter all youāve done for me? After all weāve been through?ā
He wants to say something but tears suddenly roll down his cheeks of their own volition. He grunts to compose himself again but he still remains quiet.
Tell her, you fool.
ā¦ Or let her do it for you.
āHow am I supposed to just let you go without you knowing how much you mean to me, Od? You raised me and have always been by my sideā¦ I could never dream of a better father.ā
Something grips him from the inside. It holds tightly and then loosens up, making a wave of relief wash over him, making him cry with no more inhibitions.
Pulling Melinoƫ impossibly close, Odysseus kisses the top of her head and rests his chin there, weeping just as heavily as she is.
āAnd I could never dream of a better daughter, MelinoĆ«.ā
His heart shatters into small pieces, hearing the muffled cry that she lets out. One last time, Odysseus tightens the hug for a fleeting moment and then opens his arms only to see how downcast Melinoƫ looks.
He pulls himself together for her, though. He canāt allow it all to get to him. He canāt allow it to convince him to return to and stay at the House of Hades.
Having brushed the freshest tears off of his own face and then hers, Odysseus holds her by her shivering arms and Melinoƫ locks her eyes with his.
āItāll be alright,ā he tells her (and himself). āGo home now and enjoy the rest of your life, aye? No more tears, Goddess. Chin up.ā
She nods, still snivelling.
āI love you.ā
It takes all of MelinoĆ«ās willpower not to completely break down right in front of Odysseus. It only feels more impossible when he lets her go again and turns around to wander off in the direction of the Lethe.
āIāll never forget you, Od. I love you, too.ā
When Odysseus glances over his shoulder, the goddess is there no more. He thinks itās better this way, for this way, she wonāt have to watch him do the deed. She wonāt have to witness the moment his memory becomes blank.
With his fists clenched and his step faltering, Odysseus reaches the bank of the river Lethe. He sits down on the soft, grassy surface and exhales, staring at the spot where he and Melinoƫ stood only a while ago.
Itās one of the happiest things in his whole life knowing that MelinoĆ«ās seen him as her father all this time. He wishes it was possible to purge oneās mind solely from bad memories.
But itās not and the longer heās there, gaping into the distance with longing for the goddess to return, the stronger the pain in his chestās growing. And it can be over so soon. Freedom and rest are right there, waiting for him to take a sip. MelinoĆ«ās not coming back and he really shouldnāt be thinking about how she must be feeling now, grieving alone.
Left there, without him to hold her and lift her up, so that she can confidently stride forward again and face another day.
Sitting at the bank of the river, Odysseus glances at his reflection in the lazily flowing water. He reaches out his shaking, uncertain hand and scoops some of the liquid oblivion into his palm.
So this is Elysium?
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šŗ05/27LiveWellę“»åŗē¾å„½šŗ
GodĀ doesĀ notĀ wantĀ youĀ toĀ beĀ mediocre,Ā GodĀ wantsĀ youĀ toĀ beĀ outstanding.Ā āā
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05/27Ā BibleĀ verses
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WhoeverĀ offersĀ aĀ sacrificeĀ ofĀ thanksgivingĀ glorifiesĀ me;Ā whoeverĀ walksĀ inĀ theĀ rightĀ wayĀ willĀ receiveĀ myĀ salvationĀ (PsalmĀ 50:23).
05/27GoodĀ wordsĀ ofĀ wisdom
1.Ā WhetherĀ itĀ isĀ connections,Ā resourcesĀ orĀ opportunities,Ā theyĀ areĀ secondary.Ā TheĀ importantĀ thingĀ isĀ toĀ firstĀ improveĀ yourĀ ownĀ skillsĀ suchĀ asĀ knowledge,Ā ability,Ā characterĀ andĀ attraction.
2.Ā IfĀ youĀ areĀ aĀ phoenixĀ tree,Ā onlyĀ theĀ phoenixĀ willĀ comeĀ toĀ liveĀ there;Ā ifĀ youĀ areĀ theĀ sea,Ā thenĀ allĀ theĀ riversĀ willĀ comeĀ toĀ converge.Ā TheĀ fragranceĀ ofĀ flowersĀ hasĀ itsĀ ownĀ butterfliesĀ flyingĀ in.Ā PeopleĀ needĀ toĀ cultivateĀ theĀ characteristicsĀ orĀ skillsĀ thatĀ attractĀ others.
Hymn:Ā NothingĀ isĀ impossibleĀ forĀ You
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https://youtu.be/QOJ2WCZY1xc?si=kxXicvGyy9QhAQIe
#photography#aesthetic#spirituality#positivity#illustration#nature#quotes#music#travel#architecture#love#flowers#garden#landscape#friendship
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There's no fucking way i'll have this go lost because of Twitter's downfall
"Design inspiration, symbolism and references behind the water beasts in New Gods: Nezha Reborn"
ā Premise. DO NOT take what I write for absolute truth or canon material, regardless of the sources. I drew my own conclusions, heavily influenced by my own reading key. Take it as a theory!
The first creature coming to mind when looking at them is surely the XiĆØzhƬ (ē¬č±ø), a mythical beast that appears multiple times in East Asian legends. We can find a detailed description of these creatures in the Shou Pu (ēøč), a painted album created for the Qianlong Emperor from 1750 to 1761 by court artists Yu Sheng and Zhang Weibang, depicting terrestrial animals and legendary beasts and part of the Emperor's personal encyclopedia. Also known with the korean name "Haetae", the Xiezhi is depicted as a muscular beast with a likeness to a lion, goat, and unicorn (sometimes referred to exactly as a āunicorn lionā) living in the northeastern wilderness.
In Shou Pu, and also in many legends, it's said they're naturally able to distinguish innocent from guilty, right from wrong, making them an ultimate symbol of justice that appears a lot in decorations, paintings, buldings and clothing, giving also the name to the judicial hat (ę³å ) that symbolizes the impartial and effective enforcement of the law.
It's also known as a guardian against disaster, a symbol of water due to its fire-eating qualities and a messenger of the heaven, which also stands for a sense of justice. The attention on justice's symbolism is also drawn by another design detail of the water beasts: the third eye on their forehead. Comes natural the association with āthe Eye of Heavenā (天ē¼), able to differentiate truth from lies, and with "the embodiment of justice" himself: the noble and powerful warrior god Erlang Shen, who is also related to hydrology in a very interesting way.
Now stay with me, because this will lead to another creature that also possibly inspired the water beasts and that brings EVERYTHING together: justice, water and floods. But to better introduce them, first we have to understand why the reference to Erlang is important.
In Chinese myths, Erlang Shen is also a folk hero that helped alleviate the terrible flooding of the Min river. With his name meaning "godly second son" (er = two; lang = boy; shen = god), he was believed to be the second son of the engineer Li Bing, hired to prevent the yearly flooding that would affect the lives of the people of the Chengdu Plains and Dujiangyan city (Sichuan). However, Li Bing couldn't discover the source of the flooding, as it appeared that the flooding wasn't natural. Legend has it that Li Bing sent Erlang to sail up and down the river for a year to attempt to discover the source of the annual flood, but he couldn't discover the cause either.
One day, as Erlang is walking with seven hunters who had witnessed his bravery in slaying a rogue tiger, they chance upon an old woman who is crying at the edge of the river near Dujiangyan. She tells Erlang that she is distraught, as one of her grandsons is to be sacrificed to a dragon that has held dominion over the river for generations. Believing that he has discovered the source of the riverās flooding, Erlang volunteered to take the place of the womanās grandson to be offered as sacrifice to the dragon instead.
When the ancient dragon arrived to take his sacrifice, Erlang and his friends leapt from hiding and chased the dragon to the river, where the old woman trapped it with chains in a pool below the Dragon Taming Temple.
With the dragon immobile, Erlang splitted the creature in half with his double-edged lance. And with the dragon dead, the annual flooding ended and peace and tranquility came to the Chengdu Plains. To thank Erlang for his bravery, the people elevated him and his father to godhood and dedicated a local temple as Two Kings Temple in their honor (The Erwang Temple in Dujiangyan).
The myth of the water dragon being chained to control the hydrology of the province instantly felt familiar. And it's here that we find the connection to the water beasts.
Li Bing and his son Erlang worked at the complex irrigation system that protected the area and the people from the severe flood of the Min River: theĀ Dujiangyan irrigation system, constructed in 256 BC, which is still in use today. In literature's classic "Huayang GuozhiĀ·Shuzhi" is recorded that, along other clever solutions to avoid a dam, Li Bing also created 5 massive statues referred to as "Water town god beast" (é®ę°“ē„ļæ½ļæ½ļæ½ if the translation is wrong please correct me!) which resembled a single horned creature similar to a rhino. WithĀ a length of more than 3m and a weight of 8 tons, two of these statues were buried in the river to "tame the water spirits". The resemblance with the water beasts, able to trap the river dragons, is astonishing. Curiously, when in July 2013 one of these statues was brought to the surface by archaeologists, heavy rainfalls occurred in Sichuan causing successive floods, and rumors spread saying "that removing the beast from its place, the water spirits couldn't be trapped anymore", followed by the request to put it back in its place claiming their ancestors "buried it there for a reason". According to a popular local tradition, rhinos are a divine beast that can help stop flooding and the newfound statues were supposedly buried by a local folk hero, more likely Erlang himself.
Back to Nezha Reborn, even if Donghai is a fictional city with the name of the raging sea where Nezha kills Ao Bing, it's located near the Eastern Sea. According to what Ao Guang says, is VERY likely that most of the water drawn in by the beasts is from the Yangtze river and its tributary the Min river itself, which would make everything coherent.
In addition to the justice symbolism of the water beasts (and this is my personal interpretation), Ao Guang's control of the waters (and, as a result, of Donghai itself) can also be represented by the chained water beasts themselves, being them the associated with a benevolent and righteous ruler. Therefore, the ending scene with Su Junzhu carrying the beast cub, can be read as justice finally being brought in Donghai following Ao Guang's demise, as the comeback of water finally marks the city's rebirth.
š References:
-Qianlong's encyclopedias, republished as "Natural History in the Palace Museum" by the Palace Museum Press and CITIC Press in Beijing
-A Study of Criminal Proceeding Conventions in Tang Dynasty, Ā Xi Chen
-Lunheng č«č””, Wang Chong -Collier I. D. Chinese Mythology
-The Chronicles of Huayang (Huayang Guo Zhi åé³å½åæ)
-The Collection of Imperial Books of Ancient and Modern Times (Qing Dynasty) Jiang Tingxi, Chen Menglei, etc.
-Probably more I forgot to take note of š§
#nezha reborn#nezha#new gods#new gods nezha reborn#chinese mythology#mythological creature#chinese legend#erlang shen#ao guang#ENJOY THIS 6H WORTH OF RESEARCH BECAUSE SOMEONE ASKED WHAT KIND OF CREATURE THE WATER KITTY WAS#I hyperfocused on this so bad#I don't regret it tho#Water kitty go brrr#movie theory#Appreciate my effort for translating from chinese#Which is absolutely NOT a language i know even in the slightest#MothTalks
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[Dragon Maid fanfic] 'This isn't my fetish, but when you love Quetzalcoatl...'
Lucoa spends most of their life together in human form, but she is a dragon larger and longer than any river on Earth.
She humiliates herself to live as a familiar to a human magician, but she was once a god to whom humanity offered blood sacrifices in terrified reverence.
She would never ask Shouta to do anything that would hurt him. But sometimes, she longs to show him what she truly is.
And he's happy to accept her.
(Content Assurance: NO DEATH. Strictly role-play.)
====
In another world, in a desert with no name in any language he could speak, on a mesa with only a thin tunic to protect him from the cool breeze and sand...
Shouta knelt, and waited.
He felt no fear of attack from strangers or strange beasts. The plot of land on which he waited had been consecrated and claimed by a goddess. No other living being would dare approach, and risk her wrath.
As the sun's light began to peak over the horizon, he saw her likewise begin to appear.
She did not breach the horizon in the same place as the alien sun, though it would have been her right as one who once was the sun of his world. She knew his fragile mortal eyes could not stand the sun's glare directly.
She wanted him to see her coming.
And see her he did. As the sun began its daily flight through the vault of heaven, she made her flight above the earth. Above his line of sight, high enough that he must look up to her.
Distance played tricks on the eye and the mind, for a fleeting human like him. He knew how large she truly was. He knew she must be traveling at terrifying speeds, to cover so much distance so quickly. But he couldn't really grasp it.
By the time the sun was half-way to its zenith, she was half-way to him, and her size and speed and power became more apparent. In tandem with his pitiful mortal eyes beginning to make out more of her majestic details.
Her eyes, of course, had seen him clearly the moment she crested the horizon. At least, physically. Through their divine power, she never really lost sight of him, as long as she cared to peak.
She wasn't merely peaking now. Her eyes were wide open, and her two heterogeneous pupils remain fixed upon him. Unblinking. For hours.
As noon approached, Shouta stood up, and walked to edge of the mesa she had chosen for her altar.
The wind of her storm-like approach whipped up sand that stung his face, bare arms, naked legs and privates. He simply shielded his face with his hands and stood at last at the edge, trying to watch her as best he could.
He knew that she had slowed her pace as she approached, which further messed with his woefully inadequate perspective.
She finally came to a full and complete stop at her geographical altar, and the last of the wind died down for lack of her displacement.
Her tail still stretched beyond the horizon.
Her awe-inspiring head loomed over him, eyes each bigger than his house staring wide down at him. Her neck blocked out the sun and cast him into shadow, returning the chill that the brightening hours had previously banished. His neck protested the angle he needed to look up at her.
It was not his first time seeing the goddess in her true flesh, but he had not at all grown accustomed to the sight of her. He wasn't sure he could live long enough to do so, even if he discovered the magician's tricks to extend his life.
Was she a creature, like him? She was larger than the mesa on which he stood. She loomed over him like a low cloud, but with physical mass exceeding the rock under his feet. The coolness of the shadow she cast began to warm simply from her body-heat.
Was she a force of nature? But no cloud, no river, no flood, no wildfire had eyes that stared into your soul.
She was a dragon.
She was a goddess.
She was Quetzalcoatl.
And she was hungry.
He reached down and pulled the tunic up his body, over his head, and tossed it over the edge. He raised and spread his arms wide, exposing himself completely, leaving no barrier between him and her.
She moved closer.
He twitched, but fought to remain still.
He knew her. He knew he knew her. But his puny animal body, with its base animal instincts, could not help but quail at the living avalanche descending upon him.
Instincts that did not like what was going to happen next.
Her scaled lips parted, her mouth opened. Again, he could not comprehend the scale, intellectually knowing how fast her jaw must actually move to cover so much distance in that span of time. The wind whipped again from the disturbance, chilling his naked flesh. But at least this close to the edge, it picked up no stinging sand.
A blessing, considering how his penis stood tall and sensitive, vulnerable to the elements.
Just for a moment, she broke character. Her eyes leaving his own to glance at his cock, far too small for her to feel even if it poked her in one of those enormous eyes, big as swimming pools. If anyone had dared intrude upon this landscape, the size of those eyes would have given her stray glance away... but every living thing had wisely decided to be elsewhere for the day.
She lowered and extended her tongue, which itself could have been a gigantic, serpentine dragon rather than merely the smallest appendage of the manifest divinity above and before him.
The wind came wet and hot as the tip of her tongue approached. Water beaded across his skin well before it touched him, and not a little of it was his own sweat. The size of her tongue filled his world, and he could barely see her beyond it.
The smell! He dare not describe it.
The tip touched the tops of his toes first, heavy as a small wet dog. The saliva just from that proved copious enough to wash away all dust caked upon the tops of his feet.
He fought against his brain trying to rationalize the tongue as a whole creature to itself. He struggled to comprehend the control and grace necessary for this single organ, which could kill him with one errant twitch, touching him no more forcefully than his father patting his head.
Then her tongue began to move.
Slowly. Torturously (but more torturous still for her, he knew), she dragged the tip of her tongue upwards. Coating him in her fluid.
From his toes to his ankles.
From his ankles to his shins.
From his shins to his knees.
To his thighs.
To his...
He couldn't help it, his whole body jerked, his head thrown back.
But she lingered there, undeterred, knowing, understanding... teasing.
His manhood throbbed so fiercely he thought he would pass out.
Finally, she moved on, licking up to his belly, her drool incidentally cleaning and washing away the sign of his release. Of his body's desperate, futile attempt to pass on his legacy.
To his ribs.
To his chest.
His throat.
His chin.
He was grateful none of his seed remained by the time she covered his face. The smell of her breath might have presented its own challenge, but he actually had to hold his own breath lest he inhale and choke on her saliva.
She did not test him long, before she lowered her tongue back to his neck, and then extended it farther.
Across his shoulder, across his back, under his other armpit... her tongue snaked and twisted around his body like a harness, between his legs, across his balls, back over his manhood, then around his legs.
She lifted him off the ground, and he flailed reflexively, but his thrashing failed to have an effect at all.
As he rose high enough to again meet her eyes, staring directly into his own, he stilled as much from instinctual terror as deliberate will.
He couldn't help but stiffen, as her tongue began to retract him back towards her mouth.
He couldn't keep his eyes on hers, looking from them down to her mouth and back again. Desperately searching her eyes for mercy, fearfully looking back into the abyss that would claim him.
Her tongue paused for one moment, just before she brought him too close to her mouth for her to see him anymore. He met her eyes one more time.
Then her tongue jerked, moving faster than before, and her jaw closed below him all at once.
====
He woke up in their bed, clean, warm, and half-rested. He would have gone back to sleep, but he felt awfully thirsty.
He cracked one eye open to see Lucoa watching him with just as much 'eye'. Her smile became more sincere, more relaxed, as she handed him a glass of water.
He gladly gulped it down, and handed it back to her empty.
As she set it down on his nightstand, he told her, "I can't tell you how beautiful you are."
She giggled. "It would be nice if you tried to put it into words, but I know I didn't choose a poet."
She half-opened both her eyes, giving him not this morning's predatorial stare, but the full, adoring attention of his lover. "But you do show me. I can see it in the way you look at me. Like no one quite ever has."
She hooded both of her eyes, and coyly dragged a finger over the blanket covering his thigh. "Now, do you feel up to letting me show you how beautiful I think you are?"
He smiled, and pulled back the covers, reaching an arm out to accept her.
Author's Notes: Not that I felt it merited much explanation, but I assumed that Lucoa would use magic to ensure that Shouta would be protected against any physical injury from being in her mouth for any brief span of time, and she was ready to teleport him back out immediately.
But the experience still overwhelmed him enough that he fainted.
The vore isn't the point. Either for me as the author, or for the characters as participants.
A man beating his wife is horrifying. A man spanking his wife because she's begging him to is wholesome.
The wife doesn't want to be abused; she wants to surrender control. She wants a confirmation that she can trust her husband to take her to the edge of danger and no farther.
Shouta does NOT want to be eaten, not even as fetish roleplay. He only enjoyed this activity in the slightest because he enjoyed demonstrating his love and trust for his wife.
Lucoa DOES NOT want to eat Shouta. I made that clear repeatedly from the beginning. She would never suggest or agree to doing anything that would hurt Shouta.
But she's a DRAGON GODDESS. She not only COULD eat Shouta, she could do it by accident. She could devour an entire crowd of humans and it wouldn't even be a snack.
She doesn't need to display the power differential between them to love Shouta. But she needs Shouta to let her demonstrate the power differential between them so that she can FEEL loved. Loved for who and what she really is, and not for the disguise she wears to fit into his life.
THAT was my only goal from the beginning. The roleplay of Shouta offering himself up as a ritual blood sacrifice simply EMERGED from that.
It's definitely a lot easier to fake eating Shouta than for Shouta to fake slitting his throat, or for Lucoa to fake smashing him to death beneath her wings or coils.
#dragon maid#miss kobayashi's dragon maid#kobayashi san chi no maid dragon#lucoa#quetzalcoatl#shouta magatsuchi#magatsuchi shouta#monster fucking#kaiju fucking#size difference#fanfic#lemon#roleplay
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There are as many gods as there are people who follow them.
It was a forgotten truth, but that didn't make it any less of a truth.Ā
The gods mold the world around them just as much as they, in turn, are molded by their congregation.Ā
The Outsider had not always been a river god. He was once something far older, far greater. There are not many who still remember this truth, and those who learn it learn it in sterile, sanitized places where such knowledge does not translate to belief and thus does not offer him strength. But those true followers still scrawl the correct prayer marks and make the right offerings deep within the bowels of the sewers that winnow beneath the streets of Dunwall and there is still a part of the Outsider that remembers what he once was. He does not mind. He is as vast as the leviathans and as ageless as the Void. One day the rest of the world will remember.
After all, god must feed. A god must be fed.
The gods didn't count for much, in the end. The Kaldwins had had their own personal god. A powerful one. One that symbolized their divine right to rule. Had symbolized.Ā
The godkillers had been hard at work for a while, subtle enough that no one knew what was happening until it was too late. Until Jessamine had called out with a voice like thunder and was greeted with silence. Corvo had no idea it could work like that. That a god could die while their followers still made the right sacrifice, but then, maybe that was the point. That the Kaldwins and their country hadn't continued to worship their god, but an idea of something two steps removed from what it was. Regardless, it was hard to argue with the results, not when it meant Corvo with his hands stained red with blood that was not his own or that of his enemies. Not when it meant Emily was hidden away somewhere, kidnapped by the masked followers of an unknown god for an unknown reason.
Corvo had no need for gods, his steel had served him well enough, even if he did give perfunctory service to one of the more popular gods of the hunt. It was lip service nothing more, but between the guilt of his failure and the pain as the Lord Regent's men tried to pull a false confession out of him, there was a dark part of him that wondered if there wasn't something bigger, something more.
The dreams don't help.
Endless expanses of empty space with creatures he could never quite see in the distances he could never quite reach.Ā
And a voice. Calm, but barbed with words he understood but could not remember.
He wakes, sometimes, with hands covered in chalky, white paint and memories of thick bold prayer marks he both knows intimately and knows he has never seen before. His arms and shoulders ache and he knows what he will see if he makes his way down to the sewers.
He asked, once. Are you a god of vengeance?
The silence stretched on and on, just as loud as mocking laughter. It was an answer, of a sorts.
Piero understands, he thinks, though they never speak of it. Corvo sees the white paint on the bottom of his shoes (which could have been there for any number of reasons), hears the bone charms sing in his pocket (which could not). They stand at the river together, sometimes. Never speaking, never acknowledging one another, for that was not what their god was.
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Have You Read This Web Novel?
The villagers chose a maiden to be the bride of the River God. In order to save the maiden, Liu Qi went to the River Godās Temple, and beat up the River God as soon as he appeared. The River God cries and curses the village to flood; Liu Qi raises his harpoon: āSay it again, and Iāll stab you to death!ā The River God cries: āI just want to marry and have a wife!ā Liu Qi clenches his fist: āLao Zi is your wife, just accept it.ā The River God suddenly cries even moreā¦
If youāre in the process of reading this web novel, please choose whichever option best fits your situation. You do not have to be completely finished with it to answer āyes.ā
If you want to know more, I wrote a review here (includes translation link)
#the right way to offer a sacrifice to the river god#åę²³ē„ē®ē„ēę£ē”®ę¹å¼#have you read this web novel#themed polls#polls#my polls#queue
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V. The Mist Festival pt.2
During Morthal's Mist Festival, Alicent is torn between her budding feelings for Seth and her strained friendship with Joric. As the villagers make their offerings to Magnus for protection, tensions escalate and a sinister omen strikes, throwing the ceremony into uncertainty. With Seth's presence raising suspicions, Alicent begins to wonder if the gods are still watching over them, or if something darker is at play.
Morthal was divided into two parts by the Hjaal River. The villagers gathered to the east of the southern region, next to the house of Falion. It was his duty to preside over the ceremony as Court Wizard. The organizers had set up several rows of wooden benches. As the people took their seats, Falion finished preparing the torch to bless the fire.
By the time the ceremony was under way, night had fallen and the sky was aglow with stars. Alicent felt tiny as she looked up at the firmament; Maser and Secunda were shining overhead on this clear night, and the dawning light was the color of fireflies' thoraxes and butterflies' blue wings.
Looking out at his audience, Falion stood before the bonfire the guard had lit for the occasion. Behind him, willow branches swayed in the breeze, dropping leaves and creating meandering shadows in the air as the cold waters of the Hjaal returned flashes of light.
"Inhabitants of the Hjaalmarch, we gather for another year in commemoration of the deeds of Magnus, architect of Mundus." Phalion turned around in front of the fire. "MAGNUS!" he said, lighting the torch and raising both arms to the sky. āHear our voice, for this day we commemorate your sacrifice, so that when the mists come and hide us from your eyes, you will remember us!".
Alicent felt sorry for Falion. The wizard was not a crowd person. She could almost feel his discomfort as he faced the audience again. He was a terrible speaker: he dropped his free arm to the side, where it would remain until the end of the monologue, and proceeded to recount for the umpteenth time the confrontation that Magnus and Molag Bal had had right there in the Shire of Hjaal, according to the legends.
Falion went on with the telling of the legend. The family of the Jarl took up the front row, and Alicent caught Joric looking in their direction. She was in the back row, next to Seth, and from there she had a good view of everyone. There were people she didn't know well, outsiders who only came to Morthal for supplies or, on days like this, Magnus' blessing.
Alicent's eyes searched for his mother and found her beside Thonnir. They've been spending a lot of time together lately, she thought, watching them lean in to exchange comments. Her attention shifted back to Seth; he seemed to be engrossed in the story Falion was telling.
"Molag Bal's roots in our realm run deep. When the lord of domination and slavery first set foot in these lands, Tamriel was young. It was on this occasion that the cruel Daedra taunted Arkay after the taking of the soul of Lamae Beolfag, the first daughter of the night.
Alicent leaned over to Seth.
"It's a reference to vampires. According to the stories, Lamae was living in this region at the time she met Molag Bal," she explained, trying her best to impress him.
"I've heard of that," he replied without looking at her. Still, Alicent appreciated that he managed to smile, amused.
"Not content with the transgression," Falion raised his voice, struggling to make himself heard over the murmuring of the people and the rushing of the river, "Molag Bal decided to outwit Arkay once more, twisting the magic of Tamriel to give his followers the power to kidnap the souls of those who died. The power to enslave them and thus prevent them from passing on to the afterlife.ā
"Now he's talking about Necromancers," Alicent commented in a new attempt to get his attention. But Seth completely ignored her again.
Alicent let out a small sigh. She was beginning to wonder if she had done something wrong.
"You think anything he says is true?" Seth asked abruptly.
The question startled her. She had heard the story hundreds of times before, but she had never stopped to ask herself if there was any truth to it at all.
"Well... I don't know." She confessed.
"Come on, you must have an opinion about it. Do you think it is true?" Seth insisted. He leaned toward her without looking away from Falion.
Alicent shrugged his shoulders.
"I guess so. I mean... If someone doesn't make their offerings, bad things happen."
This got the attention of Seth, who looked directly at her and turned his body in her direction. Alicent mimicked his pose as well.
"What sort of bad things?" asked Seth.
"Laelette didn't make her offerings last year." She whispered.
"It is my understanding that Laelette has left of her own free will," he replied.
Alicent searched the crowd again for his mother. When he found her, she stared at Thonnir and Virkmund, the young son the man had had with Laelette.
"Yeah, but... I dunno. It still feels strange.
Seth's face twisted. Suddenly, he seemed defensive.
"What's so strange about it?" he asked impatiently.
"I don't know. It's strange, that's all," Alicent replied, feeling uncomfortable, "I find it hard to believe she would leave her son for a war she never mentioned. Plus, that's happened before..."
Alicent rubbed his shoulder uncomfortably. She looked away, her eyes misting over.
"Was it someone important to you?" Seth asked after a short silence, softening his tone.
"My father..." Alicent's voice cracked.
"Wow. I'm sorry I mentioned that," Seth said after a moment, sincerely. "Sorry, I didn't mean to distract you from the story."
"That's okay. I know this story by heart," she replied, tucking hair behind her ear.
Seth's gaze was on Falion for a moment before his attention returned to her.
"I'd rather hear it from you then."
That made Alicent smile a little.
"I don't know if that would be a good idea. I'm not a very good storyteller," she hesitated.
"Worse than Falion? I don't think so.ā
Alicent looked down shyly, but a smile escaped her lips. Seth's hand caught her chin and forced her to raise it. He didn't have to say anything else, his smile and the way he looked at her encouraged Alicent to speak.
"Magnus did not like Molag Bal's use of magic, nor did he like the fact that he was challenging Arkay again, so he stepped into the body of one of his followers to confront him and his army. Though Magnus defeated him and banished him, Molag Bal managed to gouge out his eye during the battle. That is why the mist has covered Morthal for months. And that is why the flame of the torch is blessed today, so that it will see us today and protect us from his followers when the mist comes".
Seth remained thoughtful after hearing the story, his eyes fixed on the torch Falion held.
"I think I should do some more reading on the local legends," he turned his head back to her. "What would you recommend I read?"
Alicent nodded toward the Jarl's family and shook her head. Joric hurried to look forward.
"Ask Idgrod. She's the book person."
Seth nodded and looked forward again. Falion was just at the end of the story of the battle between Magnus and Molag Bal. It had been the end of a war, more than a battle. Alicent felt that she had not explained the events very well after listening to the wizard for a few minutes.
"Why is he looking at us like that?" Seth suddenly asked in a low voice.
Alicent followed his gaze and caught Joric looking in her direction once more. This time she noticed the look in his eyes. He seemed annoyed. Angry.
"Don't worry about Joric," Alicent murmured, in an attempt to play it down. "He's probably just wondering what we're talking about."
"When I first met him, he looked at me that way, too. I think he was upset that his mother suggested Idgrod and I might spend time together." He said matter-of-factly.
Alicent looked at him, startled.
"Oh," she murmured with poorly concealed disappointment. "I thought it was because of me. He seemed very angry when I told them about..."
Seth waited for her to continue, and Alicent blushed, aware that she had spoken out of turn.
"About me?" Seth asked, before he changed his tone of voice to a more light-hearted one. "I guess there are not too many strangers who come to this place."
"Not too many," Alicent confirmed, without taking her eyes off of the fire. "And you're the first who stays."
"It's not a bad place," he admitted. Alicent followed Seth's gaze. It was on her friend. "Perhaps I should take the jarl's suggestion into consideration."
"To spend time with Idgrod?" she asked, in dismay.
"To settle here. It doesn't have to be with Idgrod."
Alicent turned her head quickly in his direction and then jerked it back to the front at almost the same speed, as if she had done it by accident. At a loss for words, she pointed his chin in the direction of the campfire in an attempt to get Seth to turn his attention back to the ceremony.
Falion had already finished the tale, so he left the torch on a metal stand next to the table where he had everything ready for the preparation of the offerings of the people of Morthal. Falion placed a bowl and a candle on the table, lit the candle with the blessed flame from the torch, and poured a little melted wax into the bowl to stick the candle to the bowl.
"Magnus, today I light this candle in your name in prayer for your protection. And I offer this parchment to Julianos, that he may be my keeper when your eyes are not upon me."
Falion carefully placed the scroll in the bowl. With the sacrifice complete, he approached the Hjaal River. He bent down and placed the bowl in the water. The wizard's sacrifice began to drift slowly away from him, buffeted by the river.
The murmur of the people of the Shire rose a few notes, and as soon as the Earl stood up, many of them began to imitate her. The second to make the sacrifice was always Idgrod Ravencrone. Then each person in the county had to wait their turn for the sorcerer to prepare their offering and make their request to the Aedra.
āDo you think she likes me?ā Seth asked out of the blue, innocently.Ā
Alicent looked around to see who he was referring to. Alva was standing a few pews ahead. She said something to Benor and approached the offering table, around which a circle had already formed.Ā
"Alva?" Seth nodded, and her brow furrowed. "You're too late. She's already with Benor."
Seth continued to look at Alva, and Alicent stomped a little, trying to get his attention back.
"You know?" she said in an attempt at a change of subject. "Mom says I'll inherit the Taumaturgist Hut. "
"Really?" Seth asked amused. "And are you going to give me a discount?"
"You might not even pay..."
She stopped looking at him in embarrassment when Seth burst out laughing. Apart from the two of them, there were only a couple of other couples sitting on the benches. Most of the neighbors were chatting animatedly around the fire, waiting for their turn to make offerings. Joric emerged from the crowd and made his way to where they were.Ā Ā
Alicent stood to greet her friend, taking the offering from his lap. Standing next to her, Seth did the same.
"Joric, have you made your offering?" asked Alicent, greeting Joric.
Joric glanced at Seth, then shook his head. He had a childish, shy, hopeful expression on his face. Joric's hair was a shade of ash brown, and though he always wore it short and messy, he had tried to comb it on this particular day.
"I was expecting that we could make our offerings together this year," he suggested, hope shining in his eyes.
Just like Seth, Alicent couldn't take her eyes off of him either. But not because Joric looked so beautiful, but because he looked as if a cow had licked the top of his head.
"Sure. Seth, would you like to join us?" She invited him, trying to shyly comb her hair with her fingers, wondering if she looked ridiculous to him, too.
"I was talking about us. You and me," Joric emphasized. "I don't want to have to make my annual offerings with a stranger."
"Oh, come on now, Joric. Don't be mean." She protested, holding out her hand to Seth. "Join us..." she asked.
This brought a smile to the boy who took her hand. The three approached the offering area. There were quite a few people scattered around the area, although most of them were huddled around the table. The three teenagers moved away from the group after realizing that they would have to wait quite a while for their turn.
"What did you think of Falion's speech?" was Joric's question.
Alicent noticed a certain amount of resentment in the question and frowned.
"I don't know. It was fine... like every year."
Joric's lip curled into a pucker. It was clear he was angry.
"Really? Did you really listen to anything? Because I saw the two of you talking the whole time."
Being addressed like that in front of Seth annoyed her. Alicent opened her mouth to speak, but Seth was quicker than her.
"Alice has been explaining your customs to me. It's good to have someone here who has an education," he reproached coolly.
The reply hit Joric like a bucket of cold water. He glared defiantly at Seth and clenched his fists.
"Do you have a problem with me, Athan?" he asked.
Seth put a hand on top of his head and reached out with his fingers to massage his temples. Alicent sensed an irritated smile behind his hand. He let out a sigh and then stared out into the crowd. Alicent followed where he looked, stopping to look at the torch. The breeze had been on the rise and was rippling the flame. From time to time, Falion raised his arm to light a candle to add to another offering.
"Me?" Seth snapped back, suddenly determined to have a confrontation with Joric. "It seems you're the one with the problem. If you want to talk about it privately..." He challenged.
Joric furrowed his brow and looked at Alicent. She raised her arms in a denial, but Joric stuck out his chest and turned to face Seth.
"Gladly, Athan. Follow me."
Joric walked along the river, in search of the rocks and bushes that would hide them from the rest of the group. As she tried to talk some sense into them, Seth followed.
"Guys, don't be stupid. It's a party, there's no reason to fight." Alicent was on their heels, her attempts at dissuasion in vain.
"What's your problem, Imberbe Raven?" began Seth as soon as they were far enough away.
Alicent could imagine Joric's cheeks flushing at the comment, despite the darkness.
"What did you just call me, Athan?" he asked, closing the distance between them in such a shrill tone that Alicent felt as if he was going to strike Seth.
A white, glowing energy burst out of Seth's fingers and wrapped itself around his hands.
"Joric, stop..." Alicent demanded, trying to get between the two of them so she could face her friend. But Joric gently pushed her away so he could face Seth once more.
"You are my problem, Athan. I don't like you."
Seth raised his eyebrows.
He said: "I didn't do anything to you, kid. That's your problem, not mine, if you can't handle your jealousy."
Joric's aggressiveness did not seem to intimidate Seth at all. Preparing to intervene if necessary, Alicent held her breath. Luckily, Joric just grimaced.
"You have a false look to me, Athan. I don't like the way you look, or the way you talk, or the way you act. And I don't like the way you hang around with Alicent all the time, either," he spat before spitting in front of Seth's feet.
Seth's reaction was a pout of disgust.
"How vulgar," Seth merely commented, with as much contempt as coldness in his voice. "Is that how Earl Idgrod raises his kids?"
"In Morthal, we have Morthal ways. We don't need some hairdo from the city to tell us how to behave!" exclaimed Joric like a spring.
"Think twice before talking about hairstyles, kid."
Joric looked at Alicent, looking for support, but she was slow to react, hiding a nervous laugh after Seth's last comment.Ā
āBoys," she interrupted, wanting to keep things from escalating any further, "We should come back. There's no need toā¦āĀ
Suddenly, interrupting her words and frightening her, the wind roared over their heads. Though there was a glow of fire behind the rocks that served as a windbreak, only the fire of the torch was blessed. The flowers in her hands were a reminder to Alicent that she had not yet made her offering.
"We definitely ought to..."
"Maybe it was a mistake to come, Alicent." Seth cut her off. "It's clear I'm spoiling some people's party."
Seth's words hit her like arrows in the chest. Because of this stupid fight, he didn't enjoy the festival at all and he wanted to leave. Seth was on his way out, but Alicent grabbed his arm.
"I'm not going to let you go because of Joric."
"I don't understand why you are on his side," Joric complained in frustration.
"Because, unlike you, Seth has shown a respect for our traditions. And you... You're acting out of jealousy." She accused Joric. Alicent didn't even think about how her friend felt because she was so angry with him.
Joric looked at her, hurt. He let out a dejected sigh.
"Do what you want, Alicent." He kicked over a stone and started to walk away from them.
"Thank you," Seth said, whispering.
Alicent smiled and looked into his eyes, where she was once again in the grip of his gaze. Seth released her hand and slowly brought it closer to his face, an intimate atmosphere suddenly created between them. He was on the verge of touching her cheek when he heard Idgrod's voice in the distance, interrupting the moment.
āJORIC!āĀ
The sound of the scream was just like all the times Idgrod had seen Joric on the verge of injury. Alicent's eyes were on the lookout for Joric, who was already on his way back to the party. Joric approached his sister and they began to talk. Not long after, he turned to Alicent in alarm. To hurry her along, he raised both arms and waved them in the air.
Alicent crossed the path of the river bank at a fast pace until she reached the two of them. She saw that Falion was not alone in preparing the sacrifices as she peered over the rocks. The neighbors were hurrying to make their own sacrifices. They could see that the torch fire was dying with every shift of the wind. Alicent and Joric looked at each other, panicked.
The two ran. Joric was picking up two bowls when Alicent reached the table. The wind blew another backhand, and the torch went out over their heads, leaving the two of them in complete silence. Them and everyone else there.
A louder and louder whisper spread along the banks of the Hjaal. Finally, Brelas, a dark elf who lives in a hut northwest of Skyrim, said out loud what everyone was thinking.
"This must be a bad omen for us."
Brelas was standing at the table and had not yet made his offerings, either. Alicent dropped her flowers, discouraged. Then fear gripped her. She was not the only one; there were a number of voices, and she could even hear a few tears.
Just in time to see him run towards Seth, she glanced over to Joric after remembering that he hadn't done it either.
"This is your fault, Athan." He accused.
Seth, who had been walking calmly in their direction, stopped in his tracks and crossed his arms over his chest. When Joric reached him, he shoved him, making him stumble. Seth stumbled and regained his footing with no pretense of self-defense.
"Me? It was you who started the fight."
Idgrod quickened her pace with Alicent at her heels. She stepped between them.
"Leave it, Joric!" She ordered. "Mom wants to see you."
"She's going to kill me," Joric cursed, running a hand through his hair.
Joric turned his back on them and walked away, and Idgrod gave him a farewell glance before following him. Up until that moment, Alicent hadn't even noticed that the people were looking at them. As she listened to the whispers, she understood why.
"It can't be a coincidence that the boy arrives first and then the torch goes out," Uthna commented to her husband Hroggar.
She turned to Seth, worried about how he was going to take this, and was surprised to find that he was looking elsewhere. She followed his gaze and found that Falion's gaze was on him, heavy with doubt. Alicent pretended not to notice when Seth turned his eyes back to her.
"Are you feeling all right?" Seth asked, his head cocked sideways. "You seem worried."
"I..." she murmured with slumped shoulders and a few tears in her eyes, "My offering..."
"It was my fault." Seth said regretfully. He grabbed her shoulder, pulled her to his body and hugged her. "I'm so sorry. I promise I won't let anything harm you."
In any other situation, that would have cheered her up. But the fear was so intense that she couldn't bring herself to look up. She didn't want him to see her crying like that. Then she heard the worried voice of her own mother behind her back.
"Alicent, my child, please tell me that you have made your offering."
#skyrim#tes art#dark fantasy#dark romance#fanfic#magic#morthal#the elder scrolls#tes#daedric lords#molag bal#aedra#tesblr
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Sacrifice - Chapter 6
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<<< Chapter 1
Summary: This winter has been brutal, and youāre out of options. So, with teary eyes, you take your best goat into the woods, hoping for some pity from whatever god finds you.
A/N: My laptop is undergoing some maintenance right now, and Iām posting this from my iPad. So if you see any editing/formatting errors...No you donāt, haha. (Also Iāll add all links to chapters once I get my laptop back!)
The changeling house is an hour's walk downstream from Aurelius' home. It occurs to me to mark my trail as I walk so I can find my way back, until that first look and I see the tree stretching so far into the sky it disappears through the clouds. It makes the sigil on my back itch, and suddenly I'm not concerned with getting lost anymore. So I follow the river's winding path, over slippery stones and muddy banks. Anything that may have gotten in my way, be it animal or fae creature, all scurry out of my path.Ā
In one arm I hold a basket of fruit from Dachaigh, in the other a book from the library. It didn't disappear when I stepped out of the house, a sure enough sign that I wasn't ripping a piece of Dachaigh away once I left. I only mean it as a tool, a piece of information to trade in case the food isn't accepted.Ā
The cover is lined in gold filigree, but has no title on the cover or the spine. The pages inside are strange, with slanted, irregular text that cuts off at odd places, or rotates around so one would have to read the book upside down. The perfect, typed font tells me it wasn't written by hand, so it's not one of Aurelius' journals, therefore I felt safe enough being able to trade it away.
So down the winding river I go, stopping to sip from the stream and pluck a grape from the basket every now and then. The day is lovely, as always, small feathery clouds dot the sky, the sun lights up the forest floor, and I take the time I'm walking to appreciate just being outside.
Aurelius wonāt notice that Iām gone. Itās a thought that strikes at my heart, a hot iron dunked into cool water. Alongside it is the thought that if Iām timely enough, if I make it back before sundown, he would never realize that I left at all. The alternative isn't comforting either. That he knows exactly where I am now, and where I'm going, and he doesn't care.
I feel my control over this situation with him is slipping. Not that I had much to begin with, but the small amount of influence I had is all but gone. The extent of these festival preparations, deciphering his notes, has only led me so far. I 've read what I could and thrown the rest to the side.
The house comes into view through the thickness of the trees, a two-level cottage with a garden to the side, and a stone path to the door. The roof is tiled orange and black, and the walls are colored cream. There's smoke swirling out of the chimney, and I step up to the door and knock.
Gregory implied that I could visit, and I hope he wasn't being facetious, because I'd love to visit the other humans here on a regular basis.
Iād wondered what theyāre like, if theyāre all similar to Gregory, or if theyāre like the fae Iāve come across. Will they reject me, or bring me into their home? Trick me?
Just as I decide it's been too long of a wait and turn to leave, the door creaks open, and a familiar eye catches the light. I offer a small wave and a smaller smile, and the door opens fully to reveal Gregory. He's got a shiny gold shirt on and poofy black pants that end at his knees. His hair is mussed, and there's smudged golden paint around his eyes that speak of sleepā I must've woken him up. Still, after looking me up and down, his face breaks into a smile.
"It's you!"
I offer the basket. "I brought food."
Gregory claps his hands together in delight. "Lovely! Come in, please."
He waves me in, his gold ear jewelry catching the morning light, and I step across the threshold only for my jaw to drop.
The cabin is huge and open, the front room has couches and cushions around a low table, with large windows on the far wall that show a beautiful river just a stone's throw away. There's hallways to my immediate right and left that lead into open sitting rooms, and a staircase on either side leading to the second level.
Gregory, unaware of my awe, continues forward as naturally as I would in the library. He leads me towards the back-right of the main hall that turns into the kitchens, a huge space with a rectangular island in the middle. I follow him only after quickly scraping my muddy feet on the welcome mat and running to catch up. My bare feet slap against the tile, causing Gregory to look back at me, then down to the dried mud caking my ankles and the hem of my dress.
I'd used my first dress, my original dress, for this journey, as I didn't want the nicer ones I'd just finished to pick up mud. I realize that was a grave mistake, and I shift the basket into both of my hands in a futile attempt to cover the mud.Ā Gregory doesn't say anything, only purses his lips and continues into the kitchen.
Inside there are three other humans, more than I thought I'd ever see again. One is sitting on the countertop swinging her legs, her skin is a rich brown and her black, wildly curly hair is piled atop her head, while the two others swim around each other as they cook. One is as pale as the moon with a shock of red hair, the other is tanned, with silky black hair tied to their nape.
"Everyone, this is Kaitlyn." He announces, getting all of their attention. The two cooks turn around, and the one at the counter stops swinging her legs. They stare at Gregory, then at me, as Gegory points to each person, left to right. "Meet Emile, Kimiko, and Josefina."
They're staring at me, all of them expecting an answer, a response. The one on the counter, Josefina, although I doubt that's her true name, has an eyebrow raised as she looks me over, her gaze stopping at my feet.Ā
I shuffle awkwardly, looking between each of them. "Hello."
They all look fresh, clean. Their clothes are all crisp, no fraying at the edges. Kimiko's hair shines in the morning light. My feet are covered in mud and the plait I'd pulled my hair into is simple. Ordinary.
The man, Emile, squints. "Kaitlyn, where have I heard that name before?"
Gregory plants his hands on his hips. "She's the one I tried to steal at the market."
All their eyes widen, and Kimiko scoffs. "No shit?"
"Not a shit to be seen," he says, and I can't tell if he's joking, but they all laugh.
Something on the stove starts to simmer, interrupting the laughter with a loud hiss, and Kimiko curses before turning back to her work. Gregory gestures to the kitchen, and I take the sign and set my basket on the countertop in the middle.
Josefina hops off the counter as Emile steps up to the basket.
"Ooh, you brought grapes! I haven't had grapes in a decade!" he says, picking up a whole string and starting to pick them off.
"What did you bring us?" Kimiko quickly examines the basket, picking through the food. "Grapes, cherries-- oh Gregory, you love cherries, don't you?" She glances up at me. "You didn't bring any cheese?"
I shuffle my feet, bare and dirty against their floor. "No."
Iād told Dachaigh Iād be visiting them, but she only provided me with the usual assortment of fruits in the basket. I hadnāt thought to ask for anything extra.
"Well that's okay," she waves me off. "You can bring cheese next time."
"O-okay." Shame is creeping up my spine, I can feel it sinking claws into my skin. I want to make a good impression, I want them to like me. They're my only human connection here.
"Come on Kimi," Gregory says. "She brought us food."
Gregory turns towards me, and rests a hand on my shoulder while offering me an easy smile, the same relaxed smile that eased my fears in the market. "Don't worry about them, they're impossible to please."
Just as I return the smile, the door leading outside opens and in come two more people. A tall, willowy woman with short hair the color of snow, and a tall, dark-skinned man with long dreadlocks. They both have a healthy layer of dirt on their clothes and hands, as if toiling in a garden, and my heart eases its frantic beating. I'm still the filthiest one here, but not the only one.
"Hey!" Kimiko waves to them with her spoon, which is covered in some kind of sauce and splatters the countertop. "We got a new one!"
The willowy woman groans, letting her head fall back. "Another baby? We just finished with Josefina!"
"Fuck off," Josefina fires back, popping an orange slice into her mouth.
"Then what--?" The woman says, her eyes falling on the basket. She looks to Gregory, then past him to me. Her eyes go wide as saucers and she's beside me in a manner of two steps.
"You're new!" she says, her grin wide and excited.
"That's Sveta, that's Francois," Gregory loudly whispers, gesturing to each of them.
Sveta reminds me of a kinder version of the faeries I encountered on the trail. She flits around me, gently tugging my hair, pinching my cheeks and patting my arms.Ā
"How long have you been here? Do you really live with the master? Were you taken like us? Oh what fun!"
Francois steps forward, gently pushing Sveta aside. He's built like the Greek athletes I've seen in picture books, taller than me by at least a head, and I instinctively take a step back, tensing.
But heās quiet, gentle when he asks, "I see you brought a book. Is it from the lord's library? What is it? What's inside?" His voice is level, but I can hear the curiosity, the excitement behind it.
His voice is soothing, like Aurelius' is in quiet moments, and I relax as I hand the book over. "Iā¦I can't read it. I brought it in caseā¦"
Sveta tilts her head, looking like a bird. "In case of what?"
"I-I'm not sure," I lie. "I didn't knowā¦what to expect."
Josefina says, "Did you think we worked like the fair folk?" and her tone is upset, offended. I feel my heart sink.
"Iā¦"
She rolls her eyes, and I see the orange rinds collapse as she squeezes her hands. "It's not all trades and magic, you know."
"That's not--"
"Hey, be nice," Gregory says, stepping between us. "She hasn't been outside, and living with the master? Perfectly understandable, she'd think we need to barter."
Francois turns to me and smiles gently. "We don't work like The Neighbors do, or even the lord. We're still human, all grouped together."
I nod, looking down at my hands and fighting the burning in my nose that comes before tears. How stupid of me, to assume humans and fae followed the same rules. I'm glad Josefina's not staring at me anymore, her eyes are bright green and piercing. Like she can see into my soul.
Francois steps away, leaning against the wall as he flips through the book. It leaves an opening for Sveta to continue prodding. "So you're the lord's new mate?"
I look into her eyes, which are a pale gray with flecks of green. "I'mā¦I'm not his mate."
She rolls her eyes. "Horseshit. Do you live in his home?"
"I-- Yes."
"Does he provide for you?"
"It's more the house herself that providesā¦."
"And you fuck, yes?"
My jaw clenches, and the color in my face is enough of an answer.
Sveta barks a laugh. "See? You're his mate."
"Look at her face," Kimiko exclaims, pointing at me. "She is red as a beet! They definitely fuck."
"What is that even like?" Emile asks.
"Does he rut you like an animal?"
"I'd imagine he's soft and kind."
"He's terrifying! I'd want to face away."
They all laugh, and I look down at my hands. Theyāre chapped and dry from doing chores this morning.Ā
I think I prefer the company of the fae to these humans. They remind me of the ladies my age that came in from the city. Mean-spirited. It makes me want to take a bath and forget this whole ordeal.
Sveta pulls me into a hug and I try not to shiver. "Don't be so serious, darling! We just tease."
Sveta releases me, and I sway on my feet. I'm not used to so much touching, not even from Aurelius.
Pulling me out of my own anxiety is Gregory, gently holding my hands in his. He's warm, he's stepped close enough that I can smell spices and honey.
I look down at our joined hands. Gregory says something, but his words bounce against my head, unheard. The last human I spoke with, let alone touched, was Andrew nearly half a year past. There's people here. People I can talk to without worrying that theyāre going to steal the words from my mouth.Ā
Emotion, overwhelming and all at once, washes over me. The stinging in my nose returns, spilling over into tears. My face scrunches up as the tears flow freely, and I must look so ugly, but I canāt help it.
Gregory makes a distressed sound in the back of his throat. "Hey, no, it's okay."
Svate rests a hand on my shoulder. "Yeah, we're sorry, please don't cry."
"I think she's overwhelmed," he says, pulling me into a tight hug.
I didnāt mean to make them feel bad, to have them worry over me. But still, they guide me out into the living area and sit me on the couch. I feel like a newborn sheep, barely able to walk, blinking the tears out of my eyes.Ā
Slowly, I come down from my hysterics, wrung out and tired. Iām offered a handkerchief that I use then rest on my lap, and then Kimiko shoves a plate full of buttered bread in my face.Ā
āItās fresh. Eat it,ā she says curtly, her head turned to the side, her lips pursed.
I take the plate and pick up a slice, and take a tentative bite. Itās sourdough, with a toasted outside and soft inside. I havenāt had sourdough in ages, and I realize I hadnāt eaten breakfastā the basket of fruit is sitting in the kitchen.
Emile leans forward in his seat. "Tell us of the human world. Have they fallen to shit?"
Through my despair, I find the light in me to laugh. "Not quite. In the city there's a lot of steam engines, and a lot of people. There's a machine for everything, even sewing."
All of them 'oh' in unison, fascinated, and I smile as I finish off the first slice of bread. I once found it fascinating too, until I learned how expensive such machines are. But I'll spare them that piece of information.
They ask me about the city, and I tell them what I know, making up only a few details here and there. Kimiko is fascinated by the fashion of whale-boned stays and kirtles, and Emile wants to know if men still wear their hair long. Throughout the conversation I pick up on details, small and fleeting, about my new friends.
Gregory was the first one here, raised by a witch until he was a young man. He learned to hunt, fish, and care for himself on his own. Then came Kimiko and Emile as young children, both stolen away from countries across the sea. Francois was next, replaced as an adult, and he had a difficult time adjusting to this strange, fae world. Finally, Josefina arrived as a baby, and they all worked together to raise her, and sheās been here for at least seven decades.Ā
I want to ask questions, I have so many. Why they age to a certain point then stop, or how they came across this cabin. But Iām content to keep listening, absorbing their stories as they tell them. Itās Kimiko who pulls me out of my listening state.
"You could live with us, you know," she says, propping her chin on her fist.
I set the empty plate down.They all refused my offer to share, leaving me to finish it off. "I could?"
She smiles at me for the first time. "If you ever get tired of the old lord."
"I appreciate that," I say, smiling back.
The six of them continue talking, mostly about what they did that day, and I let it flow around me easily. I've never been a lively girl, or the best at conversation. I'm more of a listener than a speaker. But having six voices bouncing off one another is a certain type of peaceful. It reminds me of the days my parents and brother would share stories around the soup pot. This is familiar, and I want to be there for all of it.
"This book you brought is full of spells," Francois says, wandering in from the kitchen. "Did you know that?"
I grimace, shame souring my belly. "I couldn't read the script."Ā
"They're very advanced," he continues, oblivious to my insecurity, idly flipping pages as he slowly meanders towards the couch and finally plops next to Kimiko. "They're all about conjuring, summoning spirits and such."
"That's amazing," I say, genuinely surprised. You can do that?
"The cost is high, though. Look here, to open a portal between planes you need a mutual agreement on top of a great trade."
"How great?" Emile asks.
"Something of 'great perceived value', whatever that means."
I inhale so sharply I choke on my saliva.
"I think she knows what it means," Kimiko says around a laugh as she pats my back.
***
I feel lighter on the walk back to Aurelius' home. The time with other people was like jumping into a clear pool-- refreshing and bright. Their laughter echoes throughout my head, their easy touches are ghosts on my skin.
I want to tell Aurelius about my day.
He didn't come and fetch me at all, which bodes well for me, as I wasn't interrupted. If he needed anything he knew where I was anyway. But itās a little disappointing in hindsight, that he didnāt need me, and didn't wonder where I was. The realization slows my steps, makes my arms like lead.
Climbing up the stairs into Dachaigh makes me anxious, as if Aurelius will be waiting for me in the library to reprimand me like a child. But heās not there, and I breathe a little easier. Itās not like Iāve done anything wrong, or broken some rule, so why do I feel like heās going to be upset?
I set the empty basket on the low table and head towards my bed. Iām exhausted, all the talking and people certainly sapped my energy. I fall into the cushions lining the massive windowsill, careful to keep my feet off the blankets as I fall backwards and stare at the ceiling. Iām ready for an afternoon nap, and then Iād like to work on my second dress.
āKyla,ā comes Aureliusā voice from across the room. I sit up, and there he is, appearing out of thin air.Ā
āAurelius,ā I say.Ā
He steps up to me, and takes my hand, pulling me to a standing position. "Come, come."Ā
āWhatā?ā He allows me no time to ask before pulling me across the room towards the stairs. He stretches an arm out and grabs all my notes before shoving them all at me which I barely manage to wrap my arms around it all before weāre flying down the stairs.
Heās dressed very nicely: a crisp white collared-shirt and tan pants and suspenders. His shape is human with those long arms, reminding me of my father, narrow from the legs up until filling out at the shoulders that speaks of endless time chopping wood. Is this his true form? The form underneath the cloak he wears?Ā
"Where are we going?"
He turns back to me, and I catch a glimpse of his head. Iād thought it was his typical corrupted deer because he maintained the branching antlers, but this one is sharp and dangerous, with extra angles and longer, threatening teeth. "I have business to attend to,ā he says. āI require your assistance."
I try not to trip over my own feet. "Business?"
"The vendors for the festival are beginning to arrive. Your papers are what gives them their position."
āOh,ā I say, rather stupidly.
Before I have time to think, he pulls me outside, and there's a long line of Fair Folk, winding like a snake to the treeline. Thereās animals that Iāve seen, and animals that I could never imagine. Thereās half-human half-animal hybrids, beings with shimmering skin in every visible color, and even a few that seem to be made of pure light. I see feathers and scales and rough skin and slime. Bringers of dark and bringers of light, and bringers of something neither good nor bad, all gathered at Aureliusā home for a festival.
My eyes widen. "They're setting up here?"
I stop dead, and Aurelius nearly yanks me to the floor when he keeps moving. "In the clearing, yes."
I sigh heavily, resigning myself to go along with whatever he wants. Heās not going to explain.
We step the edge of the shadow but not completely out of it, and every single being, creature and fae, bow their heads, in respect or fear Iām not sure, but itās a humbling sight to watch them all stare resolutely at the ground.
From my notes, I've gathered that Aurelius sits at the north end of the clearing, with the vendors to the south. There's a large empty section for celebration and dancing, and the whole area is lit with magical floating aurora.
The first patron is easy, Aurelius gives them their assigned location and they walk off. And after five, six more groups itās almost boring, menial. Until we encounter a snag.
A patron of dryads approaches, and I remember their location was one that Iād changed. Quickly flicking through the pages I find their rearrangement and slap it on the table, triumphant. Aurelius looks down at me, and I swear that heās glaring.
āNo, the Aur dryads will go here,ā and he points to the map.
āBut thisāll put them closer to the woods, and isnāt that what theyāā
āIt is not how itās done, my doe.ā And he smoothes a hand over my head, making the dryads laugh and my face ignite.Ā
Heās not going to listen to me, much less take me seriously. What did I prepare all these notes for, then? What was the point of it? I want to walk away, I want to go take a bath, but I shouldnāt be giving up so easily. I learned that I need to speak up to earn my place here.
After that, I do my best to follow along, chiming in when I recognize a symbol from the notes or a vendor from the list. But every time, Aurelius denies me. Every time, he tells me things donāt work that way, or these vendors are never together. My favorite was a series of stalls that float in the air above the festival that also need to be arranged a certain way.Ā
The next fae is a kind I've never heard of in books or stories. A giant rabbit, as tall as a man when they sit on their haunches, carrying a small basket and wearing a bonnet. The strangest thing, though. Sheās not looking down. Sheās actually looking up at Aurelius, with large, shiny black eyes.
Aurelius leans down so the two of them are eye-level. "Hello Eodine."
The rabbitās nose twitches, and then shakes her head. "Atya, my dear!ā I gaspā her mouth barely moves when she speaks.Ā
āHow are you?ā She asks. āAnd oh--" those inky black eyes turn to me. "Who is this?"
Aurelius taps one of his branching antlers with his long claw instead of answering, and the large rabbit named Eodine gasps.
"This is the human you've captured!" she remarks, planting her furry paws on her hips. "Haven't seen a new face in near a century. Send her my way for some tea, Atya, I could use more company than just you."
"Of course."
They speak easily, and Aurelius marks a spot close to his seat for her. Iād originally moved her small art station towards the middle so it would see more patrons, but I donāt mind being wrong about this one. She reminds me of a matron, or a grandmother. Sheās opinionated and harsh, but well-meaning and kind.
Eodine speaks a little longer with Aurelius, catching up and making plans, and I wish those plans included me.
āYou, human,ā she says, looking at me. āVisit me anytime before sundown.ā And she turns away, stepping with those large paws towards the grass, where she fades into the mist.
In my silence, Aurelius turns back to the line of fae, and continues his placement of stalls. I want to think of Eodine more, but Iām caught up in a slurry of plans, arrangements, and vendors. Every part of me rails against opposing Aurelius, but I still try to assert myself.
"I think the takoyaki stand could go here with the rest of the--"
"That is not how it's done. The kitsune are always placed here," he gestures to another spot that makes no sense.Ā
"A food stand shouldn't be in the middle of two textile patrons. The fabrics will absorb the smell."
"M'lord is correct, human. It is always done this way," the fox says quietly, glancing up at me through their long fox lashes. "Although, I'd hate to ruin the lovely river spirit's textiles." They bring a paw up to their snout, as they look over the layout in thought.Ā
For what feels like the thirtieth time, I want to pull Aurelius aside and ask him why he brought me here. I asked for something to do, but was it a fruitless task just meant to keep me busy?
"Would m'lord perhaps," the fox gestures to the open spot. "Consider moving us here?"
Aurelius goes quiet, considering the map. He heaves a heavy sigh through his snout, and crosses his arms. "You will have to tell the Whiteadder spirit that they're being transferred."
"M'lord is most kind," the fox says with a bow, before literally disappearing in a puff of smoke.
Before the next round of fae comes, I look up at Aurelius, my face drawn into a frown. "Why'd you bring me if you're only going to shoot down all my ideas?"
"I wanted you here, with me," he says, folding his arms over his chest. Itās still strange to see him in human clothing, Iām so used to the tall cloaked form.
āTo do what?ā I ask helplessly.
āTo be by my side.ā
One of the fae speaks up, "That's a cursed life if I ever heard one!"
The fae to their right chimes in, "The human is rather silly for agreeing to live with him!"
And another voice asks, "Can you even look him in the eyes when you fuck?"
They all laugh for half a moment, until Aurelius growls low in his throat, and every voice goes silent.
"Certain placements are sacred," he chides me, and I scoff.
"How was I supposed to know that?"
"I'm telling you now."
I want to cry and scream at the same time. I ball my hands into fists to keep from lashing out at Aurelius. I hate it here, I want to leave.
Another fae in line that I canāt see jeers loudly, bringing up a chorus of responding cheers. I don't like having our personal life on display for these creatures. They haven't earned the right to my anger. So I stomp away, ignoring the laughter of the fae behind me.
Maybe that kindly rabbit or the other humans will take me in, I think as I make my way to the center of the tree and up the staircase.
***
Aurelius takes the rest of the evening to sort out the placements, and I can only go to one place: the library. Iād considered exploring the other levels of Dachaigh, but she still doesnāt feel like home. Iām not comfortable rooting around in Aureliusā personal belongings, especially when he considers me one of them. Heās been kind in the past, but Iāve seen his anger, not the frustration that pushes me to the floor and makes me his, but his true anger. His rage. And I donāt want that turned on me if I stumble upon some secret.
So I watch the sunset from my bed, through the large window that lines it. The colors run together, orange and red and purple, with wispy, bright pink clouds. Itās gorgeous, and speaks of fair weather for tomorrow. I idly wonder what the others are doing, the humans at the cottage.
My visit to the house floats through my mind like a bird on the breeze. Theyād all be nice to visit again, but I need to remember to defend myself or I fear Iāll become their new scapegoat, an easy target for harsh words. But Iām more comfortable with them after this initial visit, and I hope I can remain friends with them.
In the corner, Dachaigh shoves a book from the shelf, the same one meaning an affirmative, and I groan to the endless ceiling.
āDachaigh, Iām too tired for this.ā
Another book falls, and I sigh heavily. Iām not in the mood for more games. But yet another book falls, almost insistent in the way it hits the ground, and I roll out of bed.
I put the initial book back in its place, and turn to fix the others, when it falls again. I squint at it on the floor, put it back again, then straighten to stand just as she pushes it off the shelf again. Dachaigh is trying to tell me something.
I pick up the book and open it. Itās softbound with no title and those same, tilted words that Iāve come to know as Aureliusā handwriting. I couldnāt read it before, but Iāve become familiar with his script after devoting weeks to planning a festival that Iāll have no part in. Quickly flipping through, I see itās not completely full, about half the pages in the back of the journal are blank. I flip to the last entry, a single line of perfect cursive: The human has left.
Ice shoots down my spine and my mind is thrown into a tornado of thought. No, this must be a falsehood. Aurelius has told me heās never brought another to his home, and the fair folk wonāt lie. But Aurelius is not of the fair folk, heās a god. Would he lie to me? Why would he, what purpose does it serve?
The book falls out of my hands and clatters on the floor.
Something in my mind snaps, the world slows to a halt, and everything I knew about Aurelius snaps into focus. I clap my hands together.
āI need a bath.ā
Like someone with no personality, I walk away from the bookshelves and into the bathing room to take a long, hot bath. Nothing about today is bothering me. Iām completely fine.Ā
Strangely enough, Iām beginning to recognize all the bottles on the bathās edge, so when one very deep green bottle about as long as my forearm appears amongst them, Iām curious. I canāt see the color of the liquid inside through the green glass, but itās slick, loose flowing like water, not the thick soaps Iāve become used to.
This one still has its glass stopper, and pulling it out I smell roses, jasmine, and an undercurrent of spice. Sandalwood? Ginger? Itās almost seductive, this combination of smells. I take another deep inhale and I tip some of the liquid into my palm.Ā
I was correct in my assumptionsā itās an oil. For bathing orā¦some other purpose. The smell is even stronger out of the bottle, washing over the whole room. Itās definitely meant to catch attention, and part of me wants to slather it all over my body and stand in the library, waiting for whatever beast it awakens in this creature Iāve linked my life to.
Instead, I decide on a milder option, and dump it into the water. I dump it until itās empty, and climb in, immediately dunking my head underneath the water. All sound, all sight, all feeling cuts off from me as I hold my breath. I canāt open my eyes, so I rest my forehead against my knees until my lungs begin to scream.
The human has left.
After a long soak, I dress in Aureliusā long shirt and pad into the library. Iām not tired enough to fall asleep, and the lights are too dim to read by, so I resume my former position of sulking in the windowsill and watching the stars.
Itās a long time before I hear Aurelius climbing the stairs, making noise so I know heās coming. I expect heās going to ignore me and head to his room but instead, I feel his presence over my shoulder.
"You are unhappy."
I scoff. "Yeah, no shit."
"Let me show you something."
"I'd really rather--ah!" He picks me up from the couch and we dissolve away, his strange method of teleportation taking us outside.
The transportation makes me dizzy, and the night air is cold. He's taken us to an empty field, where the grass has grown high and unruly. Itās the dead of night, so I canāt see much, but I can still see Dachaigh in the distance.
āYou smell nice,ā Aurelius says as he sets me down. He starts off north, at least I think it's north, and we reach a sandy lake.
"Where are we?"
"A practice field. I'm going to show you this," and he produces a book. Bound in black leather, embossed symbols on the front and along the spine. A chill runs up my spine at firstā it looks just like the journalā but itās much thicker, and hardbound like a proper book. I take itā oh, itās heavy, and inside is runes, the same he used to bring us to this plane. I realize why he brought me out, and I smile.
"You're teaching me magic."
He looks away, shuffling awkwardly. "You requested it."
My face stretches into a wide grin. "You're teaching me magic!"
Unable to contain my joy, I jump in the air and fold my arms over his frame. Iām learning magic!
I open the book, and on the opening page is the setup Aurelius used to bring me to this plane. I run my fingers over it, feeling the raised impressions of the ink, before flipping through the rest of the book. Its language is scattered, runes and symbols blending together to make a stew of words and thoughts. Itās impossible to make anything out, even the margins with scribbled notes are too tightly scripted for me to decipher.
"Iā¦I can't read this," I say, tears welling up behind my eyes.
āOh,ā Aurelius says, stepping forward and starting to fret. He takes the book in one hand and encircles me in the other. āHere, here, let me show you. Here.ā
Flipping to a page in the middle, he gently holds my hand in his, the only point of warmth on this cool night, and guides my finger over the sand. Heās gentle, guiding instead of forcing, and I wish I saw this side of him more.
We trace a few circles, some too lopsided, others too shaky, until he finally deems one acceptable. I feel a swell of pride as he nods decisively, and then points to the runes surrounding the circle, telling me which to draw first. Thereās six in total, spread around evenly like a clock, and simple enough that I can listen to Aurelius as he speaks and I draw the runes at the same time.
"You're already familiar with the idea, but it bears repeating. All magic comes at an exchange. Youāre pulling from nature itself, and nature always takes what it is owed. It is always hungry."Ā
Before I can ask what he means he breaks off a piece of his own antler, and that black ichor wells up and begins to drip on the ground.
"Your headā¦" I frown as my stomach turns with guilt.
He waves me off with his free hand as he places the piece in the center of the circle. "It will regrow by tomorrow."
And for a moment, it is quiet. And then, the antler begins to glow a soft green. It shakes and spins, stretching and twisting around on itself as itās pulled into the air. It flashes several colors, red, purple, orange, before settling on green. Itās as high as my chest before it shudders once more, elongating and exploding from one end, and a bouquet of wildflowers takes its place, held together by a simple black ribbon. The flowers are bright and freshā red poppies, yellow yarrows, purple bergamot, and several other types I donāt recognize all combining in an arrangement as big as my head.Ā
The flowers slowly float towards me, as if carried by some invisible suitor, and I grab them from the air. The moment my hand touches the stalks, the green magic fades, and Iām left holding the flowers, grinning impossibly wide.
These are flowers. Real, cut flowers that I could find at the market. And I made them from a branch and some runes in the sand. I shove my. Face into the bouquet and take a deep inhale through my nose. It smells like summer, like summer and beauty.
"I did that! I really, really just did that!ā I say, my voice echoing in the field.
Aurelius chuckles, and rests a heavy hand on my shoulder. "Well done."
The contact warms me, makes my heart leap inside my chest. I did something right! Iām full of energy now, I want to do another.
I look up to him, eager. "What else?"
Aurelius hums, idly flipping through the book. "Ah."
Itās another circular configuration, an oval, actually, with a large, complex rune in the center.Ā
āThis will do, for now.ā
This oval is much easier than the circle, now that I know what Iām doing, and the single rune is more complex than the last, but Aurelius traces the strokes with his finger and guides me through.
Despite the chill in the air, I manage to draw the large symbol, easily the size of my torso, into the sand. Itās not perfect, and I push my lips out in a pout, but maybe if we do this again I can ask him how to properly draw things.
Now I just need something to trade.
I look down at myself. I have no branching antlers to snap off, nor any articles of clothing I wish to remove. I look back up at Aurelius, helpless. "What should Iā¦?"
He considers me for a moment, tilting his head this way and that as if trying to get a better look, and hums thoughtfully.
"This is your second lesson. Humans with the potential for magic often have to give up very little of themselves. Try something small."
I pluck a few hairs from my head, and set them in the center, expecting nothing. Then the rune begins to glow blue, peeling off the ground and floating into the air. It ripples and shimmers before shooting back into the ground, flattening and growing into a small pool of water within the oval. The sand absorbs the water before I have a chance to touch it, but the damp sand is enough proof that I need to affirm that yes, I just created water.
My grin returns full force, and I jump to standing. Water! I can make water! But something nags at my mind, and I look up to Aurelius.
"Why so little, when you had toā¦" I reach up, and my fingers barely brush the antlers branching from his head.
āThis was nothing,ā he says, tilting his head to allow me access to brush my fingers over the empty space. āAs much as you giving up your hair. Humans are also more potent because they are rare, they have to trade much less than, say, an average fae.ā
My eyes widen. "How did you know I could do magic?"
"I've known since the first moment I touched you."
"And you kept it to yourself this whole time?"
He straightens, and brings one long hand up to tap at his unmarred antler. "I admit that the thought was in my mind, but it was overshadowed by other things. I was only reminded when Eodine brought it up."
I frown. What would take up space in a godās head?Then I remember: The human before me. When did he write that? How far back did the entries go? Were they like me?
Instead, I ask flatly, "Overshadowed?"Ā
Aurelius looks towards the house, then back to me. He exhales a long sigh before he leans forward, looming over me, moving as if to gently knock the side of my head with his snout, but stops. Itās like heās waiting for something, but I couldnāt guess what.
āYou left today,ā he says.
His head shifts on my shoulder, and he sinks to the ground, sitting so we're level with each other, and holds out his hands for me to take. Against my better judgment, I take his hands, still warm and calloused, and look down at them in the silence.
Aurelius speaks up, āWhy did you go?ā
āYou know where I was.ā
āBut why?ā
āWhy do you care?ā
He stills and looks away, hands tightening on my fingers, and my stomach drops. I know what heās going to say.
"Because I love you."
My lips part on a sharp inhale as images rush through my head. Of Aurelius saving me from the forest fae, of him giving me the library, the gifts he brings back. Alongside it are memories of our argument earlier today, of him chasing down Gregory because I dared to wander off, of him removing me from his bed day after day.Ā
The human has left.
Whatever this is between us right now, itās not love. Itās not the love I want.
"No, you don't," I say, sighing, and pulling my hands away.Ā
He doesn't respond, seeming to shrink back into himself, his empty hands folding in front of him in a way that reminds me of a mouse.
"It's getting cold," I say, rubbing my arm for emphasis. "I'm going inside."
And I turn away from him, the magic we just created together, and towards a home I donāt belong in.
Perhaps I'm wrong. What do I know of love? My own parents weren't unhappy, but they certainly didn't seem to be in love. I loved my brother dearly, but I know it's different from romance.
When I sold crops in town, I'd hear the ladies speak of their courtships with the lords. How they'd be gifted a new trinket each day, each one more exuberant than the last; How their beloved would write them sonnets of their beauty, or commission an artist to capture it in painting. They'd cry out when their suitors arrived on horseback, flinging themselves into his waiting arms and peppering each other with kisses.
After my parents passed, I received a few such pleasantries. A few notes written in cursive that I couldn't read, fresh cut flower bouquets that I'd heard have secret languages. One brave man even visited our home, but Arthur had already contracted his illness by then, and the suitor fled once Arthur began coughing. He was a nice gentleman, and I once imagined myself marrying him and moving to the city, leaving the farm behind. The men of town weren't like the farmers surrounding it. They were soft, romantic and well-educated.
But Aurelius is not human. Perhaps I'm expecting too much of him to align himself with the lowly creatures he watches over. Perhaps all I'll ever be is a trinket to him, a pet to be watched over and cared for. We never set out to build a romance.
And yet, I still crave one.
Deep in my bones, I know that I want everything from him, his affection, his touch, his gifts of books and buttons and safety. I want his anger, his jealousy, his need to possess me in every way possible. I want to learn to read better for him, to share meals and a bed. But he doesnāt love me the way he should.
Iām well underneath Dachaigh when Aurelius appears in front of me, a flicker of shadow and bone.
āDonāt be angry with me,ā he says, and I see the stars in his eyes sparkle. āI donāt like when youāre angry with me.ā
āThen donāt do things that make me angry,ā I say in a rush.
āWhat am I doing wrong?āĀ
āYou shouldnāt need me to tell you!ā I shout, and Iām silently stricken. That was a cruel thing to say. I sound like my mother. Angry at a cowering child for doing something without realizing. Aurelius is even still keeping his head lower than mine, so I can look him in the eyes.
The human has left.
I donāt want to talk anymore. I canāt speak with him anymore. I donāt want to crack open my heart when I donāt know what heās going to do with it. Itās too late, Iām too tired, and itās too cold for any of this. Aurelius couldnāt have picked a worse time to bring this up.
I push past him, ignoring the hitch of my breaths and the constricting of my throat. I will not cry. Not here.
āKyla,ā he says, his voice far too soft for what he is, and I continue walking, brisque and cold.
Aurelius doesnāt chase after me, doesnāt call my name again, even as I ascend the stairs, and wind through the room, and bury myself into my bed. There, and only there, do I let the tears flow freely.
Chapter 7>>
#sacrifice#My writing#monster boyfriend#monster x human#monster romance#this chapter is hefty#Thatās why it took me a few extra days#Thanks so much for everyones patience!#Monster writing
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Who are the three witnessesāSpirit, water, and bloodāand why are they si...
"The Faith Squad: Meet the Three Witnesses - Spirit, Water, and Blood"
When it comes to epic squads, we often think of superheroes. But did you know that Christianity has its own powerful trio, often called the three witnesses? This incredible team consists of Spirit, water, and blood, and each plays a unique role in the life of every believer. Letās dive into what each of these witnesses represents, why they matter, and how they all work together to guide our faith journey!
1. Spirit - The Divine Guide! š
Imagine having a personal guide, mentor, and comforter with you every day. Thatās the role of the Holy Spirit. In the Bible, the Spirit is called a āwitnessā because it reveals divine truth and confirms that Jesus is the Messiah. Think of the Spirit as your inner compass, helping you discern whatās right and guiding you through lifeās challenges.
The Spirit does more than just comfort; it empowers and strengthens. For Christians, this means being equipped with wisdom, discernment, and love. So next time youāre uncertain, remember: you have the Spiritās voice reminding you of your identity and purpose in Christ!
2. Water - Baptism and New Beginnings š§
Water represents baptism, and baptism is more than a ritualāitās the start of something fresh and life-changing. Imagine stepping into a river, leaving behind your old self, and emerging renewed. Baptism is all about purification and rebirth. By entering the waters, youāre saying āyesā to a journey that welcomes you into the family of faith.
Baptism is like a public declaration of commitment. It symbolizes that your past mistakes are washed away and youāre ready to embrace a life of faith. This act of transformation is a powerful way to announce, āIām all in!ā
3. Blood - Redemption and Forgiveness ā¤ļø
The third witness is blood, representing Jesusās sacrifice on the cross. In Christian belief, blood is significant because it stands for forgiveness and redemption. Jesusās death is seen as the ultimate act of love, offering believers freedom from sin.
By shedding His blood, Jesus established a new covenant, bridging the gap between humanity and God. This covenant is a reminder that no matter the past, forgiveness is always available. For Christians, itās a call to accept grace, let go of guilt, and live in freedom!
The Faith Squad in Action
Together, Spirit, water, and blood represent the journey of a Christian: guided by the Spirit, renewed in water, and redeemed by blood. Each one plays a crucial role in reminding believers that faith is about transformation, love, and living with purpose.
#ThreeWitnesses #FaithSquad #HolySpirit #Baptism #ChristianFaith #Redemption
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Chapter 9-8 Stopping the War in a Time of Sudden Nighttime Crisis (ęå¤ę¢ę)
Chapter 9-7
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Princess: I have a way to make the Xiqiong forces retreat.
Rei Li Han: You? A mere handmaid, what could you possibly do?
Princess: The emissary of Beikun might not be able to, but the princess of Dacheng can.
Seth: ...Princess?
Princess: Not only am I the princess of Dacheng, but I also share a life-long bond with the King of Xiqiong. If I personally intervene, he will definitely withdraw his troops.
Seth: Is this true? Mirza?
Seth looked inquiringly at Tuoba Yu.
Tuoba Yu: It's true.
Princess: Not only that, but I also found the dragon vein buried here, which marks the locations of underground water sources and oases in the desert.
Princess: I know you have all been worried about settlements and water sources, and some tribes have had to migrate frequently because of this.
Princess: But from now on, for at least a hundred years, you won't have to worry about this anymore.
As everyone stared in disbelief, I turned to Monachil.
Princess: Chief Monachil can attest that what I'm saying is not empty words.
During my visits to the six tribes, Avro and I found underground rivers located in Hapa and Danli, and dug water wells.
Monachil: ...She's telling the truth.
Rei Li Han: You, Monachil! You kept such a big thing to yourself, wanting to monopolize it, right?!
Monachil: What do you mean monopolize? That water source was found in my Danli, so it belongs to Danli!
Rei Li Han: You!
Princess: As long as you all cooperate, I promise to share all the water sources and oases marked on the map with you, without any concealment!
Seth: What are your conditions?
Princess: Stop the fighting, return to your respective tribes, and let there be no more unnecessary sacrifices.
Everyone exchanged glances.
Seth: If you want a truce, fine. But from now on, the people, livestock, and taxes of Wu Yi will no longer be handed over, nor will we be ruled by the Tuoba clan.
Rei Li Han: The same goes for Wute! We want independence!
Monachil: Dan... Danli too!
Princess: ...
I was about to speak indignantly, but Tuoba Yu held my hand and nodded at me.
The division of territory is a great shame for any monarch, but sometimes you have to break things to build them anew. Tuoba Yu understood this better than me and accepted this difficult path more quickly.
But on the path of courage, there are always those who are truly willing to accompany you.
Sumanda: A group of ignorant traitors... The Moon God bears witness, Yarkand is willing to follow the bloodline of the wise Duo Atu.
Sumanda stepped forward, and Unaji followed closely behind.
Unaji: The Shah saved the fate of Bawulu. The Moon God bears witness, Unaji is willing to offer all his loyalty to the Shah.
Only Avro remained silent, gazing silently at the altar... I knew what he was waiting for. He was waiting for Hapa's freedom.
Tuoba Yu: The first royal decree ā all slaves of the Seven Tribes are pardoned and granted commoner status.
Tuoba Yu: Second, as long as Wute, Wudai, and Danli cease fighting, the Three Tribes will no longer be under the jurisdiction of the Tuoba clan.
I followed his gaze to the silent Avro.
Tuoba Yu: Third, Hapa is a friendly nation to the Tuoba clan and also enjoys independent freedom.
Tuoba Yu: Fourth, Yarkand and Bawulu will henceforth enjoy the same rights and obligations as the Tuoba tribe.
The four royal decrees were concluded. Hapa was cheering, and the people of the other tribes also showed joy on their faces. It seemed that apart from Tuoba Yu, there were no losers.
But I knew that he had also won his own spoils of war ā the hearts of the people.
And those hearts would become the most powerful and indestructible weapon in his future quest to reunite the desert.
Amidst the cheers, I looked at Tuoba Yu with a smile.
Princess: As expected of the most dazzling sun in the desert.
Tuoba Yu: Well then, did this accomplice of yours do you proud, Princess?
Princess: ...Alright, how long are you going to keep using that word?!
Princess: Wait, where's Wurile?
-
Tuoba Yu stayed behind to deal with the aftermath, while I rushed to the temple with some men ā and, not surprisingly, found it empty.
Princess: Search the vicinity carefully!
Beikun Warriors: Yes!
The temple was deserted, but I still found a letter in the mechanism at the foot of the statueā
Princess: "The news has leaked and attracted the attention of the Red Robe Army. The transaction is terminated."
Princess: The Red Robe Army? Could it be that the person trading with Beikun wasn't Han You?!
I suppressed my surprise and looked up to see a white figure standing at the doorway.
Princess: ...Wurile!
Without time to think, I hurried after him.
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Chapter 9-9
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offering to lake victoria
I realized it had been over a year since I went to walk
around the small sea named for the goddess of victory
her waters are aquamarine and it was the golden hour of the sun
the light was so perfect on the water's jeweled surface
I try to carry that light in my heart when I can find it
if I can't a find a river or a pond or some body of water
to absorb and take with me when I feel low
as long as I have starlight and moonglow
and the way light dances on the mirror of the water
I think I'll be okay no matter what happens
there was some weird bird stuff happening
as I crossed the emerald bridge
how does no one else seem to notice the birds?
it was like a portal or something in the tall grasses
birds were flying into them in alarming amounts
I don't know where they were even coming from
may have been witnessing a glitch in the matrix
there were so many goldfinches and they flew around me
there was too much thick woodland to get through
but I found a way to get closer to the water
and watch them all fly into the grasses
I couldn't see what happened within them
maybe I wasn't meant to
but I saw enough to get curious and approach
the sun was directly before me
and the light connected the sun and sky and water
it felt like it all went straight into my heart
and I closed my eyes and breathed it all in
a pure peaceful moment of beauty
next to a mysterious gold finch portal
THERE WERE SO MANY BIRDS IT WAS INSANE
and I opened myself to the beauty and insanity
and felt a connection to the chaotic peace that is source
the rhythm and divine energy of the vibration
it felt like all my cells were alive and sparkling
it was a really beautiful experience
I had my favorite peach quartz in my left hand
and felt a deep sense of reluctance
it was my favorite stone and fit my palm perfectly
but after such an experience of beauty and bliss
it felt wrong not not to throw it into those waters
golden light and sweet blue aquamarine
a murmured a prayer and I pressed it to my lips and heart
and with my left hand sent it flying
something splashed up
the wind swirled around me
god, it was magnificent
the sun was so warm on my skin
I felt connected to everything
which right now was something I really needed
I guess if anyone wanted me to describe divinity
for me it's something like this experience
it's wild and it's beautiful and it's a little terrifying because
there are so many wings and stimulation and all aspects
of you are suddenly glowing and singing
and to anyone witnessing you
you just look like a girl throwing a rock into the falling sunlight
I felt the blessing of the spirit of that water
a sense of pleasure from her receiving my small sacrifice
almost a knowing amusement for my reluctance
but because of my reluctance I felt like
she knew the value of my offering
my heart feels very light and free
and it wasn't before that walk over the bridge
so that's something significant and precious
the unseen world is a very very mysterious thing
even if you have a glimpse of the wisdom
it's best to feel the experience fully
it's the true embrace of the Beloved's light
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