#the reggae influence is so strong ;.;

[figmentrinzler]

I'm still not over this.

[jokeroutsubs]

Yugoslavia and yugo rock

Joker Out’s new song, Šta bih ja, was inspired by yugorock! Not sure what that means? JokerOutSubs has got you!

‘Yugo rock’ or ‘Yu rock’ is rock with some elements derived from traditional/ethnic/folklore music, as well as other musical genres, including blues, country, reggae, jazz rock and rockabilly. They were added to appease the public, since rock itself was considered a western influence. 

Rock music in Yugoslavia became popular in the sixties. Before that, after the second world war, partisan songs were more popular. This is music associated with resistance groups that fought German occupation across Yugoslavia, Italy and other parts of Eastern Europe. However, in 1956, the Cominform (a coordinated body of communist parties across Europe, designed to keep all communist governments following Stalinist principles) was dissolved. After this point, the connection with the Soviet Union was severed and music tastes began to change accordingly. 

With influences from the west, rock music started gaining popularity. At first, musicians only sang covers of foreign songs (as closely to the original as possible) but in the sixties, bands such as Indexi started making original music. In the seventies, Bijelo dugme were formed and became incredibly popular. At the same time, Parni valjak were also rising to fame. However, the ‘new wave’ of Yugo rock was said to be started by a group called Buldožer.

Some characteristics of New Wave were more political lyrics and taking inspiration from punk. The most famous New Wave bands in Yugoslavia were Azra, Idoli, Prljavo kazalište, Električni orgazam, Psihomodo pop and, in Slovenia at the time, Lačni Franz, Buldožer and Pankrti (an interview with their singer Peter Lovšin can be found at    • [ENG SUB] Bojan Cvjetićanin about roc...  ). 

A second New Wave generation from Belgrade emerged in later years. Among their representatives were Partibrejkers (formed 1982). They combined the blues with British R and B, rockabilly and classic rock and roll. 

In 1982, the groups Ekaterina Velika and Disciplina Kičme (Disciplin A Kitschme) were established, contributing to the second New Wave generation, along with Slovenian group Videosex (formed 1983) with singer Anja Rupel. One of their most famous songs, a cover of 'Zemlja pleše,' can be found at    • Videosex - Zemlja Plese - The Original

The New Wave was characterised by a burst of creativity and activity in the music scene across the region, with many artists emerging and creating excellent music in a short period of time. Many have drawn parallels between the New Wave era and today, where in Slovenia many young bands are gaining recognition. This parallel is only strengthened by the fact that Joker Out, one of the most successful young bands in Slovenia today, have a song named Novi val (New Wave). 

The socio-political significance

Yugoslavia (1918–1992), a federal republic, was made up of six republics (Bosnia and Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia). Despite the differences between the republics one could argue that the pop-cultural identity was so strong, having influence that went beyond government control and the ability to connect people through the region, that it could be named as the seventh republic. Besides sport, yugorock was one of the last connecting links within a  country that was drifting apart in a variety of areas, including economic. 

Important yugorock bands 

Bijelo Dugme: Considered by many to be the biggest Yugo rock band, Bijelo Dugme were formed in 1974 in Sarajevo. They were the biggest trendsetters in rock music at the time. They had a huge influence on Joker Out since their earliest days as a band. In the 'Kofi brejk' interview Bojan shared that the first concert he ever attended was by Bijelo Dugme, and they were also mentioned several times by Joker Out as having had a big influence on the whole band. In addition, Joker Out covered two of their songs, ‘Selma’ (Radio Koper, 32 min) and ‘Djurdjevdan’ (Belgrade concert, 3.11.2023). You can check out some more of their songs on our playlist linked at the bottom of this post!

Plavi orkestar were formed in 1983 in Sarajevo and had a rich career with eight albums, releasing hits such as ‘Ako su to samo bile laži’, ‘Lovac i košuta’, ‘Odlazim’, ‘Bolje biti pijan nego star’, ‘Suada’ and many more. Some media outlets, like Jutarnji list and Mladina have compared Joker Out’s style to theirs, and Bojan also mentioned Plavi orkestar as one of the bands that influenced him.

Parni valjak are a Croatian band, formed in 1975 in Zagreb. They had many ‘evergreen’ hits, including ‘Sve još miriše na nju’, ‘Jesen u meni’ and ‘Zastave’. In the Carpe Diem series, when asked whom they would listen to forever if they could only choose one artist, Jure chose Parni valjak. At Arsenal Fest in 2023, Bojan interrupted an interview to sing along to ‘Jesen u meni’ as they were playing in the background! 

Indexi were a Bosnian band, who were active from 1962 to 2001. They were extremely influential, with hits like ‘Svijet u kome živim’ and ‘Negdje u kraju, u zatišju’, and became known as the ‘pioneers of psychedelic rock and roll.’ In the Kurir interview, Bojan mentions them as one of his musical role models.

Ekatarina velika, sometimes shortened to EKV, were a Serbian band who were active between 1982 and 1994. They are considered one of the most influential artists in the yugorock scene, with popular songs like ‘Krug’, ‘Par godina na nas’ and ‘Srce’. In the Rdeče in črno interview, Bojan’s voice was compared to that of the lead singer in Ekatarina velika. 

Idoli were one of the most remarkable new wave bands based in Belgrade, active during the early 80's. They are regarded as one of the most outstanding and influential representatives of the Yugoslav rock music and their album 'Odbrana i poslednji dani' ('Defense and The Last Days') was voted as the greatest Yugoslav rock album of all time. During the Kurir interview, Bojan mentioned that ‘Ona’ was inspired by Idoli and their unique sound.

Songs Joker Out have mentioned 

‘Računajte na nas’ by Đorđe Balašević is a very important yugorock song in Joker Out’s history, as it inspired the lyrics of ‘Carpe Diem’. While ‘Računajte na nas’ (‘Count on Us’) is about a generation standing up and fighting for peace, Bojan switched the lyric to ‘ne računajte na nas’ (don’t count on us), meaning that you cannot count on them to join in with the ‘game of hatred’ pervasive in modern society. 

‘Kreni prema meni’ is a song performed by Partibrejkers, a Serbian rock band from Belgrade, known for their rebellious energy, both in sound and spirit. The band is still active and well received all over former Yugoslav countries. The song was covered by Joker Out at the Lent festival in 2018.

‘Sanjao sam moju Ružicu’ by Leteći odred was covered by Apokalipsa, Bojan’s former band, in 2015 during Vičstock Avdicija. Bojan also sang it at the Prulček bar with Buržuzija, Kris and Jan’s former band. Leteći odred is a Croatian pop band with a prosperous and successful musical career and performances for over 30 years.

In September 2016, Joker Out posted a setlist from one of their earliest gigs on their Instagram. It included three notable yugorock song covers - ‘Frida’ by Psihomodopop, ‘Motori’ by Divlje jagode and ‘Ne Zovi Mama Doktora’ by Prljavo Kazalište.

If you’d like to listen to any of these artists or songs, check out our curated playlist on YouTube or Spotify!

Sources:

Kregar, Tone, et al. Za domovino - z rockom naprej! Jugo rock: slovensko-srbske paralele. Muzej novejše zgodovine Celje. 2020.

Perković, Ante, and Lah, Klemen. Sedma republika: pop kultura in razpad Jugoslavije. Zenit, 2018.

[deez-nut-free-zone]

What's deep dubstep? recs?

ooooHoho FUCK yes. You have stepped into my wheelhouse, here we go:

To understand deep dub, you gotta understand the roots of dubstep. Dubbing a song was an art form invented in Jamaica in the 60s and 70s, where you would make a B side for a single by taking the vocal out, spacing the other tracks out with various effects boxes, and playing the mixing desk like its own instrument. It was the art of seeing how much you can remove and still have a great track

(if you recognize the beat but can't place it, it's the stalag riddim; the basis for Sister Nancy's hit single Bam Bam and many others)

In the late 90s in the UK, reggae influences in electronic music were strong. This is the peak of OG jungle, the origin of drum n bass. So lots of ppl were sampling reggae records, and the windrush generation had created a flourishing soundsystem party scene. Producers began to slow things down, and embraceing the halftime grooves, skanking, and subbass pressure from dub reggae. Mala, DMZ, Deep Medi Music, Benga, Skream, Caspa, Loefah, Code 9, all of these artists (even though some would go on to make more tear out, raging dubstep, it started like this) were making music for clubs with this laid-back, bassweight focused feel

Now, back at the time, they had tracks called 'tear out' dubstep, which is the style developed by the likes of Rusko, Coki, and Caspa (and later cribbed by Skrillex, Excision, and his ilk). These tracks were crazier, more midrange synth heavy, and more focused on heavy womps than subbass grooves. Here's a couple examples of early tear out:

In the 2010s, with the explosion of tear out sounds in Brostep and eventually Riddim, Deep Dubstep evolved as a conscious response to this saccharine maximalism. It brings back the focus on heavy subs to make soundsystems flex, spaced out effects experiments, and the minimalism from early Dub. It's groovy, it's trippy, it's dark, and it breathed new life into the culture of exclusive dubplates and vinyl only releases. It's beautiful. And only makes true sense on a heavyweight soundsystem

[thelensofyashunews]

G-EAZY RELEASES SEVENTH STUDIO ALBUM "FREAK SHOW" 

Today, multi-platinum selling superstar G-Eazy releases his 7th studio album, Freak Show.  The album marks an explosive return for the artist as his first full-length project in nearly three years and ushers him into a brand-new musical era as a creative.

Freak Show sees G-Eazy return with abundance, following a three-year hiatus to creatively refresh and process the devastating loss of his mother. The album spans the many musical sensibilities of his artistry, leaning into his roots with “Lady Killers III,” a reimagined version of his viral hit “Lady Killers II,” and a softer vulnerability in songs such as “Love You Forever,” in which he opens up regarding his grief of losing a parent. In “Love You Forever,” he shares “some days I try to ignore it/some days I’m not strong enough for it/I knew I’d have to write this/knew it’d be hard to record it/without breaking down in the moment.” The album title track “Freak Show” features hitmaker MC, French Montana and encapsulates the sound so many have grown to love G on. 

Last week, G released his newest single off the project, “Anxiety,” an upbeat track in which he addresses the ups and downs of his mental state. “Some days I’m high/Throw my pain away/Just to get by/It’s easier that way,” he confesses in the song’s chorus, going on to detail some of his most personal demons and the voice he battles in his own head. “Anxiety” serves as a poignant moment of self-reflection and honesty for G, giving fans a glimpse into his inner world.

In May, G-Eazy surprised fans with “Lady Killers III,” a brand-new version of his explosive viral hit, breathing new life into the much-loved track that has been taking the internet by storm in recent months. The original “Lady Killers Remix” experienced a major surge in viral popularity, rising to #2 on the Billboard TikTok chart, #4 on the Shazam U.S. Chart and #7 on the Shazam Global Chart. The song has broken into the Top 100 of Spotify’s Global Daily Streaming Chart and has led to record-setting engagement and total views on Tiktok after it was posted on his account. 

Earlier this Spring, G-Eazy released his brand-new single “Femme Fatale” featuring two-time GRAMMY nominated and multiplatinum artist Coi Leray and rap sensation Kaliii. Released via RCA Records, “Femme Fatale” is the first new music from the artist in over a year. Highlighting G-Eazy’s expansive musical influences, the track features a classic sample from legendary Caribbean reggae funk group 20th Century Steel Band song “Heaven and Hell Is On Earth.”  The single arrived alongside an artistically styled lyric video that introduces fans to a new creative era for G-Eazy. SPIN said the song was  “easily on track to be one of the year’s most-played summer jams, with feminist power lyrics marbled into a signature Bay Area-style, womp-filled, with a hyphy-sounding beat.”

G-Eazy has also announced his “Freak Show” world tour across North America, Europe, Australia, and New Zealand.Kicking off in Berkeley, CA on October 24th, the 41-date tour will stop in major markets across North America including Los Angeles, New York City, Atlanta, Chicago, Dallas and more. The tour’s international leg will begin in Europe in 2025, including stops in Germany, France, Ireland and the UK before continuing on to dates in Australia and New Zealand. 

Presale tickets and VIP Package sales will begin Wednesday, June 12th at 10:00AM local time with tickets for general onsale starting Friday, June 14th at 10:00AM local time. For more information and to sign up for early access to US presale tickets, visit https://g-eazy.com/pages/tour.

[dustedmagazine]

Listening Post: Souled American

Souled American arose in the context of the roots-influenced alternative rock scene of the mid to late 1980s that included “cowpunk” bands such as Rank and File, Green on Red’s acid country and the more refined sound of the Jayhawks. This nascent Americana movement built on the tradition of Dylan and the Band etc. and fed into the No Depression scene associated with Uncle Tupelo in the 1990s.

The first Souled American release, Fe (1988), is in this larger tradition—kind of. “Magic Bullets,” “Make Me Laugh,” and “Going Home,” in particular, have a fairly conventional country rock sound, with rattling drums, twangy guitar, and heartfelt nasal singing, and “She Broke My Heart,” is all weepy country. Some of the other tunes, though, point in a different direction. “Notes Campfire” sets the mood with acoustic strums and a classic country set-up (“I heard about your love/so you’re alone today”) but soon becomes unintelligible (“Slavic notes campfire”?) and introduces odd harmonies somewhere between the Byrds and the Holy Modal Rounders. The distinctive elements of the band sonically begin with the bass of Joe Adducci, which is up front in the mix, shows the influence of his time playing reggae, and is unique in the genre. Equally important are the restrained percussion of Jamie Barnard, the atmospheric playing of guitarist Scott Tuma (who has maintained a solo career), and the voices of Adducci and guitarist Chris Grigoroff.

Everything comes together on Flubber (1989), which starts off with a suite of five tunes on side one that are, for me, 15 of the best minutes of music in the genre in any period. If you’re looking for an entry point with SA, this is it. The blend of burbling bass, acoustic strums, keening electric accents, and atmospheric harmonica is full of emotion and mystery. The sound is simple but layered, making the whole so much more than the parts. The harmonica serves, not to punctuate the vocals, as in Dylan, but to fill the space often filled by accordion, fiddle, and keyboards (e.g., “Wind to Dry”). The lyrics don’t really make sense, but the atmosphere that they create perfectly matches the sound. Characters emerge, such as the lonely woman at a bar in “Mar’Boro Man,” and images such as the canvas punching bag in “All Good Things,” while “Drop in the Basket” hints at an America coming apart at the seams (“this church is on fire/the sirens scream . . . searching every alley for patches for holes”). The other tunes are less immediately compelling but equally rewarding as an early example of slowcore. On “You and You Alone,” “Over the Hill,” and “Zillion,” the band slows to a crawl and the percussion becomes vestigial, pointing forward to the space that has since been inhabited by artists ranging from Will Oldham to SUSS. Flubber creates something new out of well-worn parts, a kind of Old Weird Americana that is neither ironic, overly earnest, nor beholden to the rock tradition. The reissue well includes the mission statement (originally only available on cassette) “Marleyphine Hank” — i.e., the band is made up of equal portions of Bob Marley (that bass), morphine (the slow tempos), and Hank Williams (of course).

Around the Horn (1990) includes tracks every bit as strong as those on Flubber and Fe — the title track, “Second of All,” “In the Mud,” and an inspired take on Little Feat’s “Six Feet of Snow” — and continues the move toward slowcore country, especially on the epic “Rise Above It.” It also represents a major inflection point. The three subsequent releases (which were only available in the U.S. as European imports) double down on the slowcore approach (facilitated by Barnard’s departure in 1991). Sonny (1992) consists mainly of covers of country and traditional songs and instrumentals that are a lot like those on previous records. It’s pleasant enough, but the bass has receded into the background, the harmonicas are rarely in evidence, and there’s a sense that the band was running out of ideas. Frozen (1994) and Notes Campfire (1996) both consist of originals played at the characteristic molasses tempo. There are some great songs, especially “Before Tonight” and “Heyday,” but, at the time, there was simply no market for this kind of music, and the band fell largely silent. Even diehard fans may find these releases challenging, and the place to start for newcomers remains the three remarkable records released from 1988 to 1990.

So, I’m wondering how those who were there at the time think these songs have aged (I think they hold up really well) and how they strike those who are hearing them for the first time.

Jim Marks

Fe by Souled American

Bill Meyer:  I first heard Souled American around the time of Flubber. I had people telling me how wonderful they were, and when I listened at the time, I didn't hear it at all. The music sounded kind of cartoony to me. I decided to take the albums in sequence, and I am currently halfway through. I no longer hear the vocals as caricatures. They seem like a natural synthesis of the group's interests and aptitudes.  And the arrangements, which I once merely registered as kind of annoying, now sound highly idiosyncratic. I gather that the bassist, Joe Adducci, played in ska bands. Instead of toning down his assertive rhythm plus counterpoint approach to suit country-rock convention, the playing jams his style into the tunes. I haven't decided whether I like it any more, but I get how singular it is in a way that I didn't 30-odd years ago. So, I guess that listening to this music again is acqauinting me with evidence of how I've changed as a listener.

Justin Cober-Lake:  I'm one of those hearing them for the first time, and I'm drawn to the early albums (probably Fe the most) for the same reason I'm drawn to artists like the Band. The music slips between time periods, between genres, between whatever else. If you'd told me that Fe was recorded 20 years earlier, I'd have believed you. It's a very earnest approach to a certain sort of country rock that came before, and I can even hear some inflections of cosmic country. I don't think Souled American fits the alt-country narrative very well at all, beyond the fact that everyone probably listened to Gram Parsons.

The "slowcore approach" that Jim mentioned definitely sets them apart from their alt-country cousins, and it feels like an element of their music that does slot into the early '90s more so than their instrumentation or influences. By the end of the discography, it begins to feel predictable -- it's hard to think, "What *is* this?" after six albums -- but until then it's very striking, and gives the first few albums a very distinctive flavor. One of the connections I wonder about is how this music connects to the current wave of ambient country (or similarly named music). We're hearing more and more music that uses pedal steel and other country instruments for non-traditional music. I'm thinking of acts like SUSS or Luke Schneider's various projects. I'm not sure there's a throughline at all here, but that gets me back to my first point about what attracts me to this music. It sort of fits into a whole bunch of places without really having a proper home.

Flubber by Souled American

Christian Carey: Timing is so important in the record industry. A band can make great music that would have gained wider currency if only they had released it when the Zeitgeist was in their favor. I think this is the case with Souled American. Imagine if the band’s first album had been released in 1996, the date of their last LP, Notes Campfire. Souled American might have fit in well in the No Depression era. Instead, they struggled with labels and sales and, perhaps inevitably, stopped releasing records. As they matured, so did Chris Grigoroff’s vocals; the earlier releases have twang and warble that are a bit too on the nose. So too did the band’s sound, moving from more straightforward production to experiments one might consider proto Wilco. Fe morphs their sound in this direction, and the songs themselves are more experimental in construction. Notes Campfire has a gloomily valedictory quality. My understanding is that Souled American still plays the occasional gig. It would be nice to see what they would do in the studio today.

Jennifer Kelly:  I remember reviewing a really lovely Scott Tuma solo album for Dusted during the Otis years, and it looks like we did a couple of others as well. 

This is the paragraph that addresses what has Scott been up to since Souled American.  

It’s been roughly a decade since Scott Tuma played guitar in Souled American, the cultish alt.Americana outfit whose unstrung country blues inspired, among other things, Camden Joy’s “Fifty Posters About Souled American” project (and a cameo in Jonathan Lethem’s Chronic City). Since then, Tuma has contributed to the ambient explorations of the Boxhead Ensemble and, with members of Zelienople, to Good Stuff House. He has also released four solo albums that warp familiar, organic sounds into strange dream-like shapes.

Bill Meyer:  As far as I know, he still lives in Chicago, but I haven't seen Tuma in years. He has continued to make albums, and discogs says that a cassette came out on Emmett Kelley's label, Haha, last year. I've heard a lot of them, and while each has its own character, they're all loose, slow, and more inclined to communicate via tone than words. While there was a time in the early aughts when you could see him reasonably often, he performed out significantly less in the years before the pandemic.

Jim Marks:  Yes I gave Tuma's records short shrift in the intro. They're uniformly excellent, taking the slowcore in another direction, and I've actually listened to them more over the years than the Souled American records.

Justin Cober-Lake:  Now I'm detouring into Tuma's discography, and he does something quite different. It's still in some sort of Americana-based slowcore whatever, but it doesn't sound like Souled American. I don't want to dwell on the band's decline or dissolution, but is there any connection between his changing sound and the end of Souled American. The band runs out of either steam or ideas for its last couple records, but Tuma hadn't. "Untitled 2" on The River 1 2 3 4 beautifully develops the broader aesthetic, with both a classic loveliness and innate weirdness that could have continued to drive the band (which I realize had been broken up for seven years at this point).

Sonny by Souled American

Bill Meyer:  I’m only up to Sonny, which I’ve just heard for the first time ever, so my thoughts my change as I play through the final two. But on Sonny, what stands out about Tuma’s playing is the extent to which it doesn’t sound like him as I got to know him later on; instead, he plays what the music requires in order for it to be Souled American Music. This feels like the point where they drew their line vs. the rest of the world. We’re going to play so slow, our drummer quits on us. We’re going to make an album of classic country songs, and make them all sound just like us. They really double down on slow tempos and a style of singing that emphasizes emotional and locational signifiers (quavers, elongations, that rural drawl), but seems to drain them of emotion, and locates them in a place that probably doesn’t exist beyond the four walls of their rehearsal room. They seem very determined to be themselves, for better or worse pursuing some ideal form of Souled Americanness.

I should clarify, the drummer left after this record was done. At the time that record came out, their manager had a form letter responding to all Souled American queries, and in it he said that the drummer quit because he got married. Interestingly, the letter says that it took eight months to record Sonny; apparently, these guys were slow in more ways than one.

And as I s-l-o-w-l-y drawn to the conclusion of album number five, Frozen, the Tuma solo connection starts to materialize. With its more drawn-out tempos drawing everything within gravitational reach towards a strange state, this is the first record to sound anything like solo Tuma, albeit fuller and more polished than anything he did on his own. Chris Grigoroff’s singing sounds less engaged than ever with country-rock convention, and more like this one weird guy from the country singing. He sounds more emotionally invested in these songs than he did in the covers on

Sonny

, which reinforces my notion that Sonny is the record where they decided to show the world, "this is how it must be done," and they used those songs to do it. 

I think this might be the record I like the most out of the five that I’ve heard.

Notes Campfire by Souled American

Jim Marks:  Nice to see the later Souled American records getting some love. They were ignored or scorned at the time (I remember a particularly scathing review of Notes in the Austin Chronicle) despite having, among other charms, great accessible tunes like "Heyday" and "Before Tonight." Bill has it exactly right: this is uncompromising outsider music.

Jennifer Kelly:  I am belatedly getting into all this.  Have to say that I failed to make much of a connection with Fe, but I am liking Flubber a lot better, especially the parts where the country blues haze parts and you get some soul-ish vamps as on "True Swamp"  and "Cupa Cowfee."  

At its best, this stuff is very trance-y and transcendental, but sounds deeply rural, which makes me wonder how these city boys came to this type of music.  Also, it's reminding me of some of the weirder backwoods psych we have around here, like Sunburned and Tower Recordings and MV and EE.  Is there a line of influence there?  

Am I right that these are just straight reissues--no extra tracks and so forth? About to tackle Around the Bend, more later.

Bill Meyer:  I have never heard of a band claiming Souled American as an influence. My recollection is that in the 1990s they had a critical buzz. I believe that Mike Krassner of Boxhead Ensemble was a fan, and this influenced the decision to recruit Tuma into Boxhead in the late 1990s.

Bryon Hayes:  I'm also late to the party with respect to Souled American proper.  My induction into their orbit was via the series of releases that Scott Tuma recorded with members of Zelienople.  Jenny's comment about trance-y and transcendental really applies to those records, but I also definitely hear it in the latter Souled American releases, especially Notes Campfire.  It's my favorite of the lot; the unhurried tempos and melancholic atmospheres really resonate with me.

I'm wondering if the connection to the northeastern US backwoods psych scene has to do with the band's affiliation with Zelienople. Even though they were also from Chicago, that band seemed heavily aligned with that psychedelic folk scene. I know that Time-Lag released the first Good Stuff House recordings.  That project included Tuma alongside Mike Weis and Matt Christensen from Zelienople.  I'm unclear whether any of the other Souled American band members were aligned with that other band, however.

Jim Marks:  Just for the record, "Tall Boy Blues," "True Swamp Too," "Torch Singer," and "Marleyphine Hank" did not appear on the original vinyl releases but were cassette- and CD-only tracks. The only thing missing from the reissue that I know of is a (fairly straight) cover of a Kris Kristofferson song that appeared on an early 2000s tribute to Kristofferson.

Around the Horn by Souled American

Chris Liberato:  Something clicked for me in the last couple of weeks and I've been enjoying the heck out these records! I haven't digested them all yet, but Fe, Flubber, Frozen and Notes Campfire have all been doing it for me. Flubber is the only one that I was familiar with prior. I bought a used copy in the early aughts (at Twisted Village, rest in peace), but I couldn't get into it at the time and ended up letting it go. Like Bill, I remember being turned off by the vocals. Now I'm hearing shades of Curt Kirkwood from the Meat Puppets, Will Oldham and a little bit of Jay Farrar in the vocals -- all folks whose voices I like a lot, and who I was familiar with long before I heard Souled American. I don't know what my problem was back then.

I'd like to stay on the Meat Puppets comparison for a second because they're the band that Souled American might remind me of the most. Not in their choice of tempos, of course, but in many of the ways we've already touched on: the prominent, burpy bass (flubbery is actually is a  great word to describe it's sound); the spacey, interweaving guitar lines; the cryptic and occasionally profound lyrics. Both bands have this way of blending (many of the same) genres to create something not easily classifiable. And they take a similarly unselfconscious approach to performance, especially in the vocal department. I poked around to see if the Meat Puppets comparison was a common one, but only found a couple mentions. One was in a recent Raven Sings The Blues feature with Eric Johnson of the Fruit Bats where he described Frozen as sounding like Meat Puppet's Up on the Sun but with the tape slowed WAY down." I think that's a pretty accurate description, and one that could be applied to many moments in their catalog.

Jennifer Kelly:  Huh, Meat Puppets, good call, though I think of them as more rock and less Americana.  

I've been listening to the live Strapping Fieldhands from the early to mid-1990s lately and hearing some commonality there as well.  Also very weird and kind of offputting vocals.  

[tashiihought-7]

K-Pop in Jamaica: A Surprising Cultural Connection

When most people think of Jamaica, their minds immediately jump to reggae, dancehall, or the vibrant rhythms of ska. But in recent years, a surprising new musical genre has started to captivate the hearts of many Jamaicans: K-Pop (Korean Pop). This seemingly unlikely pairing of Jamaican and Korean cultures has blossomed into a passionate community that is constantly growing. Let’s explore how K-Pop has found its way to the island and why it has resonated so deeply with Jamaicans.

The Global Reach of K-Pop

K-Pop's international appeal is undeniable. From the catchy tunes of BTS to the electrifying performances of BLACKPINK, K-Pop's polished choreography, addictive music, and diverse content have transcended language barriers and geographical boundaries. It's not just about music — K-Pop is a lifestyle, a fandom, and an all-encompassing cultural phenomenon that has won over millions around the globe, including fans in Jamaica.

The Rise of K-Pop in Jamaica

In recent years, Jamaica has seen a rise in the popularity of K-Pop, with local fans creating dedicated communities both online and offline. Social media platforms like Twitter, Instagram, and TikTok have become hubs for Jamaican K-Pop fans to share their love for their favorite idols, participate in dance challenges, and even host virtual fan meets. Local Facebook groups and WhatsApp chats dedicated to K-Pop have sprung up, where fans exchange news, discuss music videos, and even organize K-Pop-themed events.

The K-Pop fandom in Jamaica is also characterized by its vibrant creativity. Jamaican fans are known for creating unique covers of K-Pop songs, often blending them with reggae and dancehall beats, resulting in a fusion that highlights the best of both worlds. This creative reinterpretation of K-Pop music is a testament to Jamaica's rich musical heritage and its ability to adapt and innovate.

Why K-Pop Resonates in Jamaica

But why has K-Pop resonated so much with Jamaicans? There are several reasons. Firstly, Jamaicans have a deep appreciation for music and dance, which are integral parts of K-Pop. The high-energy performances, intricate choreography, and visually stunning music videos are aspects that easily appeal to Jamaican audiences. Additionally, the concept of community, which is strong within K-Pop fandoms, mirrors the communal spirit found in Jamaican culture.

Another factor is the storytelling aspect of K-Pop. Many K-Pop groups focus on themes such as self-empowerment, love, and social issues, which often align with Jamaican experiences and values. The messages of resilience, positivity, and self-expression found in K-Pop lyrics resonate deeply with Jamaican youth, who see their own struggles and aspirations reflected in the music.

K-Pop Events and Activities in Jamaica

While the K-Pop community in Jamaica might be smaller compared to other countries, it is no less passionate. Jamaican K-Pop fans have organized several events, such as dance cover competitions, K-Pop nights at local clubs, and viewing parties for concerts and music award shows. These events are often characterized by a mix of K-Pop and Jamaican music, allowing fans to celebrate both cultures simultaneously.

In recent years, some Jamaican YouTubers and influencers have also started creating content around K-Pop, offering reactions to music videos, sharing their thoughts on comebacks, and even participating in K-Pop dance challenges. This content has helped to further grow the community and attract new fans.

The Future of K-Pop in Jamaica

As K-Pop continues to gain traction worldwide, its presence in Jamaica is expected to grow. The local community is expanding, with more young people discovering the genre and engaging with its diverse content. Jamaican K-Pop fans are also hoping for more recognition from K-Pop artists, with many dreaming of a day when a K-Pop group might perform on the island.

Moreover, there is potential for cultural exchange between Jamaica and South Korea through music. Imagine a collaboration between a K-Pop artist and a Jamaican reggae or dancehall star — a fusion that could create a unique and powerful sound.

Conclusion: A Unique Cultural Bond

The rise of K-Pop in Jamaica is a testament to the power of music as a universal language. Despite their differences, both Jamaican and Korean cultures share a deep love for rhythm, dance, and storytelling. The growing K-Pop community in Jamaica represents a unique cultural bond that brings people together, showing that music truly knows no borders.

Whether you're a die-hard K-Pop fan or simply curious about this genre, there’s no denying the magic that happens when two vibrant cultures collide. K-Pop in Jamaica is more than just a trend — it’s a celebration of global music, unity, and the ability to find joy in unexpected places.

Do you have any specific aspects you'd like to explore further in the blog, like fan stories or a focus on certain K-Pop events in Jamaica?

[tashiithought-7]

K-Pop in Jamaica: A Surprising Cultural Connection

When most people think of Jamaica, their minds immediately jump to reggae, dancehall, or the vibrant rhythms of ska. But in recent years, a surprising new musical genre has started to captivate the hearts of many Jamaicans: K-Pop (Korean Pop). This seemingly unlikely pairing of Jamaican and Korean cultures has blossomed into a passionate community that is constantly growing. Let’s explore how K-Pop has found its way to the island and why it has resonated so deeply with Jamaicans.

The Global Reach of K-Pop

K-Pop's international appeal is undeniable. From the catchy tunes of BTS to the electrifying performances of BLACKPINK, K-Pop's polished choreography, addictive music, and diverse content have transcended language barriers and geographical boundaries. It's not just about music — K-Pop is a lifestyle, a fandom, and an all-encompassing cultural phenomenon that has won over millions around the globe, including fans in Jamaica.

The Rise of K-Pop in Jamaica

In recent years, Jamaica has seen a rise in the popularity of K-Pop, with local fans creating dedicated communities both online and offline. Social media platforms like Twitter, Instagram, and TikTok have become hubs for Jamaican K-Pop fans to share their love for their favorite idols, participate in dance challenges, and even host virtual fan meets. Local Facebook groups and WhatsApp chats dedicated to K-Pop have sprung up, where fans exchange news, discuss music videos, and even organize K-Pop-themed events.

The K-Pop fandom in Jamaica is also characterized by its vibrant creativity. Jamaican fans are known for creating unique covers of K-Pop songs, often blending them with reggae and dancehall beats, resulting in a fusion that highlights the best of both worlds. This creative reinterpretation of K-Pop music is a testament to Jamaica's rich musical heritage and its ability to adapt and innovate.

Why K-Pop Resonates in Jamaica

But why has K-Pop resonated so much with Jamaicans? There are several reasons. Firstly, Jamaicans have a deep appreciation for music and dance, which are integral parts of K-Pop. The high-energy performances, intricate choreography, and visually stunning music videos are aspects that easily appeal to Jamaican audiences. Additionally, the concept of community, which is strong within K-Pop fandoms, mirrors the communal spirit found in Jamaican culture.

Another factor is the storytelling aspect of K-Pop. Many K-Pop groups focus on themes such as self-empowerment, love, and social issues, which often align with Jamaican experiences and values. The messages of resilience, positivity, and self-expression found in K-Pop lyrics resonate deeply with Jamaican youth, who see their own struggles and aspirations reflected in the music.

K-Pop Events and Activities in Jamaica

While the K-Pop community in Jamaica might be smaller compared to other countries, it is no less passionate. Jamaican K-Pop fans have organized several events, such as dance cover competitions, K-Pop nights at local clubs, and viewing parties for concerts and music award shows. These events are often characterized by a mix of K-Pop and Jamaican music, allowing fans to celebrate both cultures simultaneously.

In recent years, some Jamaican YouTubers and influencers have also started creating content around K-Pop, offering reactions to music videos, sharing their thoughts on comebacks, and even participating in K-Pop dance challenges. This content has helped to further grow the community and attract new fans.

The Future of K-Pop in Jamaica

As K-Pop continues to gain traction worldwide, its presence in Jamaica is expected to grow. The local community is expanding, with more young people discovering the genre and engaging with its diverse content. Jamaican K-Pop fans are also hoping for more recognition from K-Pop artists, with many dreaming of a day when a K-Pop group might perform on the island.

Moreover, there is potential for cultural exchange between Jamaica and South Korea through music. Imagine a collaboration between a K-Pop artist and a Jamaican reggae or dancehall star — a fusion that could create a unique and powerful sound.

Conclusion: A Unique Cultural Bond

The rise of K-Pop in Jamaica is a testament to the power of music as a universal language. Despite their differences, both Jamaican and Korean cultures share a deep love for rhythm, dance, and storytelling. The growing K-Pop community in Jamaica represents a unique cultural bond that brings people together, showing that music truly knows no borders.

Whether you're a die-hard K-Pop fan or simply curious about this genre, there’s no denying the magic that happens when two vibrant cultures collide. K-Pop in Jamaica is more than just a trend — it’s a celebration of global music, unity, and the ability to find joy in unexpected places.

Do you have any specific aspects you'd like to explore further in the blog, like fan stories or a focus on certain K-Pop events in Jamaica?

[charlesmwa]

Exploring Different DJ Genres: Finding Your Style

As a DJ, one of the most exciting parts of the journey is discovering your unique style. With so many genres to choose from, it can feel overwhelming at first, but finding the right genre that speaks to you is crucial for building your identity as a DJ. This blog will help you explore different DJ genres and guide you on how to find your own style.

Why Choose a Genre?

Choosing a genre isn’t just about the music you like; it’s about what resonates with you and what you enjoy playing. Your genre will shape your sound, influence your audience, and define your place in the DJ world. Knowing your genre helps you connect better with your crowd and gives you a solid foundation to build your skills.

Popular DJ Genres to Explore

Here’s a look at some popular DJ genres to help you start your exploration:

House Music

Description: House music is known for its repetitive 4/4 beat and deep basslines. It originated in Chicago in the early 1980s and is often played in clubs for its uplifting, danceable vibe.

Subgenres: Deep House, Tech House, Progressive House.

Why It’s Popular: It’s versatile, suitable for many settings, and easy for crowds to dance to.

Techno

Description: Techno focuses on hypnotic beats, synthesizers, and electronic sounds. It has a driving, fast-paced rhythm that keeps people on the dance floor.

Subgenres: Minimal Techno, Acid Techno, Detroit Techno.

Why It’s Popular: It’s energetic and intense, making it perfect for late-night clubbing.

Hip-Hop

Description: Hip-hop is all about rhythm and groove, often featuring rapping, strong bass, and creative beat juggling. Originating from the Bronx, it’s deeply connected to the culture and lifestyle of its listeners.

Subgenres: Old School Hip-Hop, Trap, Boom Bap.

Why It’s Popular: It has a strong cultural influence and is great for engaging and energizing crowds.

Drum and Bass

Description: Known for its fast breakbeats and heavy bass, drum and bass is high-energy music that pushes the limits of tempo and rhythm.

Subgenres: Liquid Drum and Bass, Jungle, Neurofunk.

Why It’s Popular: It’s dynamic and exciting, often attracting a passionate and dedicated fanbase.

Trance

Description: Trance is characterized by its melodic and atmospheric sound, often featuring long buildups and euphoric drops.

Subgenres: Psytrance, Uplifting Trance, Progressive Trance.

Why It’s Popular: It’s emotionally uplifting and creates a euphoric atmosphere, ideal for festivals and large-scale events.

Dubstep

Description: Dubstep is known for its heavy bass, wobbly sounds, and syncopated rhythms. It often features dramatic drops that surprise and energize the crowd.

Subgenres: Brostep, Chillstep, Riddim.

Why It’s Popular: It’s intense and unpredictable, perfect for DJs who like to keep their audience on their toes.

EDM (Electronic Dance Music)

Description: EDM is a broad genre that encompasses various styles, often focusing on catchy melodies, powerful drops, and festival-ready anthems.

Subgenres: Big Room House, Electro House, Future Bass.

Why It’s Popular: It’s mainstream, widely recognized, and great for large-scale events like festivals.

Reggae and Dancehall

Description: Reggae is a relaxed, groovy style that originated in Jamaica, while Dancehall is a more upbeat, dance-centric genre.

Subgenres: Dub Reggae, Roots Reggae, Ragga.

Why It’s Popular: It’s laid-back yet rhythmic, perfect for beach parties and relaxed settings.

Finding Your Style

Finding your style involves more than just picking a genre—it’s about what makes you feel excited and confident behind the decks. Here are some tips to help you discover your unique DJ style:

Explore Different Genres: Don’t limit yourself to just one genre. Explore as many styles as possible to see which ones resonate with you the most.

Mix and Match: Try blending different genres to create a unique sound. Mixing house with techno or hip-hop with trap can result in an exciting and fresh style.

Listen to Other DJs: Learn from other DJs who play genres you’re interested in. Pay attention to their mixing techniques, track selection, and how they read the crowd.

Practice, Practice, Practice: The more you practice, the more you’ll understand what works for you. Experiment with different sounds and techniques until you find your groove.

Know Your Audience: Consider the type of crowd you want to play for. Different venues and events have different vibes, so choose a genre that aligns with your audience’s expectations.

Exploring different DJ genres is an exciting journey that helps you discover your musical identity. Take your time to visit reputed audio shops like VIP PRO AUDIO in Brooklyn, check out new equipment, don’t be afraid to experiment. The more you explore, the closer you’ll get to finding your unique style that sets you apart from other DJs.

[musicarenagh]

Azato and Jonah Jaxon Unite for "When We Gonna Start?": A Call for Change Azato, the well-known Roots Reggae Band, is releasing their latest single "When We Gonna Start?" featuring Jonah Jaxon. This song combines Azato's signature island vibes with Jaxon's powerful vocals and is expected to become a new anthem for reggae lovers. "When We Gonna Start?" is a call to action, urging listeners to embrace change and unity. The band's deep roots in Hawaiian culture are reflected in the song's relaxed yet compelling groove, beautifully complemented by Jonah Jaxon's emotive delivery. His voice, blending raw emotion and refined technique, brings a new dimension to Azato's already rich sound. The lyrics touch on themes of social consciousness and personal growth, encouraging listeners to consider their roles in creating a better world. Azato's skill in blending traditional reggae elements with contemporary influences is evident, making this track both timeless and current. Listen to When We Gonna Start Featuring Jonah Jaxon https://open.spotify.com/track/6WpB6oKiQ7VIEa1N3uA39W Follow Azato on Facebook Spotify Youtube Instagram What is your stage name? Azato Is there a story behind your stage name? Azato means joyful or smilie one in the Fra Fra language in Northern Ghana. I used to play with a highlife Ghanaian band and the lead singer Akaaya Atule gave me the nickname and it stuck. Where do you find inspiration? My inspiration musically comes from Jamaican Reggae music especially from the 70’s and early 80’s. Azato Music also has a lot of traditional and World Music influences. Message wise my music come out of my life experience and with the social work I do as well as the struggle. Azato Music also has a strong spiritual element. What was the role of music in the early years of your life? Music has always played a huge role in my life. Music was always playing in my house and my brother and I were always making mixed tapes from the radio and spending hours in the local music stores as well as going to countless live concerts. Are you from a musical or artistic family? Yes my motherʻs side of the family is very musical with many professional musicians including my grandfather, aunties and cousins. Who inspired you to be a part of the music industry? I have had a many older mentors that encouraged me in my music early on. I started to play professionally around 16 years old. Some friends I grew up with had a passion for music so we started writing together and we wanted to share our passion and creative and the rest is history. [caption id="attachment_55788" align="alignnone" width="2000"] I started to play professionally around 16 years old[/caption] How did you learn to sing/write/to play? I took some piano lessons at young age but mostly I am self taught and play by ear. I have studied West African, AfroCuban and Brazilian drumming for years. I also have a BA in World Music from San Diego State University. What was the first concert that you ever went to and who did you see perform? The first big concert I went to was U2 on their Joshua Tree tour, also opening for them that night was Ice T and Public Enemy. How could you describe your music? Spiritual, conscious, roots reggae music. Describe your creative process. The best way to describe my songwriting process is it is a prayer. My music is my conversation with the Most High if I remember the songs I will write them out and bring them to my band and further develop them from there. What is your main inspiration? Godʻs love in the midst of life’s tremendous struggles. What musician do you admire most and why? So many Artists I look up too. Early on I would say Bob Marley not only because of the music but the message and his passion to be a voice for the voiceless and uplift the hopeless. Did your style evolve since the beginning of your career? Yes, my lifelong goal is to continue to grow as an artist. I started off as a drummer and keyboardist with many bands.

It was a long journey of many years before I started to share my original music and to be the frontman and to release my music as a solo artist. [caption id="attachment_55786" align="alignnone" width="636"] Jonah Jaxon[/caption] Who do you see as your main competitor? Myself, music is creativity, honestly, and passion. I am only competing against myself to be the best artist I can be, creating the most authentic music that is full of passion. What are your interests outside of music? Surfing, diving, hiking, woodworking and construction. I work with a non-profit that helps at-risk teens, I am a surf coach at a local High School. I am passionate about the environment, social justice and love the outdoors. If it wasn't a music career, what would you be doing? All the work I mentioned above, I bring it all together with music. All the social work all I do has music so I cannot separate what I do and who I am. What is the biggest problem you have encountered in the journey of music? As an independent artist it is hard to make a living through music. The industry has changed greatly through streaming, etc.. and it is very hard for most artists to be able to create and support themselves through music alone. If you could change one thing in the music industry, what would it be? The selfish cut throat nature of the industry. Too often managers, promoters, labels, even artistʻs are too focused on the money to be made and not focused on the artists, music and the message. https://open.spotify.com/artist/6BdnAtGoJTHHQShaZ2r9Gx?si=xnHOh3IXQViDdz94t_6HCQ Why did you choose this as the title of this project? Bridges Not Walls. The opposite of Love is not hate but fear. We as people too often build walls and not enough bridges. The time for healing of humanity has come. As the chorus of the song says. Build bridges not walls See Babylon fall Spread Love not hate There’s no time to wait “Love is the bridge between you and everything.” Rumi What are your plans for the coming months? We are going to be releasing a single a month this year and have our album release words the end of the year. We will be having some local as well as international shows this year. Do you have any artistic collaboration plans? Yes I have many collaborations in the works I will be releasing songs with features from Reggae greats like Luciano, Kumar from Ragin Fyah and Pato Banton. I am also featuring some the greatest Hawaiian artists on some of my tracks including artists Kimie Miner, Irie Love, Trishnalei, Aisea Taimani, Riya Davis, Kawika Kahiapo and Ron Artis II. What message would you like to give to your fans? Relationships are true riches, love everyone that God puts in your life. Life is hard but keep on moving forward. Aloha ke Akua!

[thedemostop]

What Is Trap Music? Meaning, Types, Steps, Songs & Festivals

Explore the ever-changing landscape of contemporary music, where few genres have made as big an impact as trap music. This guide goes beyond the basics, delving into what is trap music by defining its characteristics, unraveling the complexities of creating your own trap masterpiece, and showcasing chart-topping hits. We shed light on the masterminds behind these tracks - trap artists whose names have been etched into the genre's history. Join us as we decipher the evolution of trap music, tracing its origins to the grand stages of renowned festivals resounding with pulsating beats.

What is trap music?

Trap music emerged in the late 1990s in the Southern United States, primarily in Atlanta. Trap beats are aggressive, with heavy bass and quick hi-hats and synthesizers. Trap music was pioneered by artists such as OutKast and Underground Kingz (UGK).

Trap music is more than just beats and lyrics at its core. A "trap" is a notorious drug-dealing location, and trap songs frequently reflect themes of street life, hustling, and overcoming adversity. Trap house music has evolved into a prominent subgenre of hip-hop over the years, influencing a diverse range of artists and styles in the music industry.

Types of trap music

Atlanta trap

Origin: Developed in Atlanta, Georgia, during the 1990s.

Characteristics

Heavy bass and aggressive beats.

Gritty lyrics depicting urban life.

Distinctive hi-hats and 808 drum patterns.

Pioneering artists: OutKast, T.I., Gucci Mane.

Tropical trap

Origin: Influenced by the Caribbean, tropical trap incorporating Calypso beats and synth pop music elements gained global popularity.

Characteristics:

Danceable rhythms with a summery vibe.

Fusion of trap with reggae, dancehall, and tropical house.

Global appeal: The appeal of tropical trap often extends beyond traditional hip-hop audiences.

SoundCloud trap

Origin: This subgenre was developed on the SoundCloud platform in the late 2000s and early 2010s.

Characteristics:

Do-it-yourself (DIY) ethos and experimental production.

Unconventional sounds and sampling.

Lo-fi aesthetics and unique production techniques.

Platform influence: SoundCloud became a crucial space for independent artists to showcase their work.

Trap soul

Origin: Popularized in the 2010s, this subgenre blended trap with contemporary R&B elements.

Characteristics:

Soulful vocals over trap-influenced production.

Exploration of themes such as love, relationships, and personal struggles.

Introspective and emotionally resonant lyrics.

Key artist: Bryson Tiller played a significant role in the rise of trap soul.

How to write a trap song?

A step-by-step guide to writing a trap song is provided below:

Set your tempo: To achieve the typical trap feel, choose a moderate to slow tempo, typically between 70 and 110 BPM.

Set your tempo: Create a tight, punchy drumbeat by emphasizing the kick, snare, and hi-hats. Experiment with patterns to find the right rhythm for you.

Make and then play your melody: Create a memorable melody with synthesizers or other instruments. In a trap, repetition is essential, so consider writing a looped verse to anchor your song.

Add some drums: Mix 808 drum patterns to improve your beat. The bassline should be deep and resonant, serving as the track's foundation.

Adjust the snare: To achieve the desired effect, fine-tune the snare.

Use distortion: Introduce distortion to certain elements, especially 808 basses, to create a gritty and edgy texture. This adds a raw and powerful quality to the overall sound.

Steps to make trap music

Step 1: Tight drums

Begin by laying a strong foundation with tight, punchy drums.

Concentrate on sharp hi-hats, snappy snares, and a steady kick drum.

Step 2: Banging 808 (the key to trap music)

Create a powerful and booming 808 bassline, which is a staple of trap music.

Experiment with slides, pitch changes, and depth and movement variations.

Step 3: Hype melodies and synths

Make catchy and energetic tunes with synthesizers.

To add complexity and texture to the melodic elements, layer different synths.

Step 4: Sprinkle the FX in trap music

Sound effects that are strategically placed can improve the overall atmosphere.

To create smooth transitions, use risers, sweeps, and other transitional effects.

Step 5: Creating energy in trap music

Build power throughout the track by strategically introducing and removing elements.

To shape the energy flow, use volume automation, filtering, and other techniques.

Step 6: Trap music magic moments

Create memorable moments in the music track by combining standout moments.

For maximum impact, use unexpected elements, drops, or unique sound design.

Step 7: Final polishes

In the final polishing stage, fine-tune the mix and arrangement.

For clarity and cohesion, pay attention to balance, equalizer, and compression.

Finish with reverb and delay to add spatial depth.

Trap music festivals

Rolling Loud

Beat Patrol Festival

Trap Circus

Astroworld Festival

Top trap music songs

Trap Queen by Fetty Wap

XO Tour Llif3 by Lil Uzi Vert

Mask Off by Future

No Lie by 2 Chainz

Conclusion

This guide delves deeper into trap music, teaching you how to create your own masterpieces while also highlighting chart-topping songs.

[tribaltshirts]

Why You Should Consider Buying the Best Skinhead T-Shirt

Are you a fan of alternative fashion and looking to add something unique to your wardrobe? Consider buying a skinhead t-shirt. Skinhead culture has been influential in shaping various subcultures and fashion styles, and a skinhead t-shirt can be a fantastic addition to your collection. In this article, we will explore why you should consider buying northern soul t shirts and the significance behind this subculture.

1. A Symbol of Rebellion: Skinhead culture emerged in the 1960s as a working-class movement in the UK. It was associated with rebellion against mainstream society, challenging societal norms and embracing a distinct fashion style. By wearing a skinhead t-shirt, you are embracing the rebellion and individuality that this subculture represents.

2. Unique Fashion Statements: Skinhead fashion is characterized by its bold and distinctive style. Skinhead t-shirts typically feature powerful and eye-catching designs such as ska-inspired imagery, checkerboard patterns, and references to music subcultures. Wearing a skinhead t-shirt allows you to make a unique fashion statement that reflects your personality and alternative tastes. Read more about t-shirts at http://www.huffingtonpost.com/entry/t-shirt-trump-tower-confused_us_58da19ffe4b0f805b3233be3.

3. Cultural and Musical Identity: Skinhead subculture has strong ties to various music genres, including ska, reggae, punk, and Oi! Skinhead t-shirts often incorporate nods to these musical influences, allowing you to showcase your cultural and musical identity. Whether you're a fan of The Specials, The Clash, or other influential bands, a skinhead t-shirt can help you express your love for these genres.

4. Connecting with a Vibrant Community: By wearing a skinhead t-shirt, you can connect with like-minded individuals who appreciate alternative fashion and share similar interests. Attending music events, concerts, and gatherings related to skinhead culture can help you build a sense of community while expressing your unique style.

In conclusion, buying choose life shirt can be a fantastic way to embrace alternative fashion, make a bold statement, and connect with a vibrant community. Whether you're fascinated by the rebellious origins of this subculture or simply love the unique aesthetics and music associated with it, a skinhead t-shirt can be a worthwhile addition to your wardrobe. So, why not consider adding one

[roamanddiscover]

St Kitts and Nevis

St Kitts and Nevis is a small two-island country in the eastern Caribbean Sea. The country is located about 2,000 km southeast of Miami, Florida and approximately 80 km east of Puerto Rico. The larger island is St Kitts, also known as Saint Christopher, and the smaller island is Nevis. St Kitts and Nevis have a fascinating history, being some of the first Caribbean islands to be colonized by Europeans. The islands have also been an important battleground in several conflicts, including the Carib Wars and the French and British battles for control over the islands. These days, the country is a thriving tourist destination and known for its picturesque beaches, beautiful natural landscapes, friendly people, and vibrant culture. Its economy is largely focused on tourism, with significant contributions from agriculture and manufacturing. St Kitts and Nevis is a constitutional monarchy and a federation, with a democratic political system. The government is headed by a Prime Minister, and the Queen of England is the titular head of state. The population of St Kitts and Nevis is around 55,000 people. The islands have a diverse mix of ethnicities, with the majority being of African descent, followed by people of mixed African and European heritage. The official language is English, but many locals also speak Creole. The culture of St Kitts and Nevis is incredibly rich and varied, with strong influences from the African, British, and French cultures that have shaped the islands' history. Music is an essential part of the country's cultural heritage, and the islands are famous for their vibrant calypso and reggae scenes. There are many things to see and do in St Kitts and Nevis, from relaxing on the beach to exploring the islands' fascinating history and culture. Visitors can also enjoy a wide range of outdoor activities, including hiking, diving, and fishing. In this article, we will explore various aspects related to St Kitts and Nevis, including its history, geography, economy, culture, and more. We'll highlight the most picturesque cities, popular tourist destinations, traditional foods and beverages, and available accommodations. So, let's dive in and discover everything this beautiful country has to offer!

Etymology

St Kitts and Nevis and their significance. The names of St Kitts and Nevis have their roots in the languages of the indigenous people who once lived there. The Carib people, who were the dominant group on the islands before European contact, called St Kitts "Liamuiga," which means "fertile land," and Nevis "Oualie," which means "land of beautiful waters." When Christopher Columbus arrived in the region in 1493, he named the islands after the Christian saints: St Christopher (who is also known as St Kitts) and St Nevis. Over time, the name St Kitts was more commonly used, and the island became known as St Kitts and Nevis. The significance of the names reflects the natural beauty and resources of the islands. St Kitts is a lush, fertile land with a history of sugarcane plantations and agriculture, while Nevis boasts stunning beaches and clear waters that draw tourists from around the world. St Kitts Located in the eastern Caribbean Sea, St Kitts is a scenic and picturesque island that attracts visitors from all over the world. With its white sand beaches, crystal-clear waters, and lush green landscapes, St Kitts is a nature lover's paradise. It is also rich in history and culture, with numerous landmarks and attractions that showcase its colonial past. St Kitts is the larger of the two islands that make up the Federation of St Kitts and Nevis, which gained independence from the United Kingdom in 1983. The island has a diverse population composed of people of African, European, and East Indian descent, with English being the official language. The island is known for its stunning beaches, such as Frigate Bay, South Friars Bay, and Cockleshell Bay, which offer a range of water sports and activities such as snorkeling, diving, and sailing. Visitors can also explore the island's cultural heritage by visiting landmarks such as Brimstone Hill Fortress National Park, an impressive UNESCO World Heritage Site, and St Kitts Scenic Railway, the last remaining railway in the Caribbean. St Kitts is also home to a diverse culinary scene, with local delicacies such as saltfish and johnny cakes, conch fritters, and goat water stew. Visitors can also enjoy the island's nightlife, which features live music, cultural performances, and street parties. To ensure a comfortable stay on the island, there are plenty of accommodation options ranging from luxury resorts to budget guesthouses. The island is serviced by major airlines such as American Airlines, Delta, and United, making it easily accessible to visitors from North America and Europe. St Kitts is a must-visit destination for anyone looking for a mix of sun, sea, sand, history, and culture. With its vibrant culture, stunning scenery, and warm hospitality, it is no surprise that the island is quickly becoming a top tourist destination in the Caribbean. and The names St Kitts and Nevis have an interesting origin. In the case of St Kitts, it was named by Christopher Columbus on his second voyage to the Americas in 1493. He named it "San Cristobal", after his patron saint, St. Christopher. Later the name was changed to St Kitts, short for St Christopher. As for Nevis, it is derived from the Spanish word "Nuestra Señora de las Nieves" which means "Our Lady of the Snows". This name may have been given to the island by the Spanish explorer who discovered it, Alonso de Ojeda. According to legend, the island was so named because the peak of the island was often covered in clouds, resembling snow to the explorers. Nevis Nevis is one of the two islands that form the Federation of St Kitts and Nevis, along with its sister island St Kitts. With an area of just 36 square miles, Nevis is smaller than St Kitts but boasts some of the most stunning natural beauty and historical charm. Nevis is a volcanic island that rises to a height of 3,232 feet at its highest point, Nevis Peak. The island has a rich history and is home to some of the most well-preserved colonial-era buildings in the Caribbean. The capital and largest city on Nevis is Charlestown, which is located on the western coast of the island. One of the most popular attractions on Nevis is its beaches. The island's coastline stretches for miles and features some of the most pristine and secluded beaches in the Caribbean. Some of the most popular beaches on Nevis include Pinney's Beach, Lover's Beach, and Oualie Beach. Visitors can indulge in a range of water activities, such as swimming, snorkeling, kayaking, and paddleboarding. In addition to its beaches, Nevis has a rich cultural heritage that is reflected in its local cuisine, music, and art. The island is known for its delicious seafood dishes, which are prepared using fresh local ingredients. One of the most iconic dishes on Nevis is goat water, a spicy stew made with goat meat and a range of seasonings. Nevis is also home to a vibrant music scene that includes calypso, soca, and reggae music. Visitors can attend a range of music festivals throughout the year, such as the Nevis Blues Festival and the Nevis Culturama Festival. The island is also known for its beautiful handicrafts, such as pottery, basketry, and woodcarving, which make for unique souvenirs. For those who enjoy outdoor activities, Nevis offers numerous hiking and adventure trails. The island's lush tropical forests are home to a variety of flora and fauna, including monkeys, deer, and a range of bird species. Visitors can hike through the forests to reach the summit of Nevis Peak or explore the island's many scenic trails. Nevis is a true gem in the Caribbean, offering visitors a unique blend of natural beauty, cultural heritage, and adventure activities. Whether you're looking to relax on a beautiful beach, immerse yourself in the island's rich history and culture, or partake in outdoor activities, Nevis has something for everyone. and their significance. The islands of St Kitts and Nevis have a rich history that is reflected in their names. St Kitts, also known as Saint Christopher, was named after Christopher Columbus, who first sighted the island on his second voyage to the Americas in 1493. Nevis, on the other hand, is named after the Spanish word "Nieves," which means snow, due to its often snow-covered peak that stands out against the blue sky. The names of the islands carry significant historical and cultural meaning for the people of St Kitts and Nevis, serving as reminders of their past and the struggles of their ancestors. Today, St Kitts and Nevis have become thriving tourist destinations, attracting visitors from around the world who are drawn to the islands' natural beauty, rich culture, and welcoming people.

History

The history of St Kitts and Nevis dates back to pre-Columbian times, when the islands were inhabited by the indigenous people called the Kalinago. The first European to discover the islands was Christopher Columbus in 1493. However, it was not until the arrival of the English and the French in the early 17th century that St Kitts and Nevis became important colonies. In 1623, the English established a settlement on St Kitts, which they called St Christopher. The French also established a settlement on the island in 1625. Over the next few decades, control of the islands changed hands several times between the English and the French. Nevis was also settled by the English in 1628, and later became a major sugar-producing colony. In 1783, the Treaty of Paris was signed, which recognized British sovereignty over St Kitts and Nevis. The islands became a single colony in 1882, and were later renamed the Federation of Saint Kitts and Nevis in 1983 when they gained independence from the UK. During the 18th and 19th centuries, the sugar industry was the mainstay of the economy, and slavery was widespread. In 1834, slavery was finally abolished, and the labor force was primarily made up of indentured servants and immigrant workers from India, Africa, and other Caribbean islands. The 20th century was marked by political upheavals and economic changes. In 1932, the workers’ movement gained prominence, and labor unions emerged as a powerful force. In 1951, universal adult suffrage was granted, and in 1958, St Kitts and Nevis joined the West Indies Federation. However, the federation was short-lived, and in 1967, St Kitts and Nevis became a self-governing state. Independence was finally achieved in 1983, and the islands became a sovereign state within the Commonwealth of Nations. In recent years, St Kitts and Nevis has grown into a popular destination for tourists who come to enjoy its natural beauty, rich history, and vibrant culture. Geology The islands of St Kitts and Nevis are volcanic in origin and were formed as a result of the collision between the Atlantic and Caribbean tectonic plates. The islands are part of the Lesser Antilles volcanic arc, which extends from Puerto Rico to Venezuela. The region has a long history of volcanic activity, with the most recent eruption occurring on Nevis about 50,000 years ago. The last major eruption on St Kitts occurred approximately 3,000 years ago, but evidence of geothermal activity is still present on the island. The volcanic rock formations on the islands are predominantly composed of andesite, basalt, and pyroclastic materials, with some areas also containing limestone and other sedimentary rocks. The island's volcanic past is evident from the dramatic mountainous terrain and black sand beaches. the islands are home to several hot springs and mud volcanoes, which are popular tourist attractions. The geothermal activity on the islands is also used to generate electricity through the Nevis Geothermal Power Plant, which provides renewable energy to the grid. the geology of St Kitts and Nevis is a unique and fascinating aspect of the islands' natural history, and visitors can experience it firsthand through various geothermal attractions and activities. Geography St Kitts and Nevis is a small, two-island nation located in the Caribbean Sea, southeast of Puerto Rico. The islands are part of the Lesser Antilles chain and are located near the northern end of the Leeward Islands. St Kitts and Nevis cover a combined area of about 270 square kilometers, with St Kitts being the larger island at 176 square kilometers, and Nevis covering 93 square kilometers. Both islands are volcanic in origin and have rugged, mountainous terrain. The highest point in St Kitts is Mount Liamuiga, standing at 1,156 meters above sea level, while Nevis is dominated by the extinct volcano, Nevis Peak, which rises to 985 meters. The islands are separated by a narrow channel called "The Narrows." The eastern coastlines of both islands are generally characterized by rocky cliffs and steep slopes. In contrast, the western coastlines have sandy beaches and are more developed for tourism. There are a few small islets and cays off the coast of St Kitts and Nevis, the largest of which is Booby Island, located off the southern coast of Nevis. St Kitts and Nevis's location provides it with a tropical climate. The islands experience a rainy season from May to November, with the heaviest rainfall occurring in September and October. Temperatures generally range from 24 to 30 degrees Celsius, with the hottest temperatures occurring in the months of June through September. The physical geography of St Kitts and Nevis lends itself well to a variety of outdoor activities, such as hiking, diving, and snorkeling. Visitors can explore the lush rainforests in the mountainous areas, take a dip in the turquoise waters, or just relax on one of the many beautiful beaches. St Kitts and Nevis is a small nation located in the Caribbean Sea, characterized by rugged, mountainous terrain, with sandy beaches on the western coastlines. Its tropical climate and physical geography make it suitable for a range of outdoor activities. Ecology and Biodiversity St Kitts and Nevis is endowed with an impressive array of ecosystems, ranging from lush rainforests to dry scrublands to coastal mangroves. These different habitats support a wide variety of flora and fauna, making the islands a biodiversity hotspot in the Caribbean. The rainforests of St Kitts and Nevis are home to an incredible range of plant species, many of which are endemic to the islands. These rainforests are also home to a variety of animals, including monkeys, lizards, and countless species of birds. The coastal mangroves of St Kitts and Nevis are equally impressive, serving as important breeding grounds for marine life and providing crucial ecosystem services such as shoreline stabilization and water filtration. The islands’ coral reefs, which lie just off the coast, are also home to a plethora of marine species, including colorful fish, sea turtles, and reef sharks. The dry scrublands of St Kitts and Nevis are characterized by a number of unique plant species, adapted to the arid conditions of this ecosystem. A number of reptile species, such as the St Kitts ground lizard, are also found in this ecosystem. St Kitts and Nevis is also home to a number of wetlands, which provide important habitat for waterfowl and other aquatic species. These wetlands also play a crucial role in maintaining the islands' freshwater resources. Despite its relatively small size, St Kitts and Nevis boasts an impressive number of endemic plant and animal species. These endemic species are found nowhere else in the world, meaning that the islands are an important center of biodiversity. Efforts are currently underway to protect and conserve the various ecosystems and biodiversity of St Kitts and Nevis. This includes the establishment of national parks and protected areas, as well as outreach and education programs to raise awareness about the importance of conservation. St Kitts and Nevis are home to over 700 species of plants. Of these, over 200 are endemic to the islands. The most common trees in the rainforests of St Kitts and Nevis include bamboo, ceiba, and silk cotton. The islands are also home to a number of medicinal plant species, many of which have been used for centuries by the indigenous peoples of the Caribbean. St Kitts and Nevis are home to a wide range of animal species, including over 130 species of birds, 12 species of bats, and a variety of reptiles and mammals. The islands’ most famous animal residents are the green vervet monkey and the St Kitts ground lizard, both of which are endemic to the islands. The waters surrounding St Kitts and Nevis are also home to a variety of marine species, including humpback whales, dolphins, sea turtles, and countless fish species. the diverse ecosystems and rich biodiversity of St Kitts and Nevis make the islands a unique and important part of the Caribbean's natural heritage.

lizard Climate St Kitts and Nevis experiences a warm and tropical climate throughout the year. The average temperature ranges between 25°C and 28°C with a humidity of 70-80%. The islands are located in the northeastern Caribbean and are blessed with a pleasant climate. The trade winds that blow from the east provide a cooling effect, making the temperature feel comfortable. The islands experience two seasons - the dry season and the wet season. The dry season usually starts in December and lasts until May, while the wet season starts in June and lasts until November. However, even during the wet season, the rainfall is sporadic and doesn't last for long periods. The dry season is the perfect time to visit St Kitts and Nevis. The weather is sunny with a blue sky, and the temperature is warm, making it ideal for outdoor activities. The sea is calmer, and the weather is generally more predictable, making it the perfect time to explore the islands. The wet season, on the other hand, can be unpredictable with quick showers and thunderstorms. However, the rain doesn't last for more than a couple of hours, giving you plenty of time to enjoy outdoor activities in between. The best part about visiting St Kitts and Nevis during the wet season is that the island is lush and green, making it perfect for exploring its natural beauty. If you plan on traveling to St Kitts and Nevis during hurricane season (June to November), it's advisable to monitor weather alerts and updates. The islands are prone to hurricanes, and it's always better to be prepared. Fortunately, St Kitts and Nevis are situated in the Lesser Antilles, which means they are at the southern end of the hurricane belt and usually experience fewer hurricanes than other Caribbean islands. the climate of St Kitts and Nevis is perfect for those who enjoy warm temperatures and sunshine throughout the year. With a relatively stable climate, the islands are the perfect destination to enjoy outdoor activities, explore nature, and relax on the beach. Read the full article

[aas604]

Who am I as a designer? An initial reflection.

Who I am as a designer connects with who I am. I think of myself as a searcher who is always looking to connect with myself and the world and find meaning in life and experience. I believe this experience of the world connects with many people – if not all of us. My work pulls from my experiences as a neuro-diverse person navigating life in a left-leaning Pakeha family in a conservative part of Aotearoa. In my work, I try to capture conceptual ideas, tactility, and authentic expression, while honouring accessibility and function. However, this doesn’t always work out as intended, and I am often left punishing myself. I am so hard on myself due to my neurodiversity, school experience, and societal pressures.

My life up until this point has felt in many ways like a long-winded battle with my neurodiversity. Having only been diagnosed this year, I am connecting past experiences with the new knowledge of how my brain works. This process has been painful yet full of joy and beauty. It has allowed me to forgive myself for past failures (easier said than done) and embrace new challenges with more grace and patience toward myself. I still have many vices, and that’s okay. With time I will taper them off and balance my life, but for now, I will do what I must to live a happy life and serve my community.

On a less personal level, I gather inspiration from various artistic practices. The medium that has shaped my practice the most is music. I have found solace in music since I was very young, and I grew up connected to dub & reggae music from Aotearoa. This early obsession metamorphosis into a fascination with hip-hop and later electronic music. These genres have a strong presence in my playlists but do not limit the diversity of my music listening. I also have a love for producing rap and electronic music, as well as occasionally DJing guest mixes for radio.

My mother is a graphic designer, so I learned from a young age to develop my taste and view the world with a critical designer's eye. My visual interests primarily derive from fashion (avant-garde, streetwear), visual art, film, music videos, nature, and cities. 

By understanding the context of my upbringing and the design movements that inspired the creatives that inspire me, I will be able to more comprehensively understand my motives and previous actions. I am inquisitive about unpacking some of my musical influences, the New Zealand political landscape, and other exciting surface points.

Currently, I am growing as my practice is developing. My visual identity is revealing itself as I determine my values. Those values are truth, nuance, connection, and accessibility, through unconditional love for myself and my loved ones. I’m sure I am missing lots, but that's the gist!

Fundamental interests that form my design identity:

Nature, music & music making, fashion, cities, travel, pakeha upbringing, Ngāi Tahu ancestry, Banks Peninsula, Christchurch earthquake, parents' divorce, relationship, self-acceptance

[popmusicu]

Rihanna: a name that changed the world's perception of music.

Robyn Rihanna Fenty, her birth name, is a Barbadian artist, who has positioned herself as one of the most influential artists of the era, with a total of approximately 75 million monthly listeners.

Her music is influenced by styles such as reggae, R&B, dancehall and pop. She has become known worldwide thanks to hits such as Umbrella, We Found Love, Diamonds, Rude Boy and Work.

Likewise, her fame has taken her to important stages, as it was recently the halftime of the super bowl, she also swept the parade of the met gala.

In addition to being recognized for her great success in music, she has a makeup trademark, "Fenty beauty" positioned as one of the luxury brands. 

The strong impact that Rihanna has generated in the music industry, can be reflected in her positioning as a global icon with her music, fashion, and versatility.

She began his musical career in 2003, when she was discovered by American record Producer Evan Rogers. Her first single, “Pon de Replay”, was a hit, and her first album, Music of the Sun, was released in 2005. In the years that followed, she became a household name with hits like “Umbrella”, “Diamonds”, and “Love on the Brain”.

One of the reasons Rihanna is so influential is her versatility. She has dabbled in various styles of music, from pop to R&B to hip-hop. Her music is a fusion of different genres, which is why it appeals to people of different ages and nationalities.

Beyond her music and fashion, Rihanna is also known for her philanthropic efforts. She has established the Clara Lionel Foundation, which supports education and emergency response programs worldwide. She has also been a vocal advocate for various causes like education, climate change, and mental health.

  Rihanna's influence is evident in her massive social media following, with over 89 million followers on Instagram alone. Her fans, who call themselves the Navy, are dedicated to supporting her with her music, fashion, and philanthropic efforts.

 -Schlomith Rojas

[avaliveradio]

6 Fresh Songs to Get your Day Started

The power of music to lift your mood cannot be underestimated.

Music has the ability to evoke emotions and transport us to different places and times. It can be a source of comfort, motivation, and inspiration. Whether you're feeling happy, sad, or somewhere in between, listening to music can have a profound effect on your mood.

When we listen to music, our brains release dopamine, a neurotransmitter that helps to regulate our mood and emotions. This is why music can be so effective at boosting our mood and making us feel more positive.

Listen to these new songs I’ve just added to my playlist and see how it affects your mood? You might be surprised at just how powerful it can be!

Start your day here!!!

Featured tracks:

Madison Davenport - LUCKY

"LUCKY" is a mix between classic funk baselines and pop sparkle. "LUCKY" was created to make you feel like you can do anything you want, even beating "the House" in a casino. Madison Davenport takes you on a journey through a Saturday night, from walking through the door to putting spells on anyone you set your sights on, you end up "getting LUCKY" because that's what you are...LUCKY! Madison Davenport is an actress starring in Black Mirror, Shameless, From Dusk till dawn and many more.

Elijah Daun - Lost in Translation

Genre: Alternative Hip-Hop Moods: Energetic Similar artists: Kaytranada Anderson .Paak Tyler, the Creator Release date: Apr 12, 2023

Get ready to strut up because this artist has a swanky groove and serious rap talent. I love how his melodies vibe with the arrangement. It’s such creative spin. Elijah Daun is a young music artist from Connersville, IN who refuses to believe in limits. Their love for music naturally collides with their love for cinema. If you asked them to describe their genre the Indiana-based artist would just smile and say, “Fiction.

Gold Fang x Shanae - Do It All Again (feat. Shanae)

Released by: NLV Records Genre: Contemporary R&B, Reggae Similar artists: Wizkid, Popcaan, Skillibeng, Pa Salieu, J Hus, Skiifall, Frank Ocean, Lauren Hill, Lil Nas X Release date: Mar 24, 2023

Alternate single from Gold Fang's debut mixtape SMOOVE KILLA. 15 tracks Trinidad-born and Eora-based artist Gold Fang today unveils his debut mixtape SMOOVE KILLA, and shares his new single ‘Spaceship’, out now via his home at NLV Records.

KID TRAVIS - PRETTY EYES

ALBUM RELEASING MAY 4TH.

With solid melodic indie punk/trap undertones, Kid Travis sings a wide variety of styles of music with over 150 million streams on Spotify. Kid Travis has an active YouTube Channel with over 480k Subscribers & 60k on instagram where he posts both original music/ visuals as well as covers which have been recognized by artists such as Post Malone, Bryson Tiller, Rich Brian, and Dominic Fike. Kid Travis is not subject to one genre. Music is his passion.This singer-songwriter-producer has gifts to share with the world.

Yong Doc - Oleku - Man Down

"Oleku - Man down" is produced and recorded in Oldenburg Lower Saxony, German and features a fusion of modern Afrobeats and trap music and an exceptional Saxophone which adds a modern twist to the traditional African sound. Written in a mix of English, Igbo, Yoruba and Pidgin, a Nigerian creole language, the song focuses on appreciating, respecting ,supporting and most of all reaffirming the love and beauty of a Woman.

PARTIMAMA - ‘Come on get on the dance floor’ 

Partimama has just released her third single, another great dance/pop track called Come on Get On the Dancefloor, which is sure to get everyone dancing.  This follows her very successful debut Mamma Loves Ya!   

The song has strong disco influences and references to the eighties and nineties when the disco scene was huge!!  It is a funky, bright track with a very contagious chorus.  Once again, well known Melbourne  Music Producer Max Kourilov helped on the song.

[peternelthorpe]

Caribbean Music

New Post has been published on https://wr1tepress.com/caribbean-music/

Caribbean Music

Caribbean persons are acknowledged all done the humanity in favor of their tune and cricket. The Caribbean islands get produced a batch of legendary singers who get missing their mark on humanity tune and can by no means be ancient history. Jog Marley is the first name so as to occurs to anybody, exclusive of fail, as persons chitchat just about this type of tune. After his heartbreaking demise, Ziggy Marley, his son took done the task of producing Reggae from him. Reggae, is a genre so as to is liked by all. This type can be not speaking into various genres primarily African, European, Indian and native influences. It is a synthesis of all of the higher than.

Primarily the this form of tune was urban by African Slaves. The famous styles so as to get been liked and enjoyed by persons humanity done are reggae, zouk, bop, calypso, reggaeton and punta. Besides the enlisted styles a merge of south and Central American tune too forms part of its chic. It is normally not very fast and is very soothing. However the most important form so as to enabled it to reward popularity was reggae and the artiste who made reggae widespread was the legendary jog Marley.

Most of its styles were grouped into folk, classical, and the rest. But as a rule of the styles reflected the European influence on the tune in favor of model the Puerto Rican and the Cuban tune had strong European influence. From 1948 onwards shifting of a obese figures of Caribbean ongoing and the swing was to England. Along with them came the Caribbean form and thereafter its popularity got international give enthusiastic approval to. It can be listened to anytime and anywhere. It is a genre so as to can be played all seasons. There is nix item instant or nix item mood obligatory to eavesdrop to this genre.

The tune originating in the Caribbean islands is peppy and jovial.

It is primarily intended to boost you up and makes you certainly tap your feet to dance.

Caribbean tune was by no means a uncorrupted form of tune but an combination of various cultures as explained higher than.

Over the time of instant the tune was selected up by artists humanity done and merged with other forms of tune to develop fusion.

Besides the merging of Caribbean tune with other forms artists plus began to remix the tune.

Remixed versions of Caribbean tune were bulky secure is discotheques and pubs.

The tune is unfussy exclusive of a few complications and tranquil to sing along with. A crew called UB 40 too popularized Caribbean tune in the west. Their remixed versions of jog Marley figures became split second hits with tune lovers. You can purchase CDs, DVDs, and MP3s to eavesdrop to Caribbean tune or simply enthusiasm online and download in favor of unbound all the tune accessible on the unbound downloading sites. The preeminent acknowledged forms of Caribbean tune are chandracha, listera and the mambo. Caribbean tune is evergreen and will reside in the hearts of tune lovers forever. You can plus eavesdrop to the FM which is streaming tune all done the humanity.

Guitars get been acknowledged to put in greatly in the humanity of tune. It is a acknowledged statement so as to thrilling guitar has made such an crash in how tune has evolved since the initiation of the keep going century so as to nix other musical instrument possibly will happen close. Back in the 1900s, it became a necessary in favor of jazz musicians to amplify their sounds. It has evolved into a treasured musical instrument so as to is proved proficient of various sounds and styles, which possibly will suit the something else needs of various musicians. It has plus served as a most important constituent in the development of rock and roll which was widespread in the behind schedule 1940s and first 1950s.

They are guitars so as to get through the standard of electromagnetic induction to convert atmosphere of metal strings attached to its body into thrilling signals. Electromagnetic induction describes the production of voltage across a conductor while pathetic through a magnetic sphere.