#the rebirth after the ultimate death

[crybabyboyscout]

Drinking wine. Unpacking. Roller skating around my bedroom

[apoloadonisandnarcissus]

After reading a bunch of takes it’s clear many don’t have the slightest comprehension of what “Nosferatu” 2024 is about.

Robert Eggers created a story filled not only with literature, folklore and Art history themes, but also occult and alchemist ones. In the 2016 script, we had Orlok speaking in Enochian language. If you have no previous knowledge of these themes, it’s obvious you won’t ever understand what’s happening. And what’s worse, many don’t even want to understand and keep pearl-clutching at this film.

This is not a rehash of previous stories, this is an entirely new take on “Dracula” (even his background is totally different). Sex and death are the core themes here.

At the surface, this is a story of a un-head demon warlock (Orlok) and a seer/medium/necromancer (Ellen) who resurrects him with her spiritual power, and completes her covenant with him at the end. Metaphorically, it’s a story of a woman rebelling against the patriarchal society she lives in and for which she’s unfitted for, per Gothic female genre tradition. Symbolically, it can also be interpreted as a depressive young woman who commits suicide at the end. There; “sex and death” simplified.

If anyone is “abusing” and “grooming” Ellen in this story it’s 19th century society, not the demon who’s archetypal Death and metaphorically her sexual freedom (like pretty much every demon in the Gothic genre). These characters are archetypes, which is something Robert Eggers is very fond of. Also these takes of “child abuse” tells me you saw this movie and understood nothing.

I’m also waiting for the rest of you to catch on with that ending, too. “They died”, “she sacrificed herself”. Yes, they both did: both Orlok and Ellen made the ultimate and necessary blood sacrifice to complete their blood covenant, and are now eternally bound in spirit. That “fucked-up wedding” was a blood binding occultist ritual, crowned with rebirth symbolic lilacs.

Ellen is now joined in the spiritual world with the black wizard who conquered Death once before because the Devil kept his soul. Where did their spirits go? What spiritual world they inhabit now? Can they be reborn in the physical world again? Is Ellen a demonic entity now, too? Questions, questions.

[rholsof-film]

Krittika the Wild Woman

Aries: 26°40' to 30°00' - Taurus: 0°00' to 10°00'

Krittika refuses to be tamed but enjoys the game of the hunt.

When I first delved into Krittika Nakshatra, much of the information I found seemed overly negative. While it’s important to approach new insights with discernment, it’s equally crucial to peel back the layers and explore deeper truths. Many sources label Krittika natives as "homewreckers" or "husband stealers," citing their association with the knife, a symbol of separation. Scandals and infidelity are often linked to this nakshatra. However, scandals and mistakes are universal—no one is immune to human flaws. So, let’s set the record straight: Krittika's reputation doesn’t define its full potential or how it manifests.

Krittika’s mythology ties back to Kartikeya, the warrior god, who was raised by six Krittikas. This association gives rise to their perceived "affair-like" energy, but it also highlights their untamable and magnetic qualities. Women of Krittika Nakshatra are often highly sought after, critical thinkers, and fiercely independent. Blessed by the Sun, they radiate beauty, vitality, and magnetism, often maintaining a youthful appearance well into maturity. These women don’t rush into relationships; they are selective, choosing partners they hold in high regard, often marrying later in life or not at all. Their independence makes them unwilling to submit to anyone who doesn’t align with their high standards.

The fiery nature of Krittika, symbolized by the element of fire, underscores their untamable spirit. Fire cannot be controlled—it transforms, destroys, and purifies with purpose. Krittika natives act with intention, refusing to compromise their inner drive. Their focus and self-assuredness inspire those around them, especially women, whom they often nurture and uplift. When they speak, their words command attention, reflecting their natural leadership and authority.

Krittika’s dark feminine energy is rooted in its destructive and transformative qualities. As the first solar nakshatra, it carries a fascination with shadow work and the psyche, embodying the alchemical process of transformation—moving from darkness to light. This process involves spiritual death and rebirth, aligning with themes of liberation and being unapologetically themselves. Their journey mirrors the Lilithian archetype, using destruction as a means of creating space for new beginnings. This aura of untamed liberation often intimidates others, while simultaneously drawing them in.

Known as seductresses and huntresses, Krittika natives love the pursuit and the "game of the hunt," but remain untamable themselves. Dominant in relationships, they can struggle to find partners who match their energy or submit to their commanding presence. Saturn-dominated personalities often complement their solar dominance, creating a dynamic where the Sun woman leads. Their regal and radiant quality, a gift of the Sun, makes them naturally alluring.

Ultimately, Krittika natives are embodiments of transformative power. They pursue goals with precision, inspire others through their unapologetic authenticity, and embrace their untamable, radiant essence.

*So just because people note that Krittika is known for taking other’s partners, they are also known to be cheated on themselves. Let’s look at the entire scale. An being cheated on is not something anyone can control. However, just because you see a negative note of your nakshatra does not mean it will manifest that way for you. Krittika is a powerful nakshatra and everything should be taken with a grain of salt.*

*Also this is NOT the only nak with this reputation, Pushya is right next door with this rep!*

(All woman used have Krittika placements)

[ew-selfish-art]

Dpxdc Au: As Danny gets more comfortable as a “long term roomie” in Wayne Manor, he starts to have freinds over. Aka psychopomp AU

Danny decided to take Batman’s deal upon the JL shut down of the GIW and Fenton Labs. He’d been working with the various heroes for a minute while they pursued the illegal government branch and his mad scientist parents- when it was clear he wasn’t going to have a home to return to, the Bat said he had a civilian contact that could help him and Jazz.

Jazz was honestly so relieved that they wouldn’t have to start from zero in her college town- how could Danny possibly say no when it took so much stress off of his sisters plate? Begrudgingly, he gets back to the Big Bad Bat and gets the contact info for one Bruce Wayne. Adoption is refused but, Jazz and Danny are invited to stay for how ever long they need to get their feet under them.

Danny keeps a lot of distance between himself and the other kids in the house, only coming to the meals that Jazz also attends. She’s pretty busy with classes during the day but it’s becoming clear that she’s also spending “quality time” with one of the older guys that stops by for dinner. Jazz advocates that he start to integrate himself or find a local community and after months of being a shit about it- Danny agrees to make new friends. He never said they would be alive tho.

Thus, Danny becomes Gothams local psychopomp. He just starts inviting the Shades of the unavenged for tea time in the west wing gardens. Alfred is always happy to supply tea and snacks, Danny doesn’t understand how the man doesn’t have more questions but is going to push his luck by asking. Wayne Manor is high key becoming the most haunted spot in the city and it’s starting to show.

Tim is the first to notice the changes in the Manor- he’s always been the smartest detective- and joins Danny at one of his tea times. What he hears Danny and the vague shape of a man talk about… is an old cold case. Holy shit, he’s got a break through.

Jason is the next to show up, but not because of the flickering lights or cold air, because he’s just maybe the teensiest bit interested in Jazz. Danny initially ignores him but seeing as the shades are all quivering in fear, Danny sighs and ultimately tries to figure out this dudes “whole undead deal”. Jason just wants to know what her favorite meal is but Danny will only exchange information for information. Jason gives him an abridged version of his death and rebirth- He walks away knowing Jazz’s preferred take out orders, favorite brand of tea and the cafe she likes to study at.

It’s going well honestly- Danny is having quality time with the ghosts in the city, the city is repaying him in good karma and Jazz is too occupied with the zombie to get on his case about not making human friends.

Then one of the batkids gets overshadowed and it results in… reveals? Drama? Friendship? Actual brotherly bonding?

[residentwordsofaffirmationdealer]

barbara gordon in thrillkiller

every few months i remember that Batman: Thrillkiller and Batman: Thrillkiller '62 exist and reread it and get obsessed with it cause genuinely its so crazy. its an elseworld where bruce's parents were killed by their employees and bruce didn't get any of the money (because they lost it during the great depression) so he's just chilling in the suburbs. he becomes a police officer and later commissioner gordon's right hand man and a really good detective. there's this vigilante duo that appears, and they call themselves batgirl and robin, and they show up to places where the police work dirty. bruce starts investigating it and he figures out who batgirl and robin are.

for broader context, batgirl is barbara gordon, the daughter of bruce's boss, commissioner gordon. she's a "madcap heiress" and lives in wayne manor. she quit college to run away to the circus and at the circus, she meets german immigrant and teenage aerialist richart graustark. richart (nicknamed dick) and her fall in love and they come back to gotham, where they become batgirl and robin.

while this is all happening, everyone is trying to stop this gang lead by bianca steeplechase, also known as the joker.

unfortunately, dick's family (of aerialists) is killed by bianca. at the same time, selina kyle is killed by bianca as well. bruce is framed for selina's death and becomes a fugitive on the run. dick and babs plan revenge on bianca and while executing their plan, bruce crashes their party to save babs from getting shot by bianca. unfortunately, bianca kills dick through her poisonous kiss and bruce and babs are forced to escape. now that dick is dead, bruce vows to continue dick's legacy -- but named after babs because she was the one who inspired him. he becomes "the batman" now, there's more story than that but this is enough because holy shit. the agency it gives barbara specifically is crazy.

as you can see through these sceenshots, yes, barbara is batgirl, but she's batgirl in the way that batman is batman in most other media. if that didn't makes sense: she's the leader, brains, and detective. even her Alter Ego is very similar to what bruce wayne's traditionally is: she's a very a charming "madcap heiress" and "ultimate party girl" (basically her version of "billionaire playboy"). barbara owns wayne manor, she owns the batcave, she buys, creates, (and uses) the arsenal of weapons, she drives and repairs the motherfucking batmobile, she is a better fighter than robin and batman (judging by how many times they get caught/injured compared to her). she's also the one with the cool toys. she's the master of disguise, and her crusade for justice is her mission. she's the one with the guilt complex, she's the one who uses the tear gas and smoke pellets. she's the one with the strong dislike for guns, and she was the one at the circus the night that dick's family died. she even gets the tragic backstory with a visual of kneeling over a dead parent's body! -- she is what all things Batman traditionally has

the amount of agency it gives over her story and also how it acknowledges that she is such a powerful and driven hero who's talent is equal to batman (in other medias) is honestly so cool!! esp since recently in the new 52 and rebirth eras, i feel like babs has been done so dirty by how she's portrayed -- recently, she's been portrayed as a lot younger and more naive and inexperienced as she's traditionally been, and often she's only there as a plot device or shallow character who's main identity is being "dick grayson's girlfriend". i think the era where she was oracle and the leader of the birds of prey in the 90s and early 2000s did a lot better on being accurate to who she was supposed to be -- in some of her earliest appearances, she literally had a PhD (in library science and later, in law) and even became a congresswoman all while robin was (presumably) a teenager or a "youth" of ambiguous age. also, in this elseworld, barbara's and bruce's dynamic is especially interesting because she is still very much the one in charge -- and especially after reading newer comics or seeing fandom stuff where babs is included as a "batkid" (which i hate), this comic really reminds me of the era where babs and bruce very obviously cared a lot for each other and saw each other as equals and he even looked up to her (like in gotham knights, or bruce wayne: the road home).

also its such an interesting play on how things usually are: in this book, dick is basically fridged for her character development (while yes, babs wasn't technically killed off for a male character's character development in the mainline comics, she was "depowered" and it left her with a lot less agency (which she did eventually get back -- as oracle), but mostly it was done for her dad's and bruce's character development and she was just a plot device....

again, i really like how in Thrillkiller, bruce was inspired by her to become batman because usually its the other way around. her name comes first on the title and when people refer to them as "batgirl and robin", and pretty much everyone refers to dick through his relationship to her.

dick and babs they literally meet (in the flashback) when he falls into her arms... anyway i think its especially interesting how this comic with only 4 issues basically created THE first female batman story of the time (it was written before cass existed or helena was "batgirl" (although i would argue helena was trying to emulate batman, not batgirl)). but anyway barbara gordon the woman that you are <3

[monakisu]

I want you to know that I came across a random post of your Death Note art, went "Awww, oh my gosh, with the way this person draws Light I think Akechi would look fantastic in the same style!", clicked onto your profile, and then saw your newest artwork was Akechi. I'm still kind of cackling over it and thought maybe you'd find it funny too. Your art is SO cute, I'm very happy I found it <333

HAHA THAT’S AMAZING (<< was an akechi artist wayyyy before i fell head over heels for light)

but rlly… theyre so similar:

- brunet

- asshole

- pretty boy

- mass murderer

- black-haired homoerotic rival

at the end of the day, the key difference is one is a top and the other is a bottom.

ok but seriously, they’re vastly different characters on a fundamental level:

- light was handed everything him on a silver platter: family, friends, looks, intellect, a comfortable life… as a bastard child of a sex worker and now an orphan, goro had to fight his way to his current position and will always harbor a terrible sense of inferiority (light is completely confident in his absolute superiority, Always (that’s why the challenge of L sent him off the deep end of obsession lol))

- light genuinely sees himself as a hero, while goro would like to feel the same but is nonetheless depressingly aware of his villain’s journey (his undesirable position as the detective vs the underdog phantom thieves, his string of assassinations, his ultimate dirty bloody goal, etc.).

- light’s motive is about the world’s salvation, cleansing, the birth of his ideal reality (very messianic of him with the slightest loving tinge of mary cradling her lamb hahaha) while goro is laser-focused on ruining this one asshole’s life in particular, vengeance and revenge at once! one’s focused on rebirth, and the other gunning straight for death! they both use murder to get what they want but light probably floats around thinking himself so clean and divine as mother of the world (ignorance is bliss) while goro is constantly desperately trying to cover up his suspiciously red hands with his gloves hehehe… they’re both constantly striving for perfection, just with varying levels of self-awareness!!

- goro is a canonical loner; light has a horde of friends; this is probably due to a difference in public persona! goro is an untouchable idea of what he thinks a human should be and is completely out of the loop when it comes to normal social interactions (believes opening with hegel will instantly endear himself to the average person (luckily he inflicted that upon akira who is decidedly not average in the slightest)), light is implied to be more down-to-earth and even slightly goofy (he’s gaming decorum like an advanced speedrunner)! it’s probably good how distant goro is, because getting any closer to him will allow you to see how off-putting and uncanny he is, sorta like an AI-generated image—seams in the wrong places and far too much teeth LOL. meanwhile light has this whole shebang so thoroughly figured out that he’s BORED with it all! he’d like to move on to the next game (with L), thank you!! light definitely still exudes uncanny creepiness (it’s his natural state of being) especially when he zones out or starts hysterically cackling out of nowhere at his own thoughts, but he’s a hundred times better at masking compared to goro due to a better upbringing. goro is starved for the adoring friends he sees akira easily picking up one after another; light couldn’t give less of a shit because he’s always had those trivial luxuries! he’d much rather prefer an adoring WORLD!!

- then there’s the difference in how they die… one started out surrounded with company but ultimately died alone, while it’s the opposite for the other (if you count the de-realization of maruki’s reality as goro’s “death” (which i don’t)).

- in conclusion, light and goro are like funhouse mirror reflections of each other!!! one is a pampered lapdog getting a taste of rabies and letting loose, while the other is a starving wolf trying to domesticate itself for treats and headpats!! and i <3 them both!!!!!

anyways i may be wrong about light because im going purely off of fics, tumblr shitposts, and my own imagination :] feel free to school me in a way that won’t destroy my delusions!

[talonabraxas]

Kernunnos "Cosmic Horned God" Talon Abraxas Kernunnos: or of the perennial renewal of the cosmos

Primordial epiphany of the giver of life and death, archetypically connected to the dark forces of the natural world, the Celtic Cernunno was not only god of hunting and wild nature, but a real "cosmic god" ruler of the cycle of death-and - rebirth, as evidenced by the symbols attributed to it by traditional iconography: the stage with cervine horns, the torques and the horned snake. Cernunnus, which the Romans called simply "the Horned", is an ancient divinity, venerated since the dawn of time: we find attestations of his cult since the Mesolithic and Neolithic. For prehistoric hunters, the Horned God constituted the primordial epiphany of the divinity giver of life and death, as well as the embodiment of the dangerous and relentless powers that spread their dominion over the world of wild nature; it was therefore in part, as is easily understood, a "double" of Bread Hellenic and del faunus Latin, or an equivalent of the Wendigo, terrifying cannibal god-demon of the Algonquins of the Canadian sub-arctic, archetypically connected to the dark forces of the natural world and meteorological and represented as a colossal skeleton of man-deer.

Like the Pan of the Orphics - who saw in him the universe considered as an interconnected whole, in spirit, soul and body - the main divinity of these ancient populations is considered to be a "Cosmic god of life and death", whose breath hovers and penetrates everything. In this, Cernunno can also be compared to Dionysus, which similarly embodies at the same time the black death drives and those scarlet of sex and blood, both symbolically connected to the same vital archetype of Zoe, the "indestructible life". Heraclitean wisdom is framed in the revelation of the false dichotomy that ultimately exists within the "cosmic drama" and along the "seasonal dance" of the ages of the world, between Life and Death: the same god are Hades and Dionysus.

As in the case of Dionysus, the dominion of Cernunno was not limited to the natural world: although revered by the tribes of hunters, the Horned God he did not simply have lordship over the game and the woods over which his spirit was constantly watching, but also and above all over the Other World, the world of the dead and spirits, which the shaman could access in a trance after having ingested herbs or psychotropic decoctions or having used one of the many "techniques of ecstasy", to use the phrase coined by Mircea Eliade. In other words, since protohistoric times Cernunno was also considered the "Great Magician", as well as the primal source of supernatural or "magical" psychic faculties.

The god - adorned similarly to the green man of leafy antlers, symbolizing the cyclical nature of time and the perpetual rebirth of the cosmos and nature - gathered the souls of the dead to escort them to the afterlife, sometimes accompanied by his paredra (in Ireland, the goddess of the hunt Flidass, who, similarly to his Mediterranean counterpart Diana / Artemis, drove a chariot pulled by deer).

[nayatarot777]

What Should You Focus On About Your Internal Self?

• Pile One •

Hi, Pile One! Welcome to your reading!

You’re being called to focus on your lack of productivity. It’s keeping you stagnant when you could be creating and manifesting great things for yourself. There needs to be a death to a part of you that’s stuck around for longer than necessary. You may be satisfied with less. Or seemingly satisfied with going without what you know that you could have. It’s time to change that. And it won’t be easy (a part of you will feel like it’s dying - because it is. Your ego will resist and try to drag you back from fully laying this procrastinator within you to rest) but it’ll catapult you out of this energy of being stuck in the same place. Your ego only resists death because it’s afraid of the unknown. Thats when you have to come in and soothe yourself by providing understanding to your ego about how the unknown is new, but positive. After death comes rebirth, right? There’ll be a brand new journey for you to embark on and learn about. You’ll be able to learn about your capabilities, your creative efforts and how far they can go, etc. This procrastination is a method of self-protection that your ego has utilised for a very long time, meaning that it’s afraid of experiencing failure which would ultimately lead to shame, disappointment, etc. However, it’s already experiencing these things because you’re allowing it to prevent you from doing anything anyway. There’s a reason why your ego is so closely linked to your inner-child. What do you do when a child doesn’t want to do something that you know would be good for them, due to their own fear? You calm them and slowly introduce them into the unknown that they’re afraid of, while reassuring them and praising them for ever step forward that they take. You don’t let them allow their fear to control them. You subdue their fear with comfort and assurance. This is what you need to do for yourself.

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• Pile Two •

Hi, Pile Two! Welcome to your reading!

You are being called to focus on finding peace and contentment. Focus on finding satisfaction within yourself as well as a feeling of safety. There’s an internal transformation happening for you, and it does lead to this feeling of safety that we’re speaking of. You may have a history of not having the tools of self-protection, leaving you vulnerable to those who wanted to use you or take advantage of you. There’s a part of you opening up that is some type of warrior on behalf of yourself. A part of you that’s able to protect yourself from anyone who gets too close to you too soon. This protector is your intuition. Your crown chakra that’s the medium between your higher self and your human self. This is what’s opening and transforming within you. You may be experiencing ascension symptoms (specifically your third-eye opening a lot more, enabling you to read between the lines of what people say and the situations that you find yourself in). Trust that you don’t have to be in defence-mode anymore, because you’re capable of protecting yourself. Don’t be discouraged if you feel like your consciousness is slow to catch onto certain things either. Tapping into uncharted territory such as your intuition or your 3rd eye takes time. Let it develop naturally. The people who don’t usually end up going a bit crazy and unhinged because they’ve opened their third eye (their pineal gland) forcefully and too quickly. You don’t want to be one of them 🙃. You also need to ensure that you’re breathing life into your intuition. What do I mean by this? You need to validate that your intuition exists. Don’t suppress it - because that’s the opposite of giving life to something. That’s how you squash it, eventually killing it. Validate its existence and its being. Again, your intuition is the direct connection to your higher self. Your higher self is on a higher dimension compared to you, meaning that they see things that you can’t see with your physical eye - hence why you see symbolisms and messages in your metaphysical (non-physical eye - your third eye. Your mind’s eye). Try to bring to an end your habit of disregarding what you see spiritually.

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• Pile Three •

Hi, Pile Three! Welcome to your reading!

There needs to be a lot of acknowledgement from you towards yourself in regard to how much work you’ve put into creating safety and peace within yourself. You’ve completed the journey that Pile Two is currently on. You’ve been busy putting yourself together internally, which your physical reality is probably reflecting in some way - as within, so without. I’m hearing “you can rest”. You’ve found a lot of the safety and peace that you were looking for, thanks to your own efforts. You can take some weight off of your shoulders and just relax. Get playful and treat yourself in some way. The reason why you’ve found this sense of safety is because you’ve protected your mind, in-turn protecting your peace. “The ALL is mind; the universe is mental” - for those of you who are avid readers, I suggest that you read The Kybalion if you haven’t already. It seems like you’ve already taught yourself one of the principles of mental alchemy, which probably means that you’ll be able to grasp the other principles relatively easily too. You’ve found peace because you’ve found trust in yourself and your inner-knowing. Your intuition has been working overtime 😂. Your intuition is why you can keep yourself in your serenity. I’m hearing clapping from your higher self. They’re proud of you. You’ve reached a stage that many of us are still working on completing. Now that this ability to connect and to have faith in your intuition comes so naturally to you, you can rest. You don’t have to be vigilant all of the time. If your intuition needs to tell you something, then it will. You don’t need to constantly stay alert to it because you’ve built a great connection to it now.

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[rachetmath]

Retracing Steps

Nora: Jaune?

Jaune: *researching*

Nora: Jaune?! Jaune?!!

Jaune: What?

Nora: Jaune I get you and Lewis were friends but he’s gone.

Jaune: I know.

Ren: So what are we looking for? His grave?

Jaune: No. That’s not what I’m looking for.

Emerald: Then what is it?

Jaune: His first draft.

Nora: You mean his book?

Jaune: Yeah. Lewis censored a lot of information. More importantly, his story was based on his diary. I don’t know what happened to him but he still lived in Vacuo or moved. He had to have taken it with him.

Nora: But what’s so important is that you need his book.

Jaune: *silent*

Nora: No. Jaune you’re not thinking– Are you-

Jaune: Slow down. Yes, I’m looking for a way to return to the Ever After. But not for me. For Salem.

Ren: What?

Jaune: When I was in the Ever After, I thought Ascension just meant death. Which it is. However, it’s also about rebirth. Making changes in one’s self. 

Emerald: And? What does this have to do with Salem? 

Jaune: Think about what Ruby told us. Salem failed to learn the value of life and death. In The Ever After you still die but-

Emerald: Salem’s immortal Jaune.

Jaune: Listen. After you die or are taken by the tree as Ruby described, you are sent to the forger. The forger has the power to create, reforge, and repair you.

Nora: Jaune we fail to see your point.

???: I get it.

Ren: Ruby? When did you and your team-

Ruby: Sorry. I was looking for Jaune a while ago. They were just helping me look. I wanted to talk but that can wait. Jaune, if what I’m guessing is correct then if you find this portal back to The Ever After, you can send Salem there.

Jaune: Yes. However once I find it and see if it works, I need Raven there before sending Salem. 

Yang: Why my mom?

Jaune: Her semblance allows her to travel anywhere as long as she has been there before. 

Ruby: And unlike the staff, it ignores time and space. That means Raven can easily leave the Ever After without having to go through the door again.

Emerald: Okay. Stop! You keep talking about the Ever After but what about Salem?! What does any of this have to do with beating Salem?!

Ruby: *smile* It’s possible but only a theory. If we send Salem to the Ever After, allowing the tree to take her-

Weiss: Then she ascends. 

Blake: Allowing the forger to reset her.

Yang: Leaving her-

Jaune: That’s right.  She can be imprisoned or she can return but maybe as… a mortal.

NER: !!!!

Nora: Meaning…

Ren: She can finally be killed.

Ruby: Exactly. 

Nora: Yes! Fearless Leader strikes again. *hugs Jaune*

Jaune: Nora, calm down. Besides like Ruby said it’s theoretical. And even so, she could come back maybe stronger than before.

Weiss: Maybe. But still-

Yang: It’s better than nothing.

Jaune: *continues his research*

Ruby: Hey, can you all leave for a minute? I want to talk to Jaune alone. 

NER and WBY: *leave*

Jaune: *sigh*

Ruby: I’m… I’m… I’m sorry.

Jaune: For what?

Ruby: For what happened on the bridge? 

Jaune: *stops what he’s doing for a second*

Ruby: I… I figured out what happened. Put two and two together. And… I’m sorry.

Jaune: *continues working* Just promise this. Don’t be like them.

Ruby: Like who?

Jaune: Pyrrha. Penny. And Alyx.

Ruby: I don't -

Jaune: Pyrrha thought she could do it. Though it was slim she still went in with no way out. She could have lived to fight by our side if she hadn't been egotistic. Penny could have lived if she had been a little more selfish. Willingly to put her life first before others. What made her death even sadder was… she died a puppet on the strings. Alyx died because of ignorance. She thought irrationally. Jump to conclusions. Not taking the time to think things through. All those things probably are what ultimately led her to her death. She was truly a naive girl.

Ruby: *silent*

Jaune: Look Ruby, your silver eyes are not the only things that make you special. And just because you get praise for it doesn't mean you should let them define you. You are not alone. So please, count on me to help. Or at least your team. Don't die over pride. 

Ruby: *hugs Jaune*

Jaune: Hm. Hey, what's- …oh.

Ruby: *in tears* 

Jaune: *sighs and smiles* Alright, I’ll take a break, for you at least.

Ruby: Thank you.

[the-one-that-weeps]

The day people realise that Niigo symbolises life and rebirth and Wxs symbolises death and farewells is the day I can die in peace. No I will not elaborate further.

...

Actually yes, I will elaborate further. Much further.

If you take a closer look, all of the units represent rebirth, even if their portrait of it varies: Leoneed broke apart but came back together because whatever sets them apart isn't as crucial as what brings the together, More more jump almost gave up on their dreams but came back and came back stronger with newfound passion and Vivid Bad Squad are literally the ashes left behind by the dying phoenix that was Rad Weekend. They're bringing new fire to good old Vivid Street. If that's not life and rebirth I don't know what is.

And Niigo... Gosh. Niigo is about love. Niigo is about care, about healing, about despair and rage and joy but most of all it's all about love. Mizuki and their journey towards self-love and trust, Ena's fight and frustration to recover her love for art, Mafuyu's path through self-discovery, freedom and the cage of conditional love that keeps her locked away from it, and it all spins around a lone composer who carries around the rags of past love and comfort just as closely as her neverending guilt.

Just... Look at what they were during the main story and look at them now. They've grown so much stronger and so much healthier and it's all thanks to love.

It's also important to point out that none of these alliances have a reason to end. Niigo will keep composing for a brighter future even after 25:00 disappears from the clock, Vivid Bad Squad are on their way to not only surpass the ultimate legend but also expand outside of that (and potentially take over the world), More More Jump are doing better than ever even after they switched to the credit based course and Leoneed has a whole promise about never disbanding again!

It's devastating to know that Wonderlands X Showtime... Don't have that.

The disbandment arc has been teased for years and it will continue to be part of their story whether we like it or not. They have different objectives and different paths to cross. In other units characters fight to hold onto one another time and time again because of their love, but wxs love each other enough as to let each other go in order to secure a better end for everyone.

Wxs' themes and happiness and dreams, and obviously neither of those can last forever, but you can hold them close and relish in them while they're here. Isn't that what life is all about?

The thing is, feelings and people are ever changing, perhaps that’s what makes them so beautiful. And never and forever are a long time. But they don't exist. Not for you, not for me, not even for the sun and the stars. One day the music will stop and we'll know it's time for the curtain call to fall one last time. And then we'll begin again

[honestlyboringperson]

The mean gay and the even meaner bisexuals. And Pearl. (Persona 5 AU)

Also I just realized that Scott’s yellow eye is in the wrong socket. Eh, too late.

Southlanders

Team B.E.S.T.

Fairy Fort

Magic Mountain + Cub

More Information Below!

Scott - “Prism” - The Star Arcana - Dionysus/Sigyn

Sarcastic yet intensely devoted and loyal, Scott is known for his business “Chromia”. He sells dyed goods along with one of a kind clothing, along with the actual dyes themselves. He’s relatively well known throughout town due to his social media presence, and helps the Phantom Thieves with a calling card utilizing social media. Pearl and Scott are notable for their distaste of each other, which differs from their closeness a few years back. According to him, Scott only really joined the Phantom Thieves for his own amusement rather than agreeing with their goals.

Dionysus is Scott’s persona. Dionysus is the god of wine, revelry, orchards, and madness. I mean, Scott did join the phantom thieves for his amusement, so his persona is one of festivities. Another aspect of Dionysus is his Orphic version known as “Zagreus”. If you played Hades, you probably have an idea of who he is. He is the son of Hades and Persephone, and is the god of rebirth. The “rebirth” aspect of Zagreus can refer to the amount of times Scott barely escaped death from SEVERAL people.

Anyways, Scott’s Ultimate Persona is Sigyn, the norse goddess of mercy and compassion, and wife of the trickster god Loki. When Loki was caught and punished after he killed Baldr, he was sentenced to be tied under a venomous snake and have it’s venom fall into his eyes, Sigyn shirked his punishment by placing a bowl or basin above him to catch the venom before it falls into his eyes. However, some venom does get in his eyes when Sigyn goes to empty the bowl and Loki’s pained squirming causes earthquakes.

Pearl - “Carmine” - The Moon Arcana - Little Red/Diana

Pearl is a journalist, who often pulls all-nighters and stake-outs to get her scoops. Although chill and laidback during the night, during the day is a ball of feral neuroticism from the lack of sleep. She often finds herself in odd situations to find her scoops, usually seeking out seedy parts or town to report on the criminal activities. This also led her to meet a strange man covered in sunflowers saying she resembles his god in his religion and some oddball bar performer claiming she pushed him out of some godly realm. She is also one of the Pupil’s victims with false memories implanted in her. In this case, she believes Grian is her younger brother. She owns a little dog named “Tilly”.

Her Persona is Little Red, as in Little Red Riding Hood. More specifically, the version she and the huntsman along with her grandmother feed the wolves rocks after the huntsman cuts them out.It then dies either by drowning in a well where the rocks weigh it down or where the weight is just too much for it to handle and it dies. I mainly chose this for the ✨aesthetics✨, with a red cloak and giant terrifying wolf. I suppose it could represent the two sides of Pearl; the chill and laidback Pearl during the night and the feral (albeit kind of sad) and sleep deprived Pearl during the day.

Anyways, her Ultimate Persona is Diana, the Roman goddess of nature, hunters, wildlife, and the moon. She’s often equated with Artemis, but also has an association with Hecate, god of witchcraft due to both of them having crossroads under their dominion. Pearl could theoretically have any of these goddesses, due to their themes aligning with Pearl during Double Life where she goes kind of stir crazy and lonely. Heck, Hecate is even accompanied by a procession of dogs.

Cleo - “Ghoul” - The High Priestess Arcana - Bloody Mary/Durga

A sculptor known for her ornate, detailed, and beautifully haunting sculptures. She was one of the first people that managed to befriend Etho, most likely due to her similarly intimidating aura. She is roommates with Joe Hills, a strange man who often speaks through a puppet on his hand. She had to become more intimidating due to people with less than favourable intentions often flock to prodigy artists. However, if you have her back, she’ll have yours and will always make sure she fulfills a promise or repays a favour.

Her persona in the metaverse is Bloody Mary. She’s most known for her urban legend, where you can summon her via going into a dark room (usually a bathroom) with only a candle and reciting her name three times. Although there are several different origins she may have had, this version is specifically Mary Worth. She was a woman who lived in the woods who was accused of witchcraft. She was burning on the stake when she cursed the village, resulting in the vengeful ghost we know today.

Durga is the Hindu goddess of protection, strength, motherhood, destruction, and wars. She has the ability to unleash divine wrath on those who oppress and is often depicted riding a lion or tiger wielding multiple weapons and fighting demons. Cleo is both someone able to intimidate those into avoiding her and protecting her allies, represented by the combination of the aspects Durga represents. Also the motherhood aspect is calling back to when she was part of the c(l)ockers as the “mom”.

Gem - “Satyr” - The Strength Arcana - Atalanta/Freyja

Gem, although she may not look or act like it, is a former mercenary. She is retired, but not after making herself known through her feats of strength and her near inhuman fighting abilities. As of today however, she spends her days working as a lyricist and LARPing with her friends, as well as regularly bugging Etho. She can crush apples with her bare hands and is both well liked and feared by the rest of the phantom thieves.

Her initial persona is Atalanta, a famed hunter from Greek mythology. She was raised by bears and is the slayer of the Calydoanian Boar after Artemis wasn’t honoured with a sacrifice. She was also possibly a member of the Argonauts, where she fought along side them at the battle of Clolchis. She was a rare example of a female Greek hero in the frat house of the rest of the Greek heroes.

Her Ultimate Persona is Freyja, the Norse god of love, beauty, fertility, war, and gold. She and Odin equally spilt the soldiers who died in war into two halls, one belonging to Freyja. She wears a necklace called “Brísingamen”, obtained through trickery but was broken when she got so wrathful, the hall shook. Thor utilized said necklace to disguise as her to steal back his hammer Mjolnir.

[bestworstcase]

Tbh I can only imagine the rage Salem might feel on Oz's behalf once she finds out Light manipulated and trapped him into the task Light gave him, and that he has no choice in coming back (assuming she doesn't know that it isn't his choice). I think finding out he's essentially been trapped in a prison (the prison being the fucked up cycle of life/death/rebirth and the Mandate) this entire time would give her extra incentive to, presumably (if that's her goal), overthrow the tyrants that are the gods.

And honestly I think that would really show Oz that yes, Salem does still love him and care about him (quietly slides over Would You Fall In Love With Me Again from EPIC the Musical). Ugh I just want them to make uppp they mean everything to me. I need that reconciliation arc sm. And sighs. Salem saving Ozma from his metaphorical tower like how Ozma saved Salem from hers :( i want them to at least be friends again. There's sm they have to talk about and make up for

in all honesty i think her immediate reaction is more likely to be anguished guilt than fury, because the god of light deftlymanipulated her into acting as the lock on ozma's cage. it's been evident since 6.3 that salem already feels an immense burden of self-blame and guilt and in v8 we see, with cinder, salem turn on a dime while articulating a very precise and accurate understanding of why cinder acted as she did in response to the way salem treated her.

(and i do also think ozma's view that salem is at least partially responsible for what the brothers did to her and to the world may be, ultimately, because she told the story that way: if salem really did hesitate to tell him parts of it at first because she feared ozma would reject her, then it follows she felt ashamed and guilty, and feeling that way would undoubtedly color her account.) 

and in 6.4, the one time in the present we've ever seen salem truly lose her temper, what happens? she sends everyone else out of the room and self-harms. the windows shatter inward—the scene cuts away before we see salem get ripped apart by broken glass, but that is what she's doing. that unbearable uncontrollable rage is for herself. 

so how will she feel when she learns that all this time she spent believing that ozma  cynically took advantage of her trust and love to manipulate her into serving her tormentor, that he willingly bent the knee to tyrannical monsters and never wavered from his obedience—how will she feel when she finds out that actually, all that time, ozma was being tortured and forcibly twisted into an unwilling pawn by a curse he was tricked into accepting?

like. 

look at what she did to herself when she realized her decision to abandon cinder meant leaving cinder to infiltrate atlas and recover the lamp from oz all by herself, with no support, mere weeks after cinder nearly died at haven. and that was harm of a much smaller scale, spanning just a couple weeks. salem fled into exile after that horrible fight and left ozma to suffer alone in a state of inescapable torment for thousands of years. 

i think she's going to be devastated and furious with herself first, and she'll have to navigate that before she can reach being enraged at the god of light for ozma's sake. but yeah once she's had that time to process her hatred of the brothers and conviction that they must be cast down will only deepen. 

for ozma it's far more important that he sees the anguish and grief and guilt clearly. he already knows her rage. he knows she hates the brothers and why. salem is a deeply emotional character but her affect is blunted and notably in the narration of the lost fable, spite and anger at the gods are the only emotions jinn ever describes salem feeling—everything else we see salem feeling in that episode is framed as a manipulative lie, because ozma is terrified that her spiteful anger at the gods might have been the only thing that was real. 

and again i think this is a misconception rooted in the way salem presented herself because in both the kitchen scene and even more so in their last conversation, salem keeps what she wants and what shefeels very tightly locked down. from the instant ozma suggested that he wanted more than their cozy little life in her cabin, salem was one hundred percent focused on giving him what he said he wanted. literally, "whatever we want—what you want!"

salem fearing ozma would reject her didn't begin and end with just flinching before she plucked up the courage to tell him of her rebellion. it also encompassed what she wanted, if he wanted something else, and anything she felt that she feared might upset him. even when he told her the whole truth, she crushed down her own feelings and quoted from a myth—spoke in his language—and tried to reach out to somehow find a compromise because even then she was putting him and what he wanted so far above herself that she couldn't even bring herself to admit that she felt hurt. 

fundamentally what ozma needs is to see her pain, her grief, without any restraint—not just for her sake but also for his own. anger is what he expects. it's the only thing he expects. and i think a lot of the resentment he feels toward salem in the present comes from a place of believing on some level that he's just her excuse for being angry at the gods because he feels so much doubt that she truly loved him. 

which is where the maiden-in-tower allusion becomes salient; when the prince is blinded his sight is healed by her tears. ozma won't be able to see her clearly until he sees her sorrow.

[cherriesbloodclouds]

With the release of FF7 Rebirth coming up, I just want to remind you all how beautiful Cloud and Aerith's relationship is. Even if it didn't present any romantic undertones (which it obviously has), it's such a crazy relationship because what if I learned to care and love for you in a way that I haven't cared for about anyone else. What if the guilt of your death is what ultimately brought me back to you, because I cannot live without your forgiveness, even if you do not believe it was my fault after all.

What if I spent all these years waiting for someone who has never come, and you come into my life. There's a sense of familiarity there, like we've known each other for a long time, and maybe, even though it's useless and we're destined to meet the same fate, we try again, because that's what love is for.

[redhoodinternaldialectical]

Thoughts on Jason Todd’s choice of weaponry?

:D an ask! Yay!

Oooh, lets see, I'll start with the crowbars because I appear to be like one of three people on the entire planet who actually likes them.

They're a tacky as fuck riff on the fact that Jason's death is central to his character. They overemphasize the manner in which he died, muddy the waters about what part of his death is important to him, and strangely cheapens the manner in which he died through the parody feel of it.

No one seems to really disagree with my analysis here, but I happen to enjoy that about them and think it's very on brand for Jason. What can I say? They're fun!

Best Quality - His Wiggles

This ultra-sharp curved blade used to be his signature character design feature, the way the white streak in his hair is now, and I'm really not sure why it didn't stick!

Best weapon he's ever had, bring it back please!!!!!

The All-Blades

hmmmmmmmmmmmmmm....

HMMMMMMMMMMMMMMMMMMMMMMM...

I have mixed feelings about the All-Blades. Like much of Lobdell's work: phenomenal idea, poor execution. Giving the guy who is most known for being morally grey a set of powers that is exclusively based on moral absolutes sucks shit, I gotta be honest, and the trick he pulled on the blood blade was cool but ultimately does nothing to solve those problems.

HOWEVER

I want to love them so fucking badly. A set of glowy soul blades is a dope sicknasty off the chain concept and I wish the well wasn't poisoned with the moral implications and the restrictions to use them only on the "Untitled", a set of enemies that only exist for Jason so far as I can tell. If someone seriously took Jason down a magic based path that removed the DnD alignment chart bullshit, I would be so game to see them come back! Hell I wouldn't even insist on a better cooler design for them!

...though uh, yeah those are the least interesting magic sword designs I've ever seen tbh

Normal Ass Swords

They're alright I guess. Like, there's nothing in it really, but it's not bad?

Guns - Real Bullets

Excellent, evocative yet simple, straightforwards and to the point. It makes hella sense thematically to boot, love this for him, please give him back his pistols and miniguns and shit

Guns - Rubber Bullets

Hate. HATE. hate ick disgusting bad NO.

I just fucking hate rubber bullets, like, as a concept. I refuse to accept "non-lethal" bullets as a valid use of gun, either in real life or in fiction. Guns are for putting many holes in things very fast!!!! If you're gonna use a gun, fucking well own up to that!!! Do not play this silly ass game of pretending that you can change out the material and do the same things as with lead bullets but with the video game status effect of "non-lethal" applied. YOU ARE GIVING PEOPLE SMALL CIRCULAR BRUISES. This is still harmful, yes, ooph ouchie, but it is not even slightly a good use of a gun, you are wasting holster space, and carry weight, and the physical materials used to make it all!!

JUST USE A FUCKING STICK! YOU DON'T RUN OUT OF STICK AMMO!

My belief in his capacity to take out enemies is shattered the instant those fuckers are on panel. Maybe this ain't entirely rational, or realistic to how fights go with rubber bullets IRL, but I hate them so much on principle that I will ignore any counterargument you might have that they'd work. I will die on this hill. Rubber bullets BAD. Please stop making him use this!!

Bombs

Love it, give him more bombs forever

ka-BOOM!!!!

His Brain

This is actually his best weapon - sorry wiggly knife, you're being shunted down to number 2 on a last minute technicality! I think Jason is at his best when he's outsmarting people and making long term fucked up schemes to ruin people's lives.

He's so good at it! It's so fun to watch him do it!

Genuinely a shame that this facet of him was mostly lost after Flashpoint, though to give credit where it is due, in Rebirth Jason did ruin the Penguin's life in an impressively elaborate way, which I did really enjoy. I want to see him be a tactical deliberate menace to one person in specific again idk, that's part of why I do kinda agree that he works better as an antagonist than a protagonist - which it should be noted does not mean I think he works better as a villain necessarily, his ethics aren't what matter here - he's just had his best moments as the schemer, and it's hard to have a protagonist schemer even when you make them ethically the good guy.

I hope you enjoyed my nattering on about Jason's weapons :D thank ye again for ask!

[idkwhyyouaskingm3-blog]

Final Error Theory before we get everything confirmed.

Error is an Archivist from a different dimension. If I had to guess it was the dimension that the meat hole tape was sent to that's why Error sounds like that statement giver.

When RedCanary removed the box from the Magnus Institute ruins something happened that weakened the wall between the TMAGP dimension and the Error dimension. That's why RC doesn't find any paper or mulch but Sam and Alice do. It's also why there's so much more rot 2 years on (more damage in 2 yrs than in the 20 yrs before hand). RC says the flooring pretty sturdy and he only breaks the floor a bit because he's clumsy. Alice and Sam fall through multiple times and Sam gets into the archive because the wood around the lock is rotten. The water damage is from Error trying to break through the trap door that's keeping it shut in. It's also why RC didn't find the archive but Sam and Alice do. It's a blurring between Errors and TMAGP dimension.

Once in the TMAGP Dimension Error isn't fully corporeal. It doesn't walk in and out. It emerges and recedes. It's stuck between both dimensions.

It only seems to turn up around water. In Alchemy Water represents the last stage in life. It breaths in the new statements linking the new dimension to Air which represents the first stage in life. Something something rebirth.

It can't survive without the fears that aren't in this dimension. It uses the tapes to keep itself alive. That's why it's described as cloaked in pained whispers. It's surrounded by the statements. It's also why it can't breath well and talks in short raspy sentences.

Ink5ouls can hold the recorder after the statement is taken. The statement has given the recorder it's form. It's only temporary though that's why there's not loads of tapes running around biting people and why they disappear eventually even though Error doesn't pick them up.

This is also why the statements taken from the victims seem to hit on a lot of the things we associate with the fear. (Mr Jarrod Hunted, Drown victims experience sounding a lot like the water version of Daisys coffin experience, Violet mostly a lonely statement with a bit of the spiral, Gwen Corruption, Sams flicks between different fears finishing on the flesh.)

Error isn't trying to kill the victims. When it takes a statement it puts it's victim between dimensions similar to itself. That's why they're unaware of the world around them but can still be seen. Sam's described as receding into the nightmare. Violet is found miles from home. Drown victim still drowns in salt water even though they're not near the sea, Mr Jarrod doesn't die until he stops running. Interacting with people in the real world pulls the victim more into the real world. That's why Gwen can run away, that's why Mr Jarrod briefly sees Alex. It could even be why the drown victim comes back up for air a few times, she's bumping into people. Gwen, Sam (and Ink5ouls) don't die because their nightmare didn't end in death. It's also why 2 of the victims are dated 2 days after each other but we only have 3 dead victims (that we know of). Not everyone's dying we just hear about the dead ones.

I think Error is ultimately trying to find a more permanent solution. Similar to how Lady M can smell that Celia isn't from this dimension it knows someone in the OIARs is out of place. Maybe it can't quite tell who. Knowing everything Gwen knows it couldn't tell who it was but now it knows what Sam knows it's worked out that Celia is the odd one out. It's going to Hilltop Road because that's the next place Sam and Celia are going to outside of work and it can only move around when waters present. It's getting there before the storm ends.

I think it's either going to body hop Celia or attempt to use her to become corporeal.

I don't know if it'll work because Sam doesn't know that Celia's also been waking up closer and closer to Hilltop Road, the place she probably came to this dimension from.

[frostfires-blog]

Módào Zǔshī Hanakotoba Analysis Part 2

◤━━━━━━━━━◥✿◤━━━━━━━━━◥

-> 4) Lotus/Water Lily

-> 4.1.) Lotus/Water Lily Flower Symbolism:

Despite having a few differentiating characteristics, lotuses (Nelumbo nucifera) and water lilies (Nymphaea) are often confused with one another. As a result, there is a lot of overlap in their symbolic meanings, to the point that they convey the same sentiments across multiple cultures. In China, lotuses are known as lián huā (蓮花) or hé huā (荷花), whereas water lilies are known as shuìlián (睡莲) and héhuā (荷花).  Lotuses are known as the "gentleman's flower" in China because they grow upwards pure and unstained from the mud. The flower is thus associated with perseverance, elegance, resilience, as well as ultimate purity of mind and heart. The lotus is revered as a sacred flower in Buddhism, representing the essence of divine beauty, wisdom, humility grace and rebirth. It is also a sign of moral integrity, emphasising the importance of maintaining inner purity and virtuous behaviour in the face of worldly temptations. The word “l蓮” (lián) also sounds like “連續” (liánxù) which means continuous. This conveys the idea of constant growth and spiritual progress thus making the lotus a symbol of the continuous pursuit of knowledge, wisdom, and enlightenment. The lotus also has profound significance in Taoism, representing serenity, balance, and the "interconnectedness of all things and the inherent harmony within the universe".  The lotus' adaptability to various environments embodies the Taoist concept of living in harmony with nature, flowing with life's rhythms, and preserving equilibrium in the face of change. Additionally, the lotus' ability to rejuvenate and blossom year after year, despite the shifting seasons, represents the continuous cycle of life, death, and rebirth. Part of the lotus flower’s Chinese name “l蓮” (lián) is homophonous with the words “聯” (lián) meaning “to bind/connect as in marriage”; “戀” (liàn) meaning to love; and “廉” (lián) meaning modesty. As a result, the lotus flower has also come to symbolise union, love and marriage in Chinese culture and is thus a prominent motif in both historical and modern works to convey love and emotion. Lotuses are commonly used in bridal bouquets as a symbol of luck and 100 years of love.  A single stem bearing two lotus flowers represents the desire for harmony and a shared heart. This is derived from the fact that the “荷” (hé) in the lotus’ other Chinese name also means “union” and is homophonous with the word “和” (hé) meaning uninterrupted or one after another. Furthermore, a lotus flower with a leaf and bud symbolises complete union. In Japan, lotuses are called ren (蓮) or hasu (はす), while water lilies are called suiren (睡蓮). In hanakotoba, lotuses symbolise a pure heart, eloquence, sacredness and departing love—while water lilies symbolise a pure heart, faith and trust. Additionally, both flowers are also associated with rebirth, transformation, enlightenment, beauty, grace, and perfection. In Western floriography, water lilies symbolize purity of the heart, virtue, innocence, achieving great things, beauty rising from humble beginnings and bringing together separate things. Pink waterlilies are commonly associated with feelings of admiration. Since its scientific name was derived from the mythical Greek nymph, water lilies also symbolise dangerous beauty and estranged love.

-> 4.2.) Lotus'/Water Lilies in MDZS:

Lotuses are the most commonly referenced flower in MDZS, and they are generally associated with the Yunmeng Jiang clan. This is due to the clan's insignia, a nine-petaled lotus, as well as the name of their residence, Lotus Pier. According to the novel, the compound is surrounded by “pink blossoms with broad jade-green leaves rose from the depths of the lake, whose waters spanned hundreds of kilometres […] giving the lovely scenery a sort of charming innocence” (MXTX, v. 3, p. 9).

The lotus’ symbolic meanings best embody the characters of Jiang Yanli and Wei Wuxian. > 4,2,1) Jiang Yanli: The flower's symbolic representation of virtue, modesty, innocence, beauty, faith, grace, and purity of the heart perfectly conveys Jiang Yanli's kind and caring demeanour. Jiang Yanli's relationship with Jin Zixuan is a key aspect of her character. The lotus' symbolism of love, union, marriage, and a shared heart corresponds with this. Additionally, in both the web drama and MDZS Q, Jin Zixuan grows lotus flowers as a gift for Jin Yanli. > 4,2,2) Wei Wuxian: Wei Wuxian's life can be divided into three parts: his time as the first disciple of the Jiang clan, his time as the Yiling Laozu, and his life after his resurrection as Mo Xuanyu. During his youth with the Jiang clan, he was a promising upcoming cultivator with a humble background. Despite displaying a mischievous and carefree attitude, he was intelligent, dedicated, virtuous and possessed a strong sense of justice. This ties into the lotus’ symbolism of flowing with life's rhythms, wisdom, perseverance, virtue and beauty from humble beginnings. As the Yiling Laozu, he defies convention by developing an unorthodox cultivation path that deviates from the norm. This corresponds with the lotus' symbolism of the continuous pursuit of knowledge, wisdom and achieving great things. He is determined to protect the innocent regardless of prejudicial beliefs—however, this sense of justice renders him capable of brutality at times. This is what inevitably results in him being seen as an outcast in the cultivation world. Ultimately, his power overwhelms him, causing many casualties given that “no one can walk along a single-plank bridge their entire lives and never fall” (MXTX, v. 2, p. 173). This turn of events all juxtaposed against the lotus’ symbolism of preserving stability in the face of change and achieving ultimate purity of mind and heart. After his resurrection, as a result of his experiences as both a hero and a pariah to the cultivation world, Wei Wuxian sees nuance where many do not and often expresses regret and admits his faults—“You’re not the only ones who remember what I’ve done. I remember too. You won’t forget—what makes you think I will?” (MXTX, v. 4, p. 174). This ties into the lotus’ symbolism of wisdom, constant growth and spiritual progress as well as the continuous cycle of life, death, and rebirth. Additionally, his courtesy name Wuxian (无羡) is derived from the last line of a poem by Xu Ben which translates to “to be free of envy and aspire to greater heights; not be misguided by honorary reputation and personal gain”. This ties into the lotus’ symbolism of maintaining inner purity and virtuous behaviour in the face of worldly temptations.

-> 5) Peony

-> 5.1.) Peony Symbolism:

Peonies (Paeonia) are known as mǔdān (牡丹) in China and were regarded as China’s national flower during the Tang Dynasty (618 to 907 A.D.). In accordance with this, they symbolise prosperity, honour, wealth and beauty, love and happiness. The Chinese term for peonies means "the most beautiful” while other Chinese names for peonies are "fùguìhuā" and "huawang," which translate to "king of the flowers" and "flower of riches and honour," respectively. In Japan, peonies are called botan (牡丹) and symbolize shyness, wealth and regalness in hanakotoba. The flower's profound appearance, notably its multitudes of large petals that are thin and silk-like, is where the peony’s symbolism of wealth and regalness originated. In Western floriography, peonies represent bashfulness and compassion.

-> 5.2.) Peonies in MDZS:

In the series, a white peony cultivar named “Sparks Amidst Snow” is used as the symbol of the Langling Jin Clan. It is said that “by comparing themselves to the king of flowers, they implied they were kings among immortals” (MXTX, v.1, p. 65).  This ties in with the peony flower’s symbolic meanings of prosperity, wealth, honour and regalness. Furthermore, pink peonies are often associated with the novel’s central love story between Wei Wuxian and Lan Wangji. During the Siege Hunt at Mount Baifeng, Wei Wuxian throws a pink peony to Lan Wangji amidst the parade. Later, while on a trip to Yunmeng, the latter once again encounters Wei Wuxian who throws him another pink peony. In this audio drama adaptation of this scene, Wei Wuxian asks a ghost woman what the meaning of peony is, and she responds that it means "wishing you would return my feelings" or to part with a heavy heart." Years later, following Wei Wuxian's death and resurrection, he finds a pressed peony flower that Lan Wangji uses as a bookmark. This peony was noted by Wei Wuxian as being “extremely well preserved, [with] the colours still vivid and the veins on its petals so delicately textured that it still looked alive” (MXTX, v. 3, p. 191). Given Lan Wangji's sentimental nature, this peony is undoubtedly one of those given to him by Wei Wuxian. The flower’s association with the pair ties into its symbolic meanings of love, compassion, and happiness.

-> 6) Willow Tree

-> 6.1.) Willow Tree Symbolism:

Willow trees are known as liǔ (柳) in China. They are regarded as a symbol of friendship, long-lasting affection, and "urging someone to stay." Willow trees are also connected with spring, therefore they can represent renewal, resilience, the cyclical cycle of existence and the revival of life after a dormant period in winter. Additionally, the willow tree's supple branches can convey an image of meekness and humility. The willow tree's interwoven branches symbolise the depth of friendship because similarly to how branches connect and support one another, genuine friendship is also based on trust, understanding, and mutual support. The willow tree is also associated with separation from loved ones, prompting feelings of sorrow and longing. Willow branches are commonly utilised in Chinese funeral rites as a symbol of grief and remembrance. Willows, known in Japan as yanagi (柳), represent obedience, independence, and the melancholy of love in hanakotoba. The willow’s symbolism of obedience is derived from how its leaves sway in the wind. In contradiction with this, its symbolic meaning of freedom also stems from how freely its leaves sway in the wind. In Western floriography, willows are associated with both freedom and sadness. Weeping willows in particular represent grief, melancholy, and mourning.

-> 6.2.) Willow Trees in MDZS:

Given its symbolic meanings, willow trees can be associated with Jiang Cheng and Wei Wuxian’s complicated, but strong dynamic. This is supported by Wei Wuxian specially mentioning a willow tree when remising about his youth spent in Lotus Pier with Jiang Cheng—“there was an old willow tree rooted on the bank, with a thick, sturdy trunk that slanted over the water and branches that trailed onto its surface. The boys of Lotus Pier would often walk along the trunk of this particular willow tree to sit and fish from the treetop” (MXTX, v. 3, p. 109). While the duo's bond started as one of trust, support, and mutual understanding, it has distorted into one of melancholy, mourning, and longing. This juxtaposition encompasses all of the willow's connotations across various cultures. The willow’s association with spring, renewal, resilience and revival could be indicative that Jiang Cheng and Wei Wuxian’s bond could be repaired if given time, considering that they never properly reconciled because of Jiang Cheng’s reluctance—“But just as the Wei Wuxian of the past who’d extracted his golden core for Jiang Cheng had been unable to tell him the truth, the Jiang Cheng of the present could no longer bring himself to speak up” (MXTX, v. 5, p. 127).

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╰┈➤ Part 1

╰┈➤ TGCF Hanakotoba Post Part 1

╰┈➤ Other Hanakotoba Posts

[Please check out part 1 as well! If anyone has any ideas on what anime/anime theme song I should cover next in this series please lmk✿ Also, if you liked this post, check out my other hanakotoba analysis posts... Lastly, if I've gotten any of the kanji, romaji, hanzi or pinyin incorrect, feel free to correct me]