#the people here are all the good kinds of questionable. and all of these come from friends (TwT)

[woso-dreamzzz]

Foxes III

Jenni Hermoso x Child!Reader

Summary: You don't like touch

Spain loses to Japan.

A four nil defeat that leaves everyone a bit depressed.

Football's a boring game to you so you didn't really watch it despite sitting on the bench. Football is Mami's whole life though. You know that and you know this defeat will make her feel a bit sad.

You think that's kind of stupid because it's just a game but maybe it's different when you play a game as an adult. You don't know why it would be different but you decide that it must be because the whole team seems a little depressed about it.

"It's like when you lose a fox toy," Tia Ale says to you on the ride back to the hotel.

"I don't lose my toys," You reply, staring out the window.

"Well, if you did-"

"But I don't."

"What about when you left Roja at home?" Alexia says," Your Mami said you were sad about that. This feels like that to everyone else."

You were very sad when that happened. You missed Roja like crazy for ages after you first moved to Mexico. That must be how everyone is feeling now.

You head bobs up and down in agreement. "Okay."

You don't ask anymore questions on the ride home and Mami takes you straight up to your room for bath time. She wraps you in a nice fluffy towel before helping you into your pyjamas.

Dinner will be soon though so she throws a jumper on top of your pyjamas to keep them clean so you can go straight to bed after you've eaten.

Your hand closes around one of your foxes before leaving the room.

The girls are still a little sad, even you can tell that and you're not very good at working out what other people's feelings are.

You're the only one that's enjoying dinner which is seriously saying a lot because the food here is weird and you're very picky with what you're eating.

"Mami," You say," You still sad?"

Jenni's a little shocked at being addressed so openly. You don't like doing that in public. You're fairly silent around other people. She frowns.

"A little, osita," She says," Why? Are you feeling sad too?"

"I'm not sad," You reply. Your fork scrapes the plate wrong and you cringe, a whole body shudder going through you as you set down your cutlery.

Slowly, you shift in your chair before standing to approach Jenni.

Like your speaking, you're not big on touch either, at least in public. Jenni's used to you hanging out by her legs at home because she always wears the softest trousers and you like touching them but skin on skin had never been a big desire or need of yours.

Jenni has a hard enough time getting you to accept affection at home. She's already ruled out touching in public apart from hand holding and that was only because the alternative was a leash and you felt that was too restricting and made you breath funny.

But you curl into her lap now and give her a quick squeeze that bore some semblance of a hug. Jenni's too shocked to hug you back, jaw slack as you slip off her lap.

You go to Tia Ale next, clambering up into her seat with her and giving her a quick hug that's so fast that she doesn't realise what's happening until it's over.

Irene is next and, after seeing Jenni and Alexia go through it, she's fully prepared. But the moment her arms curl around to hug you back, you're wiggling away and already on your way.

Just because you're giving out hugs doesn't mean you need to be hugged back.

Codi's after Irene and then Mario, who both know now to allow their arms to go limp when you hug them. You go through all the Barcelona girls you know before coming straight back to Jenni.

You tug on her hand and she very gently takes yours in hers. She's slow and careful just in case you want to pull away but you let her hold your hand.

"Mami," You say.

"Yes, Osita?"

"With me...please."

Jenni stands and you lead her over to the girls in the team you've missed out, the ones that you don't know as well as the Barcelona girls. You drop Jenni's hand to hug each girl before squeezing Jenni's hand the moment you can hold it again, you other hand coming up to run your fingers over her comfortable trousers.

"That was a very nice thing you did at dinner," Jenni tells you as she tucks you into bed that night.

"Yes. Tia Ale said so," You reply, getting all snuggly and comfortable with a fox under each arm.

"Tia Ale is right," Jenni says," Your cuddles really cheered everyone up."

"Not sad anymore?" You check and Jenni nods.

"No one's sad anymore."

"Good."

Jenni presses a soft kiss to your forehead and pulls your covers all the way up. "Night, Osita. I love you."

"Love you too."

[dresshistorynerd]

The Morrisian case against fast fashion

Today I discovered that H&M made a William Morris collection some years ago. The heath death of the universe can't come quickly enough. We can stop now. Satire is dead and we killed her.

It's not just the whole concept of H&M using William Morris' designs for their fast fashion which is insanity inducing, but also the critical response it garnered. Like sure, people did realize this is insane and there was a lot of think pieces about it at the time, but I read several of them and they all seem to still miss the point in spectacular way.

The basic premise of these think pieces go along the lines of: "Would William Morris spin in his grave with a speed of light because of the H&M collection of his designs? A difficult question indeed. William Morris was a complicated man. He wanted art to be affordable to everyone. Isn't H&M affordable? That kinda fits. Though probably he would have some concerns about H&M's practices."

On the surface - yes - but like in reality - fuck no. There's no nuance in this particular issue. He talked about many times what he though of the H&Ms of his time, the retailers selling poor quality industrially produced "fashionable" bullshit. We know exactly what he would have thought of H&M. Here's couple of quotes from his 1884 lecture "Art and Socialism", which makes it very clear.

"It would be an instructive day's work for any one of us who is strong enough to walk through two or three of the principal streets of London on a week-day, and take accurate note of everything in the shop windows which is embarrassing or superfluous to the daily life of a serious man. Nay, the most of these things no one, serious or unserious, wants at all; only a foolish habit makes even the lightest-minded of us suppose that he wants them, and to many people even of those who buy them they are obvious encumbrances to real work, thought and pleasure. But I beg you to think of the enormous mass of men who are occupied with this miserable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit day-long year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen, who not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn't want them but buys them to be bored by them and sick to death of them."

He is describing the birth of consumerism, which was taking form during his lifetime in the late Victorian Era, which fast fashion is the extreme logical conclusion of, and he fucking hated it. He specifically railed against endless consumerist products, which H&M is the perfect representation of. It was definitely not the art and beauty he believed everyone required and deserved. He makes the distinction often.

"Now if we are to have popular Art, or indeed Art of any kind, we must at once and for all be done with this luxury; it is the supplanter, the changeling of Art; so much so that by those who know of nothing better it has even been taken for Art, the divine solace of human labour, the romance of each day's hard practice of the difficult art of living."

"And here furthermore is at least a little sign whereby to distinguish between a rag of fashion and a work of Art: whereas the toys of fashion when the first gloss is worn off them do become obviously worthless even to the frivolous—a work of Art, be it ever so humble, is long lived; we never tire of it; as long as a scrap hangs together it is valuable and instructive to each new generation. All works of Art in short have the property of becoming venerable amidst decay: and reason good, for from the first there was a soul in them, the thought of man, which will be visible in them so long as the body exists in which they were implanted."

When he thought of popular Art he thought of the craftsmanship of the common people. The art people have made from useful everyday objects with skillful handicrafts. This is what he means by "divine solace of human labour". It's not reverence of Puritanical work ethic, on the contrary, it's the reverence of creation, of the earnest joy people feel when they get to express themselves through their creative pursuits. He certainly didn't believe in work for work's sake, work needed to be worthwhile and enjoyable. He summarized his own position on what labour should be thusly:

"It is right and necessary that all men should have work to do which shall be worth doing, and be of itself pleasant to do; and which should he done under such conditions as would make it neither over-wearisome nor over-anxious."

He urged his middle class audience to reject consumerism (the lecture was for a very much middle class atheist society):

"For I say again that in buying these things: 'Tis the lives of men you buy! Will you from mere folly and thoughtlessness make yourselves partakers of the guilt of those who compel their fellow men to labour uselessly?"

I think it's glaringly obvious H&M and fast fashion in general is what he would consider luxury. Rags of fashion that are just churned out and discarded without thought and produced by compelling people to labour uselessly. It's not popular art that's made by workers and craftsmen, who are able to express themselves through it. There's no agency for the abused workers in H&M's sweatshops, they are not expressing their joy of creation, they are simply labouring uselessly.

Morris didn't shame workers for buying affortable things even if they weren't Art with big A, because that's the problem he despised the whole economic system for, for taking away the popular Art from people, making it inaccessible, and selling back mass produced products with very little practical or aesthetic value. So I don't think he would have problem with people who can only afford fast fashion today. They are the victims of capitalism too, because Art has been taken away from them. But the idea that some of these think pieces had that perhaps the H&M's Morris collection can be good actually if you squint, that H&M has the capacity to bring the art and beauty Morris advocated for for the people, is level of stupidity that's hard to express in words.

Morris didn't believe anything made with exploited labour could be truly beautiful, truly art. In his 1879 lecture "The Art of the People" he put it like this:

"That thing which I understand by real art is the expression by man of his pleasure in labour."

The way I understand this, is that art is communication. Through it we communicate feelings, ideas and thoughts, that is it's purpose. So for that communication to work, for it to be imbued with message, the person making it needs to feel passion and love for it's creation. How can there be love and passion if the hands making the garment belong to a tired exploited worker who has no agency what so ever in their work and can only think about survival to the next day?

Beyond the fundamental exploitativeness of H&M and fast fashion, this collection would still get zero points on aesthetic values from Morris even with his own designs. Because the work itself was such an important part of art for Morris, good design was nothing without good craftsmanship. Good design in his mind was always relative and dependent on it's purpose.

"For everything made by man’s hands has a form, which must be either beautiful or ugly; beautiful if it is in accord with Nature, and helps her; ugly if it is discordant with Nature, and thwarts her; it cannot be indifferent." (The Lesser Arts, 1877)

Here when he says nature, he means the nature of the thing that is made - basically it's purpose and function - and the nature of the materials it's made from. Basically, the design must always be made to bring out the function of the art and the qualities of the material it's made from, not fight against them. This is because he believed handicrafts were uniquely suitable for expressing the love of creation, therefore superior labour, and to really bring out the qualities of the craftsmanship and enjoy the creative process, the design should be suitable for that craft. The other side, which was the joy of using and experiencing art, required the craft to be selected for the suitable purpose. Using poorly functioning furniture for example is not very enjoyable, nor is using clothing that's made from materials that are not suitable for the climactic conditions it's supposed to be used in.

H&M of course utterly fails in this. They use Morris' designs in fully unsuitable ways. They print patterns made for example for wall papers on poor quality fabrics with synthetics dyes they weren't made for. This line from one blog post I came across really got me: "Therefore, without cheapening the artistic value of Morris’ designs, H&M’s collection offers an unparalleled potential for accessibility to them." No. Fuck no. They do in fact cheapen Morris' designs in every single way possible. Literally this is atrocious.

Despite the popular depiction, Morris wasn't in fact against industrial machinery or industrial art even, or at least he wasn't once his views on art and politics matured. He did think technology was useful, but he thought the people should use industrial methods for the benefit of all, not be enslaved by the industrial machine.

"I have spoken of machinery being used freely for releasing people from the more mechanical and repulsive part of necessary labour; and I know that to some cultivated people, people of the artistic turn of mind, machinery is particularly distasteful, and they will be apt to say you will never get your surroundings pleasant so long as you are surrounded by machinery. I don't quite admit that; it is the allowing machines to be our masters and not our servants that so injures the beauty of life nowadays. In other words, it is the token of the terrible crime we have fallen into of using our control of the powers of Nature for the purpose of enslaving people, we care less meantime of how much happiness we rob their lives of." ("How we live and how we might live", 1887)

However, he thought that the designer should approach it the way they approached any craft, by designing for the strengths of the machine work.

"But if you have to design for machine-work, at least let your design show clearly what it is. Make it mechanical with a vengeance, at the same time as simple at possible. Don't try, for instance, to make a printed plate look like a hand-painted one: make it something which no one would try to do if he were painting by hand..." ("Art and the Beauty of the Earth", 1881)

He did use some machinery for fabric and wall paper printing, but he was very intentional about their use. Still his designs weren't made for the type of methods these modern H&M machinery uses and he did for example use natural dyes. Particularly insulting is that some of the H&M clothes are made from viscose, rayon made with viscose method. Viscose method is extremely toxic and is known to cause long term health consequences for the workers and the people in surrounding areas. This has been well proven knowledge for ages. William Morris' wall paper factory in the beginning used the typical method used at the time which involved arsenic, but once he learned this could pose risks for the workers, he changed the method. Many of the new synthetic dyes were toxic at the time, which is the major reason he so favoured natural dyes, known to not cause health issues for workers or pollute the environment.

The question many of these think pieces about the H&M Morris collection posed was, would Morris disapprove and should we care? The first part of that is very easy to answer. Yes. Of course Morris would disapprove. He is currently powering the whole of British Isles with purely the kinetic energy his grave-spinning produces. Should we care though? If you care about Morris' art, if you want to see more of that kind of art in this world, you should care. Morris' art is not about the superficial qualities. Copying his designs and aesthetics and styles, will only lead to hollow imitations, that are exactly what he described the rags of fashion to be; as the shininess of novelty wears off they will reveal themselves to be soulless, useless and utterly empty. This collection is just that. To see more of the kind of art that makes you feel like his art makes you feel, not just something that reminds you of that feeling, you should focus more on the way the art is made and less on the specific aesthetics. If his vision of labour and art was realised, all art produced of course wouldn't be loved by every person, but all of it would be loved by someone, even if that someone was just the maker. And that would be more worthwhile than every single rag of fast fashion.

I will stop William-Morris-posting now and return to my thesis.

The full texts I quoted here:

Art and Socialism The Art of the People The Lesser Arts How We Live and How We Might Live Art and the Beauty of the Earth

[do-you-have-a-flag]

text of the above screenshots:

Some further clarification about things people were asking in the comments.

Tina spoke fluent English without an accent. She's either native or has been speaking it since very young.

We'd also spoken early that morning when she arrived, over the phone (woke me up where I was sleeping upstairs, but whatever, I'd rather too much communication than too little), because she wanted to clarify about the squash. She specifically acknowledged the concept of squash, and asked if it was near the kale she was seeing. I said that sounded right, and that it should be labeled. She said okay. I reminded her that if she couldn't find it, to ask my roommate for help.

The rats were on the top shelf of our freezer-top fridge so that you'd have to be leaning down to even see it, and no kale would be in its vicinity. Three people live in this house, so it's always full. Lots of options if you're gonna go rogue.

She didn't know I had snakes, unless she'd seen them in their bins in the living room, which is possible (it looks like a filling cabinet with clear plastic drawers and sometimes they come to the front). They're very quiet pets and don't even count with my landlord, so sometimes I forget to mention them when people ask about pets, as they usually are asking due to allergy concerns. So when the agency asked, I was focused on our cats. They know now, of course. But Tina had no reason to think she should be preparing a pet's meal. That was never established as something among her duties when I met with her and an agency nurse the day before to go over everything.

Also, snakes can't eat cooked meat, even if it's safely prepared. It will make them sick. So they could not still be used.

The discovery: storytime

If you want to see video evidence: investigation

UPDATE (added here since the sub automod was being weird):

Apologies for the late update. As I’m sure you can imagine, the last week was exhausting.

This is just to give what closure I can and go over how my last conversation with Tina went, the day after the incident.

When I was on my way to the cafe to escape the house last Tuesday, she actually texted me with an apology, saying “I’m so sorry, I feel so stupid and bad, this never happened before,” and offering to pay me back for the rats and the dish as I had mentioned the rats were expensive. Which is honestly more than I was expecting, but, “never happened before?” Well I sure fucking hope so! Though that begs the question, why now? Why me? I don’t know if there’s a good answer.

We agreed that she could come by the next day in the evening with the money ($15 for the rats, $30 for the dish). She declined doing Venmo or something similar. Possibly didn’t know how to use things like that, since I estimate by her comment of her grandson being my age, she had to be at minimum in her late 60s, probably older. I admit I was hesitant to have her return to the scene of the crime when it was still so unclear what her motivations had truly been, but I wouldn’t be home alone, and she had seemed sincerely contrite, if a bit defensive over the degree of my outrage.

Before the appointed time, she called me to tell me she was on her way, and then made, of all things, a request of me. She would be bringing by her time sheet, and could I sign for the two days she’d been there? I was baffled. The audacity of asking me a favor when our meeting was about her making amends, claiming that her time with me should count as doing her job, AND implying that her paying me back was to get something from me. Maybe that was why she wanted to do cash?

But at this point, I just wanted the whole thing over and done with, and it’s not like I was the one who’d be paying her, just my insurance. It was also confusing because…did that mean that she was still employed?? Surely if she’d been fired, she’d be less willing to play nice with me, would probably be blaming me more for how it affected her. At the very least, she seemed like the kind of person who would bring it up to make me feel a little bad. But maybe she wouldn’t, I don’t know. It was also strange because out of the three (now four) HHAs I’ve had at two different companies, none have ever asked me to sign a timesheet for them. Maybe some of y’all more familiar with the inner workings of these companies can shed some light here.

I was nervous when she showed up. There's something about seeing someone do something so truly unhinged that shatters the basic trust that this fellow human won’t do something else crazy, maybe something more harmful than running one out of the house. So I checked her hands through the window before I opened the door. She had two plastic bags half-full and bundled up to hide their contents under each arm. Strange choice for a weapon, so I chose faith.

There was no more apology upon greeting, she mostly just seemed in a hurry, civil but brusque, like she wanted this behind her as much as I did. While she was rummaging, I asked how she’d disposed of the dish (the follow-up to I made a video about linked in the original post if you want to see, you sickos). And as expected, the first thing she brought out was her timesheet. Sure enough, there was a place for patient signature, and as I took it and the proffered pen and set it against the doorframe to sign, I said, “We said $45, right?” just to confirm.

The look she gave me as she reached into her jacket was SO offended, and her civility evaporated. Like I was questioning her word, and how dare I. “I’m gonna pay you, I said I would.” Calm down, paranoid, was the tone.

It took all my self-control not to respond with, “You also said you’d cook the squash.” Like, yeah, lady, wonder why I would want to triple check anything we agreed to at this point. My bad.

But she did in fact hand me the wad of bills (after I’d handed back the timesheet and she’d checked it), and then she left in a bit of a huff. I just told her to take care of herself to her back.

At this point, after interacting with her again, I am of the opinion that this was simply from some form of psychosis, either a mental health thing or senility, I don’t know. Even talking to her, things were just a little off. Hard to describe, but it was like part of her attention was always somewhere else. I do not believe this was malicious or “weaponized incompetence” as many were saying in the Tik Tok comments. She had nothing to gain from this, and clearly she wants to keep her job. At this point, after the shock and horror has worn off, I just feel kind of bad for her. She clearly shouldn’t be in this profession (which, btw, she said she’s been in for thirty years??), so I more blame these companies for not being more thorough in their hiring and training process. Psych evals should be par for the course, surely.

And I know I probably shouldn’t have, it’s none of my business, but it was eating at my conscience to not express my concern. Because I don’t know what’s going on in her life. When it comes to things like reality breaks and changes in behavior, it can be really hard to see for ourselves, and maybe the people in her life aren’t saying anything, and so she’s not seeking the help she needs. So I texted her a little while after she left.

I thanked her for taking responsibility, acknowledged I was butting in, and then brought up how she said this had never happened before and how she’d seemed confused about how it happened. And that if this was a new kind of thing or there’d been other weird things happening, it might be a good idea to talk to a doctor, just in case something else is going on that needs to be addressed, as gently and non-judgmentally as I could think to say. And I ended it with “But if I’m way off base and out of line, and you’re just used to people eating like that, I apologize and wish you the best.” After a day of silence, she sent two texts, copied here:

“K thank you people make mistakes”

“God bless have a good day”

That was and I’m sure will remain the last I heard from her. I’m sorry I can’t recount some detailed confession about how it had all been a nefarious plot by some vengeful ex who’d had their aunt impersonate an aide to poison me. That would have made for a much more satisfying story.

As for my current aide situation, I’m still working with the replacement they sent to me, but have already requested a new one. She’s sane and competent, but alas, it would seem she much exaggerated her English fluency to my coordinator (who sounded resigned to such a deceit). In any other service context, I wouldn’t care, we have translator apps, but I think we’ve seen how critical clear and easy communication can be when one person is relying on another to meet their needs while sick. Others have told me how long it can take to find a good fit, so I guess I’ll just have to keep spinning the revolving door until I do.

Also, I have put in a request for the agency to reimburse me the takeout I had to get myself that day. And the oven has been cleaned and sanitized to within an inch of its life and seems okay now? I dunno, asking for a replacement or suing anyone seems like a lot of hassle (especially when I already have a medical malpractice case in the works).

Thank you to everyone for taking an interest in my harrowing experience and for your support. It legitimately turned this into something more light hearted that I can laugh at now, where it would have remained traumatic otherwise.

May your squash always be squash.

§ § ----==---- [🐀🐀🐀]

Text recounting of the full events below but oh my god please watch this person explain the wildest thing happening to them

[image text]r/trueoffmychest post by CptnSpaceCase

Today my aide cooked what should not be cooked

I have to get this out, because today feels like an actual nightmare I keep expecting to wake up from.

I'm disabled, and need help with stuff around the house. Today was the second day with a new agency and new home health aide, "Tina." I set it up so she would come by in the morning while I'm sleeping (insomnia is killer), and I texted her last night what I would need done today.

One of those things was to roast some precut squash I'd gotten so I could have it with my salads and pasta. I was very clear in my instructions: what it looked like, where it was in the fridge, how to use the oven, how to cook it. I also have a roommate who was up and told her she could ask them for help if she couldn't find anything. Or come get me if truly necessary.

Now, I have three pet ball pythons. They eat rats that I thaw from frozen in the fridge in a reusable plastic bag. Yes, that's where I'm going with this.

Tina couldn't find the squash, and so, obviously, that meant she should roast the first other thing she could see that was technically also encased in plastic, in a completely different area of the fridge. The FUCKING RATS. In butter and salt, in my nice baking dish.

And like, that's insane all on its own, but if you're going to cook any animal, you should at least clean and skin it first, right??? Like, do the crazy, disgusting thing properly so I can respect the effort, instead of sticking them in as is. Fur and guts and all.

And the smell. Good God baby Jesus the SMELL. It woke me up and had me gagging the moment I opened my bedroom door. Definitely not squash. Or food-smelling for that matter. At first I thought the squash had spontaneously rotted overnight and she'd tried to cook it anyway. That would have been slightly less insane and much preferable.

I had to pull it out of her what she was cooking instead when she said she couldn't find it (it was in plain sight), had to open the oven and see my snakes' dinners in place of my own and still couldn't process what the fuck was happening, what I was looking at and smelling. I don't like yelling at people and generally avoid it. Today was a day for exceptions. And at the end of my half-crazed, dissociative rant, I told her to get the whole dish and its contents and herself out of the fucking house. And to not come back.

Suffice to say, I've contacted the agency to report it and am requesting a new aide. Now I'm sitting at a cafe trying to calm down and eat something despite the scent memory that's taken up permanent residence and turning my stomach. The whole house reeks like musty, sewage-dipped pork that had been left out for a whole day before being cooked in rancid oil, and I'm not sure Febreeze is gonna cut it. I don't want to go home. 🫠😭

[ariiadnes]

╭ ⿻ ･ 0713

ଓ.° ・ simon riley. call of duty. family fic -- simon and reader have a daughter. may as well make this an unofficial series ～(　TロT)σ every day i am victim to the delusions !!

when you first met simon, you quite honestly did not think you'd end up having such a domestic life with him. you've known each other for a long while, been together for less. you've seen each other go through hell and back, worry for each other's safety and return, and here you are now, with a daughter that is exactly like him.

kind of. mostly, you'd say.

personality? absolutely. quiet, reserved-- her, mostly in the sense that she's shy. him, in the sense that he just doesn't like talking to people very much. but quiet all the same, you suppose.

appearances? oh, one hundred percent. brown eyes, brown hair. sharp gaze. you don't know how a two year old has a sharp gaze, but she does.

little quirks? you suppress a sigh just thinking about it. wherever you are, simon is. he's practically your shadow-- so what's your daughter? his shadow. so basically, in summary : anywhere you go? have no fear, you will never be alone. ever.

oh, forgot something in the bedroom? just turn around and you'll face-plant into your husband's chest, and when you recover, you'll see your daughter peek out from behind his leg to see what all the ruckus is. oh, you're going to do laundry? forget the television, make it a group effort instead. grocery shopping? no need to split up to make it faster. he's mapped out the most efficient route around the store to knock out this trip in less than an hour.

yeah. they're weird. but you love them, so it's okay.

you'd like to think that nothing surprises you at this point, until today -- when you're tending to the house, bright and early, only to see a certain half awake toddler and her dad standing in the living room. you pause for a moment, mildly surprised that she's already up. you don't say anything-- just watching, as they haven't noticed you around the corner of the hallway quite yet.

"papa."

"munchkin."

silence. like, a long silence. your brows furrow, and you can't help but tilt your head in confusion and curiosity as you witness the strange phenomenon that is your family. she closes the distance, looking up at him. and in return, he looks down at her.

and they just stare at each other. in even more silence. for a good few minutes. not a single word exchanged. you're just so confused by this interaction that you're about to speak up, but then she raises her arms, and just like that, he picks her up, pressing a gentle kiss to her forehead-- his usual good morning greeting to her, you've come to notice.

you stand there in the hallway, confused as ever, as he walks off to the kitchen to prepare breakfast for her. you have no idea what that was. you blink a few times before shaking your head, joining him in the kitchen to help with the morning prep.

-- so naturally, when night comes, the little one is sleeping, and you're laying in bed next to simon, you can't help but ask:

"what the hell happened this morning?"

he pauses at the sudden question.

"you burned the pancakes, dove."

your eye twitches.

"i did fucking not." you roll your eyes, though you don't put up any resistance as he pulls you closer to him, an arm draped over your waist. "i'm talking about your little stare down today. what was that?"

simon stares blankly at the wall in recollection of the event. a moment or two, then a slow shift in his gaze as he looks at you.

"-- just had a bit of a chat."

"...you both said one word each."

"said it was a bit, didn't i?"

oh, insufferable. weird and insufferable. you give him a deadpan stare, in which he returns full on-- and now you're stuck in a silent staring contest with him. as much as you'd love to try and redeem yourself from the losing streak you've maintained all these years, you understand that one : it is midnight, and you would like to not stay up until three in the morning only to lose, and two : you should be realistic and know that you'll never win.

"stop that." you grumble, hand covering his eyes. "she's gonna pick up on that and start staring into people's souls. it'll freak them out."

he chuckles softly, moves your hand away before lacing his fingers with yours, lips gently trailing down your neck. "not a bad thing. instills fear."

"...i would really like you to not encourage our two year old daughter to instill fear into people, simon riley."

a faint hum of acknowledgement and amusement, then another kiss along your jaw, the corner of your mouth, then your lips. he can't help but notice the feeling of your smile despite your disgruntled words, and he thinks he loves you all the more for it.

"i'll consider it, love."

[ssentimentals]

scoups 15 + 13 (fluff) prompt please?? i love your writing btw <3

hi cheri! thank you for your kind words :) and thank you for requesting! 💜 hopefully you will like it!

fluff prompt: 'do you like my new dress/suit?' - 'you're mine.'

'can this even be called a dress? it's just... a tiny piece of fabric,' you frown, turning whatever you have in your hands and showing it off to seungcheol. 'are you sure?'

'i want to show you off,' seungcheol shrugs like his words are not making your heart beat faster. 'i think it looked pretty, so i got it. if it doesn't fit we can just return it, babe. but i think you'll look amazing in it.' seeing how you're still doubtful, he leans in, pecking your lips. 'just wanna show everyone that you're mine, yeah? so try it on for me, please.'

still not sure, you nod. 'okay. turn around though.'

seungcheol chuckles. 'i think i saw everything and got very intimate with each part of your body, no?'

'cheol!' you squeal, hitting his shoulder. 'turn around i said!'

he laughs but complies, giving you at least some image of privacy as you change from your gym clothes to this. it takes you a while to understand how this dress works due to many cuts in it but eventually you manage to pull it on. it is... daring. definitely not something what you'd choose yourself and surely not something your ex-boyrfiend would ever approve. but seungcheol is different; seungcheol wants people to look at you, gains sick satisfaction from knowing that all they can do is just look, not touch. it makes your heart flutter in your chest, if you are honest. with a deep inhale, you clear your throat, trying to go for a fake cheery voice: 'i'm done, you can turn. what do you think? do you like my new dress?'

the way seungcheol licks his lips as he looks you up and down gives you a very clear answer to your question, but he is kind enough to voice out his thoughts as well: 'baby. baby, you look good enough to eat.'

it makes you smile and relax a little; confidence slowly comes back to you. 'yeah?'

'yeah.' seungcheol steps closer, gazing at you like he doesn't know where to look. 'gorgeous, my girl. utterly gorgeous.'

you smile, leaning to his touch. 'enough to make everyone else jealous?'

seungcheol's eyes sparkle at this and he grins, proud. 'more than enough, my lady. more than enough.'

a/n: request your own here! <3 - nini

[wheneverfeasible]

Wiggly Wednesday?

The brain worms are here again.

I honestly hate Christmas and avoid doing too much for it. However, an idea came to me suddenly and I can’t stop thinking about…

Secret Santa Steddie AU.

In one of Steve’s high school classes senior year, they’re assigned a Secret Santa project. They all put their names in a Santa hat and have to draw one out (returning it for another if it’s their own) and that’s the person they have to secretly give a gift to, either homemade or purchased, but there’s a cap of like…whatever the equivalent of $20 today is back then. Idk.

This is supposed to be a team building type of exercise, something to foster camaraderie, after say maybe a huge argument/fight broke out between Tommy and his group and the Freak, Eddie Munson, as well as some other nerds. Steve is exhausted and doesn’t care for Tommy’s bullshittery anymore, so he didn’t really get involved, though Eddie did throw a few digs his way. Which was hurtful but probably deserved.

Anyways, Steve draws out Eddie’s name.

For the next week or so the last fifteen minutes of class are devoted to questionnaires and such where the students answer questions about themselves directly or they fill in answers to widely asked questions, all used to let the Secret Santas learn about their recipients. Some people take it more seriously than others.

Steve gets to know more about Eddie, who is more blasé about it all, obviously not expecting anyone to give him something good (if they give him anything at all) since he has no friends in the class and most people don’t like him. So Steve, who has never paid Eddie any amount of attention before in the past but has been now and finds himself intrigued, starts observing Eddie outside of class.

Steve knows he could buy Eddie something music related. An easy cop-out gift. But the more he observes Eddie, the more he gets to see the tiny cracks in the Freak persona whenever he spies on him, sees the nerdy but also kind person beneath the leather jacket. And…okay…maybe he starts to develop a sort of crush without realizing that’s what happens.

Maybe he bribes other nerds about Hellfire Club and Eddie and makes certain they don’t squeal about him asking (he doesn’t realize he comes off as threatening, he just thinks he’s being urging), maybe he hears Eddie mention things and then he goes and asks Dustin what they mean, learning it’s from a book series about midgets and some jewelry or whatever, and so an idea forms.

While shuttling the kids about after school, Steve asks Will if he’d be willing to draw something for him, which Steve would pay him for. Will, obviously excited because it’s his first commission job and Steve pays him fairly, agrees.

(Steve may also purchase a patch at the record store they stop at—Will’s request as he wants to buy something for Jonathan—because it reminds him of Eddie, but that doesn’t matter.)

Yadda yadda ya, it’s time to exchange gifts. The teacher has allowed them to drop them off leading up to the Friday before winter vacation to keep the mystery alive.

When Eddie gets his, he’s expecting something more like a prank gift. Instead, he’s gifted a colored drawing (sadly not enough time for a painting) of Eddie dressed as someone named something like Spider or Arrow Gone or whatever, Steve doesn’t really know, but it’s him fighting off a horde of monster things with a flaming eyeball in the background and further back is an erupting volcano.

Steve doesn’t know what the hell is going on, not really able to absorb the massive info dump Dustin gave him, but Will assured Steve that the dude was cool and the battle depicted was awesome and important when he dropped off his old yearbook for model reference. Will’s opinion was enough for Steve of course. He just hoped Eddie liked it, and the patch that he rolled up with the picture.

Eddie is, of course, gobsmacked and trying his hardest not to show it. He scans the classroom to try to figure out who could have given him such an amazing gift, but no one even looks at him. There’s no way he would ever suspect the truth.

Steve ended up getting a can of Farrah Fawcett spray, which everyone laughed at and assumed was a joke gift for a jock, but Steve noticed a small twitch of a smile on Tommy’s face, the only one besides Dustin now who knows his secret.

Later, Eddie’s battle vest is adorned with the patch he received in his gift, a red and black Leviathan cross, but Steve doesn’t know what happened to the drawing. He hopes it didn’t get trashed.

It’s not until later, after everything with Vecna and recovering what was salvageable from the trailer, that he found the picture safely secured behind a glass frame hidden in Eddie’s room. It’s only then that Steve realizes that he might have been a little bit in love with Eddie “the Freak” Munson all this time.

~

Aaaaaaaah sorry this is a little bit of a nebulous ending here. Does this story follow canon and Eddie is dead, never knowing who his Secret Santa is? Or is Eddie recovering from his injuries, fated to recognize Will’s art style and thus learning the truth behind one of his most prized possessions? Who’s to say 🤷

I’m just gonna tag my perma list because I’m lazy. Anyone can be happy to consider this a tag for their own future brain worms tho!

Hostage Hotties:

@derythcorvinus @katyawriteswhump @honeii-puff @scoops-aboy86 @dotdot-wierdlife

@everywherenothere @bumblebeecuttlefishes

[aniseandspearmint]

Oh, no PROBLEM, life happens, and I'm just glad you're doing better!

And it's never too late to pick fun things back up. I had to dig around for the notes i made for the next bit of this, and then re-read it over, because it HAS been a year! XD

SO, okay, a part 7!

YES, I am SO GLAD the way Frodo is NOT having a great or easy time came across! I’d hoped that would work! It can be hard, when your body changes and suddenly you’re not capable of the same stuff you were. I was trying to convey that kind of dysphoria.

Maedhros! Maedhros is HAVING A DAY. A good day! A MIRACULOUSLY GOOD DAY.

The kind of good day he can barely trust is REAL bc, lbr, he hasn’t really had a good day innnn. Um. Lets just say a long time. So this is the kind of day that has him covertly running mental checks just to make sure this is still reality. He keeps counting Maglor’s freckles and running his finger tips over his horse and her tack, and the tooling on his belt and faulds just to check that the things he’s seeing, and sensations he feels match up right.

He can at least throw himself into logistics a bit here, first in chivying all the escaped thralls our Intrepid (and exhausted) Heroes have been herding to safety in Himring.

Then he corrals Celegorm and Curufin. (This ended up mostly dialogue!)

Maedhros: *stares pointedly*

C&C: Err.

Maedhros: *calm and measured* I have heard what you’ve been up to in Nargothrond, brothers. Rest assured, I WILL be taking that out of your hides later. For now though *points at the crowd of people filling the hall behind them* Exactly WHAT happened to do THAT?

Curufin: Honestly we don’t KNOW, Nelyo!

Celegorm: When we caught up to them, Finrod, Beren, Luthien, Huan, Tyelpe and that Annatar ner were already gone off to Angband, leaving Finrod’s steward and Frodo to hold the camp.

Maedhros: *blinks* Frodo? Who? And what kind of a name is that? (Note: Frodo is WESTRON it’s gotta sound SO WEIRD to the elves tbh. He’s definitely gonna get slapped with a proper elven name at some point here. Elves gotta give people extra names after all especially in the first age)

C&C: *baffled kind of shrugs*

Curufin: *glowers* The boy is SOMEWHERE in the crowd. He’s remarkably cagey for a boy who can’t be more than 80, and I haven’t been able to corner Tyelpe about him yet, but he rather looks REMARKABLY like that Annatar. And Mother. And Grandfather. (Note: Frodo probably doesn’t look quite like a teenager really, but he’s so coltish in his new body, that’s coming across as youth to the elves that see him)

Maedhros blinks at that. Well. He never thought Tyelpe the sort, but, well, Curufin had been a bit smothering since they’d come to Beleriand. He’s thought Tyelpe was weathering it with more grace and patience than was usually found in their line, but maybe he’d just decided to go around his father? He wouldn’t be the first in the family for that. (Note: yesss Mae, make some logical conclusions with the info you have! Compare him to you and Finno a bit! You’re VERY wrong but it’s still a good guess!)

Celegorm: He’s got one of Tyelpe’s hairclips. One of the ones father made.

Maedhros: *eyebrows* Interesting. But, at this moment, irrelevant. We can sort that out later. What else can you tell me?

Celegorm: A few hours after we got there, the whole ground heaved like a shaken table cloth. Then some hours after that, Tyelpe and everyone came out of the night leading that lot *waves a hand a the hall* Tyelpe had the silmarils.

Curufin: There wasn’t really TIME to stop and ask questions. We regrouped and lit out for Himring. Luthien is TERRIFYING by the way. She provided the bulk of the power, her and that Annatar. We pitched in too but them, us, Finrod, and Tyelpe have been cycling songs of power for- *blinks* How long has it been since Angband shook, Nelyo?

Maedhros: thirteen days and nights.

Curufin: *sputters*

Celegorm: Huh. No wonder I want to sleep for a week. I haven’t done a march like that since I was with The Hunt. *waves* Anyway, we talked to a few of the thralls, and from what few who were in the throne room said, Luthien walked in all lovely and enchanting, and sang with three voices. It put Morgoth out like a fussy toddler. And then the wolves and the orcs, and even the balrogs, everything evil, dropped where they stood as well. The orcs were dead. No one checked the balrogs. Then Luthien’s man climbed the throne and took the crown and passed it down to Tyelpe. Then he and Annatar left and came back with BLASTING powder and lined the place while Morgoth slept.

Maedhros: *wheezing incredulous laugh*

Curufin: Annatar said the dragons were UNDER the throne room Nelyo. All the eggs, all the breeding stock.

Maedhros: *squints* *head tilt* wait. *slow blink* How would he KNOW that? I didn’t know that, and I know Angband as well as any former thrall.

C&C: *exchanged uneasy glances*

Curufin: We’re not sure. Finrod and Tyelpe trust him though. And, there’s Frodo. *vague hand wave* We heard some snatches of conversation, but nothing that makes much sense.

Maedhros: Right. Where’s Maglor? Nevermind, I saw him with Luthien, I’ll get them, and find Finrod. You round up Tyelpe and this Annatar fellow, and bring them up to my study. See if you can find the Frodo lad you mentioned.

Maedhros needs to corral all the important people ASAP and GET SOME ANSWERS.

He’s able to locate Maglor being charming at Luthien and Beren fairly quickly. Whereas Celegorm and Curufin look as if they’ve been on a hard march for days, Luthien, apart from the general grime of travel in the wilds, looks fresh as a daisy in may. Exactly how much power does she HAVE?? Never mind, one thing at a time. She and Beren graciously accept an invitation to a more private area. They’ve eaten and washed a bit, same as the throng of ex-thralls, but it’s VERY crowded. And They want to talk to Tyelpe, Finrod, Frodo, and Annatar too. They know more than Maedhros! But there wasn’t a LOT of time for other questions after establishing that there was some kind of time travel going on!

Tyelpe and Annatar aren’t hard to locate either. They knew this was coming. A quick wash up and food, and maybe a change of clothes, and it’s on to the Next Thing.

Note: oh. Huh. I didn’t think of it before, but I wonder what Annatar and Frodo are WEARING??? Some casual Valinorin clothes? I bet they were NOT dressed for getting dropped in the past! If it was just like, vibes based, maybe some clothes Annatar thinks of as ‘comfy’ rather than anything either of them might have been wearing before they were dropped into the past, since their bodies were created for this unlike Tyelpe or Finrod!

Annatar reluctantly taps on Frodo’s mind, and tells him Maedhros is collecting them.

Frodo, by this point, is not crying anymore, but is the kind of wrung out EXHAUSTED, that only days and days of rough travel and then a fierce crying jag will make you. Finrod almost offers to carry him, but Frodo just sets his mouth and gets up off the stone floor, doggedly putting one foot in front of the other and plodding along next to Finrod, who directs him around the crowd and into the keep proper.

Maedhros was somehow NOT expecting this Frodo child to look as much like family as Curufin and Celegorm insisted, but oh dear, if anything they understated it. He looks VERY much like the elf called Annatar. The hair, the skin, the eyes, but the other features. They were right, and Maedhros can see little echoes of his kin all over him.

He’s also swaying where he stands next to Finrod, with red eyes and tear tracks through the wilderness grime on his face. (Remember, Frodo skipped the wash up and clothes change area. Finrod too. I’m sure once they get through the first awkward conversation, someone will get them each a basin and some clean clothes!)

Maedhros makes eye contact with Finrod and jerks his chin at the soft couch set before the fireplace. Finrod takes the hint, and leads the young ner that is, in all likelihood Maedhros’s grand-nephew over and gently pushes him down on it.

Maedhros turns his attention to Tyelpe, and also Annatar. Tyelpe steps around Maedhros, and slings the crown off his torso and sets it down on Maedhros’s desk where it thuds down with a surprisingly light thump for a thing wrought of iron and misery.

Maedhros: So. Explain. Lady? This seems to have started with you?

Luthien shrugs gracefully, and sets herself down in Maedhros’s towering armchair before the fire and tells her part of the story. It is, thankfully, lacking the canon bits of C&C capturing her and being creepy assholes! Because Tyelpe stole Huan and met up with her before that could happen here!

When she’s finished with her part, with input from Beren, and Finrod, Maedhros turns and raises his eyebrows at his nephew.

Some very speaking looks are exchanged rapidly between Finrod and Tyelpe and Annatar and Frodo.

Finally Tyelpe just shrugs helplessly.

Tyelpe: Uncle, we have NO IDEA. One minute we’re in Fourth Age Tirion, the next I’m in Nargothrond and Finrod is in Sauron’s Tower, and Annatar and Frodo are there too. And Frodo is an elf.

Maedhros. Blinks. And replays that. Nope. Still makes absolutely NO sense.

Maglor: … I’m sorry, what?

Tyelpe: We’ve done this before. It all went SO much worse. Annatar wasn’t there before, though, or Frodo.

Finrod: Well. Annatar sort of was. Why are there two of you now, by the way? That’s. Kind of alarming.

Annatar: When I spoke to the One, and was changed, I was FUNDAMENTALLY changed. To hazard a guess, when this… Event happened, I was too different to integrate with my former self. He is maiar, I am elven. I came to my senses, he’s still following his shining plan.

Frodo: And me?

Annatar: We share something of our spirits on a deep level. And since hobbits have not woken yet, and will not for many many years yet, I imagine this was the only way for you to have a form here and now.

Frodo: *watery chuckle* Oh. Yes I suppose that makes sense.

Please imagine Maedhros and Maglor and C&C ping-ponging back and forth here, COMPLETELY CONFUSED by this conversation. But desperately trying to add up the bits they’re hearing into some kind of coherent narrative. Maedhros is squinting at Annatar with sudden DEEP suspicion.

Maglor: I’m sorry, can we back up a bit here? Fourth Age VALINOR????

Tyelpe: *sighs* *sits down next to Frodo* We all might as well sit down, this is going to take a while.

^__^

HEY.

I had the most interesting dream after falling asleep switching between the latest chapter of The Horrowing and a time travel fix it in another fandom. I thought you might enjoy a brief summary?

Post fic canon Annatar, Finrod, Celebrimbor, and Frodo getting the most hilarious do over of the First Age.

Finrod and Celebrimbor got dropped in their past bodies, bc same souls. Which has Finrod JUST captured by Sauron, before any of his 10 have been munched.

Celebrimbor is of course having a surreal not quite panic attack in Nargothrond.

Annatar, well. Annatar is CHANGED. He is quite literally too different from what he once was for them to qualify as the same soul anymore. Which is gratifying. If inconvenient bc there are now TWO of him, Annatar and full on Sauron. But they're similar enough that Annatar was dropped very close to Sauron.

Frodo is an elf. Dream logic was that hobbits do not exist yet, and his soul has touches of Annatar and Aman. He looks disconcertingly like a mix of Annatar and Celebrimbor, and they are NOT thinking about that right now. Hopefully ever.

Most of the dream centered around all of them doing their best to set aside freak outs, while getting Finrod and his merry band (plus Beren) OUT of Sauron's grasp.

There was a FANTASTIC moment where on the way out, Sauron comes face to face and soul to soul with Annatar and he's just like;

Sauron: *jaw dropped fully horrified face* WHAT are YOU?!?!?

Annatar: *shoving elves behind him, nose in the air* Wouldn't YOU like to know, weather boy. *uses Song to blast him through a wall while he's distracted*

The whole thing featured 10 other elves and Beren as a baffled peanut gallery.

Meanwhile Celebrimbor is weighing the pros and cons of just- drugging his uncles and shoving them in a back room somewhere where he can bolt the door. He thinks he can maybe get Huan to help if he explains?

It was SO much fun.

(hope you have a good day!)

Oh my god. This may be the best ask I've ever gotten, for so many reasons.

The fact that your subconscious was like "Yeah if Frodo's getting a new body it looks like Annatar For Some Reason"

The image of future!Annatar getting into a fight with Sauron in front of Finrod (probably happy about this development) and Beren and the other 10 (INCREDIBLY CONFUSED)

The fact that the dream was partially centered on everybody trying not to panic, which is in fact what the Harrowing is all about for a while

Absolutely incredible.

...I feel so bad for poor Celebrimbor dealing with Nargothrond all by himself while the others are off having adventures. I hope their next stop after the rescue is to swing by and pick him up. Also, I dearly want to know what Annatar has to say to Beren on the subject of his current Luthien-and-Thingol-and-Silmarils situation.

[puckinghischier]

okay so…not that anyone asked but i have some…thoughts about this discourse surrounding jack’s signing last night

and honestly….i’m sad. i’m so insanely sad that so many people who claim to love this team are so quick to assume jack is a lost cause asshole. i think so much of it is entitlement. and yeah, as people, everyone deserve kindness and overall base level social behaviors. but where is that for jack right now?

where’s the grace and understanding that he’s tired. they likely had a day full of practice and drills and workouts before this signing. i mean, did he even get to go home before he was expected to sit and sign autographs for hours? why was he alone? why didn’t they put him with someone else? i know the answer is likely because he was the most sought after signature there and they didn’t want to make his line even longer, but still. i feel like jack has been very open and intentional with the fact he doesn’t like to do media. he wants to play hockey and go home.

and yeah, he also knew it came with the territory, but it doesn’t matter. if you sign up to be a teacher, you know there’s going to be early mornings, but that doesn’t mean you have to like getting up early. if you agree to work in healthcare, you know there’s going to aspects of the job that are gross and unfortunate, but it doesn’t mean you have to like cleaning up bodily fluids. the same can be said for these guys. they signed up to be professional hockey players, they knew media and signings and events were going to be expected of them, but it doesn’t mean they have to like it.

but back to entitlement thing. i think it has become so normalized to create personas for real people in our heads that people are quite literally unable to separate the fantasy from reality. and i mean, i’ll even say i contribute to the problem. all fanfic writers do. we create these idealized and fictional versions of these men, but the ability to differentiate between the two cannot be lost in the process. but i think it has been. i think there’s this unrealistic expectation thrust upon all of them, but especially jack.

he’s popular, he’s cutie, and he’s good at hockey. of course he’s going to have a mass following. but…he’s just a guy, y’all. he’s a guy that has bad days, good days, who gets tired, who has a social battery. and last night, i think that social battery had just run out. do you know how long he’s been watched and in the media? do you know how long he’s been the most watched hughes, the expectations he’s carried on him for years?

i just think there needs to be some compassion and grace here. going back to the whole “people pay to watch me play” incident is a little excessive, imo. i mean, are we going to hold every single player to everything they’ve ever said in the box? does it define who they are and their character? i have not once seen anyone berate and question quinn’s character when he told someone they were “fucking nothing”. which, if you really want to get down to it, is worse than what jack said.

but no, jack is expected to be this guy with rainbows coming out of his ass all the time, apparently. i think the concept of social cues and situational awareness has been so lost because of the screen culture right now. people do so much communication through screens and phones that they forget, people aren’t always enthusiastic and bright, even if they add an exclamation point to their text. last night was not something jack chose to do of his own accord. he was told to do it, and he did it. he made sure the kids had a good time and felt cared for. he signed everything that came across his table. could he have been a little more chatty? yeah. could he have maybe smiled a bit more? yeah.

but seriously, he knew he was going to have to sign a million different items and see a million different people. the whole point of a signing is just that. if he was even remotely going to get out of there on time, there’s no way he could have had any meaningful conversation with every single person. and i feel like he’s said before he prioritizes/likes kids? i could be wrong, so don’t hold me to that.

but the point is, this whole situation is so sad and such a good example of how gossip blogs only care about getting likes and reblogs and attention. they don’t care about these players, no matter how much they claim to. and people are so quick to take everything they read for fact. personally, i think jack is just…antisocial.

i think he has a persona on the ice because he’s in his element, he’s comfortable, and he’s excited to be there. when he’s with his family and around his friends, he seems to be an overall happy guy. but around strangers? strangers that want to talk about his stats, how he played in this game or that game, that are shoving their items in his face to sign, people that he’ll likely never see again? he doesn’t give too much away.

and before people mention the being snippy and short with the workers, i wasn’t there so i didn’t see what happened. if he was, i’m not defending that behavior, but i don’t think it’s because he thinks he’s above them or thinks he’s “god’s gift to hockey” like i’ve seen thrown around so much today. we have all been snappy with people we shouldn’t have before. it doesn’t mean someone is this terrible person with a high horse attitude. i think it’s a combination of fatigue, stress, and maybe even some anxious energy that had been built up and made its way out.

anyways, i’ve said enough i think, and this will be the first and only time i talk about this, but i had too many thoughts swirling in my brain to just keep them there. be nice. show grace. you’re allowed to be disappointed if you attended last night and felt like he was maybe dry and dismissive, but please step back and put yourself in his shoes. not every person has a social and yappy personality. some people don’t speak unless they have something to say. and that’s okay!!!

and for the love of god, quit giving gossip blogs what they so desperately crave

[kathlare]

out off the bag

Lando Norris x Amelie Dayman

Summary: In the midst of the Emilia Romagna Grand Prix weekend, Lando Norris faces the unexpected challenge of discussing his relationship with Amelie, now very public after their kiss in Miami. As the media and fellow drivers tease him about the newfound attention, Lando navigates the awkwardness with a mix of humor and genuine sentiment for his girlfriend.

Wordcount: 0.7 k

Warnings: just fluff

May 17th, 2024 - Imola, Italy

The Emilia Romagna Grand Prix weekend had officially begun, and Lando Norris stood on the fan stage in front of a cheering crowd of fans, most of whom were eagerly awaiting to hear about the upcoming race. His usual confidence in front of the fans was there, but there was an unmistakable unease in his posture. It had only been a couple of weeks since the race in Miami, where the whole world had found out about his relationship with Amelie—his beautiful, talented, and slightly chaotic girlfriend.

The kiss they shared at the Miami Grand Prix had gone viral almost immediately, sending social media into a frenzy. And now, just thirteen days later, he was standing on stage, trying to answer questions while also processing the fact that this was no longer a secret. Amelie was a part of his life, a very public part of his life.

Lando took a deep breath and looked at the interviewer, who was smiling a bit too mischievously for his liking. The interviewer, a young man with a sharp wit, wasn’t going to let Lando off easy.

—So, Lando,— the interviewer started, drawing the crowd’s attention with his exaggerated enthusiasm, —I think we need to talk about your… new relationship status. It’s been all over the news after Miami. Can you tell us a bit more about how things are going with Amelie?—

Lando’s stomach did a flip. It was only natural that people would ask about it, but now that it was out there, he wasn’t sure how to talk about it publicly. His cheeks flushed slightly, and he rubbed the back of his neck nervously. He was so used to talking about racing, strategy, and the latest car developments—this felt... different.

—Uh, yeah, it’s, uh… going great,— Lando began, shifting on his feet. —We’ve known each other for a while now. Been good friends for a long time, and, uh, things just kind of happened after we started spending more time together last year. But, yeah, Miami definitely… well, I guess it made everything a bit more public.— He chuckled awkwardly, trying to lighten the mood, but the crowd was already roaring with excitement, some fans cheering, others shouting his and Amelie’s names.

As soon as Lando mentioned Miami, the teasing began. Oscar Piastri, who had been standing next to Lando on the stage, smirked and leaned in, nudging him with his elbow.

—Oh, come on, Lando,— Oscar said with a grin, —you can’t just brush off that moment. The whole world watched you two kiss. You really didn’t think you were getting away with keeping it private, did you?—

Lando’s face flushed even more, and he shot Oscar a glare, but it didn’t do much to stop the teasing.

—Yeah, mate,— Alex Albon chimed in from the other side of Lando, his tone dripping with mock sympathy, —you looked like a man in love. Pretty sure I’m still getting tagged in memes about it.—

Logan Sargeant, standing just behind them, couldn’t help but add his two cents.

—You two were basically a real-life rom-com moment. Can you at least admit that?—

Lando groaned, his hands finding their way into his pockets as he tried to steady his racing thoughts. This wasn’t how he expected this whole thing to go.

—Alright, alright, I get it, okay?— Lando said, a nervous laugh escaping him. —But seriously, I’m just trying to talk about the race, yeah?—

The interviewer was clearly enjoying himself, leaning into the banter. He gestured toward Lando and the teasing trio.

—Well, it looks like we’ve got some new fans for Team Lando & Amelie here! But tell me, Lando, what’s it like having your relationship out there for everyone to see now? I mean, Miami was a big deal. There’s been a lot of attention. How are you handling it?—

Lando hesitated for a moment, his gaze shifting down for a brief second before he met the crowd’s eyes again.

—Honestly, it’s… it’s weird at first. I’ve been in the spotlight for a long time, but this feels different, you know?— Lando began, trying to find the right words. —Amelie and I, we’ve always been really close. I’ve always admired her, and now that we’re… together, it’s just natural. But yeah, having it all out there for everyone to see is a little overwhelming. It’s not something I ever thought I’d have to talk about so publicly.—

—So what’s the deal with the kiss in Miami, Lando?— the interviewer pressed, smirking.

Lando’s hand shot up in the air in mock surrender.

—It was a spontaneous thing! I mean, we were celebrating, and...uh, well, it just happened! Not everything needs an explanation, right?—

Oscar snorted, shaking his head.

—It’s fine, mate, we’ve all seen it. You looked pretty happy. And I’m sure you didn’t mind the attention. We’ve been getting tagged in Amelie’s posts too, haven’t we? She has a bit of a following herself.—

Alex jumped in with a sly grin.

—Yeah, and don’t forget the constant memes and the romantic captions she puts up. I’m sure she’s loving it just as much as you are, Lando.—

Lando groaned, trying to hide his face behind his hand.

—Alright, alright, you lot are too much right now. Just let me get through this, please? I’ve already said enough about my love life for one day.—

The crowd was absolutely loving the banter, and Lando had to admit, it did make things feel a bit easier. He caught a glimpse of his phone, and for a moment, his thoughts drifted to Amelie. He hadn’t spoken to her in hours, as she was on her way to New York for her Saturday Night Live appearance, but just thinking about her put a smile on his face.

—It’s great though,— Lando added, his voice softening a little. —She’s amazing, and I’m lucky to have her. But we’re both just taking things one day at a time. For now, though, I’ll just stick to racing.— He cleared his throat, trying to shift the conversation back to something more comfortable for him. —Speaking of which, let’s talk about the race weekend. How are you lot feeling about the track?—

The crowd cheered, and just like that, the conversation shifted back to racing, but Lando could still feel the playful teasing hanging in the air. He knew that he couldn’t avoid the subject forever, especially now that Amelie was a part of his world in such a public way.

But at least for now, it was done. And for a brief moment, he could just focus on the race, on the adrenaline of the track. He couldn’t wait for what the weekend would bring.

[bronx-bomber87]

I know we’re all struggling with this endless hiatus and the lack of new content, so I thought it would be fun to resurrect the #chenfordchats that were circling around the fandom earlier this year. We previously did a question on favorite Tim Bradford quotes, so this time let’s do Lucy! What are your favorite 3-5 (or more if you want) Lucy Chen quotes from the entire series 😊

This does feel endless doesn't it? Not sure why this hiatus has felt longer than when we had the writers strike. That didn't have an end date for a long time. We have one for this one and it's felt worse. Probably because of all the BTS being withheld for now. We're all starving for content of any kind they'll give us. They've been restricted from sharing much of anything. So we're going little stir crazy. 47 days to go LOL We can do it.

This was not easy because these asks never are but always fun. Appreciate the challenge of them. Here we go. These aren't in any particular order BTW. Except by season cause I can't help but organize it. So maybe they are in a specific order ha But not one of ranking by any means. Also I'm not so good at staying within the numbers lmao I suck at it really. So I just did ones I love and I'm probably forgetting some I love but hopefully not.

If I am missing any feel free to do this as well or let me know your favs in the comments. Also these come with commentary cause I am me after all ahaha Was hard to find quotes I love that aren't just Chenford related but Lucy too if that makes sense. That's real hard cause they're so intertwined lol Anyways this is my crack at it please enjoy and don't hesitate to comment should you like to. Also feel free to participate as well more fun when people join in :)

1x01-What's not to love about her opening line as a character? So confident and ready to go. Look at her. Love everything about this line. Confidence rolling off her as she says. Hasn't been squashed yet by her future soulmate....

1x03-I LOVE this line for how it lands with Tim. But mainly we get to see the early sparks of confident Lucy putting Tim in his place. Standing up for herself. Because if she doesn't her career is going up in flames along with Tim's epic flameout. Telling him like it is and I love her for it.

1x07-Another amazing line that lands so well. This is an iconic scene but this line right here. This IMO is what keeps Tim from crossing that line. It's so spot on. She went out on a major limb and it pays off. Just love this line in particular.

2x01-Are we sensing a theme? LOL It was accidental. But I do love Lucy putting my boy in his place when warranted. Standing up for herself in the process. Straight up owns his ass in this argument with dem fighting words. Love her for it.

2x08-Always love watching her fierce loyalty come out despite rank. heh I love this line. Because once again calling someone out on their crap. Why we love our girl so much isn't it? So many reasons but this is definitely one of them.

2x10-Our poor girl so very frustrated with dating especially as a cop. This is an epic line that I don't think gets enough love. Cracks me up so much.

2x11-Love me some BAMF Lucy. It's one of my favs. The fierceness she shows not only saying this line. But making sure she makes eye contact with Caleb when she delivers it. I love her so much. We all know how true this statement ended up.

3x05-This seems like two quotes in one cause it kinda is. Already breaking the rules as is so here we are haha Fiercely protective Lucy reporting for duty with this quote. Loved it so much. She gonna beat your ass Stanton.

3x07-This line will never cease to crack me up. She owns his ass this entire episode really. It's one giant mic drop for her. This one is one of my all time favs of that ep and in general. I dare you to watch that scene let alone that ep and not be laughing.

4x16-Her reply to Tim's reaction makes me cackle. Her comedic timing is perfection. She is fed up with her hubby at this point and it makes me laugh so much. Goes from playful to over it immediately.

4x22-Lucy's reaction to Juicy is an all time fav. She was having fun messing with Tim over Dim till then. Her replies are so funny I love this quote for how much it makes me laugh every time. She is disturbed and not having fun anymore. LOL

5x12-Such an iconic way to drive her point home with this epic line. No more needed to be explained after this line. I adore this quote and the way she delivers it to Tim.

Lucy Chen is me when i'm prepping for anything with my anxiety. This cracked me up so very hard. Also couldn't find a gif of this glorious line. So just edited down a gif I did ha but I adore this line for how much I related with it LOL She is me when I am prepping.

That's all folks. Hope you enjoyed my rambles. Feel free to comment or do your own that would be fun to see others do it as well. Best part of fandom doing stuff like this. Seeing what everyone loves.

[granny-griffin]

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

I mean I think it is, and I’ve done it (or tried to). But I do tend to second guess my interpretation of a situation a lot more if I haven’t seen anybody else say something—maybe people sometimes aren’t sure if what they’re looking at is racist or not, and then decide not to do anything with that uncertainty because it would require thought.

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

I think people are taught that the latter only exists in real life, and that if you try to do it in fandom you’re just yucking someone’s yum. People who do the second one generally receive the same kind of pushback as people who do the first one (even though they don’t deserve it).

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

Because trolls go away when you don’t pay attention to them. But like you already said in question #2, those situations aren’t the same. People are drawing a false equivalence between the two. And as far as bigotry I experience in fandom—I think I just assume that it will be there and not go away no matter what, and I’m pleasantly surprised when that’s not the case. But that’s not really the point of this.

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

I want to annoy bigots XD I love the excuse. Honestly not sure why more people don’t feel this way on tumblr, the website that’s all about being as annoying as you please.

At the same time, I want the annoyance to come because I’m giving them a message they don’t want to hear, not because I’m also being a jerk about it. Maybe it’s weird, but I care about bigots because they’re people, and their bigotry hurts them too, and I want them to listen to me long enough that they hear what I have to say and change what they’re doing. But even that isn’t a reason to try to keep from offending them—coddling somebody in their bigotry isn’t kind either.

I do think that people often don’t want to offend bigots who are good at creating fanworks, because they look up to them as a creative and/or don’t want to drive their skill away from the fandom. Yeah—the better you are at fanworks, the more you can get away with.

The second question is hitting me really strangely—yes, I think everybody deserves to have a comfortable space, and I want to defend that for others. I don’t know if I care to defend it for myself.

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

I mean I plan to listen to them, even if I don’t like the way they’re presenting their frustrations—if somebody’s mad at me for something that I really did (or sat by and failed to stop) then it’s so not my job to critique their attitude.

I don’t think I’m okay with the outcome—that’s why I’ve spoke out in the past—but the parenthetical is psyching me out. Maybe I do ignore things out of fear! I’ll have to keep introspecting.

I don’t want Black fans to assume everyone is against them, and I don’t think other people want that either—but I think fixing the situation requires people to be proactive. I think a lot of people think that just not being antiblack is enough, and then don’t think about it any harder. And so nothing happens, because instead of looking to do something right, people are only trying not to do something wrong.

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

YES 100%!! I don’t think we can accurately judge from within! This is one of my biggest struggles—it goes back to my answer to #1. I want to speak out against racism, but even though I’m trying to educate myself so that I can spot it, sometimes I’m really not sure. And calling somebody racist feels like a really big accusation—if it lands publicly in the right way it could get somebody blocked by all their friends. I wouldn’t want to do it to mistakenly. So I’ve been trying to watch and see when Black people call out racism so that I can amplify/support what they’re already saying.

But maybe we need also to have a less all or nothing approach? If we aren’t sure if someone is being racist, we could start a more private conversation to tell them about our concerns, and see if their response sheds any light on the situation. Sometimes I ask people leading questions about their thought process when making something instead of just telling them to quit being racist.

Inevitably, no matter what I do, I worry that I’m not using the right level of forcefulness. But I guess sitting here and angsting about the appropriateness of my approach is still better than doing nothing.

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

Yes, and I think it’s tied to my struggle to judge situations. There’s a certain threshold of racism under which I can’t identify it with enough accuracy to feel comfortable making a callout. But again—maybe “public callout” and “do nothing” are not the only two possible responses.

Okay so after sitting on the responses from yesterday's question, I have some follow up questions to what seemed to be some consistent... Themes in the answers.

Like yesterday, I am asking with intent to listen (and maybe ask more questions) so I will not be arguing- at best, you'll get a "hm" to acknowledge i saw what you said.

My follow up questions:

1. There are a lot of people who think they're the only one who would speak up. Imagine what would happen if everyone who thought they were the only one... Spoke. But even if you do think you're alone... Why is antiracism not worth standing alone for?

2. There is a difference between feeding the trolls and speaking up when something wrong is happening. Do you feel people are more comfortable assuming the former so that they don't have to interact via the latter?

3. Why do we think that bigotry will go away if it goes unaddressed? Is that how you also feel about bigotry that you experience via your other identities?

4. Why should we entertain and prioritize the annoyance of bigots? Why do you not deserve to be here and have a safe, comfortable space any more than they do?

5. What do we plan on doing when Black fans lose their patience due to disillusionment? Are we okay with the outcome of that, of choosing... Well, being racist but safe? (Be honest with yourself!) Would we rather Black fans just accept that it's easier to assume everyone is antiblack, the same way it's easier not to speak up against it as a social norm? If we want to show that there is still a welcome for Black fans, that we are safe, why don't we act to show that?

6. If everyone only hangs around people who aren't antiblack, why is the space still so overwhelmingly antiblack? Have you considered that you cannot adequately judge from within?

7. No one really answered my "what is the boundary" question at all. What I should have asked is, are you willing to recognize that you have a willing tolerance for antiblackness? That there is a certain amount that you are okay with allowing before thinking it's worth speaking up?

*I also want to note that I'm not directing this to Black fans. I know that the context changes when you have to fight. I'm asking the people who have the privilege of fighting antiblackness while not having the identity. I.e. some marginal power in the area.

[meansevika]

okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

[the-bad-guys-2-reportage]

🟢The Bad Guys 2 director & producer confirms Diane Foxington won't have a smaller role in the sequel!

They know of her popularity

Pierre Perifel: "Yeah, she has her own kind of storyline here. And we love her so much. She’s a badass. But, to answer your question, I think we saw the reaction of people to this character, and we knew we needed her. She’s definitely a big part of the franchise."

Damon Ross: "I mean, I’d say the character of Diane Foxington really popped in the first movie. You get a little taste of her in the trailer, but she’s definitely in the second one, and she’s kind of a scene stealer. She’s really fantastic. The chemistry between Wolf & Diane is incredible"

Bonus: about the new message of the movie:

Pierre Perifel: "I think that message is still relevant. It will always be somewhat relevant, because it’s really the story of these villains that are becoming heroes through their journey of life, really, and therefore looking for belonging from a society that hates them. In this story, I think we naturally were led to a different path. In this first movie, our bad guys are changing. They embrace a new life, Wolf, in particular, embraces a new life and drags the whole gang down with him. Like, alright, we’re bad now, but we’re going to go good. And he feels responsible for the rest of the gang, just dragging them into this new life. And it turns out, this new life after prison, where he thought it would be easy to be accepted by society and embraced, it turns out it doesn’t work like that. You come out of prison, you’re still an ex-con, you’re still scary, because he’s Wolf and people don’t trust him. So we start the movie there where Wolf is quite scary, and realising that it’s not easy to live a normal life."

Damon Ross:"I think he feels slightly, I mean, we’re not on the nose with this, but he’s slightly guilty. He’s pitched this good life to the crew, and he’s dragged them away. What seemed like a great thing for “the bad guys” with this new life is not all it’s cracked up to be. He’s like, “Well, what was the right choice? Did I do the right thing?” Wolf ultimately is tested with his decision to go good with this new female crime team,The Bad Girls, who are going to lure them back into the bad life. It’s bringing (the crew) out of retirement and asking them to do one last job."

Interview from theaureview & GamesRadar

Based on the books by Aaron Blabey

[lightlycareless]

Do you think Naoya and his brothers feel a slight resentment in the change of Naobito’s behavior towards Naohime when compared to raising them? While Naobito is certainly not Grandpa of the Year, I’m sure his behavior is a significant improvement to how he raised his own. So I’m curious if they’d hold some anger towards him or Naohime(I doubt Naoya would but I think he’s feelings might be complicated) since it shows Naobito had the capability to be better but wasn’t? Or do they think that Naohime is just a Naobito whisperer Lol

Now isn’t this an interesting ask? This is a can of worms I feared opening because it might put some of Naoya’s relatives in a bad light but hey, that’s just how some families work haha.

Anyways, I won’t say much here, everything will be either on the actual post or afterwards :> I hope you enjoy my analysis of the situation!!

Warnings: none. Difficult family dynamics.

I would love to say that all of the Nao-siblings are responsible, mature adults when it comes to their feelings but let's be real, when Naohime comes along that’s when the real issues with their nephews begin.

Sure, they always considered them to be quite spoiled from Naoya’s willingness to give them whatever they want, followed by having an actual mother that cares for them, to finally, how they don’t seem to go through the same suffering they did when growing up around people like the Zen’in. (You defend them, Naoya is somewhat softer when training them, etc)

They don’t like the whole dynamic around your family…

BUT Naohime just takes it to a whole ‘nother level. At the intervention of Naobito, they finally realize that what they felt upon seeing your family… might’ve been akin to jealousy. It’s just that Naoya gets to experience that as well this time around.

However, the worst part of it is that nobody really expresses their sentiments, so they kind of just continue to grow bottled up inside them—and you don’t blame them. It’s the first time they get to see Naobito being… well, an actual human being and not the monster they grew up to fear and avoid, so they just don’t know how to process it.

Naofumi kind of gives you hints about their current turmoil, or at least that what affects those present at the estate—I dare say Naosuke and Naohito couldn’t care less about this because they’ve moved on, really. They’re rarely home anyways. And truth to be told, when they’re told about Naobito’s and Naohime’s relationship, they don’t really believe it— but outside of that, he’s used to never being up to anyone’s expectations so there’s no difference now :’(.

Naohiko is very vocal about it too, always complaining about how the old man “now has a heart” and how “ridiculous he looks” acting like that. He blames it to old age, that he’s growing senile, or he’s finally lost it, but…. Well, he won’t do anything outside that. Like Naofumi, he’s accustomed to never being to anyone’s expectations. Dare say, he probably has children too at this point, so he can’t bother himself to care about other kids that aren’t his.

Naoaki and Naoya though… they take it the worst.

Naoya is conflicted in the sense that he’s happy that finally one of his kids appear to be of his father’s approval (he’ll never admit it, but he’s unfortunately cursed to always seek his approval, one way or the other.) it’s just that… he never expected to see that kind of behavior coming from him. For the longest time, he believed it was too ingrained in Naobito’s DNA to be evil… alongside the eternal questioning of “what does Naohime have that I don’t to earn that kind of treatment?”

He eventually overcomes this when Naohime reassures him of being the best father ever (it’s a type of “Father adores Naohime, but Naohime adores me, so take that!!), because to him being a good father is much more important than being a good son (at least to someone like Naobito.) and besides, to compare himself to Naobito is… his worst nightmare haha. But all possible thanks to your and the kid’s support ♥️.

Naoaki… yeah, he’s the worst. He effectively hates Naohime, unjustifiably, but he couldn’t hate Naobito more so he has to take it out somehow, you know?

Now, he won’t do anything outrageous, but… he’ll try to diminish her achievements, make her feel guilty about what she does or doesn’t do, and most importantly, project his own insecurities onto her, like comparing her to her siblings. Naoaki genuinely believes she doesn’t deserve all that she gets, thinks that he's worked harder and such. Kind of a “I spent my whole life training to try to appease my father, and this kid is just born and suddenly she’s all he’s ever wanted?”

But by that point Naoya is the leader of the clan so if anything happens he’ll make sure to take the necessary measures to protect his family, though I think that Naoaki would rather live anywhere else than be under the control of his brother. So, kind of like Naosuke and Naohito.

Naohime is quite a spoiled kid, but nonetheless, she’s equally loved by you and Naoya, and Naobito, it seems haha. You really did come to change the Zen’in estate for good 😭😂.

TLDR: Naoya is a bit conflicted but eventually surpasses this situation because he loves Naohime too much to let such petty things bother him. (It took YEARS to get this mature version of Naoya OOF worth it) Naoaki already disliked everything that had to do with you and Naoya so now this is just— great lol. He’ll avoid Naohime most of the time… unless Naobito inspires her to mock him 💀

There you have it :> what I believe their thoughts would be regarding Naohime’s odd relationship with Naobito. They for sure think she’s some kind of Naobito-whisperer lol and those bold enough might use that to their advantage (like get favors and such, very bad influences indeed) but I also believe it doesn’t really matter since I envision that by the time she’s around Naoya is effectively clan leader. It’s a miracle that Naobito is still around by that point lol.

I hope you enjoyed my short analysis, and you don’t know how happy it makes me to read that y’all are interested in my other characters 😭!!!! It’s the highest compliment I could get, so thank you so much for sending in this ask 🥺♥️

Take care and hope to see you soon!!

[httpvomitello]

Shell of Trust *⁠.⁠✧

Donatello had always prided himself on being observant. He noticed the little things—the way people hesitated, the subtle changes in tone, the details others often overlooked. It was part of what made him such a good problem solver, and right now, the puzzle in question was you.

You’d been part of their lives for months now, introduced as April’s best friend. Sweet, kind, and intelligent, you’d fit in with the group almost seamlessly. But there were walls you kept up, things you didn’t share, and the most glaring of all: your reluctance to let them come over to your home.

Donnie wasn’t one to pry, but the more time he spent with you, the more he found himself wanting to know what was behind those walls. It wasn’t just curiosity—it was something deeper. He admired you, more than he cared to admit, and your quiet strength had a way of captivating him.

So when you’d canceled plans for the third time that week, claiming something had come up, Donnie couldn’t ignore the nagging feeling that something was wrong. Against his better judgment, he decided to stop by your place. He told himself it was just to make sure you were okay, but deep down, he knew there was more to it.

It was late when he arrived, the soft glow of your living room lights spilling out through the window. Donnie climbed onto the fire escape, careful not to make a sound as he peered inside.

What he saw stopped him in his tracks.

There, sitting cross-legged on the floor, was a little girl. She was playing with a set of blocks, her face scrunched up in concentration. Her resemblance to you was unmistakable, from the curve of her nose to the way her hair fell in soft waves.

Donnie’s breath hitched.

Before he could process the revelation, the little girl looked up—and screamed.

“Mommy, there's someone at the window!”

Donnie backed away from the window, panic rising in his chest. He hadn’t meant to scare her. A moment later, the window swung open, and you looked outside, your expression a mix of shock and seriousness.

“Donnie?”

“Uh… hi,” he said sheepishly, raising a hand in an awkward wave.

“What are you doing here?” you asked, your voice laced with worry.

“I—I wanted to check on you,” he stammered. “I didn’t mean to scare her. I didn’t know—”

“That I have a daughter?” you finished for him, crossing your arms.

He nodded, his gaze flickering toward the window where the little girl was peeking out cautiously. “Yeah. That.”

You sighed, leaning against the doorframe. “I didn’t want you to find out like this.”

“Why didn’t you tell me?” he asked, his voice soft. “Why didn’t you tell any of us?”

You hesitated, glancing back at the window before stepping outside and closing the door behind you. “Because it’s complicated, Donnie. People judge me because of that. They assume things, say things… I didn’t want you guys to see me like that.”

Donnie frowned. “You really think we’d do that?”

“I don’t know,” you admitted. “But I couldn’t take the chance. Maya’s been through enough, and so have I. I couldn’t risk you rejecting her—or me.”

He took a step closer, his expression earnest. “I could never reject you. Either of you.”

Your eyes met his, uncertainty flickering in them. “You say that now, but you don’t know the whole story.”

“Then tell me,” he urged gently.

You hesitated, but the sincerity in his voice broke down some of your walls. “Her dad… he left when I told him I was pregnant. Said he wasn’t ready to be a father and walked away, a few months later I found out he was cheating on me and his mistress was also pregnant.. Since then, it’s just been me and Maya. And let’s just say people haven’t exactly been kind about it.”

Donnie’s eyes became more serious. “That’s… awful.”

You gave a bitter laugh. “Yeah, well, it is what it is. I’ve gotten used to people looking at me like I’ve failed somehow. I didn’t want you guys to look at me that way, too.”

“I don’t,” he said firmly. “And I never will. You’re one of the strongest people I’ve ever met, and from what I can see, you’re an incredible mom.”

Your breath hitched, and you looked away, blinking back tears. “You don’t have to say that.”

“I’m not just saying it,” he insisted. “It’s the truth. And Maya… she’s lucky to have you.”

You let out a shaky laugh, finally meeting his gaze again. “You’re really something, you know that?”

He smiled softly. “I could say the same about you.”

The two of you stood there for a moment, the tension easing into something quieter, more intimate. Finally, you broke the silence.

“Do you want to come inside?” you asked.

“Are you sure?”

You nodded. “Maya’s probably still a little scared, but… I think it’s time she met one of my friends.”

He followed you inside, his movements careful and deliberate. Maya was still on the floor, clutching her stuffed rabbit tightly. When she saw him, her eyes widened, but she didn’t scream this time.

“Hi,” Donnie said gently, crouching down to her level. “I’m Donatello. You can call me Donnie if you want.”

She didn’t respond, her grip on the rabbit tightening.

“It’s okay, sweetheart,” you said softly, kneeling beside her. “He’s a friend. Remember how I told you about Mommy’s special friends? Donnie’s one of them.”

Maya glanced at you, then back at Donnie. After a long pause, she whispered, “You’re really tall.”

Donnie chuckled, relief washing over him. “Yeah, I get that a lot.”

Your heart warmed at the sight of him interacting with her so gently.

As the evening went on, you found yourself smiling more, watching Donnie carefully build a tower of blocks with Maya. He was patient and kind, never once making her feel uncomfortable.

Maybe, just maybe, you had found someone you could trust—not just with your heart, but with hers, too.

[shadamyheadcanons]

I'm not sure if they ever gave an official explanation as to why Shadow joined GUN, but I've seen plenty of people say that it's strange he joined the organization that basically ruined his life, and yeah it is weird.

I have come up with a headcanon that explains it though. He joined them to make sure they never do something like they did on the ARK ever again. Keep your friends close and your enemies closer as they say. Not to mention the whole reason that all happened was because GUN wanted him as a weapon. I think he'd be concerned that they might go after his new friends if he doesn't give them the impression that he's under their command.

So he joined, hoping to gain their trust and keep an eye on their activities. Rouge is also in on it, and definitely has hacked into their database to view top secret documents. If they ever find out that GUN is planning another senseless massacre, then Team Dark plans to sabotage it from the inside out.

Not a ShadAmy headcanon specifically, but you could imagine that Shadow would be reluctant to share this information out of fear of being jeopardized. Perhaps it could be used for drama. Have fun writers~!

I really, really like this. It’s my new favorite explanation for something that’s always bothered me about this franchise. Thank you!

It doesn’t just make sense objectively, it matches Shadow’s experiences perfectly. I often say Shadow would cling to Amy because he knows how easy it is to lose someone, but I love the idea of him taking it in a darker direction, too, picking up on the possibility of another tragedy happening and preemptively taking steps to stop it. I think people see Shadow as rash because he’s so extreme in his actions, but that is careful for him. Those aren’t mutually exclusive:

[IDW issues 5 & 6]

Team Dark standing with him is always great, too.

Another thing I like is that it gives Shadow agency. Based on Commander Tower’s behavior at the end of ShTH and his actions in Shadow: Dark Beginnings, Sega seems to want us to believe the Commander is a nice guy who’s good buddies with Shadow:

“Shadow, do you read me? First, I...I want to...apologize, for the other day...actually, I just became a grandfather last week, and I was thinking of maybe having you over.”

Commander Tower, probably: “Sowwy I twied to shoot you, uwu. It’ll never happen again! 🥺”

And, uh...I don’t buy that, frankly...but it doesn’t seem to me that G.U.N.’s keeping him under their thumb, either. As interesting as that concept would have been, I don’t think it’s what Sega’s going for. It lines up better with canon if Shadow’s choosing to stick around for his own ulterior motives. I think having him actively decide to keep G.U.N. close for that reason strengthens his character.

Your headcanon is even stronger now in the wake of Takashi Iizuka’s pre-Shadow Generations interview (which happened after this ask was sent, btw), specifically the question at 3:20:

(Side note: I have so, so many issues with what he says here–no other motivation? None at all?! You’ve got to be kidding me! But that’s a rant for another day.)

This all but confirms that working with them is a choice for Shadow.

It also perfectly demonstrates something that really irks me about Sega: their lack of communication about basic aspects of the characters’ lives. Most fans speculated for what, almost two decades, about whether a main character is employed or not, and Sega just drops it in a random interview? Not even in a game? It’s such basic information, yet they didn’t tell us for 19 years. And gee, why would we get that impression?

[Archie Sonic Universe issue 1]

It’s like even the official writers at Archie thought he was a G.U.N. agent. Sega couldn’t be bothered to tell them, let alone us. We don’t even know where some of these characters live. It’s kind of silly once you think about it.

Yeah. “Silly.” Let’s call it that. 🤨

Thanks for the ask!