#the past one was so much better…

[laeana]

Holding the riders at gunpoint to ask them what they think of that new brand, and Pecco going “it was uhhhhhhhh incredible”, yeah we feel you Pecco, we’re just as amazed 😅

[hansoeii]

crowley

[hinamie]

9 / 266

[poorly-drawn-mdzs]

Soup solves everything.

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[hecksupremechips]

Mizuki and Date though like. Imagine being 8 and your parents are filthy rich and going through a bad divorce. Your mom treats you like shit, lashing out at you, hitting you, saying she wishes you were never born all because you were behaving like a child. Your dad is more comforting, but he doesn’t do anything to stop the abuse and he spends his time invested in a completely different family, a girl who you love and look up to but he loves her more than you and it fucking shows. Then your dads new friend, some fucking bachelor in his late 20s, is just like "wow you guys are the worst fucking parents ive ever seen" and next thing you know your dad is sending you off to live with him. And it’s just a massive kick in the head cuz you go from a rich lifestyle to living in some really shitty tiny ass apartment with this guy who’s clearly never been around a child in his entire life and he doesn’t know how to behave and does a really bad job of censoring himself like he has a bunch of dirty magazines that he can’t hide very well cuz it’s literally a studio apartment and also he talks to himself sometimes, it’s really weird. He doesn’t even have the slightest clue what he’s doing

And he’s the best parent you’ve ever had

Because fuck, it all really hurts. You have to cope with having never received any love from anyone, and with the fact that your parents clearly don’t want you and can’t even be bothered to send you with anyone even kinda responsible. And this guy has a scary job with crazy hours and you don’t know anything about him and neither does he. But still, he never once hits you or tells you you’re not allowed to cry. He just gives you space and doesn’t push you to feel any sort of way about him. And sometimes, he’s even kind. He makes you some stew, even though it’s a bit chunky. He lets you sleep in the bed and takes the couch for himself, even though he complains about the massive back pain he’d never trade his spot for a second. He pays attention to events at your school and gives you your favorite stuffed animal when you make good grades, even though you called it ugly. He gets worried sick when you come home with bruises and puts on a goofy voice and trains you to defend yourself and you develop some highly deadly skills and even though it’s really abnormal, he buys you a bench press so you can get stronger. There’s this distance there, and you feel really weird caring about someone who you aren’t related to, but you find yourself wishing it was meant to be like this all along, that maybe, he’s secretly your real dad and he loves you like his real daughter

And when you say "I’m back" he says "welcome home"

[akolnoix]

Chain of Pronouns

A Partial Re-Translation Patch for Kingdom Hearts: Chain of Memories (GBA)

Kingdom Hearts is a tricky series, where the details really matter. As such, it’s a shame that some interesting elements of Kingdom Hearts: Chain of Memories did not make it into the official English release (and, from what I know, none of the other language versions). So here we are!

So What’s Changed?

The most important changes in this patch are, as you might’ve guessed from the title, pronoun related.

There is a section of the game, from the beginning of Twilight Town to a certain point in Destiny Islands, where Sora (and the NPCs in Destiny Islands) inexplicably change what pronouns are used to refer to Naminé. The official English release does not convey this element at all despite how much emphasis the game puts on this aspect, and thus loses any potentially significant implications of it.

As there’s no perfect English equivalent for あいつ aitsu, (a very informal/rough pronoun that is technically gender-neutral but leans toward masculine connotations, and is a strange way for Sora to refer to Naminé or Kairi), there are two versions of the patch.

“they” version. This is the one I recommend , as I believe it best conveys the intended experience; where there is a noticeably strange shift in language, but in such as way as to be fairly easy to write off as unimportant to the casual player.

“he” version. This one tosses all subtlety and ambiguity out the window and feels less natural, but conveys the masculine possibilities of the original that the other version can’t. Pick it if you’re feeling very daring.

Then, in the final stretch of the game, jp Naminé uses gender neutral terms in a way that seems potentially relevant, due to the pronouns situation stated in the previous section, and she is talking about two distinct people in her final conversation w/Sora, not just one. Both elements were lost in the official release.

Other Changes

Tweaked some word choice/phrasing for dialogue to more clearly convey repeated motifs (if you’re familiar with the jp terms used, 大切な / に taisetsuna/ni is generally denoted with “precious,” and 大切な人 taisetsuna hito with “dear”) as well as references to other parts of the game (primarily between Hollow Bastion and the floor 6+7 interludes)

They don’t call Sora the Keyblade master anymore, as this was sort of an impossible to predict localization misstep with the original release. (How were they supposed to know that jp script would start using the English phrase "Keyblade Master" as a distinct concept like 10 years later?) I did this just for fun.

This project was primarily built upon the contents of the essay “‘That Person’ How a Pronoun Revealed the Heart of a Story”, and would not exist without it. Read it after you finish the game (or before, if you want), it’s fantastic work.

Special thanks to this gba khcom quote generator and this transcript (both of which saved me SO much time and effort) as well as all my friends, whose excitement and input were invaluable.

Don’t want to actually play the game? Once I’ve settled on a final version, I’ll be putting up a cutscene compilation (for both versions) on youtube.

[jesuis-assez]

↠ Tim & Lucy ↳ 2x01 - Impact

[brainrotisseriechicken]

(heaven is you,)

(heaven is you,)

(heaven is you.)

everything else was stressing me out so i drew a bunch of hands to relax (thus me not bothering to polish them) (did its job for the first couple hours then i got anxious again)

[gremlin-pattie]

the thing is that jedus fans are like “vote jedus because it’s silly! wouldn’t it be funny if they won lol!!” meanwhile phannies are like “pleeassee vote phan. phil wants to win. they are actual soulmates, next to each other in life, ancient turtles, a ranch metaphor. they made me believe in love.” and not to take a tumblr.com rpf competition too seriously, but i hope true love prevails over a meme.

[skrunksthatwunk]

i just know his ass has a debilitating urge to chew ice constantly (<- projecting)

[l3irdl3rain]

How is my best friend Arthur has he helped you baldur any gates

He’s been good! My washing machine broke last week and I hauled it out the other day in preparation for the new one and he’s been loving his new Top Secret Hiding Spot.

We are taking a little bit of a Baldur’s Gate break right now just because I was getting burnt out. We’re slowly making our way through Mass Effect Andromeda for the second time. I’m very excited to get back to BG3 tho.

I left off right at the start of Act 2. I’m playing a Githyanki monk named Ez’rai and spent way too much time coming up with a backstory for them. I’m going to be romancing Wyll this time. I think Ez’rai growing up in such a harsh culture that didn’t have room for soft romance will go together in such a fun and cute way with Wyll. A noble’s son who is just so sweet and romantic and good.

[infinitelystrangemachinex]

Veilguard vaguing:

It's not automatically a good thing, actually, that the game de-emphasizes or even outright removes racism against elves, and bigotry against other groups, from the story

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

[First] Prev <–-> Next

[i-dare-say]

You know what I love about Binghe's character? His role in the story and the way it changes our perception of him through the narrative.

We first meet him as this poor boy and we, just like Shen Qingqiu, get swept by the image of the white lotus. He's a teenager, and we're told that at this age he didn't have any of the darkness that would reign over his life after the Abyss. We're only shown an obedient and sweet Luo Binghe. He is the "young and innocent protagonist".

But we know about his future. Shen Qingqiu tells us so many times that the Abyss will corrupt him irreversebly, that he will come back and take his revenge on the scum villain. The problem is that we see the story through Shen Qingqiu's point of view, he is our protagonist, making Binghe our villain. So we read about the disciple days with the constant thought that this boy will one day become the antagonist.

And see, there's a slight difference between villain and antagonist. A villain is perceived as someone with bad intentions, while an antagonist is just someone who opposes the protagonist.

When Luo Binghe comes back from the Abyss, he is both villain and antagonist. He goes against Shen Qingqiu (antagonist), and the story tells us he wants to kill him like the original PIDW (villain).

Then it's revealed that it may not be exactly like that. First, we're shown that Binghe has romantic feelings for Shen Qingqiu (which, yeah, it's obvious to everyone but him, but still), giving Binghe a new possible role in the story: love interest. This immediately reduces the perceived danger of his actions. It brings him closer, it makes him a safer character.

Yes, there are stories with villainous love interests that do horrible shit, but we're dealing with the most common way narratives treat this type of character: generally, the love interest is good. And so, the moment this role is put upon Luo Binghe by the narrative itself, it also influences the reader.

But Shen Qingqiu, and consequently we, don't lower our guard. Despite being the love interest now, we also know that Luo Binghe has conspired to take down his master and organized the sower plague. He's attacked Huan Hua Palace, killed Gongyi Xiao and many others, putting the blame on Shen Qingqiu. By the end of book 2 he's villain, antagonist and love interest.

But it all gets proven wrong. That almost everything that happened to Shen Qingqiu was not because of Luo Binghe. We discover that there are other villains in the shadows.

The sower plague and the the attack at Huan Hua Palace was caused by Tianlang-Jun and Zhuzhi-Lang. Qiu Haitang's involvement and Shen Qingqiu's imprisonment was one of the Old Palace Master's schemes. All of this destroys Binghe's role as villain and antagonist.

This is the moment Shen Qingqiu decides to trust Binghe, pushing the reader to do the same. Because he's just "love interest" now and by the standard conventions, he's good. We trust him to be. Shen Qingqiu himself starts to project onto him that same image of white lotus. Since our image of Luo Binghe was so bad previously, this makes it jump way higher. It lulls us into this much better perception of his character.

The Old Palace Master was a villain and he died, as villains are often destined to. The only obstacle remains Tianlang-Jun, who doesn't harm Shen Qingqiu because of Zhuzhi-Lang's wishes (not an antagonist), but also wants to merge the realms (villain).

So our protagonist and love interest move toward the action, the big battle against the final boss. The villains get defeated easily and after the truth of what happened to Su Xiyan, Tianlang-Jun gives up his plan. His role as villain ends there. But the story has more antagonists to reveal.

Luo Binghe has never stopped being one. The narrative only hid his real motivations and let him cover himself with the role of love interest. And at this moment, he drops the mask and lets all of his feelings out, everything he didn't tell Shen Qingqiu nor the readers. He becomes the final antagonist, the one we've had since the very beginning.

The thing that saves him is his status as love interest, because no, he's not the only one to blame for what is happening. There's Xin Mo, who has fed on his insecurities and negative feelings, and Shen Qingqiu himself. He is the one who has constantly pushed Binghe to the side, believing himself to do the right thing, first by giving Binghe his death and then by trying to keep him "protected" from his father.

In the end, Luo Binghe wasn't a villain. Shen Qingqiu was, and he dies. But since he's not a real villain, he's allowed to come back.

When everything is over, their story comes to an end. The narrative itself leaves them free, to be whoever they want to be.

[just-sp-in-inginthevoid]

As much as the 'haha Takemichi went to save his husband after saving his wife, bisexual much?' joke is funny, people who seriously thinks Tokyo Revengers should've stopped when Hinata was finally safe and sound missed an important component to the plot.

Yes, it all started with Hinata - but since when was it all about Hinata?

Takemichi, kind-hearted Takemichi, should've just stopped everything after saving her? He got into Toman for this reason, yes, to get closer to Mikey and stop him - and Kisaki - from killing her, but he also sincerely got closer to Mikey. And everyone else. And he's supposed to simply leave them be when 'mission: save Hinata' is complete? As if the number of people he wanted to save didn't get longer with each timeline? Those are his friends why would he throw them all away.

To protect Hinata he decided to stick close to Mikey since he failed to prevent Mikey and Kisaki meeting each other - and he got attached to Mikey during that, as well as all of Toman. Each steps to save Hinata was also a step to save Mikey from corruption and self-destruction. It was all linked from the start.

There was a shift after Bonten, okay, whatever, the only thing that truly changed was Hinata's importance in it. New enemy? That happens in each arc (right, sure, there wasn't Kisaki anymore). Mikey being more and more violent? Again, each arc featured a moment of Mikey showing signs of being mentally unwell - and now it was aggravated because it was two years earlier than what Takemichi got used to go back to. Etc, etc. Toman may be disbanded, but its (at least main) members still meet and interact and they all kept in touch - Mikey aside. That just a change of mood, a mix of the present/future timelines with a more serious setting and of the past timelines with how young they are, despite not being as young as before. And future timelines have never been a problem - there's a lot of love for Manila and Bonten. If Wakui had had time and energy, Kanto Manji, all 70 and so last chapters of TR could've worked with its fanbase. For some reasons it didn't, and I don't get why by myself