#the other thing that i’ve been thinking about a lot with this is that she’s guarding something most people don’t see

[covenofagatha]

A dance with death (and her wife) (Part 1)

@lanfear-is-my-darkmistress

You are a profiler for the FBI when you get called to help catch a serial killer in Westview. (Killing Eve/Hannibal AU)

Word count: 4200

Warnings: descriptions of violence, fear

The phone rings at 7:30 in the morning on your day off and you want to throw it against the wall. 

You had been sleeping – having a very good dream, actually – when the harsh ringtone roughly jolts you out of your slumber. 

“Hello?” you answer groggily, rubbing your face with your hand. If it’s a spam call, you think you might lose your mind. 

“Is this Agent Y/L/N?” A gruff voice asks and you shoot up out of bed into the sitting position. 

You clear your throat and try to sound professional. “Um, yes, this is she. Who am I speaking with?”

“This is Director Hayward,” the man says, and your eyes widen. The head of the FBI is calling you. “Have you heard of the town of Westview?” 

Your forehead wrinkles while you rack your brain for anything that sounds familiar. “No, sir, I don’t think so.” 

There’s muffled sounds from the other side of the phone and then you can hear Director Hayward clearly. “It’s a small town in New Jersey. Nothing special, nothing too out of the ordinary.” He pauses like you’re supposed to recognize it, but after a moment of silence he sighs and continues. “About seven months ago, we believe a pair of serial killers moved into town. Bodies started piling up, seemingly no rhyme or reason to who was killed, only that the victims were all female.” 

“Okay,” you say slowly, trying to wrap your head around all this. If it’s been going on for this long, why haven’t you heard about it? “Are we sure they’re connected if there’s no pattern of victim? Usually men have a type when they do this kind of thing; the women usually look like an ex-lover who broke their heart, or their mom.” 

You can practically hear him roll his eyes through the phone. “They were all killed the same way: poison to sedate them and then their hearts were carved out. And there was a purple azalea left in every single one of the victims’ chest cavities. So we’re pretty sure they’re connected.” Sarcasm drips copiously from his tone and you wince. Way to make a good first impression on the director of the FBI. “And it’s not a man. It’s a woman.” 

This makes you perk up with interest. “Oh?” As a profiler for a branch of the FBI in Miami, you’ve handled your fair share of serial killers. It may make you sound insensitive, but you were only really interested in the female ones. Men were so boring and predictable. Women knew how to make it a challenge, and there was always some deep, underlying motive for why they did it. There was nothing you enjoyed more than piecing together that puzzle. 

“They’re calling her The Witch. The poison used on the victims is like nothing we’ve ever seen before, so we think she must be making it herself. But since female serial killers are kind of your thing–” 

You cut him off before you can think twice, thoughts whirling through your head. “How do you know it’s a woman? Cutting out a heart, that takes a lot of strength. Most female serial killers tend to use gentler methods, like poison, so it makes sense that there’s at least one woman involved. Are you sure she isn’t working with someone though? Lavinia Fisher would poison her victims and then her husband would finish the job.” 

“How quickly can you get to Westview?” He asks, completely ignoring your question. 

“Oh, you want me to go there?” 

He scoffs. “Yes, Agent, we want you to go there. I’ve already informed your boss and he’s given his approval. No one has been better at catching the female killers than you, so we really need you on this. You can take the Miami jet as soon as you’re ready, but they want you there as soon as possible.” 

“Will I be working with the Trenton branch?” 

“Just the Westview PD for now. They’ve assured us that they have their best detectives on the case. But if you need backup, let us know and we can send in some more profilers. Whatever it takes to bring this woman to justice.” He hangs up without another word and you grab your to-go suitcase that you keep packed for times like these. You throw in a few extra sets of clothes just in case it takes longer than expected, and then you’re out the door, driving to Headquarters. 

You walk into your boss’s office and knock on the door. The director of the Miami branch, Tony Stark, looks up at you. “Hope you packed some warm clothes,” he says and you chuckle. You definitely did not.

“Hayward said I could take the jet?”

Tony nods. “It’s out back and already fueled up. Good luck, kid. Be careful, okay?” 

You scoff. “Careful? I’m always careful.” He fixes you with a stern look and you acquiesce. “I promise.” 

“I don’t need to remind you what happened last time you worked on a case like this, do I?” 

It hits you like a punch to the gut and you shake your head. “No, sir, you do not.” But you know he’s going to tell you anyway. 

“That woman destroyed you,” he hisses. “You got so focused on finding her that you stopped eating and sleeping. The obsession completely consumed you.” 

“I caught her, didn’t I?” You mutter, knowing full well that isn’t his point. He slams his hands down on his desk and you jump. 

“She almost killed you,” he almost yells and your face twists at the memory. 

The Scarlet Killer terrorized Miami about three years ago before you finally brought her down. At first, she would sneak into houses of families with twins and slit the parents’ throats and kidnap the kids, but the twins would always resist so she would end up killing them too. 

After a while, she stopped caring about the twin aspect and started killing anyone with children. 

You had spent days in the office, pacing and pouring over the evidence board, trying to make sense of it. There was no DNA anywhere, but there was also no sign of forced entry, so you figured that she was invited into the house somehow. The hunt for children made you think she had lost her own, or had some sort of abusive childhood that made her want to protect kids. She was possibly a twin as well, and very amicable if people were having her over willingly. 

It took two months before you figured out the perimeter of her murders. She was making a hexagon shape with the houses of the victims. Hexagons can represent balance, so you figured she felt as if she was balancing out some score with the universe for something that had happened to her. 

And then one fateful night, you realized where her next target was. A family had just moved into a house perfectly on the border of the hex, as people around the office started calling it, and they had twins. 

You spent almost an entire week camped out in front of their house waiting for the Scarlet Killer to strike. You think during that time, you slept a total of ten hours. Hallucinations plagued you and you would doze off and then wake up babbling something about catching her. Agents would bring food by your car and beg you to take a break, but you kept your eyes strained on the house, determined that you wouldn’t let her get away with it again, determined to prove that you were right about where she’d be.

And you were. 

Except the knocking that should’ve been on the front door of the house, the knocking that would inevitably lead to more death, was on your car window. 

You had jolted awake to find a redheaded woman standing there, looking worried. You opened the door and got out to help her when she had pulled a knife out and stabbed you in the stomach. 

Thank god she didn’t go for her usual M.O. of slitting throats. 

You were able to weakly unholster your gun and take a shot at her as she was running away and by the yelp, you knew you had hit her. A consolation prize as your vision faded to black. 

Somehow, you woke up two days later in a hospital room, Director Tony Stark by your bedside. They had caught the killer a block away thanks to the appendix your bullet had ruptured that rendered her unconscious, a woman named Wanda Maximoff, who had lost her twins in a horrible house fire, and made it a mission to try and replace them.

And her knife had missed anything important, and all you had was a nasty scar and the weariness from everyone else whenever there was a new female serial killer to catch. 

“She didn’t kill me though,” you tell Tony, who rolls his eyes. “I’ll be careful. I won’t get too involved this time.”

He slides open a drawer and takes out a file and a business card that he holds out to you. You reach across the desk to grab the two and you scan the card. 

Rio Vidal, Therapist, Westview. With an email and phone number. 

You hold it up and raise an eyebrow. “You want me to see a shrink?” You already completed your mandated fifteen hours of therapy after the Maximoff incident and you weren’t eager to go back. 

“You don’t have to, it’s just so you have an option. In case you feel yourself becoming too ‘involved.’” 

You purse your lips but you slip it into your pocket and tighten your grip on the file. “Guess I’ll see you whenever we catch her.” 

He salutes you and you make your way to the jet out back. 

It’s a three hour flight and you spend your entire time pouring over the case file. You know there’s still some information that you’ll have to get from the Westview PD, like witness statements and exclusive photos that haven’t been released yet, but what you do have is brutal. 

Photos of shriveled up bodies with barely any skin still on their bones, their cheeks hollowed out, like something sucked the life out of them. Not to be sexist, but you can tell why Director Hayward thought it was a woman. 

Although there’s a gaping hole in their chests where a heart used to be, the cuts are neat, precise. And the blood has been completely cleaned up. What should be the bloodiest crime scene you’ve ever seen is void of any fluid, like the killer methodically mopped and bleached and cleansed the scene of everything. But this also means that the victims are dead before the heart is cut out, from the poison. 

The most chilling thing is the singular, perfect flower placed in the cavity of their chest.

You flip through the toxicology reports but can’t really make sense of anything. One report says one chemical was the cause of death, another report says another. The levels of chemicals in the bloodstream are also different from victim to victim. 

It reminds you of Jolly Jane Toppan, who would experiment with different medicines and chemicals to murder patients at hospitals. 

Is the killer a nurse? A chemist? You’re able to figure out why she’s called The Witch, because it’s like she’s brewing up potions of sorts, but you have no idea why she would bother cutting their hearts out if she’s killing them with poison. 

The precision of the blade also means that her hands are steady. Another reason she could be a nurse. 

You flip through the pictures of all the victims – eleven, so far – and the first victim’s cut is just as accurate as the last victim. This woman is either a natural, or this isn’t the first time she’s killed. 

Pulling out your computer, you search the database for any serial killer cases that match this same type of crime, male or female. You’re still not entirely convinced she’s working alone. 

But there’s nothing. No cold cases, no open cases. She has truly shown up out of nowhere. 

You tap your fingers to the tray table, your mind trying to make sense of the details for the rest of the flight. 

When the plane lands, you’re ushered into an uber and taken to the motel where you’ll be staying. Your rental car is already in the parking lot. Even though Westview is a small town, it means a lot that they’re giving you all these accommodations. 

Your room is complete with a kitchenette, a queen sized bed, and a good sized bathroom. You drop the files on the table, throw your suitcase in the bedroom, and grab your work bag before locking the door behind you. 

The rental car is a small sedan that has a strange smell, but it does the job and you drive through the quaint twisting roads to get to the police station. You park up front, take a deep breath, and walk in. 

No one stops you or asks what you’re doing here (no wonder this case hasn’t been solved yet) so you make your way to the back where you find the Chief’s office. 

He’s a skinny man with a mustache, spots of something that looks like mustard on his shirt, talking to a woman with her back to you. All you can tell is that she has long, dark hair that flows down your back.

“Hi, excuse me?” You say, knocking on the glass door. The Chief stops and the woman turns around to face you and you’re momentarily struck by how attractive she is. “I’m Agent Y/N? The, uh, criminal profiler from Miami? The FBI sent me to help with The Witch case.” 

“Oh, shoot, that’s right,” the man says, wiping his hands on his jacket before standing up. “Chief Phil Jones. This is Detective Agatha Harkness–” He motions to the woman standing there who smiles knowingly, raking her eyes up and down your body. “– our best. She’s been working this case day and night.” 

“Any leads so far?” You ask her. 

“Why don’t I show you what we have so far?” She offers and you nod, following her out of the office and trying not to look at her ass. She takes you into  a different room with a bulletin board filled with pictures and string and post-it notes. You squint at it, trying to take everything in, while you hear more people enter the room behind you. 

“So, Miami, what do you think?” A man taunts and a few others snicker at him. You ignore him, you’ve been used to this your entire career. 

You’re still scanning the board when something catches your eye. The witness statements. They don’t corroborate with each other. From the six people that have seen something, they all agree that the killer had dark hair. But some say it was long, others say just past her shoulders. Some think she was taller and lean, others say shorter and just a little more filled out. There’s a detail from two witnesses that gives you pause though: they say the woman had a mask of sorts on the bottom of her face, almost like a skeleton. The other witnesses make no mention of not being able to see the killer’s entire face. 

You tap the papers. “Why don’t the statements line up?” 

“Surely you know how unreliable eyewitness testimony is,” Agatha drawls, and when you turn around, she’s watching you carefully. 

You frown. “I do know, but it seems like there’s two different people here. So either we have a copycat, which would be unlikely due to there being no change in the level of detailedness from murder to murder, or–” You trail off, chewing on your lip. You’re waiting for someone, Agatha maybe, to finish the sentence, or to tell you you’re being crazy. 

“Or?” She prompts like she’s daring you to go on. There’s a look in her eyes, a look you don’t quite recognize. 

You give the men in the room a glance. Will they laugh? “I really think we’re dealing with two killers here. Working together. One poisons the victims, the other cuts out the heart. I thought it was a man and a woman, but it seems like two women. They’re obviously very close to each other, and they’ve got it down to an easy routine.” 

“Why hasn’t anyone seen two women then?” Agatha asks, but you feel like she’s just guiding you to a realization, rather than criticizing your theory. 

You hum, tossing the question around in your head. “Maybe…maybe because they want us to think there’s only one killer? They’ve fooled everyone, even the FBI. Easy to chalk it up to faulty witness statements.” 

“Why wouldn’t they try to look alike then?” Agatha presses, and your brow furrows. It’s a good point. 

The pictures of the mutilated victims on the board stare back at you while you look for anything you could’ve missed. “Are they toying with us? Do they want us confused? The poison, the cut-out heart, the flower left behind, the different descriptions, it’s like this is a game to them. They’re cocky, they feel confident that they can’t get caught. Maybe both of them are narcissists, but definitely are on the Antisocial Personality Disorder spectrum.” 

“Why do you think they do it?” Agatha says in a hushed voice. You can’t help but notice that she seems excited. 

Is that because she finally might be getting a break in her case? 

“I don’t know,” you admit and she looks disappointed. You spin to face the board again. “There’s no obvious connection or pattern between the victims, so it doesn’t seem like there’s a personal vendetta against them. Nothing stands out about the locations either. It seems like they’re just killing for fun, right now.” 

“That’s pretty dangerous,” she says, and you can feel the front of her body brush against your back. You’ve been so entranced that you didn’t even hear her notice her coming over. “That means anyone could be next.” 

Goosebumps spread over your body at her hot breath on your neck, but her words sober you up. She’s right. You’re not able to rule out potential victims based on how many kids they have or don’t have, like with Wanda, or what they look like or don’t look like. 

“Okay,” you say, nodding your head. “We need to send out a BOLO for two women with dark hair now. Put these descriptions out, tell them to keep an eye out for a skeleton mask? Hopefully we can get some tips and put a stop to this before anyone else gets hurt.” 

“What should we call the other woman?” One of the male officers speaks up and you’re surprised that it’s an actual question. 

Agatha watches you with interest while you think about it. “How about…Lady Death?” You offer and she gives a nod of approval. “Put a BOLO out for Lady Death and The Witch.” 

You make copies of everything that’s on the board and paper clip them together to put in your bag. As you’re packing everything up to go back and leave to the motel (Tony would be proud of you for leaving the station at an acceptable time), Agatha comes over and leans on the table. 

“What do you think their relationship is? Lady Death and The Witch,” she says, amusement lacing her tone when she says their nicknames. 

You shrug. “Sisters, friends, wives? Maybe they’re just two crazy people who met each other and want to kill people.” She chuckles and studies you curiously. 

“You know, we’ve had some other profilers come in, but none of them have been like you. You know your stuff.” 

“Female serial killers are kind of my thing,” you say. “There’s just something about untangling the mystery that’s so much sweeter. Makes me feel…alive. Which I know sounds bad, because so many people have died, and I’m sorry.” 

Agatha looks like she knows exactly what you’re talking about. “No, don’t apologize. It’s exciting, isn’t it? The exhilaration, the moment when you finally get what you want, what you’ve been working toward.” Her voice is low and you nod, leaning in before you can realize what you’re doing. Your gaze drops down to her smirk and then back to her blown-out pupils. “Do you think you’ll be able to find them?” 

“Yeah, I do,” you breathe, and she looks positively delighted. Out of nowhere, the scar on your stomach stings and you grimace. Agatha looks at you, concerned but you brush it off. “I guess I’ll see you tomorrow then?” You ask, standing up and slinging your bag onto your shoulder. 

“See you then, superstar,” she says with a grin and watches you leave. 

When you get back to the motel, you spread all the pictures and notes out, trying to connect some dots. You scribble down Friends? Sisters? Lovers? on a sticky note and press it to the wall. 

Why do you think they do it? Agatha’s question still haunts you. You don’t want to believe that it’s just for fun, there has to be some meaning, some motive for poisoning and then physically removing hearts. There has to be some significance to the flower left behind. 

But what is it? 

Your stomach grumbles so you decide to take a step back and go pick up food from a restaurant in town. As you’re pulling out of the parking lot to come back to the motel with wings and french fries, you get a call from Tony Stark. You accept it, taking a sip from your cup quickly. 

“Hey, Director,” you say. 

“There she is! How’s it going?” 

You shrug even though he can’t see you. “Not too bad. Just went and got dinner. See, I’m taking care of myself.” 

He laughs like it’s the funniest joke he’s heard. “Glad to hear it. Any new leads in the case?” 

“There’s two women, not one. They’re working together.” There’s silence on his end of the line for a second and you wonder if he heard you. “Did you–?

“Yeah, I got that. Shit, so you think you’re looking for partners? I don’t like this,” he says. 

“I’m okay, I promise. What happened with Wanda won’t happen this time,” you reassure him as you turn back into the motel lot. “I’ll check in with you whenever you want. I’ll go see that shrink. I’ll be careful.” You’re worried that he’ll pull you off the case if he thinks you’re too obsessed. Your hyperfixation tendencies almost cost you your life, and you know Tony doesn’t want that to happen to you again. He’s become somewhat of a father figure to you since you started working there, and it’s touching how much he cares.

He hums in satisfaction. “I expect you to eat three meals a day and get at least five hours of sleep.” Before you can protest, he continues. “And I want you to make an appointment with that therapist. Just get ahead of your spiral, maybe talking about the case with someone removed will help you be more level-headed.” 

“I will,” you vow. “Okay, just got back to the motel, I’ll talk to you later.” He says goodbye and hangs up. When you get out of the car with your food, the hair on the back of your neck stands up and your scar tingles. 

Something feels off. 

You get to your door to find it slightly ajar and you frown. You remember locking it. Maybe room service cleans at night? 

“Hello?” You call, pushing it open. Taking a few cautious steps into the room, you scan from wall to wall looking for anything or anyone.

There’s no one there, nothing seems out of place except for your suitcase that is now on your bed. You tentatively walk over to it and unzip it, jumping back like you’re expecting something to pop out. Inside, you find all the clothes you packed gone, and entirely replaced by a new wardrobe. Pulling them out, you gasp when you find cashmere sweaters and silky blouses and comfortable but professional looking pants. There’s a bottle of perfume with the word “Thanatos” printed in perfect calligraphy and you take a whiff. It smells like flowers and wood at the same time and it makes you think of a forest. 

So someone broke into your motel room just to give you some new clothes and perfume? You rustle through the rest of the suitcase and a piece of paper flutters to the floor. 

Heart pounding, you lean down to pick it up. It’s the same sticky note that you put on your wall before you left to get food. 

Friends? Sisters? Lovers? 

Only now, the word ‘lovers’ is circled, with a small heart drawn. You drop the paper like you’ve been burned and run over to where all your case information is and you feel nauseous. 

Nothing has been touched. Nothing is out of place. 

Except for the single purple azalea resting on the middle of the table. 

They were here. 

[catdia]

Arcane Characters with a Puerto Rican Fem S/O

Jayce, Viktor, Vi, Caitlyn, Mel, Ekko, Sevika, Vander (nsfw)

Jayce

I like the idea that he is also Latino/Hispanic

Maybe Brazilian or Colombian

My sexy Latin Papí

In Piltover there isn’t really a big Latin community, so when he heard that you were Puerto Rican he befriended you reallllll fast

You studied botany and tech ecology, while he engineering

You wanted to save your islands flora and fauna by incorporating advanced tech, while he wanted to improve lives with magic 

You believed his dream since the beginning, even if you looked at him sometimes like he was crazy

“You have no idea what these crystals are capable of! What if we combine those aqueducts you designed for plant growth with runes? We can triple food production by 110%!” Jayce wrote equations on the board, mind going miles per second

“You think it can regrow completely deforested areas in less than 40 years?” You humored him.

“What if we can do it in less than 10?! The possibilities are endless! I promise that when I crack this, I will paint the whole world green for you.” Did he know how to warm your heart…

Jayce is a super touchy person and always has to have skin to skin contact like a new born

You get mistaken for a couple a lot before you even officially started dating

Always kisses you on the cheek when you greet each other. A very Latino thing!

Piltover’s greetings are very cold, only handshakes and shoulder pats. So he was ecstatic to finally have someone to do it with outside his family

Viktor became a victim of your kisses. But he secretly enjoys it

Jayce always smells good! Ximena taught him good hygiene since he was little. Whenever he feels a light sweat coming on he immediately hits the showers

Has a gold chain! Never takes it off. It was originally his father’s.

Doesn’t speak very good Spanish, but you teach him in between Hextech protects and meetings

You guys talk endlessly about your backgrounds and even bring treats to each other

“Mmm— oh, fuck!” He moaned shoving another spoon full of food into his mouth. Eyes rolling to the back of his head

“Jayce it really isn’t that good.” You were blushing like crazy, completely forgetting the plate in front of you. You just wanted to do something nice for him

“What are you taking about?! It’s the best thing I’ve had in weeks!”

He had been working his ass off building the new Hextech towers and surviving on sandwiches for the past month

“I also brought dessert, if you are interested…”

Jayce looked at you with puppy dog eyes. Absolutely enamored. Cheeks full like a chipmunk

“I. Love. You. Soooo. Much.” Jayce said grabbing your face and kissing you all over

“Te amo, mi rey.” (I love you, my king.) You said while gently wiping the side of his lips with your thumb

Jayce can dance! And I mean really dance. Ximena put him in classes when he was little because she didn’t want him to forget his roots

Dancing with Jayce is about passion, making love on the dance floor. Bodies pressed against each other, hands running above hot pumping blood and flesh. Heavy eye contact that yells sex and pleasure

You guys have sex in the forge all the time, instead of pounding hot metal he pounds that wet pussy (hahaha!)

Watching him pull the chains of the fire pit just gets it going for you. Back sweaty from the flames and work. Tan skin so glossy like copper

From you just wanting some papers to be signed for an new upcoming project turned into you having him on the workshop table

“Just like that, mi reina (my queen ). Como me haces sentir tan bien.” (You make me feel so good.)”

Jayce was thrusting into your cunt, the wood of the desk rattleing with every give and take. Your hands on his bare ass and his bracing your sides

When Jayce found your cunt’s sweet spot, the one that made your head fall into his shoulder with your eyes rolling back; pornografic grunt on your lips, he found gold

“You like that?” He grinned, finding solace in pleasure he gave you. Amused at how his body served yours so well

“Mmmm— yeah…” You licked the sweat of his jaw, slight stubble rough against your tongue

You loved him so much. Him with his stupid little smiles and big hands. And oh those eyes that made you dream of a safer tomorrow

“Esos ojitos de miel son tan bonitos. Te quiero comer enterito, papí!” (Those honey eyes are so pretty. I want to eat you whole, love!) You were practically going feral at his grasp. Eating at his neck and chest, savoring the taste of ash on his skin

You leaned back on your elbows, breasts jumping at his thrusts. Grabbing his wrist and bringing his hand up to cup your tit. Watching his cock drill in and out of your pussy. He was close by the knit of his eyebrows. Hips becoming harsher and sloppy

Jayce teased your clit, moving his fingers in the way you liked. Loving the clench of your walls as you grained your pelvis on his dick

“Assssíííí, cabrón—”(jusssstt like that, fucker—)

You came together in a world wind of grunts and curses. You creaming on his cock. Jayce rested his body weight on you as he came undone. Easing his head from your collar bones and giving his lips a peck. You loved how disheveled he looked, all fucked out with empty watery eyes

“Want me to give you a blowjob as you sign these for me?” You said brushing the hair of his face. Thankful for the shower he had installed at your request

“I would be an idiot to say no!”

Jayce is the king of aftercare! He will always have a snack or even a little trinket to give you after sex

“Look, I made a little pendant of the PR map!” Jayce showed you the little piece of metal. White teeth glinting as he was so proud of his artistry

“Oh my God— it uhmm… It has character alright!”

It looked more like a disheveled bean but you wore it proudly everywhere! You love your man

When you start dating Jayce, Viktor became your much appreciated third wheel

You always pack extra goodies and food in Jayce’s lunch box so that he gets feed too

Getting sad when Jayce comes home with tears in his eyes because his friend doesn’t take good care in himself

You even go as far as bringing him homemade meal preps to his house so he always has a warm dinner

Jayce’s favorite dishes you make are anything meat based: Bistec encebollado (beef steak with grilled onions), pollo guisado (stewed chicken in red sauce served over white rice), and pernil (slow oven roasted pork with crispy skin)

Would never admit to his mamá that your cooking is better than hers

And his mom absolutely invites you over to cook with her

Saying that she needs to pass on her recipes to her future daughter-in-law

You like spending Christmas at the Talis residence. A big old family gathering with delicious food and music

Ximena was more than pleased knowing that Jayce got himself a Latin girl!

Get ready to pump out some big chunky babies! This man is a Latino at heart and that comes with a few kids running around

The first time you ever visited the Talis home, Ximena took out all of Jayce’s baby pictures

“Awww, look at your tushy! Plump as ever I see.”

Jayce put his head in his hands. Ears red from his naked baby photos that you were so entranced by

“Mamí, please for the love of God put them away!”

Ximena gave her wedding ring to Jayce shortly after you left. The ring was carved and made by Jayce’s late father

“Si te vas a casar con cualquier persona, Jayce, tiene que ser ella.” (If you’re going to marry someone, Jayce, it has to be her.)

You call Jayce cerebrito (little brain) and he loves calling you mi tesoro (my treasure)

Viktor

Viktor knows the struggles of making it in Piltover as an outsider, both being form the Undercity and physically disabled

And making it to the best academy in Piltover while being different was surely a merit on its own

From simple study buddies to lovers. You fell first, but he fell harder

You call him estrellita (little star) because of his many beauty marks

I’ve read that people like to headcanon him as Czech, and I like that…. I like at ALOT

Teaches your words in his language to talk shit behind Jayce’s back. And by shit I mean make fun of his failed prototypes

Viktor straight out asked you to teach him the dirties curse words PR has to offer. And oh boy, do you give him a colorful list—

Cabrón (bastard), puñeta (fuck), hijo de puta (son of a whore), me cago en tu madre (I shit on your mom), mama bicho (cock sucker) , me cago en na’ (I shit on nothing), vete pal carajo (go fuck yourself)—

One time he got pissed at Jayce for not doing an equation right that ended up with the lab half burned to the ground.

You just stood next to Viktor as you watched them bicker at each other like a married couple. Jayce cleaning up the ash of his failed work

“You should have run them by me or Sky first, Jayce! We are partners, not competitors!” Viktor threw his now burned lab coat at him, hitting Jayce in the chest

“Well you shouldn’t have been making improvements to the Hexcore without my knowledge then!” Jayce pointed at Viktor, nailing back the fallen boards with unnecessary force. Wow, grumpy Jayce never got old

“You know what, Jayce—” Viktor looked at you with a evil glint in his eyes. Oh, no… “¡Me cago en tu madre!”

Jayce gasped like an old woman seeing a half naked girl at church. Mama’s boy Talis was going out for blood today

“Don’t talk about my Mamí like that—” he pointed at Viktor, hammer in one hand ready to knock his brains out.

“Come here you fucker!” Jayce launched towards Viktor as he scrambled to the other side of the desk

“Jayce, please don’t strain him too much! I still would like him in one piece!”

You were caught in this mess trying not to laugh as Viktor ran away with a giggle from his soon to be killer

“Take it back or I’m going to take that leg brace I built off with the bone still attached!”

“Never!” Viktor yelled triumphantly

It ended with Jayce and Viktor on their ass thanks to a good back head slap on your part

Guava enthusiasts. You brought mantecaditos (short bread cookies with guava paste on top) one time to the lab and they were gone before Jayce could try them

“Seriously, Viktor you didn’t even save me one—“ Jayce was looking inside the tin box with sad puppy dog eyes. Only finding crumbs at the every bottom

“There weren’t that many in the box anyways, Jayce.” Viktor said hiding the last cookies in his desk drawer. You made over 40 cookies, but he was never going to tell Jayce that

He likes anything vinegar based and soups. Like guineitos en escabeche (boiled green bananas dressed in a vinegar sauce) and sancocho (a hearty stew with a bunch of meat and vegetables like cabbage and yams)

It’s so funny hearing him pronounce the foods he likes! Viktor is really good at rolling his r’s. His accent is just to cute!

“What did you want me to make you Viktor?” You tried to hide your laughter as you looked at a grumpy Viktor

“I told you that I want that dulce de lecussy. The one you made last week with pieces of cheese.” He huffed

“You mean dulce de LECOSA!” (candied papaya in sweet syrup with firm cheese) You crackled with lungs on fire from laughing so hard

“And what did I say then?!” He sassed at you trying to dim his smile

“That you basically wanted dessert pussy!!”

“I would mind that either, actually.” You gave him a slap on his shoulder. The sheer perversion of this man!

“¡Fo, que puerco eres!” (Ew, you’re such a pig!)

“How dare you call me a pig—” he gasped as you ran away from his wrath

He chased you with his cane and you ran around giggling trying to escape him

Viktor definitely has put in some weight and looks so much healthier

“I’m blaming you for my favorite trousers not fitting anymore.”

Once you showing him how real Puerto Rican girls twerk you created a new type of man. You decided to surprise him with a naked lesson. Rewarding him for the success of the Hextech gates.

“And what exactly do you call this?” Viktor rasped out. One hand firmly placed on your right hip. As the other went white holding the handle off his cane. Voice heavy with the heat of pleasure

“Perreo” you looked back at Viktor, watching him savor the ripples of your skin as you shook your body to the lyrics of Ivy Queen

“Mmm perreo…” he reaped absentmindedly

Pressing the cusp of your cunt on his clothed bulge, ass cheeks consuming and spilling out from his pelvis. Shaking your hips at various speeds and rhythms

Alternating between having your hands on the floor with your legs spread wide, having your knees bent with your fits on them, taking an ass cheek and spreading it so Viktor can see your sloppy pussy

“Eres bella.” (You’re beautiful.) heavy tongued, loving that the phrases you taught him were finally doing their magic

“Take that cock out now, jodio cabrón (fucking bastard).” Fuck did Viktor make you horny

“So vulgar.” He slowly unzipped his pants. Torturing you. He released his beautiful long cock. Dripping lines of precum down his head to his shaft 

You moaned at the sight of his dick, ready to be stuffed full. Spreading your pussy lips as an invitation. “Put it in.”

“I didn’t know that just a little dance could make you so aroused. Tell me what other— ohhhh, Janna!” Viktor had the wind knocked out of his lungs. Mouth gapping in pleasure

Sinking down his length shut him up. Pressing your ass until your cunt was consuming Viktor in a tight hold. Pushing him deep into the concrete

You swiftly shaking your ass faster than ever before. Not letting a single inches of that glorious dick escape your needy walls. One hand on the cold lab floor and the other playing with your clit

Viktor was whining, overwhelmed by the heat of your body. Hand letting go of his cane, it hit the ground with a powerful thud. Bracing himself on your hips

“I’m going to c-cum, my love—”

“Hechame esa leche adentro— mmmmmm… ¡Que rico eres, mi blanquito lindo!” (Cum inside me— mmmmmm… You’re delicious, my pretty little white boy!”)

Viktor came with a silente scream coating the inside of your pussy. If it wasn’t for the wall supporting Viktor’s back he would be on the ground by now

“That was incredible.” He stated, eyes wide with wonder and face flushed

He certainly asked for perreo lessons later on

And Viktor surprisingly can shake his hips very well! Which comes in handy for more than just one thing…

Vi

When you told her you were Puerto Rican she definitely said: “A mi me gusta la chocha de Puerto Rico.” (I love Puerto Rican pussy.)

You introduced her to reggaeton and now there is no going back, her favorite artist is Daddy Yankee

She likes to dirty dance with you, having your ass pressed against her pelvis. Especially when she has Bacardi in her veins

Vi doesn’t care what you put in her plate as long as it’s fresh and delicious

She enjoyes rice based dishes the most, like arroz con calamares (rice with calamari) and arroz con salchicha (rice with cocktail weenies)

She once downed a full bottle of coquito (coconut eggnog) on her own

Vi’s favorite dessert is arroz con coco (a coconut rice pudding)

She definitely makes fun of you for not being able to say certain words right!

Don’t EVER make a Puerto Rican say “jewelry” or “burglary”. We are allergic to L’s and R’s and it will cause us to go into septic shock!

Likes being called gringa by you. Thinks it’s hot when you say it, especially when she annoys the crap out of you

Her favorite curse word is vete pal’ carajo (go fuck yourself). And when she gets into scuffles or fights she always tosses it around

And she’s like “yeah, my girlfriend taught me that. I’m a bilingual queen as well.” She low key embarrassed the fuck out of you when she says that

“Vi, I really don’t want to do this—” Vi was strapping a pair of boxing gloves to your hands. “What if I get hurt? What if I hurt you?”

“Don’t worry about me, cupcake! I can take a few punches just fine. I’ll go easy on you. And besides—” she slapped the side of your headbrace. “I’ve seen you practice with Powder before. Ehh, it’s kind of pathetic how you throw a fist to be honest.” She gave your nose a peck, turning around and taking her side of the ring

“Hey! I’m a great hit!” You sassed placing your gloved hands on your hips

It was ON. You definitely were out for blood

“Then prove it! The stage is yours!” She ran the little bell that was attached at the wall.

It been less than 6 minutes in and you were already panting

Vi was definitely going light on you. Not even taking the spots you intentionally let open for her. She only dodged your every attempt to get a hit in

Light on her feet as she tripped your leg, causing you to fall on the ropes of the ring.

You wanted to call it, but your pride was too strong. And you equally stupid

“When are you going to hit me for real?! I didn’t think the great Violet was just a pussyfoot!” Vi pushed your buttons the right way. She loved when you got bratty

“You can’t take this heat, cupcake. I’ll knock you out until next Monday and Vander will have my head on a stick if I do.” She was right, but God did you want to wipe that smug look of her face!

“Oh, yes I can!” Your fist had a mind of its own. Angry as she was so cocky

Before you could think you took the open spot on her face. Hitting her square in the jaw, knocking her back on the rubber ropes. Vi was in shock and whiplashed by the quickness of your punch

“¡Ay, puñeta! ¡¿Violet, estás bien?!” (Oh, fuck! Violet, are you okay?!) You desperately took your gloves and stupid helmet off. The Velcro fighting your desperate attempt to pull it off

A drop of blood escaped her lips, Vi’s thumb flicked at the side of her mouth. Eyes on the smear of red, then up to you. Smirking at the damaged you inflicted

Fuck did you just make her 100 times hornier than she already was

“That kind of hurt.” Translation: it hurt like hell!

By the fire in her eyes you knew that you were so screwed. Your belly grew warm, the hole between your legs clenching on nothing

“Vi, I’m s-so sorry! I told that this was a bad—”

In a swift play of time, she pinned you against the ground. Having her left arm around your neck in a headlock, her left hand on your shoulder. As her legs trapped yours under her thighs, having them spread out with your pelvis arching forward. Both of your arms crossed behind your back pinned by the weight of your body

You moaned at the discomfort. Muscles tired by the training, you tried your best to wiggle out. Only for Vi to hold you harder against herself

“What’s wrong, cupcake? Bit off more than you can chew?” You did answer her with words, but with that glint in your eyes that meant (Fuck me, you damned raspberry bitch)

She slithered your baggy pants past your knees. Your pantieless cunt up in the air. Vi loved how you were always easy to access. From fingering you in public to her eating you out in some random alley

“Naughty girl. Who knew decking me in the face could get your pussy so wet.” She dipped a finger in your folds. Scooping the wetness and pulling it out to watch it drip

She gave your cunt a slap and your clit fluttered at the assault. Pulsating for more

“You like that, uhh?”

“Y-yeah—”

Vi gave you a plethora of open palmed hits. Juices streaming down your ass. Yelping as your cunt was being abused. All swollen and red

Vi thrusted her fingers into your opening in a scissoring motion. Her bloody thumb circling your clit

“V-vi— ahhhhaaamm! No puedo ver másss.” (I cant see anymore) Gurgling on the spit of your throat. Ready to pass out any second

Your vision went white by the lack of oxygen and the way Vi’s fingers played with your cunt so deliciously. Hot tears burning your skin from the constant stimulation

You stuck your tongue out, spitting saliva out thanks to the lack of air in your lungs. Face ready to turn blue. But did it make your body feel good…

“Just a little more— alright?”

Vi curled the tips of her fingers on your g spot and digged them in far into your crevice. Shaking her wrist to send vibrations to your whole pussy

You bit her forearm, shocks of pleasure coursing out the inside of your walls. Your teeth broke the skin, tasting the blood of your lover

Squirting the liquid of your orgasm on the ring’s floor. Vi let your body go, your lungs reviving in painful gulps of air

Vi turned you on your side, massaging your ribs and sternum. Licking the spit around your temple. She kissed your lips, careful not to take more oxygen from your body

“Who is going to clean this up?” Voice hoarse. Your mouth tasted coppery

“Lick the floor clean, losers get janitor duty.” She slapped your ass, you groaned at the lack of humanity. Vi got up from the floor and headed to her water bottle. Instead of taking a drink she poured it on her chest and hair. Nipples highlighted through her white sports bra. She pushed her wet hair back arms flexing a she felt your gaze on her

“We don’t got all night, cupcake. Avanza (hurry up).”

What a tease

Caitlyn

This girl has never know flavor until you came around

You were the daughter of one of her mother’s tailors and stylist. Your mom always brought you along to see her clients because she wanted you to take over one day

When you first visited the Kiramman residence you were blown away by the beauty of the estate. Your mom told you that this client would take longer than the others because she ordered a whole custom made ball gown

“I have a daughter, Caitlyn, about your age as well! Maybe you ladies can be friends! God knows my girl needs a gal pal.” She said excitedly as she was getting fitted for her gown.

Mrs. Kiramman gave you the liberty to explore the gardens as your mother worked. And you sat down near the water fountain to have your snack

“Esta gente si que tiene chavos…” (These people sure do have money…)

As you were munching on your sandwiches you saw a head of indigo hair peeking out from the rose bushes. A young girl

“Caitlyn, right? Do you want one?” You ask stretching your arms with your lunch in your hands. She timidly walked towards you

“What are they?” The girl asked as she sat next to you

“Sandwiches de mezcla (spam and velvita sandwiches) and platanutres (thinly fried plantain chips) ! They are really good, I made them fresh this morning.”

Caitlyn looked at them, and gently picked up a sandwich. Slowly taking a bite as she looked at your happy face.

Her eyes sparkling at the soft bread and salty spread

“Mmmm— I’ve never had anything like this before!” She then picked up some plantain chips. Savoring the salty crunch of them.

You quickly become friends. Cait even convinced her mother that she liked wearing fancy clothes just so that she could she you more frequently

Mrs. Kiramman was ecstatic that her little girl was going to wear more dresses than only her school uniform

Cait even goes as far as to ask her mom to invite you to her birthday party. The only close friend she really had was Jayce. And there were only going to be adults from other houses and The Council

You also became friends with Jayce, you both taught Cait how to dance bachata and salsa

“Cait move your hips more! You are stiff as a board, mija (girl)!” You said guiding her feet to the music

“I don’t have hips to shake!” She said as her cheeks flushed

Cait knows only a few Spanish phrases thanks to Jayce. Girl can’t roll her r’s or say her l’s even to save her life

She is a sweets girl! Loves flan de queso (cream cheese flan) and flan de vanilla (vanilla flan)

When she finally confessed her love for you she did it in Spanish. She practiced with Jayce for almost a month to get the emotions right

“Me gustas mucho. Te adoro. ¿Quieres ser mi novia?” (I like you a lot. I adore you. Do you want to be my girlfriend?) She handed you a bouquet of lilacs. You were so excited that you knocked her on her ass! You hit your head on a table and both of you spend your commitment with ice on your limbs

You watched each other grow up, you becoming a seamstress like your mother. And Cait going against all Mrs. Kiramman’s wishes and graduating from the Enforcer Academy

You join Cait in the private shooting classes with Officer Grayson. Both excellent shoots, but you not so much. You’re better in close range with a handgun

She looks so sexy in her enforcer outfit!

Lost your virginities to other other! It was the day of her graduation of the academy. When everyone was clustered in the Kiramman estate celebrating her accomplishment

You sneaked away together to her bedroom. Stealing a tray of hors d’oeuvres and a bottle of wine. Wanting to get away from the elite of Piltover

You were on her bed, stuffing your mouth with cheese and crackers

“You’re going to get crumbs on my sheets.”

“Are you going to give me a ticket for it?” Caitlyn scoffed at you as you tentatively shoved another bite in your mouth

Caitlyn stood in front of the mirror. Fixing her medals and badges that hung on the fabric. You knew her too well, she was picking herself apart. Thinking that she only got in the academy because of her name only

“I think I would get used to calling you “Officer Kiramman” you said crawling to the edge of the bed, bottle of wine in your hand. Lying on your stomach with your palm under your chin. Looking at the pretty lady in blue

You patted the spot next to you, discarding the bottle to the floor. Crossing your legs on the mattress

She walked to the bed and sat next to you, leaving her top hat on her bedroom ottoman

“Caitlyn, you have to believe me when I say that you are so much more than your house” You held her temple in your palm, she held your wrist. Closing her eyes as she savored your compassion

“You are more talented than those silver spooned pricks out there! You may have the same money and influence, but they will never reach the level of talent you have. Because what is all this power for if you don’t have the heart to push change? You care, Cait! And I saw with my own eyes how you make others do as well. Like the time you told your mom to give a raise for her maids and workers! Remember that?”

She giggled, remembering that day she saw your mother counting her last few coins to afford a new pair a shoes for you. Cait yelled at Mrs. Kiramman for hours, until she finally gave into her mistake

Next time she saw you there was a brand new pair of shoes on your feet that had you running up to Cait to tell her all about

And that instance evolved into Cait wanting a better world for you. She wanted to change the concrete you walked on into fields of flowers

“Thank you, I really needed that…”

“It also helps that you have a nice pair of tits.” You joked as you pointed to her Enforcer jacket

“You minx!”

She slapped your shoulder and chuckled as you faked your hiss in pain. Rolling around the bed as you help your poor “broken” arm!

“Ohhh, I’ve been a victim of police brutality!”

“I’ll show you brutality, bebé (babe)!”

She climbed on top of you, tickling your sides

“¡Cait, para que no puedo respirar!” (Cait, stop I can’t breathe!) Cait stopped her attach, watching as your chest rose to catch the missing breaths. Your cheeks rosie in adrenaline

She wanted you there with her always. Your hair on her pillows and the smell of your skin lingering on the buttery covers

“Cait?” You asked as you calmed down. Looking at her in worry

“Fuck it” Cait thought, as her lips captured yours in an estranged kiss.

After years of ghostly touches, of lingering eyes, and Jayce calling your romance worse than nuns in love in a convent. She wanted to go the next level with you

You pulled her in, rolling yourself on top

“Are you sure?” You asked bracing her neck

“It would be my honor to have my first time with you.” And yours as well. You started to take layers of your bodies

You both laughed at your struggle to unclip her blouse. Her fingers guiding yours as she showed you the intricacy of the clasps

“I guess that “enforcement” also extends to your uniform.”

“That’s why I only let you make my garments—” Caitlyn kissed the corner of your eye. “They are much more second party friendly.” You pushed the shirt of her body, surprised at the nakedness of the chest

“No bra?” You cupped her breast, feeling the goose bumps of her skin. Her breath hitched at the coldness of your hands

“I didn’t just expect half ass handshakes and putrid marriage proposals as graduation presents.” Cait took charge, pinning you against the edge of the bed. Crawling downwards to your core

She raised your skirt, white sheer stockings held by a lacy garter around your waist. Her eyes widened at the lack of fabric covering your mound

“You weren’t the only one expecting more than just pat on the shoulder tonight.” You moaned as she spread apart your lips

Cait dove in between your legs. Hands in your hips as she guided her tongue along your folds. Nose resting on the shell of your clit

“I t-think, ahhh, you underestimate yourself too much, Cait.” She focused on your bud, rolling her lips on it. Then sucking ever so lightly to draw whimpers out of your vocal cords

“¡Ya no aguanto más! Yo creo que—” (I can’t bear it anymore! I think that—)

You came with a grunt, arching your back of the matters. Head filling with rushed blood as it hanged free of support from the mattress. As you were lost in your high, Cait placed her cunt on yours and rolled her hips. Feeling her clit make love to yours. Your previous orgasm used at oil to make her slip against your pleasures

“Ready for another round?” She whispered into your raised calf. Teeth ripping the material of your stockings. She will buy you new ones, better ones.

Caitlyn was born into wealth and privilege, but she is the most understanding girl you’ll ever met

When you pointed out the problem, she found a solution even if it meant going against her high society

You opened her eyes to the real world and she is so thankful for that

Mel

You were part of the council serving as an international ambassador like her

When Mel first saw what you brought to the council she wanted only to use you as a pawn

But she fell in love with your want for progress, one that actually breaks cycles and not just one that covers them with empty promises

She saw herself in you, a woman that wanted to break the bounds of her past convictions

Neither of you had houses in Piltover and shared different cultural backgrounds than the others

You secretly make fun of the culture shocks you experienced when first moving to Piltover

Both you and Mel HATE the cold that comes with Piltovan winters

She knew about your country and even speaks fluent Spanish thanks to her mother being a Noxian general.

Mel is a scholar, she read up on everything PR before ever making a move on you

Even if she already read up on everything she asks you questions just to hear you rant about your roots

“Is it true that Puerto Rico has the best coffee? I’ve been planning on investing in some companies, but I’m still on the fence…” Mel said in a quizzical tone. Tapping her pen to her chin

Your eyes sparkled. “We have the BEST coffee! Did you know that we have almost 3,000 coffee farms in all PR?! And we also have started to produce cacao as well. It’s incredible considering—” you ranted out

She zoned out, just appreciating the beauty of which you speak so lovingly about a simple thing as coffee beans

You teach her how to make homemade sofrito (a wet spice blend made with sweet peppers, cilantro, recao, and other herbs)

But your favorite memory is when you made dulce de leche together because Mel wanted to make a tiered cake for Alura’s birthday

“¿Quieres probar un poco?” (Want to try some?) You had already some on your index finger for yourself, but you were dipping the wooden spoon for Mel to taste

“Absolutely.” She took the spoon out of your hand and placed it back in the pot. Mel grabbed your wrist

She brought your finger to her mouth. Feeling the velvety muscle roll on your finger pad. Mel took your digit all the way to the knuckle. Slowly pulling her head back with a moan

“It could use some more vanilla.” Mel said dipping her finger back into the caramel. You were felt stunned, mouth gapping and your temple rose red

“What about the sugar?” You cringed as your voice broke. Screaming mentally about getting a grip. You literally have the prettiest woman in Piltover at your wake, and here you are speaking like a teen hitting puberty!

“Mmm, I can find another way to make it a little sweeter…”

“Strip for me, darling.” You did has she commanded. Shredding off the layers of clothing all to please her

You loved the way she looked at you, eyes of a lioness. They held a power over you, you ate from her hands

She took the pot by the handle and tilted it until syrup flowed out the metal. Pouring lukewarm dulce de leche on your skin. As if she was washing the body of a queen. It slowly dripping down your body. From your nipples to the crescents of your abdomen

Flicking her finger up the cusp of your breast to your nipple. Collecting the sugary treat only for her to give her finger to you. You repeating the same action she did moments before

She stared at the base of your neck, then at your chest. Occasionally, coming back to you and sticking out her tongue so you could eat it out of her mouth. You didn’t know who was sweeter. Mel or the candy you made together

Mel kittened licked your areolas clean, never breaking eye contact with you. As her hot tongue cleaned you off

Mel stripped shortly after. The gold birthmarks of her body reflecting in the light. She takes the spoon an and spreads the dulce de leche on her ass cheeks. Candy flowing down her thighs

“Eat up.”

You sat on the floor staring with the drizzle on her thighs, then raising to the globes of her ass. Licking the syrup of her smooth skin. Nibbling at the small golden freckles that decorated her dark skin

“Is it sweet enough now, darling?”

You ordered a cake from an expensive bakery in Piltover and called it a day. What Alura didn’t know won’t hurt her

She definitely stuffed your pussy with her paint brushes when she is working on a new project

Having your legs spread wide for her as he picks up a brush for your entrance, making sure she thrusts it in and out a few times to get a moan for you

Sucking the juices of the handle then dipping the bristles in red paint

And what about you eating her out in her office when she is working?! The possibilities are endless with Mel

For me she is the type to love anything you make her. There is so much diversity in Puerto Rican cuisine and her just picking one is impossible in her eyes.

But man does she appreciate a fresh mofongo relleno de camarones (smashed fried plantain topped with shrimp in a tomato sauce)

And you also teach her the basics of bomba (a tradicional African dance). Even gifting her a custom made traditional outfit to make your dance rehearsals all the more authentic

Mel takes you on lavish vacations to the island. Staying at the best hotels and you serve as a guide to her. Taking Mel to all your favorite local spots to eat pinchos (meat skewers) and drink Medallas (Puerto Rican beer)

You took her to your favorite archipelagos and little islands surrounding PR. And skinny dipped into the various bioluminescent bays at night. Mel had never had such a good time in her life

“Querida (love), I have a present for you.” Mel entered your shared living space. Medium canvas in hand

“Oh, Mel! You didn’t have to! Is there any special occasion that I forgot about?!” You got up from your stop on the couch, greeting her with a kiss

“No, love. I just wanted to do something special.” She turned the canvas around. You squealed at the art piece. She never disappoints!

“Mel! ¡Qué pintura más espectacular! (What an espectacular painting!) The water and sand look so life like! I can’t wait to hag this up in my office!”

“I painted it after we got back from holiday. It’s that big archipelago you took me at the end of your trip.” She circled your waist for behind, resting her chin on your shoulder

“Yes, Cayo Icacos! Oh my God, it even has the same dock and the coast line!” You said admiring the canvas

“There is also on more thing—” She walked over your wine cabinet, pouring two glasses of wine. “I bought Icacos for us. So we can spend your winter vacations there. Alone. Together.” She kissed your jaw, handing you the glass

“Oh like you rented it out for us?” You took a swig, moaning at the sweet undertones

“No, I got the government to officially sell it to me and put it under our names.” Mel said nonchalantly. You sip out your wine in shock

Yep, you definitely passed out shortly after

Ekko

You were one of the people that lost everything to Silco. Your community was slowly taken by Shimmer and gang wars

Ekko and the Firelights rescued you from Silco’s men. You didn’t want to join his web of crime and they proceeded to burn your shop with you inside

If it wasn’t for them being close by you would have lost more than just a few inches of healthy skin

Ekko teaches you how to fix things, how to clean and go at any loose cables their hover skateboards may have

You also picked up flying those boards pretty quickly, he made sure to make them as user friendly as possible

You were sitting on one of the many branches of the Tree, watching the children play and seeing the progress of the new faces in the mural. Fuck did it hurt seeing those paint brushes touch the trunk of the tree

The branch shook with the addition of a foreign weight

“Lost in thought, chica (girl).” You looked up at Ekko, still wearing his Firelight coat with his white owl mask hanging from his belt

“Tell me what’s your mind.” He sat next to you, bumping your shoulder playfully

“I fell like I’m not doing much— like I’m not doing anything. Like I-I’m a burden to this place.” You sighed, throat tight with anxiety. Eyes burning with hot tears

“And what do you want to do?” Ekko asked, holding your hand that was resting your lap. Shining brown eyes studying your features

God why was he so damn handsome when you are in the middle of a breakdown!

“I just d-don’t want to stand by— and — and watch my people be slaughtered…” You said between jagged lips

Ekko smirked at your answer, slowly pulling away from you and placing a box on your thighs

“What is it?” You wiped your tears away with the back of your hand

“Open.” Ekko leaned back on his palms, trying his best to keep his cool guy act even if he was nervous as hell inside

You opened the box, inside there was a Firelight mask. One shaped like the face of a bird like many others in group

Suddenly you remembered that faint pop of green in the sky from your childhood. Of a little green bird that would eat your grandmas tomatoes from her garden

Your eyes widened. What is this really what you think it is?

“Ekko— is this a cotorra puertorriqueña (PR’s national bird)?” You said in aw, lifting the mask and examining its details. Feeling the emotion Ekko put into carving it

“I’m sorry it took so long, but I wanted to make something that would represent you—” He took a small book from of his coat, falling apart by age. “And I landed on that. I found this book in one of the flee markets I went to.” He flipped the pages, letting you see the images and words on the pages. Everything from fauna to history was written on it

Ekko pointed at an image of the bird. “It just screamed you— beautiful and free. I-I mean also many other things like—”

You cut Ekko of with an embrace, holding the mask to your chest

“No sabes cuán agradecida estoy, Ekko. Gracias, gracias, gracias…” (You don’t know how grateful I am for this, Ekko. Thank you, thank you, thank you…) You sobbed on his shoulder, gripping him tightly as if something was going to take him away from you

“Por nada, chica (you’re welcome, girl).” Ekko whispered, arms circling your back

You cook for the Firelight community and when it’s your turn to serve your food the line triples with people more than other days

Ekko even made space for a little herb garden for you! And you have some plantain trees growing in

He likes helping you cook as well. His favorite thing to do is cut, mash, and fry tostones (plantain fritters)

Wouldn’t it be cool for Ekko to have some Caribbean background?! Like Jamaican, Trinidadian, or even Dominican

I can just see Ekko going ham on a pastelón de carne (a sweet plantain lasagna with ground beef and mozzarella cheese)

You give the kids and the adults Spanish lessons. And private ones to Ekko (wink wink)

I believe that the community has a beautiful shower pace! Filled with plants and vines that filter the water making it crystal clear. It’s almost like a never ending waterfall. And it’s especially breathtaking at night when the moon and fireflies light the place up

It was past midnight, and you just got back from other painstaking parole. Dirt coating your clothing and skin

You head straight to the showers. Discarding your clothes on the bench of the makeshift stall you were in.

The stream was cool to your skin, nursing those fresh bruises on your arms and thighs. Grateful for the fresh washcloths, liquid soap and towels that were replenished after every use

You turned around at the sound of an object falling. Ekko’s pupils wide at the sight of your bare breasts and ass. As his owl mask laid on the floor. Who long was he there looking? Did he like what he was looking at?

“S-shit I’m sorry! I thought that it was empty! I’m just gonna—”

“It’s okay— you can stay if you want, Ekko…” Did one of Silco’s goons hit you to hard on the head? Ekko hesitated at first, but when you gave him a nod

You saw him taking off his clothes. Body littered with old scars. He stepped into your space. Both you and him admiring your bodies, if it wasn’t for the cold water you would be in flames

Trying your best to not look at his cock. You started washing off the white paint, careful of not to get any in his eyes. And he did the same, washing your face and neck. A blush on your cheeks

“I believe that “Boy Savior” is an understatement—” Feeling his toned stomach under the soapy washcloth. “You are more of a man than a lot of people out there.”

“Can I kiss you?” He brushed his thumb along the curves your your lips

“Yes…”

Ekko leaned into your lips. He hungered you for a long time, scared that if he got to close you’ll disappear like all his past loved ones

He touched the purple bruise on your rib as he wanted to pull you in, you gasped in pain breaking the kiss. His touch recoiled, then slowly came back in feather like stokes

“You should have never gotten this hurt!” He was angry at himself, it should have been him getting hurt. Not you, never you!

“I shouldn’t have been so focused on destroying those Shimmer barrels…” He pressed his forehead on yours. Eyes crimson with hurt

“We signed up for this, I did too. And if making the Underground better means a few scrapes and headaches, then I’m more than happy to do so.” Thumb wiping away his stray tears

“What can I do to make this up to you?” He kissed the pulse of your wrist

“If you shut up and make love to me.”

He backed you against the rocky wall, water cascading in between your bodies. You wrapped your legs around his waist. Moans concealed by the rush of the water

Ekko’s hips meet yours as he dropped and lifted your body on his arms. Cock hitting you gummy walls and g-spot

“¡Clávame más fuerte! ¡Quiero que se te rompa el bicho de tan duro que me rócese!” (Fuck me harder! I want you to break your dick with how hard you give it to me!)

Nails scratching his back, adding to the multitude of wounds on his body. You both were going to hurt so bad in the morning

“You drive me crazy, chica (girl)!”

You came in his cock in the final thrust, body pulsating with the warmth of your orgasm and the ice of the water

He pulled out and came on your stomach, kissing your neck hard enough to leave traces of your escaped. Your legs jelly at the knees

You and Ekko spent the last hours of night in the streams. Basking in the freshness of your flesh. Having each other on every wall and surface possible

“You know what I’m feelin’ right now?”

“Like your cock is going to fall off?” You said into his chest as you laid back with him on the wooden bench looking at the moon. Ekko’s chest rumbled in a chuckle

“That, and a hot bowl of asopao de pollo (chiken and rice soup).”

Sevika

Sevika definitely has a thing for Latinas

You moved to Piltover a few years ago and started working at The Last Drop. There was an influx of Spanish speaking people and Vander was desperately looking for a bilingual server

He hired you on the spot not caring how many years of experience you had

She basically became your unofficial body guard. Scaring of creeps that got to friendly while you were working

You taught her how to play dominos and you still ended up losing! You had to make her sorullitos (fired cornmeal sticks) for a month

She helps you give out food to the kids and homeless people around the Undercity. It breaks her heart seeing you cry over the people that suffer thanks to Piltover

After she lost her arm you took care of her. Making her cope with a new life change and the challenges that came with it

And you best believe you chewed her ear off about the whole Vander and Silco situation. Refusing to work for Silco and running your own food business to get by

There aren’t many South East Asians in the Undercity or in Piltover, and you bonded because of the lack of a community.

I think you guys talk a lot about the men in your life, how they treated both of you with violence. How toxic males can be thanks to your cultures never giving them consequences for there actions

Talking about how unworthy Sevika felt for just being born a woman, and a queer woman at that. How she finally broke away from all the stereotypes and became a force to be reckoned with after the death of her father

You heal each others soul wounds by embracing the best of your heritage 

She knows all the Indian beauty secrets! She is the one that washes and oils your hair. Saying that “you don’t know how to take care your hair”

“Sevika, I feel like my scalp is about to start bleeding!” You wiggled away as the scalp massager dug into the sensitive parts of your head

“That means it’s working! Stop being a baby.” She poured more warm oil on your head and ignored your whining

She just wants to do something nice for you and loves your reaction as you see how long your hair as gotten since getting together

A lot of the spices that you both use for your cooking it basically nonexistent in the underground

And if they sell them, they go for an arm and a leg (hahaha amputation joke)

So Sevika makes sure that she puts special orders in the smuggling catalog for all the spices, herbs and produce that you both need to make delicious meals

You put her on to tropical fruits. From the massive avocados to the sweet and sour passion fruits

“So when I’m getting a taste of your papaya?” She is a massive flirt.

Sevika’s love language is making you a cup of chai every morning

She is mostly vegetarian, only occasionally eating meat. So her favorite food that you make is also a labor of love

So I just know she loves the pasteles you make. They literally take you a whole day to prepare. From cooking the pork or chicken, toasting the banana leaves on the stove, grading the plantains, making the red oil, and wrapping them up to look like a present

It was the holiday season and you sold almost 30 preorders of your 12 count pasteles. Making big bank, but losing your peace filling all these orders in time for Christmas Eve

She says that she will “help” but she stands leaning on the counter as you fold the banana leaves in place as she munches on plantain chips

Sevika thought you were the sexiest at home in your batas (old lady dresses or muumuus). She could clearly see the outline of your body thanks to the sheer fabric. Especially liking how your nipples got hard in the cold air and the fat mound of your hairy pussy when you didn’t wear panties with the nightgown

With a frustrated look on your face when the leaf doesn’t want to work with you

Cursing under your breath “Hijo de puta— yo te digo…” (“Son of a bitch— I’m telling you…”)

“You look so sexy when you’re frustrated, mamí…” Sevika cradled your hips from behind. Kissing the curve of your nec

“Was helping me all bullshit Sevika?”

“You forget that I only have one arm left?” She said patting her empty shoulder. Smirking at your eye roll

You weren’t amused at all at her joke. “Haha, very funny…”

“But I have other ways to help you at least…” Her hand slowly creeping under your dress strap

“Like what?” You questioned her, eyebrows raised

Sevika was in between your legs as you made the last batch of pasteles for the night

Nightgown discarded on the floor

Sucking on your clit each time you finished folding a pastel. Slowly pulling it away from her mouth and letting it go with a pop. Her two middle fingers thrusting in and out of your entrance

She watched from the kitchen floor as your breasts heaved at every lick of her tongue. Biting your outer lips when you didn’t fold the leaves fast enough

“¡Comeme la tota así mismoooo!” (Eat my pussy just like thatttt!) You made those pasteles as if you were on steroids

Her nose pressed against your mound breathing the smell of your cunt. The smell of a grown woman was intoxicating to her.

Sevika speed up her fingers and tongue, you wanted to come undone. But pushed through the last of them

Your hands braced the counter as your orgasm took over. Raising one of your legs of the ground so Sevika could drink your release fully. She groaned at the taste, vibrations sending heat through your overstimulated body

You sucked a breath, peering down your bottom half. Sevika resting her head on your inner thigh, sucking purple marks on your flesh. Jaw coated in your silk. Grey eyes drinking in your dazed face

“I believe I was more than enough help. Don’t you agree, muñeca (doll)?” She gave you clit a little kiss, pleasure running up your spine

“Eres terrible, ‘Vika—” (you’re terrible, ‘Vika—) you let out breathlessly. Ruining your fingers through her short hair

She took her fingers out of your pussy, and you leaned down to taste yourself on her. Indulging in the salty sweet flavor of your bodies. Lapping her fingers clean and then kissing Sevika. Her lips push against yours

“Mmm my compliments to the chef.” You had more than one good fuck that night on the floor with Sevika

Who knew that pasteles were such an aphrodisiac?

If they ask you why these were so delicious you just smile shyly and say: “I just put a little extra love (orgasm) into them.”

Vander

As a bartender he absolutely was inspired to make a cocktail menu for you. Makes you his official taste tester for any new drink he plans to put in the menu

You owned a small food stand in the Underground ever since he was working in the mines

And it was always packed with people in and out of work

You got together shortly after Vander stopped your shop from getting mugged by some punks

Vander is a coffee lover and always makes it a routine to get up early in the mornings just so that he can have a hot cup of Puerto Rican joe with fresh butter and bread on the side

Thankful that you always feed his kids when he doesn’t have time to cook for them, and free at charge with at that

But he always sneaks more than enough coin into your tip jar when he visits you after a rough day

“Does Vander ever feed you guys at all?” You asked serving another customer

“He does but he burns everything he cooks—” Vi said licking her fingers clean from the delicious poultry you made

“Can I have another piece of chicken, tití (auntie)?” Powder said holding her empty plate at you, big eyes looking at you with love. Mouth covered in red sauce

“Con esos ojitos (with those little eyes) who can say no to you Pow-Pow!”

Yes his kids call you auntie and I’ll take that to the grave!

Whenever you call him “Hound” he blushes! And you make fun of him a lot for it as well. Calling him a dog as you catch him looking at your ass as you bend over to get plates and watching your tits jiggle as you make your fresh pressed juices.

Coquito (coconut eggnog) is his all time favorite drink, second to guarapo (sugar cane juice). And when you gave him a shot to try it solidifies his want to open a bar so he can make delicious drinks like this

When it’s the holidays Vander lets you have parrandas (live Puerto Rican music parade) at the bar. You introduced him to el guiro (a type of musical instrument) and la pandereta (small hand drum). And he plays them really well!

“Maybe those big hands are not just useful for punching things, huh Vander?” You played along side him as you watched the kids for a dance circle. Chuckling at Powder’s lack of feet coordination as she stepped on Mylo’s toes

“I will have to show you sometime. You will certainly be surprised, love.” You blushed, quickly going over the other musicians to sing your part of the chorus. You felt his eyes on you the whole time, loving the attention he gave you

The kids went to sleep as midnight approached. The adults enjoying their late drinking. Vander was leaning against the bar as you danced with Sevika. Watching you teach her the basics of bachata so that she could impress the girl she was pinning for

“You’re not so bad at this, Sevika!” She twirled you around

“Na, I’m better at the cards than all of this.” Sevika said, still looking at your feet as you guided her steps

In the corner of your eye you saw this other girl go up to Vander. You didn’t hear what they were thanks to the loud music. But you saw him shaking his head “no”. The girl turned around annoyed, flicking her wrist at him as dismissing a dog. Wishing her eyes found a brain in the back for her skull as she rolled them. You thought she finally back off. But you were wrong…

She pressed her ass against the front of his pants, shaking her flat flabby ass. Vander choking in his drink in pure shock. Trying to push the girl away

Before Sevika could stop you, you were already across the other side of the bar. Fist clenched, Vander making brief eye contact with you. His eyes widened at your wrath. Uh oh…

“¡Èl dijo que no jodia puta! ¡Te voy a romper la cara!” (He said no you fucking whore! I’m going to break your face in!) Grabbing her hair by the root and dragging her off to the bar floor. Her screaming and sinking her nails on your forearms, drawing blood. You screamed at her attach

You hear people cheer and yell at you to: “teach her to not touch anyone’s man again”.

Throwing your body weight back and making her crash into the round tables. Before the girl could even process the pain you straddled her stomach and punched her face in. The alcohol in your system making you rabid

“Love, that’s enough!” Vander pulled your fingers off the girls body. You were thrashing against his hold. Sevika hoisted the other woman taking her out of the bar.

“Everyone, out!” Vander yelled. You watched bodies move with blurry eyes. You still thirsty for blood.

“¡Déjame! (Let go!) ! Ugh, Vander!” He threw you over his shoulder. You punching his muscular back for him to let you go. He took you into the supply closet behind the bar. Dropping your feet on the floor.

“Let me out Vander! She is not getting off that easy for touch you like that!”

You wobbled like a new born fawn, holding the shelves for support. Vander locked the door and turned on the dim light abode your heads.

“Sit your ass down! I’m not tellin’ you twice…” Vander warned, pointing at the large empty barrel. You stared him down on your tippy toes. Blue eyes piercing yours.

“You really want to go there, sweetheart?” He crossed his arms over his broad chest. Getting close enough to smell the whiskey and smoke on his breath. The smell of your man

You wanted those hands around your throat. You wanted him to fuck the brat out of you. Your fight for dominance was short lived

“Fine.” You caved in and sat down with an annoyed plop. Grumbling at him with your arms crossed

God, did you love the control he had over you. You loved a man that put you in your place, while still being caring and loyal

Vander turned his back to you while looking for the first aid kit. Admiring the thickness of his body. And those pants that made his ass and legs look so delectable

“If I wouldn’t have stopped you, you’ll be heading to Stillwater by the end of the night.” Vander stood in front of you, raising your head to meet his warm gaze

“I’m sorry—” You whispered as your eyes became teary

“Christ, love! You would have killed her!” He lifted your arms to see the damage. Cleaning your wounds with alcohol. You hissed at the burn. Vander slowly wrapping your forearms with white gauze

“I’ve never seen you act like that before—” Breaking the silence. “I didn’t think a lady such as yourself could be so violent, so jealous…”

Vander would never admit that he loved what you did to that girl. How sexy you were while beating the shit out of a stranger just for him. It made him feel loved in a fucked up way

He lifted your bandaged arms to his lips. Breathing the scent of your wounds

“Tell me, love. Are all Puerto Rican women like that?” He asked innocently, looking at your face with curiosity

“I’m not just a jealous woman, Vander… I’m going to tell you a little secret about us puertorriqueñas.” You said stroking his bearded cheek. “We are territorial. And we fight for what is ours, even if it means that I have to fucking sink my teeth into any whore that touches mi hombre (my man)” You said between your gritted teeth, pulling Vander towards you. Tongue sinking into his mouth tasting faint of whiskey

You pulled his belt, harshly tugging it open. Feeling his hard cock through the fabric. God, did you want to get that whore’s smell of him. Replace it with the scent of your cunt

“You are mine, Vander. And I am yours.”

His eyes dialed, pants ever so uncomfortable. Vander launched at you, lifting you by your legs and kissing your lips. Your back gently hitting against the liquor shelves

He quickly discarded your bottoms, you gave his length a few pumps then lined it up against your cunt. You could never get bored of the sight of his cock, or the hot stretch it gave you

“Choke me, Vander!” You yelled, pussy filled with him. His hand was placed in your neck in a moment. Fingers pressing your pulse points.

Vanders thrusting was meet with the sounds of clinking bottle and the rattling of the shelves. He was a beast, slapping your entrance at full force as moans were caught on your airway. Velvety walls sucking him in. Heavy balls knocking against the push of your cheeks.

“I’m gonna cum, lovie—” He let go of the hold on your throat. “Where do you want it?”

“In my mouth!” Vander dismounted you. Cock glossy from the slick of your pussy

You kneeled on the ground, fingers fucking your pussy. Taking that big veiny dick in one go, slurping your combined juices as his tip hit the back of your throat. Vander’s hand resting in your hair. Your other hand massaging his balls

Vander came with a grunt, back of his head hitting the wooden shelves. Gasping in surprise as it coated your mouth. He was going to need ice for that later, you thought, enjoying the creaminess of his cum

Sticking your tongue out to show him his release. Then moaning as you swallowed it

“You dirty girl.” Biting your lip as he cursed at your seduction

“My dirty dog.”

You licked his cock clean. Pulling his foreskin in between your lips. Kissing it all around and making out with his tip slit. You nibbled at his shaft, using a bit of teeth to draw gasps from Vander

You brought your mouth to his pubic bone. Biting his skin, hard enough to leave marks. And leaving hickeys on his stomach

Loving how your food left some extra pounds on him. Making his tummy all the more squishy and soft

“You’re eating me alive, love—” You giggled on his skin, slowly stroking his spent cock. “Mark your territory, mi loba (my she-wolf).”

“Con placer…” (With pleasure…) You gave his cock a final kiss. Long lasting, a little red bruise at the side of his shaft. Moaning at your work, eyes sparkling up at him

Vander helped you off your knees, and leaned you against his chest. You rested there for a while, calming down for your sex crazed high

“Do you want me to make you a passion fruit mock-tail, darlin’?” Vander rasped, hand soothing the pulse of your throat 

“Yesss please, and with extra—” Vander shushed you with a kiss

“And with extra ice and pineapple pieces. I know, amor (love), I know.” He pecked your forehead

[julianova44]

There are some people that have truly magnetic personalities though. I’ve met one or two people who may not have been attractive in a sexual/romantic way, but even in a crowded room you feel like they’re talking to you.

And it’s not even people that I think I would click with as a friend. It’s just people whose demeanor, for some reason, makes you want to pay attention, and feel like they’re connecting to you even if they really aren’t.

My mom, when she met Bill Clinton in the 90s (who I think she was ambivalent on as a person) described him like that. When he spoke to you or shook your hand, you were the entire center of his attention. When he was talking to a crowd (she said) it somehow felt like he was talking to you. I’ve heard others say the same thing- about Clinton, about Mick Jagger- and while you can call Jagger a lot of things, I don’t think conventionally attractive is one of them. But people still feel magnetized.

I always wonder what facet of human psychology is getting played on there. Is there a body language thing? Smell? Vocal tones?

Maybe I’m just asexual but I genuinely think that the idea that some people are so hot that literally everyone wants them is a myth. I think some of those people supposedly everyone is attracted to are just rich or well connected

[purpamint]

Even after two years this is still one of my favorite comics I’ve made, and since it’s the holiday season, here’s the text version of it I wrote for it today that has some fun bonus details that I’m pretty happy with:

Back when Kris and Noelle back were both kids, they were opening presents while sitting by a Christmas tree. Kris is wearing their red horns that they supposedly wore a lot as a kid. Kris opens their present and reveals a green and yellow striped sweater. After Kris opens their present, Noelle cheerily says, “Merry Krismas! Dess and I worked together to make you this sweater!!”

Kris looks in awe, exclaiming, “WOAH!! so cool....”

Noelle gives Kris a thumbs up with a happy expression, saying “why don’t you try it on?”

“ok!”

Asriel and Dess are both looking at Kris now that they’ve tried on their new sweater. The sweater is visibly way too big for Kris.

Asriel is smiling, but his expression betrays the fact that he is a bit worried that the sweater doesn’t fit Kris, however he is still trying to stay on the bright side.

Asriel expresses, “It’s a bit oversized…”

Dess, focusing more on Kris’s enjoyment of the present than the size, looks to Asriel and assuredly states, “They seem to like it!” She proudly stands with her hands on her hips with a satisfied smile.

Kris wears their sweater with a delighted smile as if they were as content as one could be. It was as if in nothing the world could be better than as small as sweater made just for them. It was as if they would be fine if this one moment lasted forever.

Dess, continuing what she was stating earlier, laughs, “Hah! It doesn’t matter if it fits as long as they like it!” Clearly pleased at how much Kris seems to enjoy their present, she remains unbothered by the minor issue of the size. Asriel, less concerned after realizing Kris’s genuine joy at the sweater, finally agrees with Dess, albeit still reserved “I guess so!”

Many years later…

The world is completely black. It feels as if so much time has passed. The darkness only brings back those warm distant memories. The darkness feels like daydreaming with eyes closed. Those dreams feel real yet so fragile…

Noelle sees Kris while at school

Casually starting a passing conversation with an old friend, she laughs, “Woah Kris… talk about a flashback!! Fa-ha!”

It was like she was suddenly propelled millions of years back in to the past, reminded of both the embarrassing and the bittersweet moments.

Caught up in the moment of remembrance— almost as if all the years of distance between the two teens had suddenly melted away to potentially forge some sense of reconnection— she continues, “You haven’t worn that since…” Quickly trailing off.

Reality comes back like a tsunami of ice water over a blacksmith’s freshly re-heated piece of iron. The once re-shapable metal is now chilled and harder to change.

Now, the darkness has faded out.

Noelle couldn’t help but wonder about Kris sometimes. Why wear that sweater…? Not that it’s a bad thing, but it hasn’t been worn in ages…

With an inquisitive expression, she politely asks, “Any reason why you’re wearing it?”

Kris sits at their school desk slightly leaning forward laying their chin on their right hand. Their other arm lays on their desk as if they were partially crossing their arms. They do not look directly at Noelle. They almost appear as if they are not looking at anything at all— or at least not towards anything in particular. They have an introspective expression. Like they are thinking about old friends, old memories, old dreams… at least that’s what it seems.

“I guess I have been feeling nostalgic lately…” Kris replies. An indirect response like that from them was not unusual.

…but…

It seemed like that they were being honest.

It’s generally hard to read them, it was even hard to read them back when they were more open…but Noelle is so familiar with them that it is almost natural, even if the skill has a little bit of rust.

Kris looks softly at their sweater. It’s been so long since they’ve worn it, but they still remember the day they got it. They wished that day would last forever back then. Sometimes they still do. It felt so big back then, but now it matches their size much closer, even if it is a bit baggy in some places. But it’s honestly more comfortable that way… they never minded oversized clothes anyways.

They loved it so much because it was made with care, just for them.

It’s their favorite sweater…

It fits almost perfectly…

Little deltarune comic for the holidays! (About the Holidays too, wow) This took a bit longer to make than expected because I chose to make it on paper, so I had to do a bit of color adjustments to make it look right in the photos. Despite it’s lateness hope y’all like it! :D

[peachhcs]

Samy meeting will’s teammate for the first time

another semi different iteration of samy meting some of will’s teammates when they’re in detroit for a game and she drives out to see them

au masterlist

“hiii,” the girl grins when she sees her boyfriend coming out of the locker room. the blonde quickly grins, already opening his arms to wrap her into a hug. “hi baby,” he smiles.

“sorry you guys lost, but you played well like always,” samy pecked his cheek and the boy smiled despite the disappointing loss.

“it’s okay, i’m just glad to see you for a second,” he hummed even though the time they had was not nearly enough for either of their liking. the sharks were due in winnipeg tomorrow meaning will’s bus was leaving in less than an hour.

“me too. how’s your week been?” the couple tried making the most of the now 50 minutes they had together.

“it’s been okay. busy with hockey,” will said not to complain because he’d never get sick of playing, just tired with how much they’ve been doing recently. samy nodded, “make sure you’re taking care of yourself.”

“i am, don’t worry. make sure you’re taking care of yourself too,” will poked her arm and she flushed.

“yeah, i am. don’t worry either.”

“how’s your week been now that soccer’s over?” will turned the conversation to her because he liked it a lot better when they were talking about her and not him and his things.

“it’s been a little weird, but we still have offseason stuff, so not too different. it is nice to slow down for a bit though,” the brunette grinned, leaning against the wall now. “i’m glad it’s been good for you. you deserve a break after the very successful season,” will chuckled.

“hey pup. hey hughes,” will eklund had come out of the locker room, a bright smile on his face.

“hey eklund. good to see you again,” samy offered a polite hug to the older blonde.

“you too. sorry you had to see us lose,” eklund frowned.

“it’s alright. you guys still played well,” the girl said. behind eklund came tom, jack, fabian, tyler, macklin, and henry. they caught sight of the three standing along the wall and made their way over to offer a hi to samy.

“hey little hughes,” tom greeted her in another friendly hug—his new nickname for her that everyone seemed to call her.

“oh shit, you’re hughes! pup’s girlfriend!” fabian exclaimed and the girl flushed when the other guys’ faces lit up at the revelation.

“that’d be me. it’s good to meet you all,” she grinned.

“we hear a lot about you,” henry teased a bit and eyed will. he avoided their gazes in hopes of avoiding the blush creeping up his neck.

“i’ve heard i’m the talk of the locker room sometimes,” samy raised her eyebrow.

“not in a bad way, don’t worry. we just like to poke at our rookie and figure out more about his life. it seems like you’re the one who makes him smile all the time whenever he’s looking at his phone,” toffoli teased the younger boy by roughing up his shoulder. samy watched her boyfriend’s entire face turn beet red, but she thought his blush was cute.

“well i’m glad to hear i’m making him smile that hard,” samy squeezed will’s hand.

“we heard from pup too that you just won the women’s soccer cup?” jack wondered and the girl quickly beamed. she’d never get tired of talking about her recent win.

“yeah, i did. my team and i won the ncaa championship for the first time in a few years.”

“that’s wicked cool. congrats, by the way,” jack smiled.

“thank you. oh, my roommate would want me to tell you guys this, but we loved that holiday inflatables video. best thing ever. she was laughing for hours after,” samy added which had all the guys smiling.

“ah, thank you. it got a lot of hits. we’re thinking about making rapping our day job,” fabian said and samy giggled.

“i mean, i think you guys could go far. or make another music video at least,” the boys agreed, appreciating her words. she glanced back at will who playfully shook his head.

they managed to keep her talking for at least another fifteen minutes. whenever samy got talking she talked no matter who it was. it was feature will loved and hated sometimes. he loved that she could quickly get along with any of his teammates, but it also cut short the time they had together.

he glanced at his phone again to check the time now seeing that there only 30ish minutes minutes left. as much as he loved seeing more of his teammates and girlfriend get along, will wanted a bit more time alone before he had to leave, so he eyed macklin in hopes that he’d help drag the others away.

the younger brunette took the hint fairly quickly, “hey guys, we should probably make sure we have all of our things before we head out.”

“shit, yeah, you’re right. well, it was good seeing you again,” eklund smiled, waving bye to samy. she waved to all of the players as they went back down the hallway to recheck the locker room for their things. her gaze fell back to will.

“they’re so nice,” she grinned.

“for you, yeah,” he laughed. they were never as behaved in the locker room but the blonde was grateful they didn’t say anything stupid in front of her.

“well either way, i think you have a good team. they definitely love you,” she squeezed his hand again which will reciprocated as he squeezed back.

“i agree. i like them too.”

the couple talked a bit more until will figured he needed to leave and double check he had everything before getting on the bus. the two exchanged a loving, tight hug and a sweet kiss o the lips.

“i’ll miss you,” will hummed.

“i’ll miss you too. get to winnipeg safely,” samy squeezed the boy’s biceps which made the boy flush anytime she squeezed a part of his body that weren’t his hands.

“you get back to ann arbor safely. text me, okay?” the boy made her promise and she quickly agreed.

“i promise, i will. i love you.”

“i love you. ugh, i wish we had more time,” will frowned, not wanting to let go quite yet.

“me too. fifty minutes is not enough time at all, but i’ll see you super soon, okay?”

the hockey player nodded, reluctantly letting go. samy pecked his lips one last time before walking away first because if she didn’t, will would never let her go.

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 2. rest of post under a cut due to length and spoilers. [Post One, Post Three]

The dev team really wanted to deliver on Emmrich's romance [source]

Sylvia Feketekuty has now left BioWare so there are likely some things she can't answer now "just because I can't look them up with certainty anymore" [source]

When Emmrich is first introduced, he has a skull helmet. Why does it never ever appear for the next 40-100 hours? "The helmet does indeed look wicked! I believe it actually shows up on his shelf in the Lighthouse eventually. (If I had been a smarter writer I would've asked if we could have it appear again, that one's on me.)" [source]

User: "In another post you mentioned shops in Nevarra City near the Necropolis. How far IS Nevarra City itself is from the Necropolis? Do only senior MWs get to go?" / Sylvia: "I'm reluctant to say what the distance is since I never defined it in game so it's Unknown™. But I imagine they can either walk or take a carriage, depending. Also I never imagined junior MWers are forbidden from going into town or such. It could be they have set hours and times where they're allowed. But got to get all those chores done first..." [source, two]

On the DA:I goat scene ([link]) - "The GOAT! God bless them, that was a delight." [source]

Brian J. Audette, on [this thread] - ""Better late than never" addendum to this thread. I just noticed that Isle of the Gods' writer Sylvia is on here now and I'd be remiss not to tag her in this thread. I can't say enough wonderful things about having worked with Sylvia on this mission." [source] / Sylvia: "Thanks Brian! You tackled an absolutely jam-packed mission with aplomb." [source]

Jo Berry: "Thank you for everything and everything else, on both Veilguard and Inquisition. Sunlight on your road, wherever it goes." [source] / Sylvia: "Thank YOU for all your writing Jo. Seriously, you were a godsend on Veilguard and DAI both." [source]

Trick Weekes: "It's been fantastic working with you, Sylvia, and I know you're going to crush it with whatever you do next. Thank you for finally letting me make you "the person who has to do journals so Trick doesn't" on one of our projects." [source] / Sylvia: "Thank you Trick! I'll miss working with you. It was an honour to finally be given the awesome responsibility of the journal system that still haunts my dreams." [source]

John Epler: "sylvia did you see i told the world Emmrich sleeps standing up like a horse" [source] / Sylvia: "It's days later but: yes. Yes I did." [source]

User: "As someone who also has a truly debilitating fear of death, Emmrich is so special to me. It’s the first time I’ve ever seen it represented in such a clear and concise way." / Sylvia: "Thanks, definitely felt that fear myself. I really wanted to express it clearly and was hoping would resonate with others." [source]

User: "Do you have any thoughts or opinions on what nickname Emmrich might have gotten from Varric if he'd ever gotten one?" / Sylvia: "Oh man that's a good question, but ultimately since I didn't write Varric, that must remain a mystery. Nicknames can only be bestowed. ("Bones" like someone suggested below is funny though.)" [source]

User: "If Emmrich's hobby is alchemy/plants, Vorgoth's is art, and Audric's is architecture... what's Myrna's? (Next to Emmrich, she's my favorite Watcher - sorry Vorgoth!)" / Sylvia: "Myrna has a one off line, you may not have heard it yet, where she talks to Vorgoth about getting tickets to the Sword of Drakon.* She enjoys a night out at the theater, whether it's a play or an opera. *(I think that's the play I named, I hope I'm recalling my own line haha.) It's a bit indulgent of me, but I chose Sword of Drakon because it was one of the plays I made up for a series of codices in DAI about Orlesian theater. I had a lot of fun with these and wanted to give them life once more. [link]" [source, two]

User: "During Rook’s disappearance in the prison, how did Emmrich react? Considering their intense romance, did he fall into depression, or did he show a more vulnerable side? Could his fear of death have influenced the situation? In the immortal romance💀, Emmrich promises that nothing will separate them, not in this world or any other. How likely is that? Would he go to great lengths for Rook, even crossing boundaries? Or, at some point, would he accept Rook's death?" / Sylvia: "1) Very strongly! I think it's a bit more interesting if I leave details to your imaginations, but Emmrich feels things deeply and probably had some sleepless nights. 2) So this I can't say much on even though it's a juicy topic. The truth is, I wouldn't even know unless I was actually sitting down to write it. Again, Emmrich feels things very passionately, but this is the kind of scenario where I might want the player's choices to have an effect." [source, two]

User: "Any chance that color scheme [of Emmrich's coat] was based off the corpse flower?" / Sylvia: "I couldn't find anything on the colour scheme and the corpse flower. Afraid this one's a mystery to me." [source]

User: "I'm really curious if there's a Nevarrese language? We have Orlesian, Antivan, Tevene, Qunlat..." / Sylvia: "I wondered that myself, especially given its ancient ties with Tevinter and also Orlais which would certainly have affected the languages of power and influence. Could also have roots with the Planasene. We never talked about one though, as far as I know, so the answer remains...unknown. 💀 (I did introduce tomb-script, the language you see etched into stone in the Necropolis, but I thought of it as more of a specialist's language for occult and magical things specifically.) (If we did define a Nevarran language in some corner of the lore, now I'm going to feel embarrassed, but I don't BELIEVE we did.)" [source, two, three]

User: "I wanted to ask if you have anything you can share about MW grave dowry jewellery - is it the sort of thing they keep on at all times? Also, would Emmrich like jewellery gifts or give them to Rook?" / Sylvia: "I figured it would be something they wear most of the time, or at least in public. You don't want to be without your grave-gold if you pass away! Emmrich would love to get jewellery, especially if it marked a special occasion like his other pieces do! He'd also probably like to gift Rook a piece of grave gold himself, though he knows a non-MW Rook might look at that part askance." [source, two]

User: "Question: how much if anything can you tell us about the circumstances surrounding the emergence of Emmrich's magic and him going to the Mourn Watch? In my mind, his parents' death could certainly be a catalyst for the emergence of mage powers, but I'm so curious why the butcher's boy goes to what seems the equivalent of Nevarran Harvard instead of a regular Circle unless he immediately demonstrated outstanding ability?" / Sylvia: So timeline wise, I think his magic manifested after he was taken in. This part isn't canon, so much as a background thought I had that maybe the spirits of the Necropolis nudged the MW to scoop up this future corpse-whisperer. It seems like a kind of place ripe for that sort of omen. That said, it could've also been a kindhearted Watcher who saw how shattered and alone this young boy was, and thought an upbringing in the Grand Necropolis would be the better place to deal with his grief. It's the kind of thing I want to leave open unless someone goes back one day to fill it out!" [source, two]

User: "what’s the overall Mourn Watch opinion on the whole Weekend at King Markus’s the other Mortalitasi are pulling? I can’t blame Emmrich for not wanting to be involved with that political mess!" / Sylvia: "No clue what you're talking about. King Markus is in the finest of health!!!!! ahahahahaha (To my mind Emmrich's response indicates a tension between the orders, but that they're going along with the polite fiction to avoid a mess. I can't say what the future holds though.)" [source]

User: "Ah, one last note: whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]

User: "I'm an ICU nurse, and that is imagined to confer a comfort with mortality. Suffice to say Emmrich has been a huge comfort to see." / Sylvia: "Thanks so much. I really wanted him to struggle with it while also engaging with it, because it's something I find hard as well. And I hoped it would find purchase with players." [source]

User: "If you’re willing, can you share a bit about the other orders within the Mortalitasi? Is there a rivalry with the Tevinter Imperium?" / Sylvia: I'm afraid I don't have much, sorry. I left the other Mortalitasi orders a big open canvas in case we wanted to invent more some day. (We've mentioned the palace Mortalitasi are separate from the Mourn Watch, so there's one. As you probably caught, Emmrich's not a fan of theirs.) Is there a rivalry with the Tevinter Imperium? I can't really point to anything in the game talking about that, so I hesitate to call it canon. But to my mind it would be very natural and also very funny. So if that ever manifests, I approve." [source, two]

User: "was any of Emmrich's design or personality modeled on British actor David Niven? I think there is resemblance just wondering if that was intentional." / Sylvia: "Oh I love David Niven. But the more direct actor influence for me was Peter Cushing in a few old Hammer Horror films." [source]

User: "just wanted to say thank you for creating the character of Josephine in Inq!! Helped me learn some stuff about myself when I was younger and meant a lot." / Sylvia: "Thank you so much on all counts! I'm glad the lovely Lady Montilyet was there for you (and enormous credit to her actor, Allegra Clark. She absolutely nailed Josephine, straight away.)" [source]

User, on Emmrich: "He mentions he thought he would marry - is that permitted for Mortalitasi when it wasn't for regular Circle mages? Can they now raise their own children?" / Sylvia: Mortalitasi have a lot of power. I imagine the Nevarran Chantry might grant them permission to marry outside the Circle more regularly than in places where mages are given less respect. (Mages can also marry within Circles, so no permission needed in those cases.) The same might be true for mages raising mage-born children in Nevarra, but I say that with less certainty. I think that's a topic I would've wanted to discuss with the rest of the narrative team." [source, two]

User: "is there a particular reason why emmrich is always wearing a glove on one hand?" / Sylvia: "I like to think it's mostly because he works a lot with his hands. The glove seems useful if he has to, say, grip a rough outcrop of rock when traversing the Necropolis, or deal with a bitey corpse." [source]

User, on Emmrich: "On my 1st run I played a trans Rook and romanced him. It felt incredible how he was so accepting of Rook's identity, and in return she could support him as he did a transition of his own as well. Beautiful mirroring!" / Sylvia: "Thanks very much! If those scenes worked, it's thanks to some people at work who kindly gave feedback that helped get the tone right." [source]

User: "I've been wanting to thank you for writing Luck in the Gardens for 4 years. Hollix was the first time I ever saw a non-binary character given a real voice." / Sylvia: "I loved writing Hollix in that story, they were a treat, and I'm glad they meant a lot to you. (And a shout out to a nb friend who gave me some good feedback on the character, I don't think the story would've been as clear without their help.)" [source]

User: "I was curious about Audric from TN, and if he originally was planned to have an appearance in veilguard, and what he's up to now" / Sylvia: "Love Audric, but I never planned to bring him into VG. I'm not AGAINST it, but I didn't want the short stories to feel like required reading for the game, and I liked where his arc ended in DatDM. That said, I dropped in a few references to Audric to let people know he's around and well. And I imagine he's doing what he loves: being a force of order, in the library. (And reading books during the more quiet hours below.)" [source, two]

User: "As a consumer of (and probably future creator of) so called "erotic" fanficfion, I'm wondering how you feel about the fact that fans make it about a character you created?" / Sylvia: "No issues with it whatsoever. We put sex and romance into the game itself, after all. I think people use fan art and fanfiction to extend their time with a story they've grown fond of, or to figure things out. So it feels like a natural extension of that." [source]

User: "Maybe one day my rook will join the mw!" / Sylvia: "Well, the Grand Necropolis is always eager for more company...🪦👻" [source]

User: "did the flame eternal (short story) come first or the flame eternal (quest)? i’ve been wondering if the quest was named after the story or vice versa" / Sylvia: "I wrote the scene first, the short story came after. But I named the quest AFTER the short story had come out, so I'd say the quest is named for the story because I liked the callback." [source]

User: "1.I know John answered already that Emmrich sleeps like a horse but is there really no bed for this man? 2.How would he react to a bouquet made for him?" / Sylvia: "1. Unknown. Perhaps he brings out pillows and a blanket for the slab in his room (after scrubbing it, of course!) Perhaps he goes home to an elaborate silk-covered bed in his Necropolis apartments. Or the horse thing. (TBH: I never decided myself, so I've leaned into impish mystery). 2. Emmrich would be absolutely delighted and flattered by being presented with a flower bouquet." [source, two]

User: "I hope it's okay to pop here but it might interest you to know a lot of us have been headcanoning that he has a secret bedroom behind one of his bookshelves! It seemed to line up with his sensibilities somewhat." / Sylvia: "That would honestly be great. Pull out the right book and snooze time." [source]

User, on the cemetery date: "This makes me feel like Mourn Watchers include the dead in important personal milestones/events and, if so, I love that so much. Like they want to share these events and the joy/love/excitement/etc. with those who have passed (and perhaps linger.)" / Sylvia: "That's absolutely how I thought of it too." [source]

User: "was there any game/book/show/film that inspired the Mourn Watch and Emmrich? When I saw them in the preview content, I got reminded of the Locked Tomb series by Tamsyn Muir and playing through the game cemented those vibes." / Sylvia: "I hadn't read any Locked Tomb when writing Emmrich, I think we must both just have impeccable taste. (I actually tried to stay away from contemporary stuff on necromancy when writing him, out of a superstitious fear I'd be unduly influenced. I do want to talk about influences later though!)" [source]

User, on Josie: "Do you think she’s open to having kids/adopting with the Inquisitor? Lord Ontranto and Yvette are so ahead!" / Sylvia: "I think that falls firmly within the category of what you imagine she and your Inquisitor's romance looks like, which means: absolutely, if that's where you imagine life would take them." [source]

User: "Emmrich, his story & everything surrounding him absolutely played a huge part in helping to lift me up & connecting me with new friends online" / Sylvia: "Thank you! And I'm very glad to hear Emmrich and his fellow Watchers helped you out when you needed it. He'd be pleased to know so himself." [source]

User: "Was it ever considered for him to appear in the game?" / Sylvia: "(short answer is no, but I wanted to let people know Audric's doing well.)" [source]

User: "I enjoyed your short stories in Tevinter Nights. Emmrich mentioned working out in the morning. What does his morning routine look like, and what kind of exercise does he do?" / Sylvia: "Thanks so much! Those stories have a special place in my heart, so that's especially nice to hear. On exercise: He likes a brisk stroll, and does morning stretches, and for something more strenuous, he likes to go swimming. Why? It's a workout where you don't have to worry about sweating. That just seemed to align with his fastidiousness in a funny way to me. (I also imagine exploring the Necropolis keeps him active, climbing all those stairs and crumbling ledges and the outsized walls of hallowed tombs, etc.)" [source, two]

User: "Harding will turn to a MW Rook who's been talking nerdy necro shop with Emmrich, and goes (paraphrasing), "You're so different when you're talking about this stuff than you are when you hang out with us!" and I loved that" / Sylvia: "Yes indeed! And thanks. I really wanted a beat where you realize MW Rook has learned to swap between being a fancy nerd and talking a bit more like "regular" people in Thedas. It seemed like a fun trait for that background." [source]

Sylvia, on how she came to BioWare: "No formal training. The closest to practice I had was running tabletop RPGs for friends, which actually helped me a lot with understanding the different kind of RPG players out there and what people want out of a story. And honestly: I just kept applying, over and over. That was my main virtue. I was rejected the first couple times I applied to BW. And rightly, I think, I wasn't ready and practicing in between really helped me become a stronger writer." [source, two]

Some more on this topic ^ from Sylvia: "To be honest: mostly luck, some perseverance, and then writing skills, in that order. I was rejected at least twice from BW before I got in, and I think they were right to do so. I wasn't ready yet. The third round someone I knew passed on my sample to a writer there, I did two more rounds of samples while taking feedback and revising over the next month. And then I was lucky enough they liked it enough to interview me. I wish I had better advice than perseverance. I think having a small, completed game, even something text based or a mod, isn't bad either. Even if it's short, it shows you finished it. But: my entry was over 15 years ago now, and to be honest I'm not sure what BW's applicant process are anymore. I don't want to be discouraging though. I would say keep applying, and make friends with like minded people who also want to make games, and best of luck." [source, two, three, four]

User: "I've been wondering something about Mourn Watch Rook's background - their bio says they were found as a baby + raised by the MW, and they reference it in-game, but then they also say they were a street kid and left their old life behind to join the MW to Taash. I'm just curious how one - being raised by the MW - lead to the other - street kid era. I just hc'd it as a euphemism for my Rook's party girl phase lol but it did leave me a little confused." / Sylvia: "This is a case of the background changing slightly over time, and me not squaring it in time with dialogue. In my mind: MW IS found by the Mourn Watch, raised by them, and work for them. But MW Rook also had period(s?) growing up where they explored Nevarra city, to explain why they're more. street savvy and worldly than your typical Watchers who never leave the city. I've seen people noting some discrepancies, and in a perfect world I would've caught those lines in time to smooth them out to encompass the whole story. But perhaps your Rook gives slightly different answers to different people for their own, mysterious reasons! (Or, in reality, it's writer error.)" [source, two, three] "Anyhow, I encourage any head canons that help square these discrepancies" [source]

User: "I romanced him on a Rook that I perceived as about 42ish and my running interpretation of the lines acknowledging her being young were either Emmrich not realizing how old she is, a running bit between them, or some cute form of flattery to not remind her of her own age haha" / Sylvia: "That's adorable, I love it" [source]

User: "1. What would Josie's ideal date be? 2. Could adopted kids be heir of the Montilyet estate or would it go to Yvette? 3. What does Josie think of the Crows?" / Sylvia: "1. I think she'd try to structure something, but the Inquisitor taking her away from her strictly scheduled routine to relax would actually be better for her. A picnic in a garden, a stroll around a lake followed by a meal in a quiet little restaurant. Something with a soft evening. 2. I don't think I ever said so in the game, but to my mind Josephine had some nieces and nephews in line to be heir. If she adopted a child and thought they'd be a better candidate, they could absolutely inherit the estate. (And of course, she could bequeath money or personal effects as she liked.) 3. She thinks of them as a necessity in Antiva, and that it's important to appease them. There's probably highly placed Crows she would get along with. But she'd never be comfortable with them. At the end of the day they're contract killers, and she's no lover of violence. (If I actually DID mention who Josephine had lined up to inherit the estate after her, but just forgot, I will ask for mercy because the game came out over 10 years ago.)" [source, two, three, four]

User: "Would you ever consider making a playlist on spotify of the sort of music you could picture Emmerich listening to? Or perhaps sharing any of the music you listened to while writing Emmrich?" / Sylvia: "I actually have an itunes playlist of what I listened to when writing Emmrich on my old computer. If I dig it out, I'll post a screenshot! (A lot of ambient stuff, probably unsurprisingly)" [source]

User: "I utterly, completely adore the way Josephine was written, she's such a wonderful and complex character. Her history as a bard, her ruthlessness, her kindness and sweet nature and how CUTE her romance is." / Sylvia: "Lady Montilyet herself would be flattered to hear you liked it." [source]

User, on Sylvia's comment about Peter Cushing being a go-to for what Emmrich would be like: "This makes me so unbelievably happy given my love for Peter Cushing 😭 my love for Emmrich was inevitable." / Sylvia: "I want to talk a little more about it later but Cushing was such a wonderful actor. Wish we'd had him around even longer." [source]

User, on death and working in death care: "In the end, it’s always about memory." / Sylvia: "That's so true. We want to be remembered, or to have something that lets people know even a little about who we are. (It's why I'm glad newspapers still print obituaries, you can read about the most amazing lives.)" [source]

User: "I was starting to think the game was reading my mind and tailoring to me once he said his favorite color was lilac, and I was given the option to say darker purple." / Sylvia: "I'm glad you enjoyed Emmrich and his romance. And that the bit about colours worked for you, I was trying to think of what would be something fun there, and purple is one of my favorites too. (Fine taste!)" [source]

User: "“Down Among the Dead Men” is one of my favorite chapters from Tevinter Nights. I loved Audric and I was so happy when Myrna mentioned him in Veilguard! Was there any chance he might’ve appeared in game?" / Sylvia: "basically I didn't plan it, but I wanted to let TN readers know Audric is living well" [source]

User: "If Hezenkoss was also you ALL of that was a sheer stroke of brilliance!" / Sylvia: "Thank you! Hezenkoss was me, so glad you liked her. She was a blast to write. Oh my god, I meant to write Hezenkoss was one of my favorites not "me". (I think I snipped out something and consequentially sound like a maniac in that post above. SORRY. She is not me, I wish I had that kind of confidence.)" [source, two]

User, on behalf of their friend: "Well, spontaneously I'd be interested if she can say any more about Emmrich's past romances. Was there someone really serious among them, or all just fun and casual? I'm also curious how the whole mage training works in Nevarra. Are some trained from the start by the Mourn Watch or does everyone go to the Mortalitasi equivalent of a Circle first?" / Sylvia: "1. I think there was probably a mix of more serious romances and more casual ones over Emmrich's life. The serious ones just never panned out. (Until Rook, if you're romancing him.) 2. I pictured the MW taking in promising members from other circles, but I left their selection criteria vague on purpose, in case we needed to define it later. Of course, there's also exceptions. We've seen they take in some orphans or foundlings (MW Rook and Emmrich, for example) when fate, chance, or pity allows it. (I had an idea spirits might sometimes nudge MWers to take in someone, but that's not in the game, so it remains, I suppose now, my own head canon.)" [source, two, three, four]

User: "Emmrich is every bit the warm and kind academic that I looked up to in my undergrad/postgrad days, and I have taken time in the game just to wander the Grand Necropolis and take everything in." / Sylvia: "My pleasure, and thanks very much for saying so. (Props to all my teammates, it took a lot of people to bring those characters and places to life, and they were all so enthusiastic about our weird gothy corner of Thedas.)" [source]

User, on Emmrich's dream: "One of few cases where writers don't go for "actually immortality is lame" lesson to appease the audience for whom immortality is unattainable. Refreshing to have a character who wants to live forever, can do it, and it isn't treated as a mistake. One of the boldest bits of writing in the game." / Sylvia: "Thanks Mary - that was one of my aims, because so many times in stories, immortality is a fool's errand. I wanted it to have its rules, and its price, but not something disastrous or out of reach." [source]

User: "The MW as a whole was beautifully done and the way they handle life and death was deeply healing and aided tremendously in my own personal journey with grief." / Sylvia: "I'm very glad meeting Emmrich and the Watchers helped even a little, that means a lot to hear." [source]

User: "Amazing work in veilguard and inquisition honestly and the flame eternal was such a fun read! Unless it’s been answered before my query is where do the Mourn watchers live/sleep? Is it a case of they live in the higher parts of the Necropolis or do they live in the city and commute?" / Sylvia: "Flame Eternal was a fun one, hadn't written a story that short before but I enjoyed introducing Johanna and Emmrich's dynamic back in their good old days... As to your question, there's one line of banter between Emmrich and Neve that talks about this (so, very easy to miss.) The Mourn Watchers live and sleep in the upper (safer) levels of the Necropolis." [source, two]

User: "does mortal!Emmrich return to the Necropolis or spend more time in the world first? He plays detective with Neve & camps in Ferelden with Harding feels like he’d want to experience more of the world before returning home." / Sylvia: "Impossible for me to say what the future will hold with certainty, but I think Emmrich's enjoying exploring the world too much to go back to living in the Necropolis full time just yet. He'd certainly want to keep visiting regularly, but there's so much more to see." [source]

Sylvia: "The Watchers have a special place in my heart." [source]

User: "I just wanted to say how much I love Emmrich" / Sylvia: "Thank you very much! I'm so glad to hear you enjoyed getting to know him." [source]

at this point tumblr stopped letting me add to this post !

[rorakora]

I’m gonna start by saying this is a valid analysis, and I think understand what you mean. And also that I haven’t listened to the whole fireside yet (just a clip they posted), so if I’m missing big things I apologize.

But I think the context of the rest of the story is left out here and changes a lot.

Because everywhere else they go, there are just as many flaws, just as many ignorant people and harmful systems.

I need to listen to the newest episode a few more times (I’ve listened to most of the show multiple times), but it did not stand out to me as a notably different treatment of people. I’m rural, have been my whole life, and this did not stand out to me as unfair.

Rural especially America (because that’s what I can speak on) is as a whole more conservative, and a host of other harmful behaviors. That’s a generalization and unfair to always assume, and I have a lot of problems with the way urban people talk about rural people and places, but these places are conservative, partly because of the way rural communities are treated, which reinforces itself.

But think about The Citadel. They spend a whole arc there, and show how uncomfortable the actual foundations and daily lives of The Citadel are, beneath all the surface beauty and innovation and convenience. They show the exploitation, the surveillance, the bureaucracy, the all around imperialism.

Or Port Talon, how the communities are kind of disparate and uncommunicative, how this apparently rogue imperial project has affected them, but how most people are just trying to get by. Plus getting into the Azure Battalion somewhat, showing lower ranking military.

And then think about Toma, about Ame’s home, about Ame. Ame is rural. It would be a whole other discussion to talk about her life there, being alienated even in this community that’s supposed to be small and tight knit, because of who she is and how she approaches the world.

But I think the nuance of that, combined with the urban places of Umora not being glamorized or (imo) held any higher than the rural places, is important. We don’t just get to see shitty and dumb lower ranks and rural people. I think the cast are good at not dehumanizing or just dismissing characters who act ignorant and shitty. Those people being kind and helpful doesn’t mean they can’t also be extremely biased and think and do bad things, especially under the pressure of an active war and not having access to the same information as other places.

Plus the focus during the end of arc one on the soldiers who were killed. They are not just a footnote or unimportant, and the main 3 are confronted with that. The narrative doesn’t dismiss them even though to us they are literally faceless and nameless. We didn’t know them, and they’re important regardless.

We’ll have to see how the next few episodes go, and I’m not saying this concern is unfounded or that there is no bias here, that it can’t be improved, but I think picking just this example doesn’t take in the bulk of the important nuance.

To be clear up top, I really love Worlds Beyond Number, and I love the stories and the authenticity and groundedness of it. But listening to this last episode and then the fireside was doubly difficult because:

- I come from a military family that is not officer class (aka my fam would have been imperial infantry and not wizards)

- I grew up rural around lots of farmers and hunters

And some of the statements around both rural people and rank and file military (while likely very true in the story and in this world) in the fireside rubbed me the wrong way. I love Brennan and his mind and worldbuilding, and I understand the purpose of this episode was to lean into the tensions in Ame’s worldview and the truth of Eursolon’s backstory, but damn. The whole ‘these people are stupid and ignorant’ thing sucks, because yeah, there are stupid and ignorant people for sure that are rank and file and rural, but also the perspective feels quite privileged. We got to see good wizards AND bad wizards, but we only get to see shitty and dumb lower ranks. And that’s not the truth I knew growing up military, at all. We got to see very kind but stupid farmers, and while the kindness was a bonus the stupidity across the bar sucked, because some of the smartest people I ever met didn’t make it through grade school.

There was talk in the fireside about xenophobia, and it just felt kinda bad that this person I see as a very clever smart and educated person couldn’t see some of the hypocrisy in that.

So to counter some of what I heard, I want to put out some of my experiences.

Military

- there are xenophobic idiots in the lower ranks, that’s for sure, but there are also a lot of people who are much more involved in the ‘boots on the ground’ field work, especially in peace-keeping, in the lower ranks. This includes cultural exchange and engaging and helping the populace. They often see more and know more, speak the language, and learn proper customs.

- Promotion is supposed to be a meritocracy, but often it is not. If you buck against the system and call out its errors, you won’t be promoted, much like my mother, who was a woman, a corporal, and got the wing commander’s commendation more times than most officers in her squadron, started a mediation program, and was an outspoken feminist who was constantly pushing for justice and fairness.

- typical, lower ranks consider anyone above a seargent fairly ‘out of touch’ with reality, and may have to do their best to work around bad orders, because often, officers are seen as ‘not getting their hands dirty/knowing the truth of a situation’.

- typically higher ranking officers are arrogant and rude and have an elitist mentality, thinking they are better than the lower ranks. In my experience, this is often not the case, as higher-ranking officers typically pay their way for their rank (can afford officer training) which is typically not something available to they generally poor and lower class rank and file.

- sometimes people in lower ranks think very simplistically, and are not good people, but that’s a general outlier in the same way that it is for other groups of people. The bell curve applies to pretty much everything.

- many people in lower ranks join up because they are poor and need money, and the military pays for schooling and is an opportunity to travel. They typically don’t join up because they’re stupid, crude, crass fuckos who like to hurt people. The military is predatory and it feeds on the poor and lower-class citizens who don’t have much social mobility. They’re often not stupid, but they are typically pragmatic, and yeah, the language can be crass, but speaking crassly speaks to culture not goodness.

Rural

- intelligence is, in my opinion, situational. I might be able to quote Shakespeare and get into a deep philosophical debate but that’s not doing me any good when I need to help a cow that’s scared and in pain give birth to a breeched calf. But this very cool farmer I knew could talk down this cow and know just where to position his hands to turn a calf inside the womb. Show me a typical master’s student who can do that.

- I knew people who could read weather sign, bird sign, tree sign, and bear sign, who could read the woods and the trails like a picture book. They might not be able to speak much about the science of climate change, but they damn sure know it from a micro level by being able to spot the size of tree buds in the winter to know spring’s coming earlier, and that’s bad for a lot of plants and animals and the ecosystem that sustains itself, which they are intimately aware of.

- I also knew farmers and rural folks who were highly educated and moved out to the country to enjoy the wide open spaces and privacy, who had big libraries and talked about history with me, who fed my curiosity and helped me stay humble and ask questions.

- I knew rural folks so poor they lived in a shack and ate squirrel, and I also knew how everyone in the community took care to give their kids’ piano lessons because it was the only money coming into that household, and took care to just have accidentally bought a little more than what they needed of this or that and ran it down to that family.

- I also know we were so poor sometimes that I went without a winter coat in northern Alberta for 3 years, but that I was always given lots of hats and scarves and mittens and sweaters by the neighbours.

- I also knew lots of shitty, stupid, sexist and racist people who were essentially brainwashed by a cult and who were never taught to think critically or encouraged to do so. I know that they are afraid of the world because that’s what they’ve been taught. And yes, it’s on them for never getting out and being way more comfy in their bubble than outside of it, but that’s what being in a cult does, it stacks the deck against your own intelligence and curiosity.

- I knew too, many of rural folks who would have been extraordinarily embarrassed to be impolite and refer to a trans woman as a man, or vice-versa, because manners and politeness matter a whole lot in a small community. At the same time, there was definitely the opposite as well, and I knew kids who gotten beaten up regularly for being 2SLGBTQIA+.

It’s complicated, complex, and nuanced everywhere. No group is a monolith, even if it feels justified and easy in the world we live in to lump all ‘like’ people together. I just really hope in the next few episodes we see some nuance in the infantry and the officers, as well as with any rural folk they engage with too. They’re all usually so good with a nuanced take, and I really really hope this was just one episode and an off-the-cuff, didn’t-really-think-about-what-he-was-saying discussion.

And I get it. To my knowledge, Brennan grew up in New York (or at least a city?) and may have not had a ton of experiences living rural outside of the summer camp he was a counsellor at, so he may not have had a lot of time or opportunity to engage with rural people at a true community level. I don’t know his engagement with the military community either, and my experience is with Canadian and not American military, so there’s likely some difference and nuance too.

I dunno. I have a lot of hope and faith in this very cool group of storytellers, and they have not disappointed me in the story thus far, so I believe we’ll see some great nuance to come. Just had to put it out there.

[klarolinexluv]

Something has really stuck with me that some Anti Regulus Black person said and I want to share my thoughts on it.

Basically, they said that we, or people that like Regulus have been giving Regulus Lilys characteristics and traits and relationships instead of giving them to Lily and are using this to replace Lily.

From my pov, I can understand how that comes across. Moonwater, in canonical type universes, usually come together over their love for literature, something, that as far as I understand was how Lily and Remus used to become friends in fics.

When I think of this situation, I don’t see it as Lily being replaced, I see it as Remus having more friends then just the Marauders and Lily. I see it as Remus making friends.

In all the fics I’ve read, majority of them, Lily and Remus are always already friends! 9 times out of 10, if Remus has a POV and he is interacted with Lily or thinking about Lily, he refers to her has his best friend.

Idk who needs to hear this but Remus can have more friends than just Lily and the Marauders! In fact, EVERY. SINGLE. CHARACTER. Can have more friends then just the friend groups that they have been assigned to from the fandom.

I personally love the idea that Regulus and Remus get close because of their shared interest in books and knowledge. In fact, I love it so much when this happens. I also love when Remus is the one to introduce (formally) Lily and Regulus. Because they have shared interests! They all have shared interests and that’s what they bond over.

If we just forget about ships for a moment - Jily/Jegulus - Regulus and Lily would and could actually be really close friends. At their cores they are very similar and have similar morals and codes.

Like my girl Lily defeated Voldemort the first time. You cannot tell me that she did not have some deep interest and understanding of Dark Magic that is really not talked about enough. I mean, she was friends with Snape for a LONG time! Even against all her Gryffindor friends and dorm mates advice and opinions. She was friends with Snape for a long time and they definitely studied dark magic together. The only reason they stopped being friends was because Snape called her a slur and began siding with people that would have gladly seen Lily and people like Lily 6 feet under.

And then Regulus! He may not have made the best choices but when it mattered the most, he chose to do the right thing and go against Voldemort. He is the first to have done so! My guy was smart. He definitely knew so much magic that he has likely forgotten more than anyone would ever even know.

Regulus and Lily are both so smart and they would have bonded over their shared intelligence, their love for knowledge and books. Remus was probably terrified the day he realised he was the reason these two evil geniuses even started talking.

Maybe instead of saying that Regulus is being given Lily’s characteristics and traits, maybe think about how this would affect the two characters when put in the same room.

I personally think that they would argue for a long time and then Lily would probably say something that gives Regulus pause and then Lily would gently press on that and then Regulus would go have a long hard think and then come back and hesitantly ask Lily questions that Lily would happily answer and then they would be tentative friends!

Regulily have so much in common but they also have a lot of differences and I don’t think enough people see that because they are too focused on ships rather than the characters themselves and their motives and actions.

I’m not shy in admitting that I fuck with romantic regulily. They are my guilty pleasure ship and I am not shy about saying that.

Regulily, platonically, romantically, it doesn’t matter. They have the biggest grounds for friendship and growth.

Regulus and Lily can teach each other so much and I honestly think it’s the biggest missed opportunity when they are pinned against each other rather than working together.

I fear I’ve gone WAY off topic.

In the context of relationships, the jily vs jegulus idea. I feel like I need to hold people hands when I say this because the two ships are very different.

WARNING! OPINIONS!

To me, Jily is a rivals to lovers relationship. I don’t think they are grumpy/sunshine purely because I don’t see Lily as the grumpy trope. I very much think that Jily are academic rivals. Where James just naturally understands everything and gets good marks whether he studied or not and Lily has to study heavily before she understands a topic enough to pass, like Lily to me has to study throughly before everything sticks and she understands the topic so much more than is really required for her coarse work.

I also don’t think Jily was James falls in love at first sight and Lily hates him for years until she gives in and goes on a date with him. Sure it’s a bit cute but i definitely prefer James developing a crush and not telling anyone other than his friends. I very much fuck with James being uncharacteristically shy about his crushes on people. I fuck with James losing his ability to talk or function around the person he fancies and it comes off as arrogance and a bit of a joke when he is actually being genuine.

I love the idea that Lily falls for him slowly, like initially, she thinks she hates him, she loathes the fact that he doesn’t need to study and he can just goof off and do whatever and still get perfect grades, I think Lily gets jealous of James and thinks she despises him because she thinks he is trying to make fun of her when all he is trying to do is talk to her and get her attention.

I love the idea that Remus is constantly trying to talk James up to Lily, “he’s really not that bad once you get to know him.” And “He’s harmless, Lils.” And things like that but Lily has NONE of it!

I think Lily starts to fall for James when they are paired together for a project that is a big mark on their finals. I think Lily goes into this thinking that she is going to hate it when actuality, James is kind and thoughtful and helps her when she struggles. He doesn’t make fun of her, he sits down quietly and gives her tips and tricks that he discovered when he studies privately, (this would be when she finds out that maybe it doesn’t all come as naturally to James as she thought) and then they end up getting the best grade in their year on the assignment but they don’t stop hanging out, they don’t stop studying together. Lily slowly falls for James because of his mind and they form a friendship and then James would ask her out one day and Lily would find herself stunned because if he had asked her a few months ago, she would have harshly declined but in the moment, she finds herself blushing and agreeing without a hint of hesitation.

And that’s how I imagine Jily.

Now, Jegulus.

Jegulus is enemies to lovers, they are grumpy/sunshine. I very much think that they did hate eachother. They did not like eachother for many reasons and they would argue and fight in the halls.

I’m very much into jegulus but I don’t think I’ve seen a fic that has written them as actually enemies to lovers in a canonical setting.

Jegulus to me is very push and pull. One step forward, two steps backwards.

I honestly think that sure, when they met at 11 and 12 when Sirius had his little brother trailing after him and introduced them to each other, they both had the moment of instant connection that they both immediately denied and dismissed and buried under hatred.

James and Regulus see each other as competition. Regulus sees James as the one that stole his brother. James sees Regulus as the brother that doesn’t deserve Sirius.

Because Sirius told James all about his little brother all through first year and James was exited to meet him for a long time until they met and instantly realised that Regulus is a two faced snake and doesn’t deserve Sirius.

Because Sirius told Regulus all about his best friend in every letter, in every stolen moment during the holidays. Regulus was exited to meet James for a long time until they met and instantly realised that James isn’t the golden ray of sunshine that Sirius claims him to be but a brother stealing asshole.

I honestly think that Jegulus is THE enemies to lovers.

I don’t think Jegulus even had a civil conversation until after Sirius ran away. And even this conversation started as an argument. I think that they only reason the argument stopped and they started genuinely talking to eachother is because Regulus’ mask broke and James saw the hidden emotions underneath that Regulus was trying to hide.

I think that James held onto prejudice for a long time. He saw all Slytherins as evil and then didn’t think about that for years until he sees Regulus crack and then James has to rethink everything he has ever thought.

That’s how I think Jegulus starts and I don’t think they ever really talk about what they are or what they are doing for a very long time, to the point (if we are talking in a canonical sense) that they break and fall apart. To the point where they end up on different sides of a war.

ANYWAY! (this is really long and if you've read this far, just know that you are my favourite person in the entire world and I adore you to the ends of the universe).

Regulus and Lily, though they share many characteristics and traits and fundamentally different people. Even in the context of the people they are shipped with, even in the context of their friendships.

I love them both so much and I think saying that Lily is being replaced by Regulus is incredibly wrong and also perhaps a little misogynistic.

They are both incredible characters, who should not be defined by their relationships.

Like I said before. In the context of war, both Lily and Regulus were the first. Regulus may have failed to complete his mission and Lily may have succeeded in killing Voldemort… but at the end of the day both of them did not do anything in the long run. Voldemort was still able to return, the horcruxes still need to be destroyed and Harry still had to finish what the people before him started, Harry still had to fight a war he had no part in starting.

[mryoyo000]

Wicked book and musical: on Glinda (SPOILERS)

I waited a bit to write this until hopefully the Discourse™️ has settled a bit but I wanted to say something about Glinda in the novel “Wicked” vs. the musical/movie.

SPOILERS

One thing I’ve seen people talking about regarding the book vs. the show is expressing disappointment regarding Glinda as Maguire depicts her, versus how she is changed for the show. Glinda in the musical follows a fairly typical kind of character arc, beginning as the archetype of a superficial, popularity-obsessed rich girl, who grows in depth and maturity over the course of her life (kickstarted by her relationship with Elphaba) and by the end has become, if not the primary heroine of the musical (which is Elphaba), a character who we see has earned her title as the Good Witch.

I said this in my precious post, but again it bears repeating that “Wicked” the book and “Wicked” the movie have not only completely different target audiences but also completely different goals as stories. I’m not trying to criticize anyone who saw the show or movie first, and felt disappointed by the novel—or really anyone who didn’t care for the novel in general—but I think that some of the criticism the book has gotten recently, after the movie came out, doesn’t take into account that in many ways, the book and the musical are completely different works with the same character names and broad plot outline.

So I’ve seen some people expressing disappointment that in the book, Glinda “regresses”, that she’s racist, that she’s not actually a good person, etc. And I can definitely understand how this rubs people the wrong way—whether in comparison to the show or even just to the Oz books or the 1939 movie in general. Glinda in pop culture is about as synonymous with good as the Wicked Witch of the West is with evil, and seeing her depicted in such an unflattering way is probably not what a lot of people anticipate or necessarily enjoy reading.

(In my previous post I already addressed a different criticism, which is Glinda’s comparative lack of presence in the novel—she’s the POV during Elphaba’s time at Shiz and then largely fades out of the story before a final confrontation. I maintain my stance this is what works for the book, which saves Elphaba’s perspective for the end after showing us all of the people she’s lost first.)

But it is true that in the Maguire book, Glinda’s “goodness” is a cynical punchline for a character who, in her reunion with Elphaba, has become this:

[Glinda speaking] “‘Yes, I had been at an orphanage on the shores of Mossmere, and for a lark I thought I’d go to the game park—they have dragons there now, and I’d never seen a dragon—so I was scarcely a dozen miles away when the storm hit. We had terrible winds even there; I cannot imagine how a ceremony could have been in progress in Center Munch. In Mossmere there were whole sections of the park closed to visitors due to the fear of falling trees and escaping Animals—’ ‘Oh, so they call it a game park, with Animals?’ said the Witch. ‘You must go, dear, it’s a lark…’”

and this

“Glinda turned yellow-pink. ‘My dear,’ she said, ‘I was fond of Fiyero and he was a good man and a fine statesman. But among other things, you will remember he was dark-skinned…’”

Knowing about Elphaba’s history with Dr. Dillamond and general involvement with the cause of Animals makes Glinda’s casual mentions of Animals in game parks that she visits even more unpleasant. And while it is definitely indicated that Glinda was in love with Elphaba, I don’t think her comments about Fiyero here are some sort of deflection to hide her feelings about Elphaba—this would be overly convoluted and anyways Glinda could have denied the suggestion of an affair without making a racist comment.

Glinda here is an archetype that I think many people are familiar with especially in current discussions about society and politics: the idea of the supposedly “benevolent” elite, doing lots of public charity and good PR, while actually aligned with the forces of oppression out of convenience and material benefit. Elphaba explicitly calls her out on this:

“‘You are working in collusion with the Wizard to render Munchkinland ready for annexation,’ said the Witch. ‘You have no agenda of charity, Glinda. At least don’t fool yourself. Or are you really under some rusty spell of Madame Morrible, after all this time?’”

Glinda’s “goodness” in Maguire’s telling is the exact opposite of Elphaba’s “wickedness”—one is rewarded and praised for her participation in the Wizard’s regime where the other is ostracized and eventually treated as a criminal for her attempts to rebel and resist. The book “Wicked” is in some ways a story about failure, and while Elphaba’s lifelong failures are the focus of the story, Glinda adds to that thematic focus—she is yet another disappointment in Elphaba’s life (in addition to Nessarose, and Boq, and her father, and so on) and one that stings in particular because she could have been better. She was better, at one point. And Glinda has failed herself, too.

In the quote above, there is a nod to the suggestion that Glinda and Elphaba’s fate and even their actions as adults may have been influenced by Madame Morrible’s spell. But Glinda herself says to Elphaba: “‘I’m no pawn…you do have some choice.’” In that very same scene, in fact.

I can’t blame people who dislike the novel for being quite cynical and pessimistic in its outlook of humanity, but at the same time that cynicism is what drives a lot of the characterization. Glinda in the novel is not the friend to Elphaba or hero that she is in the musical, and she isn’t meant to be. Viewing the book primarily as a political satire, Glinda fits in well as a parody of a particular kind of figure, and it’s both intriguing (in my opinion) and controversial that Maguire uses a character so strongly associated with goodness to make that point.

[bisexuallsokka]

please please please please tell me about the old fucks

send me a wip title!

nothing to see here just old fucks in old sappy love that's it 🤭

...

“Are you still awake?”  Zuko hums. “Are you cold?”  Sokka considers it, then shakes his head. “No.” “Too hot?” Zuko asks, already moving his arm, but Sokka grabs it before he can go far and brings it close to him.  “No,” Sokka says, snuggling back into Zuko’s embrace. They won’t last like this for long, their seventy year old aching joints eventually needing to stretch, to spread out. But they stay as close as they can for as long as they can, an attempt to close the gap that was between them for so long.

“Is it your leg?”

Sokka lets out a huff of laughter. He turns around so that they are facing each other, noses almost touching. “I’m fine, love.” At the unimpressed glare Zuko gives him, Sokka rolls his eyes. “My leg does hurt, but it’s fine. I just…don’t want to sleep yet. I missed you today, jerkbender.”

Zuko’s face softens, and Sokka smiles as a result.

“I missed you, too. I’m glad you had a successful hunting trip though.”

“Yeah. It will be even better when we take ‘Zumi in a few days.”

Zuko snorts. “I’m sure she’s looking forward to it.”

Sokka raises an eyebrow. “Aren’t you? I promise not to make fun of you if you trip over your feet again when you’re trying to sneak up on something.”

Zuko huffs, and his aching hip forces him to roll over on his back instead of his side. Sokka mirrors his movement, but shuffles close so their arms are pressed close. Their hands find each other without hesitation.

“That was ten years ago,” Zuko mumbles. “I’m much more agile now.”

“Hate to break it to you, darling, but neither of us are getting more agile with age. Izumi, on the other hand, I swear she’s getting more athletic as she ages. And she had two kids!”

Zuko laughs. “That’s our girl.”

“Yeah,” Sokka says, voice warm and soft. “Hey, what are you doing tomorrow?”

Zuko turns his head to look at him. “Nothing in particular. Why?”

“Can I take you out on a date?”

Zuko’s face breaks into a wide smile. “What’s the special occasion?”

Sokka smiles. “Just that I love you,” he responds, as if it’s the truest thing he’s ever said.

Zuko grins. “Okay. It’s a date. What are we going to do?”

“It’s a surprise,” Sokka says immediately.

Zuko rolls his eyes. “You don’t have a plan.”

“I do have a plan!” Sokka protests immediately. “Where is your faith in me? I’ve been planning it for a while, just waiting for the right time.”

“Why is this the right time?”

“Just feels like it. I don’t want to wait until our anniversary, it’s too far away.”

Zuko huffs. “Twenty years. Can you believe it?”

“No,” Sokka says immediately.

Zuko knows what he means. Twenty years of marriage, but they’ve been in love for about fifty. He squeezes his husband’s hand for a second and Sokka returns it. 

“I’m worried about Korra,” Sokka says suddenly.

Zuko lets out a long breath. “It’ll be okay. She has us.”

“I just…” Sokka starts. “I don’t want to let her down. I can’t let Aang down.”

“She clearly likes you a lot,” Zuko tells him.

Sokka smiles at that. “She’s wonderful. I didn’t get to be there for Izumi when she was this little, you know? So it’s like I get a taste of that.”

Zuko doesn’t bother bringing up the fact that Izumi was a handful and a half when she was Korea’s age, even without the ability to bend four elements. He knows how much Sokka regrets not being able to be there as her father her whole life. 

He just smiles softly. “You and Korra are as thick as thieves.”

“And I worry about Katara,” Sokka adds. 

“Yeah,” Zuko agrees with a sigh. Losing Aang was hard on all of them, but it was especially painful to watch Katara lose the love of her life. “You think she’s doing okay?”

“Sometimes I catch her looking sadder than usual, but she seems to be doing better. Still,” Sokka sighs. “I can’t imagine what she must be going through. Even when we were apart, at least I knew you were still out there.”

Sokka sighs. “I was always afraid, though. What if an assassination attempt was successful, what if you got sick, what if something happened and I lost you without being able to tell you how much I still loved you?”

Zuko is startled when he sees a tear slip down Sokka’s cheek and he sits up. “Sokka—“

“Spirits, I was a coward,” Sokka says, choking out a harsh self deprecating laugh. 

“We were both cowards,” Zuko says, the only thing coming to his mind right now, but it makes Sokka laugh, so it works, and he keeps talking. It’s been a long time since they talked about this, about their break up and the years they spent apart. “I had the same fears too, you know.”

Sokka moves to wipe the tears from his eyes, but Zuko beats him to it. He keeps his hands on his cheeks, waiting until Sokka looks at him to continue. 

“I know we lost a lot of time together. I will never stop regretting that. But we have had nearly twenty amazing years together now, and I’m so grateful for each and every day I get with you, Sokka. What matters is that we are here now, and we have each other.”

“We have each other,” Sokka echoes, then sniffs. “And we are going to be together until we are a hundred years old and we pass away peacefully in our sleep at the exact same time.”

Zuko huffs out a laugh. “Sounds like a good life. I am more than okay with that.”

Sokka gives him a watery smile, then takes a deep breath. “Wow, I’m getting sappy in my old age.”

“You’ve always been a big sap,” Zuko points out, and Sokka scoffs. 

“Excuse you, I am a brave warrior and defender of my people,” he says. 

“You can be all of those things and also a sap,” Zuko says. 

“I’m your sap,” Sokka says. 

“You’re just proving my point,” Zuko says. 

Sokka smiles, not looking away from Zuko. Zuko lets his thumbs brush the skin on Sokka’s cheek, lets himself appreciate all the ways Sokka’s body has changed, the signs that show he lived a long, good life. The wrinkles from his smiles and laughter are new, but those are still the same eyes he fell in love with. 

“Remember when we would stay up talking those days leading up to the end of the war?” Zuko asks. 

Sokka smiles. “Always. We both knew we couldn’t sleep because of everything going on, but it was nice to pretend that we just wanted to chat.”

“You should get some sleep,” Zuko says. 

Sokka makes a face. “But I want to keep talking to you.”

Zuko huffs a laugh. “Save it for the morning, okay? Or for our date.”

Sokka seems satisfied with this. “Okay. In the morning.”

They lie back down, pressed close, and Sokka leans over to kiss Zuko’s forehead. “Goodnight, love.”

“Goodnight. Love you.”

“Love you too.”

…

“Zuko?” 

Sokka’s tone wakes Zuko from sleep instantly. 

“What’s wr–?” he starts, seeing the terrified look on his face, but Sokka motions him to stop talking.

Zuko strains his ears, but he can’t hear anything.

“Something is wrong,” Sokka says, grabbing his sword and lunging outside. 

Zuko scrambles after him. “Sokka?”

In the darkness, Zuko sees a shape move. He throws a fireball above their head to illuminate them, and doesn’t recognize the shadow. 

A child cries.

“They’ve got Korra!” Sokka yells.

[millidew]

random list of v3 opinions after experiencing all that again:

the death road of despair segment is the pre-trial highlight of ch1. so damn good. just a perfect microcosm of the game and kaede's flaws and conflicts

maki is funnier than i remember. but she’s at her funniest when she hits shuichi with a devastating insult, usually completely unprompted

ouma and maki parallels and foiling forever and ever. they HAAATE each other. but also it’d be cool to see them get along. the whole point is that they don’t see through the other and believe the other’s lies but still

maki saying she’ll work hard to make people trust her and her talent and that she wants to survive with everyone…ough…

ouma is so mad. he wishes that were him. also that moment where everyone ignores him and tries to comfort kaito after gonta's execution. he also wishes that were him but unfortunately he's been an asshole to everyone and no one likes him so

the only way i can enjoy saio/uma is one sided ouma->shuichi where shuichi is just not invested in the cop/robber dynamic ouma wants at all. it’s funnier this way + saimota inspires a visceral upset within him. he NEEDS to fumble both kaede and shuichi.

on that note i’ve been hcing ouma as bisexual for years partially out of spite

kaito’s obnoxious charm can’t be ignored. if you think you’ve successfully done it, it means it’s just entered an asymptomatic form. it'll hit you soon enough

ch2 pre-execution >>> KIRA BUCKLAND THE VOICE ACTRESS THAT YOU ARE. EVERYONE WONDERING IF THEY MADE THE RIGHT CHOICE BY VOTING FOR KIRUMI. KAITO GOING “IDC I WANT TO LIVE, OUR LIVES ARE IMPORTANT TOO!” KIRUMI INSULTING OUMA <3 EVERYONE CHEERING FOR KIRUMI TO RUN!!! TO LIVE!!!!!!!! GAHHHH SO COOL

kaito and himiko just blatantly lying through their teeth during their ftes. the liars who suppress their true problemsssss. also him shouting that he is NOT GIVING HER A PIGGY BACK RIDE!!! EVAR!!!!! is so funny

himiko I LOVE YOUUUUU. i love her getting overly familiar with people post-development and just accidentally completely overstepping boundaries by insulting kiibo and calling maki "maki roll." she's trying so hard you guys

KAITO IS SO FUCKING DRAMATIC. HE SHOULD’VE BEEN THE MALE LEAD IN A HIGH-SCHOOL THEATRE PRODUCTION AND ANNOYED EVERYONE IN THE CREW!!!! STOP BOTHERING MAKI SHE HAS A POWER DRILL

shuichi and maki doing sit ups and the camera slowly panning to show kaito laying there hands behind his head saying his usual bullshit is one of the funniest moments of the game

tenko and himiko agree that shuichi should transition into a woman. this is true.

I don’t accept tenko slander unless it’s specifically about her obsessiveness over himiko in ch1-2 in which case I can’t defend her

if kaito shaved he’d look 13. for this reason he is legally not allowed to do that.

tsumugi and the background of v3 are SO GOOD. ABSOLUTE PEAK. in execution there are lots of weak points but after thh, sdr2, udg, and the anime series, tell me a meta story about consumption, lies, and depression that ends with the cameos from entire main games’ previous casts doesn’t go hard

don’t deny that tsumugi loved her little ocs. do you not enjoy torturing your blorbos, putting them into situations, and giving them nice things just to take those away?? shipping them and dressing them up??? making silly aus (salmon mode, utdp, arguably dr:s)?

i just wish the writers utilized her more bc i love that so much. she should've wanted to get to get more involved with everyone (giddily see her ocs up close). she should've made even more thh/srdr2 references. players assume the writers are making for cheap nostalgia points, and they are, but it's true in-universe too...she should've been so overconfident that she'd get sloppy with the situational irony... tsumugi you little freak ily

she and rantaro were 100% s52's survivors and you can pry this from my cold dead hands. her dr fangirl self can be her pre-game personality

speaking of pre-game personalities, pre-game content is at best boring to me. how they write ouma is my litmus test. if he's not enough of a nuisance, just in a different way, then it's gotta go

maki is down for a training trio polycule, shuichi is in denial about everything and fears becoming an awkward third wheel, and kaito has been trying unsuccessfully to wink-wink nudge-nudge shuichi and maki into “realizing their feelings for each other” for ages

i still think maki should have short hair. initially I thought just shorter pigtails would be ok but I’m now in the firm camp of a pixie cut with one of her scrunchies on her wrist, with her orphanage-age flashback self maintaining the pigtails. she had to cut them off for practicality’s sake but one of her hidden desires is to be able to regrow it one day. another show of her loss of identity and past life, and how every aspect of her is controlled? such a simple desire at first glance but because hair is such a simple show of autonomy…even more tragic… maybe her doomed childhood friend yuri used to do her hair …hrm…

ultimates are public, influential figures. maki’s had to assassinate friends before (rip her yakuza friend that I didn’t know she had up until recently). maki went back to being an assassin in utdp after graduating. the hope’s peak class roster MIGHT just be a hit list

for someone who includes miu in her top 3 I haven’t talked about her at all huh. it’s been maki central up in here

miu is AWFUL but when her jokes hit, they hit good and hard just like she’d want them to. she’s completely insufferable and deserves to hit ouma (also insufferable) with 3000 hammers. kiibo too but he wouldn’t want to

look just because ouma said he was doing everything for a good reason, do NOT forget that at his core he is a little dipshit. he’s a JERK!!!

brief dip into maki time again. one of my favorite aus is that maki’s doomed childhood friend is actually miu. i'll expand on this in another post

once again: drv3 and rgu are shaking hands about exiting the narrative and the follies of playing hero. read my utenanthy!kaemugi post

v3 is FARRRR from a masterpiece, but it's a solid and fitting Ending to the main games, plus it's got an insane cast with infinite dynamics and a premise which i love to bits <33 and it was the game that got me into dr, so it'll always be special in my heart. also kaito momota luminary of the stars debuted in it which gives it 5/5 stars

[nitrateglow]

Favorite films discovered in 2024

This year, I focused more on rewatching films I hadn't seen in a long time rather than racking up new titles. However, I still encountered plenty of new faves, many of them movies that have been on my watchlist for years. Here are the top twenty.

But first, some interesting patterns in this year's list...

Most represented decade: 1960s

Earliest film represented: 1932

Newest film represented: 1999

Creatives who show up more than once: Robert Mulligan, Walter Matthau, Boris Karloff

The Window (dir. Ted Tetzlaff, 1949)

A young boy (Bobby Driscoll) living in a squalid NYC apartment building witnesses his neighbors (Paul Stewart and Ruth Roman) committing a murder. Unfortunately, the kid's penchant for tall tales prevent anyone from believing him-- except for the killers, eager to alleviate themselves of an inconvenient witness.

Precious few thrillers earn the moniker “Hitchcockian” as well as this intense little gem from RKO. The Hitchcock vibes make sense when you consider Hitchcock’s cinematographer from Notorious was in the director’s chair and the source material was written by Cornell Woolrich, also responsible for the short story behind Rear Window. Augmented by on-location photography of New York City and a grimy, desolate sense of urban decay, The Window is both a great suspense yarn and classic film noir. Despite having a kid for a lead character, the film pulls no punches: both its small-time crook villains and the city setting feel palpably dangerous.

My Neighbors the Yamadas (dir. Isao Takahata, 1999)

The Yamadas, an average middle-class Japanese family, navigate the perils of sharing a television set, a kid going missing during a shopping trip, awkward wedding speeches, and other misadventures.

Between the original Studio Ghibli directorial duo of Hayao Miyazaki and Isao Takahata, Miyazaki will always be the more popular filmmaker, but I think Takahata’s films are more intellectually and emotionally rewarding. This is not meant as a hit on Miyazaki’s undeniable greatness, but Takahata’s movies are far more challenging. That being said, My Neighbors the Yamadas is a lighter entry in his filmography, a slice of life comedy about the eponymous family and their shenanigans in modern Japan. However, beneath the whimsical humor runs an undercurrent of melancholy, an awareness of the transience of life in both its lovely and absurd moments. To date, it gets my vote for the most underrated Ghibli film.

A New Leaf (dir. Elaine May, 1971)

After squandering his ample inheritance, a middle-aged New York layabout (Walter Matthau) decides to marry an eccentric botanist (Elaine May) for her money then murder her ASAP.

Elaine May only directed a few films, but the two I’ve seen—this and the long-maligned Ishtar—were a lot of fun. A New Leaf is the better film though, far more focused and consistently funny. I don't usually belly laugh when watching a movie at home alone, but I did several times here. Even just thinking about some of the things that happen in this film can make me start laughing again. I understand the existing version was not May’s preferred cut and she felt it was butchered by the studio. Even so, this is a great movie regardless of that and one I really want to rewatch soon.

Cash on Demand (dir. Quentin Lawrence, 1961)

Uptight, unpleasant bank manager Harry Fordyce (Peter Cushing) is the boss from hell to his employees, but to criminal extraordinaire Gore Hepburn (Andre Morrel), he's the key to a successful heist. Posing as an insurance representative to get access to Fordyce's office, Hepburn tells the manager he's holding his wife and child, whose lives will be forfeit if he doesn't help him relieve the bank of ninety thousand pounds.

Ho, ho, ho, guess who's got a new Christmas classic to enjoy every year? Cash on Demand is not only a strangely enervating riff on A Christmas Carol's basic set-up (a miserable man is spiritually redeemed through an encounter with ghosts-- or in this case, bank robbers), but it's one of the best, tightest one-location thrillers I have ever seen. I genuinely had no idea where the story was going and found myself in absolute agony as the noose grew tighter around our protagonist's neck. It's a testament to both the writing and Peter Cushing's detailed, very human performance that this film is the emotionally powerful piece of work that it is, and not just a fun, clockwork heist yarn.

Letter from an Unknown Woman (dir. Max Ophuls, 1948)

While trying to evade a duel, an aging playboy (Louis Jordan) receives a letter from a dying woman (Joan Fontaine) who claims he was the love of her life. The letter recounts the details of their love affair, which was the centerpiece of this woman's life and only a mere erotic interlude in his.

The best way to describe this movie is lush romantic melodrama married to a bitter, emotionally brutal tale of a life wasted. The movie is heartbreaking but beautifully shot and performed. I’m not always the biggest fan of Fontaine, but she is fantastic here. Also, I need to watch more Max Ophuls.

Sudden Fear (dir. David Miller, 1952)

A middle-aged playwright (Joan Crawford) thinks she’s found love with a would-be matinee idol (Jack Palance)—instead she realizes she’s being targeted by her new hubby, who only wants her wealth. But he mistakes her emotional vulnerability for a lack of discernment—and a lack of desire to get even.

I like my women-in-peril thrillers when they feature clever heroines driven to survive whatever nightmare their antagonists throw at them and Sudden Fear is amazing in this regard. I know everyone loves Joan Crawford best in Mildred Pierce, but I was floored by her performance here, especially in the dialogue-free scenes. There are campy moments (which I adore), but the story is emotionally compelling and I not only wanted Joan's character to survive, but to thrive post-shitty marriage.

Thieves Like Us (dir. Robert Altman, 1974)

Young lovers Bowie (Keith Carradine) and Keechie (Shelley Duvall) yearn for a white picket fence, a quiet porch, and a case of Cokes (probably because that's all they drink in this film). Too bad Bowie is an escaped convict tied up with bank robbers. Too bad it's the Great Depression. At least there's plenty Coke. Want a Coke?

Most films set in the past do not as painstakingly recreate bygone worlds as strongly as Thieves Like Us. Set in Depression era Mississippi, this film captures the harsh, bleak reality and romantic, consumerist fantasies of its star-cross’d leads, played with sensuous naivete by Keith Carradine and the late, great Shelley Duvall. This is more than just yet another Bonnie and Clyde riff—it’s a tragedy about the elusive American Dream, with snippets of radio music, programs, and ads acting as a Greek chorus in a truly inspired touch. Robert Altman can be an acquired taste, but this is easily my favorite of his films to date.

Targets (dir. Peter Bogdanovich, 1968)

The paths of an aging horror star (Boris Karloff) and a psychotic mass shooter (Tim O'Kelly) cross at a drive-in theater.

Targets was not what I expected: it's a threeway character study between the disheartened horror star, the psychotic shooter, and 1960s America itself. To be honest, you could remake this movie now with a former ‘80s slasher star making the same musings and it would still seem credible—but then of course, you wouldn’t have Karloff in one of the best performances of his career. Targets is rendered even more chilling by its docudrama style. The violence shown isn’t sensationalistic, but presented in clinical detail, making it feel more authentic. Gorier films haven’t frightened me as much as this slow-burn character study.

Losing Ground (dir. Kathleen Collins, 1982)

Despite finding pleasure in research and theory, philosophy professor Sara Rogers (Seret Scott) envies the escatic nature of her painter husband, Victor (Bill Gunn). Their difference in temperaments and Victor's adulterous straying also strain the marriage. However, once Sara takes a job performing a sensuous, emotional role in a student film to get in touch with her own artistic side, Victor grows suspicious and jealous in turn.

Losing Ground was sold to me as a film about a crumbling marriage, but it's more than that. It might be more accurate to call it a portrait of self-discovery, a woman extending beyond her comfort zone to live more fully. I found myself strongly relating to Sara-- like her, I have a creative side I've often been timid to share, being more comfortable with the mind than the body. Being an independent film, it eschews the Hollywood histrionics and melodrama that would normally accompany this subject matter and it's paced perfectly at 90 minutes. Though filmed in the early '80s, the film only played the film festival circuit and never enjoyed a proper theatrical release. Only in 2015 was it rediscovered and then released on home video. The director Kathleen Collins died young, but this film stands a testament to her passion and talent.

Cactus Flower (dir. Gene Saks, 1969)

A middle-aged dentist (Walter Matthau) who poses as a married man to fend off romantic commitment decides to buckle down and wed his much younger girlfriend (Goldie Hawn, looking like a mod Tinker Bell). However, when she insists on speaking with his made-up wife, he recruits his no-nonsense nurse (Ingrid Bergman) into the charade.

Cactus Flower is what I often call a transitional film: released in the late ‘60s, it has one foot in the classical style of Old Hollywood and another in the more liberated counterculture that was shooting out hits like Easy Rider and The Graduate. Directed with unexciting competence by Gene Saks, Cactus Flower’s success largely comes from Ingrid Bergman, Goldie Hawn, and Jack Weston. Bergman I could watch in anything, so I’m biased perhaps, but she walks the fine line between funny and touching as the lonely woman who finds emotional liberation through her roleplaying. The scene where she gets groovy on the dance floor is a highlight of her entire screen career and no, I AM NOT KIDDING.

The Black Room (dir. Roy William Neill, 1935)

Two aristocratic brothers (both Boris Karloff) are at odds over the love of a young woman (Marian Marsh) and an ancient prophecy forecasting the end of their bloodline.

Boris Karloff dives into a double role in this deliciously gothic melodrama. Columbia pulled out all the stops for this one: it drips with sumptuous set design and expressionistic lighting. I was particularly taken by this film’s slightly tongue-in-cheek approach to a more 18th century mode of gothic terror. It goes for full-blooded melodrama with its innocent maidens, secret dungeons, lecherous villain, and ancient curses. It’s as close to a 1930s Castle of Otranto adaptation as we’ve got and by God, I'm grateful for its existence.

Freud: The Secret Passion (dir. John Huston, 1962)

In the late 1880s, young psychiatrist Sigmund Freud (Montgomery Clift) probes into the inner lives of his "hysterical" patients to discover the roots of their mental illnesses. However, these journeys into the subconscious worlds of others bring him into uncomfortable contact with his own demons.

Listening to a podcast episode on John Houston’s Key Largo led me to works of his I hadn’t heard of, such as Freud. I was initially skeptical it could be good. Biopics are my least favorite genre, but this film isn’t so much a biopic as a psychological drama in which Freud is the protagonist and some of his ideas are illustrated through his interactions with the other characters. Instead of wasting time being some melodrama ABOUT Freud the man (the route most biopics go regarding their subjects), it’s about his theories and philosophy, which is a far more interesting approach. The result is a probing, intellectual work. I’m not sure how close Montgomery Clift’s characterization is to the real Freud, but the real star of the show is Houston’s direction, a resurrection of German expressionist aesthetics blended with stark realism.

Paris is Burning (dir. Jennie Livingston, 1990)

This documentary covers 1980s NYC ball culture, where Black and Latino members of the LGBT+ community vogue and perform.

Documentaries are not usually my thing, but Paris is Burning was a longtime resident of my watchlist and I am glad I finally got around to seeing it. It has a time capsule quality, capturing a long-vanished 1980s New York City and the LGBT+ community living there at the time. Obviously, there is a lot of meditation on gender identity, sexuality, and the importance of community in a world hostile to your very existence, but I was also interested by the film's presentation of the materialism and consumption of the Reagan era.

Candyman (dir. Bernard Rose, 1992)

A graduate student (Virginia Madsen) studying urban myths unwittingly summons the Candyman (Tony Todd), the hook-handed ghost of a Black painter who was lynched decades ago.

I expected fun slasher nonsense and instead got a gorgeous, unsettling, modern gothic masterpiece that only occasionally dips its toes into schlock. Candyman is ethereal in all the right ways despite being suffused with despairing urban gloom. I was not surprised to find the script was adapted from a Clive Barker story—like Barker’s The Hellbound Heart (adapted into the Hellraiser films), Candyman is chilling yet eerily beautiful. The moment I finished watching it, I knew this was one I would be itching to revisit. There’s just so much going on regarding race, class, and memory in America. Also, Tony Todd’s voice is a damn treasure.

Merrily We Go to Hell (dir. Dorothy Arzner, 1932)

An alcoholic playwright (Frederic March) and his long-suffering wife (Sylvia Sidney) decide to have an open marriage. It doesn't work out well for either of them.

Merrily We Go to Hell is a sneaky piece of work. Reading the synopsis, one expects the usual salacious pre-code melodrama. The first scenes even resemble your usual romantic comedy, with our central couple having a meet-cute. The actual movie is much more complicated. It's about a married couple thinking love is enough to make their union work despite the husband's alcoholism. However, this idea proves erroneous and attempts to numb the pain through hedonism and extramarital vengeance just pour gasoline on the fire. The emotional honesty here is astonishing and even the "happy ending" isn't so uncomplicated when you think about it. So far, this is my favorite film of director Dorothy Arzner.

Up the Down Staircase (dir. Robert Mulligan, 1967)

An idealistic young teacher (Sandy Dennis) gets her first position at an inner-city high school. However, she finds her enthusiasm worn down by the school system's bureaucracy and the many psychological troubles of her students and fellow faculty.

Ever since I watched Four Seasons a few years ago, I’ve been intrigued by Sandy Dennis. No matter the role, I find her eccentric yet vulnerable screen presence compelling. Up the Down Staircase was Dennis’ first starring vehicle and an unsentimental look at the teaching profession. Having worked as a teacher and in similar jobs in the past, I related strongly to the main character’s compassion fatigue and her frustrated desire to help make her community a better place. While not a cheery film, it is ultimately an optimistic one, even if that optimism is cautious. And of course, Dennis is damn great as always, whetting my appetite for more of her work.

They Shoot Horses, Don’t They? (dir. Sydney Pollack, 1969)

In the thick of the Great Depression, a group of desperate contestants sign up for a grueling dance marathon with a hefty cash prize. Greed, sexual exploitation, health problems, and crushing despair eventually complicate the exhibition.

This movie is so bleak you’ll be just as exhausted as the characters by the tragic finish. I know that doesn’t sound like much of a recommendation, but this is powerful stuff. It does what a great tragedy should do: make you emphasize with the characters and go out into the world more empathetic toward the people around you and more critical of a society in which such awful conditions could be permitted. And like Targets, it’s depressing that this movie’s themes remain relevant to American culture.

Flash Gordon (dir. Frederick Stephani and Ray Taylor, 1936)

A himbo polo player (Buster Crabbe), a middle-aged scientist in hot pants (Frank Shannon), and an ingenue in a blonde wig (Jean Rogers) must save the Earth from a galactic emperor.

Yes, I’m counting a film serial as a single unit on this list. In this corny, breathless saga can be found the seeds of so many modern blockbuster spectacles. The old school space opera aesthetic is always a joy and I love seeing what George Lucas borrowed from the comic book plot and fantastic images for his Star Wars films. Also, the serial is surprisingly horny for a product released after the death knell of the pre-code era, so that’s fascinating too. I watched the episodes, one a night, usually before a feature film, to recreate at least in part the conditions in which old serials were viewed. I highly recommend that approach if you're interested in watching these kind of films-- NEVER binge them.

Silkwood (dir. Mike Nichols, 1983)

Karen Silkwood (Meryl Streep), a union activist and metallurgy worker at a plutonium processing plant, discovers both she and many of her co-workers have been contaminated with high levels of radiation due to blatant safety violations. Rather than remedy the problem, her employers are determined to keep her quiet, but Karen refuses to back down.

Meryl Streep's performance in Silkwood finally showed me what all the hype around her is about. What an astonishing, natural performance-- I forgot I was watching an actor every moment. As for the overall film, it's one of the stronger docudramas out there (as this film was based on a true story). It isn't just a preachy message piece and it allows Silkwood to be both a heroic figure and a flesh and blood human being with flaws like anyone. The domestic drama involving her lover (Kurt Russell) and lesbian roommate (Cher, who also gives an incredible performance) is almost as compelling as the main story. Though released in the early '80s, it feels like a late manifestation of the paranoia thriller genre of the decade before.

Love with the Proper Stranger (dir. Robert Mulligan, 1963)

When a one-night stand with a jazz musician (Steve McQueen) leaves her pregnant and at risk of upsetting her very Catholic family, an innocent sales clerk (Natalie Wood) tracks down her lover and demands he help her get an abortion.

Love with the Proper Stranger is such a unique piece of work that I can forgive the elements that dissatisfy me (like the ending). Wood and McQueen's romance starts out acidic and slowly becomes tender over the course of their bizarre misadventure, and the film itself shifts through several moods. Sometimes it feels like an urban drama, other times a romantic comedy. But it somehow holds together, perhaps because of the chemistry between the lead actors.

What were your favorite film discoveries in 2024?

[lvis44]

Cabin Fever - Pt. 3 // LH44

Lewis Hamilton x Y/N

Warnings: Swearing, Alcohol Consumption, Angst, Lewis being an ass, allusions to mental health struggles, 18+ MINORS DNI, not edited

Word Count: 5.3k+

Summary: He's your Sister in Laws best friend, you shouldn't even have to deal with him. Always seeming like a cocky arrogant prick, and now here he is crashing your family Christmas. Can you handle a full week of Lewis Hamilton? Or might he not actually be as bad as he seems?

Notes: A bit more drama for you guys tonight but this is nothing compared to what we've got coming up, oopsie lol. Hoping to get the next part out quickly so it kinda aligns with the holidays in real time! I would also formally like to start an important conversation about why the hell this man only seems to own winter jackets the color of a highlighter (im sure it's for safety when snowboarding but pls). I love you all and I'm so happy you guys are enjoying our angsty little Christmas fic!

As always, I am not a professional writer and all of this is a work of fiction and is strictly for fun. Enjoy!

**italics are a jump back in time**

The moment you make your way downstairs the next morning you are ready to turn and run back up to your room. You can hear everyone in the kitchen already, much to your surprise. Their voices are much louder than you would have wanted but you carry on, aware that the only way you’re getting coffee is by showing your face in there.

“Well good morning sleepy head! I was wondering when you’d show up.” Your dad greets you warmly.

“Hey I was up long before any of you yesterday.” You argue as he pulls you into a side hug.

“I do believe I was up before you.” Lewis pipes up with a smirk.

“Yeah yeah, whatever,” You grumble, trying to conceal the roll of your eyes but when you meet Lewis’ gaze you know you’ve failed, “I need coffee, lots of it.”

Tom laughs from over at the coffee bar where he seems to be making himself some sort of fancy espresso, “Coming right up.”

You thank him, taking a seat next to your brother at the island, watching the chaos ensuing on the other side of the kitchen. Your mother, Beatrice, and Vanessa are in what seems to be party planning mode. They’re rummaging through cupboards and running back and forth to the fridge, Vanessa has a notebook out creating some sort of list, Beatrice is loudly reading some recipe from her phone.

“How long has this been going on?” You ask the men at the counter, trying to keep your voice low.

“About twenty minutes, they’ve probably got another twenty in them.” Lewis says, picking up his coffee and watching the scene himself.

You let out a deep breath, already exhausted by the amount of energy flowing through the room, praying you don’t somehow get sucked into it as well.

“Y/N, thank goodness you’re up!” Vanessa says excitedly, finally noticing your presence on one of her trips around the kitchen.

“Good Morning.” You respond softly, trying not to allow any chance of being roped into whatever is going on.

“So,” Vanessa's voice comes out chipper and matter of fact as she puts her palms down on the counter, evidently ready to give you the full run down, “I felt so bad yesterday, I had so many things planned for a fancy breakfast and the weather just had to ruin it all so I really want to make up for all of it today. Thank you again for pulling that off yesterday, I was so grateful, but I want a big fancy family brunch, we haven't had one in so so long and I’ve been thinking about it since I started planning this trip. And I don’t want it to be our Christmas morning brunch, I want it to be its own special moment, ya know?”

You can tell that your eyebrows have gotten higher on your forehead with every word that she has said, speaking faster than you could ever comprehend at the early hour. You hear your brother take a deep breath from next to you as Lewis chuckles lowly.

“I’m sure it will be wonderful, very talented ladies doing the cooking.” Tom tells his daughter before setting a delicious smelling cup of coffee down in front of you, “Here you go Y/N.”

“Thank you, it smells fantastic.” You say sincerely, happily wrapping your chilly hands around the warm cup.

“It better, I brought my own beans and everything. That should be the best cup of coffee you’ve had in your life.” He tells you proudly.

“It was a phenomenal cup of coffee.” Lewis says with an amused smile on his face, one that Tom seems to read as more genuine than you think it really is.

“Very good, very very good.” Dylan is quickly agreeing.

“Now listen,” Vanessa’s voice is quick to grab your attention again, “you did such an amazing job yesterday with breakfast and then helping with all the storm cleanup,”

Before she can finish Lewis lets out a sound halfway between a laugh and a scoff, cutting her off, “I don’t know if I would call whatever she was doing yesterday helping.” His voice is muffled by the rim of his coffee mug but you can hear the cheek to his voice, more teasing than the jabby tone it usually carries for you, you assume it's because of the current company.

You open your mouth to defend yourself but your brother is joining in quickly, “I mean she made a valiant effort but I do think I have to agree with Lewis on this one.” He’s laughing as he pinches at your side.

You try to find the right words to argue your defense but you realize you really can’t, thinking back to your ways of helping the day before. 

You had started strong, initially heading out after breakfast to try to clean up all the branches that had been blown into the yard, that lasted for only twenty minutes before Lewis and Dylan were getting the plow and skidoo out of the garage. Once the big toys were out you had no more interest in your handheld rake and shovel. You had gone over to inspect the new fun equipment but were quickly shooed away by both Lewis and your brother, both claiming you were going to get in the way and possibly end up hurting yourself. You had accepted defeat, heading back to your sad pile of branches before once again getting quite distracted by the fun sound of the engine on the skidoo. You had done your best to act as if you were still working but you had ended up watching Lewis zip around the yard for much longer than you would have liked to admit. There was something about his level of both control and chaos behind the handlebars that scratched your brain just right and it irked you and brought you immense satisfaction all at once. Once your brother had gotten into the swing of plowing, Lewis following him down the hill to keep Vanessa's mind at ease, you had gotten back to your sad attempt at branch removal, by the time they made it back up to the house you were collecting your armful. 

“Y/N you do know that it’s been a full hour and you don’t even have enough sticks to make a mouse a campfire, right?” Lewis had taunted you when he saw you walking across the driveway as he removed his goggles, your brother laughing as he hopped out of the plow.

“Oh fuck off, at least I was doing something, you were just joyriding.” You said sassily, quickly changing course so you weren’t walking directly past him.

“I,” He started, his voice long and drawn out to dramatically make his point, “was keeping your brother safe. The buddy system is very important, you know.”

“A knight in shining,” You started to say but before you could get the whole sentence out you were falling flat on your ass, your abysmal stick pile flying everywhere.

“Woah Y/N, shit you alright?” Your brother was quick to react, leaving his open truck door to run over to you.

“You’ve gotta be kidding.” Lewis huffed out, also quickly making his way over to you.

They had both been there within an instant, squatting next to you to make sure you were alright. Your brother was handling you like fine china even though he could tell you were okay, Lewis however was immediately giving you shit.

“You do realize we’ve been here for like twelve hours and this is the second time you’ve fallen in front of me, right?” The tone of his voice was unamused despite offering you his hand to help pull you up.

“I did not fall last night.” You had tried to defend yourself as he got you to your feet, your brother still giving you a worried look like he thought you had secretly broken something.

“Because I caught you.” He had quickly pointed out.

“Whatever.” You grumbled as you bent down to collect your stick pile, admittedly leaving a good half of them behind before once again heading toward your brother's brush pile off by the shed. Before you could even make it half way, a very well aimed snowball was colliding with your ass cheek, once again knocking the sticks out of your arms. 

“I am going to fucking kill you.’ You had exclaimed loudly, quickly gathering a large armload of snow to form into your own snowball before turning around and whipping it in their direction. You ended up hitting your brother, immediately feeling a little bad because you assumed it had come from Lewis in the first place. Lewis let out a cackle when the snowball hit your brother, evidently pleased that he hadn’t been the one to get in trouble.

“Oh hell no, that was meant for you.” Dylan had said, also laughing but incredibly serious, his own snowball already being packed tightly to whip at Lewis. Much to your pleasure, Dylan was much closer to Lewis and was much stronger than you so you could tell the impact didn’t feel amazing when it finally slapped into his chest.

“I just thought you should put some ice on it after that fall, I was trying to be helpful.” Lewis laughed as he put his arms up to guard himself from any further snowballs being sent his way. You and your brother exchanged a look, both of you loading up again, hurling snow in Lewis’ direction.

He screamed as he turned to run, his snow gear making him much less agile than he would normally be. He had finally found steady footing, his own snowballs being sent in both of your directions, all three of you in a fit of laughter. Somewhere along the line your alliance with your brother had crumbled, his snowballs being sent your way as well, no longer reserved for just Lewis. By the time you finally called truce you had all been absolutely soaked, your stomachs hurting from laughing so hard and your pile of sticks long forgotten. When you made your way back to the house you had found yourself very surprised at how playful and fun that time with Lewis had been but you decided that it must have been a bit of a fluke, knowing it wouldn’t last the rest of the day.

You try to think of a way to argue your defense but you have to admit to yourself that you really can’t, you truthfully didn’t do any actual storm cleanup yesterday.

“It’s the thought that counts, I tried.” You grumble into your mug as the two men laugh.

“Well, either way, you absolutely slayed it with breakfast and putting up with them,” Vanessa gives you a smirk, trying to take away their ammunition, “so I want you to just relax this morning, Moms and I will take care of all things brunch, you just enjoy the pretty scenery and your amazing coffee.”

You smile at her, mouthing a thank you, grateful that you are not expected to be part of the brunch circus that is unfolding in the kitchen before you. Your mother and Beatrice are still frantically figuring out if they have everything for some recipe that they have selected. You sit back, watching as Vanessa returns to her chaos with your mothers, seeming weirdly at home within it. Tom and your father begin loudly discussing just where Tom is sourcing his coffee beans, raising the volume of the kitchen just that much more. You go to turn to your brother, only to find him standing from his seat to rinse out his coffee cup. Lewis is grabbing his phone and eagerly taking a call, leaving the room rapidly. You let out a sigh, choosing to make your way into the den with your coffee, hoping for some level of peace in there. The room is cozy, a fire already going and a light snow falling outside the large windows. You try to settle into one of the plush couches but as you sit there you feel yourself growing more and more aggravated. On one side you can hear your family in the kitchen, all talking loudly about different subjects that don’t even meld together into anything coherent, on the other side you can hear Lewis’ muffled voice on the phone. You can’t actually make out anything that he’s speaking about but the low timbre is enough to be disruptive. You find it hard to believe that in a house of this size you can’t find any silence, yet here you are, you shouldn’t be shocked with it being your family. You decide you can only take so much and come to the conclusion that you would rather be out in the cold and quiet than in here with the chatter. You take your coffee and head off to the foyer to find your winter gear to bundle up, the better idea of just going to your room nowhere to be seen in your head. You get as cozy as possible, grabbing a blanket out of the den before heading back to the kitchen.

“I think I’m just gonna go sit out back for a little while and appreciate the view while I have my coffee.” You awkwardly announce as you make your way to the backdoor, raising your blanket in your hand as you do.

“That sounds absolutely lovely, enjoy yourself!” Beatrice exclaims, overly enthusiastic about your plans.

When you first step out of the house you begin to question your plans, the cold air immediately hitting your face and wrapping you in an unforgiving cocoon, but the moment the door closes behind you, you’re at peace. The door seals your family and their loud chatter away wonderfully, just the gentle howl of the wind and small noises of things falling in the forest left to be heard. You make your way across the covered deck, settling into one of the luxurious outdoor couches overlooking the large backyard and forest. You snuggle as far as possible into your blanket, trying to keep as much of your body heat as possible. You can feel a deep sigh leave your body as you take in your surroundings, admitting to yourself that as much as you hate winter, you do love the beauty of the blanketing of snow. You sit in silence for a while, just sipping your coffee and enjoying the peaceful way the world is waking up, the snow falling gently. It sadly doesn’t take long for your silence to be interrupted, the door opening behind you. You let out a huff when you see who is making their way outdoors.

“Ocupado.” You say sassily as you turn your attention back out to the view in front of you.

Lewis just scoffs, making his way over to sit on one of the couches near you.

“Seriously, I just need some silence. Do you have nowhere else to go?” You groan childishly, seeing him settling into his seat.

“I let you get warm in front of my fire yesterday, I think you can share the silence of your deck with me now.” He says, his voice just as sassy.

You go to argue with him, wanting to tell him that it’s not the same and his fire was in the den, a common area, but you quickly realize that this too is a common area that you have no monopoly over. You decide to bite your tongue, rolling your eyes as he settles deeper into the couch, pulling his phone out. You decide to do the same, feeling awkward staring into the trees now that you have company. It doesn’t take long before the first post from a friend is popping up on your feed. She is back in California, a small party dress on that would have you getting hypothermia here. The post is about a party that you had known would be happening, a fun Christmas get together with a bunch of your friends that you would have loved to have been at, carefree and ridiculous fun. You let out a huff as you scroll through her post, the fomo eating you alive as you do so.

“Thought you wanted silence.” Lewis grumbles from his spot at the sound of your huff, his voice already laced with annoyance. 

“So sorry to disturb you, your highness.” You fire back at him sarcastically.

“It’s just sir, I’m a knight, not technically royalty.” He replies, his voice so cocky that it makes you want to smack him, only stopping when you see the slightly teasing smirk on his face.

You roll your eyes again, not even having the energy to come up with something witty to say back to him in the moment.

“Seriously though, what’s got you in such a mood?” He asks, sounding genuinely curious, much to your surprise. 

“I’m not in a mood.” You mutter, burrowing further into your blanket, your attention back on your phone.

He lets out a chuckle at your response, “Yeah the huffing and puffing really sells that narrative well.”

“Oh shut up, you know I don’t particularly want to be here, just let it go.” You say quietly, not wanting your family to hear your disdain for your surroundings.

“I know, and me being here probably isn’t helping that, but it seemed like there was something else going on. Thought you saw something that was upsetting you.” He says casually, shrugging like it’s a normal conversation for the two of you to be having.

You’re taken aback by his casual and genuinely curious nature, not being used to anything like this from Lewis. It takes your guard down, quicker than it should. You let out a sigh, deciding, against your better judgement, to confide in him a little bit. You know he could come back with some level of snippy remark but you were prepared for that, maybe he would actually have a normal conversation with you for once. 

“Don’t get me wrong, I love my family, but seeing everyone enjoying their lives as adults and doing what they want, where they want, I don’t know, it’s just driving me a bit insane.” You divulge, not getting your point across in quite the way you meant to.

He raises an eyebrow at you, evidently rather confused by what you mean, “I mean, you’re an adult, you spend 99% of the year doing what you want, where you want. What’s the problem?”

You just shake your head, deciding to instead show him the post that caused the initial huff. You watch as his brows furrow while he scrolls through the instagram post you handed him. Quickly his face turns from curious to judgemental. It’s his turn to roll his eyes as he finally hands you your phone back.

“So you’d rather be back in the smog of LA where you can’t even tell it’s Christmas, dressed in a skimpy dress with your friends? You’d prefer that to fresh mountain air, a white Christmas, and your family that loves you?” His tone is belittling as he reads the situation completely incorrectly, his questions coming out more as statements, as if nothing that you say now will change his mind.

Your jaw drops at the accusation, a loud scoff leaving your throat as you snatch your phone back from him, “How dare you, that was not the point I was trying to make.” You begin to argue before he’s cutting you off.

“You see those people all the time Y/N, how often do you see any of your family?” He raises his brow in challenge but doesn’t give you time to formulate a response before he’s carrying on, “We all know you don’t want to be here, just suck it up, a little bit of winter mountain air and family time isn’t going to kill you.” He doesn’t wait for a rebuttal, he just stands from his seat as if he’s just finished reprimanding a child and walks away, back inside.

He leaves you in your seat, silent and fuming but also leaving you feeling a tad guilty. He is correct, you don’t want to be here, but it has nothing to do with you preferring to be out in a skimpy dress in LA, it’s about your freedom. Having the freedom to do as you please and be where you want, something you haven’t had a ton of in your life. You hate that everyone knows that you would prefer to be somewhere else, making you feel as if you’re almost a burden. You hate that Lewis feels that he has the right to make such deep assumptions about you and treat them as fact and you hate even more that he feels he has the right to lecture you based on those assumptions. 

You end up staying out on the back deck much longer than you had originally planned, only finally making your way back indoors when Vanessa announces that brunch is served. You do your best to ignore him, not even looking in his direction. Instead you spend most of brunch quizzing Vanessa on things about her brunch that in all honesty you aren’t particularly interested in, but listening to Vanessa explain how he gets her eggs to fluffy is much better than having to even think about dealing with the man sitting at the other end of the table.

It irks you that you can hear him chatting so freely and happily down the table, as if he hadn’t accosted you on the porch mere hours beforehand. You find yourself already making a plan for escape before you’ve even cleared your plate.

Avoiding him throughout the rest of the day ends up being shockingly easy. You take an extra long time getting ready before helping Vanessa and your mom with some last minute gift wrapping. You can’t help but laugh when you see that Vanessa's “last minute stuff” actually appears to be a majority of her gifts, but you don’t complain, knowing it will take up more of your time, and in turn help in your game of avoidance. You can hear Lewis chatting off in the distance, your father quizzing him eagerly on his car collection after hearing he added something new. Lewis gushed with ease, thoroughly entertaining your fathers questions and while it could be considered a nice conversation you felt like it sounded arrogant, flashy. 

“Boys and their toys.” Your mom muttered with a laugh, also listening to bits of the conversation, your father now seemingly showing Lewis photos of a car he had back in the nineties.

“Tell me about it, I couldn’t for the life of me get Dylan out of that plow truck when we first bought it and the snow hadn’t even fallen yet.” Vanessa exclaims, shaking her head.

You just laugh as you lean back to stare out the window for a moment, admiring the way the world is beginning to turn blue as the sun goes down. As if he’s noticed it getting dark at the very same moment, Dylan is bursting into the room talking about Christmas lights.

“Get out, we are not finished in here Mr.” Vanessa is quickly squealing, throwing her body in front of the few remaining unwrapped gifts.

“Okay, okay,” Dylan laughs, throwing his hand over his eyes before continuing, “What I was saying is the lights in the forest look like they stayed up through the storm! It’s getting dark so I was hoping we could all take a walk out there, it’ll be beautiful.”

“That sounds nice Dyl, give us just a little time to get ready.” You say softly, eager to see the lights that have your brother so excited.

“Sweet, I’ll go let the guys know.” He says like a little kid, whipping around to go inform them of the new plans.

“He made an absolute wonderland out there, you guys are going to love it.” Vanessa says, already standing up to collect the remaining wrapping paper, shoving things away like she’s now on a time crunch.

You take that as your sign to go change and get ready for a winter walk. When you go to head upstairs you finally cross paths with Lewis who seems to be headed to his own room, you pause for a moment before flicking your gaze away and trying to move past him.

“Joining us on the walk?” He asks, his voice cold, sounding like he’s expectant of a no.

“Uh, yeah, of course.” You waver slightly, caught off guard that he had any words for you at all. You wished your voice had come out stronger, not wanting him to feel like he had any sort of upperhand, that he had gotten under your skin.

He does actually look surprised, his eyebrows twitching up in a certain judgemental look of disbelief before he is once again turning on his heel. He doesn’t say a word, just walks away to his bedroom.

When you make your way back downstairs, everyone is there and waiting. Dylan is animatedly explaining how he set up with power for the lights and how they follow all of the groomed paths in a certain pattern. Once he notices that you’re there he is directing everyone to follow him to the back yard, still explaining his tree lighting process on the way. You can’t help the grimace that leaves your body when you step outside, the temperature having dropped drastically since you were out here earlier. You try to just burrow further into your coat, not wanting to complain after being made so aware of your attitude earlier today.

As you wander the paths you find yourself mesmerized, Vanessa was right about the absolute wonderland of it all. The glittery lights look like stars, spanning higher up trees than you would like to think about your brother being, but regardless they are breathtaking. You find yourself falling away from the group a bit, too caught up in admiring the gorgeous trees and trying to keep as much of your warmth in as possible. Your family carries on walking, unaware of your sudden slow pace, Lewis however seems to notice and slows down himself. So much that you almost trip over him, having been blissfully unaware of his presence.

“You okay?” He asks you when you’re steady on your feet.

“I’m just fine Lewis.” Your voice is as cold as the outdoor air as you avoid looking in his direction.

“Well, from where I’m standing, you’re shaking like a leaf.” His tone has lost its earlier harshness but still carries that bit of arrogance as you catch him smirking at you out of the corner of your eye.

“Just wore the wrong jacket, I’ll be fine.” You argue, keeping your voice short but still pulling your thin jacket tighter. You're mentally cursing yourself for not having worn your puffer.

“Do you want to head back? I’ll walk with you.” His offer catches you off guard, his voice sincere and almost kind as he continues to stare at you, the smirk gone.

“I’m fine,” You say yet again, your voice slightly quieter now, “Dylan worked hard on this, I’ll survive.”

Just as you once again reiterate your argument a gust of wind comes through, picking up the loose snow and blowing it around you sending yet another chill directly down your spine. Lewis evidently notices the cold seeping deeper into your bones, taking it upon himself to make the decision. 

“Y/N and I are gonna head back to the house, she’s getting a little too cold, gonna get her something warm, we’ll see you guys in a bit.” He yells ahead to your family against your will. 

“Oh, hun, are you okay?” Your mother is immediately concerned.

“I’m fine, I’m not going back.” You start to insist but Lewis is stepping in yet again.

“She’s fine, just wore the wrong jacket. The lights look amazing Dylan, well come see them when she’s warmed up.” Before you can say anything he’s starting to usher you back down the path, Dylan is thanking him and Vanessa is telling you where to find more blankets. 

Lewis is guiding you down the path, his body close against your back and his grip firm on your waist as if you don’t know the way. You hate the way he is manhandling you but you have to admit you are relishing in the warmth coming from the proximity. You don’t allow it to go on for too long, wrenching yourself out of his grip once you’re far enough away from your family. You pick up your pace, both in a show of defiance and actually quite wanting to get back to the warmth of the house. You hear him let out a scoff behind you as you throw your little tantrum.

The heat of the house is immediately welcoming, wrapping around you like a hug the moment you open the door. You take a moment to let the heat sink into your bones before even moving to remove your jacket. Lewis stands there watching you for a moment, just shaking his head before taking off his own large puffer.

“What?” You groan, assuming he has a comment to make.

“You know sub zero temps usually require a little more than a flimsy fashion jacket from the mall, right?” His voice is laced with judgement again, the kindness from the forest long gone.

“Oh, would you just fuck off!” You finally properly snap, whipping your head to face him.

““I’m just saying you’re a grown adult and you’re acting like winter is gonna kill you, you can’t even prepare for it” His response is quick, his tone just as snippy as yours, dripping with arrogance.

“I have a fucking parka in my room, I didn’t know how cold it was.” You throw back at him.

“Mmm sure, or you just wanted to look good for the little walk.” He accuses you, his tone condescending.

“Look good for who? I’m in the middle of fucking nowhere!” You fully yell at him, finally done with his jabs.

He ignores the question, his voice raising but not yet actually yelling, “Have you ever considered that maybe it’s good for you to be in the middle of nowhere once in a while?”

“I do not need some asshole who doesn’t even know me giving me fucking life advice, thank you very much.” You snap, no longer yelling but your voice is harsh.

“Well maybe you do because from where I’m standing you would rather be back in LA partying with your friends to post on Instagram than at your brother's beautiful new house with your whole family that loves you. They fucking want you here and you get to fucking see them, stop acting like its pulling fucking teeth for you to be here.” He actually yells this time, momentarily stunning you.

“Why do you even fucking care so much?” You just about scream, praying that your family is still far away from the house. The two of you haven’t even made it out of the foyer yet.

He just stares at you, his eyes hard and his chest heaving slightly. He opens his mouth before quickly snapping it shut, finally letting out a long, deep sigh. “Ya know what, I guess I fucking don’t. Go take a hot shower before you get fucking hypothermia.” He finally mutters harshly as he storms out of the room, his bedroom door slamming shut not long after.

You stand in the foyer, staring down the hallway where he disappeared, still dressed in your winter jacket. You can feel the tears pricking in the back of your eyes, immediately pissing you off that they can be caused by even Lewis. You bite lips, willing the tears to stop, but then you realize, there it is.

It finally feels like Christmas.

[tealeaf29]

ARCANE SEASON 1 AND 2 SPOILERS

Y’know what? I’m gonna say it:

As a system myself, Jinx/Powder is a system.

It’s difficult to pin point the exact point of the split, and whether or not it even happens on screen, but I’m gonna say Powder’s breakdown in season 1 episode 3 is the first time we see Jinx fronting.

Throughout most of season 1, Jinx is in front. Not all the time, but a lot of the time.

People already talk quite a bit about how the arcane animators put time and effort into differentiating Powder and Jinx as two separate entities, is it really a stretch to call them a system?

Here’s the part that’s tripping me up though.

“Jinx is dead.”

I’m not sure who says that line.

Personally, I think it’s Jinx we see bonding with Isha. I think it’s Jinx we see talking about Powder being a stupid name. I think it’s Jinx we see saying Jinx is dead.

The best scene I think for showing the concept that Ninx and Powder are separate people, separate alters, is season 1 episode 6, when Vi and her sister reunite. It’s Powder that sets off the flare. It’s Jinx who angrily throws the flare on the ground. It’s Powder who fronts when Vi says her name and it’s Powder Vi hugs. But it’s Jinx who points PowPow at Vi. It’s Jinx who fires upon the Firelights with a smile on her face. It’s Powder who watches her sister get taken, and it’s Jinx who cries out in outrage moments later.

Second best scene for this is season 1 episode 9’s tea party scene. I don’t think I need to really explain that one too much, and there’s so much more I wanna say and I don’t want this to be too long.

Now, bare with me, it’s been a minute since my last rewatch but hear me out:

I think the last time we see Jinx is season 2 episode 4. Everything, and I do mean everything after she realizes she’s fighting Vander is Powder.

Do I think Jinx is gone? No. I just think she realized she doesn’t have to protect Powder anymore.

And I think there are two scenes that support this idea.

Season 2 episode 8, when Vi goes to break her out of prison and convince her sister to fight.

Vi pointedly calls her “Jinx”. Like a person trying to show they’re learning. I’ve seen this very thing myself as a system. Someone gets used to a new alter(in this case, Jinx) fronting, that they accidentally call another alter(in this case, Powder) by the wrong name.

She goes on to say “maybe we can rewrite your story, just like you rewrote Zaun’s.”

She’s saying “we can erase Powder, Jinx is all that matters, right?”

And, from an outside perspective, that’s not only a fair thing to say, but honestly super cute of her as a sister. I’ve seen people reading Jinx as a trans allegory, ESPECIALLY season 1 Jinx, and if it were, this would be a super great thing for Vi to say. But it’s not. At least, not by this point in season 2. If we do want to look at it as a gender allegory, then it works really well as a genderfluid allegory. But that’s not what I’m talking about.

No, Vi says the wrong thing here. She makes it clear she views her sister as a singular entity. Either Powder or Jinx. The issue is, especially at this point in the story, she’s not. And that’s not even me being like “I’m gonna state my personal headcanon/analysis as fact.” That’s just true. Schnee on YouTube does a much better job of explaining the dichotomy between the two identities in his “How EKKO Redefines Time” video that I 100% recommend(this video is actually what got me thinking about Jinx/Powder as a system).

The other scene, is Ekko trying to convince her to help. Ekko says two things here that are important. First, he says “Pow- Jinx.”

He doesn’t view them as a singular entity.

To the trans allegory thing for a moment, this is a really good line if you wanna read Jinx that way, because almost every single trans person who’s changed their name has likely heard “Deadna- Name” at least once(substitute for appropriate names of course). And it’s cute that Ekko corrects himself if that’s how you’re choosing to view it.

But it’s this line that gives her pause.

Ekko then goes on to say “no matter what happened in the past, it’s never too late to build something new.”

He’s not saying to erase the past. To erase Powder. He’s saying to move on from the past. To accept that Powder and Jinx are both present.

That is what convinces her to fight. Ekko telling her “it doesn’t matter, Jinx, Powder, whoever you are, whoever you choose to be, it’s not too late for you.”

Am I little biased when I claim Ekko is the only reason Jinx fights? Maybe a little, TimeBomb are one of my favourite ships in Arcane(though post-season 2 I stumbled upon LightCannon and I think they might be my fav Jinx ship now). But I don’t think that matters.

Do I think the writers intended Jinx to have DID? Definitely not.

Do I think the writers intended Jinx to be an allegory for DID? Maybe.

But it’s fun to analyze, and read representation in characters that wasn’t necessarily intended.

But, yeah, Jinx/Powder is now a system in my headcanon and you can’t convince me otherwise because it’s a headcanon and I can do what I want in my headcanons.

[a-bad-case-of-the-stephs]

i’ve been thinking abt this for a while and i want ur opinion. do you think characterization-wise stephanie would’ve kept her pregnancy if dixon wasn’t so staunchly anti-abortion? im kinda torn… and ik they retconned it entirely in newer reboots, but i would’ve loved to see her taking care of a kid since she’s good with them

Ok first of all thank you so much for asking me abt this. I actually have so many opinions about Steph’s pregnancy “arc” and I love yapping about her so appreciate this ask a ton.

On one hand, it’s really hard to entirely separate Steph from Dixons conservative values. She was created by the guy and she reflects a variety of semi conservative views in Robin 1993.

Some of these things are deeply connected to her character, for instance her punitive and callous attitude towards criminals. Of course, this attitude absolutely changes over time, but it makes a lot of sense for her to have this conservative approach early on in her crime fighting career, it directly reflects her anger towards her abusive dad.

Others are less grounded in things we know about Steph and more so just throwaway lines, like the joke Steph makes about the Clintons.

What I’m trying to say is it’s hard to determine what Steph would do if she wasn’t being written by Dixon, or if Dixon wasn’t as conservative on reproductive care, because some details about her are both entrenched as part of her character and also potentially influenced by Dixons politics.

There’s two main themes that come up during Steph’s pregnancy which I think are very in line with her characterization and support the idea that the choice she makes is (fairly) in character: her sense of responsibility, and her protectiveness over children as a reaction to how she was not protected.

The idea that Stephanie fucked up, that she made a stupid mistake and her pregnancy is the “consequence” (an insanely horrifically gross premise, for the record) is espoused by her throughout the pregnancy arc.

This is pretty in line with her characterization.

Steph places a strong emphasis on the idea of internal strength, it’s something we see her value in others and something she commits to herself.

(Her father is "weak" because he succumbs to his criminal tendencies, her mother is "strong" for overcoming her addiction, other drug addicts are weak for failing to do so and turning to crime, her mom is "weak" for grieving Arthur, Steph is called "brave" for keeping her baby, Steph has to be “the brave one here” because Crystal won’t kick Arthur out, etc etc)

Potentially connected to this mindset is how Stephanie is also kind of prone to taking responsibility, and in some cases, taking blame for things that actually are not her fault.

Easy example of this is how she talks to Tim about how he might have cheated and wanted to leave her while pregnant, she takes the blame and responsibility for his (assumed) actions. It’s her fault for being so “fat and disgusting”. She understands why he might have cheated on her.

When Batman tells her Tims secret identity (something she didn’t seem to realize would hurt him and which Batman presented the urgency of the situation under absolutely false pretenses) she immediately takes the blame for Tim’s anger, directly condemning herself and centering Tim’s feelings even when Tim is clearly angry at Bruce and hardly acknowledges her at all during the confrontation. She continues to blame herself for this later even after being reassured by Tim.

And a huge example, how Steph believes straight up that she has “a lot to make up for” because her dad is the Cluemaster. This is a consistent part of Stephs characterization, seems to somehow blame herself for Arthur’s actions, or at least not being able to stop him. Steph holds herself to an unfair metric, she takes on this unwarranted responsibility and blame.

It makes sense to me that Steph would adopt a similar mindset in the case of her pregnancy. She’s quick to assume this responsibility and deride herself and her actions because that’s what she’s always done.

The second factor that I think is playing a role here is Steph’s desire to protect the innocent, especially children, as a reflection of the way she was never protected as a child.

Steph is, as you pointed out, shown to be good with kids. And, I think it’s absolutely worth mentioning that she sometimes projects her own experiences onto them. Not in like a bad way, in a: ‘no one protected me, I want to protect them’ way. This is a super strong protective instinct.

This protective instinct is what (I believe) causes her to befriend Damian during Batgirl (2009): she sees that he was missing out on a normal childhood, something she could relate to, and we see her try to help him experience one.

It’s also why she chooses to let her baby get adopted instead of keeping it: we see her convinced by Tim’s arguement about how her baby would grow up without two parents and compares that situation to how Steph grew up with her dad in jail. (By the way, this is just propaganda, the issue is Steph would have to forfeit her teen years taking care of a baby if she kept it, which she is not old or mature enough to raise effectively and which would doubtlessly have terrifying consequences for both her and her baby, not that the baby needs two parents, and one of them has to be a man. But that’s besides the point.)

The point is, Steph’s shitty childhood makes her protective over children and strongly moves her to ensure similar situations don’t befall them.

I think she’s doing a very similar thing when it comes to her pregnancy.

The whole conclusion to her story in the Secret Origins 80-Page Giant is her telling her unborn baby about her childhood, and hoping the baby will get a better childhood than she did.

In the same way Steph is dedicated to stopping kids from experiencing what she experienced, she feels like she has a duty to her baby to protect it in specific contrast to her own shitty childhood where she was not protected.

We see this idea explored again in Steph’s hallucination/dream while giving birth. Her nightmare is centered around Steph’s fear that her baby would end up in the hands of Cluemaster. She's terrified by the idea of this innocent child getting abused by the same man she was.

Also, notice Crystals role here. Crystal's enabling of Arthur's abuse and general shittiness is something we see explored a few times. Steph identifies that Crystal is willing to be blind to the obviously shitty behavior of her brother, Steph's Uncle Dave, and compares her inability to see the truth to how Crystal apparently acted with Arthur in the past. There's more examples, but the way Crystal facilities Arthurs abuse (which Crystal was a premiere victim of for the record) and is unwilling to hear out Steph in her nightmare is clearly a reflection of Stephs own childhood. She is projecting her shitty past onto her baby again.

How does this factor into her choice to not get an abortion? As explored, she has this tendency to project herself and her experiences into kids she sees as in similar situations, and try to protect them where she was not protected. I can see this inclining Steph to 1) see the fetus as a baby and innocent life and 2) feel a very strong protective instinct towards it which think would make her unlikely to abort.

So again, we have this projection where Steph sees the baby as A) her responsibility and B) in need of the protection she did not get.

Both of these factors are undoubtably parts of Steph’s character. So, I’m inclined to say Steph’s pregnancy arc is based in her character.

It comes down to how Steph sees her fetus. If she, like she does in Robin 93, immediately conceptualized the fetus as a separate person, an innocent life, I think her feelings of responsibility and her protective instinct for the innocent and young children would make it pretty much impossible her to end up choosing herself and her own wants over the fetus. I don’t think Steph could ever do that, unfortunately.

On the other hand, if Steph didn’t immediately think of the fetus as a baby, (something that would come with Dixon being less conservative on reproductive rights) I could see her getting an abortion. I do think she’d still feel guilty however, like she’d shirked responsibility somehow.

In conclusion, it’s complicated, but Steph’s feelings during her pregnancy are grounded in her characterization. I think if Dixon was less conservative, we might be able to see how these traits come into play and have Steph maybe learn to prioritize herself despite her self sacrificial qualities, and we could manage not have the 15 year old give birth.

(Okay that was the analysis, now I’m lowkey just going to rant about how I personally feel about the pregnancy arc.)

On a personal level, I think someone should have sat Steph down and explained to her the that she has every right to want to abort? Yes. Do I think Crystal should have had a long talk with her about how Stephanie doesn’t owe this fetus anything and she has a right to be 15 and look out for herself for once? God, yes.

I’m honestly just disgusted by the very concept of the “pregnancy arc”. No amount of cute moments with Tim or attempts to make Steph’s convos with her mom heartwarming will override my disgust at the fact that they made the 15 year old pregnant. It’s not "cute" that she had to deal with pregnancy induced nausea and her math homework. It’s genuinely horrific. It’s not "nice" that Tim uses his Alvin Draper disguise to brings her to Lamaze classes. It’s horrifying that Steph has to ask her boyfriend who has to wear a disguise to drive her to birthing classes because her mom is busy working night shifts at the hospital to support them. It’s not "sweet" when Tim reassures Steph she’s beautiful and Steph playfully threatens to hit him with a teddy bear, it’s sickening that she thinks so lowly of herself in the first place. And it’s definitely not anything but genuinely disappointing that Steph’s next appearance in Robin 93 after giving birth is her jogging to lose the weight she gained from her pregnancy. Just wow.

I love that Steph is good with kids and whenever I see those cute ‘Steph keeps the kid’ au drawings I will admit that my heart is warmed . But at the same time, I'm just personally never going to be in favor of Steph being forced to carry a baby at 15 years old as a "consequence" so we can moralize to the audience about teens having premarital sex. It was not done well. I don't know if it could be done well.

I don’t really think her pregnancy should be decanonized either per se, because I think DC should have to own up to their sexist treatment of Steph (and many many other female characters) instead of getting to pretend they were always perfectly feminist. (This happens a lot with her time as Robin a lot but that’s another post). However, I kind of never want to see that baby appear again in any comic.

When it comes to current comics canon, even if the pregnancy has been retconned, I have this sinking feeling that it’s only a matter of time before that baby shows up as a minor character and becomes a vigilante or some shit. This is the dark timeline to me. The evil universe which I lie awake terrified of but I know is distinctly possible. If this happens, this is my "I told you so" moment.

For me, the “good ending” when it comes to Steph’s pregnancy is she should’ve aborted it. Just no baby, no pregnant 15 year old. She could have even participated in NML in this alt universe (which is another another post). I don't know. I think Steph could be a fantastic mom, but I wouldn't want her to have to be one at 15 or 16.

Thank you again sm for the ask, love ranting about Steph. Totally open to hearing other takes on this arc and Stephs character as always.

[aztarion]

If Sol is an anxiety-riddled cheetah, what sort of person or thing or addition to her (un)life would have the same effect on her that an emotional support puppy has on a cheetah?

ive been thinking about this and not getting anywhere j and im pretty sure it’s meant as no nuance but we’ve established im an overthinker v_v so i rambled for a while below, hopefully it’s entertaining LOL. i focused way too much on the relationships. tbh it could be her brother if she ever reunited with him

it’s so hard to pick out one particular thing or person or addition and keep it realistic!!! i’d otherwise say it was Julian during the fledgling years, but she didn’t have much in the way of anxiety then, not like it is now, and he was also partially responsible for what brought about triggering/exacerbating it in the first place. but initially what they had, if you could lift that younger slightly less bold Julian to replace present Julian, might have that effect on her

in some weird way i think Sol subconsciously likes being kept on the fringe or razors edge of her nerves in some twisted strain of excitement; ive been toying with this as a manifestation of her beast. so maybe she would vore a traditional therapy dog and sit there shaking and whimpering like she’s the victim 🧐

i’ve mentioned before she gets on really well with Elena and enjoys her dry presence and quiet competence and absolute loyalty, but the fact of what’s unnaturally behind that loyalty spikes anxiety if Sol dwells on it — Sol is also VERY protective and worries about everyone she has a connection with. she would develop feelings for the therapy dog. whatever it might be in this analogy, it would have to be some sort of stronger kindred/supernatural for her to have any peace of mind

so… Lettow comes closest in that regard, but i still don’t think Sol would be happy for other reasons. his demeanor, strength and reliability has the most inwardly calming effect on her — like a truly strange solid steadying comfort over a period of months that grow insanely chaotic. he offers comfort, forgiveness, acceptance, support — all the things she thinks she wants or needs. it’s interesting to me that in the base text a lot of his touches and embraces are described as being either ‘grounding’, ‘protective’ or ‘lingering’ because Sol often feels like she’s drowning — in guilt, in Aila’s memories, in loneliness, in purposelessness, in her own maddeningly unsatisfied hunger. like meeting earth after years at sea. he has big taurus energy to her underdeveloped scorpio. (contrastingly Julian’s are described as unexpected or split-second and leaving her off-balance… but again i think Sol actually likes that)

maybe Lettow could help her heal past Aila but i don’t think Sol would give herself that chance for forgiveness. and while she comes to really love and care for him despite the confusion Aila’s stirring brings, and her own impulsive feelings and actions, i don’t think she’s IN love with Lettow :( he doesn’t inspire or excite or wildly frustrate her like Julian does. so maybe that does make Lettow a good emotional support puppy… Sol needs a pet elder kindred just chilling in the background with a panama hat being extremely accepting of her stupidity to feel normal i guess. im thinking his willingness to forgive what she’s done would eat at her forever though, to a point that’s just utterly dissociative. and that’s not fair to Lettow; he doesn’t deserve another gf tapping out on him

present-and-post-night road Julian…sigh

Julian has this constant dichotomy of idealism and hypocrisy, patience and cool calculative manipulation. he would be that one therapy dog that wasn’t screened for occasionally barking unexpectedly and roughhousing. so like he’s very good for her in some ways and terribly triggering in others but now the cheetah is attached to him so everyone (me) is hesitant to take him out of the enclosure

more than anything Julian offers her assurance in his intelligence, adaptability, his purpose — and the purpose he gives her, which Sol can’t put to words. it’s less about providing a calming presence and more about inspiring and challenging her. he’s like enrichment LOL. more akin to a partner in adventure and crime rather than strictly emotional support, but i think Sol would end up heading in Aila’s direction without Julian stirring shit up for her

as for the emotional support… ok this is where i retreat to my fanfic but Marquis definitely threw a big bone at the end of Julian’s romance. they have a very deep connection; the sire-childe bond, were best friends/lovers/attached at the hip for a decade, he brings out the best (and worst) in her but he helps her discover herself… i think it’s special and could work as a foundation. of course ultimately the effectiveness depends on the progression of their relationship and the trust rebuilding between them post-night road, but i see that as a possibility. when Sol tentatively decides to help with Julian’s plan for the SI and 2100 long term instead of Lettow, something big is bridged there — in the ending scene with romanced Julian he in turn offers Sol half of the reigns on the program and lets her call the shots with whatever happens with the death cult in Monterrey, as well as joining her in the field. i love Kyle for doing that lmao… it’s a really nice moment that hints at Julian being willing to work to rebuild the relationship and trust between them instead of what you get in night road when neither of them wholly trust each other and are loathe to keep it 100. once Julian knows she’s in, he’s down, no holds barred. i think they'd both be for the long haul, in good and probably still some bad and very imperfect ways but that keeps it interesting

THANK YOU FOR COMING TO MY TED TALK <3333 THANK YOU J <333