#the only thing that really got me this far was writing those uncomfortable stories

[cordelialives]

i wrote something super cool here and then had a breakdown in the tags so uhhhhh

[buckyownsmylife]

out of the woods (chris evans x famous!reader smut)

the one where Chris watches an interview of you on the Ellen show

Warnings: mention of small stature in comparison to Chris, smut thoughts, Ellen Degeneres trash talking/thinking, cursing, mention of prescription medicine, talk of age gap (reader is younger than Chris), jacking off, daddy kink

WC: 3k

A/N: this doesn't really have an ending, so if you all like it, I might make a series out of it - the idea is that you are also famous (for acting, singing, writing) and have been friends with Chris but there's always this underlying tension between the two of you. It goes without saying, but I'll say it anyway: no, he's not married in this story nor do I intend to feature Alba in any part of it whatsoever.

Chris’ P.O.V.

I was scrolling through Twitter when I realized some fans were tagging me in a short video of Y/N on Ellen DeGeneres’ show. I knew she had gone there by herself, mostly to promote her new album, but also to give some publicity for our movie, so I was aware that she would probably talk about me at least a bit… Curiosity got the best of me and I clicked the link to check the video for myself.

She looked gorgeous as always, her hair down in that way I loved so much and her skin seemed to be as soft as ever under the mini dress she chose to wear, her legs stretching out and making her look taller than she actually was. I chuckled, remembering just how small she looked by my side.

I remembered one time when I lifted her up, bridal style, and spun her around the pub we had close to the set, after the Patriots had won a game. Despite not understanding the game, she tagged along and celebrated every time I got excited, like the cute person that she was. I got so transfixed by her giggles back then. They were the sweetest sound and the only thing I heard, despite the fact that we were in the middle of a very loud bunch of dudes. 

I found myself imagining again, as I had then, what it would be like to have her under me, trapped by my arms in bed, or better yet, against a wall, only my thighs securing her in place while I made her moan with my touch. How would she sound? Or, better yet, how would she feel?

Christ. 

Shaking my head, I tried to gather my thoughts so as to not let them stray too far in that direction, something I didn’t have much success in doing, despite the fact that I had been practicing that simple habit every single day since I met her. But it was proving to be a nightmare. She was just far too tempting.

Shaking my head once more, I focused on the video in front of me. My heartbeat had sped up as soon as it started, but I tried to tell myself it was because I was scared for her, since I knew how Ellen could get invasive sometimes.

“So, Y/N…” She started, eyeing my co-star. “You have just finished working on a movie with someone we’re very familiar with, isn’t it?”

Y/N giggled, nodding at the blonde woman. “I suppose so. We have just finished the promotion for it, maybe you guys have already seen it?” She asked the crowd, who went nuts at her. It was sweet to see this kind of feedback, I truly believed in our movie and the fact that I got to know her was just an added bonus.

“For those of you who don’t know what we’re talking about, it’s called ‘Be Here Now’ and it’s currently in a theater near you. Y/N stars alongside Chris Evans, who we love so dearly here, and they play brother and sister as they try to reconnect after their parents' passing.”

More applause at that. I couldn’t stop myself from rolling my eyes at her idea of love. Last time I was there, she made me pretty uncomfortable, and I knew I wasn’t the only one who felt that way.

“So, how was the process for you? We know you’re familiar with the filming process, since you star in your own series ‘Evermore’, that sent you to stardom, along with your songs, but you had said before you’d never act outside of it, since your true passion relies on music. What changed your mind?” Ellen sat back as she said that, already comfortable with the fact that something good would come out of this interview, since Y/N had been pretty vocal about what made her decide to do the movie, even with me.

“Chris did, actually. Or, in fact, the fact that he was cast in it.” A chorus of “aws” echoed around the room and there was no way to know if they were real or prompted, but they were quickly interrupted by the host.

“So, you were a fan?” She instigated, as to what Y/N nodded again.

“Of course. Well, my mom more than me, but I was the one who introduced his work to her, so…” She poked her tongue out at the camera, to which my heart (and my cock) jumped in response. “Ever since I got into this, when I first had the idea for Evermore with James, I told him time and time again I would never act outside of this, because I had no intention whatsoever on becoming an actress. I have always been in this for the music. Well, the writing. I’m a writer, I like writing scripts and songs, I’ve fallen into this performer thing by accident. But I’ve always been adamant about the fact that if I ever had the opportunity to act alongside Chris, I’d take it. It doesn’t matter that I don’t think I’m good enough. It didn’t even matter if the script was terrible, which thankfully wasn’t the case, I just really admire him and his work and I would never live with myself if I turned this opportunity down.”

Even though I knew most of this, I couldn’t help but to gloat at the fact that this incredible woman actually admired me. She was so much better than me in so many things, even acting, and she still thought I was great enough to get her to participate in a movie. 

“So, what I’m hearing is, you have a little crush, that’s right?” And there it was. The coup. Of course. That evil wench…

“That’s what you took out of everything I said? Jesus, Ellen, has anyone ever told you that you listen like a man?” Ouch. That one was perfect. Being the ambassador for females and lesbians everywhere, it couldn’t not hurt her, especially coming from someone as angelical, sweet and universally-loved as Y/N. I appreciated the quick second her smile faltered before it became plastered on her again.

“No, I haven’t heard that before… But tell me, have you met any of the other Marvel actors? I mean, granted, there are a lot of them now, but especially those who have worked closely with Chris?” Y/N shrugged at that.

“I have been friends with Elizabeth Olsen for a very long time, we’re very close, but other than that, no. I haven’t had the chance to properly meet, or rather, hang out with any of them.”

“Who’s first on your list?”

“Anthony Mackie,” Y/N promptly responded, getting a few laughs and claps from the audience.

“My, you had that answer ready” Ellen teased, to which Y/N simply shrugged again. 

“We talk through social media sometimes and I know for a fact he’s hilarious. I hope we get to meet sometime. I might just have to bug Chris about it.” She had already, in fact. I couldn’t wait to introduce them to each other and I was already planning my next party just to be able to make that happen.

“What about Sebastian?” Ellen asked, a glinter of something extremely suspicious in her eyes.

“Sebastian Stan? No, we haven’t met, but I’d love to get the chance to someday. He seems extremely sweet and I know he’s very talented and Chris loves him, so I think it’s a matter of time until it happens.”

“I heard somewhere you had a bit of a crush on him, right? Even if you don’t admit that you have one on Chris?” This fucking woman. I could fucking kill her right now. But, to my surprise, Y/N simply laughed.

“Truly, you have got to check your hearing sometime soon, because that is absolutely false.” 

“Really?” Ellen pushed, to which Y/N beamed even brighter at her.

“Positive.” A beat as the two women stared at each other down. “I think what you meant is that I have had a huge crush on his character, Bucky Barnes.” Y/N explained, laughing at the host. “I admit that only happened after I saw Sebastian’s portrayal of him, but my attraction to a fictional character can’t be really connected to him.”

Ellen nodded, obviously not paying attention to anything she was just saying. “Well, let’s figure out who do you actually feel attracted to, shall we? Let’s play fuck, marry or kill!”

The audience screamed and, to my surprise, Y/N didn’t even blink, a patient smile painting her lips as she calmly watched the interviewer. “So, Y/N, between Anthony, Sebastian and Chris, who would you rather fuck, marry or kill?”

Y/N shook her head, still smiling at the older woman. “I couldn’t possibly answer truthfully to this question, Ellen, mostly because I am not capable of feeling carnal attraction to people I have never met, but I can 100% assure you that I would marry Chris without blinking twice if there was a choice.” 

My heart skipped a beat at her words. The crowd went crazy, obviously satisfied with the answer.

“And you’re sure you don’t have a crush on him?” Ellen’s eyes glistened with mischief, as she stared at the younger woman.

“Ellen, I think the question here is… Are you sure *you don’t have a crush on him?” The laughs from the audience was the last thing to come from the video before it stopped, and I found myself echoing them in the silent living room. Oh my, how I missed this girl.

I tapped my fingers nervously on my jean-clad thigh, looking around the room. I had been staying in Boston with my family for the last few weeks, since the movie premiered and we had finished promotion, and I had found myself constantly calling her to share funny stories from my nephews or to hear about her day. I knew she wanted to meet my family, she had always said she admired the fact that we were so close, despite there being so many of us.

My mom obviously loved her, having been a fan of hers long before I even heard about her existence. So what if…? 

Before I could second-guess myself, I pressed call in the name of the woman I had been thinking about. The phone rang three times before she picked up, stopping me from giving up on this crazy idea.

“Hey, Chris! How are you? I missed talking to you, it’s so weird seeing you everyday for four months and then suddenly not at all anymore.” I know I was literally forty, but I literally melted at this girl’s words.

“Did you now? Is that because you wish we were married, so we could see each other everyday?” Her breath hitched as she realized I had seen the video and I could just imagine the cute little embarrassed expression she was probably sporting right now. I tried to ignore the fact that my words and tone of speaking had suddenly become way too similar to when I was flirting with a girl.

“Fuck, you saw the interview.” I had never heard Y/N curse before, so the fact that I suddenly had no control over my mouth could be explained by the unavailability of blood in my head, since it had all gone south.

“Come stay with me for a while,” I spilled suddenly. Silence was the only answer I got from the other side of the call and my heart sped up in a way that only happened when I was truly anxious. I was already cursing myself out for scaring the poor girl when she finally answered.

“Are you serious?” She asked, her voice barely over a whisper. It was obvious how vulnerable she was feeling, and a sense of overprotectiveness overcame me. “Please don’t joke about this, Evans. This better not be a prank. ‘Cause I really do miss you a lot.”

Fuck indeed. There was no way something good would come out of this idea, but there was no way I would go back either.

“Of course I’m being serious. Come to Boston. You can stay with me, but I think my mom is going to steal you before you even settle in.” A large breath came from the other side.

“Okay. Okay! I’m going to pack my bags. Yay! I’m so excited!” She was clearly jumping up and down with the perspective of what was to come, and I couldn’t help the smile that painted my lips not only at her cuteness, but also due to my own excitement at her arrival. 

“Great! I’ll be waiting.” My heartbeat still hadn’t gotten back to a normal speed. “Text me the details of your arrival, I’ll pick you up at the airport.”

“Chris, I don’t think that’s such a good idea…” I knew what she meant. If someone caught sight of us together at the airport, or even the fact that she was here in Boston, all hell would break loose in the press.

“Shhh, don’t worry about it, baby girl. I’ll take care of it.” I froze, only then realizing what I had just called her. A few seconds ticked by while I silently freaked out, wondering how I could brush this over, when she intervened.

“Thanks, Chris. That was pretty much the best thing I’ve ever heard. I just might forgo my prescription medicine while I’m over there, because you’ve been able to completely relax me with just two sentences.” She giggled and if I was at first leaning towards thinking she was sarcastically teasing me, just by the nature of her words, the tone of her voice made it clear that she actually meant what she had just said.

Once again, I was at a loss for words, especially because I couldn’t help but to allow myself to imagine that this was her, flirting with me a little bit. The blood I so desperately needed in my brain had once again left to pump another organ full of life. I was saved from having to answer, though, as Y/N quickly wrapped up the conversation.

“I’ll text you the details of my flight in a little bit. See you soon, angel.” She hung up before I could process the nickname she had given me. 

“Fucking hell,” I whispered, finally relenting and getting up from the couch to take a shower to rub one off.

I had found myself in this situation more times than usual after meeting Y/N. Normally, I’d only do it out of boredom, preferring to fuck someone whenever I’d get sexually frustrated. But the last few times I had taken girls from parties into my bedroom, I could only see her. Y/N. And I hated how disgusting I felt after it was done, the fact that I didn’t care about the girl I just fucked and the fact that I imagined my younger friend.

So now I resorted to this kind of activity. As the warm water started to hit my body, I allowed my right hand to travel the extent of my body until I found my hardened member. “Fuck,” I found myself whispering into the bathroom as I tugged on my cock. Images that I had spent a lot of time concocting in my head flashed in front of me, all of them starred by Y/N. 

I imagined her nude body here with me, under the falling water. How her breasts would heave with every breath she took. Would she be as filled with desire for me as I was for her? I imagined the path the warm droplets of water would run across her skin and how I wished I could lick its remnants. 

Maybe she’d fall to her knees before me, looking up from under her eyelashes with that coy expression that drove me crazy. Her lips would softly kiss the tip of my cock and she’d still be watching me, analyzing my reactions. I would do my best to restrain myself, allowing her to get accustomed to my member, but my hands would eventually find their way to her wet strands, creating a makeshift ponytail that would facilitate my vision of her work while I still managed to control myself and not use it to guide her.

She’d kiss the skin all around my cock, quick little kisses just to tease me before going further down to suck on my balls. I’d throw my head back, begging her to do what I needed, and she’d finally succumb, wrapping her lips around my tip before slowly sucking further down my dick. She’d be relentless, eventually being able to swallow my whole member down her throat, and I would look down again to see her looking up at me with a proud gaze in her eyes.

“Such a good girl,” I would whisper, just before I finally snapped, using my grip on her hair to pull her from my cock until just the tip remained tightly squeezed by her lips, until I pushed her all the way against me again. “Take this fucking cock like the little perfect girl you are for daddy.”

And she’d take it like a pro, a satisfied smile on her lips as I fucked her mouth, eventually breaching into her throat, making her gasp for air, tears in her eyes as her hands flew to my hips in an attempt to slow me down. But she wouldn’t really, opting for simply carving her nails on my flesh as she took every single rope of cum I’d deposit between her eager lips.

Fuck. I let the water wash away the sin I had just committed while sending up a prayer for better control when Y/N arrived. The last thing I needed was to be stuck in the bathroom, touching myself while she was at my house.

[cy-cyborg]

It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.

CW: Ableism, dehumanisation

This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.

And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.

Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.

If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:

cybernetics/cybernetic enhancements

bionics

robot limbs

cyborgs

augmentations

You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.

edit:

I originally posted this article on my old Tumblr account and lot of people commented/reblogged to tell me that originally in cyberpunk, the "less human the more robot bits you have" only applied to people who opted for their limbs to be replaced by cybernetics, because it was seen as "renting out your body to corporations for money" but people who had to get cybernetics out of necessity weren't impacted. The thing is though, I really don't think that makes it better, for a few reasons. For one, where do you draw the line at "opting" to get a cybernetic prosthetic? This isn't a black and white thing, even in real life. Most amputations are done out of necessity, but there are situations where it's not the only option, just the best one. Talking from personal experience, I lost both my legs below the knee as a baby, that was a pretty clear cut case, I had a blood infection and gangrene and they had to act fast. But the infection caused lasting side effects and impacted my physical body's development and growth. By the time I got to my early 20's it was causing a lot of pain in my right leg, in my knee specifically, and when I got a bone infection in the end of that stump, I chose to have the whole thing amputated up to the knee. They only needed to take a few inches off the end of my stump, but I asked them to go higher, because of the ongoing issues in that knee, issues that would have been made worse by the shortening of the leg. I choose to remove the whole thing, knowing the joint was degrading and I probably would have lost it later in life anyway. Even if it was salvageable, it would mean much more surgery, and I've had enough of those. A boy I played wheelchair basketball with was born with a partially formed leg, it was half the size of his other leg and he wasn't able to use it al all, it was just dead weight, so he opted to get it amputated too for convenience and so he could use a prosthetic on that side. I worked with a girl who's hand didn't form properly in the womb, resulting in a normal palm, but tiny "finger nubs" (her words) with no bones inside. They weren't actively harming her usually, but she opted to get them and the top of her palm amputated after an incident at work where we were tying balloons and one of her nubs got stuck in the knot. She decided to get them amputated because it meant accidents like that would be less likely, and she could use a prosthetic more comfortably. All 3 of these are considered "optional" amputations, so would people like us be penalised in your setting? does it make sense that the technology in your setting can tell the difference, or that corporations would care about the how and why? Even stepping away from medical grey areas, if your character opts for a cybernetic arm because the corporations will financially reward her, and she's struggling to put food on the table without that help, is that really optional?

Don't get me wrong, I do think that idea could work but it would take a lot of work to do well, and most works I've seen don't do the work. Even if they did though, it doesn't change the fact that most modern uses of this trope don't mention that bit or actively ignore it. It doesn't matter in most cyberpunk works I've seen if the amputation was optional or out of necessity, they still are more prone to being seen as "less human" and in most of the sci-fi writing communities I've been part of, the authors are genuinely shocked when I ask them to remember "people with cybernetics are real people already, they're not some far-off-distant future fantasy group, they're just called amputees". Like it didn't even cross their minds. These are the people creating the works in this genre. Even if it wasn't the original intention of the genre, it's still an issue in the modern version of it. Edit 2: Elaborated a little more on why I don't think the "only people who choose it" argument works in the edit. Also, please stop telling me that old cyberpunk doesn't have this issue, I literally address that in the post lol.

[rallamajoop]

On Mia Winters, misogyny, and abuse

As should be pretty obvious by now, I love Mia Winters. I honestly think she’s one of the most compelling characters in this whole damn franchise.

But let me make clear: you don’t have to love her. Mia’s canonically done a lot of shady shit in her time, and her relationship with Ethan has real problems. There are perfectly viable interpretations where the only thing really holding it together is his own denial. Only I never seem to get to read any of those takes, because the most common characterisations Mia gets in fic are an irredeemable monster, or a cardboard cutout who exists only to be written out as quickly as possible. And to write Mia out to that degree doesn’t just do her character a disservice, it does Ethan a disservice, and a big one.

The amount of Mia-bashing I see out there in this fandom turns my stomach. It’s not just the slash fans who’d rather ship Ethan with another dude. I have seen Mia loudly bashed in tags on het or gen fic in which she does not even appear. I have seen male fans reviewing these games on youtube who treat her the exact same way. But it’s never more frustrating than when that hate comes from the same fans who’ll turn around and talk about characters like Chris or even Lady Dimitrescu (she who canonically abuses her and murders her servants, and, y’know, eats people without a shred of remorse) like they’re perfectly forgivable and have done no real wrong. And don’t get me wrong: I love Lady D, but I love her because she’s magnificently evil. Mia? Mia’s a whole lot more complicated.

But to really explain why this hate makes me so uncomfortable, I’m going to have to start with the start of Resident Evil 7, and Mia’s very first scenes in this whole franchise.

Let me quickly summarise the opening of that game. A man whose wife disappeared without explanation suddenly gets a message about her whereabouts. He travels to an isolated location, breaks in, and finds her. She denies ever sending him that message, and seems incredibly distressed that he’s there at all. They fight. It ends with him sinking an axe into her neck and shooting her several times with a handgun. But see, he didn’t do anything wrong! It was all self-defence! She started it! She was acting crazy!

If you didn’t spot it, the whole opening of RE7 reads uncomfortably like a story about a woman escaping an abusive relationship, then being tracked down and murdered by her ex.

Obviously, I am not here to tell you Ethan’s abusive. He’s not, we’ve got no reason to imagine he is. He was legitimately acting in self-defence.

But the fact the first thing Ethan has to do in this game is find the balls to kill his own wife ‒ that a whole new era of Resi games has opened with a sequence so easily read as a sympathetic justification for how a man might perfectly innocently track down his missing spouse and "have" to kill her – that made those opening minutes into by far the most uncomfortable part of this whole franchise for me. Shit like this really happens. I mean it, I will track down the fucking statistics on women who are murdered after trying to leave an abusive partner if I have to.

What happens to ‘Mia’ in the opening to RE8 isn’t much better: it's as textbook a fridging as any I’ve ever seen. Yes, it’s a fridging that gets retconned away later when she turns up alive, but the fact that’s even possible speaks to just how awful and confusing her death is. The game opens with Mia’s violent murder at the hands of this series’ longest running ‘hero’, and the event is framed entirely in terms of how awful it is for her husband. That's as frigid as a fridging gets.

The eventual reveal that the real Mia was just trapped alone in a cell being experimented on by a madwoman for god knows how long doesn’t actually make it better. The horror Mia goes through in both these games is a footnote, barely explored.

I bring these events up not to condemn the RE franchise, not to say that including these sequences was unconscionable, or that violence against women can never be shown in a horror title. A quick glance at my tumblr should demonstrate how much I adore these games. Tropes like fridging become problems only because they’re so ubiquitous they can come to define almost the only roles women get to play, not because any individual example is necessarily grounds for outrage. If anything, there’s just as much to analyse in all the hate thrown at characters like Ethan Winters (or his predecessor, Jonathan Harker) as a archtypical examples of sexism against men – backlash against the very idea of a male character in the disempowered role of horror victim, usually reserved for women.

But with this context in mind, my god is it uncomfortable to see people talk about Mia as irredeemable monster who deserves to suffer more. People who will valorise the likes of Chris Redfield, who didn’t even bother to stop to tell Ethan that’s not Mia, yet talk about Mia like being shot to death in her own living room was only what she deserved. That is just a whole load of yikes.

And given that both games open with Mia being violently killed by a male protagonist (twice in RE7, with the player in control), it sure is convenient how so many people have managed to ‘find’ the evidence that proves she’s the real villain. You don’t have to think too hard about Chris Redfield as a violent maniac or Ethan Winters being forced to kill his own wife if it’s okay to inflict violence on this woman. “Yes, but she shouldn’t have done [X]…” or even “But what if she’s the real abuser” is a narrative that gets thrown at real women in abusive relationships all the time – especially when the man is a friend of whoever’s casting judgement, or even a celebrity. Real world examples of this shit in the wild run the gamut from wild fan-takes on The Shining ‘proving’ that actually the abused wife was the ���real’ abuser all along, right up to the ongoing hate campaign against Amber Heard. People don’t want to have to think badly of someone they admire, and will take any excuse to shift the blame. The stakes are infinitely lower when we’re talking about fictional characters, but the same pattern plays out.

And look, I do get it. It’s easy to go into these games and come out with a negative opinion of Mia. She’s the one who lures you into danger in RE7, acts all innocent, and then comes at Ethan with a chainsaw – and when you finally find out her big secret at the end, it turns out she was working for the people who created Eveline from the start! You’re really not given a lot of reasons to invest in Ethan and Mia’s relationship before she’s suddenly coming at him with a knife, and the fact she never does get to come clean to him in canon leaves a bad taste in the mouth.

It’s really easy to go into RE8, note all the glaring signs that Ethan’s relationship with Mia isn’t healthy, and draw your own conclusions about a woman we don’t hardly even see again for most of the runtime of the game. Half this goddamn fandom still seems to think Heisenberg is actually a lycan, ffs – most of what people think they know about Mia is more meme than fact, and the rest is pretty surface level. Basic media literacy is not exactly high out there in the tumblrweeds (let alone the rest of the internet).

But as for the idea that Mia’s responsible for all the horrors Ethan went through, people seem to forget that Mia herself went through so much worse. Ethan spent a day in the Bakers’ property, and a day in the village. Mia spent years trapped in the Bakers’ property, and days at least imprisoned in Miranda’s lab, knowing exactly how much danger her family were in, helpless to save them. She’s no innocent herself, but ye gods has she already suffered for her crimes.

So with all that out of the way, well, what’s the actual ‘evidence’ that Mia herself was abusive? No-one's coming into this one without some bias, but let’s at least give it a fair shake.

Right upfront, I want to recognise that in both fiction and reality, women can be abusers, and men can be victims. Abuse in heterosexual relationships is far more likely to occur with the man as the abuser, but the reverse does happen, and the fact culture at large can be so eager to cast the woman as the villain doesn’t make it any easier for the real male victims of abuse to get recognition and help. Society as a whole is still just really shitty about enabling or excusing real abuse.

But the idea that Mia was abusive has very little to back it up. Whatever you make of “her” interactions with Ethan at the start of the game, the fact remains: that’s not Mia, and the fact she’s acting so strangely is meant to be our clue that something much bigger than a little marital strife is going on here. Knowing all this doesn’t really make the scene where she’s violently executed less disturbing, but you can’t miss the hints we don’t yet know the full story.

So the question becomes, is there any evidence that the real Mia was abusive? I’ve dug into this one a bit before in my post about trying to figure out the timeline of exactly when Mia was replaced, but there are no definitive answers as to how long Miranda's been living in their house. To summarise a long post (and a surprisingly lively timeline of events from the days before the game begins): the most likely intent seems to be that Miranda’s been posing as Mia for less than a week, though a lot of the vibes of the scene give me the impression it’s been several weeks at least. Ultimately, that’s going to come down to your own interpretation.

The Mia mentioned in Ethan’s diary who blew up at him at the hospital could be the real Mia, but more likely isn’t: you can’t really use her to argue anything definitive, one way or another. The Mia from the flashback where Ethan gets the call from Rose’s doctor is the real Mia, but if you think getting upset when your husband brushes off your obvious distress over your daughter’s health makes you abusive, then nothing I say here is going to convince you otherwise.

The only ‘real’ evidence that Mia might be a problem is one line you might hear from Ethan while taking Rose to bed, and it is admittedly a red flag: your mother’s scary when she’s angry.

And to anyone whose whole hatred of Mia has been built backwards from this one line – especially anyone who’s grown up in a dysfunctional household themselves – hell, I get it. It is one really yikes thing for Ethan to say about his wife.

But in Mia’s defence, I can only point out that, well, yes, canonically, she is scary when she’s angry.

Oh, did I say angry? I meant fucking possessed.

And if Ethan’s bringing up the spectre of that time, even subconsciously, maybe that should be an even bigger clue that the Mia in this house right now isn’t Mia.

But what really shows this line for what it is is that we’ve seen the real Mia angry. We’ve seen her cold fury at Eveline, daring to go right back to asking ‘can we be a family now?’ within hours forcing Mia to assault her own husband with a chainsaw. We’ve seen her frustration at Ethan’s own denial, and we’ve seen her stalk out of the room when he blows off an important conversation for a call from work. We’ve seen her advance on Chris after he shut her down, demanding, Where is my husband? Where is my daughter?!

We have never seen her angry without real justification. Her anger is neither violent nor disproportionate. It’s consistently purposeful, focused, and contained. There is nothing scary about the real Mia’s anger, unless you’re threatened by the very idea she might have something valid to be angry about.

There is evidence of tension in the Winters’ marriage from before Miranda’s arrival, but it takes a very different form – most evident in the flashback scene where Ethan receives the call from Rose’s doctor. Far from Miranda’s brusque, dismissive copy of her, the real Mia is anxious and depressed, scared of what Rose’s results might reveal. Here, Ethan’s the one brushing her concerns aside (“We talked about this […] Rose is fine!”) He recognises there seems to be something Mia’s not telling him, says they should talk about it, but then immediately brushes the conversation off when he gets a call from work, while Mia storms out of the room.

You can certainly read Mia as a hypocrite here, getting angry at Ethan for not knowing things she’s deliberately kept from him. But it’s Ethan who decides a call from work is more important than a conversation with his wife – someone who is obviously distressed, canonically still on a regime of drugs after the traumatic events of RE7, very likely suffering PTSD along with Ethan, and maybe even some form of postpartum depression. We don’t know anything about Ethan’s work, so there’s no point in speculating about how much he ‘needs’ to take that call. Mia’s no clear villain here – quite the opposite.

Personally, I tend towards taking this scene as evidence that Mia has tried to talk to Ethan about what really happened to him, but hasn’t managed to get him to face the truth. For all that Ethan supposedly wants to talk about the past, it’s a defining plot point that he’s badly in denial himself.

Or they could both be at some fault here: Ethan unwilling to face the truth, while Mia is reluctant to force him to face something she knows will hurt him and bring him distress. Even when Mia says outright that she ‘tried to keep this a secret, but…’ to Chris at the end of the game, the implication is as much that she’s tried to keep it a secret from people like Chris, who might decide Ethan is dangerous. She’s lied to protect him before, and if she’s still lying to him about her past with the Connections, then the fact that knowing the truth will hurt Ethan is obviously among her reasons. Protecting Ethan has always been among Mia’s top priorities ‒ even at her own expense.

The only other real hints we get about Mia’s inner life come from the glimpses of her we get in Donna’s domain. But I’m hesitant to read too much into these, given how unclear it is how much is just a manifestation of Ethan’s own anxieties. If anything, the ‘Mia’ in these scenes almost seems to have some far worse secret than simply having not told Ethan something he really ought to have put together on his own, and I’d kind of love to see that explored too – at least as long as that goes somewhere more interesting than round umpteen of ‘and that’s why Mia sucks’.

But my point here isn’t that you have to read any of these scenes the same way I do. I do think it’s important to recognise that nothing written for a game like RE is truly character-driven; scenes exist to serve the plot far more than to reflect consistent character motivations or hold up to fridge logic (which, let’s face it, is the real reason for most of Chris’ horrific behaviour in this game, let alone anyone else’s). The result is rarely super consistent, and leaves ample space for multiple interpretations of anyone’s motivations. Regardless, the idea there’s any hard evidence that Ethan and Mia’s relationship is dysfunctional, or that whatever’s wrong is Mia’s fault alone, is going to be incredibly hard to justify.

Any assertion that Ethan and Mia are somehow on the verge of divorce also needs to be weighed against the masses of evidence of how much they love each other – the number of times Mia has said she loves Ethan, up to and including (yes, I’m bringing this up again) how ready she is to die for him in RE7. Her speech to Chris at the end of RE8 states explicitly that being together with Ethan and Rose is the only thing that matters to her. “Mia, I’m sorry, I love you,” are some of the last words Ethan ever speaks – and I can’t help but read into how the moment he finally pushes Rose into Chris’ arms so they can get away with him weighing them down is right after he learns that Mia is alive, and thus implicitly that Rose won’t be alone if Ethan doesn’t make it. And good god does that scene break my heart every time.

It’s worth recognising that the fact Ethan and Mia love each other doesn’t inherently mean their relationship is healthy, or that you have to love them together as much as I do. Like I said up top, you don’t have to like Mia, and you don’t have to justify not liking her if you don’t. I would genuinely like to see fics where Mia and Ethan’s supposedly-necessary break up feels in character. Where Ethan loves her but just can’t deal with the resentment and the fallout over all the lies she told him, where he's been clinging to his 'happy ending' with Mia after surviving the Bakers so hard he can't face the fact things just aren't working, or where he’s having to face that their relationship only ever really worked because she was away so much. It will break my heart, but fiction is allowed to do that.

But god, it would be nice if people could just take the bashing below an eleven around this place. The number of times I’ve had to sigh and back-button out of reading something, because yet another author has decided to project their own hatred for Mia onto the husband who’s still reeling from watching her being violently murdered in front of him… it gets fucking old, y’know?

I would really like to think that in the year of our lord 2024, fandom would be a bit past this thing where they bash the canonical female love interest in the name of shipping the hero with another dude. People will bend over backwards to try and cast Heisenberg and Chris as guys who really care about consent and worry about Ethan getting hurt, because heaven forbid anyone be caught shipping something slightly problematic. And yet misogyny still somehow gets a pass.

You do not have to love Mia. You don’t even have to like her. But ye gods, the hate she gets is baseless and absurd.

Hasn't this poor woman suffered enough?

(And on that note, I promise I am finally done soapboxing in defence of Mia Winters, thank you for bearing with me for this long.)

[defectivehero]

Please write about a nb hero who is big on "not owing anyone money" and "its my problem and weight, let me carry it" and "please let me pay u back" and "its your money even if you spend it on me"

And a nb snarky millionaire (by evil methods) villain who is obsessed with their hero and is like "let me spoil u bbg" and *casually throws money around for hero* and very big on "I WOULD DO ANYTHING FOR U" but hero is too fucking dense to actually believe rhe villain.

this snippet completely spiraled out of my control (as most things do).

It all started with that damned news article. In hindsight, perhaps the hero shouldn't have been as forthcoming as they were. But, they wanted the world to know that the life of a hero wasn't always glamorous. They just... didn't expect for the journalist to capitalize on the single remark they made, the single huff of laughter they let out when asked about the wages. Days later, when the article released, the hero was stunned.

Heroism: A Thankless Job

The hero remembers the dread coiling in their chest as they opened the newspaper to find the article, apprehension increasing as they digested the information. That picture of their apartment complex... they don't remember consenting to release that information. Granted, the journalist kept them as a nameless, anonymous hero. But, it wouldn't take a huge leap in logic to connect the dots—to find the building's tenants and cross-reference those names with the hero agencies nearby. The hero just hoped an average reader wouldn't take the incentive to do something like that. They spent the rest of that day struggling to keep their paranoia at bay. It took them a while to fall asleep that night.

Fortunately, they slept well and their anxieties seemed to fade. The hero stumbled through their morning routine and opened their front door an hour later, ready to greet the day, only to nearly trip on a package. They had frowned and taken the package inside, unable to shake the recognition that they hadn't ordered anything to be delivered. Upon opening the package, they found a single unmarked envelope. Their jaw had dropped to the floor once they found the bills inside—an amount more than their typical paychecks.

Little did the hero know, this would be far from the last time they received an unmarked package with a far too generous, entirely unexplained gift inside. At first, the gifts were just small things: a collection of medical grade bandages and antiseptic, a new sweater after they spilled coffee on theirs at work, a care package with things like cough medicine and tissues that appeared the day they got sick. The hero was still profoundly uncomfortable with the idea of some mysterious benefactor providing them with these things, but at least the packages were small. The magnitude of the first gift hadn't been matched since, and the hero couldn't help but feel grateful.

Amidst their hero work and their daily life, the hero found their mind quickly returning to the question of their gift-giver's identity. It had to be someone they interacted with fairly often, considering the far too accurate timing of several of the gifts. One time could be dismissed as a mere coincidence; a box of cough medicine a mere hour after they found themself bedridden, however... That is an entirely different story.

The gifts continue, but, thankfully, they are small in scale. The hero still feels horribly guilty about being entirely unable to pay this person back, but there's almost nothing they can do. Their benefactor clearly doesn't want to make themself known, and that's fine. Really, it is.

Until there is another envelope. This time, their mystery patron doesn't bother concealing their gift within a package. Instead, the hero opens their mailbox to find an unmarked burgundy envelope. Dread coiling in their chest, they look around—foolishly hoping that their gift giver would somehow have a change of heart and decide to show themself—before heading back inside. The hero sits on their sofa and takes a deep breath, before opening the envelope with care.

What they see is enough to make their hands tremble and their grip falter, allowing the envelope to slip down to the floor. They hold their present in disbelief.

It's a check—for more money than they could possibly fathom having. This sum is so large that the hero wouldn't have to work another day in their life. They would be able to live comfortably without earning so much as a single penny on their own.

The thought sickens them. "I can't accept this," the hero breathes aloud. They look down at their apartment's hardwood flooring as if it will give them the answers they're looking for.

"I don't recall asking you to." The hero jumps, looking up to find the villain standing before them. How they got there, the hero doesn't have the faintest idea. They blink at them for a moment, wondering how they didn't connect the mysterious gifts to the villain sooner. Their enemy has always had access to extremely high-tech weaponry and state of the art medicine (judging from their utter lack of scars despite their numerous fights); not to mention, they've had an inexplicable disregard for finances for as long as the hero can remember. It's all beginning to make sense now.

The villain takes a step closer and the hero remembers their remark. "I'm serious," they say with a frown. "Why are you doing this? Do you want me to owe you? ...Is that what this is? Want to, I don't know, kick me while I'm down? You're such a good person, helping the needy." The latter statement is spoken with venom.

"No, of course not," The villain argues.

"Then why?" The hero repeats, the volume of their voice rising as they get more frustrated. They take a deep breath and clench their fist at their side. They're still holding the check in their other hand, and despite the fact that it's nearly weightless, they can feel a pressure pushing their hand down. "And, more importantly, how in the hell did you get this much money?" The hero hears themself ask.

"Don't ask questions you don't want the answers to," the villain says lightly. There's a darkness to their eyes that suggests the hero should cease this line of questioning. They take another deep breath.

"You're assuming I'll just... accept this," the hero realizes aloud. That familiar itching feeling is rising to meet their skin, and they're becoming less convinced that they should stop it.

"Perhaps."

The hero blinks at them once, twice. The villain refuses to break eye contact; their gaze almost urging them to do it—to use their powers to turn the check to ash. The hero gives into the flames prickling along their skin and summons their fire in the palm of their hand. It will only take a moment, maybe two, for the bottom of the paper to char. From there, it will only be a matter of time. The hero watches in anticipation.

...But nothing happens.

"Did you really think I'd be foolish enough to give you a check you could just burst into flame?"

The hero stares ahead blankly, their ears ringing. The villain's expression blurs into a twisted smile. A figment of their imagination or reality? The hero hears their breaths, ragged and half-panicked in their ears.

"I don't understand," the hero repeats hollowly. They don't understand anything that's happening—anything that happened that led them to this very moment, standing before the villain and holding a check that their enemy gave them.

"You don't have to understand," the villain says, crossing their arms over their chest. "I'm not asking you to understand. Hell, I'm not asking you to do anything. I'm ordering you to cash this check."

The hero's tongue is ironed to the roof of their mouth. Even if they desired to speak, they don't think they'd be able to.

The villain notices their speechlessness and sighs. "I didn't want things to come to this, but..." They break off. "As I predicted, you're stubborn as hell, and self-sacrificing to a fault." The hero doesn't have the energy to be offended or outraged.

"So," the villain drawls, their arm falling to their side quickly. The hero blinks and they're suddenly being held at gunpoint. "Go to your bank. Now." The hero suspects the weapon is more than a gun—and they don't care to find out just what it can do. It appears they really have no choice. The villain is forcing their hand.

An hour later, the hero is walking out of the bank with sunken shoulders. "There," the villain says, clapping a hand on their shoulder and leading them out of the building. "That wasn't so hard, now, was it?" Upon closer examination, the villain's weapon is nowhere in sight—as if it simply vanished in thin air. The unlikely pair walks down the street and heads back to the hero's car. The hero ignores the domesticity of it all, securing their seatbelt over themself. The villain doesn't seem keen to wear their seatbelt, so the hero reaches across and buckles their rival's seatbelt for them before they can object.

"I'll transfer the money back to you tomorrow," the hero announces as they're driving down the street, back towards their apartment. Their eyes are locked on the road, yet they somehow know that the villain's gaze is fixated on them with frightening focus.

"We both know you won't," the villain hums with certainty. The hero hates that they're right, hates that their rival can read them so damn easily. Their hands tighten around the steering wheel and the rest of the ride is suffocated with a horrible silence.

When the hero arrives back home, they can't shake the realization that the villain seems deeply pleased. They say as much to their enemy, who hums.

"Of course I'm pleased," the villain says, "If I knew this was all it would take to get you to accept a much-needed gift, I would've done it eons ago."

The hero takes a deep breath, struggling not to cry. It's been a long day, and they're reaching their limit. "I think you've humiliated me enough today," they announce. "Can you leave?" Please, the hero thinks to themself.

"I suppose," the villain sighs dramatically. They take one step to the door, then another. Just before their hand can clasp the doorknob, the hero feels one last objection fall from their lips.

"That money could go to far more deserving people and causes," the hero chokes out. They're choking on their own pride, choking on the simultaneous acknowledgment that they need money and the horrible knowledge that almost no one in their situation has an out like the one they were just presented with.

The villain turns around to face them, clearly moments away from rolling their eyes. "Do I look like a philanthropist to you?" The hero shakes their head, their throat burning. Their enemy nods in confirmation and turns back around. They twist the doorknob and tug the door open.

"You deserve nice things, you know." The villain's parting remark is murmured so quietly that the hero convinces themself they imagine it. The hero watches their front door close and waits a few moments before locking it. They turn around, their back to the door, and slide down to the ground with their head in their hands.

©2024, @defectivehero | @defectivevillain, All Rights Reserved. Reblogs are greatly appreciated—just don't steal or share outside of Tumblr, please.

tag list: @lateuplight @wit-is-wisdom @greengableswriting @whump-me-all-night-long @noawhite @rekhyt-of-arcadia @the-blind-one-speaks @sufferfictionalcharacters @basically-psyduck @alexkolax @subval01 @emerald-blade @felicia609 @surplus-of-sarcasm @ilickedanenvelopeandilikedit @a-chaotic-gremlin @unknownogre @prompt-fills-and-writing-spills @whatwhumpcomments @excusemeasibangmyheadonawall @agayprince @starsick1979 @a-lonely-little-ghost @agayprince

click here if you’d like to be on/off the tag list!

[xitsensunmoon]

Biting the Hand That Feeds au FAQ (Vampires + donor au)

Any general content warnings for bhtf au?

Yes. A normal amount of fnaf warnings, a normal amount of vampire warnings. For someone who doesn't know I elaborate... For vampire stuff, the most obvious ones are blood, hypnosis, bites, and animalistic behaviour. Less obvious - slightly suggestive themes. For fnaf - fnaf's usual violence, dark themes, a drop of gore and murders. The lore is uh. Very dark. I will try to decrease the amount of all of the cruelty but man. People who know, know how hard it will be. But I will tag everything properly so don't worry.

Is there a fic for your au?

No. And currently, I'm not even planning on writing one.

How do I find the story?

For now, we have two comics that are directly connected and one that doesn't have a specific place in the story but is about canonical lore.

[ 1 ] - [ 2 ] - [ x ]

In future, we will have more and I probably absolutely will forget to update this post so I recommend checking the tags. Here's the tag list

Tip: don't click the tag. Tumblr hides half of the results. Type it in the blog's search instead :)

Are the comics the only canonical thing about au?

No! I answer asks and draw a lot of doodles with bhtf au all the time and 90% of them are canon. You can, yet again, find everything in the tag list linked in the previous question.

Can I draw/write fan stuff for your au?

Yes, please!! I'm always happy to see fanart and fan writings and literally everything that you do! Just tag me when you post and use a fanart or fanwriting tag for au specifically so I don't miss it!

Can you include my characters in your story?

No, unfortunately, I cannot. The story is already written and I don't have any "space" for background characters either. Maybe it will change but currently, things are like this.

I asked a question with an interaction with my characters and I never got an answer, why?

I don't accept such requests. I'm not ready to spend my time drawing other people's characters for free(if I personally don't want to, of course)

Is there any limit to how many questions I can ask?

No, not at all! You can ask all you want just please make sure your question wasn't answered before. There is a big possibility I will just simply delete it if it was answered beforehand many times. Check the ask tag for it.

What about limitations? Any boundaries?

Please no questions about tickling🧍‍♀️ I got so many of those it already makes me uncomfortable. And for some reason, a lot of people send asks that include violence towards my characters and while I don't really feel uncomfortable with this I just idk what to answer and why are you even doing this lmao

What questions I should avoid?

Well, not really avoid but I will mention it anyway.

The things I have planned to draw right now:

- Sun and Moon and y/n's first meeting

- The creation of Sun&Moon

- Why S&M are sensitive to light and darkness

- How they hunt

So no need to ask me about these. I will show it, I promise.

What about sexual themes?

I understand that I post a lot of suggestive stuff and it may appear I allow such a thing but no.

You can create content with it tho, I don't mind for the most part. Just be ready that I may not reblog it, as my Tumblr is a SFW place. It's always 50/50.

Romantic themes?

I do draw some kisses and cuddles when I feel like it and you of course can send ideas for cute interactions but in the story we're very far away from it lol.

My question gets ignored even though I followed everything that you mentioned here. Why?

Answered in main FAQ.

Can I share the ideas for your au with you?

YES!!! Yes, yes and yes! I'm very open to that, like yes! The only thing that I definitely want to mention - you should expect that I actually can take your ideas and use them. Some people are protective of their ideas so if you're like this you probably should not share them with me :)

The information that you're using for your au is wrong.

Happens sometimes yeah. I know nothing about any medical stuff for y/n so I usually improvise. After all it's an au about robotic vampires man, this information is absolutely wrong. But! You're free to drop feedback/constructive criticism in my inbox!

Will be updated later

[miraculouslbcnreactions]

What do you think about Sabrina? Are you like her, dislike her or neutral?

I don't have strong feelings about Sabrina beyond a general distaste for her "redemption." Sabrina was played as way too much of a willing bully for me to absolve her of her past actions without some serious apologizing on her part. Just look at these matching smirks from the Derision flashback!

[Image Description: Chloe and Sabrina smirking evilly while plotting to hurt Marinette]

That was the episode that blamed Chloe for all of Marinette's problems while showing Sabrina doing all the actual dirty work, which is very much a running theme in this show. Most of the things that Chloe gets blamed for should see at least part of the blame going to Sabrina, too, but that's not what we get in canon. Sabrina spends multiple seasons helping Chloe torment people only to be welcomed on to team Miraculous before she even reaches her "redemption" moment (see: Penalteam). Now that Sabrina has done her one good dead, she's redeemed and is a permanent holder as a reward for that single good act, I guess?

The whole thing makes me deeply uncomfortable when I compare it to the way that the show handled Chloe. I only bring that up because, when it comes to Sabrina, I can't avoid thinking or talking about the Chloe thing because you never see Sabrina without Chloe! They're a matching set! They even have similar base stories with Chloe's parents influencing her behavior via their abuse and encouragement just like Chloe influenced Sabrina (which could have been a great discussion about abuse leading to abuse if this element of their writing had been even remotely intentional). Redeeming one and not the other invites you to make the comparison and it's unfortunately a comparison that's deeply lacking on multiple fronts.

If Chloè didn't earn a redemption - and I really don't think that she did, her redemption never truly stated - then neither did Sabrina. A sob story doesn't undo the harm that you've caused. A redemption doesn't even undo the harm! You can fully "redeem" yourself and still be rejected by those you hurt because your victims don't owe you a relationship. (Side note, this is where Chloe and Sabrina fall for me. In the early seasons, you could redeem them onto the team. Now? The writers took these two way too far to the point where they feel like totally different characters and even break early canon episodes because Marinette's treatment of them doesn't match who they supposedly always were.)

If they really wanted to redeem Sabrina, then they needed to highlight what makes her story different from Chloe's. As is, it feels massively hypocritical to welcome Sabrina onto the team after all that she's done to cause harm and after how little she's done to right that harm. At best, canon Sabrina should have just gone off to a new school to get a fresh start without Chloe. At worst, she should have become someone else's minion. Either way, she should not be treated as one of the "good guys."

Outside of that mess, Sabrina is just your standard minion character who gets minimal development, so it's hard for me to have a strong opinion on her. I think she's used well in the first few seasons, but she's still one of the characters that I'd cut or at least cut back on if I had my way with canon simply because she's not really necessary for the show to work and the cast needs to be cut down significantly. It's not that I hate her or anything like that. I just don't see why Chloe needed a minion or what Sabrina adds that another character can't.

For example, you could give Sabrina a solid character arc around developing healthy friendships and letting go of Chloe's influence, but why give that to her when you could give it to Mr. I've-never-really-had-friends-before-and-I-really-should-have-a-character-arc-around-that who also happens to have grown up with Chloe as his only friend? (That's Adrien by the way. Why go with Sabrina when you've got him unless you're using Sabrina to contrast Adrien in some way?)

[mercuriians]

say what you want

synopsis ☆ you're forced to confront your feelings for aomine when your plans go wrong at a party.

content info — angst to fluff, some hurt/comfort, fem! reader, mutual pining (reader & aomine are both idiots), little bit suggestive at the end. also, as a WARNING, this work contains references to underage drinking so if that makes you uncomfortable then please don't read this.

word count — 3.1k words.

author's note — first full knb fic i've written!! yeahhh i got carried away so oops. wasn't really sure how to end it but i hope it's alright either way. while i was writing this fic i was listening to take a chance with me and lowkey by NIKI, so if you want to feel the vibes of the story then u should listen to those songs, they're amazing i promise. hope u guys enjoy!!

"you know, ahomine, this entire thing was your fault."

you aim for your words to be sharp, accusatory, and scathing, filled with the type of poison that conveys just how irritated you felt at the moment; they’re intended to withdraw some kind—any kind, actually, since it’s aomine you’re talking to—of guilt or acknowledgement from the boy, or at the very least a sign that yes, he was the one who deserved the blame, and every ounce of it too.

however your objective falls short, and there’s a thought that irritatingly lingers at the back of your unusually sluggish mind: that, really, you weren’t exactly free from fault either. but it isn’t like you want to admit that because even the boy next to you knows the extent of your obstinacy and pride.

it’s a shame, and it’s quite ironic too, that your words are ultimately what betray your integrity. the way they come out breathless, slightly slurred, and definitely nowhere near scathing says more than enough.

earlier, you might have drunk a bit more than you were supposed to.

but to be fair, it was kise's seventeenth birthday. knowing how passionate he became whenever the subject was about parties or having fun or legitimately just having the spotlight on himself, the celebration turned out to be rather wild, to say the least. though when you had all five—technically six—members of the miracle generation gathered in the same area, as well as some of their respective teammates, the pandemonium was likely the only thing you could even anticipate. besides the heavy stench of testosterone of course.

see, your original plan was to spend the night quietly spectating the crowd. you never really liked parties, and you never really liked all the chaos that it brought. what you did like, though, was watching that same chaos unfold before your eyes. you even prepared your childhood friend to be by your side when it all went down, with his fluffy baby blue hair and his innocent, perceptive gaze never straying too far from where number two sat contentedly, playing with a rubber ball.

"how long do you think it'll take before kagami and aomine get into a brawl?" you had mused, hiding your amused grin behind your hand as you watched the two basketball players get into an argument over what the next song would be.

all the while, you hoped that kuroko didn’t see the way your eyes dipped towards the area of skin that aomine’s shirt haphazardly left exposed.

luckily he didn’t seem to notice. either that or—this was more likely—he was kind enough not to comment.

"ten minutes." kuroko had stated bluntly, answering your question. as it turns out, he wasn't far off from the mark.

so, for the first half of the party, your plan worked. you sat by the corner, languidly drinking from your cup of apple juice while you chatted with kuroko about anything that came into your mind. everything was fine, things were going well on your part, and at some point, you even sang along to the cheesy pop music that the speakers blasted.

most of all, you managed to avoid aomine.

but to put it frankly, shit hit the fan the moment the clock hit eleven. a bit surprisingly, the instigator wasn’t aomine, or takao, or even the golden birthday boy himself. no, it was sweet, exuberant momoi.

looking back on it, maybe your surprise was unreasonable. this was the same girl who could make eerily accurate predictions simply based off the statistics she collected from the court, and with you being a basketball player yourself, you knew just how scheming momoi could be when she really wanted to. that, and the fact that she happened to be another one of your childhood friends.

yeah, you probably should have realized that she was plotting something.

yet the realization never dawned on you. not when she offered you three consecutive cups of sake and claimed that “it’s to help you loosen up!”, not when she managed to pull you away from kuroko, not when she proposed the stupidly cliche spin the bottle game, and definitely not when she forced aomine to sit directly across from where you were.

after watching a few hilarious and awkward rounds, it was only inevitable for you to be the one spinning the bottle, and it was only inevitable for the damned thing to land on the one boy you were hoping to skip. and no, not because you hated him, but precisely because you simply couldn’t. it was impossible to not like aomine, even with his laziness, arrogance, perversion, and occasional playboyish tendencies. the truth was that behind every flaw of his, there were just as many positives, whether it was his obstinate loyalty or his unwavering honesty or his genuine respect for those who earned it.

so no one could blame you for the way your breath caught in your throat when aomine held your gaze and when he eventually began to make his way over. “this okay with you?” he asked nonchalantly as if this was a light, casual matter, and as if he didn’t care at all. yet, there was a slight, barely noticeable tightness in his navy gaze. had you not known him for years now, you likely wouldn’t have picked up on that small detail.

but as small as it was, really, it was anything but. and with your heart beating just a bit faster, you knew exactly why.

you nodded your head wordlessly, your lips parting, your eyes meeting his, and your message being spoken and understood through that eye contact alone. aomine leaned in, and you closed your eyes.

his lips were chapped, and his hand felt rough and calloused against your skin, but you felt a trail of fire prickling through your body anyway. quicker than you would have liked to admit, you found yourself falling deeper. you hoped, for a brief, flickering moment, that aomine felt the same. maybe, within his mind, there were thoughts of you.

swirls of past memories, like when you two would play basketball together, sweat dripping down your faces, soaking the fabric of your clothes as you focused on not letting him score; fragments of the future, like what it would be like to attend college together; and wishes for the present moment, like maybe how he wanted you to be his, just as you've wanted him to be yours since the last year of junior high.

you pulled aomine in closer, fingers digging into his collar. the logical part of your mind shrieked, voice raising in volume the longer you pressed your body against his, but you shut the thoughts out.

very, very vaguely, it occurred to you that the alcohol made your heart beat faster, made your spirit burn recklessly in a way that you hadn't known before.

for better or for worse, aomine noticed too.

and the moment you regained all sense of control, you realized that you no longer felt the weight of his body, or the warmth of his lips. bright lights flooded your vision as you opened your eyes. aomine stood a foot or two away, his shirt a bit crumpled from where you had gripped the fabric.

there was a certain kind of look on his face, but the problem was that you were unable to decipher it. this was the first time you couldn't read him.

fear settled into your bones.

had you just ruined everything between the two of you? not just the chances of ever dating him, but your friendship as well? should you have kissed him in the first place? what kind of person did he think you were now?

what had you done wrong, and why did you ever even accept those drinks from satsuki?

suddenly the room was full of too many people, and there were too many sounds and the lights were starting to blind you and damn it you couldn't even hear yourself think. in the heat of panic, you found yourself running, murmuring mindless apologies to whoever you almost crashed into.

you didn't stop until you reached kise's balcony. it was small, barely enough for three people to fit in, but the fact that you were able to taste the crisp june night air was enough.

unfortunately, it turned out that you only had a few minutes to spend alone with your thoughts. before long, the sound of the glass door sliding open disrupted the silence. you closed your eyes, praying to whatever was above that it wasn't the one person you wanted to avoid.

"wow, you really don't want to talk to me, huh?" a gruff, low voice dryly remarked. well, shit.

your eyes flew open. "i—uh, aomine," you cleared your throat hastily, "what did i.. did i say that out loud?"

"sure did," he confirmed. you heard him walking towards you before you saw him slide into the narrow space on your left. cautiously, you snuck a glance; his expression seemed to be unbothered, but knowing what happened ten minutes ago, you wouldn't risk a bet on it.

his eyes met yours. "you've been acting off," he remarked.

you refrained from rolling your eyes, like it wasn't already clear enough. "yeah, well, the sake that satsuki gave me was.. um, expired." you lied, and quite messily too. "made my stomach feel weird."

"she made me check the expiration date before her mom bought it," aomine deadpanned, and for the umpteenth time that night you wished that the floor was kind enough to swallow you whole. "and your stomach seems fine to me."

"well you wouldn't know that," you shot back, somewhat angrily. "and why did—how did satsuki even get her mom to buy alcohol in the first place?"

"her mom was the one who suggested it," aomine shrugged. despite the twinge of surprise that you felt—you weren't exactly sure if an adult was allowed to buy alcohol for seventeen-year-olds—it was quickly washed away and forgotten, overshadowed by the look that the boy suddenly gave you.

"so, are we gonna keep dodging the topic or what?"

your shoulders sagged, your arms crossing over your chest instinctively. "what is there to talk about?" you muttered.

"look, between the two of us, you're definitely the smarter one," aomine stated bluntly. "so quit actin' like you don't know what happened back there, (name)."

a heavy sigh escaped from your lips, frustration welling up within your chest all over again. you found it quite difficult to even breathe at the moment. "i don't want to do this right now," you stated. "so please just leave and we can pretend like—"

"that's the problem right there," aomine interrupts, an unprecedented twinge of emotion filling his voice. it was anger and frustration akin to yours, yes, but there was something else—something that you could reluctantly guess stemmed from a place that he'd kept hidden until now. "you keep avoiding me like i'm the damn plague or something. i didn't even do anything wrong, and if you feel like i did, then i can't do anything about it because you're not telling me shit."

and that right there brings you to the present moment, the buildup to the storm that's about to wreak havoc and tear up the land.

"you know, ahomine, this entire thing was your fault." you hiss, every ounce of your feelings pouring out without abandon. it's messy, it's unorganized, and it's raw; maybe none of it even makes sense, or maybe all of it does. you don't bother trying to wrap your head around it because there's no use in doing so.

for once, you don't think, and you let your words spill out like water from a broken faucet.

"it's your fault because you made me feel this way about you, even though you're one of the laziest, rudest, and most obnoxious people i know, not to mention that you read those perverted magazines. but you're also one of the most loyal and genuine, and i know that you would never lie. not on the court, and not outside of it, either. and that just—a-all of it frustrates and confuses me because we're polar opposites. you say whatever's on your mind, and you don't care about what people think about it. i can't do that."

you take a moment to breathe, to slow down, and to collect your scrambled train of thought. "i think that's why i don't tell you things like this. i'm probably drunk right now, but i think you want someone who's as unafraid as you are, someone who takes charge of the situation instead of being in the background. the only time i can be bold is when i play basketball. because then it's just—"

"just you, the ball, and the person in front of you," aomine finishes. surprisingly, his tone is soft, even understanding, and you look up to meet his gaze. "i know how that feels."

"it's like nothing else matters when you're on the court," you whispers, and the boy next to you nods. "all of it is simple. it's nothing like having to deal with your emotions, and having to understand them."

"you're right about that," aomine agrees. there are a few, shocking beats of silence that ensue, both of you seeming to ponder on your individual thoughts. "but, you know, the way you kissed me back there said a lot."

your face flushes pink. "yeah, i know," you mumble, turning your head away as you rest your arms against the railing. there's an uncomfortable feeling that sinks into you, just being aware that aomine knows how you've felt about him for years. you don't remember ever feeling as exposed as you do now.

"you're a good kisser," he comments somewhat offhandedly. "makes me wonder how it'll feel like to do that again in the future."

you pause.

your mouth drops open. "huh?" you stammer embarrassingly. "you can't joke about this, aomine—"

"look at me," he interrupts, softly but firmly. with hesitation swirling within your mind, you raise your head to meet his sapphire eyes. there's no trace of humor, or scorn, or sarcasm anywhere on his face, however. in fact, the seriousness exuding from his expression feels undeniably out of character.

and yet he's never looked as breathtaking as he does now.

"i hate saying this, but i think satsuki really did succeed this time." seeing the confusion on your face, aomine explains, "i tried pretending like i didn't have feelings for you either, because like you said, it feels weird. i guess ignoring them was more convenient for me, too. but, satsuki being satsuki, i guess she got bored of us being idiots and pulled this entire thing together."

"she's an orchestrator," you mutter, astonished. "wait, so, this means that you like me too—i'm not hallucinating?"

"nope, your ears are working perfectly fine." he states. "i've liked you ever since you broke my ankles and put me on my ass back at teiko."

overcome with surprise and glee—none of this feels real, still—you can't help but snort. "weren't you pissed when i did that? i mean i remember kise drooling over me, and akashi-kun giving me a compliment, but you were definitely upset." fond memories flash within your mind as you remember the sheer embarrassment and anger on a thirteen-year-old aomine's face.

"and i was, believe me," the boy chuckles. "but that was the first time a girl played against me and won. usually, they would just crowd around me and ramble about how hot i was. it was an unexpected change, but it was nice. kind of turned me on, too."

the last part almost causes you to choke on your saliva.

"such a pervert," you accuse him, a tint of pink staining your cheeks. "i don't even wanna know the thoughts that filled your head."

"i was thinking about how great of a girlfriend you'd be," aomine grins, stepping towards you. he reaches out, his hand moving to fix the strands of hair that covered your face. "and how pretty you'd look wearing my jersey."

"we can talk about that later," you swallow, looking up at him through your lashes, the party long forgotten. "right now, all you have to think about is kissing me again."

"that's easy," he retorts, his strong arms circling around your waist protectively. aomine leans down, his eyes slowly sliding shut, and his distinctive scent—cedarwood, smoke, and a hint of sweat—washes over you as his lips slot against yours.

unlike before, the kiss isn't frenzied or desperate; still, it maintains an air of passion, which both of you can clearly feel. his hands are curious, wandering and tracing areas all over your clothed body, almost as if he's trying to imprint them into his memory. they finally rest comfortably on the small of your back, with your own hands perched on his broad shoulders.

sneakily, he bites your lip, prompting a small, sharp whimper. your mouth opens invitingly, and his tongue sneaks in, swirling around your own.

when you pull away a little while later, you find yourself panting. your chest heaves with every breath, and your knees start to feel weak. "and you say i'm the good kisser," you say breathlessly, reaching up to give him one more peck.

"well i wasn't lying, was i?" he raises his brows slightly, making you giggle. "i had to stop myself from going even further."

"nobody said you had to stop," you whisper under your breath, catching him by surprise.

"trust me, i didn't want to," aomine leans down again, his lips ghosting over the shell of your ear. "but we're both a little drunk right now."

his words bring you a renewed sense of clarity, or at least something resembling it. he's telling the truth, really; doing anything reckless under the influence of alcohol is quite far from being a good decision. "and i thought you were supposed to be a delinquent," you tease him harmlessly.

"even delinquents use their brain sometimes, (name)," he rolls his eyes. "besides, i'm starving right now. i wanna eat some of the onigiri that kagami made, even though he gets under my skin."

"he's a really good cook," you sigh in admiration, examining aomine's expression closely, "and he's handsome, too.."

he scowls. "watch it," the boy warns, "don't say anything you're going to regret later."

"sorry, daiki," you apologize with a grin. "it's just fun to tease you."

"whatever," aomine mutters. "tomorrow, i'll get my payback."

[goodluckclove]

I've been meaning to say something. (100 follower hot take)

Hey! Thanks for stopping by. I hope you've had a nice day. Why don't you rest with me for a while? I made some chocolate chip cookies - with shortening instead of butter, so they're very soft and very chocolatey. I made way too many and they aren't my wife's favorite, so I could use some help in eating them.

You're probably a writer, right? Or maybe you think about how you could be. Browse the tags here, or on other social media platforms. Maybe you used to write stories as a kid. I bet those were fun. Teachers might've thought they were impressive, or they dissected them line by line until the words didn't make sense in your head anymore. Either way, if you're here you're probably here for a reason.

(rant alert)

I dipped a toe in online writing communities on and off. My last attempt was forty-five minutes scrolling through the writing hashtag on Youtube Shorts (so TikTok, I guess? I don't know). I didn't like it. I really didn't. The thing that sticks out the strongest in my mind is one particular video where a woman claims that every story needs a second act plot twist.

Huh? Every story? All of them? Why? Since when? Who are you? What qualifications do you have to make a statement like that?

That's the common thread that makes a lot of writing spaces very uncomfortable for me. Successful writers are really only successful in their genre and for the given moment, so they don't have that much objective authority in the craft. And yet I see a lot of people deciding the things that you can't do in writing. Or the things you have to do, and how you have to do them. It was so much of Writeblr at first glance that I almost dipped out once again. I didn't, though, and I'm glad I didn't because now I get to watch some of the next great storytellers from across the world grow and examine and forge their way forward.

No one can teach you how to write. No, that's not true. Teachers teach literacy. Handwriting. Typing maybe - do schools still teach typing? Let me try saying it in a different way - no one, not one single person on this goddamned planet, has the right to tell you how to make a story.

I was supposed to get my MFA in creative writing before my first breakdown. My uncle stayed in the program I was meant to be in, and a few years after I dropped out he graduated. Recently I had the thought to look up his thesis novella, and as I searched I found myself regretting my decision to leave school. If I stayed and got to develop my writing in an actual class, with other writers and a knowledgeable professor, how much further along would I be than where I am right now?

It was bad. His novella was terrible. It was so bad I had a small existential crisis for, like, three days. He spent so much money on years and years of professional education and came out with a truly soulless story that read as if you prompted an AI to write the next Great American Novel. So if you think you need a writing degree to be a legitimate author, it could help connections-wise, but it ultimately won't be the thing that does the work for you.

Not all advice I see online on writing is bad. I find the people who are able to capture the "I" statements of therapy and phrase advice as things that have worked for them, or things that they personally enjoy, to be fine. Some writing advice can spark inspiration.

But if someone is the type of person to boil every story down to troupes and cliches, and then immediately say that every story that uses the trait they don't like is automatically bad for everyone? I'm dropping the kindness for a second - that's trash. That's a trash take and I see far too many writers use it as a reason to stop before they begin.

I don't like whump. I say my reasons in previous posts if you go back through my blog. But you will never hear me say that any story with whump in it is bad, because I don't know that. You might prove me wrong. I am an adult human being and I have the humility to admit that I can like something I didn't expect to. I genuinely enjoy the direction of The Human Centipede (only the first one) and if you cringed just now that probably means you haven't seen it.

There are so many types of books and movies and plays and comics out there. To enjoy a specific genre is fine, to ignore the existence of everything else is a really, really, really odd thing to do. Maybe someone will hate your story because they think everything should be Neil Gaiman, and therefore have no way to understand your epistolary high-Western. You are not the wrong end of that situation just for existing.

And at there is a definite threshold on how many writing tips you can gather before they stop being useful. If you find them interesting, that's one thing. That's fine. But if the culture of creativity online has made you feel like you need to educate yourself on every possible angle before you can write a story, you are actively harming yourself.

Imagine taking the level of structure you put on yourself in that way and putting it on children playing pretend in the backyard. Oh, Susie, don't you know that it's overdone for your Kitsune have dead parents? Xyler, shouldn't you ask someone else before you decide how Spiderman would react to this? It would make no sense and they do not need it. Kids will make a whole world out of nothing and it's the most fucked thing in my heart that at some point they get access to Reddit and dipshits start insisting that's wrong.

They aren't wrong and you aren't either. Your favorite creative influencer can't tell you your story, strangers on the internet can't tell you your story, your teachers and loved ones can't tell you your story. They can influence it, but they can't write it honestly the way you can.

You do that. That's the thing you do.

Man that makes me upset. I can't tell you how to make a story, either. If anyone sends me asks for writing advice the most I'll do is say what I've done before hopping into your DMs and starting a direct conversation. it's so personal to each individual artist, and I'd like to think that the people selling these classes and software and promoting these platforms haven't thought about that before. Otherwise it does feel manipulative. If you have a willingness to practice and imagine and really experiment with the possibilities, you are ready to write your story.

And if it doesn't work? Try again. That's what you do.

Stephen King has written roughly a thousand books and maybe five of them have decent endings. He is unimaginably successful.

I'm rambling now. I think I got that out of my system. I was really worried to say this out of fear of being too weird or somehow reverse-gatekeeping so hard that it circles back into also being a bad thing. I've just spoken to a lot of people who I still think of throughout my day, and I truly ache for them to get past the fear of creation. Because it's worth it. It's worth it and it's fun, even when it's messy and you're tired.

Let it Be just came on. Beatles. I haven't listened to The Beatles in a long time. Feels a little apropos.

I love you, reader. Reader, Writer, Colleague. Take care of yourself. Especially the little you, still sitting there in the backyard of your soul, bathing in the sun with their bare feet in the damp earth.

Consider joining them, maybe.

[bkd-b3ans]

A Shared Memory

Contents

>Ship: younger Sunday x GN!reader

>Rating: Fully SFW

>Contents: Before Sunday got dragged to forever remain within the Dreamscape, you two share one last night together.

>Extra info: Reader is halovian and not associated with the Family. Sunday might be slightly OOC, never wrote abt him before, just drew him half naked. It's just a short story I wanted to get out of my system while I design my oc for him. I refuse to read what I write, and that's not something I will change, you might find some mistakes but very small (?) anyway, enjoy.

Sunday sighed, feeling his patience run dry.

"Can you stop poking at my wings?"

A full day with no break again, running up and down to lessons and hearings and lectures and... Bleugh... It was too much sometimes even for young Sunday. But at least there was one single respite he could have, walking amongst the gardens of the Families estate. It was beautiful in a dream, but even prettier in reality, something the young master could not get over yet. Even if they were the gardens he had found that little helpless bird with his sister, that inaverdedly pushed him towards a harsh lesson, there was still a pull to them that he could not shake off.

He enjoyed walking amongst them at night, staring at the sky, dreaming of the stars still, finding a small clearing amongst the hedges to rest on top of a blanket, after all, he couldn't get his clothes dirty, father dearest would not allow for such a thing. He would rest there, in complete silence, contemplating over the long gone day. Or at least, that was his excuse, when the reality was so much more different.

It was almost like a forbidden ritual, going as far away as possible from prying eyes just to wait for the only person that could make his heart skip a beat everytime they smiled at him, the way his wings would flutter and halo glow whenever he locked eyes with them, how suddenly he became so aware of all of his clothes and that they might not sit right on him in their presence. It was dreadful, yet he felt real in those moments, like he was his own person. So he would wait patiently for as long as it would take just for another chance encounter. Even if they didn't happen often, tonight was going to be a lucky one.

A single wing poked from the well trimmed bushes, flapping in annoyance as you dragged yourself out of it, stumbling on the ground on your back, legs up in the air, while gripping at a package. The leaf uncomfortably resting on your nose made you sneeze, your wings ruffling up. Sunday just watched almost confused as you dragged your halo from the branches and let it float gently above your head.

"Always one to make the weirdest entrances..."

"Oh please, I didn't have a choice, there's guards everywhere! This feels more like a prison than a house sometimes." you shook your head, placing the package down and dusting yourself off.

You noticed Sunday looking at the package, his inwings slightly risen up while he tilted his head. You barely contained a chuckle at the image before you.

" Don't worry, I didn't bring anything bad this time. It's just some sweets. I remembered you saying you wanted some."

"You know you shouldn't have. Not only that, but those are simply childish desires. I have no need for them anymore."

"Mhm, sure, then you can just watch me eat them~ come on, scooch a bit to the side so I can sit down too."

He moved to his right, letting you sit down as you took off the packaging, pulling out a small box. Your wings played flat on your shoulders as you saw the two strawberry shortcakes mushed together from your fall.

"... " you just sighed "Well, they're still edible at least. They really need to make better packaging"

You weren't that picky to begin with. You just grabbed the little plastic spoon the bakery gave you and started eating... But you couldn't help but feel like something was just staring holes through your skull. You furrowed your eyebrows, trying to focus on eating, your wings fluttering around in annoyance, but it was getting too much, you turned your sight to your side and almost choked on the cake.

"You don't have to be so close! You almost gave me a heart attack" your exclaimed, seeing Sunday stare at you, his halo slightly glowing and his eyes shining in the moon light. You just pushed the box in his hands.

"Come on, I know you want some, you can just tell me and not hide behind false pretexes, ok? After all we've known each other for long enough for you to know that you can relax here."

Sunday took the box and the other spoon, looking at it a bit unsure. There was a small battle going on inside his mind. He spent so much resisting his urges, yet here he was, put in front of one of the hardest battle so far in his life. Even broken and squished, the cake still looked so apetizing to him. He just gave up, his wings covering his face as he took a few bites, his halo shining a bit brighter. You could swear you almost saw him smile even behind those beautiful feathers.

You couldn't help but poke at his wings, feeling just how silky smooth they were under your fingertips, you head resting in the palm of your hand as you couldn't help but somewhat admire the man you've known for so long. But even the most patient person would get annoyed at the constant poking.

Sunday sighed, feeling his own patience run dry, moving his wing away to look at you.

"Can you stop poking at my feathers? You've already won once, you don't need to further push your luck."

"I love your wings"

He froze in place for a moment, covering his face again. You couldn't help but smile, moving yourself closer to him until your bodies touched, leaning your head on his shoulder.

"I missed you. It's been rather hard to get a hold of you lately, with all these preparations for you to go into the dreamscape... Will we ever see each other again?"

"..." he let his own head rest on top of yours "I am afraid that I am unable to answer that. The Dreammasters plans are also a mistery to me, but I am sure I could still be let out. Robin can at least, so I don't see why not."

"Hm... You sound unsure. That usually is a bad sign."

"It is simply just something out of my control. But it is something I have to do, for harmony to exist in this world."

You looked at the ground. By then even Sunday placed down the small box, both cakes half eaten. You placed your hand on top of his, squeezing it gently, comforting. He didn't say anything in return, but simply returned the gesture interlocking your fingers with his. You couldn't hell but blush at the gesture.

.

.

.

.

.

.

Sunday leaned back in his chair, looking over the dreamscape as the small dreambubble floated up and down slowly, the image of that night burned into it by now. It has been several years now since he felt your hand rest into his, your warmth and your melodious voice. So long that he almost forgot your face were it not for these memories stuck in a loop, but even they were getting fuzzy, eroded by time. Nothing is permanent, not even in the dreamscape it seems.

The dreambubble floated alone on top of his desk, unnatended, left to rot as it merely contained the memories of a past long gone, as the Dreammaster put it. No reason dwelling on them for too long when the end is so near.

[hjellacott]

Bit worried about Ashlyn Harris actually

Aside from all the drama that's been going on lately, I've got to confess that for the past few months (or years?) I've been wondering what the hell is up with this woman.

I was such a huge fan back when she was just this Satellite Beach goalkeeper with a humble head and the love for skate-boarding and surfing and you know, family & friends first and her work with To Write Love on Her Arms. And I get people change and that none of us ever really knew her, but I've seen I'm not the only one who can't believe what she's turned into. Like, can we recognise her any more? Or was the completely playing out to be an entirely different person ten years ago?

I think it started when she came out with Ali and suddenly she was like, this attention-seeking, uncomfortably loud (as in literally screaming) person with the weird, rather cringey fashion, only talking about gay things and nothing else, behaving like the complete soccer start that to be entirely fair she wasn't... Even on her wedding video I couldn't believe that Ashlyn was the same Ashlyn of 2011, 2012, 2013... It's not even that many years to change so much, let alone in your thirties. It's like there were no remnants of the surfer, the skate-boarder, the humble butch from a small town who valued the little things... Like she was adamant on transforming into this massively public, loud, "fashionable (?)" celebrity. Even when giving interviews she was expressing herself like she had no intellect any more, you know like male footballers speak, like it's all looks and no brain, no sign of the person who got a uni degree and who gave an amazing mental health talk with TWLOHA years back.

And then when they were celebrating the WC, I was thinking, since when is she this loud and arrogant? Since when is she so attention-seeking? When did she turn into this whole other person who makes such a huge effort to ignore her lack of National Team performances and pretend like she deserved her world cup as much as Ali or Pinoe? I get subs deserve the medal and all too, I mean, they made it so far and if they weren't there training with the rest, the rest wouldn't be as good. You're only as good as the worst of you, after all. But none of the others was bragging so loudly and calling themselves x2 champions so much without having played a minute of those games, were they? Even Alyssa Naeher doesn't have world cup champion in her profiles, nor does AD Franch, nor PINOE, but you know who does? Hope Solo. And you don't want to have THAT personality. I feel like when you're confident on your victories, you don't need to brag, everyone knows who you are, your work speaks for itself.

What worries me about AH (sit down here comes my Psychology Grad analysis) is that in the past few years she's been more and more behaving like someone with no self-esteem, who's desperately afraid of being forgotten and needing to shout left and right look at me! i'm a champion! I'm a soccer star! And then she stopped getting called up for the USWNT, got stuck in the Pride (and I love them but bunch of losers tbh), and all she had left was Ali. And then Ali's doing better than she is. And then Ashlyn gets these horrible injuries and that's story of her life (injuries effed her up from day 1 and seriously impacted her career) and she's forced into an abrupt retirement with no glory.

And then emerges this Ashlyn who only cares about rubbing elbows with celebs, who believes herself to be some fashion mogul (that's all she's got left) and who is deeply satisfied with how her life turned out to be and how she's ended up being nothing but a footnote in the history of American women's soccer, specially compared to her wife. We know they've had issues for a while, that has been hinted at before, and I can only imagine there must've been a growing resentment/bitterness towards Ali because she gets everything Ashlyn won't in terms of soccer. In fact it seems to me (and maybe it's just me), that she seems to be ferociously resentful to soccer in general, like, suddenly she wants nothing to do with it and wants to pretend like soccer is not a big deal. How many times as she stated quite firmly that she's now happiest she's ever been and acted almost as if soccer was actually holding her back? as if her soccer career is nothing compared with what she has now, when we know it isn't true, because she still feels the need to remind us she's a twice world cup champion all the time?

So from a psychology point of view I think she's very bitter, very hurt, very pissed off, very resentful, that she hasn't processed her forced retirement and her not so good soccer career in a healthy way, and so she has to pretend like she's super happy and better than she was before so as not to look like the failure she feels she is. She has to use social media all the time and brag about the celebrities she's meeting, the trips she's going in... She's got nothing else but to pretend she's still as successful as all her friends she has to constantly see in social media showing off with the accomplishments she wishes she had. It's the classic game of getting depressed comparing yourself to others so you take to social media to constantly pretend you're as good as them or better, we all do it. And she's gone, in my humble opinion, off the rails, she's unrecognaisable, and if she has really had an affair and hurt Ali this big, as rumours have it, then that only strengthens my opinion. Like, I wouldn't be surprised if she's abusing substances again, if she's in some spiral downhill as it looks like. And what's Ali going to do? She can't focus on looking after her, she's got work, she's got two small kids, at this age Ashlyn needs to see she needs help and seek it on her own, not expect Ali to mother her.

That's part of why I really don't like people going on and insulting her left and right, because we really don't know what's going on, but to me it seems like when someone's not well, when someone's spiralling, they start to really go off and the first people to get hurt are those closest to her. And we must remember she is a human being, even if she makes mistakes, even if she does bad things (IF she has), and she doesn't deserve billions of people judging her and making her life miserable. And none of us would like it in our consciences if she actually is struggling with her mental health and gets worse because of generalised mass bullying. She's still Sloane and Ocean's mother, and they probably love her very much, and Ali's probably struggling a lot, so we need to remember supporting one person does not have to mean stooping so low as to have to become horrible bullies. Let's stay human, y'all.

[elliottkay]

Hi, I’m Elliott, and writing smut changed my life.

I also write military sci-fi and fantasy and D&D shitposts, but this is about the smut. I promise it won’t get weird. Much.

In 2010, I was scraping by as a substitute teacher and things were not great at home. I had only written gamer fic for friends, my aspiring mil sci-fi novel was stuck, and I needed some sort of escape… and I thought, “Well, I like sexy stories, and Literotica is free, and…”

My story was a feel-good adventure about a college guy with a heart of gold, a jaded demon weary of evil, and Heaven's hottest mess. It was silly. It was sexy. It was polyamorous, warm, and irreverent, and Literotica loved it: high ranking, tons of comments, and holy shit am I getting positive feedback from the internet?

So it became my first book:

…and that book plugged some holes in my life. It didn’t get me out of subbing, but it filled the financial gap, and it picked me up after a break-up. More importantly, it gave me an audience. When I published Poor Man’s Fight, I already had readers, and that led to more readers… many of whom then picked up Good Intentions and loved that, too, though some had the shocking experience of “Oh my god, it’s full of butts!”

If you’ve read this far, it’s probably time for the content warning. I’m a big believer in these, for serious reasons and, um… less serious.

WARNING: “Good Intentions” contains violence, explicit sex, nudity, inappropriate use of church property, portrayals of beings divine and demonic bearing little or no resemblance to established religion or mythology, trespassing, bad language, sacrilege, blasphemy, attempted murder, arguable murder, divinely mandated murder, justifiable murder, filthy murder, sexual promiscuity, kidnapping, attempted rape (which is never comedy), immolation of said attempted rapists, persistent disrespect for vampires (which is always comedy), arson, dead animals, desecrated graves, gang activity, theft, assault and battery, panties, misuse of the 911 system, fantasy depictions of sorcery and witchcraft, multiple references to various matters of fandom, questionable interrogation tactics, cell phone abuse, reckless driving, even more explicit sexuality, illegal use of firearms within city limits, polyamory, abuse of authority, hit and run driving, destruction of private property, underage drinking, disturbances of the peace, disorderly conduct, internet harassment, bearers of false witness, mayhem, dismemberment, falsification of records, tax evasion, bad study habits, and an uncomfortably sexy mother.

…and that’s just the first book.

They've all got those warnings. Even the short story collections.

Credit to the incredible @leemoyer for all my book covers, and for teaching me so much about this biz. And while he's not on the book covers, I've gotta share the other central protagonist as illustrated by the awesome @juliedillon:

...yeah, Alex gets into some shit.

If you're looking for protagonists who really communicate, if you want polyamory instead of love triangles, and if you hate when steamy scenes fade to black, I've got you covered.

If you’ve read this far and you’re interested, or even if you just want to see more content warnings, please give my stuff a look on Amazon (including Kindle Unlimited) or on Audible where they’re narrated by Tess Irondale. Give her a listen and you’d be happy to hear her read just about anything.

[ikroah]

I have reached the breaking point, the point of no return, it’s very clear to see a fool like me will never, ever learn. I have reached the breaking point, I hear the drums of doom, I’m gonna flip my wig in one great big atomic boom! —“The Breaking Point,” Bobby Darin (1966)

It Keeps Right On a-Hurtin’ #27 - Ring-a-Ding-Ding VI

Collaborative Issue! Guest Artist: @sas-afras

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Read IKROAH on Archive of Our Own

Notes / Transcript:

Notes

Huge thanks to Monty over at @sas-afras for getting this one done! I handled the original layout and lettering, but the rest was all them. Layouts like this can seem simple and easy because of how straight-forward and repetitive they are, but when all you've got are a dozen and one reaction shots, every single one of those reaction shots needs to be as perfect as you can get them. And Monty did a hell of a job. Especially on the coloring! Monty, if you're reading this, you're a hell of a good colorist (on top of everything else). Thanks again!

Another note about this issue is that it, along with the previous one, were some of the most difficult to write in this whole damn comic so far. I really hate repeating in-game dialogue verbatim without good reason, but there's really not much else I could do here. It's a very necessary part of the story that is also literally a part in the game where your character is fixed in place listening to a monologue. I took some liberties, did some punch-up, not just for its own sake but to really drive home what I find most interesting and vital here about Mr. House as a character.

Anyway, Agnes is in trouble. And there's only one issue left in Volume 2! The next one closes out this arc of the story, at long last. Stay tuned.

Transcript

INT. LUCKY 38 BASEMENT. From an observation deck of sorts, AGNES SANDS watches several SECURITRON robots position themselves in a testing area, containing several sandbags, dummies, and makeshift fortifications. A voice booms from an unseen speaker.

MR. HOUSE: You're well familiar with my Securitron police force. But have you ever wondered: what exactly makes them the marquee option in perimeter security and pacification?

AGNES glances in the direction of the voice, uncomfortable.

MR. HOUSE: Well to start, the reinforced titanium alloy housing of each unit, which protects its electronic core, easily deflects small arms and shrapnel.

MR. HOUSE: As for its offensive capabilities, its X-25 gatling laser—produced to spec by Glastinghouse, Inc.—is deadly against soft targets at medium range.

SFX: BZZTZZTZZTZZTZZT

AGNES recoils as a red glow washes over her from the testing area.

MR. HOUSE: And then for close-range suppression or crowd control, the Securitron is also armed with a 9mm sub-machinegun.

SFX: DAKKA DAKKA DAKKA DAKKA DAKKA DAKKA

AGNES shuts her eyes, wincing from the crack of gunfire.

MR. HOUSE: These features have been sufficient for keeping the peace within Vegas, but with the NCR and Legion closing in on Hoover Dam, and sizing up my city like a piece of prize cake, more than ever we need to be prepared for, well...external conflict. Policing is one thing, but when geopolitical powers are involved, my Securitrons can only pose so much of a threat.

MR. HOUSE: That is...if they're forced to rely exclusively on their secondary weapons--as they have been, all this time!

AGNES looks upward, surprised.

MR. HOUSE: Remember, the Great War interrupted a pivotal moment for RobCo's work. Consequently, all extant Securitrons have been stuck, running on a mere Mark I operating system—the first production version of the OS—which has simply lacked the software drivers for the use of their primary weapons all this time!

AGNES looks around, as if HOUSE were in the room somewhere and she could find him, in a panic.

MR. HOUSE: The platinum chip, you see, was never just a token. At a time when industrial espionage ran rampant, it was minted as a high capacity, proprietary, and uniquely irreplicable data storage device. In a way, it's more like a computer chip. And now—with the data from the platinum chip finally installed onto my nextwork—it's time for a very crucial software update. Behold: the new Mark II Securitrons!

AGNES gawks downward at the testing area, eyes wide. Oh no.

MR. HOUSE: Their newly accessible M-235 Missile Launcher gives them the ability to engage ground and air targets at significantly longer ranges...

SFX: PSSSSSHHH KTHOOM THOOM THOOM THOOM

AGNES flinches, covering her face for protecting, and screams as explosions rip apart the testing area below.

MR. HOUSE: ...and their rapid-fire G-28 grenade launching system, another part of the Mark II, makes them much more powerful in close-range engagements as well.

SFX: THMP THMP THMP KRRSSH KRAKTK KABOOM

AGNES, nearly frozen, watches the bombardment with horror.

MR. HOUSE: It also includes rewritten drivers for the Securitrons' auto-repair systems—although always sophisticated, the new optimizations render them inexhaustible in even the most protracted and attritious of engagements. Altogether, the Mark II upgrade confers a 235% total increase in combat effectiveness per unit—and it's all because of you!

AGNES lowers her arm slowly, jaw slack, mortified.

MR. HOUSE: Vegas finally has an army—worthy to protect not just the city itself, but the best interests of all of mankind, at home and abroad. Which is to say: this simple display of might remains a mere teaser for what I can, and what I will, accomplish, in an illustrious new epoch.

AGNES sinks further into a paralytic terror.

MR. HOUSE: What we will accomplish, Agnes—should you accept my offer, of employment. Ah—but I digress. I'm certain that you've had a long day. You can rejoin Miss Cassidy in the presidential suite for the night, if you'd like to, as they say, "sleep on it."

MR. In fact...say for as long as you'd like. However long you may need, to think everything over. And you'll be very well provided for in the meantime, consider it a taste of what could be...should you make the right choice before you.

MR. HOUSE: That reminds me—I've already sent Victor to collect your belongings from the Vault 22 Hotel, so no need to exhaust yourself further by making that trip on your own, hm? There's much about your future to consider, Agnes—and I would like you to think of it as our future.

AGNES stares straight ahead with a deadened expression.

The testing area in the basement has been reduced to smithereens. Fires rage on the rubble of obliterated structures, gnarled steel, and collapsed walkways. The dummies have been dismembered entirely.

MR. HOUSE: ...Goodness, what a mass. With friends like these, I sure wouldn't envy my enemies.

MR. HOUSE: Wouldn't you agree?

[sil-te-plait-tue-moi]

i wonder if u agree, but sometimes when i read old man rust x younger oc, it's weird to me picturing somebody in early/mid twenties bc, realistically, that would make the oc around his daughter's age, and i don't think rust can go for that. i say that as somebody who's 23, so i don't mean to exclude younger women or whatever. anyway, that's why i really like your oc bc she seems like an actual match for rust and not bc of age, but bc she's just the type of person i can see him falling for, i guess? like directly canonically in the series, so yeah, thank you for your work!!! but that got me wondering: when u started to write, did you have somebody in mind already and thought of how that sort of oc will work with rust, or did u ask urself what sort of person compliments rust best? sorry if this is too much trouble.

NOT TOO MUCH TROUBLE i think this is acc a super interesting ask!

my opinions below the cut…

⋆.ೃ࿔*:･

RIGHT so i wanna preface by saying EVERY SINGLE rust oc story ive read so far has meat to it, like the authors know their shit and they should get their due snaps and kudos

i think i read younger ofcs with like a pinch of salt in the sense that i know it’s a bit crazy — btw this is coming from someone who had a “relationship” with a much older man at the ripe age of 16 — but i think it’s still good to read

things we experience can be ugly and uncomfortable but it’s still real and a part of me appreciates like keeping it real 💀 this is going to sound a little femcel of me but let’s be honest, sex is about power and the dynamics of that power give intricacies to stories that make them interesting! rust is a man (😔) and have you ever seen that one study of like ages of women men find most attractive and it’s a consistent 20 even as men get to like 70

yeah

keeping it uncomfortably real but real nonetheless

true detective is southern gothic and what i love about southern gothic is that it doesn’t shy away from touching on the less palatable corners of human existence/nature/WHATever. do i see why a daughter woman child thing as a love interest to a middle aged man with a dead baby is off-putting? YES. do i still read things along those lines because it’s interesting? ALSO YES. because more often than not creators are self-aware and explore these topics with nuance, which i respect massively

now onto like the sort of second part of you ask, beautiful anon…

when writing The Idler Wheel, idk if i was thinking as deeply when creating an oc as i was fixated on the weirdness of rust and ocs like yearning 😭? for each other, and the fact that he felt anything at all was a massive woaaaahhh for them both. the way we experience / act on desire (not even sexual just any kind but actually maybe especially sexual) says so much about a person and i guess that’s the single point from which i branched out, and every other aspect of her came later

the reason she/oc is not like twenty is because, similar to what you said, i cannot picture 1995–2002 (around that time) rust with a youngYOUNGGGG woman becaaaause holy shit i think he’d just die, like out of sadness or hurt, i think he wouldn’t be able to look at her at all 💀

old dog rust on the other hand does not give a shit about doing what’s “right” imo if that makes sense, like he’s who he is and he feels what he feels and i think this version of rust would be much more receptive to a younger woman, even if it’s “wrong” because he literally just doesn’t care anymore

i think the only reason The Idler Wheel girl was able to sneak her way in around that time is because she’s grown and a part of his workplace and therefore she should be “safe”, no more than any of his coworkers. so he lets her in his space and he lets her bring him coffee and he lets her do him favours because she’s just like the others and he just has to tolerate her, just has to see her

but of course she’s not like his coworkers and he can’t place why he wants her so bad, only that he does, which is bad because she should be mundane and she should be nothing and yet unfortunately he wants to be her dog

does this answer your q or did i go off on a tangent

i love you anon 💕💕💕💕

[storm-angel989]

hey!!!

so I had this dream last night. basically Val's daughter is in high school and the school has to go on lockdown because someone died in class. in my dream they had a seizure but you don't have to explicitly state the cause of death if that makes you uncomfortable, I completely understand that. anyway, after that, Val gets a call from her daughter and she's sobbing saying someone died in her class. that's where my dream ended, I just need answers, like how he'd react. thank you!!!!!

Hi friend,

This is one of those stories I hesitated for a while on. Lockdowns are a terrifying reality, and one of my worst fears is being in Valentino’s position. That being said, I didn’t want to let that fear hold me back from writing.

Take a peek below and I hope it's the answer you crave!

<3 Mandy

My memories of the event were hazy. 

Watching my classmate fall to the ground. Being shoved alongside my peers out of my sixth period English class. Dodging the rush of the principal, the school nurse and a host of other adults. 

Practice lockdown, practice lockdown.

The words on the loudspeaker blared alongside sirens. I covered my ears and closed my eyes as I tried to fight against the worst of the thoughts. In the darkness, my VoxTech watch sat silent against my wrist, wired to shut off as soon as a lockdown was announced. 

My first day of preschool, my Uncle Vox had snapped a simplified VoxTech watch onto my wrist with explicit instructions that if I needed help, the only thing I had to do was press their picture on the watchface and they would come. Two days later, we sat down as a family and redefined what the word “help” meant and when it was appropriate to call them. Apparently, my teacher making me write my name wasn’t a good enough reason to call Uncle Vox in the middle of the work day. 

Now in highschool, the technology evolved but the core protection of the device remained the same. With the fiercely terrifying hellscape we lived in, my Uncle Vox made sure that my watch would do nothing but protect me. Wrapped in the darkness of the classroom, the seconds ticked by. Without my watch, I lost all sense of time, panic growing as each second painstakingly passed. As soon as the all clear was announced, we were pushed out of the building. I pulled out my phone and joined in the chorus of classmates phoning their parents. Not far away, an ambulance sat and I watched in horror as a stretcher draped in a white sheet vanished into the awaiting back.

“Bebita? Is everything okay?” My fathers voice on the other end. “Princessa. Where are you?”

“Daddy, I think she died,” I choked out. “Something really bad happened, I…”

“I’ll be right there. Stay on the phone with me, mi amore,” he told me calmly. “Uncle Vox will be there in a moment and Daddy is on his way.” 

I knew my Uncle Vox could travel using technology, and for the first time in my life I was grateful for his sudden appearance. I felt myself collapse in his arms and the next thing I knew, he was guiding me towards my fathers limo. My Dad stepped outside and my Uncle Vox handed me over to him. 

“Bebita, princessa, shush. It’s okay, Papi is here, come on now, let's go home,” he said softly. “Come now.” 

In the limo, wrapped in his arms, all the tears I fought to hold in silence during the lockdown flooded out. Sadness for my friend, trauma for being trapped for hours in silence and without any way to contact the outside world. I could feel my body begin to shake and my father wrapped his red jacket around me and tucked my head into him. “Daddy’s got you, baby.” 

“Uncle Vox, I can’t lose my watch,” I choked out finally. “I can’t, there was no way to tell time, no way to contact you, I couldn’t…I can’t be trapped like this again!”

“Okay, okay baby, we’ll figure it out, just take a deep breath, calm down,” My Uncle Vox said gently. “I promise you I’ll fix it. And I promise you’ll never be disconnected from us again.”

[the-path-to-redemption]

Really late because only yesterday I've started browsing the RWDE tag to see what the fandom has been up to, and saw some of your WF posts.

*rips off hair* Is it weird that I feel SO uncomfortable with the "redeemed Adam" AUs? I adore Adam 100% but every AU, even from some Adam fans, has that "Adam has to learn not to be racist" condescending vibe and punishes him more harshly than other characters. But, people, he WAS a literal SLAVE?! Doesn't matter if it happened when he was a child or a bit older, HE WAS A SLAVE AND HE WAS BRANDED?! PLEASE CUT HIM SOME SLACK?!

After a couple years of not being around I just feel that Adam fans as a collective still feel a bit traumatized from the discourse, so they try to justify their liking of Adam and overcompensate by punishing him harder, as if to say "See? I'm not that blind and biased as Adam haters say!".

I'm reading a fic currently that it's very good but even faunus are condescending and rude to Adam because of his 'racism' and my soul vanished. Instead of faunus trying to understand and support each other, isn't that even more isolating and alienating? Why are they cannibalizing each other? I know it literally happens in real life but as far as I've read, it's not bringing attention to that fact, but more like presenting it as a good thing. Again, I feel that everyone (fans) as a collective is FORGETTING ADAM WAS A LITERAL SLAVE and treating as if he had just been bullied in school for having horns. He shouldn't have other faunus policing his reactions (so far, he hasn't committed a crime, he just yelled and got very angry because he felt unsafe). It's clearly drawing a line where certain attitudes from trauma are "right" (being a cute crier, submissive, etc) and others are "wrong" (being angry, yelling, etc) because "it makes faunus look bad". Even worse, the faunus that scold Adam are generally on the cuter side of faunus traits. Isn't that just feeding into the ideas already set by humans? That faunus should be cute and behave well and that any faunus that is more aggressive and "dangerous" should be considered a threat?

*very deep sigh* I'm sorry for the long ask but I had to vent for a bit and see if I'm not that crazy yet. It's just that reading those fics makes me think we're gaslighting ourselves somehow, and how that can impact real life if we act like this over a cartoon, and it's really depressing. Thank you if you read all of this.

Long Post Ahead. Contains Spoilers for RWBY and Full Metal Alchemist. Mention of child slavery, genocide, systematic oppression, branding, disfigurement, violence, and racial abuse.

Don't apologize, babe, you're more than valid in your feelings regarding this issue. And yes, I do feel like there is a lot of overcompensation when it comes to how a lot of "Adam redemption" AU, but I believe that it's just because the writers haven't seen another way of writing his story without invalidating his experience yet. And that's understandable! This is a topic that is extremely complicated to explore, and to start one has to understand that there shouldn't be any separation of "good" and "bad" minorities, as well as the willingness to challenge the status quo that has taken characters like Adam on this path towards liberation.

I don't know if you have seen my post comparing the way RWBY and FMA writes a narrative of a minority opposing a racist system through violent means here, but the way that I see FMA succeeding in its efforts was that the narrative never demonize the way Scar feels about his hatred towards the people who wronged him and his people. And it rightfully shouldn't! His people were systematically murdered and experimented on, his brother who wanted to peacefully contribute to helping their people and was willing to learn about alchemy to find a common ground was murdered when he tries to protect Scar, which resulted in his arm being grafted onto Scar to save him, and the oppression of the Ishvalans still persist long after the conflict while the government oppressing them prosper. Scar has all the rights to be pissed off and went on a murderous revenge, and the narrative does. Not. Demonize him for that.

However, it criticize his actions when innocents are involved. And I'm not talking about Ed and Al, I'm taking about Winry. The daughter of the couple who saved Scar's life who he murdered in a fit of rage. The little girl who still extend her kindness to him despite not forgiving Scar for leaving her orphaned, because she broke the cycle of violence and that choice of hers let Scar pick an alternative to his violence. AKA, murdering the dictator who created the genocide of the Ishvalans. Again, the narrative of FMA doesn't make Scar out to be this monster who should be put down for not asking for his rights "nicely", it empathize with him, offer him new perspective, and gave him a chance to do the right thing while still getting his justice.

RWBY doesn't have this nuance to it, and I think that is why a lot of times, the "redeem Adam" AUs goes too hard on excusing his actions and/or overdo the criticism on his actions without attempting to unpack the systematic oppression that creates people like Adam and break it down. There's a balance you have to understand in order to write a convincing "redeem Adam" narrative that doesn't erase his own trauma, and it comes with actually calling out what happened to him as wrong and inhumane.

For Adam to "unlearn his racism", the authors have to look at the events that caused him to have this mentality and admit that it's a flawed system. They have to recognize that there is implicit biases like you mentioned between Faunus and how they're perceived in comparison to each other. The authors have to admit that Adam's hatred for humans and his actions were products of a hateful, racist society that sought out to kill him in every way that matters. You can't half-ass this topic by putting the blame on him; this isn't me saying that he shouldn't be called out for his violence on others, not at all, this is me saying that you need to see the forest, not just the tree. Adam unlearning and breaking the cycle of abuse requires him to be given some kind of hope, some kindness that he isn't a monster for rightfully being hateful towards people who oppressed him and his people. He needs to know that the world still have a place for him to heal and be better. And Adam shouldn't be the one to have to beg to see it by being "nice enough".

Thank you for your ask, anon. Please take a step back if this discourse is too much for you, your well-being is much more important. And I hope that my answer to your ask is somewhat satisfactory.