#the only evidence he did is dialogue labels and wanting to believe it

[puhpandas]

not the ruin 2 fangame dawko played making me pissed off immediately because it called Gregory a dumbass for cutting the elevator

[stormcloudrising]

Rhaenyra Targaryen, Is she a Monster Hiding in Plain Sight?

So, I just posted a thread on the ex bird App breaking down why I think Rhaenyra is quite possibly a monster hiding in plain sight, and how it’s been on the screen since season one. The set-up is all there and people are just sleeping on it like they did with Dany, and when Rhaenyra truly does and in-your-face dark deed that can’t be ignored, they will say, “ but there was no set-up.”

I’m just going to post the paragraphs of the thread here and so apologies for any typos as I’m not interested in going back to correct…LOL. And of course, because of Tumblr rules, I must label it anti-Targaryen to protect sensibilities, when it’s not. It’s just an analysis of what’s on the screen. In case you’re interested, here is what I posted.

Great scene between Rhaenyra and Daemon on Sunday’s episode of #HOTD. Well acted by Emma & Matt, and extremely well written, which convinced me that the episode was mis-titled. Instead of Rhaenyra the Cruel, it should have been Rhaenyra, the Monster Hiding in Plain Sight.

Yes. You read that correctly. Rhaenyra will turn out to be the monster hiding in plain sight & the proof has been in the dialogue & on screen since season 1. Before she does something truly dark, and people start saying it came out of left field, let me show you the video tape.

But let me set it up for you. What do I mean she’s a monster hiding in plain sight? Well, during her argument with Daemon, for the second time, she told him that she believes he’s capable of monstrous acts, including the killing of a baby.

She says this when this is exactly the reason she married Daemon. She married him to protect her path to the throne and for him to commit the monstrous acts when necessary on her behalf—like murdering her husband, the “father” of her children, and the brother of Daemon’s wife.

…is off mourning the loss of his sister & not there in the moment to put up the front, & this is the last straw for Rhaenyra. For her, Laenor is now useless, but hey, Daemon is back & he’s known for committing dark deeds & so how difficult can it be to get him to kill her hubby.

She monstrously asks Daemon to do this on the day he returns home to bury his wife—right after Laena’s funeral no less. She wants him to kill Laenor, who has been there for her all these years, & who gave her children a happy childhood, as we see from Jace’s memories of him.

Laenor is off mourning the loss of his sister & not there when she needs him to put up a front, & this is the last straw for Rhaenyra. He is now useless, but hey, Daemon is back & he’s known for committing dark deeds & so how difficult can it be to get him to kill her hubby.

And before you say Rhaenyra would never have killed Laenor, let me show you the evidence on screen…starting with this conversation where she says for the first time that she believes Daemon is capable of monstrous acts. Right before she works her magic and seduces him.

Let’s now look at the on screen evidence in order to support my thesis. First time she tells him that she believes he can commit monstrous and depraved acts…starts at 1:35. Listen to the dialogue. youtu.be/Cs1CJTPMPn8?si

She soon proves Daemon’s earlier point that each person is capable of depravity when she asks him to marry her. He says, the only way it can happen is if Laenor is dead, and she responds, “I KNOW,” indicating that she had already considered the idea and was ok with it.

Watch this next clip and how Matt plays the scene holding his hand to his chest. Daemon recognizes her request as a depraved act proving his earlier point, but she doesn’t even see it. youtu.be/4gTGi3VE4pU?si

That clip really should be labeled, “Rhaenyra ask Daemon to kill Laenor” rather than to marry her. Let’s now look at the final clip that covers the actual events surrounding the “murder” of Laenor.

Pay particular attention to Daemon and Rhaenyra’s voice overs. First let me say that only tyrants or soon to be tyrants say I’m not or won’t be a tyrant. If you’re not a tyrant or don’t have those tendencies, there is no need for that declarative statement.

They don’t show the actual scene of Daemon and Rhaenyra planning Laenor’s death, but they give us the voice overs. And while we don’t get the full conversation, we do get enough of it that in juxtaposition with the scenes of Laenor, allows us to fill in the obvious blanks.

Note Rhaenyra saying “I do love Laenor,” and the intonation in her voice as if she’s being convinced of something. We know as shown in the previous clip that she was quite fine with killing Laenor. In fact, it was her plan.

And so, that can’t be what Daemon is trying to convince her of when he says, “then grant him this kindness. Set him free.” The scenes on the screen of Laenor and Qarl fighting would seem to suggest that Daemon was referring to the freedom of death.

However, Rhaenyra’s words about love and the ending scene of Laenor and Qarl escaping shows it wasn’t death that Daemon was talking about. He was trying to convince Rhaenyra to let Laenor go free. Here is the clip. youtu.be/UevRWZAxBiA?si

If Rhaenyra’s plan was always to let Laenor escape to Essos, there would be no reason for Daemon to ask her to grant him the kindness of freedom. The lightness inside of Daemon was ascendant on the day Rhaenyra asked him to kill Laenor.

Of course, the darkness quickly rebalanced the scale as he turned around and killed an innocent man to play the role of Laenor’s dead body. Why did Daemon grant Laenor the kindness of his life and freedom. With Daemon, you never know.

Maybe it was because Laenor was his wife’s twin and his daughters’ uncle. Maybe he didn’t want Rhaenyra to be the depraved monster he mentioned in his words to her. All signs point to Rhaenyra being a tyrant.

While she’s currently hiding it,  Tyrants always show their true colors, and it will happen here too. And people will say, but it came out of left field. There were no clues that Rhaenyra had this darkness in her, when it’s always been there on the screen from the beginning.

So yeah, Rhaenyra is not the good guy thinking about the good of the realm. Unlike Jaime who betrayed his vows to protect the realm, Rhaenyra betrayed Laenor for the simple quest of power. She wants the throne & Alicent sits in Kings Landing with her sons keeping her from it.

Daemon does not hide who he is. Rhaenyra on the other hand knowingly does, and that’s the worse type of person you would want to rule. 

Her comment to Daemon that she believes he can commit monstrous acts was the show saying…”hey remember when she said that the first time and what she was planning”. Remember things are not always as it seems, and so, don’t be surprised.

[madamekaji]

nsft rambling && headcanon under the cut. talking abt abijahs sexuality i suppose? nothing graphic but still… informal language & such i did not care to make this a thesis statement LOL.

tl;dr: i think abijah’s gay. like barely skirting the bisexual label in terms of the fact that he has been with women/continues to be with women but i don’t think he’s actually attracted to women as human beings.

controversial take perhaps but i really don’t think abijah is into women outside of viewing them as a toy to sadistically use and then discard. like i don’t think he’s a kitty repulsed gay man but he literally only talks about women in sexual contexts in terms of bringing them harm and/or killing them. which is not to say he’s better with men because he’s a nasty nasty disgusting freak & degenerate of an ape but i truly think in contexts where just being exclusively with men was allowed & tolerated growing up that he would just be with men.

idk the fact that he’s so…. “fond”??? for lack of better word of men (“fondest heart”, “his pretty eyes”, probably more but im not rewatching rn so i can’t make a bullet point list rn) and the fact that any time he talks about women its something along the lines of comparing them to the government he’s about to violently overthrow, “your bones break like a woman’s”… as well as kaji’s statement about how he couldn’t “get off without making a woman bleed” (paraphrased)

like him being a misogynist is not news and it’s very evident by the aforementioned dialogue ^ as well as his treatment of women, such as his past tense baby mamas in his basement. bro is quite literally a human trafficker… but i think it’s notable that he uses “sweeter” (i hesitate to use that word) language with the men in his life then the women in it. to add, the men actually get to live & the women do not!!!

i don’t believe he’s “in the closet” by any means either. like especially not in japan where the VERY oppressive western standard didn’t really exist. he is a shameless creature and a BIG fucking dude so he could get away with a lot more back in europe. (not to mention years at sea without societal regulations…. pirate life, baby.) but i do believe his options in terms of escorts, as well as the.. again societal standard just normalized sleeping with women (makes him look and feel powerful to have a high body count, for example.) i believe he’d been with men back in europe (cough cough routley cough cough… as well as others) but it just wasn’t as easy && accessible as it would eventually be in japan. if he wanted to get his dick wet he just kind if had to settle LMAO

in short i suppose i genuinely believe he equates a human woman with something like a flesh light and nothing more, so i hesitate to call that an “attraction to women.” ppl aren’t attracted to their toys or whatever it’s used as a means to an end. (usually, anyways. agalmatophilia/objectophilia/etc. of course exist but i don’t think that’s what he’s dealing with here.) i feel like that’s what women have always been to abijah. a hole is a hole mentality. && i feel like he has to brutalize them to get anything out of it or else he wouldn’t enjoy bedding a woman.

he gives me the energy of men who are very clearly into men and would just be better off getting with their homeboy then continuing to yap on their alpha podcast about how they hate women in every sense including sexually because their standards are absolutely impossible, but how they praise and idolize men for fucking breathing LOL.

[bokunoheronitpicker]

HC: Masaru used to be a criminal

Am I about to throw out a feral headcanon out into the ether based on three panels and two lines of dialogue?

You bet your sweet ass I am!

The basic HC is that Masaru used to be a criminal/villain and that he taught Katsuki some of the stuff he learned at the time.

If you want to see me elaborate and explain my thinking it'll be under the cut.

Okay to start off, why do I think this.

It's all based on the first panel. On Katsuki saying "Thought I told you to stop smoking! Get caught, and it'll go on my record too..."

This is not something teens think about, not even ones as ambitious and driven as Katsuki. He's 14 here. At that age police and permanent records are a distant thing. Yes you are aware they exist, that they are a thing, but you don't realize they could effect you directly, that such things could stop you from doing what you want.

Kids that age don't think something they do at the time could effect them for the rest of their lives, especially something innocuous like being near someone who smokes cigarettes. The idea that something like that could stop you from doing a job is just not something that exists at that age. Fourteen year olds don't think like this.

They just don't... unless they are told about it.

Which is where the criminal Masaru HC comes in.

My basic thinking is that Masaru too wanted to become a hero when he was younger, not much of a stretch all the kids want to be heroes when they are young in the universe, but he had a criminal record of some kind which prevented him from applying to a hero school.

I think that his first "offense" was something innocuous and stupid. Normal stuff kids get up to in their teens. Being out late, being with friends spray-painting graffiti, or even the exact same thing. He was in a group of friends, someone was smoking and some asshole cop or hero saw them and they all got a record.

Katsuki finds out about it either by over hearing him talk about it to someone else (could be something casual or could be him not getting a job over it) or Masaru might have explained this directly to Katsuki when the kid started talking about becoming a hero and being a shithead in the mean time.

Now as for what happened to Masaru after he failed to get into a hero school has to do with the whole villain label in the BNHA universe, something I will go into later on a separate post. The gist is that villain is a mystery box type label. If someone breaks the law they are labeled a villain, and if someone is a villain you have no clue what they did to become one. It's a mystery label. Did they steal? Kill? Rape? Punch someone? You don't know and if you are hiring someone why would you risk it?

So the only path left for Masaru was to become a criminal. How much he did is entirely up to you, as the only thing I have evidence of is pickpocketing.

Which brings me to the second quote that spawned this HC: "I pickpocketed 'em back so they wouldn't be blown to bits."

Katsuki pickpocketed wallets and purses mid-battle without anyone noticing... that shows he's very fucking good at it. Really fucking good. With how much of a square he actually is I do not believe he got this good stealing out on the streets.

No, I'd say Masaru trained him, since he was little probably. Probably had hero card packets or sweets (as I think Kat has a massive sweet-tooth) hidden in his pockets Kat had to steal.

You can of course add other skills Masaru trained him for. Lock picking, spacial awareness , recognizing and finding security measures, disabling or avoiding them, stuff like that, but that's nothing I have canon proof for.

Now as for why I picked Masaru over Mitsuki for the criminal background... it's mainly because of their quirks. Masaru's quirk would have allowed him to become a hero, a minor one or a sidekick. Mitsuki's quirk isn't all that useful for hero work.

This way Kat has a two parents who wanted to become heroes, but couldn't. One didn't have the quirk for it and the other wasn't allowed to. This way you have that whole thing of inherited ambitions/dreams pushing Kat even further forward.

...I can also see Mitsuki falling for criminal/bad-boy Masaru only to then beat him into a law-abiding citizen when she gets pregnant.

Anyway, that's about it for this HC of mine. I welcome questions and input and discussions and disagreements. Look after yourselves💗

[1ddiscourseoftheday]

Tues 11 May ‘21

Louis saw us all coming up with wacky theories about what the BMG announcement might mean and came to tell us what’s going on… wait no he just retweeted the same article from yesterday with the partnership wording! Haha, but in seriousness while I know not everyone agrees I think it’s pretty clear at this point that BMG is his new record label. The tweet he posted was captioned with another easily misconstrued statement, THANKS FOR THAT LOUIS, but I will repeat what I said yesterday, which is that by far the likeliest explanation of his announcing to a fandom that’s rabid for label news that he’s joined a label is that- it’s his new label! And all the evidence I see supports that. The post he retweeted said (in the words of Music Week) “After five One Direction albums and one solo LP with Sony Music and Syco, now Louis Tomlinson is officially an independent artist with BMG”. Some believe this means he’s NOT signed to BMG but is putting out his own album and simply using them as a distro; I personally would say it seems pretty clear at this point that that simply refers to the fact that BMG are, as a label that isn’t one of the Big Four, considered an independent label, making Louis, as someone on their roster, an indie artist- like the tweet said. If he’d gone rogue and started his own label there would be articles everywhere about it and that article would have talked about it (instead headlines read “Louis Tomlinson Signs Record Deal With BMG”), plus we have plenty of quotes that would be frankly odd if he weren’t signed to BMG, such as the vice president of A&R at BMG UK, saying "We are delighted to welcome Louis to BMG. He is already busy working on new music, and we are excited to join him on the next phase of his extraordinary career,” a BMG sales manager saying “BMG will have the new album” and referring to the fact that they’ll do promo for it (in a DM conversation that actually appears to be real, unlike SOME going around today), and Charlie Lightening posting “Congrats @louist91 on the new deal with BMG UK excited for LT2, gonna smash it lad”.

More to the point-- why do people want so badly to think he ISN’T signed with BMG? This is GREAT NEWS!! They’re an indie (what everyone has wanted for Louis forever), and they were founded specifically to give artists more control than the majors (after splitting off from Sony; they were more or less founded as a direct push back against Sony’s business model), but they’re big enough to give him the support an artist of his size needs, which would be very hard for him to pull off running his own label-- I’d much rather see him putting his energy into writing songs, touring, making documentaries, and running his management company, rather than doing his own promo and wrangling with distro deals and shit. He should be signed to a label to do that work for him! And BMG seems like an awesome choice! But the weird ideas out there just continue right on-- not just people saying he’s not on a label, but also others, who don’t think him being on a label completely unconnected to Sony will be able to prevent Sony from dropping a piano on Louis’ head like the moustache twirling masterminds they are er sabotaging BMG somehow (the whole point of them being an indie is that this shouldn’t be an issue?), and such amazing takes as “louis has signed to a queer label” (evidence? “we just know that they are queer”; an actual dialogue from tiktok), are unlikely to be affected by any number of facts, as are the twitter folks getting excited about him ‘unfollowing’ accounts he never followed to begin with (Syco etc).

Anyway Louis, on a roll of giving us what we want today, also gave us a VIDEO with his HAT OFF! I don’t even care that it’s a silly ad (for samsung), or that he trimmed his luscious locks a little, it’s Louis! Talking and stuff!! Showing off his still wonderfully long hair all pushed up and back! Gorgeous, amazing, perfect… and yes I am ignoring the slides and socks thank you very much, though I will mention that they are literally exactly the same as Harry’s slides and socks. He also followed BMG, one of his (no doubt many) NFT trading profiles was found (@LT282828, LMAO), and new shows are being added as the tour dates finalize (though ticketmaster showing a Harry date for the same day/place as one of them was a glitch, we don’t have Harry’s updated dates yet)

And speaking of Harry! MP filming was indoors today, so Harry was only seen walking to his car, but he showed up at the Brits!!! In an amazing geometric patterned (or, uh, “macro framed sequence print” I GUESS) brown and tan suit (that clashed just HORRIFICALLY with the neon pastel Brits décor and his award, I fucking love that) and a cute lil handbag and sneakers to accept his AWARD for Best British Single!! (For Watermelon Sugar oddly, but hey a wins a win). CONGRATULATIONS baby and WOW great to see him! He popped in with pal Tomo Campbell, last seen by us when they drove to Italy together last summer. He thanked “my fans, for being so generous to me, always, and everyone in my life who has my back, thank you so much I love you.” Question, did he make the choice to swap out the pink and yellow award he was handed onstage for the blue and green version he had later? Either way, lol. Lots more people will have nice things to say about him now with this high profile win, but even before that people were gushing about him-- Joshua Bassett came out as queer by calling Harry hot (”I guess this is me coming out”), we got Billy Porter on the Brits pre show carpet saying, “I am seeing change! You know Harry Styles on the cover of Vogue Magazine that is change. You’re welcome!” and someone from his recording studio telling us he “was very nice wasn’t he, he brought doughnuts for the assistants and gave everyone a lift home. He came into reception and offered to make everybody a cup of tea,” awww Harry! Lift home from Harry, that’s my new meeting-one-of-the-boys goal.

Niall wished “everyone involved at the Brits” good luck, and Liam wished an NFT creator luck on his sale.

[renegadewangs]

Van Zieks - the Examination, part 12

Warnings: SPOILERS for The Great Ace Attorney: Chronicles. Additional warning for racist sentiments uttered by fictional characters (and screencaps to show these sentiments).

Disclaimer: (see Part 1 for the more detailed disclaimer.) - These posts are not meant to be taken as fact. Everything I’m outlining stems from my own views and experiences. If you believe that I’ve missed or misinterpreted something, please let me know so I can edit the post accordingly. -The purpose of these posts is an analysis, nothing more. Please do not come into these posts expecting me to either defend Barok van Zieks from haters, nor expecting me to encourage the hatred. - I’m using the Western release of The Great Ace Attorney Chronicles for these posts, but may refer to the original Japanese dialogue of Dai Gyakuten Saiban if needed to compare what’s said. This also means I’m using the localized names and localized romanization of the names to stay consistent. -It doesn’t matter one bit to me whether you like Barok van Zieks or dislike him. However, I will ask that everyone who comments refrains from attacking real, actual people.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11

Let's bring this thing home! It's time for the conclusion of the essay series!

Conclusion With a stupidly long essay series behind us, it's time to look at what we've learned! Let's go back to Part 1 and review what we needed from Van Zieks's character development for a fully rounded redemption arc, shall we?

1) Present an antagonistic (possibly immoral) force who personifies Ryunosuke’s biggest personal obstacle/weakness, in this case racial prejudice. 2) Humanizing traits begin to show. OPTIONAL: A backstory to justify any immorality he has. 3) Over time, Barok has his realization and sees the error of his ways. 4) Barok atones for his immorality, not simply through apology but by taking decisive steps. 5) The cast around him acknowledges his efforts and forgives him.

And looking at the main game (plus additional dialogue), we have...

1) Antagonistic force:

Etc. etc. I have many of these. We can all agree that as an antagonistic force, he does his job quite well. CEO of Racism and White Privilege in the flesh. It works, since we as the audience get very frustrated and want to see him defeated.

2) Humanization:

Giving him an old friend to be a defendant was a brilliant move, really. Albert's reflection on the friendship and the person Van Zieks used to be really helped flesh him out and make him appear more like a human being with, y'know, emotions and weaknesses. The little snippets of dialogue in his office really help too. Presenting evidence can also lead to fun tidbits. All in all, considering how gruff and distant Van Zieks is, they really did their very best to humanize him. The writers were given very little to work with but they exploited every opportunity to come their way.

OPTIONAL backstory:

Again, I don't think we needed a tragic backstory to have a well-rounded, redeemable character. Still, it ties in very expertly to the game's plot and the motivations of quite a few other characters. The story of Klint van Zieks and his death isn't necessarily Barok van Zieks's backstory, it's the center of an intricate web which also holds Kazuma, Stronghart, Gregson, Jigoku, (S)Holmes, Mikotoba, Sithe, Drebber- I could go on. A LOT. So because of how very integrated it is into the main narrative's recurring themes and characters, I'll give it props for being relevant and well thought out. The bigger question is: Does it justify his immorality? Not entirely. I think the game could have gotten more out of this if they'd involved the other two exchange students in this tale just a bit more. They could have given more attention to how Jigoku's aggressive behavior in the trial impacted Van Zieks, and explained whether he might've suspected Mikotoba of sabotaging (S)Holmes's investigation. If the narrative had done that, all three Japanese people to come to London would have been ‘the bad guy’ in Van Zieks's eyes and it would have given more credence to his racial generalization. They could have also given more attention to how the people around him reacted to Genshin being the Professor, because I'm sure Stronghart and Gregson stoked the fire in terms of xenophobia. As it stands, there isn't really enough there to justify hatred of an entire race as opposed to just one person.

3) Realization/Redemption

We see him already start to realize the error of his ways around the end of 1-5, which is technically only about halfway into the full narrative. Unfortunately, thanks to 2-2 being played afterwards (but chronologically set before 1-5), any progress made in 1-5 can become invalidated in the player's eyes. Growth works best when it's done linear. Don't get me wrong, flashbacking to earlier times when a character is still more morally tainted can work well, but it needs to be executed properly. Barok's behavior in 2-2 is downright insulting towards the audience itself and therefore, it causes emotional friction when relaying the narrative endgoal of redemption. It also makes it extra jarring when we hit 2-3, and suddenly Van Zieks is meant to be relying on the protagonist's desire to expose the truth. How on earth can we as the audience trust that Van Zieks believes in Ryu's abilities when we just came fresh out of a case where this man actively sabotages Ryu's efforts?

Still, the line of redemption continues from 2-3 into 2-4 well enough. He admits that he was wrong- that his hatred was illogical and that he needs to change. This is the very definition of redemption. I need to stress once more this is not to be confused with atonement, which comes next.

4) Atonement

Here it is. It's not enough to simply acknowledge mistakes; one needs to work hard to fix them. Since Van Zieks is the defendant for two whole episodes, equaling roughly 20% of the full narrative and 67% of the time following his first true realization (chronologically), there isn't much that he can actively do to atone. Because remember, not only do these actions need to fit the situation he's currently in, they need to fit his personality. These two limitations ensure the atonement mostly takes the form of dialogue. Of apologies.

One might want to point out that he never apologizes specifically for his racism, but there's a reason for that. If you pay close attention, you'll notice that there isn't a single character who ever uses a word like “racism”, “xenophobia” or even “racial prejudice” in this game. It's for the same reason you'll never see an Ace Attorney character utter words like “alcoholism”, “drug abuse” or “depression”. These things may be implied very strongly, to the point where you'll know for certain a character is suffering from it, but it's never given these exact labels. It has to do with the tone of the game. In Great Ace Attorney's dialogue, Barok van Zieks is only ever described as holding “a deep hatred for Japanese”, which is then the only thing he could apologize for. And he does, so long as you aren't looking for a literal phrasing of “I apologize for my deep hatred of your people”.

Regardless, he can't take more active, decisive action until he's freed from prison and two scenes with Van Zieks later, the game has ended. He still manages to take two actions, though! The first is to publicize the truth of the Professor, taking the blame of the mass murders off Genshin's shoulders (and losing his own privilege in the process). The second is to take Kazuma under his wing as his disciple. I'm not certain there's anything else the narrative could have had him do. What is decisively missing, however, is the following:

5) Acknowledgment

The above aren't good examples of cast acknowledgment that Van Zieks is taking part in a redemption arc, rather, they're the best I could find. Characters are acknowledging that he's changing- that he's being kinder to them and they can get along with him now, but they're not acknowledging that he caused hurt in the first place. This, in my opinion, is the Great Ace Attorney's biggest narrative flaw. I've talked before about how Ryu's reaction to Van Zieks's racism is 'indirect communication', a typically Japanese manner of dealing with negativity. I've also talked about how Ryu is not in a position to speak up, as he's a literal minority who is there to represent his country in an official capacity and can’t afford to make enemies. However, characters like Susato and Kazuma are far more outspoken in their opinions, as is Soseki. The only one who ever calls Van Zieks out on his racism is the British judge, and even that is done very meekly. When an old crusty white guy is the one who condemns white privilege in a cast full of minorities, you've got a problem. The Japanese cast's refusal to acknowledge that Van Zieks's words were harmful is like Team Avatar telling Zuko that sure, he can join since he's a good guy now, but never once acknowledging that he burned down villages or betrayed everyone's trust in Ba Sing Se. There's something very vital missing, see? If indeed the cast had called Van Zieks out more actively on his harmful ways and how necessary it was for him to change, he in turn could have taken more atonement steps in response.

So, for the conclusion: Does Barok van Zieks tick all the necessary boxes for a complete redemption arc? Yes. In a very technical sense, all the requirements are there. But does that mean it's a successful arc? Not necessarily. The game has a few slip-ups, a few things not executed as well as they could have been. For that reason, whether the audience is satisfied with the arc is entirely up to them. Taking into consideration that they had to cram a whole lot of story into just two games- the second game in particular, I can acknowledge they did their very best with the limitations that were there.

And there we have it! That’s all I could think to say on the matter. I hope everyone who read this till the very end enjoyed it, maybe even learned a thing or two. I’m always open to questions, input and constructive criticism!

[hello-that-happened]

How She-Ra, Wrong Hordak, and I Deconverted in Six Steps

Alright y'all, it's time for my fourth essay exploring how She-Ra and the Princess of Power (SPOP) used Christian themes and parallels to provide a humanist message.

My first post named 9 major messages of SPOP that contradict Christian fundamentalism.

My second gave the historical context of how our generation and Noelle's are growing up to overthrow Christian fundamentalism after it became such a powerful enemy in the U.S.

My third discussed the parallel between Horde Prime’s rage at Hordak’s self-naming and the Christian idea that everyone is an instrument of God’s will.

Now I want to discuss how Adora's and Wrong Hordak's journeys defections from the Horde parallel my story, and potentially others', of leaving Christianity. Adora and Wrong Hordak experience many of the same stages in his journey out of the Horde as many ex-Christians experience leaving Christianity.

My own experience leaving Christianity was a journey into atheism, so I will interpret Adora's and Wrong Hordak's stories through that lens. Plenty of people who left toxic/conservative Christianity behind still believe in God, in heaven, and/or in the value of Christian communities. I do not want to minimize or dismiss their experiences, and I welcome progressive Christians as allies in the fight for LGBT+ rights and social justice generally. But when I watched Adora and Wrong Hordak leave their belief in The Horde behind, I saw myself leaving Christianity behind. I want to tell my story through/alongside theirs. I hope some of you can relate, but it is okay if you cannot, regardless of your religious beliefs or lack thereof.

Deconversion in Fast-Forward

Adora, Wrong Hordak, and I escaped from the organizations that raised us and its worldview in six somewhat-distinct stages:

Multiple major characters' arcs in She-Ra begin with rethinking their loyalty to The Horde. Wrong Hordak and Adora both lose their faith in The Horde after a lifetime of indoctrination into its ideals and goals. Their journey away from The Horde mirrors many young Americans' away from Christianity, with at least one notable exception: time. Deconversion takes multiple years for most ex-Christians, but only takes a few days for Adora and Wrong Hordak. Their de-conversion basically represents a speed run of most ex-Christians'.

Full Breakdown of Each Stage

(tw: mention of depression and suicidal ideation)

Adora takes delight in pretending to beat up an imaginary princess in the show's first scene, and later calls princesses "violent instigators who don't even know how to control their powers." She believes in the ideals of The Horde, and feels excited to rise through the ranks to become Force Captain. Obedience to Horde authorities comes fairly naturally to her, and she even chides Catra for being "disrespectful."

Wrong Hordak consistently repeats his loyalty to Horde Prime throughout his first episode and beyond. Even while being attacked by his fellow clones, Wrong Hordak affirms that "We serve Horde Prime's will." Unprompted in the next episode he happily announces, "I believe in Horde Prime!"

I felt proud, as a kid in Sunday School, that I could answer more questions about the Bible than any of the other kids. My church's youth group was the most enjoyable part of my middle school years especially because I got to hang out with the guy I only recently realized I'd had a huge gay crush on. I started viewing "feeling happy" and "feeling the presence of God" as identical. I wrote in my 2011 "Faith Statement" for my church's Confirmation that "I fell in love with God," and that "I thank God that I was born into a good Christian family and was raised to honor God."

Adora is kidnapped by the Horde's enemies and taken away from her home, separated from all of the voices reassuring her that The Horde is a good organization with a just mission. Shadow Weaver is not around to give her orders or map out her future anymore, leaving her alone with her enemies and her thoughts.

Wrong Hordak's connection to the hive-mind he knew for all of his life is severed. "I am…alone?" he asks in shock, then breaks down and cries, "I am alone!" For someone who grew up living in the same mind as his entire communal "family," suddenly losing that connection to everyone he knew would be traumatizingly shocking. The best equivalent I can think of in human experience is being suddenly ripped away from your family and community and then never seeing them again.

I kept conflating happiness with my faith in God for years, even after my crush moving away drove me into suicidal ideation for a couple weeks in 2011. My mental health recovered for a year before settling into a long-term depression in 2012. Because I conflated happiness with the presence of God, my depression felt like something had taken away the presence of God.

Adora defends the organization that raised her by quoting her highest authority: "Hordak says we're doing what's best for Etheria. We're trying to make things better. More orderly." Glimmer argues against Adora's worldview by showing her (1) that princesses are just people instead of dangerous violent monsters, and (2) what The Horde has done: first the ruins of a village destroyed by The Horde, and then that the village of Thaymor which she was told to attack was peaceful, innocent, and happy.

Wrong Hordak grabs Entrapta by the hair for the crime of "trespassing," and enjoys saying, "Prime shall hear of this, and his punishment shall be merciless." But once Bow’s arrow disconnects him from the Horde’s hivemind, he is simultaneously stranded away from the people who constantly reinforced his belief in Horde Prime’s goodness and stuck with a group of people opposing Prime. For a long time, Wrong Hordak simply pretends that the Best Friend Squad™ serve Horde Prime just like everyone else he ever knew. Every line of his dialogue in “Taking Control” is a quick, snappy motto he took from Horde propaganda, like “I believe…in Horde Prime” and “True nourishment comes from the favor of Horde Prime.” [see footnote 1]

I was well aware, growing up in a progressive suburb, that plenty of my high school friends were nonreligious. After my depression sunk in, I found myself arguing about religion with a brilliant but very smug British friend who consistently refuted my arguments in ways I could not dispute. Searching for arguments to support my pre-existing beliefs, I started reading Christian apologetics, but found nothing my friends could not easily refute. [see footnote 2]

Adora sees the ruins of the site of a Horde attack while with Glimmer and Bow, and at first rejects what Glimmer tells her about what she sees to preserve her worldview: "This doesn't make any sense. The Horde would never do something like this…You don't know them like I do." But when she sees The Horde attack Thaymor, the belief system painstakingly constructed by The Horde and drilled into her over 15 (or so) years comes crashing down. At first she can rationalize away her experiences to preserve her beliefs, but when the evidence of her own senses becomes overwhelming she cannot resolve the cognitive dissonance between her belief in The Horde's goodness and her direct experience of The Horde attacking the innocent town of Thaymor. Her worldview cannot explain what she experienced.

Wrong Hordak keeps his belief in Horde Prime's all-powerful nature for a long time after joining the Best Friend Squad. However, when until the Best Friend Squad catches him in a contradiction. He tells them what he was told: that Krytis does not exist. As soon as they start questioning the contradiction he was fed, he becomes extremely uncomfortable. He maintains his denial of Krytis' existence even after they land on the planet, until he can no longer deny the evidence that Horde Prime is not all-powerful.

I grew up, like many of you, on the Internet. My depression began during the heyday of the online atheist movement—and by “heyday,” I mean “seemingly inescapable presence,” especially on YouTube where I hung out. I kept running into comments asking questions that I could not answer: Why does Christianity seem to promote belief based on internal feelings instead of observable evidence? Why would an all-loving god send anyone to hell forever? Why did I believe claims from Christian doctrine and doubt claims from every other religion? Why has Christianity seemed to cling to the past instead of embracing a progressive future? The questions overwhelmed me. I found myself terrified of my own growing doubts. Eventually, my belief was based entirely on two emotions: nostalgia for past happy experiences I associated with Christianity, and a fear of losing the vague hope those experiences gave me.

The first time that Bow and Glimmer met Adora, they immediately labeled her “Horde soldier!,” and the label stuck through the first three episodes. Adora has always identified herself primarily as a soldier serving The Horde, echoing the messages she has heard for her whole life: “Shadow Weaver said it didn't matter who I was before, that—that I was nothing before Hordak took me in.” The language of “I was nothing” reflects cult dynamics where a group tries to retain someone permanently by making them think of themself as nothing more than their worshipful loyalty to the group. Similarly, it is a common Christian belief that “without Jesus we are nothing.”

After realizing that Horde Prime fes him lies, Wrong Hordak collapsed into a sobbing mess. “Who am I if not an exalted brother of Prime?,” he bawled, still thinking that the only legitimate kind of identity is one based on fully devoted worship of an all-powerful authority. Per Entrapta, “It seem[ed] that Wrong Hordak has begun to question the meaning of life.” She later described Wrong Hordak’s breakdown as an “existential crisis,” which happens “when individuals question whether their lives have meaning, purpose, or value, and are negatively impacted by the contemplation.” Without an all-powerful father figure to value him, Wrong Hordak thought, who would?

I identified myself fundamentally as a Christian for my entire childhood and teen years. I found joy, purpose, and a sense of self in my religion. Leaving my religion behind felt like burning the bridge to who I was behind me. When I de-converted from Christianity, I felt like I was standing at the brink of a void. I thought that without finding goodness in God, I might find no goodness at all. [see footnote 3]

When Wrong Hordak finishes (digitally, but also emotionally) processing the Krytis data logs of Horde Prime leaving in defeat, he explicitly renounces his old loyalties and declares his opposition to the organization and beliefs that he used to believe in with all his heart: "Brothers! Horde Prime lied to us. He is a false ruler. We must rise up against him, and free the universe from his unjust reign!"

After Adora betrays the Horde at the Battle of Thaymor, she pledges her loyalty to Bright Moon in her battle against the Horde: "I’ve seen for myself the atrocities the Horde has committed against the people of Etheria, and I’m ready to fight to stop them. If you give me the chance, I know I can help the Rebellion turn the tide of the war."

I didn't have an explicit declaration statement like Wrong Hordak or Adora. However, on 5/5/15 I arranged a meeting with my very friendly and understanding youth pastor as a last-ditch effort to save my faith. I hoped that he would crush my worrying doubts. Instead, actually encouraged me to become agnostic and to look into non-Christian beliefs on the subject of religion. Rather than feeling terrified of what I might find and wishing that someone could indoctrinate me into my old belief system, I started on a path to discover the truth wherever it might lead me.

Footnotes for Context

Christian fundamentalists’ similarly simplistic snappy phrases have been labeled by ex-Christians as “thought-terminating clichés… brief, highly reductive, definitive-sounding phrases” where “Simple labels are attached to something you like or dislike, and they are the start and finish of all thought on the subject.” Such black-and-white “totalistic” thinking is common in Christian fundamentalism, especially how it labels complex political topics as somehow being merely a cover for “spiritual warfare” between the totally good/Godly side and the totally evil/demonic side.

Specifically, I started reading an “Intelligent Design” propaganda apologetics book by Lee Strobel called The Case For A Creator. A self-proclaimed former atheist, Strobel wrote his The Case For series using my same research strategy: Only do research using sources that already agree with you. Whereas Strobel exclusively talked to other Christian apologists, though, I at least tried talking to atheists. Anyway, I walked into school one day with a confident smile and a copy of Strobel’s book and sat down with some friends. One of them, another brilliant atheist but with a far subtler and humbler personality, noticed it and his face immediately sunk into the expression of someone exhausted by the topic as he braced himself for my bullshit. When I confidently asserted a creationist talking point trying to dismiss the findings of some old experiment, he not only knew the experiment but immediately dismantled my talking point. I had no reply. What struck me most was not just his swift rebuttal, but his weary tone: My arguments were not only bad, but so bad that he was genuinely tired of them.

Around the same time, I became obsessed with the character of Kefka from Final Fantasy 6. To me, Kefka represented what I feared most about leaving Christianity behind — that I would lose any sense of meaning, purpose, or morality in my life. ("Life… Dreams… Hope…Where do they come from? And where are they headed? Such meaningless things!") Edgy, I know, but in my mind that kind of absurdism seemed to be an inevitable result of abandoning my religious beliefs. Fortunately, I came to understand that there is plenty of meaning, purpose, beauty, and goodness outside of the particular religion that I happened to be born into.

[thefirstknife]

I keep seeing this brought up in your posts with o14 and just want to point this out: just because someone doesn’t know/say they’re being abused doesn’t mean they aren’t. I myself didn’t know the emotional/verbal abuse I endured until after the fact and this really makes me uncomfortable when you use that point. Please understand that it is very much a thing that happens to those (not all cause everyone is different) that are abused.

You’ve brought up an important point that I am very well aware of. I am glad you sent this ask in this way and I want to address why I don’t use it as an argument.

Under read more, warning for talk about abuse:

I specifically don’t want to entertain this part of the discourse because abuse is about power dynamics. The abuser is usually someone with more power over the other person and the abused is usually someone who cannot escape the situation due to that power imbalance. And the abused person often either doesn’t have the capacity to understand the power imbalance or isn’t capable of asking for help or escaping the situation because the abuser is in some way threatening them. It doesn’t have to be a direct and physical/vocal threat (though it often is), it can be implied, but the imbalance in power dynamics is essential to identify an abusive situation. This is why abuse always features an age imbalance, economic imbalance (employer-employee or a household where only one person works and has control over all the money), family imbalance (parent-child) and so on. The abuser is the one who must have power and control over the abused. 

There is no such thing between Saint and Osiris. In no way are they ever presented as one being above the other. They are equals in every single way: age, experience, position within their respective jobs and so on. Saint does not fear Osiris, nor does Osiris have any power or control over him. Saint isn’t afraid of talking back to him and challenging him. Saint isn’t isolated from others and he isn’t afraid or incapable of asking for help (from YW, Ikora, Sagira previously...). For that reason, I cannot accept that there’s a possibility of Saint being abused but just not knowing about it. From all the available lore that I’ve poured through to compile all of the known and documented interactions between the two, there is no indication that Osiris holds any power or control over Saint in order for this relationship to be classified as abusive. 

Some people said that Osiris is being abusive by “withholding emotions” from Saint, which can definitely a part of an abusive relationship. However, I do not believe that Osiris is withholding emotional availability; this argument only popped up after Sagira’s death and their bickering in the Hangar (where Sagira was mentioned). It is explained numerous times by many different characters that Osiris does not respond to grief well. Ikora knows it, Saint knows it. This is not an abusive trait per se, as one cannot really control how they handle that sort of extreme grief. One could even argue that Saint was the abusive one in this situation by bringing up Sagira before Osiris gave him permission and a green light that he’s okay with discussing it. Same thing happened when Crow brought it up. However, I will not claim that Saint or Crow are abusing Osiris because there’s no other evidence to it. The situation is complex and not just easily boiled down to abuse. As someone who has been through abusive situations, I believe it’s reductive to call one bump in the road as abuse. It makes it harder to recognise actual abuse, both for victims and onlookers. 

Of course, maybe there’s something in the background that we don’t know about. After all, we don’t have every single Saint/Osiris interaction written out in the lore. However, considering what we do have and what we do know about these two characters, I can say for a fact that there is no power imbalance between them and Saint is not the type of a person who would sit back in fear of anyone and not know about being abused, definitely not by Osiris. There is simply no evidence. Of course, if someone just doesn’t vibe with the situation due to a personal experience and the whole Saint/Osiris argument that happened most recently in the lore is triggering for them, that is something I can respect. It’s personal, you can’t control what triggers your trauma. But that’s a personal experience, not an objective read on their relationship. People have been adamant about saying that the relationship is objectively abusive, which it is not. If it’s upsetting for personal reasons, I would absolutely recommend not interacting with the upsetting content and would implore people to tag their content appropriately.

In my original post from back a month ago or so, I specifically addressed how people tend to claim Osiris is abusive over Saint without backing it up with anything and essentially vilifying one of them (Osiris) while completely infantilising the other (Saint). It’s harmful to mlm, especially to mlm of colour because of how Osiris is treated by the community. It’s a reductive view of a long-term mlm relationship that spans centuries. The time span is quite literally incomprehensible. 

People also never bring up Saint’s behaviour towards Osiris, such as pushing a sensitive topic in public and pressing him on it when he’s clearly not ready. These are also signs of abuse. Another sign of abuse are also threats of physical violence which Saint does in the Devil’s Ruin quest dialogue when he tells Osiris to “get off this line” to which Osiris responds with “make me” and then Saint quips with “you would not survive that.” Nobody brings that up as abuse. And they shouldn’t! It’s clear that this isn’t a serious threat. And it should be clear that one quarrel over a traumatic topic isn’t a sign of a toxic relationship. Saint also greets Shaxx with the line “I always hated you, brother” and then they both laugh. Saint is very clearly often joking in this way and people recognise it as not serious. Osiris should be given the same benefit of the doubt when he retreats into himself over indescribable grief; he’s not emotionally manipulating Saint, he is grieving in the only way he knows how.

I find it highly suspect that this whole discourse only started once the pairing was confirmed as canonical. People have been shipping them way before that and with way less information available and there’s never been any discourse about how Osiris is actually abusing Saint in this relationship. I just find it really suspicious that a mlm relationship featuring a man of colour gets labelled as abusive from the side of that man of colour specifically, only after we’ve received the information that it’s canon. It’s an incredibly common pattern in fandom spaces when a fandom favourite (in this case Saint) gets into a canon relationship with a character that’s easy to be prejudiced against. Even if that prejudice is unconscious, it’s still prejudice and it’s painfully obvious to anyone who has ever been in fandoms for as long as me (or longer). There are also literally scientific studies on this so I’m not just talking about my own experience. 

Without any evidence of abuse and no imbalance in power dynamics present between these two characters, I can’t see how someone can come to a conclusion that Osiris abuses Saint after they’ve argued once “on screen,” especially after Saint himself explains what the situation is about. He eloquently puts his reasoning into words when Amanda asks him if there’s trouble and also promises to reach out for help if he needs it. I don’t like the trend of jumping to a conclusion, especially when people who do it are highly inconsistent about it (most recent one being the person who claims Osiris is abusive, but also claims that both Osiris and Saint are grown men who can handle themselves without our help; this is a contradictory statement, as Osiris cannot be abusive to Saint if Saint can handle himself and can just leave if he wants to).

I apologise if the discourse about this whole thing is making people uncomfortable. I should’ve addressed my reasoning behind it earlier, in order to make sure that everyone is on the same page. I should’ve also tagged it with a warning for talk of abuse, but no one else did and I didn’t think to correct it, which is definitely something I should’ve done. People started talking about how Osiris is abusive and toxic without thinking that people going into the tags might be upset by it and unfortunately I didn’t think of it either.

I hope this explains it adequately. It’s a long post but I didn’t want to hold back on any of the details because this is an important topic. If there are any points that anyone believes are not properly explained, feel free to ask for further clarification.

[mymelancholiesblues]

No, Mia isn’t  "low-tier" compared to Ada (morally speaking, or w/e) – a measured answer?/essay

So, a couple of Ada haters tried to put up a false symmetry between both of these characters there on twitter, and it inspired me to put my own thoughts down in a more articulate essay as to why that's (Ada's somehow being morally worse than Mia) not sustained by canon in Resident Evil.

standing there, killing time

can't commit to anything but a crime

all the good girls go to hell

'cause even God herself has enemies

and once the water starts to rise

and heaven's out of sight

she'll want the Devil on her team. ⁕

First things first: let us debunk the false symmetry that they tried to establish between these two characters with extremely distinct archetypes – and worse, the following replies to this false symmetry and its poor arguments trying to validate it, pointing out that, in fact, no, character B (that would be Ada, btw) – which is so evidently and ridiculously different from character A (and that would be Mia) – is, in fact, WAY WORSE than character A, and then proceeding to assert some unsupported propositions about misogyny in Resident Evil (which, tbh, definitely IS a recurring problem in the franchise, but that in this case particularly, little or does not apply AT ALL) and how Ada contributes to "the perpetration of a biological cold war".

Starting with what differentiates Mia from Ada grotesquely: we know NOTHING of Ada's true alliances in RE's world. Mia, however, canonically worked for a group that participated in the importation and exportation as well as the manufacturing, testing and marketing of biological weapons: "The Connections", a CRIMINAL SYNDICATE which, amongst other things, was also involved in money laundering, assassinations as well as weapons and drug trafficking. I don't care at all about Mia, so I don't intend to waste much of my time going on about her role in the plot, but people should've already realized by just that much how infinitely dishonest is to try to put these two characters as "similar" ones, or argue that Ada is somehow worse.

Another detail that shouldn't escape anyone's attention too, are the origins and nationalities of both – and yes, I intend to briefly bring up racism against eastern-Asian looking characters (a silent plague that takes form by each passing day in all fiction fandoms) and anti-China xenophobia, but for now, hold this tea there just before I drop it: Mia is canonically American, and previously a Texas-state resident; meanwhile, we have no confirmation of Ada's nationality except for her pretty evident Chinese ancestry. But, as I said, hold it there for a while.

i) espionage — the job

red so silent

wait a minute

or just a little while.

what are you looking for? ⁕

At all times that Ada's "job" was brought up in this franchise, in ALL of her cameos, she has NEVER been called a mercenary in the original Japanese. She's always referred to as a SPY. Even in RE2R, the most recent title in which she's featured in, the original text of the game makes a point of labelling her as a SPY (and not a mercenary) in the dialogue that transpires between Annette and Leon.

It's the North-American translation and correspondent localization that now and then falls for the equivocal use of this other term. This distinction is important since espionage NECESSARILY implies operating in an organized service for, perhaps a country, or a political cause, or a class/group, or a corporation, or whatever. While a mercenary is someone who's acting per their self financial interests, indiscriminately selling their specialized "labour" and skills to anyone who'll offer more.

Ada's not a mercenary, she's a spy. But Mia, in addition to being hired to a canonically criminal company, was also the handler personally assigned to Eveline. I don't care how exactly Mia got in that predicament but the fact is: Mia was canonically employed by a company that profited over illicit activities and directly watched as a family was destroyed and toyed with by this new killing machine (Eve). Yet, we can't state for sure that we know to whom or to what Ada is truly affiliated with.

ii) sources — check them

who's a heretic now?

am I making sense?

how can you make it stick?

and I'm on a trial

waiting 'til the beat comes out. ⁕

This fandom should put a little more thought into which translation and localization of the game texts, dialogues and files they are using to support their arguments. I know that in some cases the United States people have a bit of an inclination to think of themselves as the owners of the planet and deem English as the only language that matters in this world, but let's not forget that RE is a Japanese franchise (wow, insane, right?!). Therefore, the most valid script, with the greatest amount of details, and highest credibility, is the Japanese original. Throughout these years, there have been several errors in translation and localization of the Japanese original to North-American English. And, believe me, curiously enough, plenty of those concern Ada, since she's often mentioned or referred to in a very vague way – without the use of pronouns or adjectives or adverbs that could help in indicating gender. This ended up causing those details and mentions to her to get overlooked, even though in the Japanese text it was a clear reference to her character (per observation of context).

iii) the good guys — one of

head in the dust

feet in the fire

labour on that midnight wire

listening for that angel choir

you got nowhere to run

careful son, you got dreamers plans

but it gets hard to stand. ⁕

Yes, as much as haters try to minimize it, it is SIGNIFICANT that Ada saved so many important characters and stood for unquestionably heroic actions in so many moments - like stopping everything she was doing so she could help completely random Chinese civilians with the helicopter she managed to pilot in that chaos in China (yeah, I know you haters love to forget about this, but it happened, it's there in canon, and no, it wasn't her direct OR indirect responsibility what was going on in China: REPLAY RE6 and for the love of GOD, never again argue that what she did was somehow "the equivalent of evacuating a city after selling a WMD to destroy that same city". It's a case of pure intellectual dishonesty to say such a thing. It's canon that Carla was the one who caused what happens in China, PLEASE, PLAY RE6).

Furthermore, Ada shows compassion on some occasions even for characters who are directly putting her in harms ways, like Annette (in RE2 OG, right after - in order to defend herself - she slaps Annette leading her to lose balance and collapse over the sewers fences, Ada makes an effort in trying to pull Annette back and prevent her from falling) and Carla.

Replay RE4 and pay attention to it, pay attention to her solo campaign: getting involved with Leon's journey in Spain hasn't brought any real benefit to her mission or herself: Ada deviates from her main path several times due to worrying about him and trying to help him and almost ends up dead in several of these occasions over her insistence in doing so: by saving him from Bitores Mendez, by helping him and Ashley against Sadler, by confronting Krauser and stopping him.

It's so lazy to only read/listen to a file in which she says in English that "Leon might be useful to her plans" (this is way more nuanced in the Japanese original of Ada's Report), and ignore everything that was SHOWN in the game: every effort she made to ensure that Leon could rescue Ashley, remove the parasite from his and her bodies, and escape from that hell-island.

The jet-ski she left for their escape was ALREADY there before she was captured by Sadler (or you think she arranged it while she was caught?). Leon having to intervene and save her from Sadler WASN'T her plan. It WASN'T her plan to take the sample from Leon's hands. She wanted to help him get out of there with Ashley and she guaranteed he could do so, she wanted to get the sample by herself and escape too while sending that hell to kingdom's come. But, because she chose to help Leon rescue Ashley right in front of Sadler, she ends up captured.

On her end, Mia never did anything minimally compared to that, and all of her "selflessness" or self-sacrificing actions involved a much, MUCH smaller scope than Ada's: wanting to help her husband and HERSELF is not at all comparable to saving a few dozens of unknown Chinese civilians. So no, they aren't "cut from the same cloth". They don't come from the same place, nor do they share the same intentions or goals, and their contributions to the RE storyline are quite different.

iv) unknown true purpose (shades of grey)

lining up in the background

waiting for the crowd shot to be seen

in the shadow of the big screen

everybody begs to be redeemed. ⁕

In databooks, Ada is recurrently described as "a Chinese spy with extraordinary physical abilities, vigorous health and composed mind and spirit, capable of coping with grim situations and handling even the most difficult requests without losing composure". If we are paying attention to the storytelling ingame, however, we know that this isn't always the case: Ada did let her mask of unswerving emotional and physical strength fall and showed a very fragile side under strenuous circumstances a couple of times already.

Also, in these databooks, they often point out that "she has her own 'true purpose' and has FREQUENTLY betrayed organizations and clients to achieve it". Huh, we can AGAIN, by this only, see how completely different she's from Mia, who personally watched an entire family being driven to insanity by Eveline's hand.

Furthermore, in these databooks, it's often said that "this true purpose is still obscure and whether she truly cared for anyone or simply used her charms to manipulate people that crossed paths with her isn't ever clear". If people are willing to be open-minded and exercise their text comprehension skills, though, they'll see that in multiple occasions of emotional confrontation it has been established time and time again that yes, Ada DOES care. She wasn't capable of shooting Leon and there has been a couple of other times that failing to choose a cool, sociopathic calculation and pragmatical demeanour over empathy and humanity towards others has put her in harms ways: nonetheless she still chose it.

v) positive impact

I'm gonna break the cycle

I'm gonna shake up the system

I'm gonna destroy my ego. ⁕

To this point, RE's plot systematically leads us to believe that Ada has been covertly acting behind the scenes of multiple biological incidents COLLECTING INFORMATION (the job of a spy, who would've thought! lmao), that is valuable to numerous organizations, companies, groups and different contexts, but at the same time of allegedly offering to handle this knowledge for the right price to the big players involved with bioterrorism and clandestine trading of bioweapons, she's also working to sabotage said players.

This is evident throughout the franchise: she intended to hurt Umbrella's business. She outwitted and deceived Wesker multiple times. She even undermined Simmons, someone who was in a position of power in the US government and actively using that position to lead bioterrorist ventures on the parallel side.

There's no concrete evidence or hint as to what she does with the information she collects, and for all purposes and effects, I can presume that she's gathering this knowledge to assist in the discovery of countermeasures and vaccination studies. I might as well argue that she is a Chinese spy who is working against European and North-American capitalism and the imperialism that creates such monsters like the biochemical and bioweapons industry and that her real objective is to dismantle the market for bioweapons and bioterror supported mainly by the USA (see: Simmons and The Family).

That is, as long as it is unclear what her true purpose is, I have the freedom to surmise whatever the heck I want and that all of what she's been doing was for the sake of the greater "good" - and I'll even have canon moments to support this reasoning as it's clear that she regularly sabotages her customers (customers that are unquestionably established as playing for the "evil" side, with perverse intentions) - throughout the franchise. She did this on RE2, RE4, RE6 and Damnation. It's there, transparent in canon, people just choose to ignore it.

She laughs in the face of whoever she's talking to by the end of Damnation, saying she doesn't intend to deliver the Plaga; she scoffs at Simmons; she betrays Wesker and kills Krauser. She had been sabotaging Wesker for so long, that he sent Krauser to be the main agent in the mission in Spain, and Ada was just a "side effect" that he didn't have in control and had to keep an eye on, so he ordered Krauser to keep tabs on her. It's not a mutually beneficial dynamic. Ada doesn't want Wesker to succeed, she despises him; this is clear in the games in which they interact. There are even files that indicate that she was trying to double-cross and get in the way of his plans for at least 2 years before Spain, and he was constantly catching up with her. See here and here.

On her end, Mia was employed by and consciously working for a criminal syndicate.

vi) a (secretly) helping hand

oh, I'm a master pretender

just felt more alone

the further I'd go

but I'll stick around

I'll be your master defender

yeah, I'll stick around. ⁕

Ada approached characters such as John Clemens and Luis Sera, and both had a canonical intention to, in addition to putting an end to their connections with the criminal companies and organizations they've been working for, also expose and denounce them for their crimes. It's in this context that Ada comes into contact with them. And why is that?

Check John's background: he had made up his mind about disclosing Umbrella's crimes to the public. Check Luis' background: Ada went to Spain to assist in his extradition since he feared for his own life if he resolved to turn his back on the cult of Los Illuminados, and also dreaded the consequences of the liberation of Las Plagas on an international scale.

Keep in mind that Ada handed over to Wesker a USELESS Plaga sample. Wesker only got the sample currently circulating in the underground market because he went after Krauser's body. We don't know what Ada did with the master Plaga sample she obtained. We only know from Ada's Report and the Plaga Recovery file that she didn't deliver it to Wesker, and he needed to go out for a plan B to get it.

Even the G-Virus sample that fell into the hands of the clandestine business, it's possible to argue that Ada's involvement in it was flimsy, since Simmons CANONICALLY made over a thousand laboratory tests in Sherry, and, as we know, he was a leading figure in bioterrorism and bioweapons trading with the aid of his position in the US government.

But, guess what, Ada clearly is a non-white character with obvious Chinese heritage and Mia is white, so of course, OF COURSE, someone can so nonchalantly affirm that Ada, this "vile bitch", is somehow WORSE than Mia. The same Mia who watched the Bakers being destroyed. Right.

Also: trying to validate one's point by claiming anything related to the misogyny present in RE franchise, while IN THE SAME BREATH AND TWEET reducing Ada's entire character arc to that of "a sociopathic bitch cured by the magic dick of her love interest" is supposed to be a joke, right? No, really. Joke.

conclusion and a word against misogyny

we are waiting on a telegram to

give us news of the fall

I am sorry to report

dear Paris is burning after all

we have taken to the streets

in open rejoice, revolting

we are dancing a black waltz

fair Paris is burning after all. ⁕

To any Ada fan that has been reading this so far: PLEASE, I ask to consider refraining to use the "oh yes, Ada did some bad shit, bUT" take to defend the character because that isn't sustained by canon in RE, lmao. She didn't do anything evil that had an indisputable bad impact on the plot and other characters arcs. For one, I myself do love some villains, but that isn't the case with Ada.

She did do some unconventional shit yes, since she's a morally GRAY character and an anti-heroine, but by the end of the day, each and every action of hers had a positive impact on the journey of other characters and main plot. Just pay attention to it.

Like idk man, Black Widow, Elektra Natchios, Scarlet Witch and Black Cat from Marvel, Catwoman from DC, Yennefer from The Witcher (some pop culture examples that come to mind).

Saying that this is an "extremely selfish prototypal bad bitch except when it comes to the magical redeeming dick of her love interest" it's a grotesque reduction of a complex female character, and, in its attempt to critique the misogyny present in RE's franchise an expression of misogyny in itself.

Remember: Ada has actions and impact on the franchise ASIDE and IN ADDITION to her romantic involvement with Leon.

[maverickcalf]

3, any ship you want!

I woke up in a very trans mood, so we are gonna get some Trans Ethan along with a soulmate au. Some Jack x Ethan, Ethan x Julia But end game Benthan.

TW Internalized Transphobia and Self Harm. Like a good amount of self harm. Please send angst/whump dialogue prompts

3. “Your arm looks…weird.”

Ethan Hunt had always wished for a world without soul marks. Well maybe not always, maybe since he could vocalize that he was his parents’ son and not their daughter. From then on every day he had before he turned 18 was both a blessing and a curse.

Sure, he couldn't transition beyond his parents correcting folks and dressing differently. But at least there wouldn't be a mark burning into his arm, a promise there was someone out there for...was it even for him. Or for a past shadow that never existed?

When he woke up on his 18th birthday with the soul mark on his left forearm. Must mean his soulmate has theirs on their right arm. That's normally what happened, it was like a puzzle piece in that regard. What Ethan hated most about his soul mark was it was actually lovely. A tall plant growing out of a top hat, the trunks intertwining with each other a heart craved into each one. A white butterfly resting on the top.

Ethan had seen so many soul marks that just had people’s names and a heart but this... this was designed by someone in the heavens. And Ethan hated it. That the universe did this for him and didn’t even have the courtesy to give him the body he knew he should be in?

Still his parents were pleased, giving him compliments, saying how beautiful the butterfly was, and they took many pictures of it and then he was off to college, where he was alone, and the hate began to boil.

He was never sure why he decide to first take a knife to it. All he knew is his match would be better off without dealing with all his complexities, without knowing him.

But he went too far, his friend noticed. Sarah noticed after a month, and convinced him that if he really hated it that much he should just cover it and not do something so awful. Really Ethan was just thankful she didn’t report him, he could get suspended for something that drastic, maybe even sent away. Sure he still had to wash it and see it then, but it got better.

Then Ethan met Jack. Now Jack’s soul mark were several electrical wires intertwined to make a heart, his was on his right arm. But Jack was different, he didn’t seem to care about soul marks.

“The way I see it, is a soul mark just shows us who we are most compatible with. Five plus Five may equal ten, but there are many ways to equal ten. The marks are just the most balanced number.”

And it made sense to Ethan, and for the first time in years he felt at peace, he didn’t have to force himself into any box or think about be with someone who expected him to be a certain way. He could just enjoy life. And Life did include Jack, for a time. He even stopped hiding his mark for a few years, he didn’t care that their marks didn’t match. They worked well together, and that’s what mattered.

After he lost everyone, Ethan did relapsed. Thankfully not for long, but it scared him. He covered it up again. He had a few dates and loves after that, but nothing too serious until Julia.

Her mark was a standard heart but instead of in the center had a blood red ruby in the center and the heart was silver not anything in a red tone. Julia was very different than Jack. True, she didn’t care that they didn’t match. The only thing that worried her was the scars the littered his arm. But she loved to study the symbolism of the marks and wished she could have seen it when it was not covered in marks of his self-hatred.

One call to his Uncle later and he acquired his old photos of his mark. He decide to not show Julia any photos where you could see his face or his body, he wasn’t on T or had any sort of surgery, and those parts hurt to see as well.

“I love the butterfly. That’s a male checkered white.”

“Huh? Is it?” Ethan shrugged, “Must mean my match is a guy.”

“Hmm, maybe. But that butterfly is more local to your neck of the woods. I think it is meant to represent you.”

He knew Julia had meant to reassure him, but that made him angry again. Why would his mark label him as male and yet he was born the way he was. It made him hide it again.

Losing Julia to his job was the final straw. He was going to get rid of this thing. Love was pointless, especially for him, having a soul mate was a risk, for him and...whoever matched him. He wasn’t going to take that risk.

When he was done trying to burn it off, it was barely recognizable. Just a vague shape of colors, but the butterfly still was noticeable. But burning it off more in prison wasn’t really a choice. So he just avoided looking at it, hid it again, but now with the reason that no one wanted to see his burn marks, the guards all found it awful to look at it, they gave him a large armband and basically forced him to wear it. Fine by him.

But in all the chaos of the mission after being broken out of jail, he had forgotten to hide not only his marks but his burns. And when he enter the room without it all conversion stopped, all three of their eyes were fixed on his left forearm. Shit.

Benji of course was the first to speak up, “Your arm looks…weird.” Ethan swallowed, he didn’t expect Benji to say it like that, and it hurt more than he thought it would. Benji had always looked up to him but now he could see what sort of man he really was. God, the pained look in his eyes, Ethan couldn’t handle it; he looked away and quickly rolled down his sleeve despite the heat.

“It’s nothing.” He said flatly, trying to indicate through his tone he didn’t want to continue this conversation. 

“Nothing, sure.” Brandt frowned, “Like we are supposed to believe that.”

“Just like we are supposed to you are just an analyst.” Ethan said back sharply. “Who are you Brandt, really?” ---

Despite everything, they made it through. The whole team. But he should've known there would be some changes. They saw, they saw what he did to himself, but none of them spoke to him directly. But they did keep a close eye on him. Good. He didn’t try to do anything again, after all his team was counting on him, knowing they were watching did stop him.

It wasn’t until he was alone with Benji in Vienna did he hear anyone ask about it.

“Ethan, your arm-?” Ethan turned to look at a very nervous Benji, all his confidence from early had seemed to vanish. Still Ethan said nothing, waiting for Benji to say more. “Is that where your mark- was?”

Ethan let out a laugh that was much more bitter in tone than he intended, “It’s still there somewhat, despite everything.”

“Can I see it?” Ethan blinked, he wasn’t expecting that. Still he took off his jacket and rolled up his left sleeve for Benji. He tried to remain relaxed as Benji’s traced his fingers along the outline of the mark, despite the burns making a lot of it indistinguishable. What was something was when Benji rubbed his thumb over where the hearts were on the trunks of the tree, they had been gone for years; How did Benji-?

“Benji?” Ethan asked softly, his heart was racing. Was this really happening?

“I would ask if you miss it but-” Benji bit his lip, “It’s pretty evident you hate it.”

“I just thought...” Ethan swallowed, “I thought my match would be better off, safer without me in their life” Ethan looked into Benji’s eyes, “But...turns out, he is staying...? Right?”

Benji felt his cheeks burn, “How did you know?”

Ethan shrugged, “Just following a hunch.” His face broke out into a smile. After all these years, his friend had been his match the whole time. There were still some hurtles but.. but.. Ethan’s smile faded. There was one major hurtle. Ethan pulled his arm back, rubbing his forearm “B-benji. There is something you... you should know, about me.”

“I know you don’t believe in soulmates, but-” Benji said, Ethan could tell he was trying to hold himself together.

“I am trans. I am a trans man.” Ethan said before he could talk himself out of it. Benji’s eyes widened. “I was always afraid, that, my match would expect someone else. Not Ethan but-”

“I am not expecting anything.” Benji cut him off, “I wouldn’t want you to force yourself into a relationship with me! It’s just a mark on an arm, not legally binding.”

“Do you want to...be in a relationship with me? Even after learning I am trans and how...” He let out a soft chuckle, “How much I hated myself?”

“...Yes. I do.” Benji smiled softly. Ethan smiled back.

There would be time to talk later but for now all they needed was each other. They fell asleep in each other’s arms, Ethan’s thumb gently rubbing the white butterfly on Benji’s arm. His parents were right, it was beautiful.

[mira--mira]

When and why do you think Madara gave up the dream of the village, or did he have it in the first place? Since its implied that Hashirama tired to make peace the second he became clan head only for Madara to refuse him until Izuna's death. Why do you think it took Madara so long to agree when he dreamt of it with Hashirama when they were young. Or do you think that he was just humoring Hashirama when they were young and never had that dream?

Ooh I have a lot of thoughts on this! Okay, so first of all I whole-heartedly believe Madara and Hashirama shared the same dream when they were young. I’d even argue that Madara started to have it first. In Hashirama’s flashbacks (which my god, I wish we had Madara’s perspective on that so much) to me it seems like he’s frustrated with the fighting and the war but can’t quite vocalize the idea of peace. It’s when he meets back up with Madara and Madara tells him to trust someone you need to know their guts and presents that as the unlikely but ultimate way to make peace that Hashirama latches onto the idea and then they develop the idea for the village specifically together until it becomes their dream, and once Madara abandons it, becomes “only” Hashirama’s.

As for why Madara didn’t agree immediately when he became clan head, I have different two different theories, and a whole lot of realisitc overlooked complications. The first and most bitter theory is at this point in the overall narrative the ‘Uchiha are genetically pre-dispositioned to evil’ theme has picked up steam and the reincarnation reveal is right around the corner. To make Naruto’s ultimate triumph of ‘winning Sasuke back to the side of good’ the most meaningful, Hashirama and Madara (and Asura and Indra before them) had to fail by the narrative design. Naruto is the child of prophecy and the reincarnation of ninja jesus, he’s the Most Special right now. None of this is helped by the fact that we don’t get Madara’s side. We don’t know why Madara refused peace. If that was explained, if Madara even referenced it in his fight with Hashirama I would be less bitter and more inclined to believe there was actual narrative weight in that decision. But it’s not and while I love part 1 baby Naruto with all my heart, ever since the child of prophecy plot point was brought up and all throughout the war arc I am most happy when we are not following him because the world bends to accommodate him as the mc more than usual at the detriment to other characters.

Now for a not bitter theory, with the scraps were given and a lot of guessing lol. Madara’s decision not to accept peace immediately once he becomes clan head, should narratively tie into why he broke off his friendship with Hashirama in the first place. We know the river confrontation happened, but we don’t know how the Uchiha discovered was meeting Hashirama, or their reaction to it. Personally, I love good dad Tajima, but realistically I think his reaction would be similar to Butsuma’s. Madara would be threatened with being labeled a traitor to the clan. However, the real crux for me would be Izuna. Izuna is Madara’s main priority from what we can tell. If Tajima suggested, or threatened, that Madara’s meetings with Hashirama would directly lead to Izuna’s death...I can see that being a greater fear for him. Neither Madara or Hashirama would want to be banished from their clans but the knowledge that his friendship with Hashirama was the cause of his brother’s death would be the single worst outcome for Madara. Cue the actual river confrontation, with Tobirama and Izuna clashing and then both dads trying to kill the other’s kid that was Madara’s worst-case come true. I don’t think he went into the confrontation with the intention of breaking his friendship with Hashirama. They both tried to leave early to prevent the confrontation after all. But when it happened and Madara was faced with that...he did the only thing he could think to do to protect his brother even at the cost of his own happiness. The agony of that choice was the Sharingan moment for me. From there it gets blurry but the way I see Madara is he felt he couldn’t go back on that decision and he internalized it. He made it and getting close to Hashirama again, listening to him and accepting peace, would still ultimately lead to his brother’s death. This could explain why after Izuna died, he gave it one last go and when he was defeated ultimately accepted peace. His worst case had come true. Izuna’s dead and, in a twist of fate, he died because Madara chose to not to accept Hashirama’s friendship when he could.��

The above is kind of my “main” theory, directly from canon explanation. It gets complicated by other ideas that weren’t addressed at all, but would reasonably come up if the narrative was focused on this time rather than Hashirama’s entire backstory being just that, a backstory. We know the Uchiha and Senju had been at war for generations and the overall terrible conditions of the Warring State Period as well as how ninja clans were hired as mercenaries...beyond that...there’s not a lot. A major consideration to Madara not accepting peace should be the political climate. Were there multiple daimyos (I ask this because the Warring States period was analogous to Japan’s Sengoku period and there were multiple daimyos fighting for power. Who would have the money/need to hire multiple clans to fight against each other if there was just one?) was there just one? Madara is the leader of a clan but he can’t just decide to do things if it would possibly jeopardize the Uchiha’s ability to work, get paid, and eat. Then you have the politics of the clans themselves. There were Uchiha defectors and they were at least willing to accept peace, but we get no indication about the clan’s changing attitude towards the Senju or peace. After being grievously injured, Izuna was still against it. There could have been a group that was completely anti-peace and a group that was pro-peace and how would Madara reconcile with that especially if he wasn’t a beloved leader? I do think Madara as clan head could make the decision ‘we’re making peace with the Senju’ but then forcing two enemy clans to cohabitate that hate each other...even if they were tired of war Madara would be risking his clan’s wellbeing on Hashirama’s word. I think Madara could believe Hashirama but the rest of the Senju? That’s a different question altogether and raises it’s own concerns. 

The concept of making peace and creating the village is a complicated matter, much more so than two boys declaring they’ll be the strongest so everyone has to listen to them. I really think this point in the narrative just kind of...had to exist with the way Kishi wrote the story esp with the upcoming Indra/Ashura parallels. Realistically there would have been a lot of reasons Madara couldn’t immediately accept peace even if he wanted to. These could have been hinted at, but because I think the ultimate goals of the backstory was 1. to lay out Madara’s villain origin and 2. to hint at Hashirama failed where Naruto will succeed and all of this has to be delivered as quickly and effectively as possible, those other possible reasons weren’t explored. I would have liked a line or two of dialogue between Hashirama and Madara about this, especially whenever Madara mentions Konoha isn’t his dream and ground it in realistic obstacles rather than ‘space alien goddess’ will manipulating him for x amount of time’ but...you know.

Hashirama and Madara’s relationship was well developed and great, but Naruto suffers the mot imo when realistic longstanding problems come up, especially if they’re problems caused by historical events or the current socio-political climate. The biggest evidence of this is...what were the great shinobi wars about? Why did they start? What were they fought over? When did they end? What were their consequences? It’s...surprisingly hard to answer these vital questions and “why didn’t Madara immediately accept peace?” ultimately falls into the same category for me. 

This is all from Madara’s perspective and tbh I could write a whole thing about why Hashirama was so gung-ho about immediate peace and the pro/cons of that but this is already way too long lol.

[egcdeath]

secret santa

pairing: ransom drysdale x f!reader

a/n: this is so self indulgent. SO SELF INDULGENT. more self indulgent than anyone will ever be able to comprehend. before u all read this, i want u to know it was originally supposed to be about training ransom at a job, but then i realized that i nothing about 1. working at a coffee shop and 2. training an employee. also, i am the worst at writing dialogue. so i didn’t write a lot of dialogue LMAO enjoy :)

also, half of this was written at 1 am. just a warning

warnings: coffee shop au, enemies (kinda) to lovers, a lil fluff, not really angst but bitter feelings, kinda slow burn and then all the sudden a fast burn i’m sorry 😭

word count: 2.6k

You woke up to the sound of your alarm rumbling your bedside table sometime around the asscrack of dawn, and rubbed your eyes with a groan. Sometimes, you really couldn’t stand your job, but bills didn’t really pay themselves, did they? You rolled out of bed, and began your dreaded morning routine before heading out to start your opening shift at your local café.

Somewhere between warming up the espresso machine and taking out last night’s trash (which you shouldn’t have had to do in the first place), an older, yet expensive looking car pulled up to the front of the parking lot. You were a bit confused, as you’d never seen this vehicle, and it was quite clear that you weren’t exactly open yet. You watched as a tall man hopped out of the car, wearing a large peacoat and very unnecessary sunglasses. He approached the door, gave it a knock, then waited for you to come open it for him. Reluctantly, you made your way over, and in order to keep yourself safe, began to speak through the glass.

“Can I help you?” You asked in an annoyed tone, then gestured towards the piece of paper that labeled your hours on the door. There was no reason for any customer to be here this early. You looked up at the mystery man and made a rather intense eye contact with him. If this was any indicator of your crowd today, work was going to be far from pleasant.

“Yeah, I was told that I’m starting today?” He had a wicked smirk on his face, like he knew he was getting under your skin already. You hated people like him, and couldn’t believe that he could possibly be your coworker. On the bright side, he probably wouldn’t last long in the first place.

“Well, are you sure you’re here on time? I can’t see any situation where Melissa would schedule to open for your very first shift.” You commented with a furrowed brow.

“Eh, I kinda just figured I’d come in whenever. The girl in my bed was an early riser, so I thought to myself ‘Why not just come in now?’” He said casually.

“Your name?” You inquired, trying to keep your annoyance to yourself, and put on a customer service smile.

“Hugh, or Ransom,” he responded. You turned around, allowed yourself a huff and eye roll, then walked through the kitchen, and into the break room to check if he truly was a new employee, or just some random creep. Sure enough, a bright pink post-it note in very neat handwriting confirmed this man’s existence. You made your way back to the door, unlocked it, and let him in.

“Since you’re here, you should… set down the chairs,” you told him, less than entertained by his presence. You could just tell he was bad news. This Ransom guy was like the textbook definition of a red flag. He talked your ear off while you tried to get through your opening routine, some casual remarks about his last hookup, complaints about how he only got this job because his mother was a regular and good friends with your manager, and how he was threatened to get cut out of his grandfather’s will if he didn’t get employed soon, and what better way to spite your family than to mess up their daily coffees.

Eventually, a few more of your coworkers, along with your manager, Melissa, made it to the café before the morning rush began. You were sitting down at your typical barstool spot, and sipping an iced Americano when Melissa broke the news to you that you would be training the new employee. Upon hearing the news, you audibly groaned, and rubbed your forehead. There was no way that you could handle this man.

-------

During his first week, Ransom not only managed to offer (and successfully give) six customers his phone number, break two mugs, mess up more orders than even Euclid could comprehend, and spill straws a multitude of times all over the floor, but he began to flirt with you relentlessly. You had no idea why you’d become his new target of choice, when it was clear that he could have literally anyone he wanted. Maybe he liked that you were playing hard to get.

If you were being honest, you had to accept that he was handsome. And rich. And the definition of a fuckboy. And since you were being frank with yourself, you had to acknowledge that you were attracted to that ‘toxic and will treat you like shit’ kind of guy. You had a roster of ex boyfriends to prove that for you.

---

It was a pretty slow Tuesday afternoon, which meant you were sitting on your phone until a customer placed an order. Eventually, the little bell above the door chimed, and an older man came through, ordering a dark and bitter drink, then standing by the counter to wait. You began to restock lids while Ransom took care of making the drink, and once it was ready, you passed it over to the man. The man in question took a rather large sip, then promptly spat it out.

“What the fuck is this!” He roared, barely giving you time to react before he proceeded to toss the drink at you, spilling most of the hot content on your apron.

You gasped, gawking down at your scorched and ruined clothing, then up at the customer, who’d turned around with a huff and left, leaving a stream of strong language on his way out. You bit back tears at the whole fiasco, and cringed as both the steamy drink, and your salty tears stung different parts of your body. You turned to look at the barista, who had passed you along the drink, and were met with no other than the white devil himself. It seemed that all the blood had drained from his already otherwise pale face.

“Oh my god, this is all my fault,” he began remorsefully. “Let me make it up to you somehow.”

“Whatever,” you huffed, running a hand through your hair, and shoving Ransom angrily while you more or less stomped into the staff bathroom.

You looked at yourself in the mirror and frowned before bringing up your bundled apron to your face and screaming into it. Stupid fucking customers. Stupid fucking job. Stupid fucking Ransom. It’s like he came to your job just to make it hell. You were tired of cleaning up all these messes for him, and honestly, you wish he’d just quit already. The longer you worked with him, the more tempted you were to pour sugar in his gas tank, then take a club and break all the windows in the Beemer.

------

For the next month, your brain was completely elsewhere at work. Your brain was constantly going back and forth with you between finding Ransom hot and horrendous. While the pair of you finished up closing one night, you heard your coworker begin to speak to you as you placed your hand on the keys in your pocket.

“I know you hate me, Y/N. I get it. What that guy did to you was awful, and yes it was my fault, but what else have I done to hurt you?” He asked, seemingly out of the blue. You weren’t even sure how to respond. Ignoring the man and demonizing him in your head had become almost a second nature. “I mean, I think we could’ve been good friends. Even though you seem to think I’m devil incarnate, I think you’re a pretty cool chick-“ he continued before being cut off by you.

“Why do you even care?” you burst out, “Ransom, you just don’t get it do you? You’re just.. a douchebag. I get it, you have your moments where you’re candid and open with people, but half of the time you’re talking, you’re objectifying someone. Or bragging about something you own. Don’t get me wrong, I could get past what you did to me on accident, but you seriously have to work on yourself,” the words just seemed to pour out without your control. “Goodnight, Ransom,” you said simply before leaving the café for the night.

——

Since that day, the tension between you and Ransom had evidently become more thick. Since he was finally finished training with you, you made sure to only speak to him if you absolutely needed to, and even then, you only communicated with him in brief and straightforward answers. Sure, it seemed like a small thing to be upset about, and sure, he’d apologized, but something told you that any excuse to stay away from Ransom was a good excuse.

Though he appeared to be an immoral and selfish man, he seemed genuinely sorry for all that he’d put you through. Occasionally, you’d be sitting in the break room and look up from your phone to see him watching you. When you’d make eye contact, he would look like he wanted to say something to you, but your petty ass would leave, or look back at your phone. He was bad news anyway.

Your boss quickly caught onto what was going on between the two of you, and usually, Melissa didn’t like to participate in petty drama, but your new sour mood was such a stark contrast from before, and it seemed to shift the whole mood of the café.

That afternoon, Melissa called for a team meeting a bit before closing, and suggested a family dinner along with a Secret Santa. She’d said something along the lines of ‘It’s been way too long since we’ve done a team bonding activity, and a gift exchange is perfectly fitting for the Holiday season.’ This did make you perk up, as Melissa had a great taste in restaurants, and you were always down for a good gift exchange.

Melissa then told everyone to write their names down, then put them in a decorative Santa hat. You and your coworkers obliged, then began to pass around the hat once again in order to draw a name. You really hoped to get Xavier. You had the perfect idea of something he’d love. As you drew a piece of paper from the hat, you imagined the matching pair of fluffy socks for a human and dog that you’d passed by during your last trip to Target. You began to unfold it, thinking of what color he might like the most, when you looked down and saw ‘Ransom’ drawn out in chicken scratch.

You tried your best to mask your annoyance at who you received, but on the inside, you were seething. You mentally cursed the universe out while you pulled on your coat, and grimaced to yourself once you got out to your car. How were you supposed to get this asshole a gift?

—-

The week leading up to the exchange went fairly well for you, although it was getting a bit exhausting to be so mad at Ransom all the time. You tried to be less harsh with him, considering you needed to learn more about him in order to get him a somewhat decent gift for your exchange.

He’d seem to have taken your conversation with him to heart, and began to talk less and less about other girls when he was working with you. He didn’t comment on how well your jeans fit you, and you noticed that he’d often overextend himself in order to help you with (pretty basic) daily aspects of the job. Ransom would ask you questions about yourself, and your family, and speak less about himself. If you were honest with yourself, he was becoming a better man. And the best part was, he seemed to be doing it just for you. The thought of which brought heat to your face.

—

On the night of the exchange, you threw on a hideous and scratchy Christmas sweater before picking up your neatly wrapped gift for Ransom. You truly hoped that he’d like it, even though it certainly wasn’t the most expensive item. You bid farewell to your cat, then went on your way to the restaurant. You had to admit, you were a bit late. So it should’ve been no surprise when you arrived, and found that the only seat left at the table was next to Ransom. You gave him a cordial smile before sitting down and ordering yourself a glass of Merlot.

Something about being so close to him was kind of riling you up. The strong timbre sent coming off of him was making your whole body feel slightly warmer than normal, and you tried to ignore this strange sensation while you talked and joked with your coworkers. At one point, Ransom leaned in nice and close to you, and began to speak to you.

“Jesus Christ, I don’t think I’ve ever seen anything as hideous as Karmen’s sweatshirt,” he whispered right into the shell of your ear. Maybe it was the wine talking, but that simple action sent a whole chill through your body, and made you flush even harder than you’d flushed before. You let out a little giggle and nodded in agreement, looking across the table at her very ugly sweater.

“To be fair, the whole point of this was to wear something really ugly,” you turned your head back to where it was before, only to find that Ransom had somehow moved even closer to you.

“I just don’t know where you find something like that,” he commented, gazing much too deep into your eyes. You swore you felt the room shift after he began looking at you like that. There was about a 20% chance that you’d be able to keep your panties on after this kind of exchange. Luckily for you, a waitress broke the tension for you, setting down a few plates for everyone, then bidding them farewell. Damn.

The food was amazing, and didn’t last very long, meaning that it was time to pass gifts around sooner than later. You watched as Amy received a gift card from Sophie, Emily opened a plethora of chocolates gifted to her by Melissa, and Xander whiffed a candle given to him by Kennedy, then, it was your turn. You glanced around the table before you felt the arm next to you reach down, then hand you an oversized gift bag.

“I hope you like it,” Ransom said with a shy smile. You casually felt your cheeks on your way to pull out the very large item. You found it was a very large, and soft, hand knit blanket. It looked like it could’ve cost a small fortune, and you immediately found yourself embarrassed.

“Oh wow. This is perfect! Thank you so much,” you grinned over at your coworker, who seemed to be blushing himself. “Well, I guess I should probably give you this then,” you chuckled awkwardly before passing him your wrapped package. He tore it open barbarically, then began to laugh. Of all the gifts in the world, you two had gotten each other somewhat similar items. Sure, it wasn’t hand knit with the love of some grandma who ran a small business on Etsy, but it was the thought that counts.

“I love it, Y/N,” he exclaimed, looking deep into your eyes once again. He ran his fingers through the soft fabric, then set a hand on your arm. In that moment, it felt like time stopped. It was just you two, sitting in a quiet room, enjoying the presence of each other. You don’t even know what had gotten into you, but before you knew it, you felt a nose pressed up against yours, and a billion butterflies erupt out of your stomach. You heard a few grimaces from your coworkers at the sappy, Hallmark-like moment but what could you say.

Maybe Ransom was not that bad after all.

[nightswithkookmin]

RE JIKOOK IS ESTRANGED

Them

Me

Lol

JUMP CUT ALERT: This is a continuation of an ongoing discussion behind the scenes.

DISCLAIMERS:

Article 19, UN Universal Declaration of Human Rights: Every person has the right to freedom of opinion and expression which includes the freedom to hold an opinion without interference through any media.

Misinterpretation of my opinion, my words constitute a violation of my human rights. Please do not take my words out of context, share it on another platform in furtherance of your own agenda. If you do hold yourself accountable first. You are the author of your own intentions and interpretations.

I do not intend malice by my words nor do I seek to be disrespectful of any member mentioned in here. I simply enjoy mentally stimulating conversations and thought provoking discussions.

Let the records show.

MATTER OF THE DAY

Thanks to everyone that's shared your thoughts on this matter with me and thanks to that person that brought this matter to my attention.

I haven't looked into it and I don't know how severe this issue is.

I think people have the right to believe in anything they want to believe in. Personally, I don't think Santa is real but clearly others do, doesn't mean I'm sane or that they are crazy.

I don't think discussions of this nature should be about who is right or who is wrong. Everyone's opinion is valid and holds true to their own delusions. Lol.

Frankly, I prefer this kind of ship wars to the slurs and abuses and they are distributing hard core porn now?? What is going on! Chileee.

I have never believed JK and Tae to be anything more than friends. At one point, I wondered if they were even friends at all lol but since they admitted to having had a falling out themselves at one point the topic is now moot.

Tae and JK have- had- have a really special bond. To me anyways. I always saw them as the evil power twins of BTS due their ability to come together to wreck havoc especially on Bang PD's scripts. Lol. I think I have mentioned this a few times now.

I smiled to myself when I heard them call themselves partners in crime. The bond is there no two ways about it- you either appreciate it for what it is or you don't. personally I love their bond. Can't stand their shippers but I love their bond. They keep the drama going for me- love it. Lol

The question has always been whether their bond is as profound as their shippers make it seem. I argue it's not and I will always argue it is not. Lol

I think it's only fair that they also question whether Jikook's bond is as profound as we make it sound. I really can't be mad at that. All is fair in love and war- at the very least we can agree to disagree.

I mean even Jikookers themselves question the extent of JK and JM's bond. Some think they are just very special friends and nothing more. I think I talked about this in my is Jikook real post when I mentioned labels and the degree of love between JK and JM?

We know JK and JM have a unique bond. The question then is how far does that bond go. Is it just platonic, romantic or something in between?

This is the question I was aiming to answer with my is Jikook real post. My objective was to try and dismantle all the nuances that keep us from seeing the 'truth' about Jikook- that they are real. At least the way I see them.

I talked about unrealistic expectations we have of Jikook, false conditionings that often leads us to see Jikook as something more than they are- the amplified Jikook. We get used to highlight reels of Jikook's interactions in edits such that we feel there is something wrong with them when we see them in real time.

I mentioned that Jimin's nurturing nature often also estops people from reading more into his relationship with JK. He is nurturing of everyone, JK ain't special- they argue, just as this person is doing.

I talked about Jimin's Idol persona, the facade of the boy in love with JK- Jimin's role within BTS since debut and how that can equally blind us into thinking Jikook is something more or less than they really are. I have a post dedicated to this topic sitting in my drafts so I will not go into the details of it here. Please look forward to that.

But this person's post touches on another aspect of Jimin's personality that I feel is one of the things that often keeps us from seeing his relationship with JK for what it really is- his inclination for professionalism.

I keep saying this, several times now, that Jimin's Idol persona to me seems well developed, elaborate and very elusive.

I have mentioned a few times how I think during Jikook break ups that they keep it civil and professional for the sake of the team and that you might not even notice the difference especially if you place high value on their skinship.

The skinship would be there, the cordiality and civility would equally be there- except for moments when they are fighting, that gets bloody. Lol. They are best friends at the very least. It is why it's important to reevaluate the metrics we use to determine whether or not they are a couple.

I wish I could dialogue with this person to understand her assessment of Jikook and what she is using to determine whether or not Jikook are a couple and what makes her think Tae and JK are. Know what I mean?

What makes her think Jikook were a couple before 2017? What makes y'all think Jikook are a couple at all? I would like to hear from y'all- but come at me with the skinship bit and I'll block you deadass. Lol

So on this person's post, I think I agree with her assessment of JM's persona but I don't agree with the Jikook have been broken up since 2017. And I think I understand where this is coming from... I think some of us do. Yes they had a few fights that year especially leading up to Jimin's birthday- August was it? but we all know JK more than made up for it with the damn GCFs. Lol. kindly visit the timeline, peruse as many content as you can and form your own opinion on it. This is just mine.

Are Jikook Jikooking all the time? Absolutely not. They are human too. They fight, they make up, they break up they get back together, they have introverted, extroverted moments, they go up, they go down- have bad hair days, it's all part of their dynamics I'm afraid. From my point of view of course.

I feel some people notice these things too and when they sense Jikook aren't in a good place they bow out and Jump ship- I don't blame them. They are shippers not supporters. What Jikook need are supporters not shippers- or maybe both, do you.

Could this person be one such people? DNF shippers? Given up on Jikook before the end of their story? I don't know. May be.

Jikook is not a fantasy that you ship. It's a relationship that you support. You can't escape into them. They are an ongoing love story- chapters close, chapters open, you just have to ride it out till the very end.

I think the challenge of their post for me is whether or not Jikook is a performance. Her post leans into the whole Jikook is fanservice bull especially in light of the recent photoshoot video which some are using as evidence Jikook don't 'click' when the cameras are off- the lies they tell on Beyonce's internet!

I think I have speculated on this and shared my thoughts on this whole Jikook is fanservice bit. I will delve deeper into it in my next post on Jimin's idol persona but as I've already said, Jikook is fanservice is equally a misnomer.

Yes Jikook does fanservice sometimes, but they are not fanservice. Fanservice is the cover for their relationship. It's their glass ceiling- nothing to see here folks just two snakes under glass. Keep it pushing. (Sorry. Couldn't help myself. Lol)

But you do raise a valid question, what is Jikook like when the cameras are not filming?

Is the mood of Jikook in that footage the general mood of Jikook behind cameras as Tuktukkers are claiming? They barely interact, JM doesn't pay much attention to Kook, yadda yadda yadda?

And the part that gives me a complex, that JK only interacts with JM when they are the center of attention. Huh???????????

Sigh.

I feel caught between a rock and a hard place on this one.

The theory you pointed out in support of this assertion isn't mine and I think I made it clear I didn't share the same thoughts on it. I said it was valid nevertheless. Chilee, this is hard. Lol

Yes JK is an introvert, Jimin is an extrovert, JM doesn't live for JK, all that is true and some Jikookers have said that too- so when you ask, if this is who they are when the cameras are off does that mean what they do when the cameras turn on is fanservice-

I-👁👄👁

I don't know the thought process that went into that theory so I can't confidently defend it. I'll ask? Lol.

Personally, I'd like to know whether or not they see the tension in that footage as tension in the first place. Chileee I don't know.

I see it as tension. Not a very serious one though. So we'd have to agree to disagree on that one.

But the part I can argue, the part I agree with is Jikook aren't hyper super duper lovey dovey on each other all the time. They aren't cuddly all the time. They have their moments of quiet- Jimin seems like the more affectionate kind who'd rub all over JK in the comfort of their homes but still...

If you ask me though, I think Jikook are tamer on cameras than they are behind scenes. I always talk about the fear and panic in the members' eyes when they see Jikook gravitating towards each other- it's probably because they know the extent of Jikook's shenanigans. They know how worse it can be because they've seen it all.

And when JK panics sometimes when JM gets closer too you just know dude is scared perhaps because of his Mochi chick's devil may care shamelessly in love policies- Jimin wild. Bless him.

I did say also that Memories 2019 is equally eye opening. These were censored bits. BigHit was holding all of that and giving us crumbs- stingy mfs. Bless.

All that said, again I don't think Jikook are hyper lovey on eachother behind the scenes. Another part I diverge from that view is that this is not exactly off camera. It was just behind the scenes of a photoshoot. Something we've seen a countless times.

This is not BTS's first ever behind scenes photoshoot. It's just a different angle that's all.

They were working. They were at work. This wasn't an alone private space for them so they can't base on this to say Jikook don't interact when the cameras are off.

The cameras were rolling. We saw them interact, JM was interacting with everyone the way he always does on camera all the time except he wasn't interacting with JK the way he does all the time, grainy footage or not- I mean let's call a spade a spade and not a big fat spoon. Lol

As to why he was doing that- let's just say there are many schools of thoughts.

My thought as I've said is JM was freezing JK out. I think with anyone that's recognized and is familiar with Jikook fights, that mood is all too familiar as I mentioned earlier.

If JM was being courteous and not mad at his man then he would have kept it 'professional' and done the 'fanservice' bit with Jk as per usual just as this person is saying since the cameras were still rolling.

Jikook is not fanservice. They are real.

I have refrained from providing a detailed analysis of that '5 minutes' footage for reasons I will explain later when I do share my thoughts on that footage- eventually. Some day.

But my hypothesis remains the same that I think Jikook were fighting or had a minor issue. As to why they were fighting, chileee I don't know. The confirmation bias in me feel it had something to do with JM's birthday but honestly it could have been over anything at all- dumplings, microphones- we all saw that slap on stage, a certain Iphone notification perhaps, did JinMin make a secret VLive without Kook again? Lol

There are plethora of reasons, I can only speculate on a few. And I think we've all seen Jimin when he is not 'Jimining' with the others, JK included. Take his mood with Tae at GDA for example- since this is not a VMin post I won't go into it.

But it seems they squashed whatever beef they were having on stage when JM extended his hands to Tae and they shaked it out.

We've seen him and Suga bicker too- which again, I am not gonna to get into out of respect for their shippers but I can point you to the On comeback VLive early this year when Suga touched JM and JM mouthed Hajima to him- which I think had something to do with what was going on with him and JK at the time but that is besides the point. Every shipper for themselves.

I contrast his 'fights' with Suga and V to show you the difference between Jimin being professional and courteous and Jimin being rah rah. He was sat next to suga, talking and laughing with him but snapped the moment Suga held his back.

He did the same in the Dynamite MV Vlive, smiling and laughing with Suga but the moment JK teased him with the Yoonmin comment his countenance fell.

Jimin is not that good of an actor if you ask me. I have said he is very Kumbaya in nature, often makes compromises for the sake of the team but that don't mean he is a pushover or one to trifle with- he scares me when he is mad. Lmho.

The scene in that footage didn't look to me as that he was being nice and courteous to JK- is that y'all's definition of professional courtesy? Damn.

If they were having a lover's squabble then the 'icy' mood of Jikook we saw in that footage is not the general mood of Jikook when the camera's are turned off.

I have to state again that I don't know much of what goes on behind the cameras and most of the things we see sometimes are equally missing context.

That been said we have seen enough of Jikook 'behind cameras' and they are more intimate than we can imagine. A certain cozy selfie at the back of an abandoned truck comes to mind. Whatever they were doing at the back of the track wasn't intended for the cameras judging from JK's reaction.

We've had glimpses of Jikook when they are not the center of attention enough to have a fair idea of what they are when cameras are off and I don't think it is that mood we saw in that footage.

We saw them at Jingle ball bell, towards the end of 2019. We saw them in their own space doing what they do best- making us feel single as fuck. Bless them.

We've seen them at awards, we've seen JK eating Jimin's ear nom nom to calm him down- like I would have just bought him icecream to calm down his nerves or rubbed his back but whatever JK. He is your man; you know him best. Good for him. Good for both of you. Now come back and feed us.

And the bit about JK only laughing with JM when he noticed he was on the Bangtan Bomb cameras in that footage- now that's nasty below the belts phony ass ass! I felt that one straight in my chest, shit. Lol

Dude was in a doghouse it seemed and I noticed them stealing glances at each other and.... sigh.

I just think JK was looking for an opening to warm his way back into JM's good graces- it's really nothing we haven't seen before.... sigh.

This is 2020 that narrative of JK hates Jimin, JK doesn't like JM needs to stop. It's dead. Pack it up. Chileee, y'all tried it with this one.

Jk is nice to JM only when the cameras are on him? Nice try.

JK is so fake and fraudulent he glared RM down till he stepped away from Jimin- again, in the very same photoshoot footage y'all swear to God is proof Jikook is not real.

Find it. RM stood next to JM. Looks up see's something- or someone. Does his tell- the hand to head thingy he does when JK glares at him over Jimin. He backs away inches from JM.

Cut to JK. Dudes a mood. Jin bumps into him, stares at him but JK wouldn't even look at him and then deadass looks away grumpyly- talk of professionalism. You doing great swidy keep going!

You can hide a relationship, fake it on God but you can never hide the intimacy. Taekook just lack that intimacy, I'm sorry. Even in that 'estranged' moment Jikook's intimacy was still there-

Even in whatever mood JK was in- which again, I believe was just due to their lover's squabble- JK still was claiming his man and exercising his right of authority over him. That's how you know they are not broken up. In my opinion. Chileee. I'm gonna get in trouble. Deep sigh.

Y'all think JK was hovering over Jimin because he was preparing to strike him down like a censored censored censored? Yea, he was preparing to strike alright- All the corners of Jimin's heart. Y'all better stop before I find you. Lol

I said I wasn't going to analyze the footage in this post but damn. This man out here serving us all kinds of brooding assorted jeonlous as his man takes a time out or two to wiggle wiggle wiggle on him Malfroy style and y'all are out here peddling nonsense. Strike one.

He was a mood alright. Did y'all see Tae rubbing his chest, arms and legs, ears did y'all see any body else in there doing that for him? Y'all's falcon cannot hear his falconer give it up and sorry, Jikook can't relate.

As I've posited, JM I feel was mad as hell for whatever reason and wasn't in the space to be that person JK needed him to be- in that moment. Doesn't mean they are like that behind scenes all the time.

And before I get attacked again for causing drama, being toxic etc by Jikookers understand that I am just a delusional person shipping these two in a way that makes sense to me. Write me off as delulu, and go please.

Whatever ambiguity surrounds that moment, to me, Jin and RM's reaction to JK clarifies things a bit. Jikook were boiling hot. JK was still keeping an eye on his man. Lol. Bless them. That's my conclusion. I'm running miles with that. Catch me. Lol

Feel free to come up with your own theory in a way that makes sense to you.

I'm not sure how long that fight lasted but from the rain day incident I'm hoping it wasn't that long. Jikook are fine I believe- I hope. Judging from the way JM drew JK out in his VLive with the whole I miss JK comment? Did that not sound familiar to y'all? And that Mickey mouse thingy- JM ain't slick. Bless him.

JM is the perched akekeke whisperer whispering all kinds of things in JK's ear, feeding JK news of what goes on on social media and what not. Dude don told his man they won a BB on his birthday, told his man Jin wasn't happy he chose his bag over his- definitely told his man Army was missing him- what? I'm going with that too sue me. Lol

Did you or did you not see Jk coming out to do a live log afterwards? And JK seemed less grumpy, in very high spirits? Wedding bells- I'm manifesting it for JK. Manifest with me.

Remember when JM did a log and talked nonsense about JK, and JK did a rebuttal log to respond to JM and address some of the things JM had said about him? Remember that? It's a jikook thing and it's back😌

I have said JM uses social media to connect with Army while JK uses it as an outlet to express himself. Through out his Live he kept talking about how he wasn't prepared to do a live and it shows in the way he kept saying it was awkward, he just kept it business and didn't know what else to share... I wonder who put his paws on him, dragged his ass to turn on the camera because Armys had asked of him- a certain quick tempered chick who dragged his man out on social media to do the whole Chuseok greetings 2020 on Twitter perhaps?

And JK is so whipped he'd do just about all the hoops to appease his man- Jikook AU written by Goldy. High five. No but seriously...

Behind the scenes, JK sneaks into JM's bed at night- Taekook does it too? Please! The look on JM's face when RM spilled that tea is enough said.

There's only two people in BTS that panic and don't want us to know they lay one on God in bed and it's not Tae Kook.

JK: Jimin hyung and I will sleep here

JM: how about we let the others choose first

Everyone shares a room:

Footage:🦄🍲🐯🧀🐺🍟🐓🥛🐑🛏

JIKOOK share a room:

Footage: 🚪👀

Behind the cameras Jikook sneak into each others bed- camera caught them live. You saw JM's face, I can't make this shit up. Lol

Behind the scenes, Jikook do laundry at 1am. *insert JM pervy face meme.

Chileee, y'all making me trip with this one. Deep breaths.

Jikook have their moments. This was one of them. Can they be human? Please. Thank you.

At this point, these folks are not even shippers. They is shoppers shopping a man for their bias. Lol. Just admit y'all want Jeon thick thighs strong butt for your bias and go. Just admit you want some tall glass of Tiger charming face husky voice strong chest for your bunny and go. Lmho

Chilee, when we say Tae and Kook had a falling out we don't mean they freeze eachother out behind cameras. Hell, we don't even mean they fake their bond or interactions. C'mon! Tae and JK admitted they are not lovers and y'all is bitter. That's why y'all is making up this nonsense about Jikook. Speak the truth and shame the devil. Peter would be proud.

When we say Tae Kook is not real, We just mean JM spends JK's birthday with him while every one including Tae is out there cruising for Jesus with friends. We just mean Jikook claim eachother even when they beefing. That ship beefed and didn't even know they was beefing and they are real? Damn.

We just mean Jikook make efforts for each other even when they are having bad days- Had it not been for Jimin they'd still be gnashing on these cold streets. Place some respect on his name, y'all's ungrateful. Lol

Tae and JK don't want each other they both want Jimin- there. I said it.

Thanks for attending my Tedtalk. 👁👄👁

Now where was I? Never mind. I'm just gonna go burn some sage. There's too much negativity going on around. Hakuna matata!

There is nothing wrong with Taekook as a ship. Personally, I'm a multishipper I ship all the ships but I support Kookmin. I don't mind their shippers calling them whatever, but my eyes twitch when people who claim they support Jikook act wishy washy with Jikook. Lol. Like are you going to withdraw your support of Kookmin if JK sits on Tae's lap?👀 Yall make me nervous. How can you think Jikook is real but then look at Taekook and go huh??? What are y'all seeing that I can't see?

Like those are two completely different dynamics. It's the skinship isn't it? Talk to me. Jikookers who see something nonplatonic in Taekook honestly give me trust issues. Y'all have me out here looking over my shoulders.

I am delusional but I'm confident in my delusions because to me it is about the love and support for JM and JK as LGBTQ plus couples. Please stop shipping Jikook, stop shopping JK and JM for eachother and start supporting them because they are real.

IN MY OPINION.

Signed,

GOLDY

[tsskyx]

Unmeta

You know what’s ridiculous? This post was originally supposed to be an essay, an entire thesis backed with unshakable logic that I wanted to become my magnum opus. But as it turns out, I’m pretty terrible at doing that sort of thing. The first day I’m full of enthusiasm, while the next day I reread what I wrote and I delete it all again. It’s terrible.

For this reason, I’ve decided to just start with the opinion part. Instead of laying out the facts and easing the reader into it, I’ll just blurt everything out in one go. Instead of neatly organizing everything, I’ll write my thoughts as they come to me.

(Update for 2/Oct/2021: I no longer remember when I made the first draft of this post. Maybe it was in 2018, maybe even as early as 2017. Who knows. This post existed in my drafts since forever. It is time to finally publish it. It contains very little information, very little evidence for anything or logic or facts, it’s just a one big opinion piece that I began writing years ago out of frustration. Frustration not aimed at the game itself, nor at Toby or anyone else, but at my inability to decouple the “meta” from Undertale and thus causing me to disassociate from the characters that I loved, when I didn’t plan to do so. All I ever wanted is to make sense of the Undertale world, instead of giving its inhabitants a meta-existential dread. In a nutshell, for the Undertale world to be self-contained, the 4th wall must stay intact, and the mechanics of the UT world mustn’t resemble a video game. That’s basically the gist of this post. Proceed with reading.)

You know Undertale meta? All the 4th wall breaking stuff and whatnot? The stuff that makes the game so awesome?

What about it you say?

It’s not real. I don’t think it is. It cannot be.

Tell me, has Undertale personally impacted you? Was it more than just a game to you? I know for a fact that for many people, it was much more than that. So tell me, is it fine by you that despite presenting itself in this way to us, it still sort of cops out of this at the very end? (By which I mean, when we learn that we aren’t Frisk. That we’re just someone controlling them.)

Some say that this cop-out, this act of “disassociation”, is necessary for our psychological journey to end. And I agree. We cannot dwell on this forever, else we lose our minds. But what I meant is something much more... materialistic.

Let’s take Oneshot, a game that’s arguably even more meta than Undertale. Oneshot embraces the 4th wall. It labels us a god. It portrays the game itself as an in-game machine. And yet, it feels real. Despite all this ridiculousness, the story feels real and possible. Kind of like The Matrix. Perhaps think of everyone in Oneshot except for the main character as a Matrix program, while Niko is the only user hooked up to it. It still feels real, because Niko is real, because there exists a real world they can to return to.

But Undertale floats somewhere between being real and being a fairy tale, a mere bedtime story. The reason is its lax handling of the 4th wall. Say, if Undertale were to be considered a “real” possibility, as in, entirely fictional, but still believable, kinda like The Matrix, kinda like any science fiction, or just fiction in general, what would it be like?

I’ll tell you, everything would have to be real, everything would have to look exactly how we see it. There’d need to be turns, there’d need to be save files, there’d need to be so many bizarre things, it probably wouldn’t take long before the NPCs themselves realized their own nonexistence, probably around the time they developed computers and video games. It’d be so similar, they’d have to be either stupid or under some kind of spell to not realize that their entire world is just one giant video game. Especially Flowey. Some say that he has already realized this, as his dialogue hints towards this. Which puts a super unfortunate spin on his condition. Furthermore, the entire game could be described through its Game Maker code. No need for laws of physics, just observe the if-else statements!

It would also mean that Frisk is controlled by a third unknown entity. If we were to take everything we do to Frisk at face value, it must all be them. Except... after a true reset, everything gets reset, even things about Frisk, such as them expecting the whoopee cushion prank. So... Frisk isn’t in control. But Chara isn’t either. Take for example the final fight against Asriel. Chara appeared pretty enthusiastic during it. What if someone were to reset the timeline during the fight? Either it wasn’t them who did so, or they were just pretending to be entertained, or perhaps they aren’t the narrator in the first place even.

No matter what, there will always be an instance where Frisk forgets, and where Chara doesn’t do something when they could have. Once you mess with the game enough, their personalities stop making sense.

This gradual breakdown of the narrative as I keep attacking the logic of it from every direction imaginable is a symptom of something far bigger. The fact that unlike The Matrix or Oneshot, there is no “real world” in this game. The virtual part of it is what the game is trying to make us focus on. It’s all there is. There is not even a hint of “another” world in the game, a world that wouldn’t be governed by these terrible rules. And even if there was one, even if you consider what Sans said to be that world, even if you considered Deltarune to be that world, there is still no guarantee that everything will be okay. What if the characters - your friends, aren’t real in this actual real world, what if they’re all just computer simulations? There’d have to be an entire population hooked up to a virtual reality for everyone to be “safe” as I’m putting it in this hypothetical real world, which sounds not only ridiculous, but like a direct ripoff of The Matrix.

The game has made Frisk the main character. Why, when making Sans the main one, the one who at least has a possibility of coming from a “real” real world, would be far more logical?

Because it lacks logic. Undertale is an experiment. Toby Fox is not a genius. He was just messing around, he didn’t think of literally every tiny little logical detail (contrary to what some individuals would like to think), he just explained enough for most of the story to make sense. But, no matter how you spin it, this fundamental flaw will always be there. The story tries to merge you and the protagonist, before disassociating you from them. Even if you always were disassociated from them, how can the in-game world be real, when other aspects of your reality weren’t disassociated yet? Where’s the disassociation for battles and turns, for save files and time travel, for stats and everything? How can Undertale claim to be complete, when it isn’t? ... Perhaps because it is not claiming to be. It’s an experiment after all. And I don’t mean “incomplete” as in a single update / new game can fix it. I mean the premise itself is already broken from the start. And while there are many fictional worlds which function on a similar level of meta, Undertale is the only one that appears to irk me mad. I don’t know why. Maybe I love the characters. Maybe I love them very much. Maybe I love them so much, that I wanna write a fan fiction about them. And maybe, just maybe, this tiny little issue is making this dream of mine impossible. Undertale is a story conveyed through game mechanics. Choosing any other medium breaks everything down and the author needs to invent their own rules. There’s simply no way around it. Unless someone has the balls to program a fan game of their own, there’s just no way to resolve this without adjusting the canon a little bit, to make it “a little bit more sensible” as some would put it. Just a small nudge, a lil’ nudgie wudgie to the canon mechanics AAAAAND we’re in fanon territory. Excellent, better go all out.

Here’s my head canon, my little “adjustment” of the canon rules. Thanks to it, I can once again think about Undertale as a real world, I no longer need to philosophize over the meta like I did above, I can all put it past me:

Saving, loading, resetting? Regular sci-fi time travel.

The save file? The parameters of the time machine.

LV and EXP? Another set of properties of the machine, though it could be properties of the soul too. I’m undecided on that note. But either works, that’s what’s important.

Chara destroying the world through LV? No, screw that, Chara merely tuned Frisk out. And the black void was the inside of their mind as Chara denied them access to their own body.

The intro? Literally never happened, no one “saw” it. (The past was still real. It’s just the intro that never existed.) The outro? Literally never physically occurred, Frisk wasn’t “stuck” on the ending credits, unable to go further, fuck that.

Flowey? No screw everything meta about Flowey, there exists a perfectly logical explanation to everything he says, and if not, such as in the genocide run with him hinting towards people watching but not acting... he never said that in the first place!

Same with turns, the battles don’t actually look that way, there are no turns, what Sans perceives and abuses as such is just an illusion, the actual battle against Sans is absolutely fluid. And him pausing at the end and not letting us go is him keeping his guard up, until falling asleep and giving us an opportunity to sneak near him and strike. We don’t need turns to explain it. And what he said about turns... just ignore it! Ignore everything that directly proves me wrong! Because resolving that fucking conundrum IS more important than being logically consistent, and you can’t change my mind on that. Screw logic when the foundation of the entire fandom, of every UT-related fiction, is at stake here.

And I shall call this philosophy... the Unmeta. Because it attempts to undo the meta. Hence, “unmeta” for short.

[tamamatango]

Let’s talk about Kururu, again

Apparently the fandom is growing all of a sudden so I feel like talking about Kururu again cuz that’s all I know how to do and it’s been a while

First off disclaimer that fandom is fandom and anybody can interpret any character any way they want and if you like to portray a character a certain way for whatever reason go for it, more power to you (unless you put them in pedo/incest relationships that are displayed as good in which case fuck you). But in my personal Kirbpinion(TM) the Funimation dub was a fucking mistake because so many fan content creators write a way different Kururu than what he is in canon cuz the dub never got to his best episodes and also upped the sadism to ridiculous levels. Listen I know it’s funny to joke that he’s the kind of guy that has 3 medieval torture chambers but hear me out. Kururu is by no means a perfect person, he’s genuinely pretty rude/blunt (though sometimes his straightforwardness is justified :P), has an ego, sometimes acts pretty gross around others and likes extreme and elaborate pranks way way way too much BUT.

Assuming you’ve watched far enough into the series (like 100+ eps) I do not really understand the interpretation that he doesn’t care about anyone and that friendship and love are things he is totally incapable of. He says that yes but if you pay enough attention to his dialogue it becomes pretty apparent that he displays this attitude for multiple reasons. One is that he does genuinely have a hard time expressing the emotions he feels and often has awkward/guarded ways of doing so. But also he says many times over the course of the series that he has a “reputation” to keep up and wants people to call him a jerk; he wants to look cool and rebellious all the time and he thinks a nasty apathetic attitude is what earns him that status (not claiming that’s a healthy mindset, mind you). He wants to have full control over the way people see him and he gets super frustrated and humiliated when he can’t. This is probably why he gets so upset when people talk about how unpopular he is, because he’s spent so much time honing his image to a T and is like why the fuck isn’t this working?! In other words even though sometimes he is just an actual pain in the neck a lot of his asshole antics are part of a carefully manufactured persona, and he will do anything down to labeling his own memories to prevent other people from seeing through his facade and discovering the parts of him that are vulnerable.

And God forbid anyone does figure out that he does care quite a bit for the people around him, or at least if he didn’t at first he does now. Early on in the series he was commonly referred to as “depressing” and while the meta reason is probably just the anime writers just didn’t know how to adapt the character yet (he started out a little differently in the manga), in canon I believe he was just even more inclined to push everybody away from him, and as he began to get used to working in a group he gradually opened up. He commentates on how “soft” he’s gotten since he came to Earth a couple times, and the fact that he’s surprisingly one of the most loyal to Keroro out of the whole team (in many episodes where everyone abandons Keroro for being dumb he leaves last) and goes out of his way to help when he thinks it’s warranted (he asks for money when things aren’t dire yeah but hey labor deserves compensation :V) shows that he is dedicated to his team. There’s even episodes where he doles out some kind of moral lesson to the squad in his own Kururu-y way, especially to Keroro and Tamama. Even the Hinatas he’ll pitch in to protect when he has to, and we all know he’ll pretty much drop everything if Saburo needs him.

Speaking of which. I think the unspoken reason why he’s best friends with Saburo (besides the surface-level stuff like they’re smart and nerdy and seen as enigmas by everybody else) is because Saburo is the only other person in the cast who understands Kururu’s particular struggle of putting on airs as a means of self-defense all the time. He basically has a carefully managed celebrity life (that he has to constantly work to hide in anime canon), a somewhat formal/reserved public life, and the more quirky enthusiastic side of himself he only shows when alone and to the few people he’s close to and god damn that just sounds like the most exhausting juggling act ever. He has an outlet to free himself through his art but he still has to live with nobody quite knowing what he goes through on a daily basis, which is probably why we see him off on his own for most of the series (until he gets to warm up to everybody better...wonder who that sounds like) and occasionally have his bouts of frustration and insecurity like in 229 where he says “fuck it I’m gonna fight the apocalypse alone because I need something to do,” 354(? I think that’s the number) where he talks about just dropping everything and starting over, and I think one of the Christmas eps where Giroro has to like beg him to go to the Hinatas’ party cuz he says he’s “busy” even though he’s just sitting around pretty much (UPDATE: it’s 294 the implication is probably that he has his show or something but cmon that’s only like an hour lol). I am going off on a tangent now but anyway the point is he and Kururu are the most complicated communicators of the cast and they share feelings only they understand which is why they can more or less read each other’s minds and know exactly what to do when the other is in trouble.

Back to Kururu. Keroro, from what I can tell, is the closest to him out of the Platoon; Keroro gets freaked out by Kururu’s pranks sometimes yeah but they have a lot of common interests as the fun-lovers of the group and Kururu’s also kinda been interested in Keroro enough time follow him around for almost his entire life up to this point so there’s that. He also gets along with the other people he‘s around; we know he and Aki get along from the beginning because of how dynamic their personalities are but later on he gets close to Fuyuki to the point where they just hang out for the heck of it sometimes, and even though Natsumi is very justified in generally disliking him (many of Kururu’s more Eugh moments tend to involve her) even she seems to rely on him often, and in the cursed puppy episode she knows all his favorite foods by heart so she must care in some fashion lol. Dororo and he aren’t evidently super close but I think they get each other on some level as the (in-universe) least popular of the platoon and Dororo at least respects his abilities, and has clearly come to figure out his subtleties based on 229. Giroro and Mois...things get complicated. Just putting on record that I’m not a fan of either ship between Kururu and them. I’ve said this before but I think Giroro and Kururu are in a turbulent sibling-adjacent relationship in that they have completely opposing attitudes but they have a begrudging sense of respect for each other and, ultimately, they’re teammates, so they’ll defend each other when someone they don’t know tries to mess with them. I really don’t think the flirty stuff on Kururu’s end goes beyond teasing and I got kinda sick of that running gag if I’m being honest. (You can probably tell which frog I ship Kururu with by now :P) Mois went from something of a rival to Kururu to his lab partner, which is probably why he goes easier on her than he used to and even strikes up something of a friendship because the only other person he knows that might be capable of handling his technology is an Earthling who’s still against the invasion despite his lax attitude so. She helps :V

Now the question is why Kururu acts like he does if his relationships really aren’t all that bad and I think there’s two components to this. I’ve made it clear by now I think he’s autistic but your mileage may vary there. I think personally his childhood did something to the way he processes things as well. In Secret of the Kero Ball, he’s got a bandage on his head which may imply he got hurt somewhere and then he almost drowned which canonically definitely did something to him lol, was mostly seen alone so who knows if he has a family he still talks to, and then he got drafted into the army and placed into a high-ranking position of great responsibility at a very young age; it’s kind of a no-brainer why he rebeled and got demoted eventually. I’ve got plenty of headcanons about what his early days in the Military did to him but that’s for another day because good God this post went on too long.

In short: Kururu is possibly the most complicated character in the show and the F in Flanderization stands for “Funimation.” That’s it I’m never writing another essay about pee-color frog again I will make real content again at some point I promise

[a-sleepy-reader]

The Alchemist by Paulo Coehlo: an Analysis and Review

Foreword

If you want a review free of spoilers, please scroll to the section labelled ‘Conclusion/Review without spoilers.’

Introduction

Few modern novels have been as celebrated in the mainstream media as Paulo Coehlo’s The Alchemist. It has been praised by Publisher’s Weekly, Booklist, and Kenzaburo Oe, winner of the Nobel Prize in Literature. 

“The story has the comic charm, dramatic tension, and psychological intensity of a fairy tale, but it’s full of specific wisdom as well… a sweetly exotic tale for young and old alike.”

-Publisher’s Weekly

The Alchemist has the tone of a children’s book and the genre of a fable taking place centuries ago, with wisdoms claimed to be as old as its setting. So, does The Alchemist deliver on these high hopes?

Plot synopsis

Santiago seems disheartened by his life as a Shepherd boy in Spain before he meets a wise and likely supernatural king. The king tells Santiago that he must follow his personal legend(life purpose), which is to travel to the Egyptian pyramids in search of treasure. Santiago has dreamt of the pyramids and treasure before and takes this as affirmation that traveling to such a place is his life purpose. The shepherd boy sells his sheep and takes to selling crystals for money before he sets out on his journey and encounters The Englishman. He is an alchemist looking for the wisest practicer in his field, promptly titled ‘The Alchemist.’ The two set out on camels and stop at an oasis, where Santiago instantly falls in love with a woman named Fatima. The Englishman also manages to find his coveted alchemist, who shares many wisdoms with the two, for example, that, in this world, the language of the world is the spiritual communication of all beings, such as omens and body language. The Alchemist urges Santiago to follow his personal legend despite his bond to Fatima and, by proxy, the oasis. Though torn between staying with his love and realizing his personal legend, he sets out to the pyramids with The Alchemist. In the midst of their journey, however, Arabian soldiers capture them; Santiago is only spared his life by The Alchemist convincing the soldiers that Santiago will turn into wind. Santiago is able to communicate with the desert and summons a sandstorm that makes the soldiers let him go. At the pyramids, he is informed of a stranger's dream and personal legend, one of treasure waiting in Spain where Santiago began his journey. Realizing his treasure really required an appreciation not of a place but of given circumstances, Santiago plans to obtain his treasure and return to Fatima. 

Analysis

Coehlo says he is a catholic despite the fact that some of his beliefs do not align with traditional Catholicism. Many of his stances resemble that of spiritualism, such as a belief in omens, existentialism, and prophetic dreams. This explains many of The Alchemist’s themes, being as focused on personal legends and omens as it is. The Alchemist has many morals beyond very individualistic beliefs, however, such as faith in true love and soulmates, of a God, the purpose of life laying not in physical progress but in spiritual acceptance, and a disapproval of those too scared to pursue what they want, amongst others. Overall, however, I believe the book’s message can be boiled-down to ‘learn the language of the universe,’ that is, learn to interact with the spiritual world Coehlo believes in through means of personal legends and communicating with the world through omens.

Review

At first glance, The Alchemist looks like a simply-written yet sophisticated book; it has an understandable plot and writing style yet many morals, so who’s to say that it’s incomparable to works like The Little Prince by Antoine De Saint Exupery(I will be using that comparison often in this review)? Well, I think The Alchemist has the bones of an extraordinary fable like Exupery’s, but its meat is lacking. That is, I believe The Alchemist is a chaotic and underdeveloped mess of a book, The Little Prince but if it were written in a day or two. It had potential that was squandered by the lack of thought put into essential parts of storytelling, from its morals to its writing to its characters and tension. Let’s begin respectively. 

The Alchemist has few qualms with throwing an idea at the reader and presenting it as a conclusion rather than a speculation or the beginning of a well-developed theory for the reader to elaborate on themselves. For example, omens are integral to The Alchemist, and since the novel is advertised as a sort of self-help book with a plot, one would expect Coehlo to try and tie this idea in to the real world somehow or at least provide some reasoning for why he believes this aside from omens only obvious in The Alchemist. No such evidence or support is provided; omens are obviously present in The Alchemist but their validity relies on the nature of their being in the book unfounded or more difficult to find in the real world, and Coehlo never even explains why he believes in omens, so it’s a setup for nothing. This is a common theme throughout The Alchemist, from its support of personal legends to prophetic dreams to love at first sight to the language of the universe, Coehlo relies on the sheer obviousness of the world he made to get his points across and loses their potential support in the process. This harm’s the book’s philosophies regardless of whether they are accurate or not. 

Adding to the novel’s problems, the writing itself(that is, the English translation) is not very good. Now, I want to make something clear: a book doesn’t need to be Nabokovian to have good writing. One can use very common words and simple sentence structures and be better writers than the greats if they write wisely and make the most of its simplicity. The Little Prince has a simple writing style, but it flows with believable dialogue, clever metaphors, and good pacing. Compare those qualities to this excerpt from The Alchemist: 

“The first day passed. There was a major battle nearby, and a number of wounded were brought back to the camp. The dead soldiers were replaced by others, and life went on. Death doesn’t change anything, the boy thought.”

This paragraph is clunky. Sentences that could have led from one to the next in a steady, effortless rhythm instead clash and seem to be thrown together to form a mix of disconnected and boring facts. This could have been written so much more interestingly; does Santiago feel bad for the soldiers? Does he feel guilty for not helping with the battle? What did the wounded look like? How does he feel? A running problem in The Alchemist is how emotionally barren it is. True, I still would have grilled Coehlo if he wrote ‘Santiago is sad,’ but that is because the point could have been gotten across more subtly and believably: ‘The metallic stench of blood weighed on Santiago,’ for example. Expanding on this, let’s see what happens when I add my personal interpretation of how this paragraph could have been more fluent and emotionally powerful;

“The soldiers fought through the day and through the night, only that and the growing stench marking the time. A time-marker of blood, of hope, of death, of the many qualities of the people in the oasis, shattered to sand. Once those grains were gone, more rushed to the battlefield, sandstorm after sandstorm, life after life, gone. In the end, though, it changed nothing. Blood, hope, and death never really do.” 

By no means do I think this is perfect, but I think it goes to show a sliver of how much can be accomplished with relatively simple writing styles; they do not have to be clunky, they do not have to be bland, and they can get a point across and convey emotion at the same time. 

Then again, even if Coehlo’s prose was Nabokovian, this would not erase the blandness, homogeneity and monotony of his characters. Now, I found Santiago’s personality to be enjoyable enough; Coehlo represented his longing for something beyond the fields of Andalusia, his metaphorical mind as well as his determination yet uncertainty in life well enough. I have no problem with Santiago, but it would be very nice if every character in the book weren’t Santiago. What character doesn’t believe in the universal language? Who ever challenges Santiago’s certainties? When is Santiago not only mistaken in the way he goes about pursuing his personal legend but in an integral part of his worldview? I will summarize all three with these words; ‘noone,’ ‘never,’ and, ‘never - again!’ Everyone in this book nods along to Santiago’s beliefs; if the universal language is so rare, why does everyone agree on it? The characters feel less like individuals and more like fourth-wall breaks for Coehlo to dump yet another underdeveloped idea on the reader or pat himself on the back about how everyone in a fictional world he made agrees with him. Maybe if one or two characters opposed Santiago’s beliefs, made him question, realign or maybe even change his worldview, The Alchemist would feel more like the philosophical contemplation it was marketed as and less like a spiritualist self-help book with a plot. Instead, however, Santiago accomplishes his personal legend and has each of his beliefs solidified by every single character in the book. Where’s the internal struggle? Where’s the idea that things may not always be as they seem, that humans make mistakes? Such themes are forgotten in the world of The Alchemist.

I give The Alchemist by Paulo Coehlo a 30%. 

Conclusion/Review without spoilers

I had a rough time with this book. The wise, helpful, and insightful self-help it was sold as did not deliver on any of those qualities for me due to its portrayal of very subjective values as universal truths without any evidence or reasoning provided for them outside the universe of the book and poor writing. Despite all this, I understand how this book has helped many, especially those who already had beliefs similar to Coehlo’s. Beyond my relentless criticisms, The Alchemist is a hopeful fable of finding your purpose in the world. It may not have connected to me, but it is no coincidence that celebrities call it a favorite, that it’s a bestseller, and is beloved amongst many. This review evaluated The Alchemist’s objective value, to which I say that it is bad literature. Subjectively, though, it impacted so many people, it motivated, it inspired, and no matter how many bland characters, lazy writings and oversimplified answers it may have, I will forever admire The Alchemist for touching so many people. After all, what is literature but a communication of one’s self, of sharing that self with others for them to internalise and keep a personalised fragment of this person within them?

I recommend The Alchemist to those in need of a meaning in life, who don’t want to wade through dense prose and complex stories or characters. Sometimes, all we really need, all we really should have, is something that keeps us going in life. I’m sure The Alchemist will fulfil that for many, and for that, I am forever grateful.