#the one particular person!!!!

[books-and-omens]

A CANDLELIT DINNER DURING THE BLITZ

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[casscainmainly]

Reading Red Robin after having heard all the fanon takes is hilarious. It's like, oh. That didn't happen. That person didn't say that. That person did say that, but it meant something totally different in context. That happened, but it wasn't as big a deal as people say. That didn't happen. That person didn't say that. Again and again every issue it's actually so funny.

[marciaillust]

on a break

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[conscydraws]

My first 15 hours in Death Stranding

[sketchy-tour]

I can't see you. Do you see me? 👁️👁️

[hyunpic]

[very sad, miserable even]

[skumhuu]

Proshipper = you're against censorship and harassment over fiction & curate your experience on the internet to have a healthy distance from things that make you uncomfortable

Antishipper = you're okay and even encourage harassment towards "freaks" and "weirdos" society deems acceptable to hurt

[cheshirecat-syndrome]

[insanity-laughs-under-pressure]

Can we talk about how sweet Gabriel's reaction was to seeing Beezelbub for the first time since he lost his memories:

[phoenixyfriend]

Political ads: My opponent has jacked up taxes every year since he was elected!

Me: Which taxes? Income? Sales? Property? Business?

Political ads: I promise to hold the line on taxes!

Me: Which taxes? What government programs do those taxes contribute to? What gets cut if the lack of taxation causes a deficit?

Political ads: Think about the taxes!

Me: WHICH TAXES. WHICH TAXES ARE YOU TALKING ABOUT. TELL ME WHO'S ACTUALLY GETTING AFFECTED BY THESE TAXES YOU'RE SO CONCERNED WITH.

Reminder to always ask what it is that people aren't saying in these ads.

A lot of them want you to think that it is your personal taxes as a working-class person that they're talking about. But if it's taxes on the rich that they're "holding the line on," then they're using your desire to survive with a greater portion of your own income as fuel to keep the upper classes from paying their fair share.

I keep getting the same three or four political ads (half aren't even for the district I live in) and I'm frustrated that they use these transparent tactics and that there are probably people that don't have the time or background to take that moment to go 'what are they hoping I hear in this? What are they actually going to do?'

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[peethepauu]

Mind showing how you personally color and render your art?

go and art!

[merakiui]

Can we hear more thoughts on self-aware skully in a halloween-themed otome?? I think it's such a fun concept! Thinking of him, loving us knowing that he will never have us<33

:D the basic idea is that the love interests are everyone in TNBC event and it focuses on you and them planning the perfect Halloween celebration alongside the residents of Halloween Town. Spend a week getting closer to and raising the affection meter of your beloved and perhaps he might confess on Halloween night under a brilliant moon! <3

Skully is a side character who is merely there to progress the plot; he doesn't have any real route for himself, nor does he have any of the mechanics the other characters have (affection meters). But if he did perhaps he might be the secret yandere route most otome games have...

Unfortunately, most of his scenes with you are very short and he's often there to make the love interest shine brighter. When Leona warns you not to listen to a fanatic like him, that only misfortune can come from readily believing everything he says, it's meant to make you fall for Leona and his protective charm. Or when Jamil asks Skully if he's doing okay when he notices how downcast he seems, it's to make you fawn over how considerate and observant he appears. But all of this is just part of pre-programmed characteristics. It's all part of a script. Skully plays his part in this drama, almost like a ghost as he floats through whichever route you choose to pursue, and with every replay he begins to realize there's more beyond the world he's confined to.

You can't actually like these characters, right? They're just caricatures. They're programmed to fall for you, but Skully's love for you is a natural progression! It's real. Sure, you click through some of his dialogue when it's too long, but please don't ignore him. >_< surely you don't agree with the others on their idea for Halloween! You think a somber Halloween is better, right? One that's quiet and solemn. One that's meant for reflection. One that's better spent alone. He knows you're a sweet, considerate person at heart. Surely you share his feelings on this matter.

The game has a feature where one of the love interests will visit you each day you log in during the seven-day timeframe, and it gives you chances to either raise or lower their affection meter when you interact with them. Imagine your surprise when Skully, who isn't a love interest and thus shouldn't be here, forces himself into the spotlight, hoping to have a private chat with you. He's so excited! Oh, what should he say? He isn't confined by the laws of the script, so he can say and do whatever he wants! It's how he's able to be so much more expressive than the other characters.

You watch in surprise as the blank bubble fills with a dialogue you've never encountered before:

Lovely person beyond the screen, I greet you with a kiss! Allow me to remind you of what the real Halloween is.