#the one particular person!!!!
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books-and-omens · 2 years ago
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A CANDLELIT DINNER DURING THE BLITZ
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descendant-of-truth · 2 years ago
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Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity
Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.
But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works
In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED
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casscainmainly · 6 months ago
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Reading Red Robin after having heard all the fanon takes is hilarious. It's like, oh. That didn't happen. That person didn't say that. That person did say that, but it meant something totally different in context. That happened, but it wasn't as big a deal as people say. That didn't happen. That person didn't say that. Again and again every issue it's actually so funny.
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iliothermia · 12 days ago
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marciaillust · 2 months ago
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on a break
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deoidesign · 8 months ago
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How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
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So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
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Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
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This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
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I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
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can look like this in print!
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because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
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Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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poorly-drawn-mdzs · 1 year ago
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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.
(Part 1, Part 2, Part 4)
#poorly drawn mdzs#mdzs#lan wangji#Yungmeng Jiang training arc AU#I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by#and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is#You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)
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conscydraws · 10 months ago
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My first 15 hours in Death Stranding
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felanndaris · 13 days ago
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the fandom @ a male character written to be an unlikeable villain: he's so babygirl, my pookie, he did nothing wrong, why can't i romance him
also the fandom @ a female/nb character written to be complex and assertive but overall sympathetic: she's a bitch and i hate her, she's so whiny and mean, wish i could kill her
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sketchy-tour · 1 year ago
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I can't see you. Do you see me? 👁️👁️
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hyunpic · 6 months ago
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[very sad, miserable even]
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skumhuu · 10 months ago
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Proshipper = you're against censorship and harassment over fiction & curate your experience on the internet to have a healthy distance from things that make you uncomfortable
Antishipper = you're okay and even encourage harassment towards "freaks" and "weirdos" society deems acceptable to hurt
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cheshirecat-syndrome · 8 months ago
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wortsandall · 30 days ago
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in the spirit of honesty...the way some of yall write jazz in transformers fanfic is honestly appalling. it screams ive never met a black person in my life. it screams i watched michael bays 2007 transformers and took notes, as if the bayverse hasnt been criticized for its terrible stereotyping.
yes, he has an accent. yes, he uses slang. but jesus christ. his usage is not as egregious as yall write it. yall write him like hes stupid and uneducated. the ultimate caricature of a black man. its super insulting.
and i get that he's not actually black due to not being human but he is black coded and the treatment is abysmal at times.
my advice? JUST WRITE DIALOGUE. our brains do the rest. i know what he sounds like, i can fill it in myself.
stop writing "ay, ya sure ya got shit handled, fam'? bro, i 'aint no fool, i gots that dog n' me."
ESPECIALLY BC JAZZ HAS NEVER. SPOKEN LIKE THAT ANYWAY.
sincerely, a (very) frustrated black person.
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Can we talk about how sweet Gabriel's reaction was to seeing Beezelbub for the first time since he lost his memories:
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phoenixyfriend · 1 year ago
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Political ads: My opponent has jacked up taxes every year since he was elected!
Me: Which taxes? Income? Sales? Property? Business?
Political ads: I promise to hold the line on taxes!
Me: Which taxes? What government programs do those taxes contribute to? What gets cut if the lack of taxation causes a deficit?
Political ads: Think about the taxes!
Me: WHICH TAXES. WHICH TAXES ARE YOU TALKING ABOUT. TELL ME WHO'S ACTUALLY GETTING AFFECTED BY THESE TAXES YOU'RE SO CONCERNED WITH.
Reminder to always ask what it is that people aren't saying in these ads.
A lot of them want you to think that it is your personal taxes as a working-class person that they're talking about. But if it's taxes on the rich that they're "holding the line on," then they're using your desire to survive with a greater portion of your own income as fuel to keep the upper classes from paying their fair share.
I keep getting the same three or four political ads (half aren't even for the district I live in) and I'm frustrated that they use these transparent tactics and that there are probably people that don't have the time or background to take that moment to go 'what are they hoping I hear in this? What are they actually going to do?'
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