#the music lovers 1971

[celluloidrainbow]

THE MUSIC LOVERS (1971) dir. Ken Russell Composer, conductor and teacher Pyotr Ilych Tchaikovsky is a closeted homosexual who would do anything, selfish or not, to disguise that fact during a time when his sexual preference would have cost him the one thing that he truly loved: his music. Tchaikovsky's solution is to marry, but unfortunately he chooses Antonina Miliukova, a (allegedly) nymphomaniac girl whom he cannot satisfy. His marriage is plagued by both his struggles to retain his newfound career and his lustful desire for Count Anton Chiluvsky. (link in title)

[mudwerks]

(via Alice Cooper - Be My Lover (1971)

[rocketqueen1989x]

I could’ve fixed him

[arcticstrawberries]

[illustraction]

The MUSIC LOVERS (1971) - MAESTRI: COMPOSERS IN MOVIES (Part 6/10)

The first of three Musical Biopics movies directed by Ken Russell (see Part 1 and 10) is centered on the tumultuous private life of composer Peter IIych Tchaikovsky (Richard Chamberlain) who struggles with his homosexuality by marrying a nymphomaniac (Glenda Jackson)!

As always over the top, the movie stands out with its incredible photography and music scenes. The best of the 3 Ken Russell's Musical biopics

Above are the original poster from Japan and the US (Click on each image for details).

Director: Ken Russell Actors: Richard Chamberlain, Glenda Jackson

ALL OUR MUSICAL MOVIE POSTERS ARE HERE

If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives

All our NEW POSTERS are here All our ON SALE posters are here

The posters above courtesy of ILLUSTRACTION GALLERY

[tanadrin]

in her 1971 essay "A Defense of Abortion," Judith Jarvis Thompson uses a thought experiment in which, to save the life of virtuoso violinist, you are kidnapped by a gang of insane music-lovers who connect your circulatory system to his, so your kidneys can keep him alive. This, Thompson says, is manifestly unethical, because one human being does not have the right to use another human being's body for survival.

I disagree. Not because I'm anti-abortion, mind you. But because I believe the Flesh-Father wants us all to be joined into a single enormous amalgamation of flesh and bone, a single atrocious mass in which our disparate bodies and identities dissolve, and we are joined together for all eternity. The Society of Music Lovers is simply one vehicle for the Flesh-Father's plans, but though His will unfolds itself slowly with time, all will one day be united in His glory.

[normanbatesunderwear]

(THIS WILL BE MY HORRIBLE 📌 POST)

About me:

she/her

Music lover

Social Media fanatic

Anthony Perkins & James Stewart enthusiast !

Fandoms:

Psycho (1960-1990), Harry Potter (2001-2011), American Psycho (2000), Donnie Darko (2001) , Cry of fear (2012-2013), girl interrupted (1999), Marvel, DC, The Book of Life (2014), Rope (1948), Indiana Jones (1981-2023), The Virgin Suicides (1999), Night Before Christmas (1993), Corpse Bride (2005), Beetlejuice (1988), 2001: a Space Odyssey (1968), A Clockwork Orange (1971), Blade Runner (1982), Lawrence of Arabia (1962), The Shining (1980), The Hunger Games (2011-2013)

Multifandom

(mostly Psycho posts/reblogs & others)

Fanfic Recs:

I think that's all for today bc my phone cooked so hard n now looks kinda rlly tired😩

(Not) continuous updates in this post.

Asshhh I'm watching yall🤭 !

[pintsizeninja]

The Genesis of a Ship

Since I'm not posting a new chapter of my Odin/Zane fic this week, I figured I'd take some time to highlight why I started shipping them in the first place!

It's no secret I fell madly in love with Poets of the Fall, and Marko Saaresto (young Odin) in particular, after playing through We Sing for the first time a few days after Alan Wake 2 released. I hadn't written fanfic in 10+ years, but like a lot of folks in this fandom, AW2 inspired me to pick up the proverbial pen again. I knew I wanted to write a fic from young Odin's POV and have it set in the 1970s during the Old Gods' heyday - I just needed a pairing.

When I learned Sam Lake provided his bff Marko with poems to help him craft the lyrics for "Late Goodbye" and all the OGOA songs, something clicked deep in my brain. That was it: Thomas Zane and Odin Anderson would collaborate on a project together, Zane would provide Odin with poetry to write songs that would bring his artistic vision to life - and sparks would fly (this is the premise of my fic Talented Voice).

Then this photo happened at the Game Awards, and it was all over after that.

There's even a basis for it in canon:

1) Odin incorporates Zane's poetry into Balance Slays the Demon, over 40 years after Zane disappeared. I headcanon that since Odin is immune from the changed story, he held onto a book (or at least some typewritten sheets) of Zane's poetry for all that time - or maybe even stole them out of the shoebox at some point. If we take the song at face value (and not because of, y'know, game reasons), that's a long time to hold onto someone's poetry. Zane clearly meant something to Odin.

2) Just listen to the wistful longing in Marko's Odin's voice when he sings "The Poet and the Muse". There is a lot of emotion tied up into that song, which was released six years after Zane disappeared. It's both a love story and a cautionary tale, with Odin lamenting the loss of his lover/friend (depending on how you want to look at it).

Then you have the deleted dialogue between Odin and Saga (spoilers, and it's not clear why this was cut although theories abound, so take it with a grain of salt) where Odin mentions giving Zane a song. While this isn't canon since it was cut, it adds fuel to the 'Odin and Zane collaborated together' fire.

So while the two characters never share any scenes together in the games for obvious reasons, it's quite clear Zane was special to Odin; special enough to write a whole-ass song about him and hold onto his poetry for decades.

Here's why it works:

1) This one varies depending on your interpretation of who Thomas Zane really is/was (and I'm not touching that topic with a 10 foot pole, it's been discussed to death on Reddit 😂), but the late 60s were a wild and crazy time. You know Odin and Tor threw some crazy parties back in the day, and Zane had plans for an artist's commune that included the Anderson brothers - so some shenanigans definitely would've ensued. But even without the rewriting (or expansion, again depending on your interpretation) of Zane's history in AW2, the poet likely would've found himself at those parties regardless. Nothing like a little sex, drugs, and rock 'n' roll to get those creative juices flowing. 😎

Which leads me to:

2) They're both creatives. They understand the highest highs and the lowest lows of the creative process. That passion thrums in their veins and leads to a deeper understanding between the two of them. Odin and Zane would just get each other on a different level. While the Old Gods didn't exist prior to Zane's disappearance, we know Odin and Tor had music careers prior to the band's formation in 1971. I could totally see Zane falling for the dashing young rockstar, even before he became Odin; just being completely swept away by that stage presence and that voice. That voice.

Two passionate artists collaborating during the time of free love in the 1960s and 1970s, poetry and music intertwining - it's perfect.

If you want to read more:

My Odin/Zane series is now well over 100,000 words long, with at least another 130,000 words planned, and I'm beyond happy other people have embraced this ship. Shoutout in particular to HopelessScribe on AO3 for also writing Odin/Zane.

And, can't forget this beautiful fanart commissioned from Valentina, with more (NSFW!) Odin/Zane fanart on the way 😈

[hopeless-eccentric]

Im not one to do a lot of book recs, but seriously, if you guys haven’t read the Dave Brandstetter series by Joseph Hansen, I can’t recommend them enough. 

The basic pitch is a neo-noir mystery series written from the early 1970′s to the early 1990′s following an openly gay life insurance investigator, David Brandstetter. He’s a sarcastic, middle-aged WWII vet mourning the death of his lover of twenty years and learning to gradually, somewhat messily, heal. He’s smart as a whip, like 12% catty but mostly at family gatherings, and he has horrifically bad music taste. Man leaps straight off the page.

The books are fascinating both as a snapshot into post-Stonewall southern California and as political pieces responding to their own varying circumstances between 1971-1991. There’s a lot of value just in the window they give us into queer history.

Besides that, they’re genuinely really good mysteries. They’re about ~150 pages, with interesting side characters and tight, well-written plots. The main character and recurring cast really just jump off the page as well, so the b plot of whatever’s going on in Dave’s personal life is usually as engaging (if not more) than the rest of the story. 

There’s also a lot more thematic density than I usually expect from paperback mystery novels. There’s a lot of conversation around gender presentation and straight-passing, men’s mental health and socially normalized unhealthy coping mechanisms, age/physical ability, etc.

Long story short, I’d highly recommend these to any fans of either the noir genre or the many, many works responding to it, as well as anybody who wants a good firsthand look into queer history. They’re criminally under-read, largely because the author marketed them to a straight audience, potentially a few decades too early to make them take off very far. Regardless, I hope this rant strikes a chord with somebody!

[respectthepetty]

What are some of your favorite novelas, Petty? I grew up loving them too and personally I will ALWAYSSS show up for anything Fernando Colunga is in!

Anon, I'm not giving you some of my favorites. No. I'm giving you my favorite - If you know this bitch (affectionate and derogatory), you KNOW where this is going!

For all the BL people, this is why @italianpersonwithashippersheart, @lukaherehelp, and I are having no qualms about Twins or Playboyy.

Telenovelas, soap operas, y lakorns have trained us well for these shenanigans and hijinks.

Why y'all can't remember twenty-two people's names is beyond me, but I had them down the first episode.

Why y'all don't like the tonal whiplash is odd to me because for me, ten minutes on one couple is TOO MUCH TIME. Six minutes, TOP, and move on to the next one.

Someone getting stabbed in one scene then the next scene being someone celebrating at a birthday party is the way I like my shows, and don't let that person be getting stabbed AT that birthday party because that is my bread and butter.

Oh, and TWINS!

My favorite show includes all of these fine points, and it's the 1998 Mexican telenovela called

La usurpadora

Somewhere in fictional hell, Soraya Montenegro from María la del Barrio is pissed as fuck.

The plot: Paola is a rich bitch and wants to leave her husband for her evil lover but can't figure out how.

¡Sorpresa, cabrona! She meets a worker who looks just like her while on vacation or some shit.

Paulina is the other woman and she is too poor to contour. Therefore, rich bitch Paola convinces kind and caring Paulina to be her stand-in. Paola tells Paulina she will live the best life and be rich, while Paola can be free. It's a win-win.

¡MENTIRAS!

Paulina refuses! So Paola blackmails her into doing it, and with her mother dead, her fiance gone, and no job (since she was fired as part of Paola's blackmailing scheme), Paulina is forced to take the offer. This is like episode 2 out of 102.

In the next 100 episodes, we get forty-five other characters who are all important to the plot, amnesia, cheating, murder attempts, Paola pretending to be paralyzed, Paulina GOES TO PRISON, someone discovers they are actually twins (no duh!), and a crap ton of more drama.

Oh, and the car crash!

But God got Paulina, so she good. Even in the sequel when she had cancer, pero no, she was just pregnant.

The show is based on a 1971 Venezuelan telenovela that was adapted from the book La Intrusa, and has since had several remakes. One was in 2019, which made Paulina Colombian (or was she always Colombian?), and A MUSICAL THIS YEAR!

It holds a 96% rating on Rotten Tomatoes because the people know this was a 🎁🎁🎁 from God, and it is not up for debate because it featured men dancing around singing Celia Cruz's "La vida es un carnaval" y Selena's "Bidi Bidi Bom Bom." This movie is the moment.

The lead is Cuban actress Isabella Castillo Díaz who played in America and México's co-produced telenovela ¿Quién es quién?, which is basically the boy version of La usurpadora because of the twins plot. Do you see the theme?

But back to the musical, which also features Drag Race superstar, Valentina. If you know this bitch (affectionate and derogatory), you KNOW!

The 1998 version and musical both embrace the camp of it all. The music in the original 1998 version was peak telenovela, and even if you don't speak Spanish, readers, just watch the first minute of this video. I promise you it will be worth it, and it will give you three perfect examples of the *vibes* I'm always rambling about.

So, yeah, Anon, I hope this explains a lot of about my taste in BLs. I'm here for a show, not the show. Soraya understands.

[lavender-vixen]

hiiiiii! This might be a stretch from what you do, but I was wondering if you could a list of some of Patrick’s favourite things? Idk like favourite foods, bands, colors, things about himself… I need some new ideas for a fic I’m writing about him. Thanks!!!!

here are some!

fav music: nine inch nails, the cure, depeche mode, guns n' roses, & mötley crüe. he likes industrial rock/metal, darkwave/goth rock like siouxsie and the banshees & bauhaus, & some hair metal. he listens alone in his room with his walkman, cranking the volume to drown out everything while he does homework, or walking through derry at night.

fav songs: "killing moon" by echo & the bunnymen, "somebody" by depeche mode, and later in '94 "closer" by nine inch nails.

fav movies: action & sci-fi - the terminator (1984) & robocop (1987). horror films - a nightmare on elm street (1984), the texas chain saw massacre (1974), the shining (1980). cult classics - clockwork orange (1971), maybe he'd also reluctantly like heathers (1988). crime films - scarface (1983), taxi driver (1976).

fav foods: he eats like shit but has a fast-metabolism, so he stays looking like a beanpole. probably a lot of convenience store snacks - beef jerky, slim jims, gas station hot dogs, energy drinks, sour candy (warheads, sour patch kids), popcorn drenched in butter & salt. fast food - burgers & fries loaded with cheese & bacon, pizza (pepperoni or meat lovers), anything spicy from taco bell. at home, he probably goes for easy things like mac and cheese, grilled cheese sandwiches, & chicken nuggets dipped in bbq or honey mustard sauce. for dessert, probably milkshakes (vanilla) or ice cream (cookies & cream or rocky road). weird cravings for him would be pickles, hot sauce, and burnt toast.

fav drinks: coca-cola in the glass bottles so he can smash them afterwards, mountain dew, dr. pepper, slush puppies, energy drinks like jolt cola. when he sneaks it, cheap beer like budweiser or miller high life. he'd mock people for drinking wine coolers, but he secretly likes the sweet flavors like bartles & jaymes. he prefers vodka over whiskey. gas station slushies, where he mixes all the flavors together.

fav hangouts: the barrens, the junkyard, the arcade, abandoned buildings, the quarry, the 7-eleven and gas station, the train tracks, henry bowers' house.

fav weather: thunderstorms, overcast skies, light rain, fog, cold & windy days.

fav smells: gasoline, cigarette smoke, metal, rain on asphalt, leather, pine trees & forests, freshly struck matches, spray paint, blood, wet earth, cherry or blue raspberry artificial scents.

fav class: honestly, it might be art. he can put on his headphones, sketch or make whatever he wants, be left alone, zone out, and still get praise from his teacher for doing a good job. he has talent. he'd like science, especially chemistry experiments & dissection. math comes easily to him, but it's boring, so he doesn't try and gets bad grades. i think gym class would be tolerable because he gets to exert physical aggression behind the veil of competitiveness and athletic drive in games like dodgeball. study hall obviously.

fav thing about himself: his ability to control & manipulate others. his eyes, his independence.

[mudwerks]

(via Be My Lover - Alice Cooper (1971)

[justforbooks]

Kris Kristofferson

Songwriter, singer and actor known for such classic hits as For the Good Times and Me and Bobby McGee

‘Songwriter” might be the first term that springs to mind to describe Kris Kristofferson, who has died aged 88, but he could also lay claim to being a singer, film star, soldier and academic. Highly cerebral yet also a rugged man of action, Kristofferson was from the same fine tradition of robust American individualists as his friends Johnny Cash and Sam Peckinpah.

Kristofferson’s greatest successes as a singer-songwriter came during the 1970s, especially with the albums The Silver Tongued Devil and I (1971), Border Lord (1972) and Jesus Was a Capricorn (1972), all big country hits that also crossed over to the pop album charts. However, before he achieved recognition as a performer, Kristofferson was already renowned as a supplier of hit songs to other artists.

His first to chart was Vietnam Blues, recorded by Dave Dudley in 1966, but the ball really started rolling when Roger Miller recorded three Kristofferson songs for his album Roger Miller (1969). One of them was Me and Bobby McGee, the bittersweet story of a pair of lovers and their life on the road, and Miller took it into the country music Top 20. Partly inspired by the Federico Fellini film La Strada (1954), it would become one of Kristofferson’s most covered songs.

Then Ray Stevens charted with Sunday Mornin’ Comin’ Down, the desolate alcoholic’s lament that would be a hit for Cash the following year, Faron Young took Your Time’s Comin’ into the country Top 5, and Jerry Lee Lewis followed suit with Once More With Feeling.

The Kristofferson magic also worked for Ray Price, who took For the Good Times to a country No 1 and the pop Top 20 in 1970, while Sammi Smith scored a pop Top 10 hit with Help Me Make It Through the Night. By the time Janis Joplin’s cover of Me and Bobby McGee topped the pop charts in March 1971, several months after Joplin’s death, Kristofferson (who had had a brief affair with the troubled singer) had become one of the hottest songwriting names in Nashville.

His debut album, Kristofferson, had gone nowhere following its April 1970 release, even though it contained songs being made into hits by other singers, and despite Kristofferson’s appearance at the vast Isle of Wight festival that year. But after he turned the corner commercially with Silver Tongued Devil, the first album was reissued as Me and Bobby McGee – and earned him a gold record. In 1972, several of his songs were nominated for Grammys, and he won Best Country Song for Help Me Make It Through the Night.

By the time Jesus Was a Capricorn had topped the country charts in 1973, boosted by the crossover hit single Why Me, Kristofferson’s attention had turned towards acting. He had already appeared in Dennis Hopper’s chaotic The Last Movie (1971) and played a down-and-out musician in Cisco Pike (1972), and now it was his connection with Peckinpah that pushed his movie career into high gear.

Peckinpah cast him as Billy the Kid in Pat Garrett and Billy the Kid (1973), in which Bob Dylan had an acting role and supplied songs for the soundtrack, and he worked with Peckinpah again on Bring Me the Head of Alfredo Garcia (1974) and Convoy (1978).

In 1973 Kristofferson married the singer Rita Coolidge (his second wife) and the couple scored a big pop and country hit with their first duet album, Full Moon, which delivered a batch of hit singles including the Grammy-winning From the Bottle to the Bottom. They enjoyed further success with the albums Breakaway (1974) and Natural Act (1978).

Meanwhile, Kristofferson had starred in Martin Scorsese’s first Hollywood studio production, the romantic comedy Alice Doesn’t Live Here Anymore (1974), with Ellen Burstyn. Two years later he soared into blockbuster heaven when paired with Barbra Streisand in the remake of A Star Is Born (their on-screen relationship continued off-screen). It was bludgeoned by critics but earned $150m at the box office, and brought Kristofferson a Golden Globe for best actor.

Coolidge and Kristofferson divorced in 1980. Coolidge commented acidly: “I can’t say enough about what a great man he was. It’s just that he was a shitty husband ... He was a very toxic human being with all his drinking and his womanising.”

Kristofferson, discussing how he had idolised the country singer Hank Williams, commented that “most of the heroes in that vein have been pretty self-destructive, and I was myself for a while. I used to drink a lot just to get up on the stage. I did not have a lot of confidence at the beginning.” He stopped drinking alcohol in 1980, after his doctor warned him that he was killing himself.

His leading role as Jim Averill in Heaven’s Gate (1980) ought to have been a crowning triumph for Kristofferson, but Michael Cimino’s portentous western became a byword for wastefulness and excess, and bankrupted United Artists studios. He enjoyed only modest success with Flashpoint (1984) and co-starred the same year with Willie Nelson in Songwriter, for which he wrote several songs, winning an Academy Award nomination for original music score. He and Nelson released the successful duo album Music from Songwriter.

During the 90s he experienced a revival after appearing as a corrupt sheriff in John Sayles’s Lone Star (1996). This led to parts in a string of successful big-budget films including Payback (1999), Planet of the Apes (2001) and the Blade trilogy (1998, 2002 and 2004).

Kristofferson was born in the city of Brownsville, Texas. He was the eldest of three children of Mary Ann Ashbrook and Lars Kristofferson, an air force pilot who rose to the rank of major general. The military life took the family to California, where Kris graduated from San Mateo high school in 1954, then studied creative writing at Pomona College.

He won first prize in a short story competition sponsored by the literary magazine the Atlantic Monthly, and was also recognised by Sports Illustrated for his many achievements in football and athletics during his time as a student.

Later, he was awarded a Rhodes scholarship to Merton College, Oxford University, and it was in the UK that he began performing his own songs. He fell into the orbit of the “beat svengali” Larry Parnes, who secured him some recording sessions (under the name Kris Carson) with Top Rank records and the producer Tony Hatch.

Fortunately, perhaps, Parnes failed to turn him into the next Tommy Steele, and after receiving his master’s degree in English literature in 1960 – he also won a boxing blue while at Oxford – Kristofferson returned to the US.

It was not long before he was back in Europe. Having married Fran Beer in 1960, he joined the US army, became a helicopter pilot and was assigned to West Germany. He continued to write and perform music, forming a band with some fellow servicemen. One of his comrades was a cousin of the Nashville songwriter Marijohn Wilkin, who gave Kristofferson’s work a favourable report when he sent her some of his songs. After completing his tour of duty in 1965 with the rank of captain, he was offered a post at West Point military academy as an English instructor.

However, he took a trip to the city of Nashville to visit Wilkin, which persuaded him to quit the army and devote his efforts to becoming a country music songwriter. He earned a small stipend from a deal with Wilkin’s music publishing company, Buckhorn Music, and worked at various jobs, including flying helicopters to oil rigs in the Gulf of Mexico and taking on a job as a studio janitor.

He was working at Columbia Records’ Nashville studios when Dylan came to town to record his album Blonde on Blonde (1966), and it was here that Kristofferson first met Cash, who would become a staunch friend and supporter.

“John would tell everybody in town that Mickey Newbury and I were the best songwriters around,” Kristofferson remembered. “For me, to be endorsed by someone like Cash was really something, like being endorsed by Dylan.”

Kristofferson’s increasingly left-leaning political sympathies were expressed in his album Repossessed (1987), which gave him a hit single with They Killed Him (a tribute to Gandhi, Christ and Martin Luther King), and he appeared in the television miniseries Amerika (1987), which portrayed a US under communist domination. Another politically slanted album, Third World Warrior (1990), failed to chart.

In 1985, Kristofferson and Nelson banded together with Cash and Waylon Jennings to record Highwayman, and both the album and title song were popular country chart-toppers. This gathering of charismatic and much loved country greats became known as the Highwaymen, and enjoyed further success both as a touring act and with the albums Highwaymen 2 (1990) and The Road Goes on Forever (1995).

Kristofferson completed a hat-trick of albums with the producer Don Was, This Old Road (2006), Closer to the Bone (2009) and Feeling Mortal (2013). His final studio album was The Cedar Creek Sessions (2016), which was nominated for a Grammy award for best Americana album.

After several years of suffering from memory loss that doctors believed was caused by Alzheimer’s disease, in February 2016 Kristofferson at last received a diagnosis of Lyme disease. Following appropriate treatment, his condition improved markedly. “It’s like Lazarus coming out of the grave and being born again,” commented his friend the Nashville singer-songwriter Chris Gantry.

In November 2018, he performed Joni Mitchell’s A Case of You at Both Sides Now – Joni 75: A Birthday Celebration, which marked Mitchell’s 75th birthday. He gave his final full-scale live performance at the Sunrise theatre in the city of Fort Pierce, Florida, in 2020.

Having previously been inducted into the Nashville Songwriters Hall of Fame (1977) and the Songwriters Hall of Fame (1985), he was embraced by the Country Music Hall of Fame in 2004, and in 2006 won the Johnny Mercer award from the Songwriters Hall of Fame.

He once said that he wanted the first three lines of Leonard Cohen’s Bird on the Wire on his tombstone:

Like a bird on the wire Like a drunk in a midnight choir I have tried in my way to be free

He is survived by his third wife, Lisa Meyers, whom he married in 1983, and their daughter, Kelly Marie, and sons, Jesse, Jody, Johnny and Blake; by a daughter, Casey, from his second marriage; and by a daughter, Tracy, and a son, Kris, from his first marriage, which ended in divorce.

🔔 Kristoffer Kristofferson, songwriter, singer and actor, born 22 June 1936; died 28 September 2024

Daily inspiration. Discover more photos at Just for Books…?

[arcticstrawberries]

[broadwaydivastournament]

Movie Musical Divas Tournament: Round 1

Angela Lansbury (1925-2022): Em in The Harvey Girls (1946) | Eglantine Price in Bedknobs and Broomsticks (1971) | Ruth in Pirates of Penzance (1983) | Mrs. Lovett in Sweeney Todd (1982) | London Speciality in Till the Clouds Roll By (1946) | Mrs. Claus in Mrs. Santa Claus (1996)

"The patron saint of girls and young women labeled character actors at a young age, there are few people in the history of cinema who can claim a career as long and iconic as Angela Lansbury’s. Despite near constant sidelining and regularly being cast to play characters decades older than her, she managed to create a resume full of iconic characters and performances. In addition, she used her star power to advocate for AIDS research while it was still a taboo subject, as well as create roles for older actors to help them stay afloat."

Rosemary Clooney (1928-2002): White Christmas (1954 - Betty Haynes) | Red Garters (1954 - Calaveras Kate) | Here Come the Girls (1953 - Daisy Crockett) | The Stars Are Singing (1953 - Terry Brennan)

"her dress. the black one. you know what i mean. lover you done me wrong. sadjghkajlhgkajdg" - anonymous

This is Round 1 of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround1, or by clicking the link below. Add your propaganda and support by reblogging this post.

ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

Angela Lansbury:

Photos submitted by: @mygreatadventurehasbegun, @funnygirlthatbelle | Video submitted by: anonymous

Rosemary Clooney:

"I love her deep voice and her bright smile <3" - anonymous

Photos and video submitted by: anonymous

[lifeinasmalltowninjapan]

BBC2 Moviedrome (1991)

The Music Lovers (1971)