#the music for it was so good too

[bunniegiri]

everything goes on ⊹₊⟡⋆

star guardian 2022 cr. riot games

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[gingermintpepper]

I think, perhaps one of the funniest things to come from EPIC popularising the Odyssey is that now a ton of people think Poseidon wanted to kill Odysseus.

In the Odyssey, Poseidon has no intention of killing Odysseus. In fact, part of the whole reason Zeus lets Poseidon do whatever he wants even though he thinks Odysseus is rad and should get to kiss his wife is explicitly because Poseidon had no intentions of killing Odysseus. Poseidon wanted to pay back the suffering/inconvenience blinding Polyphemus would have caused. It's a really abstract thing tbh. How do you pay back someone permanently disabling your son? Poseidon's solution was just to amputate Odysseus from his other half; i.e. Penelope. The end game was never murder, it was always an endurance race.

(Od. Book 1: Zeus reassuring Athena that he is not, in fact, a part of Odysseus Hater-Nation. Trans. Robert Fagles)

Also, for those wondering if there's any sort of in text reason for why Poseidon wasn't around in God Games - at the time in the Odyssey when Athena petitions Zeus to let Odysseus leave Calypso's island, Poseidon was -checks notes- on vacation in Ethiopia. Yep. He left to Ethiopia for a festival and thusly was very much absent for Athena's whole "please let Ody go? Please? 🥺" request.

(Od. Book 1: While Odysseus was suffering, Poseidon went to party in the east)

I am begging y'all to read the Odyssey. It's a comedy for everyone except Odysseus and Penelope who are, in fact, suffering 24/7 365.

[irunaki]

i watched the 1997 Odyssey movie

Circe drawing cuz shes so pretty

this is the scene in the Circe island with eurylochus n polites (or piglites, if u will) that i redrew with the epic designs

also Calypso is stunning too

dunno i just love pretty women

also Aeolus is a silly old man here AND I LOVE HIM HES SO HAPPY AND GIGGLY AND SILLY

ok now to the real thing

how did they make Hermes even frutier

hes so zesty i cant i was literally dying while watching this

this frame had me crying LOOK AT THIS

overall 10/10

the cgi and special effects had me rolling on the floor i cant tell if its bc they are good or too bad but either way very good

extra points for extra pretty women, i think i fell in love with Circe and Calypso twice now so good job on that

Also I love Athena so much specially when shes mesing around with Ody and then Telemachus, they're so cute

[pants-lint]

Just had a Thought and now I'm curious. What's you guy's strangest comfort media? It doesn't have to be strange as in like creepy/fucked up/whatever, it can just be smthn a lil odd.

[heartorbit]

figure skating set right now please. thanks

[korolation]

lamb to the slaughter

[eggwishing]

sans looking at ice or something

[gay-strawberry]

this scene is so good !!! how can a 7 seconds clip have so many things

niko being the only one noticing edwin changed his style and complimenting him

edwin looking behind him assuming she wasnt talking about him then realizing she was and smiling

charles just taking the opportunity to check him out

10/10

[almondcroissantsandink]

the weather here has been incredibly icky so I watched The Guy Who Didn't like Musicals for the first time and Joey Richter always makes the best expressions

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[numbuh424]

it's going to go exactly as written.

[fennethianell]

some Twisters sketches I did last month

[cowardlykrow]

yeah, and who do ya think knocked em out

[theatricalmage]

The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!

More info under the cut:

- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.

- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.

- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.

- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.

I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.

For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).

Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.

Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮‍💨

[nobodysdaydreams]

I have a theory about Wicked Part 2 and what they are going to add to it, and why it's going to add so much to the movie.

I think they are going to add Dorothy's POV.

In the musical, she's mentioned, but Dorothy never appears on stage. We never know her POV or how much she knew about the witches, Fiyero, Boq, the lion, or what was actually going on in Wicked beyond the Wizard of Oz plot. But in the Wicked two trailers, we see scenes of Dorothy and those scenes are shot as if from the Wizard of Oz, not the traditional Wicked musical, in which Dorothy's character is only briefly mentioned or shown as a shadow. Which means we're going to get to see her story this time!

However, if I was going to include Dorothy's POV for Wicked, I don't think it would be anything like the Wizard of Oz, for a few clear reasons:

Dorothy in the Wizard of Oz is a perceptive and animated child and unless they plan on erasing that aspect of her character, she is not going to go home from Oz at the end of the Wicked movie with the same beliefs as the Dorothy from the Wizard of Oz. She sees the Wizard is a fraud and calls him out just like Elphaba does. Besides this, there is no way she would just not pick up on the fact that Galinda, the dead witch, Boq, Fiyero, Elphaba, and the lion have a deeper history together than meets the eye for the entire trip.

This one might sound stupid, but trust me, it's important: Toto as a character. Here me out. In the Wizard of Oz, Dorothy's distress in the real world is centered around a mean lady trying to drown her dog and the Witch of the West tries to do the same in Oz. However, in this version, Elphaba's whole thing is animal rights. She'd probably be horrified that Toto can't talk or Dorothy would be surprised and delighted to find that in this world, Toto can talk depending on what they decide to do with the dog. And if Dorothy comes to this world distressed about a lady trying to kill her poor dog, Elphaba would surely empathize. There might even be a misunderstanding between them if Elphaba believes Dorothy is working for the Wizard and Toto is a dog that needs rescuing.

So how does this change things?

There are a number of wonderful options.

The most obvious one is that we could see Dorothy put together and discover the story of Boq, Nessarose, Galinda, Elphaba, Fiyero, and the Wizard. She and the rest of the gang would formulate a plan to help Elphaba fake her death to save her from the people of Oz and the Wizard.

Within that narrative, we could see Elphaba enchanting the sleeping poppies to stop them from getting to the Wizard with the goal of protecting them from the Wizard (rather than to stop them from getting home). In Act 2 of Wicked, the Wizard again tries to form an alliance with Elphaba but Elphaba rejects his offer when she discovers what he's done to her Animal friends. It's possible that Elphaba believes the Wizard is trying to use Dorothy too and is trying to protect her from the same fate.

We could also see conversations between Dorothy and Fiyero about Elphaba (and there are many AO3 fics that have been going with that concept. I see y'all, thank you for doing the Lord's work 🙏🏻) and possibly some conversations between Dorothy and Boq since they'll be traveling together and we don't really get to hear about Boq's ending in the musical. I think the last we see of Boq is that he's angry at Elphaba for his condition and rallying crowds against her, but with all that traveling time and secrets coming out, I could see him getting, I don't know if I'd call it a "redemption arc" per say, but finding his heart again (a real one). Additionally, conversations between Dorothy and the lion about how Elphaba saved him would be nice too. Even if the lion had learned to blame Elphaba for what happened to him, I'm sure Dorothy would be quick to correct him once she discovered the full truth.

But my favorite, my absolute favorite and darkest possibility is the interactions that Dorothy can have with the Wizard. In the Wizard of Oz, she exposes him as a fraud, but in the Wicked movie, he's much worse than that, and I can totally see Dorothy being the one to point that out to him. Why?

First of all, Dorothy is not from Oz. Most people there would never question the Wizard, but if he's so powerful and generous, why is he sending an innocent little girl and three down-on-their-luck guys to go murder his dangerous enemy? That right there is a red flag, and again, if they don't change Dorothy's character, she's going to be a very honest child and comment on how strange this is.

Second of all, if anything I speculated above is true and Dorothy realizes this the Wizard is an animal abuser who vilified an innocent woman, she's going to be very angry at the Wizard, and rightfully so (I hope Toto bites him).

Third of all, and here's where it gets good: in the musical Wicked, the Wizard discovers he is Elphaba's father at the very end because of the bottle Galinda has. Dorothy is not on stage for that because she's not in the main cast of the musical, only mentioned by the other characters, but what if she was? What if she's the one that discovers the connection? What if she calls him out the exact same way Elphaba did after the Wizard gave his little "I always wanted to be a father" speech?

What if the Wizard had a little animal-loving girl who reminds him so much of the daughter he just sent to her to kill standing in front of him with a horrified expression while he puts the pieces together?

What if Dorothy's POV in Wicked isn't about her exposing the Wizard as a nervous fraud, but as a heartless monster?

What if Dorothy's POV is about her exploring this new world and discovering for herself who is truly wicked or good?