#the more i think about canon the more i realize that the au needs to diverge slightly more than i'd like lol

[ckret2]

Hellooo, I have a question about Billford in your au.

how do they get a chance to get together if both Mabel and Stanley are keeping a sharp eye on them, and forbidding them of any romantic relationships?

They are NOT keeping a sharp eye on them.

Mabel has identified Bill as a needy ex, and is determined to get him to move on—but like, he's gonna be dating around town! She's gonna meet a couple of the people he goes out with! (We're using the word "people" really loosely here.) And Bill's attitude toward Ford has evolved from "hey buddy, don't you wanna be buddies again, buddy??" to "if you don't like me then why bother." So getting Bill to move on is totally working, right?

(I DO still need to edit a couple scenes in some early chapters for TBOB compatibility on this front—but that basically only means Mabel's going from "I need to help Bill make new friends and keep him away from Ford so he won't be a jerk toward him" to "I need to help Bill make new friends and keep him away from Ford so he won't be a jerky ex toward him." Either way, she's mostly concerned about Bill being a jerk.)

Stan has realized Ford's weirdly obsessive over Bill... but not THAT kind of obsessive. It's like "interview him about his species while vivisecting him" obsessive. Like so. Ford gets like this about stuff! Stan might not have a damn clue what autism is but he sure as hell has seen his brother's special interests! He tried to kill that triangle for thirty years, this obsession is not coming from a place of love. He's worried about Ford—but he's NOT worried about romance.

As a bonus, the two of them DIDN'T have a past relationship—they're not actually exes, they just spent the 80s being weirdly homoerotic—so there's no grounds to worry that they might "get back together." Bill's current feelings on Ford are more mixed; but at this point in the fic, Ford honestly, genuinely, truly hates Bill with no romantic interest.

Plus, once romance creeps onto the table, Ford thinks "if anything happens between Bill and me, my family would never forgive me (and I'd never forgive myself)" and Bill thinks "if anything happens between Ford and me, the Pines would murder me, and that might not be hyperbole." They'll be motivated to downplay their feelings for each order before feelings even start to happen.

Bill & Ford tend to clam up around each other or only have shallow surface-level conversations when other people are around. When they DO have serious heart-to-heart discussions they trip and stumble into them when no one's listening. (They keep having serious conversations at midnight, usually in the kitchen. It's happened like, what, four times so far?) This is gonna continue in future chapters. Oh, boy is it gonna continue.

So during this time period, as far as anyone else knows, on a scale of 0 = sheer loathing to 10 = passionate love, Ford's feelings for Bill go from 0 to 2 and Bill's feelings for Ford go from 3 to 1.

It doesn't help that their idea of flirting is "spend an entire day arguing about whether or not Minnesota exists and compromise by agreeing the backs of dollar bills are blank. Tell no one how this is a compromise." This is some kind of shrimp romance.

(This is an actual upcoming chapter, and I wrote it like a week before TBOB came out where Bill has a whole paragraph about how Minnesota doesn't exist. Originally the chapter was about Wyoming. I still think Wyoming works better than Minnesota but I'm tickled "Bill claims a state doesn't exist" is canon.)

Add that all up? And by the time anyone realizes something's going on—IF anyone realizes something's going on—they've been licking each other's eyeballs and roleplaying erotic deicide for weeks.

(This is a slight exaggeration. Only Bill's into eyeball licking.)

[amf-studios]

Hello. Please answer this. I think it's important these get adressed. me and others of this community have been getting uncomfortable with some of your art. While I see nothing wrong with the Fankai, the rest of it has caused issues for people. First, there is the Natsuki fanfic. While I personally don't have much issue with it, there are some who feel very uncomfortable with their comfort character (Nate) Being changed in such a drastic way, and believe a separate community should be made for that art, as some people have gotten to the point of self harm from seeing their comfort characters changed so much. Next, there is uncomfortable undertones to your "Damonate" Fanfic. It seems very "Loli" esque, with a childish hundred year old woman being with a child. Then there is the sexual undertones to some of the natsuki art, particularly the maid outfit with Arachnia. This is to some extent sexualization of a minor. Then, there is the inequality in the amount of transmasc and transfem characters you draw. 90% of your characters that are trans are transfem, and barely any are transmasc. Then, finally, there is the softcore Arachnus and Toadal Dude art. While nothing is showing, it is very clearly provocative and you have a mostly minor fanbase. I believe that art should be on a separate account.

If you could adress these, it would be good. Thank you.

OK, guess we're doing this.

I've heard a decent few people say they find my natsuki au uncomfortable. I will only say this: no one is making you interact with this content. If you don't like it, just scroll.

I haven't heard anything about the self harm until now, but in my honest opinion; "self harm over someone else doing fanon stuff with a fictional character is indicative of a much larger issue." I say this not to undermine the struggle with self harm, as I have dealt with it myself in the past, but I cannot stress this enough, a random person on the internet's visual fanfiction should not be cited as the reason for that.

Onto the damonate issue. The yokai watch Fandom needs to realize it is a Canon fact "YOKAI DO NOT AGE THE SAME AS HUMANS"

Toiletta is 70 and still a little girl, enma is 60 and acts like a teenager til about shadowside. It is clear that the immortality of being a yokai affects how one matures, so their chronological age does not automatically make them an adult.

And with Damona, she is arguably *very much a child.*

The only time in the games where she is actually treated as a character, she is primarily characterized as a daddies girl who feigned being emotionless in order to get her dad to spend time with her. 2

(I have not seen any full episode of her in the anime, but what I have seen doesn't really disprove the above point.)

On top of that, damona received a redesign in shadowside, the sequel series where Nate himself is an adult.

And it is incredibly clear, she has also matured in this time skip. I don't know why she ages so much in 3 decades when she's at least 190 by the first game, but here we are.

Yokai age is inconsistent, but Damona is one of the more clear-cut examples of being a child.

Onto the maid point: yeah, kinda. I didn't really realize the unfortunate implications until *after* I posted the art. But I do feel that of any maid outfits I could have chose, I used some of the tamer ones as not a lot of skin is really shown on the drawing, or the characters I pulled them from. (The joke with Entoma is specifically that she *isnt* conventionally attractive)

Unfortunately maids in general have been sexualized to hell and back along with a number of other female specific outfits.

On the transmasc point: I actually agree. Mostly cause I use my own experience as a base for making content, and I just don't really have a lot of transmasc headcanons I jive with.

I have tried to rectify this with the oc Toransu being specifically a transmasc character, but I could definitely be doing more.

And on the final point: I will just make it clear here

I AM NOT HERE TO BABYSIT YOUR KIDS.

Social media generally has rules against those younger than teen years making accounts for a reason.

I know kids will lie about their ages to circumvent this, hell *I* did that when I was younger. But it still remains: it is a parents responsibility to track what their children are doing on the internet. Not the random fanartist who makes funky ghost content. If kids are coming across content I have explicitly flagged for my older audiences, that is the parent's responsibility.

I see no point in making a separate account for something I've basically only done once and don't really plan to do often. Even if I did, I've been told my style is very easy to recognize. Meaning by all accounts, I'd likely still hear someone bitching about me doing it.

And while it wasn't a point in this comment, I might as well address it: it's been brought to my attention that people are evidently accusing me of being "a proshipper"

I have never been able to actually understand that whole "pro vs anti" debate, and every attempt to get an answer has just left me confused.

All I will say on that is incest and pedo shit is gross. Apart from that, ship whatever you want, and for fucks sake don't get on people's case for ships you don't like for no reason. There are better uses of your time.

Sorry for the full rant.

[tinukis]

i hate that im scared to write and i hate that im so picky with fics bc i have very specific needs to be fulfilled and it is hard to meet those needs...

i soooo bad desire zolusan, post wano specifically bc in my head thats when all three get together. wci is when sanji realizes his feelings for luffy– or rather accepts that he is in love with him (two years of pining im so sorry sanji) that and also finding difficulty in accepting his feelings for zoro too so basically: sanji being a mess

but idk zolusan mutual pining but they're all idiots. sanji has his own struggles, but imagine zoro's feelings or luffy's feelings. zoro keeping them internalized because it's not that important and wouldn't change a thing, yet he yearns. luffy... the guy is unpredictable imo. and i think that focusing on his perspective would be a lot of fun. he's already happy with what he has but he wants to be selfish and ask for more. idkidk words are hard but these three live rent free in my brain and they do not want to leave send help

(ALSO. imagine discussing the death pact and luffy finding out about it... unrelated to what i said but im talking about zolusan can u blame me... like. God!!!!!!!!!!! theres this one fanart where zoro does go through with it and luffy finds out and. Sighs.)

[carnivalcarriondiscarded]

Wait im sorry if like youve talked about this before but what is everyones roles in the fantasy au 👁️👁️ or jobs?

i've just Thought Aloud in bits and pieces but hey. i feel like talking today so i'll put it all in one place with Updated Thinkings

(i like to imagine that they all kinda Quit their initial jobs/lives to go adventuring with each other, either by choice or... not. except Howdy, who's a multitasking king). the Neighborhood party earns their wages by completing jobs/quests, though some of them have minor supplemental ways of adding to the coin collection

Wally, of course, didn't really have much of a Before. he didn't intend on becoming a warlock/wizard - that choice was kinda made for him by the circumstances of his existence. but Wally had to pretend to be a wizard for his own safety, and wizards have a sort of societal expectation to be Helpful and Magical and Wise and Existing For Public Service. so while Wally would have rather just been a painter, he's obligated to be a wizard - that's technically his role/job. within the Neighborhood party, he's a bit of a distance fighter/support! he doesn't really do the whole up-close / physical aspect of battle, though he technically knows how. He casts spells from afar, which tend to be widely benign. artsy little cantrips and inconveniences to make it harder for the enemy to fight. he's also a bit of a bloodhound - illusions don't trick him, he can "see" most magic, and he's really good at getting around unnoticed. if they're stuck somewhere, Wally can probably get them out

Barnaby's "job" before going adventuring with Wally - it started out as just the two of them! - was just working on the farm with Ms. Beagle, where he had been his entire life. Sure he'd sometimes do public performances/acts in town, which would earn him extra coin, but that was more of a paying hobby than anything (a paying hobby he will Continue) in the Neighborhood, he's... uh. their cheerleader? that's not entirely inaccurate! he's not big on combat or effort i'd reckon, so he prefers to just keep morale high. offer background music, funny commentary, jokes to lighten the mood, mediate tensions, etc. if necessary, he makes good backup - he has his illusions of course, and he Does pack a mighty punch if need be! he's also very helpful when retreating - he can grab the smaller party members and run

Wormie is the group mascot <3

Sally was a bit lost before joining the party - i like to think that she was constantly on the move as part of a traveling theater troupe, but she wasn't the star or director. she was just part of the group, uninspired and with a full well of untapped potential. one day she up and left (dramatically) to find her own inspiration/muse & path to stardom, which ended up being several years of wandering until she happened across the budding Neighborhood and went "this! this will be the source of my stories!" as for her role, she's a bit of an everyman. front lines fighter, entertainer, mediator, etc. she views herself as the party "leader", or rather, their Manager. she keeps the party entertained with stories, and bolsters their reputation in the same manner. in a battle she's a bit of a powerhouse - her light magic is useful both in combat and entertainment! she keeps a "book" of the Neighborhood's exploits (she swears it will be edited/published someday) holy shit she's moominpappa, and in their Extended downtime she writes and throws plays inspired by their adventures at their home base (town).

Eddie was still, originally, a mailman. or i suppose in a fantasy setting - a courier! until one day he saw a group of people being attacked by some bandits, managed to fight them off, and immediately got roped into helping rescue the folks' entire town from the bigger group of bandits. then they told others about Eddie's help, they wanted his help too, one thing after another and now he's got a full set of armor, a sword, a shield, and his whole thing is saving people. huh? how did that happen? he was delivering letters a month ago! if i had to give him a title... i'd say he's a Protector! he seems like the type! he always has his fellow adventurer's backs - i bet he has his hands full trying to cover everyone at once. outside of combat, he's still very helpful and does whatever is asked of him / needed. collecting firewood! pitching tents! stirring soup! getting Frank to remove a centipede from camp! in downtime he probably takes small bodyguarding gigs. he also is a minor healer - he took some sorta oath for some sorta god (or virtue) that he can't remember, but he has minor healing/cleansing powers. he's also good at sniffing out evil & dark magic! some would joke that he's the party's guard dog

Frank was raised in a monastery that believes in "using your body to fight for the greater good". this was not his job when they became old enough to actually Act on his training! nah they ran away in his mid teens because they wanted to fight things on his own terms. also they want to study bugs more than anything, which he does! for a long time! then they meet a certain princess, befriends her, and helps her run away. he only joins the Neighborhood because Julie wants to, and it's a good way to travel - read: study more arthropods - and earn coin. fighting is a bonus aspect Frank's role is... front line fighter, bookkeeper, and the Guy Who Knows Things! what monster are they dealing with? what are its strengths/weaknesses? Frank probably knows! can they afford a room or two at an Inn? Frank knows (no, they cannot)! who's throwing themself into direct mortal danger with gusto? it's Frank! no but really, Frank is like their resident nerd who can beat pretty much all of them in hand-to-hand. in downtime he probably has a garden purposefully full of plants that can be left alone for long periods of time... maybe they sell half the things grown for extra coin!

Julie, of course, was a princess! that was her whole job! it was incredibly boring and restricting, so she ran away with the help of a funny nerd. after that her whole life was just "avoid getting recognized while figuring out how to live in a world without the comforts/ease of castle life". i'd think she much prefers her new one! as a role, Julie joins Barn and Sally in the "entertainment category". while they entertain with humor/stories respectively, Julie goes straight for games and activities to fill the lull between action. keep the blood pumping, spirits high, and bonds Solid! camp games, road games, locked-in-a-dungeon games! in combat, she's on the front lines with her oversized sword. i think another fitting role would be "navigator" - she can ask plants for directions! technically Julie is a secret powerhouse. her flora magic is insanely powerful, though she prefers not to use it for several reasons

Poppy, i like to think, did indeed have a bakery. it was well-loved in her community, her staff were wonderful people, and it all burned down in a night due to raiders. luckily for Poppy and her town, Eddie was nearby and got on the case to get rid of their problem - maybe Poppy felt obligated to help in some shape or form, and Eddie wound up inspiring her to learn healing magic. She moved into the town that would become the not-yet-existing Neighborhood's HQ to try and restart her business, but it just wasn't the same, and she had gotten a taste of what it would be like to directly save/heal people Poppy is the party's cook, healer, and ultimate voice of caution! the most she'll do in battle is sprint into danger to drag an injured person to safety for healing - she doesn't have a combative bone in her body i'd guess! does she enjoy being in the Neighborhood? eh... it's stressful and terrifying, but she couldn't live with herself if she let them all brave the wild without an adequate healer OR an adequate cook. i like to think that she saw the state they were traveling in and went "oh no"

Howdy, of course, has his tavern! it's a popular hub for travelers, townsfolk, pretty much anyone and everyone. of course it helps that it's the only tavern in town! the only reason Barnaby managed to convince Howdy to join the Neighborhood on one of their jobs is because Howdy realized that he can widen his net & sell to new people On The Go. finally, a use for that magic backpack collecting dust in his room! Howdy got a taste for adventuring and joins the Neighborhood every once in a while, usually only for shorter jobs - he doesn't want to be away from his tavern for too long his roles are support, professional haggler, sarcastic commentary. he doesn't have a crumb of magic in him, but he's clever! he's learned how to make his own support items - including his fancy revolvers with magical crayonsbullets. Howdy rarely fights, choosing to watch over his pack, dole out items when needed, and listen to Barnaby's running commentary. when it is necessary that he join in on combat, he can usually clear the playing field in a matter of moments. he's skilled with both the revolvers and using his own items - he's a one man four armed army!

Home's job is "keep Wally upright and powered". they prefer to be an observer in all situations, even after their existence becomes common knowledge to the Neighborhood. the most Home will do is nudge Wally in the right direction or alert him to something important. Home's literally just hanging out behind Wally's eyes w/ a bucket of popcorn. unless something happens to his beloved little puppet, in which case Home becomes the biggest baddest bitch around and sends everyone else to the bench

tl;dr: Wally: support fighter, magic geiger counter, escape artist Barnaby: entertainer, backup Wormie: mascot Sally: storyteller, fighter, Manager Eddie: protector, minor healer, "paladin" Frank: bookkeeper, fighter, scholar Julie: activities director, navigator, fighter Poppy: cook, healer, overthinker Howdy: tavernkeeper, inventor, support Home: just keeping an eye out

[sincerely-sofie]

I’m the anon that sent in all the Ruby stuff! It makes me so happy that you love her so much. I didn’t expect her to be such a beloved character to you and I was kind of nervous that you would have hated her tbh. ^^;

Something Ruby related — I had a fic about Twig and co. confronting the siblings before I ultimately scrapped it because I could not write villainous characters without making them feel cliché. I do remember this one line said by Ruby’s sister when she lashes out towards Twig:

“You wouldn’t get it. You have a cushy life style and you baby your daughter instead of actually raising her. We’re doing that ungrateful, spoiled brat a favor — we’re teaching her how to survive. You wouldn’t know the meaning of that with that silver spoon in your mouth.”

I don’t blame you for struggling with not making the siblings feel cliché— writing villainous characters gets 900x more difficult the second you don’t want to make them sympathetic. Ark was fairly simple for me to write, even in scrapped scenes where he was all-in with his villainous role during the events of the post-game. Twig’s aunt, meanwhile, gave me a heck of a hard time while I was developing her backstory.

[arolesbianism]

Time for more eternal gales isat au, this time featuring Sier as Isabeau, creating a sprite I can never use next to Aris’ because despite my best efforts it would make them look tall

[good-beanswrites]

LCSYS ask again(undercover asker here hiiiiiaufhghghgn)thank you for responding!!!! ilovfe seeing your ideas theyre such good fuel in between trials❤️❤️

i was wondering how th prisoners would react to es’ usage of violence, like some of the younger prisoners complaining about it while the older are concerned because Hello Where did that stem from???? you cant tell me es’ “phew, i feel so much better” after hitting shidou didn’t send his mind racing a million miles per minute

ALSO curious about YONAH………… similar to how red’s violence towards es was scripted, was kotoko’s monologue about es being imperfect Also scripted, or was it on her own? yonah is probably my favourite voice drama of all time and I’m curious about how it would be interpreted in this au 🫶

Ah hello again! Thank you so much for reaching out -- every time I think I've covered everything you guys hit me with a new insane detail that makes my brain go brrrrr >:3

Because OMG I spent so much time thinking of the faked violence, I don't know why I never put as much attention on the flipside! I love the idea of Jackalope assuring them, "there will be no physical punishments. We'll talk about restraints but that's all fake. We'll make up injuries between trials but that's all fake. You don't have to worry about any real pain." And then this 15yo strolls up, interrogation one, ready to smack someone😅😅😅

Seriously though, I think it would come as a pretty big surprise to the group. They knew it was a possibility, but didn't think Es was that likely to attack, since they've made a few comments about being against violent punishments. Haruka comes back to mention the slap, and Yuno follows their instructions and says she also suffered violence, and the group is Shocked. I think it would just kill Fuuta that he wasn't allowed to hit back and avenge the others. He probably has the most complaints about the situation (and is insanely relieved that he get by in his own interrogation.) In a feeble attempt to get back at Es and make them feel bad, he encourages Muu to cry and make a big show about being afraid of them. Muu is frightened enough that it doesn't take much persuasion... I think Kotoko and unfortunately Amane wouldn't mind the threat, they both have lives in which authority showing power isn't out of place (and maybe Haruka?). Mahiru, too, thinks it's just the way a prison guard can run their prison if they want, though she's determined her charm will keep things running pleasantly.

Kazui reaches out asap* to question the legality of the experiment, since they're allowing children to get hit, even if by other children. There's a tangle of signatures and consent from everyone involved so it's okay, but the whole thing still rubs him the wrong way. He knew the experiment was a bit shady, but he(Though, this does make his first vd kind of funny -- instead of actually talking through his theories on the prison, now it feels like he's just egging Es on to see if they'll actually hit him...)

And I really like that idea that Shidou's dad instincts kick in (or maybe it's doctor instincts)! He'd understand if it was a child trying to play the role of an intimidating adult, but the way Es is doing things, the things they're saying, it all points to something deeper going on in Es' head. I can see him sitting down with the others and Jackalope to discuss. Of course Milgram gives him very little to work with, but this still kickstarts everyone's efforts to make sure Es is also taken care of post-Milgram.

*I just realized I'm still a bit fuzzy on communication during the trials. Jackalope can definitely get information to the prisoners (most commonly the 'voices' they're supposed to be hearing based on Es' notes, but also in case of emergency changes or things). I was picturing the prisoners unable to communicate outward until the trial ends, as it builds up the feeling of isolation and imprisonment. The issue is, I feel like Jackalope would want to keep that line open in case the prisoners had questions/issues with the experiment that affected their acting. So idk if the prisoners voice these concerns about Es mid-trial or they're forced to wait. I'll get back to you on that, hm

And Yonah!!

I wasn't avoiding spoilers, I actively looked for snippets here and there, but it was this ask that finally motivated me to sit down and watch it through -- and I'm SO GLAD I DID 👀 It's really well-written and wonderfully acted!! I'm floored with the whole thing omg

I really like the idea that the Milgram team instructed Kotoko to mention Es' imperfection to rattle them a bit, but left the specifics to her. Jackalope thought she'd just make some quick comment, and does a double take when he listens in on the interrogation and realizes she has a lot to say on Es and the way Milgram is run.

Jacklope told her to be harsh with Es, and she thought that was no problem at all. She felt those opinions strongly and wasn't going to go easy on the criticism just because they were a kid. She goes into the interrogation ready to stay completely put-together... and then surprises everyone and herself when Es' distress moves her to pull them into a tight hug and tell them everything's going to be alright ;---;

[the-lark-ascending69]

> be a robin buckley fan

> be lesbian

> project on robin

> look up "internalized homophobia robin buckley" on tumblr because it's cathartic

> 3/4 of the posts are about st3ddie or just about steve

[eclipsedrawsthings]

Ebonytail and Strikefoot, two very good friends and two very loyal warriors.

[pine-niidles]

Some Valysa looks, thankfully she finally gets glasses in her two aus.

bonus content, when I was first designing her I planned to give her brown hair before I changed my mind! was thinking about that again recently

[synthetic-sonata]

one day ill post my pokemon games + spinoffs tierlist that im slowly chipping away at and have been since, like, june or july . but i dont think people are ready

[rivilu]

It's so weird to be playing a version of Elluin that's not going down a nightmare spiral in act 5

[carnivalcarriondiscarded]

Hey, I think I missed a bit of lore or something, what’s the pit? And what’s the goop™️?

oh yeah no i haven't really talked about those Important Things yet! mostly because i'm still solidifying how they work in my mind... i try my best to adhere to canon, since to me aus are an exploration of the source / characters, so... its still tenuous. i have to think and consider and run parallel - there's a balance i'm still trying to find

like The Pit™️ (the spiral/eye void under Home) in Lights Out is gonna be different from the canon one since i started thinking about the au before the update. and the update changed my perception / theories on what the void is! but the au Pit™️ needs to remain mostly the way it originally was, or a lot of "plot" points fall apart

[dasnercaret]

eaning into here to just add that personally i think the most narratively satisfying ending would be loopsif going back to their own timeline and loop being forced to live on in the future that was originally denied to them. also part of loop's whole thing is struggling to let go, and while i think it would horrendously hurt i do think loop needs to learn to. Live. with their family. learn to be human again without the crutch of a much more stable loopsif with them. they need to be able to connect with their family and not just themselves but more mentally stable, and given the au they would stick semi-permanently with loopsif if they had the choice (there's an entire comic that demonstrates this point). also if loop disappeared in canon, loopsif probably should too i feel.

also the thought of siffrin just disappearing from his (successful) timeline makes me horrendously sad :( the rest of his family would search tirelessly for him once they realize what he's done. would he be living with isabeau by that point? would isabeau be forced to reckon with an empty room and house and life? would he have told his family? would they be okay with it? loopsif has his own life outside of the loops now. he can't just abandon that without reservations or impacts on the people around him (assuming loop time passes semi-normally and loopsif wouldn't just get plopped back in his own timeline a few minutes after making his wish)

how did stardust end up in loopsif's timeline in the first place? i'm assuming this is post twohats canon, did he make a wish later on to see loop again? to be able to help loop in their original timeline? mostly i'm curious if stardust knew what they were getting into lmao

...also if loopsif DOES get out of their time loops eventually... would he go back to his normal timeline, or would he be stuck there forever?

...would loop still be there in stardust's timeline?

(sorry if it's a lot of questions or it's too spoilery for the au or you haven't thought that far ahead yet. lol)

1: Yes i think that this was a very intentional decision made by ISAT Siffrin. He'd be very cautious about Wishcraft and its rituals after the events of the game, so Stardust's presence is planned out (somewhat)

I'm thinking that its been many years since the loops and most of the party has settled down in their homes across the world (and its not like they dont make time to see each other). ISAT Siffrin gets melancholy and wonders... if they could have prevented Loop from becoming- well-- Loop.

The idea took root and then well here they are

Stardust made this Wish with returning back home in mind too

2: What would be more narratively satisfying for you? what kind of ending would give the right flavor of catharsis? NSFNFfgn ok I know thats a cop-out kind of answer but this AU definitely has a multiple endings sort of thing going on

(...i do think that it'd be a sort of Steven Universe kind of ending where Steven re-fuses with his gem half sort of thing, Stardust and Loop fusing together or ISAT Siffrin and SASASAP Siffrin)

[fulloflambing]

࣪ . ִֶָ๋ CAPITANO: husband headcanons ♡

pairing: capitano x afab!reader/you warnings: reader is addressed as 'wife', canon and modern!au cho's note: the kinich one did rlly good, so now lets try it with our big boi hehe. happy reads everyone! lmk if u guys want an nsfw ver. of either/both characters ;3

this man is the definition of YEARNING.

he wasnt comfortable with the label of him being your boyfriend. with all his eternal affection and love for you? to just be a mere boyfriend? absolutely not. he just HAD to be your husband. proposed the moment he realized he loved you.

definitely proposed with a big stone :p

wears his ring 24/7 and kisses it whenever your not around and he misses you dearly.

he abuses the power of his mask and never misses the chance to stare and just admire your beauty. underneath his mask his eyes are full of love and admiration for you.

discreetly clingy. if your going out somewhere he wants to go with you 'to keep you safe' or he 'needed to pass by that area later anyway'.

hates taking off his helmet, but never stops you from sliding it off of his head to shower him with praise.

his nicknames for you are my love, dear, darling, prince/princess

his love language for you is physical touch, and words of affirmation

his favorite spots to kiss you on is your forehead, lips, the palm of your hands and your knuckles.

engraved your initials into his sword, and because of that he makes sure he takes good care of it always.

his kisses are always slow and intimate.

he is a quick-kisses or pecks HATER. he has to kiss you for atleast 10 seconds. he doesn't care if hes late, if theres someone right infront of you— he kisses you like its the last time, everytime.

more of a listener than a speaker

he likes to go on dates or do activities with you where you both have to talk to eachother a lot. like fine dining dates, late night walks or driving!

very touchy in private. he likes to snake his arm around your waist, pull your hair to the side and kiss the back of your neck.. hes just addicted to praising and carressing your body.

ever since he married you, he absolutely despises overtime. he gets bossier and meaner to his subordinates when he realizes he might have to stay a little later to supervise them. sometimes he even leaves his job or his expeditions early just to get home to you.

frequently brings you gifts. a bouquet of rare flowers, a jewelry set with special ore customized just for you, lavish wine.. you name it.

never wants to argue with you. the second you tell him he's wrong, he just immediately agrees with you, spewing "yes ma'am." "your absolutely right. i didn't think of it properly.. apologies my love."

ever since he married you, he likes to subtly flex he has you as his wife.

"Sorry, i must end this conversation early. My wife is waiting on my presence." and you can just HEAR how cocky he is to say that.

writes you longgggg letters when he has to get away from business for awhile.

regarding his letters, he made you scribble/draw a design which he got custom made to become his wax seal for said letters :) a very keen man

got you a coat matching his own!

when your crying, he likes to hug you in silence, just letting you soak him in your tears. when you've calmed down, he tells you hes there to listen if you want to talk about your feelings, and theres no problem of yours hes not willing to help you solve. in his mind, your pain is his own, and he'll always be there to support you through any troubles.

very possessive. he wants people to know your his, and hes yours.

princess treatment on TOP. carries you easily when your tired of walking, idly massages your hands or feet when your both lounging together, regularly brings you flowers

during misunderstandings, he likes to take a minute of silence to compose himself and his thoughts to make sure he doesnt say anything he doesnt mean

likes to properly sit down with you to talk out problems between the both of you, and keeps an open mind. he doesnt rush you or cut you off when your talking about your feelings, and lets you know hes present and he cares about how you feel

takes extra time and effort after an argument to remind you he loves you.

overall, capitano is a very romantic lover despite his cold resolve, and honors your wishes with his life.

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)