#the more i reconnect with my heritage

[mushkishoard]

Some asshat: ouwgh europeans brought the Indians technology and civilized life bwoulg

Shut up. You know what most native peoples have/had that settlers in the Americas STILL don't have?

No homelessness

What we would now call free healthcare

Equal rights and respect for male, female, and other genders.

Care for the elderly and disabled

No racism

Heart knowledge, or what we might call, mental healthcare

What we would now call free education

No one would starve cause of someone else's greed

Yeah, no society is perfect, and we have our faults. But whose society would you rather live in?

Now think about how all of that was stolen not only from natives, but the decendants of settlers too. You, settlers, could also have had better, had people in power been stopped. And it's still your responsibility, settlers, to stand by us and take away those evil people's power.

Land fuckin back.

[dammjamboy]

i realize i never posted these doodles here.. i plan to draw dipper mabel and abuelita eventually ! but enjoy these for now :^]

[entropyvoid]

Pom of Peace | Rainbow Hamsa

In Jewish culture, pomegranates traditionally symbolize fertility and love, and are often said to have 613 seeds, one for each mitzvah. They are a common theme in Jewish art and are often mentioned in Jewish texts.

The hamsa is a symbol of luck and protection shared by many cultures with middle eastern roots. It has been interpreted as a Jewish, Christian, Islamic, and Pagan symbol. In Judaism in particular, it is sometimes referred to as the hand of Miriam, and has been very popular with Sephardic Jews.

[pronouncingitwang]

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[libraryleopard]

Adult Regency M/F romance novella

When down-on-his luck architect Simon is hired by an old flame to attend a garden party and design a folly, he asks Maggie, the hostess of a gambling den, to pose as his mistress for the weekend to keep his former lover off his back–but real sparks begin to fly between Simon and Maggie, complicating things

Explores class and Jewish identity in Regency England

Sephardic Jewish main character; bi main character; gay side character

[foldingfittedsheets]

No one made any distinction to me when I was growing up when a word wasn’t English. Andale was just another way to be told “hurry up,” and I was certain other parents told their kids, “Watch your cabesa,” when getting into the car. I laughed myself sick the first time I saw Dragon Ball Z because a ladies name was Chi Chi and I only knew that meant boobs.

All my moms family was brown and I desperately wished I was too. I wanted beautiful black hair like my mom and dark skin that didn’t burn. I didn’t like when people asked my mother if she was my nanny when they saw us together. I didn’t like that people told me I looked like my dad. They just meant I was pale.

I’d proudly announce to people that I was Mexican and become furious when they gaped or disbelieved me. My dads side has no cultural roots. When questioned my dad shrugs and says, “English maybe? I dunno.” I just wanted to be Mexican growing up. Alas, I’m only a quarter descendant of an immigrant family who vehemently didn’t want to be Mexican.

My great grandmother announced that we were American now, not Mexican. She embraced American culture as much as possible, while never learning English. My nana was put into school and punished anytime she spoke Spanish. She got caught halfway between both languages. Forced to spend her childhood raising her younger siblings she never learned to cook tamales with her mother and her friends.

When she had her own children she didn’t teach them Spanish. She used it to gossip with her own friends about them on the phone and resisted teaching them more than to come running when she shouted “Araña!” to kill a spider for her.

Thus came my mom, with her brown skin and dark hair, adrift from her culture but treated as lesser by her adopted one. My great grandmother would rejoice to see me as her descendant, white, ignorant of Spanish, the perfect American she wanted her family to be.

When I was born my nana shouted, “What’s that red on her?” only to realize it was my hair. She delighted in her palest grandchild, telling me often I was her favorite.

I’m used to the disbelief now when I tell people I’m Mexican. I can laugh and show pictures of my mom. My friend from work joked to me that I’m always coming out of the closet, over and over, because both my minority statuses aren’t as visible as her black skin.

I was recently lamenting this to a white southern friend the same one I cast psychic damage on during a DnD day. “I wish I could feel more connected to my culture, but I’d be such a fraud pretending my life is the same as other Hispanic people.”

“Skin color doesn’t matter,” he announced blithely to the choked outrage of our Indian friend in the kitchen, “You’re just as Mexican!”

I regarded him in astonishment and said, “I think skin color matters a lot. I am Mexican, but I don’t have the same cultural roots or experiences of people who are perceived as Mexican. My family didn’t pass the cultural heritage down. I think a lot of immigrant kids feel this way but it’s different for me.”

He rambled about how I’m just as valid and I quietly disregarded his advice. I could try to reconnect with my roots, but I know I’d just be another white girl pushing into a POC space.

Instead I make tamales by myself, sweating over the steaming corn husks, and I snap at people who make racist jokes about my family to me, feeling safe because my skin is the same color as theirs.

[madinscurianmermaid]

For this Native American History Month, I wanna send a special shout out to intersex Native and Indigenous folks, to gender non-conforming Native and Indigenous folks, to nonbinary Native and Indigenous folks, to genderfluid Native and Indigenous folks, and especially to intersex Black Native and Afro-Indigenous folks, to gender non-conforming Black Native and Afro-Indigenous folks, to nonbinary Black Native and Afro-Indigenous folks, to genderfluid Black Native and Afro Indigenous folks.

I'm Black Native and Afro-Indigenous; I'm nonbinary and genderfluid, and in context with me discovering and reclaiming gender identities and gender expression descriptors from my Native/Indigenous culture and especially from specific Indigenous groups in my blood, I'm nadleehi (Navajo/Diné), asegi udanto (Tsalagi), sxints (Nuxalk) and dilbaa (Navajo/Diné again). (I also have extensive heritage from Algonquin, Lakota, Blackfoot, Métis, Iroquois, Seminole, Nêhiyaw, Mi'kmaw, etc. and many, many, many, many other tribes.)

Then on top of that, I found out I was born intersex which I found out later in life, which along with me learning the history of how Native Americans have often held intersex folks, androgynous folks, feminine males and masculine females in high respect has been a very healing and enlightening part of my journey, culturally and expression wise.

In fact, I've been thinking about how American western culture fixates on sex and gender way too much and mainly in context of forcing colonialist eurowestern gender boxes on folks, especially black and indigenous folks, forcing labels or labelessness on us too often. And as an Afro-indigenous woman/femme, I've already been in the process of deprogramming from colonialist gender norms and reconnecting with my blackness and my Native/Indigenous American and Indigenous/Aboriginal roots, and at times my gender expression and identity intersects with that. Lily Gladstone (who uses she and singular they pronouns) worded it perfectly as decolonizing gender and that's the journey I've been on, and a journey that I'm still on as it's ever evolving and increasingly more nuanced and complex.

Anyways, I just wanna say that I love you guys, I see you and I wanna send out as much love, light and warmth to many of you as possible. 💕💕

[writingwithcolor]

Characters reconnecting with their ancestral cultures in an interplanetary setting

@pixiedustandpetrichor asked:

Hi! I am writing a novel with three main female characters in an interplanetary setting. They grow up as orphans in an Irish-coded country and as children are mostly exposed to solely that culture, but they leave after becoming adults. Character A is Tuareg-coded, B Mongolian-coded, and C is Germanic-coded. It isn’t central to the story, but I would like them to get in touch with/learn more about their ancestral cultures, especially in terms of religion. A does this by actually visiting the planet her parents came from, but B and C do not. What can I do to depict their relationships with said cultures and their journey to reconnect with them? Would it be realistic for each of them to have different mixed feelings about participating in these cultures and for them to retain some sense of belonging to the culture they grew up in as well? Thank you for your time.

Hello, asker! WWC doesn’t have Tuareg or Mongol mods at the moment, so we're not able to speak to the specifics of cultural and religious reconnection for these particular groups. Still, I want to take this opportunity to provide some general context and elements to consider when writing Tuareg-coded characters, or other characters from groups that have experienced colonization in the real world. My fellow mods will then share thoughts about cultural reconnection in general and with respect to Germanic heritage in particular.

Drawing inspiration from groups that have experienced colonization

As you’re probably aware, the Tuareg are an ethnic group indigenous to North Africa. As with many indigenous groups, they have experienced colonization multiple times over the course of their history. Colonization often leads to the loss or erasure of certain aspects of culture as the colonized people are pressured to conform to the culture of the dominant group. In many cases, it’s near impossible to say what the ancestral culture of a colonized group was prior to colonization.

When coding a fictional culture based on a group that was colonized in the real world, it's important to ask questions about:

Which aspects of culture you're portraying

Where these aspects come from

Whether you're ready to tackle their implications for the world you're building

It’s not necessarily wrong to use elements of coding that draw from cultural aspects influenced by colonization. As I said, it can be very difficult, even impossible, to portray a “pure” culture as it would have been had colonization not occurred–because we simply can’t know what that alternate history would look like, and because so much has been lost or intentionally suppressed that the gaps in our knowledge are too wide to breach. But it’s important to be aware of where these cultural elements are coming from.

Where is your coding coming from and what are the implications?

For example, while the Tuareg today are majoritarily Muslim, this was not the case prior to the Arab conquest of North Africa. Some elements of Tuareg culture today, such as tea ceremonies, are derived from the influence of Arab and Muslim culture and likely did not exist prior to the 20th century. As you’re developing the culture of the Tuareg-coded group in your fictional setting, you have to decide whether to include these elements. There is no right answer–it will depend on what you’re trying to do and why.

Is your setting in our far future, in which case we can assume your Tuareg-coded group is distantly related to today’s Tuareg?

In that case, they will probably have kept many cultural aspects their ancestors acquired through their interactions with other cultures around them–including cultural groups that colonized them. They may–let’s build hopeful worlds!–have reclaimed aspects of their ancestral culture they’d been forced to abandon due to colonization. They may also have acquired new aspects of culture over time. This can be very fun to explore if you have the time and space to do so.

I would recommend speaking with Tuareg people to get a better grasp of how they see their culture evolving over the next however many centuries or millennia, what they wish to see and what seems realistic to them.

Alternatively, maybe your setting is a secondary world unrelated to ours and you only want to draw inspiration from the real-world Tuareg, not represent them exactly. In that case, you need to decide which period of history you’re drawing from, as Tuareg culture is different today from what it was 50 years ago, and different still from 200 years ago or 1000 years ago. You’ll need to research the historical period you’re choosing in order to figure out what was happening at that time and what the cultural influences were. If it’s pre-colonial, you’ll probably want to avoid including cultural elements influenced by colonization from groups that arrived later on.

Finally, if the time period you’re drawing from is post-colonial:

Are you planning to account for the effects of colonization on Tuareg culture?

Will you have an in-world equivalent for the colonization that occurred in real life?

For example, will the Tuareg-coded characters in your world be from a nomadic culture that was forced to become sedentary over the years and lost much of their traditions due to colonial pressure to conform?

Where did this pressure come from in your world–is it different from what happened in ours? If so, how different? And what are the consequences?

Writing about colonization can be quite the baggage to bring into a fictional setting. I’m not saying it can’t be done, but it will certainly require sensitivity and care in portraying it.

In summary: think it through

I’m not saying all this to discourage you, but to point out some of the considerations at play when drawing inspiration from a real-life culture that has experienced colonization. Similar challenges arise for coding based on any other indigenous group in the world.

My advice to you, then, is to first sit down and decide where and when in history your coding is coming from, and what you’re trying to achieve with it. This will help you figure out:

which elements of contemporary Tuareg culture are pertinent to include

How much your coding will be influenced by the Tuareg’s real-life history

To what extent that will inform the rest of the world you’re creating

This, in turn, may help in deciding how to portray your character’s reconnection journey.

Again, I am not Tuareg and this is by no means meant to be an exhaustive list of considerations for writing Tuareg-coded characters, only a few places to start.

If any Tuareg or Amazigh readers would like to chime in with suggestions of their own, please do. As always, please make sure your comments adhere to the WWC code of conduct.

- Niki

Pulling from diaspora and TRA narratives of cultural reconnection

Marika here: This ask plotline could also pull directly from diaspora and TRA narratives of cultural reconnection. Many diaspora and TRA cultural reconnection stories are, in effect, about navigating the difficult process of resuscitating, or renewing ties to culture using limited resources in environments that often lack necessary cultural infrastructure or scaffolding.

See this question here to the Japanese team for suggestions of how to handle such a storyline in a similar sci-fi setting.

More reading: Japanese-coded girl from future

-Marika

Reconnecting with German heritage

Hi, it’s Shira. I’m not sure whether German-Jewish counts as Germanic for the purposes of your post but since German Jews were more assimilated than other Ashkies, Germanness does feel real and relevant to my life (especially because my father worked there for approximately the last decade of his life.) NOTE: when I see “Germanic” vs German I think of cultures from 1500 years ago, not 100-200 years ago, so I can’t help you there, but I’d be surprised as a reader if a character focused on that for reconnection to the exclusion of the 19th century etc.

People in the United States specifically, reconnecting with German heritage, often lean into Bayerischer/Bavarian kitsch, I’ve noticed. Personally, though, what I find most relevant is:

1. The food (although I’ve come to learn that what I grew up eating was closer to veal/chicken scallopini than actual schnitzel because it was drenched in lemon, but I do like the other foods like the potato salad and sweet and sour red cabbage etc.) Your character could try making one of these “ancestral” foods as a way to reconnect?

2. The classical music, because I’m a second generation professional musician – if character C plays an instrument, leaning into that might be meaningful (Beethoven, Bach, Brahms, Mendelssohn, Clara Schumann and her husband Robert, etc.)

3. The nature, especially specifics that I enjoyed during my time there – personally, I loved the bright pink flowers all over the chestnut trees, but there are a lot of choices especially because of the Alps. If C is an artist maybe they can sketch something Germany-related from old photographs they found on the Space Internet?

I think it is VERY realistic for the characters to remain connected to the culture in which they were raised, by the way, whether or not they have positive feelings about it. Culture isn’t an inherited trait. Sure, if they want to completely walk away, they can, but I bet there are still ways it will creep back in without them realizing it simply because it’s really hard to have universal knowledge of the origins of all our quirks. Plus, not everyone feels alienated from their raised-culture just because they’re genetically something else.

P.S. There is also Oktoberfest, which I don’t really get into but is a thing, and beer, which is another point of German cultural pride.

German gentiles, weigh in – y’all have your own stuff, I know! OH YEAH so for German Christians, Christmas “markets” are a whole thing. That’s worth looking up. 

–S

What do you mean by Germanic?

Hello it’s Sci! I had to study German history for my historical fantasy novel set in the late 18th century Holy Roman Empire. I am not sure what is meant by Germanic as that can encompass a variety of things.

Germanic people: from the Classical Period of Roman Empire and early Middle Ages. Similar to Mod Shira, I unfortunately can’t help very much here.

The Germanosphere: regions that spoke German, which includes modern day Germany, Austria/Hungary, Switzerland, Lichtenstein, Belgium, and Luxembourg. I generally define this as the regions captured in the Hapsburg Empire along with Switzerland usually encompassing “Central Europe.”

Modern German national identity (i.e. German): post Napoleon and the Congress of Vienna (> 1815) only including the territory of modern day Germany.*

I ask this because modern German national identity is surprisingly recent since Germany only popped up in 1871 under Otto von Bismarck. Previously, Germany was divided into smaller states and city states as a very decentralized region under the German Confederation and before that, the Holy Roman Empire. Depending on the era, you can see different conflicts and divides. During the early days of the Protestant Reformation started by Martin Luther, the northern and southern German territories generally split along Protestant-Catholic lines. The 18th century saw Austria and Prussia as the foci of global power who warred against each other even though both were part of the Holy Roman Empire.

Other states and city-states like Baden-Wurttemberg or Saxony sometimes had power but it was typically more localized compared to Austria. Post-WW2, you saw the split of Germany into West Germany run under capitalism and East Germany run under communism as a satellite Soviet state leading to more modern cultural divides. Due to heavy decentralization historically, each region had its own character with religious and cultural divides. 

Assuming that the Germanic character is not from the classical period or early Middle Ages but not from the 19th century either, you can include your character reconnecting to classical folklore like that of Krampus (if they’re Christian), German literature and music like the works of Johann Wolfgang von Goethe or Mozart, or German philosophy like Immanuel Kant.

*A major wrinkle: German royals and nobility married into other states and nations frequently with Britain and Russia being notable examples. In Britain, the House of Hanover took over after the Stuart House died without clear direct heirs. When Queen Victoria married the German prince Albert, they celebrated Christmas with a tree and brought the German tradition of a Christmas tree to Britain and the British Empire. Only during World War I did the royal family’s house of Hanover name change from House of Saxe-Coburg and Gotha to the more “English-sounding” Windsor. As a result, the German cultural influence may be even more widespread than we think.

However, without more specific descriptors of what Germanic means in the context of your story, it can be difficult to determine which aspects of German culture your character could reconnect to.

-Mod Sci

[rhyaxxyn]

a writeblr resurrection

my name is rhyannyn, and i'm looking to get more involved into the writeblr community after a lengthy hiatus of getting myself and my works in order. i'm always willing to follow new people, and reconnect with writeblrs i knew a few years ago when i was consistently on tumblr (going as kennedy :b)

if you write any of the following, are intrigued by any of the following, or just want to hang out and rip my OCs apart (i've got a list of where you should start, by the way) please feel free to follow and I will follow back. i'm really looking to find writeblrs right now who blogs are focused on writing, as i always love finding new things to read, and new stories to support :)

tragic characters--characters who see no way out, characters who are icarus coded and sisyphus coded AND antigone coded, characters caged by their duty and love and faith and it destroys them

in turn, complex characters with really rich backgrounds

stories influenced by slavic cultures (polish heritage plays a large part in one of my fantasy cultures)

queer fantasy stories by queer voices

FANTASY! CONTEMPORARY FANTASY! SCIFI FANTASY! DARK FANTASY! HIGH FANTASY! URBAN FANTASY! I WILL SCROUNGE THE FLOORS FOR FANTASY AND GORGE MYSELF ON IT!

stories that are anti-colonizer. i like seeing indigenous people win, and i love stories with irish, native american, sammi, and kurdish influences. i like seeing characters cling to who they are and old gods and kind ways while colonizers try to take it away, and i like seeing indigenous people prevail.

worldbuilding with a major focus on family values, religion, and magic.

any and all things dark

slowburn lovers, slowburn friendships, slowburn found family. make it teeth-gritting and loving and heart gouging. i will devour it.

characters who are hurt and traumatized and it isn't the end. characters in the dark who keep going even when there isn't any light in sight.

all things divine and demonic and grimy. i have a taste for violence as long as it serves a purpose to the story and isn't done just for fun

this is a list of things i write, and what i particularly love to read in literature, but i'm willing to follow any writeblrs and hopefully connect with some new and old accounts!

again, i've been off of tumblr for an official two years now (yes my bad, but alas i had the strangest hyperfixation on the job i despise and totally disappeared), but i am holding myself by the throat and forcing myself to resurrect because i am trying to publish a book right now!

oh and my wip page sucks. please avoid it at all costs while i try to edit it :3

[possibly-polish-poser]

Reconnecting with Polish heritage is something that feels so silly while I'm doing it, but also like I'm a poser sometimes. Like I am somewhere I am not supposed to be. That's the issues growing up German and trying to find out what being Polish means.

If I reconnect through food I always wonder if my recipes are accurate, if I go for music I have to find the recommendations of others. Everything is behind the Polish language, which isn't easy to learn.

There's also the fact that I am German more than I am Polish, and that's not something I can easily square. What right do I have to cry at the memorial for the rising? What right do I have to see the Polish flag made from the flowers I am named after and see myself?

But I also love Poland, and my Polish heritage. My grandmother died not knowing where she was born, after fleeing the soviets, but I know where she was born now. But at the same time, I grew up calling her Omi, not babcia.

[jaegermonstrous]

So I've got Thoughts on Worf. Disclaimer, these are all heavily informed by own experiences and background, ymmv. Also disclaimer, I haven't gotten around to watching PIC yet. It's on my list, but I'm not there yet. But anyway.

So, Worf in TNG is pretty much our biggest exposure to the Klingon culture so far, and he's pretty consistent with the other Klingons we see. He's a big and tough warrior guy with the Stoic Warrior Thing going on. He's constantly getting his ass handed to him to show the audience the bad guys of the week are Serious Business. He's a pretty awful father, but we have no reason to believe other Klingons are much better. He's apparently got enough of a soft/personable side that he dates Deanna Troi for a bit [no shade to the actors here, but the logic behind that pairing has never worked for me, or at least the writers never did enough legwork to make it believable to my ace and autistic self]. But mostly, he's a Big Stoic Warrior Man from a culture of Big Stoic Warrior Men.

But Worf in DS9 is much less isolated from other Klingons, and it's here where - to me - he becomes incredibly interesting as an example of someone trying to reconnect with their heritage as an adult, especially someone who's either felt pressured to perform their culture "correctly" to an outsider [Federation] standard, or who's never had significant contact with the huge diversity of their culture and kind of internalized the idea that "this is how you perform my culture correctly" from a very limited amount of sources, and therefore become kind of an asshole about it when people [other Klingons] don't do or be as you expect them to.

From the doylist perspective we can just say "well, the DS9 writers really diversified the Klingons," but I find the watsonian perspective far more interesting; here you have Worf, the first and [so far] only Klingon serving in Starfleet, who was removed from his culture as a young child and raised by Humans [no shade to the Rozhenkos here, I think they did their best to raise Worf with an awareness of his origins]. He's been aware most of his life of being the only Klingon in a room full of Humans and other Federation species, most of whom have Expectations of what Meeting A Real Klingon would be like. So Worf, with his mostly second-hand knowledge of Klingon culture and a huge wall of Expectations surrounding him at every turn, becomes what he thinks of as The Ideal Klingon. He's stoic, he's gruff, he barely ever cracks a smile, and when you put him in the room with a bunch of diverse DS9 Klingons, he comes across as a caricature.

Let's look at some of the DS9 Klingons, and I think you'll see what I mean.

First up - Kaga, the Klingon chef. I personally love Kaga, and I wish we had gotten to see more of him. He's our first real indicator that Klingons in DS9 are Built Different. He's cheerful, he doesn't dress in a warrior's armor, he plays that Klingon accordion thing and sings to his patrons. He's a glimpse of what Klingons outside the military are probably like. I love that the DS9 writers did this, showcasing that Klingons [like so many of the non-Humans we get in DS9] are just people.

Next, we have Kor, the Dahar Master. Again, I adore Kor. In some ways he's a throwback to TOS Klingons, who were conniving, and mocking, and just generally Untrustworthy and would 100% stab you in the back if they thought it would get them what they wanted. But he's also a fantastic example of a DS9 Klingon. Kor is old, and tired, and kind of a drunk, and beginning to lose touch with his abilities and reality. But he's also clever, and cunning, and you can really see the intelligence and the ferocity that made him so formidable to Kirk and the TOS crew back in the day. And he's also charming and kind of a sweetheart, and he genuinely loves Dax like family. He's well-rounded in a way we don't get to see Worf be for a while. And even when we contrast Kor with Kang and Koloth, two other Klingons from the same era who align more with the TNG Stoic Warrior Man stereotype, you can see where their characters are much fuller. They have a history and a familiarity with each other and with Dax that really shines through. I mean, they swore blood oaths with a Trill. Yeah, Dax had to work really hard to be accepted by the Klingons, but once Curzon crossed that line, Kang, Koloth, and Kor were ride or die for Dax.

Third - General Martok. Martok is IMO the best foil to Worf, and sort of an example of who Worf might be someday [again, I haven't seen Worf in PIC yet]. And I really love Martok as someone who's very like Worf in a lot of ways, but also highlights how Worf has really made himself into a caricature of what Being A Klingon is all about. Yeah, Martok is big and tough and stoic, but you also see in the prison camp and later how that's not all of what Martok is. He has faith in and respect for his fellow prisoners in the camp, even the Romulans [who you'd think would be the last people a Klingon would ever trust or respect]. He's a Wife Guy, which I just adore. He's got a sharp sense of humor, he's got trauma from being held as a prisoner of the Dominion for so long, he's friends with Local Twink Julian Bashir.

Martok is also the one who talks Worf down from being such a hardline asshole. When Alexander comes aboard the Rotarran, it's Martok who helps them start to build a better relationship. When it looks like the Worf-Dax wedding is off, it's Martok who encourages Worf to soften his stance [yes, it's also implied Dax is pressured into apologizing to Sirella, but that's another post for another day]. Martok is the example of being a Stoic Warrior Man while also being a rounded person.

This isn't to say Worf doesn't grow on his own, but a lot of his growth happens in DS9 in ways that [to me] read as someone who's really only engaged in their culture in a vacuum or in an abstract way, and now he's hanging out with other Klingons, he's Making Friends with other Klingons, and he has the space [and is actively encouraged by other Klingon characters] to soften his stance and be a little more rounded.

I could also talk about Dax here, and her interactions with Klingon culture and how those affect Worf, but I think I'm done for now.

[askjumblr]

I'm struggling with whether or not I can reclaim my Jewish heritage. My mother and her family was Jewish. I'm not sure if it matters but my grandmother was a convert for my grandfather. Well my mother abandoned me and I grew up in a christian household. In recent adult years I've tried to learn more about Judaism and reconnect only to reach out to my mother and her side of the family and find out that all of them have converted out of Judaism and into either christian or pagan beliefs. We're still ethnically Jewish (Ukrainian Ashkenazi) and I still really click with the few synagogue services I've been to but now I can't help but feel like I'm a fraud. I feel like it makes no sense for me to keep trying to connect with it when my mother's family has given up on it and I was never raised within the community. I feel completely alien. So do I have a right to practice? Should I go through the steps that a convert would go through? Should I give up all together? I just don't know.

.

[le-regrems]

DC Can we please have more comics in which Dick is slowly reconnecting with Romani culture? I'm not saying that it has to be like main focus of them, but like in background. Or at least acknowledging his heritage.

Because I feel like a lot of people are walking around the world thinking my boy is white.

[raven-at-the-writing-desk]

more limited cards for book 7??

Ortho has his Cerberus Gear card, Lilia has his Right General card, now Sebek is getting his Eternal Knight card… I’M SENSING A PATTERN HERE 🫣 Dropping every so often with book 7 updates… Plus, these appear to be linked to the player titles you can earn by owning 10 of a particular character’s cards. Ortho’s is Guardian of the Underworld (Cerberus is the guard dog of the Underworld and Lilia’s is Seeker of Cradles (referring to how he found Silver all those years back). The composition of Sebek’s Knight of Lightning invokes imagery of his UM (which we learned last update), and he appears to be wearing the armor of the night fae soldiers and is using a polearm (?), which makes me think he's going to participate in an important battle in the next update. A high definition version of the artwork shows that he seems to be wet from rain, as it’s all over his skin and weapon. You know what else???? We see half of his face... and the other half obscured by a mask... his hair is down (which is only ever down in the mornings when he has just woken up and is still in a more vulnerable kind of state). Is this symbolism for Sebek finally coming to terms with his mixed heritage 😭

Y’all think… Idia, Malleus, and Silver are also going to get limited time cards in relation to future book 7 updates and those player titles??? Ain’t no way they’d only do it for half of the relevant characters in book 7 and leave it unfinished… (Maybe TWST will even get to doing them for the full cast eventually?? Though I don’t know when they’d find the time to squeeze in releases for the rest of the boys 💦) fbdjvwjsnzkww I wonder what they’ll be???

Just to quickly speculate on Malleus, Silver, and/or Idia’s potential cards:

King of the Underworld (Idia) — Idia finally wakes tf up and gets off his ass to contribute to the rescue 😂 Perhaps he reconnects with his family to figure out the situation and goes full mad scientist/hacker mode?? Not sure what the outfit would be but I’m picturing he’s looking deranged and dressed mad cyberpunk-y.

Knight of Dreams (Silver) — This one, I think, is the most easily predicted. Many Silver cards mirror Sebek’s, and since Sebek’s card seems to feature him in the armor of the night fae, Silver’s may feature him in the armor of the Silver Owls. (Maybe Silver will even magically get his blonde hair back for the brief shot of the initial card art www) This may be tied with Silver fully accepting his royal lineage (ie his old family) while also embracing those he has sworn to protect now (his new family). It may or may not also be associated with Silver “waking” Lilia and/or the spell on him finally breaking thanks to Lilia’s true love. I would genuinely be shocked if this guess was wrong or not close—

Ruler of the Abyss (Malleus) — Two thoughts: either this kicks off the series of OB boy cards people have been speculating about for years OR this will kick off the start of the OB boys “fully realized” series, since the other OB boys have similar titles. However, it should be noted that these same titles are also very close to, if not the same as, the book titles (1-7), which may not be as triumphant in context given that they serve as the main antagonists for their respective books. So either we’re getting Malleus Full Crazy Mode or Malleus maturing a bit and finally learning to let his loved ones go. In both cases, I see him dressed up like the prince he is, looking regal and yet lonely.

Do you guys have any ideas??? (They don’t necessarily have to he for Idia, Silver, and/or Malleus! One of my friends suggested merform Jade and Floyd for potential Undersea Advisor and Undersea Marauder cards—) If you do, feel free to share them ^^

[hero-israel]

As a black person I actually find the logic of many Zionists to be audacious.

My people were sold and kidnapped. We were enslaved for hundreds of years. We had the most despicable things happen to us. I’m sure you may relate, we were put into breeding camps, they used our parts to make clothes and furniture, allegedly they ate us, they tortured us, etc.

There is more than enough proof I am indigenous to Africa hell I found and reconnected with the family one of my ancestors was taken from. I am very lucky.

At no point have I ever thought about going to West Africa and taking the land back, stealing property, imprisoning, and murdering people who’ve lived there for centuries and still live there today. Even though there’s a possibility that they’ve participated in the selling of at least one of my ancestors.

Just because I can trace my heritage there doesn’t suddenly mean I have a claim on the land. I have heard so many Zionist say they belong there more than Palestinians, that there claim on the land is stronger. Maybe it’s not all of them but it is enough to be concerning.

Also bring up Liberia if you want. We didn’t ask for that.

This is a fair critique and it brings up one of the most important aspects of Zionism, and of all Jewish life in the modern era and from now on: that Zionism was always morally RIGHT, but it did not have to be morally NECESSARY.

For decades there was a raging, controversial, legitimately two-sided intracommunity debate over Zionism, like nothing you see among Jews today, memorably portrayed in Chaim Potok's novel "The Chosen" (and subsequent film version). The Reform Jewish Movement, our largest denomination, was governed by an explicitly anti-Zionist platform for over 50 years..... until they changed their minds in 1937. The Jewish people always trace their heritage to Eretz Yisrael, always could claim a rightful place there - but things should never have been allowed to get bad enough, fast enough, that in the truest sense their only choice was to create a state of Israel or die.

As early as 1920, Hitler said his goal was total extermination of the Jews. Nobody cared. America sealed its gates to Jewish immigrants in 1924. Germany began visibly prepping for genocide around 1935, again nobody cared. At Evian 1938 - "the great betrayal" - pretty much every powerful state in the world acknowledged that the Jews were about to be wiped out, and knowing that, refused to allow refugees to enter (except for the Dominican Republic, the mensches). England bowed to Arab terrorism and sealed off immigration to Mandate Palestine - which was a violation of international law under the League of Nations but, again, nobody cared. Nobody, not one single country, fought to protect the Jews or to help them escape. The Allies couldn't be bothered to bomb the tracks into Auschwitz, but they would heroically sink refugee ships. After the war, 250,000 Jews lingered miserably in displaced persons camps for YEARS, with not one single country being willing to admit them, and in nearly all cases there being nothing to return to anyway. There were still Jews kept in Dachau, guarded by Germans, until 1951.

From a 1945 report to Truman: "Many Jewish displaced persons … are living under guard behind barbed-wire fences … including some of the most notorious concentration camps … had no clothing other than their concentration camp garb…. Most of them have been separated three, four or five years and they cannot understand why the liberators should not have undertaken immediately the organized effort to re-unite family groups…. Many of the buildings … are clearly unfit for winter…. [Author contrasted these conditions with the relative normal life led by the nearby German populations and wondered at the contrast] ...We appear to be treating the Jews as the Nazis treated them except that we do not exterminate them. They are in concentration camps in large numbers under our military guard instead of S.S. troops. One is led to wonder whether the German people, seeing this, are not supposing that we are following or at least condoning Nazi policy...."

Those who attempted to return to their former communities were routinely murdered (seen at the end of "Maus"). There was a massacre of Holocaust survivors in Kiev, Ukraine in September 1945, another in Kielce, Poland in July 1946.

The Jews saw Palestine as their only hope, because it was. And when they saw their enemies there were led by actual red-handed Nazi war criminals, and heard that the stakes were once again their total genocide? Well, that's when you fight.... damn hard... to build the state and the military that will, FOR ONCE, protect you.

You talk about "At no point in my life have I considered claiming a part of Africa and fighting the people who I find there". Well - what if it was extremely obviously that or death?

A popular saying among Jews: "Israel was not created because there was a Holocaust. The Holocaust was created because there was no Israel." It's true - but it should not have been necessary to have an Israel to prevent the Holocaust. The rest of the world should have done that, and they didn't so much fail in preventing it as much as they succeeded in enabling it. You are correct to say that African-Americans did not ask for Liberia. The concept was made up by white people to try to get blacks out of America (though it gained popularity with black people after "milestones" of new cruelty such as the passage of the Fugitive Slave Act, and I believe Marcus Garvey is well-liked to this day). Well, Jews did not ask to have no government in the world grant us equality or defend us from genocide. We did not ask to have no choice. And we do not ask for our response to the latest attempted genocide to be condemned by the same nations that enabled the last several.

Today about 90% of Jews are Zionists. Not just out of the everlasting moral principle, but because of the life-or-death reality that when we needed ANY OTHER OPTION TO WORK, NOTHING DID. And since then, there has been even clearer demonstration of the tenuousness of Jewish survival and the depths of inhuman hatred we face from our enemies, as the 3,000-year-old Mizrahi Jewish civilization was successfully uprooted and purged from dozens of countries (which had already been oppressing and massacring them long before Zionism) as collective racial revenge against Israel. The mere fact that that was logistically possible - that it could be done, quickly and repeatedly - speaks worlds about the normalized culture of eliminationism surrounding us. What do you really think are the chances that African-Americans could be altogether physically purged from the USA or some of its states? Yemen, Syria, Afghanistan, and Eritrea finished their Jews within the last 5 years.

As "critics of Israel" have made it extremely clear that all Jews worldwide remain legitimate targets, that all "colonizers" (unquestionably including Americans like me) "deserve it" ("it" to include infanticide, rape, kidnapping, and mass murder), and as America visibly decays into algorithmic racist authoritarianism and climatic desperation.... you should not expect that 90% to change.

[foldingfittedsheets]

Um, I originally wrote this as a reblog to your post about being Mexican and white-passing, but I realized it could potentially sound like I was trying to call you out and I'm really not, I'm coming from a place of grief and solidarity. The way you talk about yourself reminds me of my younger sibling. So I figured I'd send it as an ask and let you decide if and how you want to engage:

OP I am so sorry that this has been your experience. I am a first generation Mexican immigrant but I am also half-white (Ashkenazi), I also grew up wishing I had my mom's skin so that the white people around me would agree that I "count" as a POC. So, believe me that I am not trying to invalidate your pain and your sense or alienation, but

"I could try to reconnect with my roots, but I know I’d just be another white girl pushing into a POC space." <- I'm sorry, this is nonsense. No, you're not. I have two redheaded cousins, born and raised in Mexico. I had a classmate in karate that looked like you. "Being mexican" is a multiracial space. There is no single "Hispanic experience" that you are left out of, there's a lot of us holding on by our fingernails to avoid being completely subsumed by whiteness.

Some spark of mexicanidad miraculously survived all the way down to you, please don't smother it because you think you don't deserve it. Please keep nourishing it

I definitely see this, my grief is centered around my traditions not being passed down to me. I have interacted with Hispanic coworkers and gotten smirking condescension when I try to even say I have Mexican heritage.

Because I don’t speak Spanish, because we didn’t celebrate traditional holidays, because I didn’t have a quinceanera, my skin isn’t the only part of my heritage that’s been watered down.

I could try to shove into spaces but I’ve gotten a taste of what that looks like for people like me and it just makes me feel like a poser.

My beloved is on the same page as you though and does try to urge me to find places I can engage more with our culture.