#the more i really do think the trial is more for some sort of shock on the player's behalf because it doesn't. make sense...

[datastate]

nankidai contact me we could fix the rankings of asunaro agents, training regimes, and also make sei a much better character without ridding what i know your intentions were.

[nezuscribe]

being married to gojo is probably such a weird limbo to be in. he doesn’t talk much, but he watches you a lot. the way you move, the way your head tilts back as you laugh unapologetically, the little way your nose scrunches up when you’re confused.

he’s aware of your past, the way you were raised. he knows how much of a black sheep you are, and the more he spends time with you the more he realizes how much you try to hide that.

the way you joke through awkward moments, or the way you tried to hide your expression when somebody doesn’t laugh at something you hoped to be funny are all things gojo has noticed about you.

he knows how you sometimes come down to the training yard, hiding behind a pillar as if a group of men who are trained to be aware of their surroundings wouldn’t spot you from a mile away.

but a part of him likes having you there, puffs his chest out a little more when he disarms someone, his grin a little cheekier when the men praise him of his talent.

though you never really seem to be there for him, despite gojo being your husband. it almost seems like you don’t even want him to know you’re there, making sure to duck your head if he sees you.

until one night, when the men file out and into their quarters, gojo stays behind, in one of the rooms that lead out into the yard, still cleaning up.

his ears prick up when he hears the sound of footsteps, leaving the sword room, expecting to see on of his men, when instead he sees you, looking at the bows littered on the ground.

gojo watches as you pick one up, looking around to see if anybody were there, missing the way gojo was hidden in the shadows, and sees you look around for an arrow.

he wonders what that feeling in his chest it, the one that contracts and loosens whenever you’re near.

he goes back into the shed, picking out some arrows for you and walks to where you were.

“here,” he calls out, and you whip your head around, a look of surprise and embarrassment on your face.

your lips slightly part, shocked that it’s your husband who caught you, and you duck your head a little bit as you quickly go to set the bow back down on the ground.

“sorry,” you quickly say, your eyes trialing at the arrows in his hand in a curious sort of way, “i just wanted to, um, hold one.”

gojo snorts, rolling his eyes at your lie as he picks the bow back up from the ground, wiping some of the dirt from earlier from his hands on his pants as you slowly accept it.

“do you know how to shoot?” he asks, his sturdy figure towering over yours as you stare at him, squinting your eyes a little, and finally shake your head no.

he nods, expecting this as he picks up a bow that was resting on the wall, cocking one of the arrows in the as he shows you what he’s doing.

you’ve spoken to him a bit more as of recently, but never enough for you to think he’d be willing to show you how to use a bow.

“line up your arrow with the bowstring,” he demonstrates, “use your non dominant hand to hold it,” you watch silently as he grips it with his left hand.

you do the same thing, the arrow clumsily sliding around until your able to cock it, holding it loosely with your non dominant hand like he said.

“your dominant hand should hold the string between three fingers,” his slender fingers take it in between and he stretches it, “but make sure your wrist is aligned with your fingers.”

you do the same thing, feeling the resistance from the bowstring as you pull it back.

gojo looks over at your legs and clicks his tongue, clearly not liking what he’s seeing. he sets his own bow on the ground as he comes up from behind you.

“your legs should be like this,” his voice is deep, breath hiting the back of your neck as he nudges your legs apart, separating them until one is in front of the other.

your heart is pounding so loudly against your chest your sure the bow is about to vibrate along with it.

his hand cups your elbow, carefully pulling it back as the string groans under the pressure. you feel like you’re sweating your entire body weight in water off right now.

his eyes are focused on your wrist, holding it gently as he lowers it slightly, and you feel his nose slightly brush against the side of your head.

“don’t focus on the tip of your arrow but the target,” his voice comes out barely audible, but you swallow thickly, nodding.

you try your best to focus on the target that’s in front of you, trying to center the bow with the middle.

“let go when you’re ready,” gojo says, his lips near your ears.

you give it a couple seconds, trying to aim as best as you can, before your hand lets go of the string.

you both straighten your backs up, watching as it flies into the target.

the arrow nearly hits the wood around it, so far away from the target itself that it’s almost comical, and you laugh, tilting your head back as shake your head in embarrassment.

“it’s your first time,” he says, trying to help but you shake it off, missing his warmth from behind you as you set the bow back on the wall.

“and my last,” you promise, missing the way he seemed to deflate.

you turn back to gojo, only to see his eyes it filled with the mirth they had only moments ago, this time focused on your left hand.

you look down, trying to figure out what was wrong.

suddenly, you remember that you had taken off you ring a couple days ago, not finding any use in wearing it.

gojo swallows thickly, a strange lump in his chest as he stares at the arrow you had shot and then back to your face.

“i just figured…” you trailed off, biting your lips as you tried to find the words, “you know…” you motioned to his own left hand, void of any ring.

his eyes are a different hue, as if a storm was brewing inside them.

you watched as he dug his hand inside his tunic, tugging something out. your eyes fall to a delicate gold chain, his wedding ring hanging off of it.

“i don’t want it to fall off during training,” he bites out and suddenly your mouth feels dry.

you nod once, eyes fleeting away from his as you nod again, at nothing and everything, and silently leave.

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere (Pt 2)

Alrighty, I promised a part two back in the first part of this analysis, but found myself busy with Rekindled and my day job, so I'm finally sitting down and finishing this up. If you haven't read that first part yet, please go check it out!

CAUTION: THERE BE FASTPASS SPOILERS AHEAD!

We left off with Hebe and Apollo roleplaying that one scene from The Lion King, albeit with a lot less sense or nuance. Literally all the "drama" so far feels purely manufactured for cheap plot progression and tension and it hardly feels authentic. But now we gotta talk about the second half of this episode, where we finally address the cliffhanger that the FP midseason finale episode left off on - Persephone causing winter.

And what better way to kick it off than with a completely off-base Persephone monologue?

Now, what's shown here is actually a flashback to the job interview scene from S1, when Persephone asked to see the snow in the Underworld. But it's written as if Persephone has some intimate relationship with snow as a whole, as if she's experienced more than this one time which... she hasn't. There was nothing "romantic" really about that scene following the job interview, she literally just wanted to go out and see something she hadn't seen before.

But that calls into question - why does Persephone constantly act like she has an intimate relationship with snow when it doesn't occur in the Mortal Realm? She even says in the honeymoon episode that it's hot all the time in the Mortal Realm, and the temperature only drops every now and then during rainy days... and she somehow makes this about Hades when it literally has nothing to do with him lmao Persephone monologues are some of the worst /r/im14andthisisdeep moments in the series because she's constantly using word salad to describe feelings we never saw or scenes that never happened.

And this scene is no different. She says that snow is something that's interwoven with her most 'treasured moments' but all the visuals have to show for is that one scene from S1 that, again, didn't even come across as a 'treasured moment', it was just her seeing the snow for the first time, there was nothing 'romantic' about it in a vacuum. All the moments from the series you could call ACTUALLY TREASURED milestones of Hades and Persephone's relationship - and Persephone's supposed "love" for the Underworld - are scenes where snow was completely absent (ex. the scene of Persephone and Hades talking about Sicily in Zeus and Hera's garden, Persephone and Hades spending the night in the cabin during the trial arc, etc.)

But then, to make it even more confusing, she goes on to describe her losing her powers and causing winter a "betrayal". As if the concept of winter owes her anything. As if Erebus owes her anything.

The allusion to Erebus itself in the visuals implies that she feels "betrayed" over this happening, as if it wasn't made ABUNDANTLY CLEAR TO HER that she would have to sacrifice something. She's gone SO LONG without knowing or caring about what she could have possibly given up, that by the time it finally revealed itself, she's acting all shocked Pikachu because there's finally something she can't just have. Everything that could make her seem imperfect has been washed away, from her SA trauma to those pesky green hands. Now we finally ARE seeing her affected by her own choices and she's basically waxing poetic about how sad it is that her actions have consequences.

That said, she does seem to have a moment of self-awareness here... but I can't be confident it will actually amount to anything seeing as how all the past attempts at 'growth' have been overshadowed by her vanity and ego.

This line is really confusing / weird in the way that it's written but I think she's trying to say that the source of the cold is from her, she can't pin it on any sort of 'big bad' like she could with Apollo and Kronos. It's just her.

And again, this could be a moment of realization for her that her actions are her own regardless of whatever she wants to pin it on-

But she rejects it instead. She's still not capable of acknowledging that her choices affect others, that her actions have consequences, that she's finally paying the price for something she knew had a cost.

If this were any other comic, I would accept her rejection of this, I would have confidence in knowing she may recognize it eventually. But this is LO and we're three seasons in, she's technically already gotten her happily ever after in the form of becoming Queen and married to her 'true love', so all of this feels like a very last-minute attempt to paint Persephone as this "struggling" character. But she's not "struggling", she's just finally experiencing karma catching up to her and as expected for a person like Persephone, she's already cracking under the pressure of realization that she can't have everything she wants.

Again, in any other comic, this would feel satisfying or endearing to see her fall on her own sword, but to me it just feels frustrating in the context of LO because we've spent five years seeing her get everything she wants with barely any real struggle that wasn't manufactured - with all of it painted as a GOOD THING - while still getting away with treating the people around her like shit.

And when I say she rejects this concept of having humility, I don't just mean through her monologuing, but also through her actions.

If I were to critique LO the same way I would an actual functional series, I would say that this should be the point of realization, the point where we see her crumble under the weight of her not being perfect, not being able to "fix" everything. It all stems back to her entitlement as a bratty main character, someone who can't fathom not being the main character or the "hero".

Because she's not the hero. Demeter is - or at least, she tries to be.

Again, it's hard to know if this is intentional or if this is yet another attempt to present Demeter as an "overbearing mom", but Persephone here looks and sounds like she's been reduced back to the state of a child crying for her mother in the face of her own failures. Despite now technically being a mother herself (through literal babynapping sigh) Persephone is still not a mature adult. Aging her up 10 years and giving her a husband and baby will not make her an actual functional independent adult who's capable of taking care of themselves or making the right decisions... unlike Demeter who is still, ultimately, more skilled than Persephone. She is an actual experienced and mature adult who's capable of rationalizing and decision making, and knowing when it's time to put aside your ego, walk away and let someone else who's far more qualified take care of things.

What Demeter has is something that one can only gain through true hardship, failing, learning from one's own mistakes, and experience, all of which Persephone does not have because she transitioned from a cage of her own imagination where hard work and responsibility was a virtue, into a gilded cage where true hard work can be passed onto someone else whose efforts she could take credit for while sitting on a throne and buying anything and everything she could ever want.

Despite everything Persephone and the narrative claims to have 'earned', she's still a child. The adults have to take over.

And like a child, she doesn't let them.

This is not an 'anime moment'. This is not a moment of redemption. This is immaturity and irresponsibility in its most visible form for Persephone - refusing to let go of her ego and shortcomings to "prove herself", even if it means making things worse.

And Hades enables it.

I want to make it clear there is a massive difference between not being controlling over someone, and actually enabling them.

This is not some small hill to die on. Persephone is literally causing winter, which could very well kill the Mortals. As we've seen in that prior Hebe scene from the first part of this essay, the snow is showing up in Olympus. This isn't something that's happening in the isolation of this single scene, this is happening everywhere and instead of taking the L, Persephone is trying to make things 'better' by simply 'trying harder' which is just not the solution here, Demeter knows this, but Hades is playing the "girlboss" version of a "good husband" by not even bothering to try and convince her to do otherwise. Hades above everyone else should be the one stepping in because he'd likely be the only one she'd actually listen to, but he's refusing to because he has to be the "good husband" who doesn't control the actions of his wife.

So he flat out enables her instead by not even bothering to try and reason with her, to help her see that what she's doing is not helping. Not even so much as a "Persephone, I know you want to help but it's clear something is wrong and if Demeter can figure out what to do to fix this, we should let her", just him saying to Demeter who wants to stop her that he can't stop her from trying... ignoring the fact that he should at least try.

And that's the difference between being controlling and being an enabler. He's not keeping her from doing something that benefits her and doesn't harm him or others. He's not micromanaging her decisions or trying to tell her she's not capable. Now, don't get me wrong, there are definitely things that make Hades a walking red flag especially when it comes to him being a groomer, but when it comes to directly controlling Persephone, most of the time she's doing things of her own accord convinced that it's "the right thing" (which is still just a side effect of the obvious grooming because I really doubt S1 Persephone would have done this shit lmao).

Here, he's not stepping in to even try to reason with her because "well I'd be a bad husband if I stepped in", completely ignoring the fact that it makes him a terrible person, period, to not at least try to calmly reason with his wife and explain to her that her 'help' is not going to help here. Just like when he rewarded her with sex for abusing a nymph in her own home, he's completely complacent to Persephone's actions and doesn't step in to try and help because, according to Wattpad and TikTok, a "good husband" is someone who looks the other way while his life partner does whatever she wants regardless of the consequences to herself and others. "Happy wife, happy life, who cares if the wife wants to be an actual piece of shit to people if it makes her happy".

And thus she makes things worse in her pursuit of "happiness", while Hades stands idly by, watching it all unfold as if he's just an innocent bystander who can absolve himself of any responsibility in this situation. As if she didn't become this way because she ate the pomegranate to be with him and a part of his world.

Now, there's one other sort-of-blatant smoking gun that I want to talk about that I haven't really seen anyone else mention since this episode went up. Granted, this might be me reading far too much into it, but hey, that's what this blog is for and I think it's something that absolutely needs to be mentioned.

Persephone goes on about how her powers aren't just gone, they've been replaced, all she can create is decay, and more specifically-

Now... think of the context of LO's narrative, what it's told us both literally and through subtext, intentional or not.

What does this sound like?

Hades lost his ability to produce children when he ate the pomegranate. He can no longer "create life".

And now, Persephone is finding herself in a similar situation, unable to "create life" the way she knows how. I'd like to think this isn't literal, but it really feels like there's a metaphorical implication here that Persephone losing her ability to create life is meant to be taken literally, that she not only can't create flowers and plant life anymore, but she's lost her fertility entirely. You can go even further back in this when it was established Persephone didn't eat six seeds, but nine, which originally felt like a weirdly random choice, but now seems intentional. I know some people have theorized that it has to do with her possibly being pregnant, but I don't think that's the case, I think it's the opposite - that the 9 months was a metaphor for the 9 months of childbearing that Persephone can no longer do.

And if that's the case... LO truly is no longer a "feminist" piece of work. It barely was before, but if the point of all this winds up being an attempt by Rachel to give Persephone a "flaw" by taking away her ability to bear children... that'll be a punch to the gut.

That said, if it does go somewhere, maybe the point will be Persephone learning she doesn't need to be able to reproduce to have value as a woman. But considering LO's track record with these sorts of plotlines, I can't be confident in the slightest that's where it'll end up. What I can be confident in is that Persephone will likely not stay this way. Like her green hands, she'll likely get her powers back, maybe after the resolution that she's still a real woman deserving of love even if she can't reproduce. I can't possibly know at this point where it's going, all I do know is that LO hasn't done a great job at resolving these sorts of deeper narratives so this just feels like another dart on the wall of bad ideas. Because it's, again, all being framed through Persephone being the "perfect woman", without there being any actual subtext throughout the narrative to imply that this may be a flawed ideology to have, it's just what Persephone has to be and it's sold in the narrative as a positive.

There's one term to describe this with that's rather consistent throughout LO when you peel back the layers of both the comic and Rachel's past work - white feminism. Despite LO's attempts to be "feminist", it's still ultimately being written through a heteronormative male gaze, that women are only "valuable" so long as they're youthful, that any goals or dreams a woman may have should be dropped as soon as they fall in love with a rich and powerful man, and that "other women" who don't fit into that mould of being rich, white, and heterocis are not worthy of love, empathy, or understanding. It's hard to trust that LO will actually challenge these norms when it's been practically enforcing them for five years.

But ultimately, that's a very loaded topic and right now, we don't know where this is going... I'm just not so sure I want to see it after all the missteps the series has pulled over the past half a decade. Like the miracle of childbirth, it's gonna take a miracle for LO to actually stick this landing.

Now, I'm assuming you read this line of dialogue, and you understood it. Yes? You positive? Okay, great. Why am I asking you this question as if you're an infant who doesn't understand what being "passed out" means? Well, you'll see what I mean in a minute.

Now, again, like with the whole "I can't bring life to anything anymore" thought process I just went through, I can't know exactly what they're trying to do here, but Demeter is fully in the right. I want to make that abundantly clear that Demeter was right the whole time and it's pretty telling that even a lot of the people reading the comic in good faith are pointing this out in the discussion circles they can actually access.

Now, in case anyone hasn't noticed, it's clear that Demeter herself is drawing upon the fertility magic of Gaia or Rachel is just alluding to Gaia for some reason. At first I thought it was supposed to be her form of "wrath" until I remembered that (unfortunately) Eris was the only reason for Persephone's wrath, so this is clearly meant to be some allusion to Gaia. Considering the fertility powers were passed down purely through Gaia and Ouranos, this means Demeter is a descendant of Gaia, which... calls into question Rachel's attempts to "remove the incest" from LO, but that's for another topic.

Either way, Demeter is fully in the right here. Hades is a fucking idiot - a useless lump - for not only enabling the shitty actions of his shitty wife, but for not taking even any amount of accountability for the fact that Persephone found out about the pomegranate through him.

"But Puff, she had to eat the pomegranate to beat Kronos!" Did she? Or was that purely manufactured for Rachel's sake because she just had to have an MCU Evil-Robot-Jeff-Bridges villain despite the fact that this FANTASY ROMANCE series didn't need one? The fact that it was written purely to 'force' Persephone into doing something she already wanted to do was completely redundant, it wasn't a 'sacrifice' she made, it was made pretty clear in Episode 165 that she wanted to eat the pomegranate as soon as she found out about it and while that decision is certainly her own, that does not absolve Hades of responsibility for not questioning his future wife's fascination with it or realizing that he unlocked the inner Pandora's Box of Persephone's mind.

And so, Demeter holds him responsible. As she should.

Okay, you read that, right? But remember that line I asked you about before? We should all know Demeter doesn't mean this literally. We have brains and we should all have a minimum amount of media literacy to understand that Hades was telling the truth when he literally said Persephone was "passed out".

We finish the episode on this panel, which I swear to christ I couldn't tell you in all of my own divine wisdom of the arts what in the world is going on in this panel. I'm literally looking at salad.

Is it Demeter and Persephone? Just some dying plants? I have no fucking clue, your guess is as good as mine.

But we're not done. Because we have one more glaring issue to talk about with this episode, and it comes in the form of an author's note that was inserted at the end of the episode. It is truly, despite EVERYTHING we've talked about in both parts of this analysis, the dumbest, most airheaded and egregiously pretentious thing I've seen in this entire episode.

Rachel quite literally put in a fucking disclaimer telling her audience what Hades already told us point blank in the comic - "Don't worry, audience members, Persephone is not literally dead, it's a metaphor for her spring powers being dead!"

I literally can't even express to you how pretentious and shitty this is of her to do. I can't tell if it's legitimately her thinking her writing is "too smart" for even her older audience members to grasp, or if she just wants to dispel the theories that people would want to make about this, or if she completely misconstrued the criticism about her writing not being "clear enough" and thinks that THIS is what people meant. Pardon my tone because I've kept it together relatively well throughout this post, but this is some 2009-era Fanfiction.net level of author's note bullshit.

If she thinks her writing is "too smart" for her audience to grasp, I'm sorry Rachel, but you're just wrong and this is incredibly shitty of you. You think the 14 year olds in your community aren't also reading other webtoons that have deeper writing than LO? I read Death Note when I was fucking 14 and I knew exactly the point of what the story was getting at by the time it was over, despite all the other stories I read at that age that completely flew over my head. And you think LO is somehow more complicated than Death Note, baby's first introduction to the grey areas of morality and justice?

If she's trying to dispel the theories... that actually holds some merit because not only is Rachel notoriously bad at not letting her fandom just talk about their theories without her swooping in to "um actually" them (even if it means killing the fun of theorizing), but the official FP page on FB was closed to new submissions in the hours following this episode and it since hasn't posted any new content. Is it because people aren't posting? Absolutely not. The mods are quite literally holding these posts hostage through the submission and approval system. People are legitimately trying to submit only for the mods to block it entirely from going through. If this is Rachel's attempts at trying to "protect herself" from the criticism this episode has surely earned, then all she's really doing is punishing her own fans who want to talk about it. It doesn't matter anymore that the discussion groups are finally back from 3-4 months of being shut down over the hiatus, they're still not being allowed to operate. The best there is now is the Discord and it's undoubtedly just as heavy moderated as the FB groups.

And as for the third possibility, this also feels like an attempt at Rachel trying to make her writing "more clear" without actually putting in the work of writing a good story. She's undoubtedly seen the criticisms towards LO as a whole that it doesn't express itself clearly, that it constantly flip flops on character motivations and information that has been established, and that any monologuing that's done implies things or events that we've never seen unfold on screen (case in point, the Persephone monologue from the start of this episode) but she seems to have either misconstrued or ignored the point of that criticism entirely by solving it with a quick and shitty author's note at the end explaining her intentions with a scene that was already clearly laid out to us. Instead of putting in the work to write a concise story to explain the things that are a bit more under-developed, she's slapping in a spoonfed explanation for scenes that literally don't need explaining and that ultimately cheapens the scenes that are TRYING to have impact, bringing them down to the same level of mediocrity as the scenes that never had the impact they intended to have to begin with. "You've killed the Goddess of Spring" was plenty clear after Hades said she was passed out, Rachel. Taking the time to explain it in a note at the end is just sad and it really goes to show what you think of your audience, especially when it comes to how you treat your fans in regards to community accessibility in the official discussion groups.

"The haters" didn't set this comic onto the path that it's on or ruin the fanbase experience, Rachel - you did.

[umbrify]

hello i saw u tagged jimmy solidarity on that "free my man he did none of that. he did a bunch of other shit though" post and i am incredibly compelled by the implications here. please may i have an essay on the subject

YOU MAY.

Okay so we’re gonna be specifically talking about Empires SMP Season 2 Jimmy (henceforth, Jimmy,) and the way he conducts himself, how those actions reflect on him, versus how he sees himself (and how the fandom sees him in turn). Welcome to my Ted Talk.

The most important thing to understand about Jimmy is that he lies. He lies about everything, and convinces himself that his lie is true to the point where he really thinks it is. Take, for example, a moment in Sausage’s episode 41 [full exchange from 9:10 - 19:37] where Jimmy kills Sausage, and then when Sausage, followed by fWhip, return to Tumble Town to discuss the murder, Jimmy blatantly lies about the altercation to fWhip, claiming “[Sausage] came over, and he assaulted me, fWhip!” Jimmy insists that it was Sausage who physically started it, despite that being completely untrue. Jimmy then goes on to deny having killed Sausage Sausage at all, sounding affronted at the idea and demanding to see the player head that drops on death. fWhip asks how many levels Sausage has, which is none, and Jimmy claims that Sausage must have used all his experience. Jimmy denies and lies, and when fWhip goes looking for Sausage’s things, finding them in Jimmy’s storage, Jimmy acts shocked, saying “I think I’m being set up! […] I’m gonna leave this conversation, you do what you gotta do, but I don’t think I’m the bad guy here.” As if Jimmy didn’t explicitly kill Sausage moments ago!! As if it isn’t his fault!!!

And the problem here, the core problem, is that so many people just… believe him. They take Jimmy’s words at face value and assume that he’s always a reliable narrator in his own stories, despite the fact that it couldn’t be further from the case. The issue is less that people assign New and Different problems to Jimmy, more that they strip him of any wrongdoing at all, making him out to be some sad little pathetic wet cat who didn’t deserve it. And�� don’t get me wrong, he is extremely sad, but he also did it to himself.

I think one of the more interesting ways to illustrate this, is to talk about the way Jimmy perceives himself. From the start of the season, he always insists on being called “The Sheriff.” He’s not Jimmy, he’s The Sheriff, and throughout the season, he can be seen constantly insisting upon and chasing after that title. He wants respect— or, his version of respect. What he really wants is a yes man. This difference can very clearly be seen in the way he treats the two deputies he had throughout the season.

When fWhip was the deputy, it’s because he wanted to be. He sought Jimmy out because he wanted to be Jimmy’s right hand man, and Jimmy let him. fWhip consistently referred to Jimmy as The Sheriff, upholding Jimmy’s version of the laws as best he could. And, there really is something to be said about the fact that fWhip, as a goblin, inherently didn’t understand the concept of arbitrary laws, or that sort of morality at all, and was only one, upholding it because he cared about Jimmy, but two, treating the laws as Jimmy treated them— i.e, making a shrine for that which Jimmy made a church for, but that’s a whole separate essay that I want to write at some point. Either way, he was good to Jimmy, though their time together was short. He made Jimmy a home away from home in Gobland [fWhip episode 8 timestamp 20:28] and helped Jimmy win the court trial by serving as his lawyer in the case against Joel [Trial best seen in Jimmy’s episode 10 starts at 3:03]. After fWhip was fired, he went around Tumble Town noting down a bunch of “laws” that Jimmy was breaking. I wrote a whole post about this set of interactions already [here] but the short version is this: In fWhip’s episode 12 [5:54], he goes around and marks down all the laws that he’s saying Jimmy is breaking around Tumble Town. […] Of the seven instances that fWhip writes down, SIX of them almost directly relate to Jimmy not taking good care of himself or his empire. To me, it almost reads more like he cares about Jimmy, and is worried about him.

All this to say, that fWhip didn’t Respect The Sheriff as much as he Cared About Jimmy. And that’s an important distinction— he cared about Jimmy, the person. He had this whole veneer of respecting the laws— laws that he didn’t really understand— because he cared about Jimmy. And Jimmy fired him for a prank— one that wasn’t specifically targeted or malicious— because he saw that as Disrespecting The Sheriff. He didn’t want someone who Cared About Jimmy, he wanted someone who Respected The Sheriff. And fWhip wasn’t that.

Enter Scar.

During the Hermitcraft crossover, Scar started gunning for the position as deputy because he wanted the shiny deputy badge. That was it, that was the reason, and Scar acted accordingly. Everything was about acting like he Respected The Sheriff, even when he was blatantly breaking one of the core laws, wearing another player’s hat— both the sheriff hat [Jimmy episode 19 4:07] as well as trading away a sheriff hat, and being seen wearing one of Scott’s Chromia hats [Jimmy episode 22 14:27]. In this episode, Scar backhandedly compliments Jimmy, “oh, you’re just a… cute big guy, aren’t you?” to which Jimmy seems uncertain, asking “I’m real big, right?” to which Scar says he is. Jimmy then asks him about the Chromia hat Scar wears, and Scar tells him that he traded one of the sheriff hats to Scott. Jimmy gets upset at Scar, but before he can get properly mad, Scar distracts him by showing off a new section of Tumble Town that he made. Scar wears the mask of respect for just long enough to get the badge. When Jimmy gives him the badge, he says he has something else that he wants to give Scar as well. “I have found something real special for you, real special.” Scar says “I already got something special, this badge.” Jimmy says “you mean our friendship?” Which Scar dubiously agrees to. This is the last time Jimmy sees Scar before the hermits leave— Scar got what he wanted, and that was all. And yet, Jimmy hired him, because Scar put on the show. Scar was his yes man, Scar Respected The Sheriff, even if he didn’t Care About Jimmy.

He does it to himself, Jimmy does. He pushes away anyone that tries to care about him as a person, and surrounds himself with people that will be his yes men, his little sidekicks, anyone that holds the sheriff title in high regard. It’s why he takes so well to the Old Sheriff, who treats the sheriff title with the same reverence that he does, respecting the title of sheriff without actually respecting Jimmy much at all.

The thing about Jimmy is that he causes his own problems, and they’re all his fault. Yes he is crushingly lonely, and filled with self hatred, but he actively surrounds himself with it. It’s not that people are just inherently mean to him, he is almost asking them to be, by pushing away anyone that seems to care about him as a person.

I think, as my final note here, I wanna bring up a moment from Jimmy’s finale, episode 38. He and the Old sheriff, as they’re making their way to the Nether portal, discuss how fWhip only ever referred to himself as goblin fWhip, never as king. Jimmy says “I don’t think he ever held himself to the regard of being a king, and that— d’you know what? That sucks. He was my deputy for a while, he didn’t really think much of himself, I’m not gonna lie” [9:19]. I just find it interesting, that Jimmy says that it sucks how fWhip never called himself king— a title ostensibly higher than sheriff— and that fWhip was only a deputy. As if he thinks that fWhip could’ve been king, perhaps was worthy of the title, and just never took it— that he sees the taking of a title such as that to be so important, when for fWhip, it never was. I dunno, I just think there’s something to that. I think it says something about Jimmy and about the importance he places on titles that don’t really matter.

Jimmy ran away, in the end. He and the Old Sheriff ran far away from everything they ever knew. fWhip stayed, choosing to live out his days happily in the empire he helped to found. fWhip never took the title of king. Jimmy thinks he should’ve.

Isn’t that something?

[barrenclan]

I was about to say ‘maybe Malmo would suit Barrenclan’ but uh Rainhaze isn’t looking too hot and youch

ANYWAYS I think the song Malmo by Moon might suit Barrenclan as I mentioned before, specifically the popular part (it’s always the popular part)

Three of us sleep next to three others

(Not sure who it’d match)

It's hot and we rot in this oven

(referring to Barrenclan’s environment)

Now there's something about the language

(followed by next part, but maybe Rainhaze about the welcoming of death or injury in Defiance)

Something about these people

(Pinepaw with the new scar or maybe Corm or maybe Rain. I think they could all decently match??)

That look an awful lot like me

(Same as before, Pinepaw with the new scar or maybe Corm or maybe Rain. maybe even talking about Slug right now too)

I'm surprisingly accepting of this discomfort

(Why I said Rain is at this point (right before death but close enough) is because he didn’t seem to mind it anymore)

But I'm not trying to be much of a person right now

(don’t know)

I'm just trying to get some sleep

(Pine with the nightmares and now grief. also with the shock.)

Not sure if these actually match but they seem close enough and I’m very tired anyways OH MY RAIN HOLY BDDBXBBBDB

Wow, Paul Dano is in this band? That's cool. I like your analysis of the lyrics!

Why it's an absolute classic! In terms of characters I think it fits Deepdark a bit better than Rainhaze, though.

Do I even need the lyrics for I Can't Decide?

ANOTHER classic! I like this one sort of swapping off between Slugpelt and Rainhaze, where he's trying to get her to come back to him in their youth, but now it's flipped the other way.

Achilles, Achilles, Achilles, come down Won't you get up off, get up off the roof? You're scaring us and all of us, some of us love you

The self is not so weightless, nor whole and unbroken Remember the pact of our youth Where you go, I'm going, so jump and I'm jumping Since there is no me without you

This one's been suggested a couple times, but I still really like it with Slugpelt, so here it is again.

I don't this it has! Ah, I recognize it from IncuriousCat, of course. They're very popular on this blog it seems. Rainhaze is a good character for song about making bad deals.

I'ma make a deal with the bad wolf So the bad wolf don't bite no more

My enemy is a friend of mine in a friendly place to be seen, hey You know I'll run away for a couple years just to prove I've never been free

Has Ride the Cyclone has a re-emergence? I feel like I've seen it a lot lately. It's nice to have a song with old BarrenClan anyways, before all the tragedy and drama.

What the world needs Is people like me To keep it all spinning around I'm the mover, I'm the shaker, I'm the headline-maker

He put it into words, and it's plain to see We need a little less of them A little more of me!

Yeah, I think you could chuck this in a Rainhazeward direction!

All this time, I've felt like my time to go would arrive That it can't last forever; I've been decaying Moldy scaffolding, ritual strangling No matter what I try, I seem to stay alive

My body should be cold The eyes of maggots gazing through to my soul I left so long ago Behind me are the tears I couldn't control

HOORAY! I'm a big Pink Floyd fan. It'd be so cool to see a "Trial" scene with him as Pink and all the other characters as the other roles.

Day after day, the love turns gray Like the skin of a dying man And night after night, we pretend it's all right But I have grown older, and you have grown colder And nothing is very much fun any more

Oooh, Bauhaus! Also a big fan of them. That's a good alternate voice claim for Deepdark, too.

Thank you, it is! I'm always taking more song asks, of which I have got quite a few. I'm glad you like the comic!

May you die wide awake With a look of great surprise May your eyes be taken just Before you can weep As you see what you stole stolen from you <- yuuuup rainhaze

Aww, that makes me sad. But it does fit well with them.

I dreamt I found you hanging I didn't know what it meant Your eyes would follow me through Everywhere I went

The window on the fifth floor Shattered as you wept What am I witnessing? What stories have you kept?

Damn ran outta links, I thought I got it this time

[buckys-arm-and-rios-dagger]

So... I've been seeing people talking in the greater Marvel fansphere and saying that Agatha intentionally killed Alice and I *really* don't agree. Like, maybe it's just my chronic Wanting to see the Best in Everyone Disease, but I dunno, I believe Agatha when she said "I couldn't control it". She seemed just as shocked as everyone else.

For starters, I think that based on how we see it work in WandaVision I think that her power absorption abilities work sort of like a white blood cell in a body, for lack of a better metaphor. White blood cells attack foreign objects in the body, and usually that's a good thing like bacteria or viruses, but they can also be the reason organ transplants are rejected. I think the power absorption is a defense mechanism and is her body's/magic's response to being attacked, I don't think she has any control over it. I do think she's weaponized it in the past (ie trying to goade the Coven into attacking her, draining her entire Coven's power in 1693, etc.), but I think in this instance it's just how her body responded to it. Especially since she had JUST gotten her mother's spirit expelled from her body. Her adrenaline is running high, she's already been attacked, it's some sort of protection thing.

Not to mention, at the VERY least I think Agatha is smart enough to not want to kill the Protection Witch when there are 7 half-feral witches hunting her like a dog. I know she has Alice's powers now, but I mean. She doesn't know how to use them as well as Alice who's presumably grown up with that specific power set as opposed to whatever Agatha learned over the centuries. I mean, I know Rio is a powerhouse, but she's really the only one. Lilia's powers seem more aligned with divination and tarot than any sort of defensive magic, Jen and (until the end of this episode) Agatha had no powers, and we only JUST learned that Teen has powers, so really Alice and Rio would've been their best defense in a straight fight. I'm sure the others would find clever ways to fight (and again, we now know Teen is crazy powerful), but still.

Also, really the last time we saw Agatha talk about absorbing someone's power is in Episode 2 (last episode doesn't count because she was CLEARLY baiting Rio into talking about killing the coven to make everyone wary of her). And like. I do think, in her own weird Agatha Harkness way, she does care at least a little bit about the people she's with. whatever projecting onto Teen she was doing aside, her moment with Lilia during the first trial, as well as later when she goes to Jen who's panicking and tells her "they can take your power Jen, but they can't take your knowledge" and seems to be completely genuine. And I know she has a history of manipulation and is pretty much a career manipulator at this point, but I don't know I see these little moments and I think all of them combined point to her not purposely killing Alice.

I dunno, this could all be bullshit, and I could just be wanting to see the Best in her because of who I am as a person and this could be proven wrong in the next episode, but I just don't think Agatha did it on purpose.

[cosmokrill]

I know it's been exactly two days since I said that I would be taking a break, but I realized I never really got to elaborate on a few things regarding Noah (The Narrator) and Ford (Timekeeper)'s appearance in relation to their story, since relaxing for a bit has let me work on proper character stories a bit more.

Um... spoiler for (sort of?) partial nudity, they're full body sketches but rest assured, nothing explicit is showing, everything sensitive is covered up, and it's in no suggestive way! It's important because it does go in-line with their story.

And if I see any of you being weird about Ford again I will personally and publicly call you out on my blog

Stanley's being left out here, at least this time, because there's really nothing special about his appearance despite his goofy little dot eyes.

So, what are we looking at?

Noah has a partial-body scar across the left side of his torso and his left upper arm! Back when he was completely human (yes, he really was once fully human!) He attempted to fully dedicate himself to his writing and storytelling as a part-time author, in a world technologically advanced enough to have closed trial runs and proofs of concept when it came to an experimental machine that, in all aspects, was a bit like a sensory chamber mixed with full-body VR inside a computer and the Internet; the only thing separating it from modern tech was that it was a lot bigger and more clunky than the VR headsets we have in this day and age.

Being a man with a soul-sucking 9 to 5 who just barely got by on money to have a nice apartment and some comforts, but who didn't have enough spending money or the apartment space for the giant pods, Noah took to... well, building one himself. He had the blueprints and some experience in building things, how hard could it be?

Well... he certainly did build one. It was EXTREMELY unsafe, but he built one. Hooking himself up, he flipped the power switch without a test run and it had a bit of a shocking result, haha. To put it simply, he did manage to slip into the digital world, but his computer stationed at his left side experienced an electricity surge and completely fried his physical body beyond saving, represented by the scars on his digital self and a slight voltage in his body, enough to dimly light a bulb in his hand. It only takes a bit of appearance tweaking in the files to hide the scars, although they do revert if he's very emotional.

It's interesting to think of how he would've fared if Noah never uploaded his consciousness, but that's a story for another time. The only thing I'd say is that... he'd probably look like this!

Now that we have Noah out of the way, it's Ford time! One thing I never noted with their appearance, due to it being mostly covered up by clothes, is that they have fairly visible stretch marks. What, you really didn't think they were always 8'11", did you? In their "Pre-Parable" look, back when it was an office simulator running basic AI, Ford was much shorter, both in height and hair length.

Due to "unknown" circumstances, though, Noah panicked and tried to delete Ford's code, but the AI caused the files to corrupt in the background, still existing, causing rapid growth to start and their demeanor to become... well, the way it currently is. With the changes happening in such a short time, it's expected that they would have many growth marks to show for it. Their current form, as crazy as it is, is only very early in the corruption, so their body is going to get REALLY fucked up millennia from the story's present if they don't figure a way to keep a hold on it. And to add insult to injury, they blame The Narrator for it all.

What's fun is that, something I never realized until now, the discoloration on Ford's left half perfectly copies Noah's scars! That's fun!

...And if you're asking why I noted Ford having slight shoulder freckles... I just think they're cute, okay?

[destinygoldenstar]

Ninjago Dragons Rising Season 2 - Is It Good Or Nah?

So, I'm late to the party, aren't I?

Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.

We got to Episode 6, and then what did my boss do?

Slap me in the face with long work hours several days of the week.

I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-

ANYWAY. We finished it now.

You know what the insane part about the season is? That it got the show trending on Tumblr.

That's an INSANE level of hype right there.

So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"

So... here are my thoughts on the season.

SPOILER WARNING

Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.

When it came to the first half of the season, was it good?

Yes. Obviously.

Was it living up to the insane level of hype?

Uh... not really for me??

Now, don't take that as a negative. This season is still REALLY good.

After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.

The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.

Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."

Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.

GOSH.

Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.

What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.

I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)

Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.

The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.

Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!

Then we get to the dragon mentors, and...

Yeah the season kinda loses me in the middle.

Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.

The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:

Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.

With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.

And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.

I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?

Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?

Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-

Oh. He's just back.

That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.

Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?

I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.

The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"

I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.

(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")

With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.

But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.

For gosh sake girl, you're the master of wind. FLY.

And finally, my last critique, Cinder.

Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.

And... yep. That's all my critiques for this season. Which all seem pretty minor.

You know what this season is real good at? Characters.

As though that wasn't obvious already.

I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.

Especially considering what happens to her.

They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.

I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."

Well no shit, you ever heard of a character flaw?

But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.

The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.

Lloyd's conflict was handled very well in my opinion.

What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.

For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.

Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.

I do think this sort of arc is going to hit hard for adults much more than kids.

Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?

No?

Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.

And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.

How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?

AND THEN HE GIVES UP HIS LIFE FOR THEM-

And finally, Arin.

Oh you poor sweet, sweet child.

First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.

BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.

So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.

I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.

I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.

Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-

I'M IN THIS SHOW AND I DON'T LIKE IT.

I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.

I am so invested in where Arin's story goes from here. Evil or not.

So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.

UNTIL THE LAST FOUR EPISODES.

And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.

These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.

I actually SCREAMED at multiple occasions.

I actually screamed so many times watching this that I am now HOARSE.

THAT'S how hard it hit me.

The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.

The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.

HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!

I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"

And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.

The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.

When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.

But they still do it!

And KAI?!?!

I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."

AND THEN THEY SACRIFICE HIM.

LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.

I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.

Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.

It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.

And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY

It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!

AND NOW HE'S GONE.

NYA AND LLOYD LOST THEIR BROTHER.

WYLDFYRE LOST HER SURROGATE FATHER.

THEY THINK HE'S BASICALLY DEAD.

BRO. THAT'S SOUL CRUSHING.

And then Sora?! Why you gotta betray Arin like that?!

The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.

GIRL. WHAT ARE YOU DOING?!

That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.

And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.

Again, Evil Arin Theory.

I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.

I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-

Again, I'll make a post about that.

The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.

That has not happened to me since Sons of Garmadon.

Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?

What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.

So... yeah. Good or Nah? Good. Obviously.

The hype is a little overblown to me, but it still deserves the hype.

[rootsofdread]

Hi! I just found your blog(? is it called a Tumblr? a blog? I still don't know) and I love it! I'm sort of an on-and-off Dead by Daylight player, but seeing this great thing you've got going on here makes me kinda want to go play more.

I dunno if this is an acceptable request, but: how would the denizens of the Fog feel about a friendly and helpful dog!Reader?

For the killers, the faithful companion is leading them to injured survivors and also barking at people who try to sneak by (though likely not always successfully, since the Fog is likely messing with their senses), maybe even knocking things out of survivors' hands because they're a mischief maker.

For the Survivors, the friendly pooch is leading injured survivors away from the killer and to healers, picking up and bringing them dropped items, and barking at stalking killers to warn the people it cares about.

Everyone needs a friendly animal sometimes, I think. There's something really nice about petting a fuzzy friend when you've had a bad day, and I feel like being in the Fog probably means you have a lot of bad days.

most people call them blogs hehe! this was honestly such a fun request to do though, i was delighted seeing it in my inbox!! very unique and fun to write :-D!!

Jake Park:

Jake had long learned to be wary of animals — creatures, more like — found in the fog. So he was understandably skeptical when he saw a dog sniffing around in the distance. He was sure he’d see you transform into some grotesque monster. He was shocked to see you lead the killer into a trap he had set up earlier in the trial, jumping over it while they stepped into it.

He knew you’d be next if they caught up to you. He whistles to get your attention and makes sure you run away with him, ahead of him, even. There’s something strangely freeing about being with an animal again, to him, running with one and feeling like he’s truly in the wild again.

You help him a lot with building make-shift traps and getting items together for himself and his teammates. He never has to worry about being unprepared with you around, he can tell you to go find something he needs, and chances are, you’ll be back with it in no time. You’re often more helpful at times than his teammates are.

Jeff Johansen:

Jeff couldn’t believe his eyes when he saw you walk up to him while he was working on a generator. A stray dog. He was sure you were a figment of his imagination — but attempts to snap himself out of it proved futile. But he still wasn’t too sure, of course, he figured you must be something conjured by the Entity to mess with him and other survivors. 

But he began to trust you more when you lead him into a nearby out-of-sight corner just as the killer skulked by. He was in disbelief that you knew they were coming before he did, and seemed to figure this must mean you’re here to protect him rather than mess with him.

That said, he often spends more time protecting you than you do protecting him. He tells you to run and takes chase from the killer before they find you, and he’s thankful when you decide to listen instead of continue to follow him; he wants you to help everyone else when you can’t help him. You’ve brought him happiness and he’ll protect you at any cost.

Max Thompson Jr. / The Hillbilly:

Max doesn’t have a great track record with animals, and he nearly killed you when he first noticed you during a trial. The incessant barking is almost what did it — but then he noticed you were clearly barking at something. A bush? No, something inside the bush. He could hear something.

He swung his hammer into the greenery and collided with flesh. An injured survivor had been hiding from him, and you led him straight to them. He seems to decide for himself, maybe you can be useful. He lets you follow him around for the rest of the trial, occasionally looking over his shoulder to see you wagging your tail.

He eventually becomes much more attached to you, thinking of you more as a pet than a convenience. He can frequently be seen petting you and throwing you treats after you help him catch survivors, and perhaps, on occasion, he lets you lay your head in his lap while the two of you rest after a long trial.

Anna / The Huntress:

Of course, Anna had seen animals in the fog; the nasty creatures the Entity had spawned. They’re easy pickings, a fun activity for her when she’s not in a trial. She was surprised when she lobbed a hatchet at you and you actually dodged it. She knew you were smarter, a different kind of animal. A real animal, like from before.

Believe it or not, she was actually delighted to have found a real animal in the fog. She loved animals. And a dog, too — she always wanted a dog, particularly for hunting, but she had heard what great companions they make. It was never a secret how much she’d always wanted a friend.

She immediately takes to you and lets you come with her. She loves having an easy way to pinpoint where survivors are with you, letting you run off into the trialgrounds and alert her to the exact locations of them, occasionally even dragging injured survivors straight back to her. You’re rewarded with treats from her hunts.

[jumpywhumpywriter]

Living Weapon Whumpee *BONUS Scene* part 2

Warnings: forced living weapon/fighter, aftermath of being a weapon/semi-retired weapon, lost family, fractured memories

Whumpee didn't hesitate to start aggressively ripping open filing cabinets, tearing out manilla folders by the handfuls to quickly scan the labels before throwing them on the floor.

"Whumpee! What on earth are you doing?!" Max asked as he stepped into the room.

"Looking for anything on me," Whumpee tossed over his shoulder. "They had to have kept some sort of record on the projects and experiments they performed to make me Weapon."

Jake appeared behind Max, confused and angry. "What is going in he--"

"--He's looking for information about Weapon," Max filled in before Whumpee could answer.

Jake's eyes widened, his face instantly losing its sharp edge and becoming sympathetic. "Oh." He shared a knowing glance with Max. "Flint ordered me to have this place burnt down and destroy all files once we captured the last of Leader's men, but... I can give you some time. Just do me a favor, and let me know next time before you run off like that, all right?"

Whumpee didn't reply, too focused on rifling through papers. The team he was on was brand new, and didn't know much of his history. But Max and Jake knew. They knew it was personal for Whumpee to find closure. So what if they broke a few rules to make it happen? Flint had said to make their mission quick, but he hadn't specifically specified his definition of 'quick'. So technically they weren't disobeying orders.

"I'll help him look -- you keep the rest of the team busy," Max suggested to Jake, who nodded and left.

Max sighed heavily and started attacking filing cabinets at the other side of the room, adding to the growing pile of discarded folders on the floor. "What titles am I looking for?" Max asked, throwing another over his shoulder. It was full of drawn-out military strategies.

"Anything with the word 'Weapon' in it, I'd assume, since that's what they decided to call me," Whumpee growled. "Or 'project'? 'Experiments', maybe?"

"Mmhmm." Max spent over half an hour searching, and together he and Whumpee went through almost the entire room until they were ankle-deep in manilla folders and random papers. It was hopeless.

Until...

"Wait--I think I might have something," Max announced, flipping through some pages. "'Supercharging and enhancing genetics'?"

Whumpee was at his side in an instant, peering over his shoulder.

"Don't be a helicopter hovering over me. It's all yours, man," Max laughed, and handed the folder to Whumpee, who was careful not to rip it as he took a look for himself.

This. This was what he'd been searching for. A complete analysis of who he was and what changes Leader had made, from giving him supernatural strength and endurance to enhanced bone density and slightly accelerated healing abilities.

"Wow... they really changed a lot of you, didn't they?" Max breathed, leaning in to read what he was holding.

Whumpee was speechless, he had no words to describe what he was seeing.

Because these articles were describing him like he wasn't a person, but a military project.

Adult Male.

Taken at 20 years of age.

Chosen for exhibiting naturally mature body features pre-enhancement, indicating an increased likelihood of surviving harsh environments and enduring experiments where many others have perished.

Initially showed extreme resistance to treatment due to familial ties, but treatment more effective over time, reducing overall stress levels by end of trials.

At start of procedures, subject started showing signs of dehydration and malnutrition and entered beginning stages of emaciation and physical shock, before rapid muscle growth ensued and bone density increased over the course of two weeks. Physical body tone improvement clearly visible.

Surgically enhancing genetics proves successful in achieving more durable subject to be battlefield-ready.

Heavy conditioning and training exercises have refined mental condition to lethal obedience. Subject suffers memory loss and struggles with emotional regulation, but is otherwise healthy.

Results show improved speed, stamina and overall physical strength. Three times the average for typical humans.

Recalls no family or emotional ties, but family has been detained in case the need arises for additional motivation or control over subject named Weapon in event of memory return.

Whumpee stared numbly down at the papers in his hand, breathing shakily. This is who he really was. A messed-up experiment. Torn apart and stitched back together so many times he forgot his original identity -- a weapon made of muscle and scar tissue held together by bitter rage.

⏪️ Back Next ⏩️

Masterlist

@scoundrelwithboba @lumpofsand @isikedmyself878 @iamheretohurt @fleur-a-whump

@ay5ksal @otterfrost @sausages-things @i-don't-know-sal @togzy

@whump-till-ya-jump @cravesunconditionallove @whumpwritinglover222 @silly-scroimblo-skrunkl @cepheusgalaxy

@theforeverdyingperson @dragongodryss

[hermesserpent-stuff]

bird half of remy's siren form!!

heres a summary of splish splash au:

lots of ideas jointly created with @honey-minded-hivemind

splish splash au

Remy is a siren: this means he can transition between being half bird and half human to being half fish and half human. His colors would be loosely based on those of a cardinal both for his feathers and his scales.

Sirens can sing to lure in prey of all sorts but powers can be overcome by strong will of beeswax in the ears. They don't tend to live together only gathering in larger groups for migration and those times are like huge parties where everyone checks on each other. Since they tend to be at the top of the water to go in and out of forms, they follow the warmer weather and get super sleepy when hit with very cold weather. 

This is Remys second year living and hunting alone. His brother Henri checks in on him a lot but does not live with him. Remy is really good at opening clams and chests and anything that is locked. He also can blow things up because I think him having his mutant powers is funny. He's also an empathy but doesn't 

Right before migration time he gets into a scuffle with a selki who bites through his tail fin. It'll heal but it makes it too hard to travel south for the winter. So he ends up staying in a rock crevice and doing his best.

Creed is a deep water mer and as the season shifts to colder he expands his hunter grounds to shallower water 

Deepwater mers tend to live in packs with families sleeping in piles. Creed doesn't have a pack/pod, especially after a blow-up fight with Logan 20 years ago. He still will occasionally fight with his brother (another deep sea mer) 

Creed goes for a hunt and finds a tiny pup(Remy) trying to hunt. The pup fights him and actually manages a few really good hits!! Creed is in love and when he pins the pup he decides this is now his child, and he will be caring for it thanks. 

Remy is sleepy tired and hungry and doesn't expect to wake up again after getting knocked out by Creed's fight which had turned into a playfight for Creed. He is shocked when Creed brings him fish and shark meat and he is hesitant to eat it. Creed forces him to eat the first few times and nips at his tail when he tries to leave. Remy soon attaches his empathy to him and they have a sort of link that lets them feel each other's emotions. Remy doesnt realize it and thinks hes just getting better at reading creed. 

Remy has something like that with Henri but with thousands of miles between them it's very very faint and neither really notice it, thinking the emotions are their own.

Creed teaches Remy how to hunt and doesnt realize that remy is a siren and thus more naturally a loaner. Creed doesnt even know remy can fly. Remy doesnt really go to the surface to do so till later (maybe) 

Durning this time Henri realizes that his baby brother did not migrate and goes on a one man odyssey to get back to the now freezing cold waters to track down his brother. There is monsters, humans, and trials and tribulations.,

He arrives and creed adopts him to for the lols. 

Then remy goes out to find a patch of sunlight to sleep in and a sudden visicious storm scoops up his silly butt Aaannndd he is dropped in logans territory. Remy is sleepy and afraid. Logan takes him in and drops him in the pile of pups he had taken in. 

This will lead to a massive fight with creed logan and henri.

Also addition:

Eventually creed and logan join podsish with their mishmash of mer/siren/selkie and other species. They get a small island that is hard to sail too with a lovely cove and a cave system that stretches beneath the island. 

Charles and mangus are harpies and mistake remy’s bird form for a harpy that is just a weird species that they had not met before. Charles has a base of robin colors and mangus is some sort of falcon base

Life is interesting. 

[beauzos]

i'm not often fond of the takes people who dislike Nahyuta have on his character (though i can certainly agree his writing is not Great. like objectively) but there was this one Nahyuta disliker on Reddit who was fuckin cookin when they said that Nahyuta should've been nicer/less cutthroat in the US trial segments.

(from u/Black_Griffin23)

i actually think that's a brilliant idea. he doesn't have to be /nice/, he can still be a dick, but i think it's interesting to have him be much less aggressive about "sins" and hating defense lawyers n stuff in the US, because it would add to the shock value of how cruel Khura'in is when you see him again in 6-3 and he's so fucking awful, way worse than he ever was in the first case you meet him, because that's what's expected of him out here. it would also be a decent way to show that things aren't quite what they seem with him, which you don't really get beyond some very basic "he and Apollo have some sort of background together" until 6-5.

also hot take i actually think 6-2 and 6-4 should switch places in the story. i know it'd be kinda rough to have Apollo only see Nahyuta again right before Turnabout Revolution but i also think it'd work with some tweaks. Nahyuta maybe expressing disappointment that Athena Cykes is the one defending Bucky in the new "6-2" because he was expecting someone else. you see the photo of Apollo and Nahyuta in 6-3 and it's like. ah. why is Apollo here? what's their history...? is this who Nahyuta was hoping to see? and then they FINALLY meet in the new "6-4", Apollo confronts Nahyuta at the end like he does in Magical Turnabout and Nahyuta expresses some discomfort, but is still coldly hostile otherwise, but it's clear he's hiding how he really feels. he can still basically tell Apollo to fuck off, but in a more "let it be, there's nothing either of us can do" type way.

sort of like how Edgeworth tells Phoenix to leave him tf alone after... what is it, 1-3? because he's making Edgeworth question a lot of his beliefs and it's becoming uncomfortable and unbearable. you could do that with Nahyuta since he's supposed to be a new take on Edgeworth anyways.

Nahyuta takes his time in international cases to properly hone his skills, but re-encountering Apollo (and dealing with Athena) starts to show him just how fucked his job in Khura'in really is, just how far he's strayed from the original vision, and now he's struggling to keep the guilt at bay. Apollo brings up all these old and unpleasant feelings he's kept hiding, and it's starting to unravel him bit by bit. them, you see him really struggle in 6-5 because of Dhurke, and it all unravels more, making the story and character development flow a bit better.

idk, i just think this would work a bit better and make his redemption at the end feel less last minute.

[jammatown919]

Mistakes Were Made (Chapter One)

A Lightcannon fic I've been chipping away at for a while now.

Fic Description: Jinx unintentionally forces Lux to out herself as a mage.

Lux never would have thought so much good could come out of being kidnapped.

Sure, most people would be terrified to have a blue-haired stranger appear in a flash of light and whisk them away to some sort of pocket dimension for a death match with eight more strangers, but honestly... it had been really, really fun.

Once she'd gotten over the initial shock of it all, Lux didn't have as much of a problem playing along as one might think. The stranger, Jinx, had been more than happy to demonstrate to her that no one could really die in this place she called the Rift, via a swift gunshot to her own head. Lux had maybe screamed a little, but it was definitely comforting to have confirmation that a fallen player would simply reappear at one of two ends of the map, no worse for wear.

Really, it was a lot easier than it should have been to get Lux to play, and from there, everything just sort of spiraled.

Free of all consequences and a good amount of her usual inhibitions, Lux was able to really let loose with her magic for the first time. Jinx seemed to appreciate her raw power and how ever so slightly nuts she'd gone at possibly her only opportunity to do literally whatever she wanted with it. The two of them didn't even need their teammates to completely dominate the game, which they did with reckless abandon.

When it was over, Jinx returned Lux safely home as she'd promised, but not without a promise whispered in the seconds before she vanished again: "I am definitely keeping you, Blondie."

For about a month after that, Lux managed to convince herself it had been some crazy, fantastical dream brought on by her repressive environment. In a country like Demacia, with a family like the Crownguards, it was only natural her subconscious mind would invent a reality it preferred. One where she could use her magic freely, go off on an adventure, and buddy up to someone who represented all of her temptations in life, both physical and otherwise.

But then Jinx made good on her promise, and Lux instead convinced herself she'd simply received a gift from some god somewhere out there. The escape she longed for was real, and her new friend had come back for her.

They continued their games whenever they could, typically at one-to-two-month intervals because of how difficult it could be to get ten people from all over the world together. Lux noticed as time went on that there would often be changes to roster of other players, until at one point she and Jinx were the only two left from their first game.

"Ah, sometimes you just gotta swap 'em out for people who are more fun," Jinx said when Lux asked about it. "Not you, though, Blondie. You were always the most fun."

Eventually, after quite a few swaps and trial runs, Jinx managed to put a solid long-term team together. Her and Lux, of course, with the addition of a surprisingly friendly creature made entirely out of green slime, a pink-haired songbird type on an elaborate hoverboard, and a man in a mask with a very different hoverboard who absolutely refused to play until Jinx pulled him aside for a long private conversation.

Zac, Seraphine, and Ekko. All people Jinx claimed were from home. Or almost, in Sera's case. It was these three, particularly Ekko, who gave Lux some much needed insight into Jinx as a person.

Another area in which Lux differed from most people was that most people would probably feel betrayed or disgusted or afraid upon hearing that their friend had blown up a city-state's entire government. But Lux had heard a thing or two about Piltover's old Council, largely from some of the previous players Jinx had brought around, and to be honest, she considered blowing them up to be an act of community service. A little brutal, yes, but a genuine favor to the people suffering under their rule.

What got to her a little more were the personal blows Ekko had taken. The betrayal of his oldest friend, and her subsequent murders of several of his newer friends. Only the fact that she hadn't gone near him in years made it possible for him to look at her now. Only an old, barely surviving desire to see her be better compelled him to play her game. She needed it, he claimed, to get the crazy out somewhere it wouldn't really hurt anyone.

Jinx didn't seem to love being presented with this information later that day, but she engaged with it nonetheless. Admitted to everything. Agreed with Ekko's assessment. The game was fun, yes, but it was primarily an outlet. A form of therapy, almost. Lux had to respect her for that; for recognizing what she needed to keep herself in check and following through with it.

They played on for another year, mostly sticking with Jinx's favorite assortment of allies but consistently switching up the members of the enemy team to keep things interesting. Lux got more and more used to this recreational violence, but she still found it exciting every time.

Strangely, though, the most exciting part to her was always that Jinx had never lost her initial awe of Lux's performance in the games. She was consistently impressed, often staring, and always laying the praise on thick. This all came to a head after a particularly exciting match, in which Lux had stuck with Jinx in the bottom section of the map and completely destroyed their lane with her. That, according to Jinx, had been "super hot", and one thing led to another led to Lux pinned against a tree in the jungle area with Jinx's lips and hands roaming her body.

This quickly became a standard post-game ritual of theirs, and over the course of the next six months, they grew steadily more emotionally invested each other. Neither of them could say exactly when their relationship became "official", but it did at one point or another, and thinking about it got Lux through the time spent between matches with her mental health more or less intact.

Even at times like this, when she was cooped up in the Crowngaurd Estate, awaiting tomorrow's arrival of a suitor she'd been expected to entertain for at least a weekend, she could sit by her window and draw little pictures of her girlfriend. And once the man was gone, rejected at the end of his opportunity to court her like the three that had come before him, she could look forward to the next game.

She did wonder how many more suitors her parents would allow her to cycle through before they really began to insist that she settle down, but she felt safe for the moment. At least for now, her family seemed to perceive her rejection of each and every suitor as pickiness, and that was fine by them. No noble would want their daughter to settle for just anyone, after all. She could turn up her nose at prospective mates all she wanted, and they'd simply keep bringing in more for her consideration.

It would likely get worse as she aged and cut into more of her "childbearing years", as her mother liked to put it, but for now, she was twenty-three and tolerated in her role as the stuck-up young noblewoman who would settle for no less than the perfect husband.

Yeah, right, she chuckled to herself as she outlined the shape of Jinx's shoulders on her page. Like there's such a thing.

For her, at least, there would never be such a man. One day, when it all got to be too much, she would leave this place behind. Jinx would come for her and whisk her away, not for the day but forever. For all the love she held for her family and the better aspects of her country, Lux knew her future did not lie here. She would leave it all behind eventually, when she was ready to say goodbye.

Until then, she would draw and play pretend and dream and be satisfied with her brief escapes.

She smiled at Jinx's sketched face looking up at her, longing to see the real thing again. They were about due for another game, but Jinx tended to show up with absolutely no warning, so Lux could only give her best guess as to when they'd see each other.

Right now, apparently.

The window by Lux's desk flew open despite having definitely been locked a second before, and in climbed the very woman who occupied the majority of Lux's thoughts these days.

"Mornin', Sunshine," Jinx crowed, dropping from the window to her feet.

"It's nighttime," Lux corrected her gently. Jinx squinted out the open window, like she'd only just realized.

"Huh," she said under her breath. "Guess so."

"It's good to see you, but what's with the entrance tonight?" Lux inquired, recapturing Jinx's attention. "You usually just zap right into my room. And... how did you even get up to my window?"

"Ah, y'know, climbed, dodged some guards," Jinx said rather flippantly. "Had a pretty good time, I guess, but that's not the important part. It's game time, Blondie! Got everything all ready to go!"

"Tonight?" Lux asked.

"Yeah, for tonight." Jinx held out her hand, as she often did, to invite Lux into her teleporter's range.

"I'm sorry, Jinx, but I can't tonight." Honestly, it was kind of a miracle they'd gotten this far without ever having some kind of scheduling conflict. "I have to be up at dawn to greet a suitor."

"A what?" Jinx's brow furrow slightly.

"A suitor," Lux echoed. "A man my parents invited here to get to know me. He's going to spend the weekend trying to court me."

"Huh?" In an adorably canine fashion, Jinx tilted her head to the side.

"Trying to impress me so I might want to marry him," Lux explained. "And I won't, of course! I send all my suitors away. But I still have to entertain them for the time they're given."

"Ohhhh." Jinx let out a small chuckle, which was a better reaction than Lux had expected. Knowing her and her past, threatening to simply murder all of Lux's suitors had been a very real possibility. Instead, she said, "just skip it."

"What?" Like it would ever be that easy. It wasn't even an option, really.

"Skip it," Jinx persisted. "You don't wanna do it, right? And it's stopping you from doing something you do wanna do. So just don't do it. Come with me instead."

Lux would be lying if she said the idea wasn't tempting, but she knew better than to think she could accept. It was too easy to lose track of time on the Rift; too easy to have it interfere with the plans that had been made for her. She would never be able to come up with an acceptable excuse if someone came looking for her and she was nowhere to be found on such an important day.

"I'd like to, Jinx, but I really can't," Lux said as gently as she could. "I have to wait until after this weekend."

"Aw, c'mon, Blondie," Jinx pleaded. "Everyone else is ready to go. We need ya."

"Maybe you can find a substitute this time?" The suggestion almost physically pained her, but not as much as it seemed to offend Jinx.

"No way," she said stubbornly. "You're the best part. It won't be any fun without you."

"I'm flattered, but-" Lux stopped dead as someone knocked twice at her bedroom door. Her entire body stiffened, and she stood to grab Jinx as if she were going to shove her back out the window. "Shit. You have to go."

"Why?" There was a distinct whine to Jinx's voice that was entirely too loud for the situation.

"Luxanna? Are you talking to someone?" Garen called from the other side of the door. Lux supposed it was better than her parents, but still not good by any means.

"I can't let anyone see you," Lux hissed. "I can't explain this to my family."

"I ain't scared of 'em," Jinx protested, "and you shouldn't be either. They're just a bunch'a fancy dickheads with sticks up their asses. I don't get why you think you have to listen to them."

"Lux, are you alright?" The knocking grew louder and more insistent. "Who's in there?"

"Jinx, please." But it was too late.

The door wasn't locked. Lux never locked it, because why would she in a place like this, where she was always safe and disturbing her privacy was a punishable offense for anyone but the parents who rarely cared to visit her quarters? Except Garen had probable cause, hearing an unfamiliar voice in Lux's room.

He threw the door right open and walked on in. For a second, nothing happened. They were just three people staring at each other. Then, all Hell broke loose.

Garen quickly took notice of Jinx's weapons and reached for his sword. Why he had it on him right now, Lux didn't know and didn't have time to ask. Jinx, in response, removed the gun she called Zapper from its holster and pressed it to the side of Lux's head.

"What the hell are you doing?!" Lux glanced back at her, bewildered but not afraid. Crazy as she was, Jinx would never pull the trigger. Not on her.

"Lux!' Garen quickly drew his blade, but the gun to her head stayed his hand. Guns weren't common weapons in Demacia, but Garen knew enough to know he would never cross the room fast enough. If Jinx actually wanted to kill Lux, she could do it in an instant. "Unhand her!"

Jinx took Lux by the arm and dragged her up from her seat. "New game, Blondie."

"What?" Oh, Lux did not like the sound of that.

"If we can't play fight, we'll play keep-away instead." Jinx secured her free arm around Lux's middle and began to back them both up toward the window.

"Jinx, wait-"

Lux didn't have time to finish her objection before Jinx, dragging her along, leaped through the open window. She didn't know which was louder; Garen's horrified cry or Jinx's shriek of delight as they plummeted toward a well-kept garden three stories below.

"Do your thing, Blondie!" she called.

Her thing? What the hell was "her thing" in a situation like this?

"Break our fall!" Jinx clarified when Lux just stared at her incredulously.

Oh! She wanted a hard light barrier, like the ones Lux often used to shield herself and her allies on the Rift. It probably wouldn't work to break a fall in the traditional sense, but Lux was no stranger to getting creative with her magic. She just had to pray nobody saw.

They both collided hard with a barely visible structure that had appeared directly beneath them, then began to slide forward at a sharp decline that gradually eased up. Lux kept her eyes closed, concentrating on the next few feet, then the next, then the next, trying to keep them at a pace that would get them to the ground quickly but not injure them on impact.

It was harder than one might think to keep up with it, even with all the magic practice she got on the Rift, and Jinx hollering excitedly in her ear didn't help.

They landed in a rosebush and seemed to take every single thorn with them as they rolled out in a tangled heap. Jinx ended up on top of Lux, staring down at her with bright eyes and a joyful grin.

"You gotta do that more often!"

"Shhh!" Lux sat up, nearly smacking her forehead against Jinx's with the speed of it, spitting out leaves as she harshly shushed her. "Someone probably heard us land. You have to get out of here."

"Aww, don't worry, Blondie," Jinx replied lightly. "I'm great at keep-away!"

"No," Lux groaned, but she didn't have time to air her frustrations. She could already hear voices and footsteps swiftly approaching.

"And that's our cue." Once more, Jinx grabbed Lux by the arm and hoisted her up, then she took off running. Lux was left with no choice but to stumble after her, mind searching desperately for a way to defuse this situation.

"Jinx, there's nowhere to go!" Lux insisted.

"That's what they think." Jinx casually raised Zapper to remind Lux she still had it, even though by all logic she really should've dropped it in the fall.

"No!" Lux pushed Jinx's arm down. She didn't know what the hell she would do if Jinx shot her guards.

"What's the matter?" Finally, Jinx seemed to realize Lux wasn't having fun.

Unfortunately, it was that exact moment that the guards started to catch up with them. Everywhere Lux looked, a different pair of patrolling guards ran toward them, swords drawn. One of them recognized her in the dark and called out to her by name, spurring the others on. 

"You have to leave!" Lux insisted, yanking her arm out of Jinx's grasp. "Zap away. I-I'll do my best to clean up this mess."

"Lux..." Jinx licked her lips, her brow furrowing as she tried to put the pieces together. She had finally clocked that Lux was upset, but not why. "It's just a game, babe. You love games."

"They're not playing!" Lux gestured with one hand at the swiftly approaching guards and used the other to lightly shove at her girlfriend. 

"The Pilties were never playing either," Jinx said. "That never stopped me. C'mon, lighten up. It'll be fun."

She raised her gun again. The guards were definitely in range, and almost close enough to reach Jinx with their swords. They were out of time. 

"STOP IT!" The scream escaped Lux before she had a chance to think about it, and so did the burst of arcane energy. 

Instantly, everyone but her and Jinx froze in their tracks, caught up in a shimmering wall of mana that she frequently used to immobilize people on the Rift. It was one of her favorite things to do; laughing while her enemies raged about being rendered defenseless. Now, though, it gave her a strong urge to throw up. 

The guards were frozen physically, but they were still aware. They would still know what Lux had done to them. That she was a mage.

She'd just outed herself in probably the worst way possible. 

Part of her expected Jinx to hoot and holler and try to drag her away again, but it seemed the scream had stunned her. Lux had never screamed at her before. 

"What's wrong?" she asked, equal parts gentle and anxiety. "We're just playin', right?"

"No!" Lux snapped, tears burning her eyes. "No one else is playing, Jinx! I'm not playing!"

Jinx shrank back with something of a kicked-puppy expression and said, "ohh, fuck... shit, Blondie, I'm sorry. I'll take ya back upstairs, I-"

"No." Lux stepped away from Jinx's outstretched hand. Upstairs wouldn't help her now. Honestly, at this point, the safest option for her would probably be to just go with Jinx after all. Now that all these people had seen her magic, suitors would be the least of her concerns. The oppressive laws of her homeland would be turned on her in full force. 

And yet... she still wasn't ready to leave. 

"Go home, Jinx," she murmured. 

"B-but you're cryin'." Jinx continued to reach for her, but Lux wouldn't have it. 

"Please." Lux met Jinx's horrified eyes and held her gaze. "Please, go."

"Okay..." Jinx replied, small and sad. "I'll see ya later, yeah?"

"Yeah." Despite the emotional turmoil, the fear and uncertainty for her immediate future, Lux managed a smile. "Yeah. Love you."

"Love you too." In a flash of electric blue light, Jinx was gone, and not a moment too soon. Lux's spell probably wouldn't have lasted much longer. 

Seeing no use in stalling, she released the guards, but refused to look at any of them. She hung her head, tears of fear and grief for the life she'd certainly just lost streaming down her face, and sank to her knees to await judgement. 

------

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[marvelmusing]

Have Faith

Pairing: Sun Summoner!Aleksander x The Darkling!Reader

Summary: Inspired by this moodboard. Aleksander has a tiring first day at the Little Palace and as it draws to a close he wants nothing more than to hide away in his room. Then the Darkling sends for him.

My Masterlist

“Thank you, Ivan. You may leave us.”

The Heartrender nods politely, giving Aleksander one last scrutinising look before he leaves, closing the door behind him.

Aleksander hesitates near the doorway, watching you almost warily. You have to remind yourself that this man isn’t the same one you knew all those centuries ago.

“Aleksander,” you say softly, discarding your papers down onto the desk to give him your full attention. “Please sit.”

He hesitates briefly, before he crosses the room in a few smooth strides to sit in the seat beside you at the war table.

“How was your first day?”

His eyes look over you, as if he’s waiting for some sort of catch.

“It was fine,” he says slowly.

The corner of your mouth twitches at his tone.

“Really? Even Baghra?”

His shoulder slump slightly, as if a piece of his facade had been loosened. You wonder what he had told the rest of the summoners about his first day.

“She’s a bit of a trial,” he admits.

You laugh softly.

“Just a bit,” you concede teasingly. He blinks at you for a moment before his expression softens. The two of you are quiet for a moment before you speak again, “I know you’ve heard all sorts of stories about me, but I want you to know that I’m not a monster Aleksander.”

He frowns slightly.

“Why do you care about what I think of you?”

“Why shouldn’t I?”

“You’re the Darkling? I’m sure you have more important things to think about than my feelings.”

At that you stand up, pacing towards the fireplace. Staring into the flames as they flicker in the hearth, logs crumbling to ash, you admit quietly in a low tone,

“You’d be surprised at how much I think about you.”

Turning back to face him, you realise you might have come off a little too strong. As he studies your expression, trying to figure out what your meaning is, you take the opportunity to admire his features.

He looks exactly like your Aleksander. The same dark hair and eyes, the same nose and mouth and chin. He’s a little smaller but hopefully, with training and eating full meals here at the Little Palace, he should begin to look healthier.

At the thought of him suffering through the wasting sickness for so many years, your heart aches in your chest. The dark shadows under his eyes look heavier than when he first arrived in the war room. Genya’s tailoring must be wearing off.

“Are you tired?” you ask him softly.

He nods.

“A little.”

The corner of your mouth twitches slightly. Even if he was bone-dead exhausted, you feel as though his answer would remain the same.

“Homesick?”

He shrugs lightly, looking down at your boots.

“I suppose.” He lifts his gaze when you don’t respond. Once he sees the questioning look on your face he adds, “Not much of a home to be sick for.”

You nod faintly, trying to gather the right words to say to him.

“I hope you know that the Little Palace is your home now. You’re one of us, Aleksander.”

He nods, a small frown creasing at his brows and a distance in his eyes. You can still remember the shock on his face, when you had first unleashed his power. It appears to be taking some time to fully sink in.

“It will get better,” you assure him.

His eyes meet yours and the hope filling them has your breath catching in your throat. The silence feels heavy, forcing you to throw out some casual conversation.

“Grisha usually train in pairs. Inferni work together, whilst Tidemakers and Squallers often team up.”

“Does that mean…?” Looking over at him, you lift a brow when his voice fades away. He shakes his head, “It’s nothing.”

“What is?”

“I thought that, since we’re both different from the other summoners, that we might train together.”

The thought of training with Aleksander has you freezing in place. You hadn’t thought of that. When he sees your stunned expression, he’s quick to add,

“I understand that you’re busy. You have better things to do than help me learn the basics.”

You shake your head, sitting down in the chair beside him.

“Everyone needs practice.” You glance down at the space between you both. “I haven’t trained with someone else in quite some time.”

Lifting your eyes up to meet his, you can see a calculating edge in his gaze as he thinks over your words. To pull him away from such thoughts, you ask suddenly,

“Can you summon for me?”

He blinks in surprise.

“Now?”

“I know you’re tired, but I just wanted to see.”

He shakes his head, his gaze dropping down almost shamefully.

“I can’t summon on my own.”

You place a hand on his arm, curling your fingers around his bare wrist. The feeling of his power meeting yours has a shiver running down your spine, and you hear him inhale sharply as he feels the impact of your amplification.

“What about now?” you ask.

He looks down at your hand, hesitating for a moment. Then he cups his hands together, resting his forearms on the table as his palms face the ceiling.

Then he brings his power to the surface.

A bright blossom of sunlight bursts into life, twinkling in the palm of his hands. Emotion gathers in his eyes and you smile in understanding. After such a tiring day, there’s nothing better than summoning.

If you reach a little further, you might be able to open up the tether between you both. But it’s too soon for that. This Aleksander barely even knows you. You will have to ease him in slowly.

As Aleksander continues to summon, illuminating your faces far better than the fire that now looks incredibly dull compared to his light, you explain a few of the basic Grisha theories to him. He listens intently, asking questions when he doesn’t understand something.

All the while, you slowly loosen your grip on his wrist. His eyes flutter quickly when he feels your fingers stroking over his skin, but his light remains as strong as ever. The two of you continue to talk, and as time goes by you slow down the motion of your thumb brushing against his skin.

“Aleksander?”

He hums softly and your heart warms at the sight of him looking so peaceful. Part of you wants to keep him here for tonight, allowing him to sleep in your bed. Instead you smile at him and say,

“You’re summoning on your own.”

His eyes widen as he looks down to where your hand had been. There’s a distance of around two inches between his wrist and your hand as they sit beside one another on the table.

His light splutters lightly and he loses his focus. The sunlight fades, but it’s warmth still lingers in your chest as you smile at him.

“It will take time,” you say softly. “But I have faith in your abilities. You should too.”

He tilts his head slightly as he looks at you, swallowing hard before he all but whispers,

“Thank you.”

You nod in acknowledgement, holding his gaze for a long moment before you stand.

“Come with me.”

He follows you to one of the doorways in the war room. Opening the door, you gesture down the corridor and explain to him,

“If you take a right at the end of this corridor, the dormitories will be at the end of the next hallway.”

He frowns a little, as he takes in this information, before he nods.

“Good night.”

“Good night, Aleksander.”

Even when he’s turned down the end of the corridor, you linger at the doorway with a small smile on your face. Then you close the door behind you and return to your work.

»»---------------------►

marvelmusing Tag List: @dreamlandcreations @blanchedelioncourt @idaofinfinity @slytherheign @ellooo0ooo @vixenofcourse @dumb-fawkin-bitch

Aleksander M Tag List: @nyctophiliiiiaaa @jazmin2211

BB Characters Tag List: @rachlovesactors @noortsshift @aikeia @weallhaveadestiny

[themenendezbrothers]

Lyle Menendez: And I was feeling a tremendous amount of outrage. I mean the fact that my mother knew - I just - I don't know, I can't even really explain the downward spiral I was in that week.

Q: Take us up to that night in 1989 and what you believed your - your existence was about during that weekend. Where were emotionally, where were youin terms of your relationship with your parents and your brother at that time?

Lyle Menendez: I certainly did not know that my - my father was still in a sexual relationship with my brother. When he told me that weekend, I think in part because he was concerned that I was about to go back to school and you know continue my life and sort of leave him behind, my brother was suicidal, was emotional, and revealed this, uh, horrific, uh, you know, uh history of what had been going on with his father - you know

I had the reaction that I still, today you know how complicit was he in it? I mean he's - he's an 18-year-old kid obviously this isn't something where you're being forced, it's but I don't know that's just complicated whether it - you know how emotionally uh, beaten down he was at that point but they were obviously in a sexual relationship that he wanted to stop.

I certainly did not kill my father because he was doing that. My intention was to take my brother back to Princeton find some way out of this figure out what we should do. My brother thinks it's you know the fatal error in all of this that I told, I decided to tell my father, uh threatened him basically and said that this is going to stop and I'm going to take my brother out of this. I expected his reaction to be okay you know I'm done with it, go ahead. uh, and, he did not that reaction. His reaction was you should go - go back to Princeton deal with your life, you've got your things set up and let - and let Erik be he's going to stay here in California.

I felt like my brother had given up. Uh, there was, he, this is - it started when he was an early teenager or younger and he had just sort of given up and ended up in this sort of sick sexual relationship with my father uh and, I didn't really know what honestly I didn't really know what to think other than just uh, horrified by it and just shocked that I did not know. Um, and I think my shock really grew when I,(realized) had a conversation with my mother about it and it was clear that she knew.

For me, it was just trying to end it and then being threatened uh, that my father was never gonna let that happen - more, more concerned that I was going to reveal what had happened with my father because you have to understand my father was a very successful media executive, very high profile media executive. There was no way he was going to go through a child molestation trial. And I was feeling a tremendous amount of outrage. I mean the fact that my mother knew - I just - I don't know, I can't even really explain the downward spiral I was in that week.

I mean my whole life that I was a puppy goat started again at Princeton and that you know uh, I was the last thing I was even thinking about. I was just really in this sort of consumed place of uh, so many emotions you know, I can say anger and hatred and outrage and fear and those things because it's hard to separate them. I just was overwhelmed, I didn't know what was going to happen we were just - I felt like it was a very uh, you know, grave situation.

Link to YouTube Video

[simlit]

Chosen of the Sun | | dawn // thirty

| @izayoichan | @maladi777

ABILITY CHECK | CHARISMA Aster is assigned a base stat of 10 charisma, with a bonus of 5. Question #1 requires a roll of at least 15. Question #2 requires a roll of at least 16. Question #3 requires a roll of at least 18.  Question #4 requires a roll of at least 18.  Question #5 requires a roll of at least 20. 

next / previous / beginning

LUCIEN: Then… someone died? ELDEWYN: Indeed, someone did. And none of the remaining nine claimed responsibility. Made things quite interesting for spectators. There was some rumors that perhaps even the Chosen of the Sun might have been the killer. INDRYR: Surely the goddess of the moon would not select a murderer as her chosen. ELDEWYN: Ah, but it is sometimes the case. After all, back then, anything was acceptable. Even had they admitted their deed, they would not have been punished. LUCIEN: How awful… INDRYR: And who was the victim? ELDEWYN: Mm, the last to lose their life in the moon trials… What was it… ah yes… Castien, was his name. Castien Thallan. KYRIE: Who was he? ELDEWYN: A rabblerouser from the south. He used to get into all sorts of trouble. I remember before he was chosen, he and his little gang would stir up the city, made people restless. The guard was always after him for one thing or another, but never could hold him long. Imagine our shock when it was announced he'd been picked. After that, he was untouchable of course. Ironic, you ask me. KYRIE: He was just a delinquent, then? ELDEWYN: Yes, you could say so. A thorn in the capital’s side, really. But clearly honorable enough for the Moon to choose him. ASTER: A toast! To a veritable troublemaker! I can certainly relate. After all, they only had to drag me out of jail right to the steps of the church! ELDEWYN: Ha! That’s right! I’ll say, there was quite the gossip about it in town! INDRYR: Whatever were you arrested for, anyways? ASTER: Oh, you know, a little scuffle… bit of a bar brawl if I’m honest. I’m not much of a fighter, but tell that to my tongue! INDRYR: How curious that no one ever admitted to the deed. Are they certain he didn’t die to the elements? ELDEWYN: To be frank, there was a great deal of speculation about it, but seeing as how no one but then Ten were inside, there’s really no way of knowing. Afterwards, he was given over to the King’s clerics and prepared for burial. We honor the fallen, of course. They’re still Chosen, even in death. But he had no kin to speak of, and no one after came to claim him that wasn’t one of his fellow troublemakers. KYRIE: Whatever happened to them? ELDEWYN: I’m certain I don’t know. Went on their way, or grew up, I suppose! INDRYR: Perhaps there was someone else in the labyrinth? ELDEWYN: Hm? What do you mean by that? INDRYR: You said there were many dangers within the maze, it could be that he encountered someone there. Someone not Chosen? ELDEWYN: The labyrinth is located on the outskirts of the city. During the trial the entrances are heavily guarded, and very few people know the way through. Even if someone could get passed the blockades, they’d be utterly lost! INDRYR: Then, it doesn’t seem particularly efficient that anyone would plan to use the trial as a cover for murder. Unless… LUCIEN: Why would anyone think to do that? ASTER: Quite conspiratorial there, Indryr! And who doesn’t love a good conspiracy theory? Mm? I’m sure there’s a secret dragon under the castle waiting to make snacks of us all. More wine, my lord? ELDEWYN: Of course, of course! KYRIE: Surely you don’t think there was outside involvement? INDRYR: I’m only speculating. KYRIE: I’m certain there’s no evidence of that. Isn’t that right, my lord? ELDEWYN: Well, you know, he’s not the first to say so. There were rumors at the time that perhaps Castien’s involvement in the trials had been predetermined. KYRIE: Predetermined? ELDEWYN: They said he was selected deliberately. At request of… It’s all hearsay, anyways. LUCIEN: But the Chosen are selected by divine right! Lunar Priests get their orders directly from the goddess of the moon! Right, Your Grace? KYRIE: Uh— ELDEWYN: Of course, Your Highness. It is silly gossip, nothing more. Some people believed the presiding priest was espousing false information. But the trials were successful as every year before. There’s no reason to think he was lying about Castien being one of the true Chosen Ten. But people will get all sorts of ideas if given even a shred of mystery.