#the moral of the story is I have no idea what I am doing or what is going on

[marzipanilla]

RAGE ! heh. yah.

To just veer off bc I have been rewatching this channels stuff lately - Batman stuff ! (x)

On to the rambles.

Yeah it just felt like every single character came out of the woodwork JUST to say 'wink wink nudge nudge we KNEW you two crazy kids would figure it out eventually!' and ?? why ??? why ?? why did you feel the need for their EXES specifically to give them the go ahead, to even shove them towards it even?? I just ?? surely they have other shit to talk about? Not to mention Rex and Eve's we are traumatized teens bonding was way more interesting then their very shitty romance!

I hate the fucking while I was dying I was thinking of you line too. Yes Mark. When you are panicking and freaked out, clearly that is when your mind is most clear. please. dear god. amid the ethics courses you should have been taking, a few ones about psychology and trauma response would also be good, yes?

lol Hannibal. Yeah. I agree. I love Mads' interview where he like Hannibal is the happiest man I have ever portrayed : ) and its like. he's right tho. That man IS having the time of his life and his falling in love, he is having a GREAT time. beautiful show. need to rewatch it soon.

I was talking to someone else and they compared the whole Eve and her parents situation to 'I wont be gay in the house but you can't stop me from being gay outside' and like. ugh. it really is tho. WHY are you still there. WHY are you so determined to make THESE people your family. You know you were (unknowingly adopted) they AREN'T your only option anymore. You aren't 12. You had TT ! (supposedly) You have NEW friends now!! Stop going back to these people!!

The UTTERLY SILENT (I do like the choice but it is also funny that all that happens is literally without a voice) and completely undiscussed by the main 'moral' force of the show maybe villains have REASONS for what they do opening ??? yeah it was great but it also feels so 'lol look at whats going on in the background! no one will ever realize how complex these situations can be!!' anyway here's Oliver being fucking stupid.

Like yeah, I loved the GoG breakdown/breakup in ep 3, as like a we all need to discuss autonomy and accountability and the messed up world we live and people are both right and wrong- but any of the personal-ness to it is ABSENT bc again.. we have rarely seen these people do anything. Stop calling them your family Samson! NONE of you know each other !! Also him calling out Rudy for playing the odds and then acting like he's all fond of him is wild. Amanda being so thrilled this 19 year old girl is marrying her boss is insane. AND Immortal just invited his own ass back, that shit is hilarious. You know that fucker would make anyone asking to come back jump through hoops.

I have played a bit with the idea of danger blind Debbie and it just.. it makes enough sense to me. Her response to terrible shit happening just being like 'well this is annoying : /' while everyone else is freaking out. I feel like Nolan would have been like ??? squishy human not afraid ??? and Debbie's response like ?? you think you're special bc you can kill me?? literally anything could kill me ! Why should I be afraid of you just bc you're fast and strong? A slow person with an air filled needle could get me !! and Nolan just having to be like : / Okay. I guess I see your point.

Look I find the over all narrative and some of the characters fascinating enough that I WANT to engage with and talk about this media, but honestly, I am such a hater and I don't even try not to be xD Invincible is my BUT YOU COULD BE GOOD IF YOU WERE GOOD fandom fr. 'star wars would be great if it wasn't star wars' is a thing I've seen half-jokingly get thrown around and for me its 'Invincible could be good if they weren't adhering it to the comic' lol

TBH I started a 'Cecil basically becomes Mark's parental figure' story that would take place in my Liar Liar/Man Who Played Wolf AU, but I ended up disliking it so I never really went back to salvage it. Maybe I just need to refocus and honestly just make it about Cecil : /

Honestly given a number of the dumb things the GDA gets up to I wonder how good they are at strategizing lol Like.. I really hoped they would leave out the 'we knew Nolan was lying FROM THE START!' thing, bc.. okay... he's a viltrumite. You have only just recently barely found anything that could hurt them... but... like... 20 years on the planet... and not only did you find nothing you didn't WARN anyone ? like ? where's the contingencies ??? Also I will never get over them not giving that astronaut a medical check up, just so he could go puke up more aliens into his sink. Sometimes I also think they deliberately prevent heroes from getting access to education bc the moment one of those fuckers learns how to strategize then you're ACTUALLY fucked, bc they really do make some dumb decisions in battles. constantly.

Yapping bug ! time for the yappings !!

While I'm not too familiar with the DCU- your batfam meta posts are intiguing- so in transfering some of the broader strokes from them- I think you tackling a 'Mark isn't Nolan's biological son' fic would be fascinating. Sort of a step to the side of the 'what if Mark never got his powers' fic that sometimes pop up in the fandom

OOOOOO chewing on this currently, hm, the much a distinct flavor of exactly what you’re talking about, but the potential for more family drama depending on WHO knows. Does Mark know?? Is he waiting every day only to be crushed? Does he confused non-Debbie features with Nolan’s? I suppose I’m not the most enthusiastic about non-power AUs, but I think there’s something very fun to explore about Mark having to settle with, if he knows all his life, he will never have powers? I think the trajectory of his dreams will obviously shift, I can see him still having that distinct fatherly idolization, but perhaps embraces being useful to the GDA? Cecil’s number one intern—only intern—curtesy of nepotism, ha! There is something tickling me about Mark taking the Robin Route/Role for the Teen Team in terms of having no powers, just insane skills, BUT there’s something way more delicious about intern Mark when s1e01 happens and Mark tries snooping around to find out the truth about what happened to his Dad.

I wonder if, with Mark having a whole another father, if they’re more or less distant relationship, depending on WHEN Nolan entered Mark’s life? Like if Debbie met Nolan later for this, or just for fun, they dated once, separated (Mark being born during then), then they happened to stumble into each others lives again and Mark’s already been born, anywhere from tween to teenager so there’s a gap in how close they are. I feel like one important aspect of the whole Family Drama is how close they’re supposed to be, a functional, loving family turned upside down? So I wonder what more distance does. I wonder how Nolan copes when his family is entirely human and he can’t project onto Mark.

I love thinking about these, omg.

[genekies]

tag vent

[ratatatastic]

do you write fic on ao3?

unfortunately for everyone involved i do!

[ehh-is-the-name]

It's past 11 on a school night and I'm fucking crying over robot sentience.

I could never understand what it would feel like to be created with the intent to kill and maim. Maybe, the intent to work and be worked, but not kill and maim.

I will never understand what it's like to be created with the intention of being a product for the masses, either. I think, I hope, I beg, no one does.

I will never ever be able to fully comprehend why hours of people's work, time, and money would be put into formulating my sentience only for me to be seen as disposable. Even if I could be improved, even if I were "defective", there is no reasonable justification for giving me emotions only to dismiss them by pushing me as a product for a year before starting anew.

It's... It's cruel, to the machines. Sentient or not, it's cruel. Though, I guess we are cruel.

[sagittariangirl27]

Pisces new moon tonight. 🌑♓️🦇

[danmeichael]

nothing is apolitical but the mechanisms of a story even when not punished are not necessarily indicative of the author's ideology. to not acknowledge the fallible author is ill-advised, but to assume you know the author is foolish. do you understand.

[unproduciblesmackdown]

as ever like: no two things Need to be juxtaposed, much less like material vs material deathmatch Only One Can Be Good, much less am i thinking i have thee objective word on fuckall b/c who does and it's like perfectly boring & unserious whenever someone just throws out Takes that are just "i think...[xyz] is [adjective]" like okay.

but anyways thinking of how, though differing in execution in a lot of ways ofc, deh & bmc start out in a v similar place & explore a journey to self-acceptance from a despairing starting point....it feels like a lot of the hindrance in deh's exploration of its own Theme there is in like, hey. :) hand on your shoulder. it's okay b/c you'll be able to be more normal. whereas w/bmc it's that it's okay b/c you'll be able to be more abnormal

[stick-by-me]

The gays are taking over <3

[gibbearish]

ok i finished the first chapter and am gonna take a break now but im v excited to keep reading im really liking the way the author looks at things so far

[burningcomputerpersona]

my exam is finally over thank fuck

[shay-creates]

Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.

I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.

2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)

3. He sent the artwork to all his friends and people he knows because he was so excited

Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.

Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).

Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.

Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[fairiily]

|| why you keep waking up in your cr

i saw a girl make a tiktok about this and i thought it was a really interesting idea so i wanted to share it with you!

i think we can all agree that one of the biggest ideas on shiftblr is that all you need is intention

but i also think a lot of people can agree with me when i say: “if intention is all you need, why do i keep waking up in my cr?”

ill relate it to lucid dreaming.

most people who want to lucid dream use reality checks as a method to do so

you reality check throughout the day so your subconscious remembers while youre dreaming

maybe it doesnt work the first night you go to sleep, but you keep reality checking as part of your routine until your subconscious remembers too.

another girl related it to birth control

she used to have an alarm set everyday for 1pm to take the pill

eventually, she didnt need the alarm anymore, because her subconscious remembered that around that time of day, she needed to take her birth control pill

its the exact same way with shifting

you set intention to shift before you go to sleep, and you wake up in your cr again

“but i set intention! why am i still here?”

you begin to doubt yourself, in your abilities to shift, that maybe intention doesn’t actually work.

but it does.

sometimes it just takes a little longer for your subconscious to remember the intention you set, for the intention to stick.

many people’s shifting success stories happen when they go to sleep like any other night

they don’t intentionally do a method or set the intention of shifting, but they wake up in their dr.

how does that work?

after going to sleep and setting your intention night after night after night, your subconscious starts to do it on its own.

like reality checking during dreams, or setting an alarm to take a pill

your subconscious doesn’t have eyes, it is something that has to be trained, all it knows is what you tell it.

not everything can be mastered on the first try, you just have to keep trying.

moral of the story is:

intention is real. and its important. dont give up on yourself. keep setting intention. keep going to sleep knowing you will wake up in your dr.

one day you will.

i hope this helped or resonated with some of you, because when i heard about this idea, it gave me a lot of hope that im not doing anything wrong, my subconscious is just taking a little while to catch up.

happy shifting!

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[mymoshangthoughts]

okay i know that we all know and love "mobei jun basically marries shang qinghua and shang qinghua is too oblivious/busy/stressed/insecure/etc to realize until its ridiculous" but like

have we considered the opposite? (also if we have considered the opposite, please someone link me to the fics thankyou)

look im just saying i would love a morally bankrupt shang qinghua whose just like "okay so imma marry that man and im 99% sure he loves me too so im just gonna force the issue" but mobei jun is so unfamiliar with human courting and weddings that he just has No Fucking Idea and he's spending all this time pathetically pining after shang qinghua without the slightest understanding that they're already in a committed relationship

i just keep thinking about how mobei jun answered binghe on the "get someones attention question" and how genuinely surprised he was by shang qinghua's answer 🤣 like he reallllyyyy doesnt know the first thing about human courting oki and it's hilarious

also my personal hc but i totally think that shang qinghua is the type of morally corrupt asshole who would 100% trap the guy he wants if he had any inkling that he wouldnt get murdered for doing it

(this might be because i see shang qinghua and luo binghe as sorta similar personality-wise🤣)

even better if the story is just ridiculous for mobei jun not to realize. just him practically breaking down with "i mean we have sex twice a day and we're always at each others sides and qinghua arranged this weird ceremony a year ago and insisted we had to wear red for some reason but like... qinghua is super weird and he never hits me so i dont think he loves me 😭 i mean he did hit me the first time we had sex but it was only the one time!"

sha hualing just like "hm, yeah, that is a lot of mixed signals :/ idk what to tell you man, i think your feelings are unrequited. also that gross rodent isnt worth your time. also get out of my house, i am 100% sick of dealing with this shit after binghe"

shang qinghua literally oblivious to the agony he's putting mobei jun through 🤣

[illbegottenfaith]

handwritten - theo nott x reader

yours and theo’s story as told through notes passed in class

Part 1 | Part 2

a/n - came up with this quick idea to release some pent up creative energy while mulling over lucky pt 3. will prob make this an ongoing series for small ideas I can’t get fully fledged fics out of. easy to write, easy to read, enjoy!

tropes/warnings - fluff, a minor hinting at angst, newstudent!theo, estranged friends to lovers

word count - 1.5k

Monday, 10.07 am, Charms

Hey. You might want to pull your nose out of that disgusting textbook for once.

We’ve been over this. Just because you don’t understand something it doesn’t mean it’s disgusting. It’s very disrespectful.

What is disrespectful is you not paying attention to our year’s hottest new commodity - emphasis on the hot. I must say, he fills out that uniform quite nicely.

I’m sure he does.

C’mon, you’re not even a little bit curious? Just a peek?

Y/N? Hellooooooo? 

Oh my god. I know the guy.

???

What is he doing here? Last I heard he was being homeschooled.

Know him how??

We went to the same primary school. We were…friends.

Riiiight.

Don’t get any ideas. I haven’t seen him since I was ten. And he looked very, very different back then. Had a ratty sort of face. I can still kind of see it, actually.

Oh, Y/N, how could you say such awful things about his beautiful face! Oh dear, that bone structure…

Quiet, you. He’s really…grown. He’s so much taller now.

You know what you should do? You should offer to help him catch up.

On five years of school?

Oh, please, he was homeschooled. He had to have learnt some things. Who is he, anyway?

Theodore Nott.

Now that’s an Old Money name if I ever heard one.

Ivy. Be nice.

So? Is he? Old money, that is.

I…suppose so.

Are you sure you two were friends?

Yes. It’s been a while, that’s all. I just…wow. I can’t believe he’s here. Like, right there. I didn’t know if I’d ever see him again.

What happened?

He moved. I was starting at Hogwarts. We lost touch, it happens.

But now he’s back! Yay! Did you see those sinfully blue eyes of his?

Ivy, you have a boyfriend.

I know. Ivan agrees, by the way.

That he’s hot?

Yes.

He’s sitting on the other side of the room. When did you have time to discuss this??

Just now. Right in front of you. What did you think all that eyebrow-waggling was about?

I thought you were having a stroke. Merlin, the two of you are perfect for each other.

Don’t change the subject. He’s not gay, is he? Your friend? All the hot ones usually are.

I wouldn’t know, now, would I? I haven’t heard anything about him in years. Ivy, leave him alone. Please don’t harass the poor guy, sexually or otherwise. And quit it with the notes. He’ll notice.

How??? Has he got eyes on the back of his very nicely shaped head? He’s busy with Flitwick anyway.

Trust me, he’ll see. Nothing gets past Theodore Nott.

Monday, 2.15 pm, Potions

Well?????

Well, what?

The chat!!! Your chat!!!!!! With Mr. Theodore Nott!!!!!!!!

You have to quit it with the caffeine. You’re far too excitable after lunch.

The chat!!!!!!!!!!!!!!!!

It was fine. It was…nice.

Uh-huh.

He goes by Theo now.

Okay. I’ll pretend I care about that.

It was all very casual, very superficial. It was really just us exchanging pleasantries. Oh, right. He asked me to accompany him to Quidditch tryouts.

You??? But you hate Quidditch.

I know.

Please tell me you didn’t say that.

I didn't. I just said I didn’t know much about it.

And?

He said that didn’t matter. He just wanted me there for moral support.

Then what was with all the turning red halfway through? You looked like you were going to combust.

Was it that obvious?

Ivan had some pumpkin juice ready, just in case.

It was nothing. I just wasn’t expecting it, that’s all. He called me his good luck charm.

!!!!!!!!!!!!!!!!!!!

You’re going to rip a hole through the parchment.

AWWWWW

So?? Did you say yes??

I said I’d think about it.

BOOOOOOOO

Come on, Vee. He’s been flying since before he could walk. He always talked about joining the big leagues, you know. He knows everything there is to know about Quidditch, so of course he’ll make the team. And it’ll have nothing to do with me.

But he doesn’t even have any friends yet :(

That’s because he hasn’t talked to anyone yet.

Y’know, Romilda Vane wanted to know why he was talking to you of all people.

What’s that supposed to mean??

Eh, you know. You can be a little…snippy.

I am NOT snippy.

There it is. The snippiness.

Whatever. It’s all so pointless. Come Thursday evening, he’ll have joined the Quidditch team and he’ll be hanging out with, y’know, those people, and we’ll be ancient history. He’ll make plenty of friends. He just doesn’t know it yet.

Okay. If you say so. Also, at lunch, I finally tried that thing you’re always talking about, “applying myself,” and I found this article on his dad in the library. From 6 years ago.

Don’t you want to know what the article said?

You could have mentioned he was a death eater, you know.

I don’t care about that, by the way. You used to be friends and that’s good enough for me. But, Y/N, he was arrested six years ago. And you haven’t talked to Theo in six years. But there isn’t any kind of connection between those, is there?

Y/N?

Do not make me throw this at you. I know how you feel about paper cuts.

Tuesday, 3.03 pm, Defence Against the Dark Arts

Where’s your friend?

?

You know. Who you’re always passing notes with in class?

You noticed?

Hard not to. It makes you all fidgety and annoyed.

Yeah, well, Ivy’s an annoying person.

I’ll take your word for it. What do you have after this?

Transfiguration.

Wow. That’s one of the harder ones, isn’t it?

Er, depends on who you ask, I think.

Still brilliant as ever, then.

Shut up. I’m not half the swot I was in primary school. 

I never thought you were a swot. You were just…enthusiastic.

That’s sweet of you to say, Theo.

Huh. I thought I’d always be Teddy to you.

We’re not ten anymore, Theo. I can say your name perfectly now.

That’s good. So, have you thought about it?

Thought about what?

The Quidditch tryouts. You’re the only person I know here so you have to say yes.

I don’t know. Some of the girls look pretty interested in getting to know you.

What?

Nothing. I guess I could swing by for a short while.

That’s my girl.

Thursday, 8.37 pm, Common Room

SO?????

He got in. Obviously. Was there ever any doubt?

Did he run up to you? Did he hug you? Did he pick you up and spin you around???

Witch Weekly is a bad influence on you.

Details, please.

He hugged me. Kind of. Nearly tackled me, he was so excited.

you are SO his good luck charm!!!!!!

Friday, 11.17 am, Defence Against the Dark Arts

Witch Weekly?

It’s not mine. I’m holding it for a friend.

Right.

Really, I am. Ivy’s a fiend for these but she has this Charms test coming up that she absolutely cannot fail.

I believe you. ‘Top 6 Magical Contraceptives for the Modern Witch’ doesn’t sound like your kind of reading material.

I’m sorry, I didn’t mean to embarrass you. I was only having a little fun.

I’m not embarrassed. Are you embarrassed?

Erm, no, but you’re very red. Do you need to see the Healer?

I’m fine. It’s just hot. And no one calls Madam Pomfrey ‘the Healer,’ by the way.

Ah. I see.

Is there a point to all this? Did you need to ask something?

Oh, right. What are you up to on Saturday night?

Saturday? Dunno…wanted to take a crack at that Transfiguration essay.

Excellent. I’ll pick you up at 8.

Oh?

It’s nothing. A couple of the guys on the team wanted to celebrate with drinks at Hogsmeade. Everyone’s bringing someone, and I thought it would be nice if you came. Being my good luck charm, and all.

Oh, Theo, you probably don’t know this since you’re new and all, but going down to Hogsmeade is only permissible on certain weekends. And only start a couple of weeks into the term, so not yet.

Did you just -? Oh my god, you did. You laughed at me. You laughed at my note. Out loud. You’re lucky you’re in Slytherin, you know. Snape usually goes absolutely ballistic if anyone interrupts his lesson.

I’m sorry, I forgot what a stickler you were. I just - I didn’t think I’d miss it.

Please, Theo, forget the drinks. I cannot in good conscience stand by and let you break so many rules. You’ve been here less than a week!

Guess you’ll have to keep an eye on me. Make sure I stay out of trouble.

Exactly.

Great. See you Saturday at 8.

Part 2