#the moment I went to see the movie

[myflowershere]

Goddamn Mr. Jackedman, I can’t believe almost 5 weeks and you just woke up like 10+ years past memories, hacked my mind and fucked my soul. I should cry you a river man.

I swear I am not the same girl anymore.

[akai-anna]

please, tell me i'm not the only one who is obsessed over kaito chilling there and making friends with seagulls

[fictionadventurer]

Slumber party question! What's your earliest memory of encountering beauty? The first thing you can recall where you looked at something and were struck by how beautiful it was?

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[kacievvbbbb]

Y'all will not like the person I become on the TL when the rest of the new Dandadan series starts coming out

[crescenthistory]

have you ever had something so significant and impactful happen to you but it’s in a really niche area that you can’t really tell anyone in your general life about, so you’re just left imploding and silently screaming???? it’s hell 😭😭

very long story made semi-short; my found family and i have attended and contributed to a live action role play camp twice a year for almost a decade now that’s based on hogwarts/the hp universe and really fucking well made by a skilled team. and you get really fucking attached to these characters because for a few weeks every year you live as them and make friends as them and it’s REAL even though it’s not. my last character was so fucking devastating and important to me, and she had this epic tragic love story with my best friend’s character. we haven’t played them since we finished their storyline in 2023. AND MY BEST FRIEND WAS JUST ASKED TO RETURN AS THAT CHARACTER FOR THIS YEAR’S CAMP????? that’s HUGE, the game masters never make requests like that and it’s super secret but he told me (because it would be cruel not to with our characters’ backstories) and i’m just reeling with shock and excitement and fear. like i’m left REELING at the fact that i get to see him again (him being my bsf’s old character) (bc when you finish playing someone you never get to “see” them again uknow? it’s a whole thing) and also at what this means and all the wounds from the two of them are opening up again and we’re just DYING. we have no idea why he was asked back or what will happen it’s INSANE YOU DONT UNDERSTAND. to deal with it all i’m knitting and crocheting him a bunch of different things that my character has made for his (they live together on her family farm and she uses crafts and art to cope</33) and we’re just literally crying. i love them, they’re sunshine x sunshine and literal soulmates — i made that character based on the concept of what would happen if a sensitive, creative child had the most gentle and accepting parents who cultivated kindness. and then there was a war and her parents were fucking killed offfffff and it was such a huge thing. she lost her leg, her boyfriend lost his eye. it was a whole thing. i’m jittery with emotion and handcrafting at god’s speed because this camp is in three weeks and i’m just. dying. and screaming. my poor wife. (dw she attends the camp too and is screaming with me)

[magpie-trove]

🌫

[soldierandawar]

im most disappointed by Queer because i think we need more movies that are genuinely about male loneliness. the first 30-45 minutes of Lee trying to find companionship was the best part of the film and it’s the only time you could truly feel his longing. then the rest of the movie devolves into gowns, beautiful gowns.

Jason Schwartzman kind of fills that role as he spends the movie talking about his experiences with men who stole from him but he’s not in it enough to make a difference. they do absolutely nothing with Drew’s character. The boy doesn’t even get to be mad that this man is taking him around South America while going through withdrawals. He barely even has any dialogue and shines the most at the end when we get the look into his psyche while they’re tripping balls.

In the end, what could be a beautiful exploration of queer male loneliness is hollow and leaves me feeling empty. Not a great time!

[the-meme-monarch]

my brother and i have been going on walks a lot lately and have been checking out public buildings if only to see them, and in one it finally happened where someone thought my brother and i were a couple. even though Earlier in the conversation i mentioned ‘our little sibling’ like twice while gesturing to my brother and i both times. this wouldn’t have been so horrible and i could have easily brushed it off as her just not having caught that, if not for the part where after clarifying We’re Siblings she said “well even if you did have kids…” and kinda trailed off and didn’t complete that thought. she was talking to us about our futures/careers bc this was the town hall building so she probably meant it like If We, Individually From Each Other, Have Children but. i didn’t press for clarification but was ready to Leave after that. she was talking for a while still, after saying that. i had a cold soda and it was room temp by the time we finally left

[nero-neptune]

its funny, in a kinda sad way, that the mcu has been starting to introduce the main characters of the young avengers one by one Now (like i was Obsessed with the young avengers comics when i was in high school, talked fancasts with my friends and shit), bc i haven't cared that strongly for the mcu for almost 10 years now (around phase 3 is where they started to lose me) :/ like i couldn't be paid to watch these new things bc i simply can't get invested enough to watch these latest movies and tv shows. but if this had been a decade prior, my blog would've morphed into a primarily mcu-verse young avengers fanblog the moment i caught a glimpse of kate bishop, wiccan, hell. even cassie lang lol

16 yr old me would think i was a disgrace, but 16 yr old me was enduring the worst year of her life 10 years ago, so i'll let her have this one

[vanweezer]

❤️‍🩹

[drusill-a]

RTD is so in love with David Tennant that it makes him look stupid, huh.

[shugthedug]

and here’s the cracked: I sent the Barthes wrestling essay to my partner to read before we watched all the mission impossibles before mi7 came out so that he would understand the role I think Tom Cruise The Movie Star has as their thematic and emotional centre. The escalation of physical stunts and their prominence in the MI movies and the leaning into the narrative of ‘the audience and me against the world’ is a change in Tom Cruises career that was intentional (if forced) and his method of filmmaking evolved to account for it. It has led to a type of performance that is incredibly self aware and effective (culminating at its most powerful, I think, in top gun maverick) where his presence is the signifier of an entire body of meaning and myth onscreen. His recent films have built themselves around this understanding and the audience is a part of this construction. We trust him to embody the characteristics of the myth we have built with him, the stunts hold emotional weight because we need him to do the impossible: he is the reconciling element of the spectacle as well as being the spectacle itself. At its most simple and reductive: there’s something of wile e. coyote in Ethan Hunt (you cannot believe how complimentary I mean that to be) and the movies work because they know this is implicit in our understanding of them and tom cruise never creates a discord by chafing against it. We access the deepest human experiences through actors because they make them manageable for us, and I think tom cruise performs this in a very classic sense that has been drifted from since the 70s - in that way he is the last true movie star. His recent performances certainly align themselves closer to silent film and the golden age of Hollywood, where constructing a ‘realistic’ character was less important than an audience being able to rely on an actor to fulfil the unspoken code of their presence. I love that he embraces this and works with it, because in doing that he’s building something separate and new, and he might be the only figure who can.

[oopey-doopey]

Weird overlap I’m seeing with people who completely miss that Jess and Miguel are flawed characters who just believe they have good reasoning with evidence for their actions and the people who keep infantilizing the teens (especially Miles and Pavitr)

[parksrway]

JUST SAW THE FNAF MOVIE LIFE IS AWESOME AND WORTH LIVING

[shikai-the-storyteller]

Backing up the billion photos I have on my phone after putting it off for literal Years, but I just hit the QSMP section and man... :(