#the memories within

[hearts-a-heavy-burden]

Am I the only one who feels spoiled by reading Tamora Pierce as a child and then never finding something that hit quite the same? She really had it all. One of the only authors I’ve seen do multiple generations well (because the previous generations aren’t just offed or all of their progress backtracked). Ambient vs scholarly magic systems is still one of the coolest magic systems to this day. The friendships are perfect and just the right amount of romance to make it fun. Redemption stories that fit the characters and don’t make them perfect angels even as they grow for the better. Tragic regression stories that haunt the characters (and me).

[poorly-drawn-mdzs]

Lan Wangji goes to Lotus Pier (No relation to the AU of the same name)

[First] Prev <–-> Next

[the-muppet-joker]

I hate Gonzo due to personal trauma and dark muppet kin memories, but I cannot help but wonder how that big mupping nose would feel amongst my insides!

[archer973]

One of the things I realized when I watched Fury Road directly after Furiosa:

Furiosa doesn't treat Max like she treated Jack. She treats Max like Jack treated her.

There are so many parallels - the way they meet, their conflict with each other that quickly turns to partnership, their journey to The Green Place (and how it fails)...

But where before it was Jack reaching out to her, now it's Furiosa who is asking Max his name, teaching him the kill sequence for the rig, trusting him to have her back in a fight, giving him everything he needs to leave (even when she wants him to stay).

Furiosa doesn't see Jack in Max, she sees herself. Everything from the muzzle to the nightmares to the fact that he barely speaks is a direct parallel to what she was like when she met Jack, and Furiosa knows it. And so as someone reached out to her, she reaches out to him, this feral, half-mad Wastelander. She reaches out and offers him hope, just like Jack did to her when he came back for her on the Fury Road.

And together, they find some kind of redemption

[equill]

Reuniting with a distorted past.

Extra:(New personality tested gone wrong)

wanted to play with rin living in the aftermath aus aswell and had these drawings laying around to share so yay

Panel 1: Was buried alive.

Comic 1: Who are you supposed to be?

new friends

Comic 2: Misguided protection.

obito still sensing the warning signs of rin losing her temper. anyways they proceeded to be dragged into the ocean by rin like some sea monster

Comic 3: Finding out (Now what will you do?)

obito is harshly brought back from his delusions because now its not just kushina but rin too who he needs to ripped out the tail beast from

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy�� with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[conswayo]

echo

[shakingparadigm]

NOBODY is allowed to be happy and EVERYONE is doomed

[poliodeuces]

dottore doodles

[sunnywalnut]

Yk even before I heard/knew about Ford×Fidds I could FEEL the unsaid words in this scene.

The way everything just STOPS.

How Stanford, even after all this time, is still looking DOWN on Fidds. This time literally.

And then.

He slowly brings himself to his level.

And embraces him.

I am unwell.

[eudociacovert]

WAIT WAIT WAIT so if Lucy is the one writing the books does that mean the several NDAs Lockwood & Co have signed over the course of the series have expired or something, or did she write an illegal tell-all?? I feel like it's the second???

[akemi-roses]

look at them... 😭😭

[spectralarrovv]

the dark lady’s guidance; quench the light of the moon

[homehauntsyou]

really fun to me how sam grew up confident in the capabilities of his mind, both as a source of rebellion and a source of pride (it's literally the thing that initially saves him and allows him to get out & go to college), only to eventually have even that taken from him because of possession and torture. really fun

[nolongerapileofashprobably]

Zelda constantly rambling is 100% a trait I adore with every ounce of my being but the reason behind it is actually so heartbreaking.

Zelda and her studies were condemned mercilessly by her father. She legitimately ran away from the castle and her father’s orders multiple times because of how stifled she felt inside the castle.

And though she had the support of Impa and Purah, she was forbidden by the King to continue with her research on the Guardians.

And then we have Link who actually listens to her. He’s with her constantly as her knight attendant and he actually listens. She will ramble about anything, because she is so smart and has a wide variety of knowledge that was always looked down upon because it wasn’t her ‘duty’. And he shows genuine interest.

And to fast forward to totk where we learn that they are practically inseparable to the point that people assume Zelda is safe because Link is or know something is immediately wrong bc Zelda isn’t by Link’s side…. *spoilers for totk ending below*

It’s just so precious to me because Zelda grew up with her hobbies and interests put down and now she has Link who she is not at all afraid to ramble on and on to about the zonai and some of her first thoughts upon waking up at the end are the many things she just has to tell Link about. Zelda finally has a home where she can just be her and that home is Link and the Hyrule they are rebuilding together.

Also just adding the fact that Zelda obviously rambled about Link to Sonia prior to memory eight and gave the impression that Zelda’s absolute devotion and faith in Link was 100% reciprocated bc of Sonia’s teasing comments ….

Zelda’s rambling is absolutely precious to me and I’m so happy she has Link who is forever supportive of her and her endeavors regardless of what they might be.

[artbyblastweave]

How do you think Worm (+ Ward) would change if Wildbow wrote it in the present day? Both in the sense of him having more writing experience and of him xeconstructing a different superhero landscape. (Also, him having even more planning/drafting time.)

Well, one answer is, "I don't think it would have been written-" Worm really got released in an incredible sweet spot where superhero stuff was ascendant in the mainstream but not yet culturally dominant, and written in reaction to a bunch of specific stylistic dysfunctions of early-2000s big-two comics that aren't necessarily gone but have certainly shifted their manifestations a bit. I don't think Worm would have taken off the way it did if he was trying to write it today, when we're like three layers deep into comic book movie ascendancy, backlash and re-ascendency.

But to engage in slightly better faith, my suspicion is that if written today the book would be, in every sense of the word, more online.

Movement-building by The Very Online is already of visible interest to Wildbow from, like, Twig onward (probably a consequence of the ways in which he, himself is Very Online). You see this to an extent in Ward as written, which in the Capricorn flashbacks in particular had interesting worldbuilding ideas about superheroic social media marketing that Worm didn't go into in the same way because it wasn't as big then. (This, incidentally, was one of several beats, in both the story and in the extraneous materials, where Wildbow backdated elements of the 2020s internet zeitgeist into a setting where the world ended in 2013, which is a very funny way to end up with an alternate history.) This would dovetail with the genre in the sense that whenever I stick my head back into what's going on with Big Two comics these days, I perceive the space to have gotten way, way more online in quite a few ways. Comics that feel written for people on twitter, by people on twitter, with an eye for incorporating whatever the hot-button activist issue is that week and the kind of panels and dialogue that blow up when cropped and reposted without context. Ecoterrorist Thor, inherently-thematically-confused ACAB street-levelers, Miles Morales trashing a landlord's car. You know what I'm gesturing at with this one if you follow Why-I-love-comics or any of the other excerpt aggregators.

This is more of a value-neutral judgement than I'm making it sound- When Al Ewing does this kind of thing, it's usually great, when Tom Taylor does it...I have less charitable thoughts on when Tom Taylor does it. But either way I often feel that there's a building tension between a need for these things to be socially conscious, progressive, left-leaning and so forth, and the inherent limits of how much a mass-market status-quo-bound serial publication can commit to being any of those things-the mealy-mouthedness of framing superheroes as change agents in a setting where nothing ever changes.

Given the extensive write-ups of activism-issue aligned capes in the Weaverdice docs, and given the direction his writing took with Pale and Claw in particular, I find it hard to imagine that Worm as written in 2025 wouldn't want to poke at those tensions. Very-online young-gun superheroes firebombing Walmarts and sticking their dicks in police actions, except there's no editorial reset button and that actually goes somewhere politically. Probably somewhere bad.